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The Ideal Sponger Life, Vol. 1

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By Tsunehiko Watanabe and Neko Hinotsuki. Released in Japan as “Risou no Himo Seikatsu” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Seven Seas. Translated by Wesley Bridges. Adapted by Jessica Cluess.

Well, here we are again with another isekai. They tend to be male power fantasies, but this one’s even more blatant about what it is than most. Based on an (as yet unlicensed) light novel, our hero is a Japanese salaryman working for a shady company and not enjoying his life, until he’s transported to another world! (Not hit by a truck, which is honestly what I was expecting.) There he meets the beautiful and busty Queen, ho explains why he’s there. Due to plot reasons, he has royal blood from the other world in him, so he needs to marry the queen and get her producing an heir. That’s all he has to do. Despite this world being pretty patriarchal, he’s not required to rule the land a la Realist Hero or anything. He’s savvy enough to realize that’s the catch (she wants to rule herself, not pass a baton), but decides to go for it anyway. Of course, this being an isekai, he immediately is an influence regardless.

It has to be said, even for a male power fantasy this one’s pretty nice to the hero. He’s briefly threatened by guards when he approaches the queen, but that’s about it. She happily explains everything to him, and even allows him to return to Earth for a month so he can settle his affairs and say goodbye to his family, which is more than 90% of isekai heroes get. He also thinks ahead, taking a portable generator and tons of books/CDs/DVDs/a fridge with him when he goes, as he knows this is standard fantasy world. I’m assuming there will be the typical adventure things later on in the series, but for the moment he is there to marry and knock up the queen. Which he does, or at least presumably. He also needs to learn the language, as it turns out that while he can hear everyone in Japanese, they aren’t really speaking it – it’s a magic ability he has. This means learning to read and write, and also teaching Excel Spreadsheets to the kingdom, which I suspect may win him enemies.

Given that we see it on Page 1 (in a sort of premonition), it should not be a surprise that there IS sex in this, which isn’t 100% explicit but gets as close as it can to that line. I’ll be honest, I was expecting more plot to interfere in the actual consummation, since I’ve seen this type of thing before, but no, this time both hero and heroine are actual adults, and the whole point is to produce an heir, and so coitus ensues. This also allows us a brief look at the queen, Aura, when she isn’t wearing the queenly mask, as we see her on the wedding night trying to act smooth and seductive, but once she’s alone in the bedroom she shows off a blush that suggests she’s just as innocent as he is. Nor is he a majestic lover, either – while they both seem to have happy sex, the line “I guess this means you’ve finished” seems to imply it was better for him than for her.

I’ve heard this series described as “come for the boobs, stay for the political intrigue”, and that seems accurate. Certainly the latter is what motivates me to try another volume. There’s some good setup here, assuming you can get past the sex scenes and objectification of the queen that’s also in these pages.

Division Maneuver: A Hero Reincarnated

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By Shippo Senoo and Nidy-2D-. Released in Japan by Kodansha. Released in North America by Seven Seas. Translated by Andrew Cunningham. Adapted by Dayna Abel.

I’ll freely admit, I had not originally planned to read or review this at all. We have come to a point in the North American light novel market where you simply can’t read absolutely everything. And that cover made me say “Oh boy, another masturbatory aid for teenage boys!” But I had a gap in my schedule before Yen’s March light novels hit like a bat to the head, and I thought “OK, I guess.” In the end, it balances out that I’m pleased that I read the book, and I’ll likely pick up the second (and final) volume. So I’m here to tell you about why yet another book with teens in powered suits at a magical academy is something that you might want to take notice of, rather than, say, Infinite Stratos, or Seirei Gensouki, or The Asterisk War, etc. And I will also warn you that my first impression of the book is ALSO very true. If you’re reading this book, hope you like endless descriptions of boobs.

