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After the Rain, Vol. 2

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By Jun Mayuzuki. Released in Japan as “Koi wa Ameagari no You ni” in two separate volumes by Shogakukan, serialized in the magazine Big Comic Spirits. Released in North America by Vertical Comics. Translated by Jocelyne Allen.

As you might imagine given the title of the series is After the Rain, it rains an awful lot in this manga. This not only creates an appropriate atmosphere, but allows both of its protagonists to come down with bad colds. This causes both Akira and Kondo to lose control of their emotions a bit, allowing suppressed feelings to boil over – nothing going beyond hugging, mind you. No one is quite ready for this relationship to advance that far yet. (Well, Akira may want it to – her fantasies when she’s in bed with a cold verge close to a masturbatory scene.) Plus both Akira and Kondo have things in their life they need to work out first. Akira is still trying to untie herself from her previous track team life, despite her friend Haruka insisting they can still be friends. And Kondo has a hidden side – he writes. But doesn’t want anyone to find out about it.

It’s no coincidence that both of these plotlines resemble each other – our leads are very much alike despite the age difference. Akira is determined to move on from her injury, but feels like the only way she can do that is by completely cutting out that part of her life. This naturally upsets Haruka, who is reduced to tears hearing Akira essentially deny everything they had. As for Kondo, seeing Akira recommend a book by his college friend Chihiro brings up old memories, and causes him to reunite with said friend and discuss their old literature club, which also apparently had his ex-wife in it. The reunion allows him to give advice to Akira on her fight, which is, essentially, “even if you do never speak again, this will not change the precious moments you once had with each other”. Which is good, if non-confrontational, advice – I’m sort of rooting for Haruka here.

We also meet Akira’s father in this volume (complete with a great “stop telling people I’m dead!” joke), which is good, because it shows us that her dad really isn’t much like Kondo at all. (So he’s not a replacement father figure, which I was fearing.) She’s also a lot more outgoing with her dad, sort of like the flashbacks of her and Haruka that we see before the accident. Like most high school kids, she’s ready to grow up and be taken seriously as an adult, and is frustrated by people who still want to treat her as a kid – not realizing that the reason they’re doing it so much is they know they don’t have much time left to pamper her. She’s almost an adult, but you want to stop time just so that you can still have her need you in the same way. It amounted to my favorite chapter in the book.

This story continues to be a sweet, slow burn, and my misgivings about the May-December romance have faded a bit. More to the point, I just like the writing of the characters. Even if the romance doesn’t happen, I want to see what happens next in their life anyway.

Reborn as a Vending Machine, I Now Wander the Dungeon, Vol. 3

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By Hirukuma and Ituwa Kato. Released in Japan as “Jidou Hanbaiki ni Umare Kawatta Ore wa Meikyuu wo Samayou” by Kadokawa Shoten. Released in North America by Yen On. Translated by Andrew Prowse.

This third volume of Reborn as a Vending Machine tries to expand the world that we’re in and give our hero a bit more insight into goals for the future. As we’ve seen, a lot of his “what should I do next” thoughts involve collecting points to level up, get new products, etc. Here, after a very amusing eating contest, Shui from the mercenary group wins the right to have Boxxo for the entire day, and takes him to the first floor of the dungeon, home to (try to contain your surprise) a group of poor yet plucky orphan children. The dungeon, it turns out, needs to have someone reach a certain level in order to get to the second floor. So for the unwanted kids, or whose whose parents have died, they have this. It reminds Boxxo to, if you’ll pardon me, think outside the box and realize this is a real life world he’s now in, not just a game RPG.

There’s also his relationship with Lammis, which continues to be chaste (he’s a vending machine) but still have that “I am a harem manga protagonist” feel to it. Lammis is clearly deeply in love with Boxxo, and as such will try to overcome her limits in order to stay by his side (she’s terrified of the supernatural, and the last half of the book involves nothing but that) and also gets easily embarrassed around him (she tries to hide her heavy period, which doesn’t work but does allow Boxxo to show off that he can also dispense sanitary pads). As for Boxxo, his emotions are still a bit flat, but it’s pretty clear he likes Lammis quite a bit. I’m not entirely sure where the series’ endgame is here, but am content with it simply being cute and chaste – it really does get pretty adorable.