So once there was a hero. He was a bit headstrong and stubborn. He fought to save the Earth from hideous tentacle monsters (who thankfully only want to eat humanity, not do anything else with it) and he sacrificed himself to take out the evil queen monster. Unfortunately, she’s not quite dead. So he’s reincarnated back into the world as a young man and resolves to get stronger and try again. The big problem there is his new self has virtually no magical aptitude. Fortunately, he runs into his old teacher, who also happens to be the headmaster of the magical academy for awesome magical students. She trains him in fencing, martial arts, and the like to the point where even though he has virtually no magic, he can still beat most everyone. When he arrives at the school, he joins an elite unit, learns to actually use teamwork (something his former self was bad at), and falls in love with his sempai, who is also the little girl saved by his former self right before he died.

I’ll start with positives. Hanabi, the heroine, is not the sort of heroine I was expecting when I picked up this book – cool, hands off, tsundere, constantly yelling at the hero, etc. She’s a bit battle hungry, actually, and falls in love with Kuon faster than he does with her. He’s 13, by the way, which makes this relationship a bit “ergh” (she’s 18), but nothing seems to happen beyond making out. I also liked her best friend, who is a standard character type, but it’s one I like. Honestly, by the end of the book I was thinking that some of the cast were going to die – it gets fairly brutal at times. Now for the downside… well, you saw the cover. The color illustrations merely exacerbate it. Hanabi is a walking pinup and the author and illustrator want you to know it. Kuon thinks about her breasts all the time. It gets very aggravating for anyone over the age of 19. Oh yes, and our hero has no magic aptitude – except that he can STOP TIME. Which is apparently a martial art? I dunno.

So I liked the character relationships and plot enough to read more, but unfortunately, the fanservice and the questionable romance mean we once again have a light novel that I can only recommend to its intended audience. Teenage boys, go get it.

Takane & Hana, vol. 7

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Takane and Hana Volume 7 by Yuki Shiwasu

This volume continues to explore how Takane and Hana deal with his changed circumstances as he adjusts to live as an ordinary businessman. It is a slightly more serious volume than usual, but there’s some great character development.

Takane and Hana 7

Hana continues to show up at Takane’s shabby apartment to feed him dinner, although he’s started to get a little better about fending for himself without the advantages of his former wealth. They share a genuine moment of connection when Takane says “Thank you” without his usual posturing and bizarre grimaces. Hana immediately checks to see if Takane might be coming down with a cold because she’s stunned at his behavior. One thing that this descent into poverty confirms is that Hana is indifferent to Takane’s wealth and status. She’s been commenting all along that his over the top gifts and lifestyle doesn’t impress her, and her willingness to hang out with him in poverty just reinforces everything she was saying earlier. Takane might not totally internalize this shift in their relationship, but he actually starts acting less arrogant in his job, and starts making moves to pull off some complex business deals independently. Takane and Hana eventually achieve a sort of new normal in their relationship, and the roles get reversed a little bit when she gets sick and he has to take care of her. This continues to be an entertaining series, and I’m finding this shift away from over the top wealth-related shenanigans to have more emotional depth and resonance than I was originally expecting. I’m curious to see if the series continues to have more of this emphasis on the character relationships or if it goes back to more broad comedy. Shiwasu is executing this series so well, I’d be fine with either option!

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 7

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

After the bleakness of the last volume, it’s good to see that this one is at least slightly more light-hearted, though as always the author can’t seem to resist ending on a downhearted note. That said, things are a lot warmer here, and the extra side-story that adapts a drama CD even tries to retcon the last book by showing that Hachiman was eventually roped into an after party anyway. This brings together most of the main protagonists, and features what may be the funniest part of the book, where Hachiman’s “hobbies” are found to be wanting (people watching doesn’t count) and they try to find him some new ones. It does reinforce a running theme of this series, though, which is that as much as Hachiman wants to push everyone as far away from him as possible, there is a growing core of people who worry and care about him. The trouble is, some are also falling for him, and at this point, that’s not a good thing.