Less adorable is the climax to the third book, where our heroes defeat a skeleton lord and then discover the demon behind the skeleton lord, who is vastly more powerful. For a moment I wondered if the book was actually going to kill off a few regulars – the villain actually stops Hulemy and Shui’s hearts, and you briefly think the book might be going in a dark direction. But no, it’s just an excuse for Boxxo to recall that AED stations can also be part of a vending machine, and that he can use that to save their lives. Also, he has telekinesis now, though we don’t get too much of a sense of how he’ll use that. Honestly, you don’t want this series getting too dark – it’s about a guy reincarnated as a vending machine – so I’m fine with his breaking out vaguely deus ex vending machina powers so that everyone is fine again.

While the series has a number of volumes after this in its webnovel version, Kadokawa hasn’t published a new volume in about two years, so this may be all the vending machine we see. (The author has been writing KonoSuba side story volumes, which may explain it.) Which is a shame, as despite its truly ridiculous premise I found myself drawn into each book, trying to see what would be happening next. I’ll miss you, Boxxo.

Bookshelf Briefs 1/7/19

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Bad Friends | By Ancco | Drawn & Quarterly – Only a few Korean comics have so far been released in translation by Drawn & Quarterly, the most recent being Ancco’s internationally award-winning Bad Friends. The work is a devastatingly powerful one, hard-hitting and at times difficult to read due to its emotional heaviness and unflinching portrayal of physical abuse. Bad Friends is told from the perspective of Pearl, a young cartoonist reflecting back upon the good and the bad of her middle school and high school years. At the forefront of her mind is her incredibly important and formative relationship with Jeong-ae, a close friend she hasn’t seen or been in contact with for over a decade. As teenagers, they were both delinquents, finding their own ways to survive in a harsh, cruel, and ugly world; as adults, their lives have taken drastically different paths. Bad Friends isn’t necessarily an easy or comforting read, but it is exceptionally well done. – Ash Brown

Blue Exorcist, Vol. 21 | By Kazue Kato | Viz Media – “Son of Satan” has always been part of the core of Blue Exorcist, and though Rin is the one who this is talking about, Yukio is apparently not free from Satan. At all. In fact, Satan is apparently talking to people from his eye. So, since his allies aren’t helping him or telling him the truth (well, they’re trying to help him), clearly it’s time to… join the bad guys? Renzo, a natural-born traitor, can help with that. Meanwhile, Mephisto’s getting shot in the head, which doesn’t stop him, but does mean he has to remove the barrier keeping the gate of Gehenna shut. As for Rin, he’s exposed to the full brunt of his power, and it’s almost too much for him, despite Shiemi helping by conjuring up an entire forest. Basically? There’s a LOT here. – Sean Gaffney

A Certain Scientific Accelerator, Vol. 8 | By Kazuma Kamachi and Arata Yamaji| Seven Seas – The shoe is on the other foot, and now a girl is telling Accelerator that he should stay away from HER because she doesn’t want him to get involved with her. Naturally, having this flipped around is irritating to Accelerator. Things aren’t helped by his brain starting to bleed because he’s overworked himself, leading to some of the creepiest POV art I’ve seen in a long time. Also, this new arc promises to feature a lot more of Last Order, who has mostly been a mascot for the series so far. But she’s bonding with Matsuri, who is a classic “I am pretending to be arrogant” princess type, and also runs into an overly affectionate young woman who says she’s a chef but may be a villain. For Index fans. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 13 | By Aya Shouoto | VIZ Media – Unsurprisingly, the cliffhanger of Himari being shot by Kasha at the end of volume twelve does not stick. It turns out that he used some kind of ayakashi weapon that expels her soul from her body, allowing him to take over and cast her spirit out of Momochi House. She makes her way back just in time to see him kidnap Aoi. I must say that for a volume where a lot happens, none of it actually lands with any sort of dramatic impact. It’s diverting, I guess, but it’s just not meaningful. (Or memorable, apparently, since there was a character in this volume whom I’d completely forgotten.) However, the next volume does seem to promise the backstory between Aoi and Kasha and I guess I’m at least marginally interested in that. I’ll keep reading for now. – Michelle Smith