It’s time for the traditional trip to Kyoto, with temple visits galore, something that has most people excited, even Yukino, who seems to be far more into the trip than she pretends. That said, the Service Club also has a new request, and it puts the “romantic comedy” back in the spotlight. Tobe, best known so far as “Hayama’s #2”, is in love with Ebina, best known so far as “that BL fangirl”, and wants to ask her out, but is nervous, so wants to enlist the help of Hachiman’s group. Needless to say, given this group, this involves 2/3 crushing verbal abuse and 1/3 sympathy, and even Yui is finding it hard to bring the sympathy. The trouble is, as it becomes apparent, Ebina does not want that sort of relationship – not now, and not with Tobe. And that makes everyone nervous, because the way Hayama and Miura’s cliques are set up, if a confession results in awkwardness and pulling away, it will destroy both groups.

If you guessed the solution to this was “Hachiman taking things on himself so as to deflect everything to him”, then congratulations, you are familiar with how this series works. That said, much as it was interesting to see a more serious and even poignant side to Ebina, the “main” romance is mostly there to highlight the main love triangle of Hachiman, Yukino and Yui. There’s plenty of ship tease between him and both girls here, as he holds Yui’s hand as they go through a dark and creepy temple set, and sneaks out for ramen with Yukino and Shizuka (a chapter that features Yukino at easily her cutest and most vulnerable in the series to date). But, just as everyone knows with Ebina and Tobe, the reader is aware that if the love story advances further, the core friendship of these three is going to be broken. Especially if Hachiman keeps up his “please crucify me” solutions to everyone’s problems.

So the question is, what’s next? Can the Service Club maintain its status quo? Well, my guess is yes, as the next volume is “7.5”, and is a collection of short stories. (Note that unlike, say, Devil Is a Part-Timer, these .5 volumes were not released as DVD extras, and are therefore able to be licensed here.) That said, this seventh volume of OreGairu is a bit less bleak, but you’re starting to see that the train is rushing forward towards a final destination that may simply be “crash”.

Bookshelf Briefs 3/11/19

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The Ancient Magus’ Bride, Vol. 10 | By Kore Yamazaki | Seven Seas – Welcome to the first volume of Chise Potter, though hopefully we won’t get a Professor Quirrell. Chise gets settled in at college, choosing a dorm by choosing cats, which in my opinion is how every college should do it. Elias follows along, of course, as a teacher, and there’s a gaggle of new characters, most of whom I didn’t really get much from at all. Chise is, thankfully, much less awkward at being social than she used to be—in fact, it’s her roommate who’s the tough nut to crack. That said, most of this volume was pure setup, and I suspect it will read better after I’ve read the next two. I’m definitely grateful that this series is continuing, though, and it’s worth the eventual reread. – Sean Gaffney

Cutie Honey: The Classic Collection | By Go Nagai | Seven Seas – My first real introduction to Cutie Honey was through Shimpei Itoh’s modern manga adaptation Cutie Honey a Go Go!. It was a fun series, so I was looking forward to delving into Go Nagai’s original manga from 1973. Fortunately, along with an essay by novelist Hirayama Yumeaki and an afterword by Go Nagai, Seven Seas has collected the entirety of Cutie Honey in a single hardcover omnibus. Cutie Honey is an entertaining if somewhat absurd series. Much of the manga’s humor tends towards the lewd and admittedly some of the jokes aren’t as socially acceptable as they may have once been. Between the titular heroine’s transformation scenes and the frequency of characters’ clothing being ripped to shreds, there’s a fair amount of nudity in the action-oriented manga. Since the cast is primarily made up of women, it’s mostly female nudity, but the men aren’t immune from sudden clothing loss either. – Ash Brown

Durarara!! re: Dollars Arc, Vol. 4 | By Ryohgo Narita, Suzuhito Yasuda, and Aogiri | Yen Press – Once again, I’m left feeling that the anime and novels handled this material better—the wait between releases doesn’t help, plus the author’s plotting, which involves everything happening at once, makes the manga more diffuse and confusing than it has any right to be. The best bits probably involved Ruri and Shizuo’s brother, who bond over their difficulty with basic human emotions, like so many other Narita couples. Last time I said Izaya was about to jump start things, but he’s absent from this book, meaning that it meanders a bit too much. It really needs someone making everyone’s lives miserable again. Which I’m sure will happen soon. Maybe. – Sean Gaffney

Everyone’s Getting Married, Vol. 9 | By Izumi Miyazono | Viz Media – The final volume of this series ties up everything that’s been getting in the way of Asuka and Ryu getting married. Ryu decides he does love Asuka and resolves to return and fight to save their relationship. Asuka realizes that she doesn’t have to get married NOW and uses that to spend three years doing so well at her job that she can now take a year off to get married and have a baby and NOT have to worry about being fired for being a married woman. Heck, even Asuka’s friend who was perfectly happy to not get married is getting married. So in the end the title proves to be true, and you’re really happy to see the two of them finally work everything out. A very good josei series, bring on more of them. – Sean Gaffney

Hakumei & Mikochi: Tiny Little Life in the Woods, Vol. 4 | By Takuto Kashiki | Yen Press – I joked on Twitter that after the girls from Girls’ Last Tour died, they were reincarnated as Hakumei and Mikochi, and while Hakumei may be a bit too sensible for that to map exactly, there is very much the sense of exploration across both volumes, even though the two should be more familiar with their setting. We meet Mikochi’s sister in this volume, who is a writer and a tease, not in that order. There’s a festival chapter (sort of), a hot spring chapter (sort of), and a chapter which will make you cry at the death of a coffee grinder. In short, most of why readers read this series is on full display here. I enjoy this more and more with each volume, and always smile as I read. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 7 | By Aka Akasaka | Viz Media – There’s some good comedy here at the head and tail of the book. My favorite chapter was probably the one involving Miyuki, who is no longer sleep-deprived, losing the bags under his eyes—which terrifies everyone and makes Kaguya realize that her love of them may be a fetish. But the bulk of this book is to introduce a new major character, Miko, the girl on the cover who is super earnest and also super awkward. She’s running against Miyuki in the election, and her ideas are great but her stage fright isn’t. Fortunately, Miyuki takes a page from Hachiken’s book and makes himself the bad guy to fix things—fortunately he wins anyway. I want to see how Miko adds to the dynamic. – Sean Gaffney

Kakuriyo: Bed & Breakfast for Spirits, Vol. 2 | By Waco Ioka and Midori Yuma | Viz Media – I enjoyed this second volume more than the first, not uncommon with Shojo Beat stories. Aoi’s still having trouble getting anyone to give her a job, but after she gives some home-cooked food to a passing drunk who turns out to be really important, she’s making important connections. More to the point, Aoi compares her story explicitly with Beauty and the Beast, and she’s not wrong. There’s also a jealous woman who attempts to sabotage things and is caught and about to be humiliated. That said, that’s the cliffhanger, and I’m fairly certain Aoi’s going to save her with the power of niceness. I am OK with following this yokai series now that Kamisama Kiss has ended. – Sean Gaffney

Maiden Railways | By Asumiko Nakamura | Denpa – Somehow, I’d gotten the impression that this was a girls’ love anthology, but in reality, only one couple depicted herein fits that bill. Instead, we get stories about a pickpocket helping an inattentive husband make up with his wife, a girl who’s moving away seizing the moment to confess to a boy, a ghost with lingering regrets, and a guy whose wife thinks he’s cheating on her because he works late and brings home cake. Trains figure prominently in each story—in a couple we get some detailed timetables as one party tries taking a different train to catch up with someone, but in some stories the action is just rooted around a train station, or perhaps about a beloved late relative’s model train set. They’re all low-key and they’re all enjoyable, even if they ultimately don’t leave a strong impression. I look forward to Doukyuusei by this author, coming soon! – Michelle Smith