Golden Kamuy, Vol. 7 | By Satoru Noda | Viz Media – There’s some amazing horse racing in the first half of this book, which shows off the difference in how the races were run, and also allows Shiraishi to humiliate himself once more. But it’s somewhat overbalanced by the second half, which features our heroes trying to take down not one, not two, but three killer bears, all around the estates of an American Southern Gentlemen. We get the usual reasons we read Golden Kamuy—horrific violence that is also somehow amusing, disgusting-yet-useful discussions of rectal plugs, and two yakuza who are also flamboyantly gay in a stereotypical but nevertheless interesting way. Golden Kamuy is many things, including violent and sometimes gross, but it is never dull. – Sean Gaffney

Haikyu!!, Vol. 30 | By Haruichi Furudate | VIZ Media – It’s day two of the spring tournament and Karasuno is up against Inarizaki. The player who gets the spotlight this time is Tanaka, who hasn’t played great so far, and we get the backstory of his first year on the team. I really appreciated this look into the mindset of a mentally tough player who admits he’s not the best at anything, but refuses to give up. “I got totally down on myself for whole seconds!” he confesses later. Of course, he gets his moment of vindication and Karasuno wins set one. Next, we check in on Nekoma and delve into Kenma’s backstory. While I’d ordinarily be kind of annoyed at a shift away from our leads at a pivotal moment, this is a really affecting exploration of the disaffected-seeming setter who will give his all for his friends. I might’ve sniffled a time or two. – Michelle Smith

Hungry for You: Endo Yasuko Stalks the Night, Vol. 2 | By Flowerchild | Seven Seas – While this is another in what seems like a lot of manga series lately that read like they were cancelled rather than naturally ended, this second volume is pretty satisfying. We get some backstory for Yasuko, as well as a mastermind who turns out to be a lot closer than folks were expecting. That said, I found the ending most interesting, as I was very much expecting that Shizue was going to join Yasuko in her undead life, and that just doesn’t happen; Yasuko says she wants to be there with Shizue, but admits she’s going to get married, have children, and die eventually. It’s a more melancholy ending than I thought, but it fits this series, which is still cute and sweet. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 6 | By Aka Akasaka | Viz Media – The anime is starting possibly as you read this, and I hope it’s a good adaptation, especially for the faces. The faces in this series are absolutely amazing, and this volume is here to provide a bevy of brilliant ones, mostly from Kaguya. She’s learning, but it’s a long and difficult process, and Miyuki is, frankly, much better at flirting when he’s unaware he is, as the rooftop Princess Kaguya story entails. That said, the student council has moved on now… or have they? Will our heroes come together for a new student council? Or will the girl who we see on the last page and is clearly meant to be a new character throw a spanner in the works. Don’t know, but this hilarious series makes me want to read more. – Sean Gaffney

One-Punch Man, Vol. 15 | By ONE and Yusuke Murata | VIZ Media – The martial arts tournament is finally over! Unfortunately, Saitama is bummed because he didn’t meet anyone who could challenge him. He felt nothing, learned nothing, and gained nothing. While he’s lamenting having gotten too strong, he even ends up defeating the hero hunter with one kick without even realizing it. I don’t know where ONE is headed with Saitama’s massive ennui, but the rest of the plotline features the Monster Association demanding that the Hero Association send its strongest fighters to rescue the kid (son of an important donor) that they’ve taken hostage. I keep waiting for Saitama to finally achieve recognition, and I don’t know whether to hope this’ll be his chance or to feel like I ought to know better than to expect that from this series. Still a lot of fun! – Michelle Smith

Pick of the Week: Full Circle

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SEAN: It’s hard this week for me to pick between my perennial lost cause Hayate the Combat Butler and the final volume of Spirit Circle. I think I’ll go with the latter as Hayate will no doubt still be coming out ten years from now.