Skip Beat!, Vol. 42 | By Yoshiki Nakamura | VIZ Media – Kyoko’s audition for the role of Momiji continues. She’s emerged victorious over the scheming Kimiko in terms of swordfighting, but that alone isn’t enough to convince the director to cast her. Overhearing another actor deduce that Kyoko likes Ren, Kimiko manages to convince Kyoko that Ren is in love with her, with nearly disastrous results. There are some frustrating things in this volume, like Kyoko almost telling Moko about her feelings for Ren but chickening out and her taking in some intel about Kimiko liking some other guy without actually questioning her conclusion that Ren’s secret love is Kimiko. I know, I know. Shoujo gotta shoujo. But I am just so ready for some real movement on this point, as much as I love seeing Kyoko kick ass career-wise. Soon, please? – Michelle Smith

Pick of the Week: Choosing Sides

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MICHELLE: I’ve already awarded my pick to The Girl from the Other Side a time or two, so though I’m definitely happy to read more, I should probably branch out a bit. There are several other titles I’m interested in this week, but I’ll award my official pick to That Blue Sky Feeling, which I admittedly haven’t read yet but which looks right up my street.

KATE: At the risk of being Manga Bookshelf’s most predictable member, I’m voting for the latest volume of The Girl From the Other Side.

SEAN: Quite a few titles I’m interested in but nothing I’m devoted to, so I’ll go with the title I plan to read first, which is Fullmetal Alchemist: The Complete 4-panel Comics. I love Arakawa being silly.

ASH: I’m curious about Candy Color Paradox and I really enjoyed the debut of That Blue Sky Feeling, but The Girl From the Other Side easily remains one of the best series that I’ve read so it gets my pick this week.

ANNA: At the risk of being overly predictable, I’m going to pick The Girl From the Other Side too!

MJ: And I’m going to be absolutely predictable and go for Fullmetal Alchemist: The Complete 4-panel Comics! Arakawa always wins with me, and her comic… uh, comics are a sublime treasure.

Der Werwolf: the Annals of Veight, Vol. 3

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Entertainment. Released in North America by J-Novel Club. Translated by Ningen.

The author described this as being a “slow” volume, which is a bit of a stretch given that one third of the way in our heroes are fighting a kraken. The plot of this book is essentially “Veight goes around to the rest of the Southern Territories and convinces them to join forces”. One area has the aforementioned kraken that needs to be taken out. Another, a town made of labyrinths designed to trap enemies, is already being targeted by the villainous Senate, and Veight and company have to convince people that a) they’re not responsible for the assassination of the ruler, and b) stop all the assassins who are. Fortunately he has help from a number of old friends as well as a new character, Parker, who is… well, he’s Brook from One Piece. Though he can at least disguise himself as “not a skeleton”. The puns, unfortunately, are still there. That said, does Veight even need help?

Veight continues to be the best reason to read these books. We’re used to harem protagonists that are clueless about the girls who like them, but Der Werwolf has little to no romance as of yet, so with Veight it’s more “he is unaware of his nature”. It’s not clear if he’s doing this deliberately to avoid the issue or not, but Veight’s tendency to pick the most dangerous solution has been noticed by most of his subordinates, and they aren’t very happy. It’s especially funny when he chastises others for the exact same thing, and is somewhat amazed when called out on it. To be fair, Veight probably COULD take out everything that goes against him by himself. We see more of his ludicrous “I can use magic and am also a werwolf” combos here, and they’re enough to get an enemy army to run away in fear.

The rest of the characters are not as good as Veight, sadly. I’d mentioned Parker was Brook from One Piece, and am wondering if “undead skeleton + puns” is a thing in Japan. There’s also a viceroy who decides, to make himself stand out, to act flamboyantly gay, and all the little stereotypical tick boxes are checked there, but fortunately he only shows up near the end. And we also get a glimpse of the Senate, which seems evenly divided between “evil” and “stupid AND evil”. Probably the best new character was Shatina, the daughter of the murdered viceroy, who starts off as a terrified teenager but, by the end of the book, has to be talked down from turning her city into a tool to get monstrous revenge on all those who have wronged her. The author would seem to agree, as the short story after the main book has her and Firnir, the centaur girl, bonding as they explore the underground labyrinth below Shatina’s own labyrinth of a city.