MICHELLE: Seeing as how there’s not much else that calls out to me, my pick this week is volume seven of Lovesick Ellie. I was a little concerned about the direction the series was taking in the last volume, so here’s hoping that this next one offers some reassurance.

KATE: There’s nothing on this week’s list that floats my boat, so I’m going to recommend a title that was released just a few days before Christmas: ABARA. It’s a beautiful, haunting, and strange manga that’s stayed with me longer than any of Tsutomu Nihei’s other series — and that’s saying something, considering Nihei has at least *two* series in which a talking bear is a significant character.

ASH: ABARA is indeed an engaging manga and probably my favorite work by Nihei to be released in English so far. But this week I’m with Sean in picking the final volume of Spirit Circle. I’ve really been enjoying the series.

MJ: There’s nothing that really draws me in this week, so I’m going to use my pick to boost the signal about something cool going on in another area of publishing right now, which is the Kidlit for Trans Rights auction ending tonight at midnight. Some of the prizes you can bid on are very writer-specific, like query or first pages critiques from agents, but there are also a slew of signed books and annotated copies from authors to bid on, and it could not be for a better cause. If you’re a fan of children’s, middle grade, or YA books, check it out!

I Saved Too Many Girls and Caused the Apocalypse, Vol. 11

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

By the end of this volume, we have five left to go before the series ends. It’s started to make me wonder what the endgame is actually going to be. Oh, I’m still convinced it will end with him not choosing anyone. But it has to be said, if he is going to choose one of the girls, it has to be someone the reader has a strong attachment to as well. And, well, First Girl Wins is not just a trope for nothing. Satsuki has an advantage that the other girls do not. She’s a childhood friend, she has magical wikipedia powers and is therefore involved in Rekka’s life rather than being kept in the dark. And she gets a big focus in this volume as well, as she and Rekka are accidentally sent to a deserted island for a while, where they can wax nostalgic, almost get eaten by a leopard, and come close (but not close enough) to a confession.

Satsuki is not on the cover, of course. The interesting thing, though, is that both girls on the cover, while heroines that Rekka “solves”, are not romantic heroines that we can see. Yulia is a nun who, like many Japanese nuns in fiction, is also an exorcist and a bit of a fanatic. Given she’s ended up in Rekka’s hometown, which is teeming with otherworldly inhabitants, particularly the vampire Rosalind, you can see why Yulia is flipping out a bit. In fact, dialing back her fanaticism is the point – she’s mistaking the Church’s vendetta for her own, and Rekka has an actual Angel to tell her “no, God says the Church is wrong”. (A very common thing in light novels lately.) As for Poppy the fairy, “staying hidden” and avoiding a group of kids trying to capture her is the sole goal she has. Compared to prior volumes, the stakes are very low key here.

Back to Satsuki, a surprise in this volume was that we not only see her parents, but get art showing what they look like. (In fact, the author wondered if there were enough interesting scenes for the artist, which may be why we see her parents as well as the kids harassing the fairy.) The other plot-heavy part of the book involves L, who has been abandoned by her villain friends and is on her own in the past, and essentially homeless till she gets picked up and adopted, for the moment, by Satsuki’s family. She’s still trying to kill Rekka technically, but it is interesting that whereas R is going for “hammer Rekka with as many heroines as possible to create a crisis point”, L is more “I am in one heroine’s corner”. And that heroine is Satsuki.

Will she win? Likely we won’t know till Book 16. Will R ever be seen? And of course the one question that absolutely has to wait for the last book: will Rekka get a clue that everyone is in love with him and do something about it other than change the subject? We do apparently get a girl in a top hat, though, so that’s nice. If you’ve been reading this, keep reading it. It’s fun froth.

Silver Spoon, Vol. 6

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

It’s going to be very hard to discuss this volume without talking about the final chapter that overshadows the rest of it, but I will do my best to save that for later. In the meantime, there is still festival prep, and horse races! The racing is a highlight of the book, mostly as, despite getting distracted by family, studies, and Mikage, Hachiken is finally learning how to ride. This is despite the fact that he almost falls off Chestnut 3/4 of the way through, creating a dramatic moment when everyone panics he’s going to fall and get trampled. But he survives, and ends up in fourth place! Which is interesting, because it’s really good for a newbie, but it still irritates him. He wants more. He’s getting competitive spirit. This is especially good news given that he’s fallen for Mikage, who gets third in her own race and actually agrees to go on a date with him during the festival (though she may not have realized that’s what it was).

It would be remiss of me not to mention Ayame, who is introduced in this volume and is FABULOUS, in all senses of the word. Trying her hardest to have wandered in from a Rose of Versailles manga, and consumed with an intense rivalry with Mikage (who merely sees her as a good childhood friend), Ayame is pure hilarity the moment she steps onto the page. She’s basically the “ohohohohohoho” laugh given human form. She rides slowly and perfectly through her race, not understanding or even really caring that she’d doing it wrong. And when Hachiken manages to get fourth in a race (and thus finish ahead of her), Ayame admits that she’s rivals with him as well. For all that I praise Silver Spoon for its depiction of agriculture and compelling characters, there’s also no doubt that Arakawa can make things incredibly funny.

…and then Hachiken collapses and is taken to hospital, right before the festival begins. Frankly, the astute reader should have guessed this was going to happen. He hasn’t been brought up on a farm, and he got goaded into taking charge of eighty different things. He was ridiculously exhausted, and now he’s paying. That doesn’t make this any less depressing, though. His look as he wakes up in the hospital is almost heartbreaking. And that cliffhanger, showing the arrival of his dad, promises that the next volume is not going to be starting with laughs either. Still, I like that we are shown the start of the festival anyway – the manga is not just Hachiken, and I’ll lay you even money that his incredibly detailed and easy to understand festival plan is going to be noticed by someone at some point (there’s even a shot of the notebook sitting there like Chekhov’s gun.)

So the festival looks to be a success, but will Hachiken get to see any of it? And will his dad demand he pull out of the school? Can his dad, in fact, find it in him to not be a complete dick this time? I cannot wait to find out, because Silver Spoon is still amazingly addicting.

Manga the Week of 1/9/19

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SEAN: It’s a quiet week unless you like Kodansha’s digital-only titles. What’s out next week?

J-Novel Club gives us a 5th volume of The Master of Ragnarok & Blesser of Einherjar.

Kodansha, print-wise, has a 15th Attack on Titan: Before the Fall. This is one long prequel.

ASH: The manga adaptation adds more to the story than is found in the original light novel. Actually for the better, I think.

Digitally, there’s quite a bit. Kasane finishes up with Vol. 14, and Fuuka comes to an end with the 20th volume. There’s also Alicia’s Diet Quest 2, Boarding School Juliet 7, Kamikamikaeshi 7, Lovesick Ellie 7, Starving Anonymous… 6, and Tokyo Alice 7. Boo, Starving Anonymous, you need to get with the 7s program!

MICHELLE: I’ll at least be reading Lovesick Ellie! I need to check out Tokyo Alice one of these days, too.

ANNA: I have come to peace with the fact that there are many series that I will never be familiar with, and this list represents many digital manga I am not reading.

SEAN: Seven Seas debuts Dragon Quest Monsters +, a sequel to the old Gameboy video game. It ran in Shonen Gangan back in 2000, so is something of a surprise license.

ANNA: Sounds fairly obscure!

SEAN: We also see Captain Harlock Dimensional Voyage 7, Himouto Umaru-chan 4, and the 6th and final Spirit Circle.

ASH: I’ve fallen behind with Dimensional Voyage but have recently caught up with Spirit Circle. I eagerly look forward to the next (although sadly last) volume. The series has been excellent.