Der Werwolf’s most impressive feature continues to be its readability – you never get bogged down in prose the way you do in so many other light novels. I look forward to seeing more of Veight being ridiculously overpowered and totally unaware of it.

Aria The Masterpiece, Vol. 1

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By Kozue Amano. Originally released in Japan by Enix, serialized in the magazine Stencil. This edition released in Japan by Mag Garden. Released in North America by Tokyopop. Translated by Alethea and Athena Nibley.

Third time’s the charm? This is definitely the year of lost causes getting another break. First we had Urusei Yatsura, cancelled over and over by Viz back in the 90s, getting a deluxe omnibus treatment. And now Aria, beloved by bloggers and a cult classic, but cancelled when ADV Manga collapsed and then cancelled again when Tokyopop hibernated, is getting its own deluxe treatment. These editions came out in 2016 in Japan, and this volume has the “Aqua” volumes, i.e. the start of the series before the Enix split that led to Kozue Amano moving to Mag Garden. It is a standard Japanese omnibus, meaning that it looks great but also eliminates most of the author’s end comment pages and extra side stories. What you get here are the first nine chapters, looking significantly better in this format than they did on first release here. The translation is the same, I’m fairly sure.

The series is a LOT more popular than it was back in the day, though, mostly as the anime was a bigger hit than expected. For those still unfamiliar, the series takes place on Mars, now renamed Aqua, sometime in the future. It’s been terraformed to be a water planet, and Neo Venezia is one of its stunning cities, done up to be just like Venice. This means they need gondoliers, and that’s where our heroine, Akari, comes in. She’s flying up from Earth… erm, Manhome… to join Aria Company, one of three companies in the city that are considered the cream of the crop. Of course, when she gets there she discovers that the company is just her and her mentor, Alicia. Plus President Aria, who I will discuss later. Even worse, her rowing technique, while awesome in terms of speed and flair… is less awesome as she’s rowing backwards. Fortunately she quickly gains skill, and also acquires a best friend/rival (who has a crush on Alicia) and a teasing guy friend/rival (who also has a crush on Alicia).

That said, as Aria fans know, the plot and characters are great, but they’re secondary to the scenery. Neo Venezia is the star here, and the larger format shows off the art to an even better degree. I especially loved the chapter that introduced Cait Sith, the huge, vaguely supernatural cat that will also, in a way, mentor Akari throughout the series. I was also very amused at how quickly everyone falls for Akari’s shining optimism and love of life. Aika attempts to be grumpy, with “no sappy lines allowed!” being a running gag, but it doesn’t work at all. It’s also not hard to see why everyone (including me) loves Alicia… she’s a fantastic gondolier, clearly cares for those around her, especially Akari, but most importantly, is the very definition of “ara ara”, the phrase that she spouts constantly in the original Japanese.

Manga or anime, Aria is the equivalent of a peaceful breeze running through your hair as you go down the river in a slow boat. It’s worth buying again.

Kokoro Connect: Michi Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

A running theme of both Kokoro Connect and Book Girl, a series I’m finding it very easy to compare to, is that, unlike your typical anime or manga, problems and traumas are not magically “solved” or gotten over just because the characters now realize they exist. The first volume of this series had Iori talking about how she’s never been able to really figure out who her true self is, and theoretically she had moved past that. But it’s not that easy, especially when you’re a teenager, and Kokoro Connect is pretty much using a sci-fi plot to examine the mindset and foibles of emotional teens. And the phenomenon this time around, where the five protagonists occasionally broadcast their thoughts to each other, is the absolute worst for someone like Iori who’s hiding her darker self. As a result, everything blows up after Taichi decides to finally confess to her on Valentine’s Day. The confession does not succeed, but that’s only the start of everything being terrible. Oh, and they also have to save their club from losing its advisor.