SuBLime has an 11th volume of The World’s Greatest First Love.

And Viz gives us Case Closed 69, Hayate the Combat Butler 33, and Radiant 3. Always happy to see Hayate getting volumes published and not kicked to the curb like a dog.

ANNA: My kids like Radiant!

SEAN: And that’s it. See anything interesting there?

MJ: No, but maybe one of you will persuade me.

The Asterisk War: Idol Showdown

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By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Haydn Trowell.

I must admit, of all the minor characters introduced in the last book when Ayato toured the festivals, I was not expecting the comic relief idol band to be the most important. Yet here we are, with said band trying to shame Ayato for being a clueless harem protagonist, getting into fights with other, more delinquent contestants, discovering secret underground battle rings, and taking on our heroes in the final part of the book. Actually, possibly the most interesting part of their story is the fact that their weapon is so powerful, even divided into five bits, that it literally makes them more eccentric and difficult. They have weaponized being cloud cuckoolanders! They also put up a damn good fight, forcing Claudia to use a lot more of her precognitive powers than I think she wanted, which will no doubt come to haunt her in the end. That said, this is really Saya’s book. So I will save her for later.

But first, let’s stay with Claudia, who stuns everyone by announcing her goal in front of the press. This certainly unnerves many people in power, especially her mother, who it turns out if in charge of most everything. As you can imagine, Claudia and her mother do not get along, and yet their confrontation is a highlight of the book. It also seems to tie into what Sylvie is searching for – as does the aforementioned underground battle ring, which is shut down for now but I’ll bet you even money will be started up again in a few books so that Ayato and Julis can fight forbidden illegal battles. Much of the rest of the book is the start of this tournament, with various groups fighting and showing off their dangerous points. This includes Claudia’s team as well, usually with her as the ‘team captain’, though that changes for the final match of the book.

Which brings us to Saya, who gets a lot of focus here. She’s both the childhood friend love interest and the ‘stoic’ one, so brings a lot of popular cards to the table. Her stoicness masks a lot of emotion, though, both in her desire to be able to bring everything she can to the battles with her weapons (which works out wonderfully in the last battle with her homing bazooka thing), and in her desire to be closer to Ayato. She spends a lot of the middle of the book convincing the idol group girls that Ayato is not, in fact, a playboy (well, not deliberately) and explaining all the times he’s been there for her. Which seems to lead her to the big cliffhanger, where she confesses to him. Now, I have a feeling that Saya is aware of the cliches of harem novels like this, and knows that by both being a childhood friend *and* confessing first, she’s out of luck. Still, it’s super impressive, and I hope that Ayato is able to give her a response that’s not just hemming and hawing.

Asterisk War is still very light and fluffy, but this was a particularly strong volume of the series. If you only watched the anime to make fun of it, you might be surprised by this book.

Kimagure Orange Road, Vol. 1

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By Izumi Matsumoto. Released in Japan in three separate volumes by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Digital Manga Publishing. Translated by Steven LeCroy.

It’s been an awfully long journey from “the anime is a big hit, the manga is sure to be licensed” to “why didn’t Viz license this back in the day?” to “yay, DMP is Kickstartering the entire series!” to “will this be released before DMP dies?”. But here we are at last, and all six omnibuses of the legendary Kimagure Orange Road are now in my hot little hands. They look nice – good paper stock, solid covers. You can tell the KS money went into printing them. The question is who the audience is. Chances are that anyone who ponied up the considerable cash to get six print omnibuses of the entire series is already going to be a KOR fan. You aren’t getting casual readers. If a casual reader did get the series (there are PDF copies of the omnibuses on sale at emanga), they might be startled by how ordinary it all seems. But that’s typical with manga that sets the trend and then is quickly surpassed by those who come after it.