The rest of the cast also gets a good look in. Yui and Aoki both have POV scenes, which is important as they both individually meet Heartseed, something that’s unusual. Yui in particular is getting a lot more aggressive and natural, and is slowly coming to terms with liking Aoki, though despite her inner thoughts she’s not ready to act on it yet. And of course Taichi confessing means Inaba is on the losing end… but let’s be honest, most readers never saw Taichi and Iori as the main couple, mostly as, due to her core issues, Iori is a lot less developed than Inaba is. I think Taichi is better off with Inaba, particularly if he’s going to remain as stupid as he is in this volume, sacrificing first his reputation and then his body in order to solve the issues. Sure, Inaba’s main character description is basically “hot mess”, but at least the two are sure of themselves. That said, we aren’t even halfway through this series of books, so who knows?

I was not all that enamored of the dramatic ending, which featured Inaba getting kidnapped and tied up by thugs (somehow I doubt THAT fear will linger into future books) and everyone coming to the rescue. Better was confronting Iori, which amounted to Inaba basically yelling at her until she broke down. It’s something that should be obvious, but the entire book talks about how it’s easier to think of solutions than to actually put them into action. The book also amusingly has a lot of “but this isn’t fiction, this is real life” references, which I might have appreciated more were it not for the rescue from thugs fictional drama. That said, the dialogue (wonderfully translated as always, though with Inaba in this book it’s at least an R rating just for language) is fantastic and quotable, and I really like these kids. Next book is short stories, so perhaps we can take a break from teen angst and move into teen comedys being SNAFU.

Oh yes, and “Random Paths” seems to be the translation of the title.

Maiden Railways

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By Asumiko Nakamura. Released in Japan as “Tetsudou Shoujo Manga” by Hakusensha, serialized in the magazines Melody and Rakuen Le Paradis. Released in North America by Denpa Books. Translated by Jocelyne Allen.

We’ve seen the occasional short story volume in North America, but they’re still a rarity compared to picking up long-running series. Sometimes, though, you’re in the book for quick bites… or in this case, short trips. As the title might suggest, this volume’s short stories revolve around trains and train stations. Except for one chapter, they’re not interested in makes and models in a trainspotting sort of way. The train is a vehicle into the heart, as we see various couples and singles meet, interact, and move forward around the train setting. The author is known for being skilled in the shoujo and josei world, and also has some noteworthy BL to her name, including Doukyuusei, which came out digitally here eons ago and which Seven Seas is finally putting out in print this summer. There’s no need to worry about the engineer here – this train is in good hands.

The stories are interconnected only in the setting, though there is a final chapter that shows all the protagonists of the previous stories moving past each other in a nice callback. The first story is mostly from the POV of a young wannabe pickpocket as she gets involved with a husband who thinks that his wife is cheating on him with his younger brother. It’s honestly probably a good thing she’s there, as I found the husband really aggravating (deliberate, of course, but still…) and the story works better from her semi-detached POV. Things work out well, mostly as she’s very familiar with the schedules. (OK, not so well for her, but don’t pick pockets, OK?) The second story involves a love triangle/square among high school students who are graduating, and also involves catching a lover by knowing the timetables- I was reminded of the Monty Python skit about murder and train schedules.

The third story, if I’m honest, may be what a lot of readers are here to see, as it’s the “yuri” story in the book. A high school girl who’s getting romantic attention but isn’t interested… at least not in that person… runs into an older woman who’s breaking up with her lover. Loudly. The difference between the two personalities is the reason to read this (though the height difference is also cute). The fourth story may have been the one I enjoyed the most, as a husband buys cakes every Thursday from a shop, but is hiding a deep, dark secret. Is he cheating? His wife resolves to follow him, but we know the answer isn’t that. This is the story in the book most closely related to trains and their makes and models, and I found it rather sad and sweet. The last story is also sweet and sad, and has two women bonding at the station after the last train leaves about their boyfriends. This is really the only story with a spoiler, so I’ll leave it at that, but it was also quite good.

As noted, the book ends with a story that interconnects all the other ones (though I could have done without the implication that the pickpocket might be romantically involved with the security guy) and shows that this sort of thing happens all the time on this train. It’s a nice gimmick that leads to some well-told stories. Definitely worth a read, and I’d love to see more by this author.