For those unfamiliar (and given that the heyday of North American fandom was around twenty-five years ago, I think that’s most of you), the premise of Kimagure Orange Road has a family moving to a new neighborhood. The father is fairly normal. But his children, Kyosuke, Manami, and Kurumi… are psychics! Just like their late mother. (Yes, sorry, Hard-KOR fans, esper is not used here.) They move a lot because the kids, being young and impetuous, abuse their powers and are caught. Kyosuke is really trying to not do that and fit in at his new school. Then he sees two girls smoking behind the school… cool, aloof Madoka and outgoing, impetuous Hikaru. He’s met Madoka before, running up a stairway with either 99 or 100 steps, depending on who you agree with. But she seems totally different now, and doesn’t want to give him the time of day! Kyosuke promptly falls for her… and Hikaru falls for him. But what of Madoka, this whimsical girl?

“Kimagure” can be translated as “whimsical”, and it certainly applies to Madoka, who runs hot or cold depending on the situation. She clearly likes Kyosuke immediately but she also sees Hikaru likes him too, and that he’s not doing a good job of telling Hikaru he’s not interested. Plus he tends to be a jerk some of the time, saying things like “if you smoke, you won’t have healthy babies”. (Note the two reactions: Madoka blushes at the thought of doing things that make you have babies, Hikaru gets mad and says “I’ll show you! Imma have ALL the babies!”) The series plays out like a classic shonen romantic comedy – in fact, it is *the* classic shonen romantic comedy. That said, it’s also steeped in what was big in 80s manga, as Kyosuke does use his powers quite a bit – if you’re wondering what specific powers, well, it tends to vary depending on the need of the plot, but includes teleportation, telekenesis and mind reading. You can see why their dad is worried about his kids.

I mentioned that North America had a big KOR fandom back in the day, but that’s not quite true. The fandom was for Madoka. The rest of the anime and cast was secondary. Most modern manga tries to keep the love triangle at least a little balanced, but Matsumoto is not really interested in that. We *know* Kyosuke and Madoka are the couple, the question is how long it will take. The answer is there’s five more of these 600-page omnibuses to go. As for Hikaru, fans these days are more sympathetic to her than they were back in the 1990s, where she was the very first “bashed” anime character – even before Akane in Ranma 1/2! Given that, in the manga at least (the anime is another story) she is unaware of Kyosuke and Madoka’s feelings for each other, her forwardness is a lot more understandable. Still, looking back on the series now, I must admit: things would be solved a lot faster if Kyosuke mustered a backbone.

If you want to see shonen romance as your parents read it, you really can’t get a more perfect choice than KOR, which is pure 1980s Japan, even down to the discos – and the amusement park called Cougar Town. Recommended.

Beasts of Abigaile Vol. 4

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Beasts of Abigaile Volume 4 by Spica Aoki

I hadn’t realized that Beasts of Abigaile was only 4 volumes long, and I’m guessing that the mangaka wasn’t planning on the series wrapping up so quickly either, based on the sheer amount of backstory and exposition crammed into one volume. Still, the story does end on a satisfying note, although I would have been fine to see the series get stretched out to 5 or 6 volumes in order to be able to spend more time with the supporting cast.

Nina’s been captured and her secret of being a human at the werewolf academy on the island of Abigaile is threatened with exposure! She encounters a chained-up Giles, who fills in some of the details about the manipulation of Angelica the student body president who is nursing a special hatred for Nina. Nina is determined to be a force for good at the academy after hearing more about how its potential has been subverted by the school administrators. Roy is on his way to rescue Nina when she flies in with a high kick and they take off and hide in rose bushes to escape. One of the things that I like about this series is that for all of Roy’s alpha male blustering, Nina often manages to rescue herself through sheer determination.

On the way to the resolution of the series, the reader learns about Nina’s secret past, Roy and Giles’ secret past, and Nina comes to realize exactly what her own feelings are. There are some spectacular revelations and many panels of people staring intensely through jail bars. While this volume suffered a bit from too much story being crammed into a few short chapters, overall Beasts of Abigaile was a fun to read breezy paranormal shoujo series that I enjoyed. I hope it did well enough for Seven Seas that they continue to publish the occasional shoujo manga, as I like to see shoujo coming here from a variety of Japanese publishers.