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Mushoku Tensei: Jobless Reincarnation, Vol. 5

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By Rifuin Na Magonote and Shirotaka. Released in Japan as “Mushoku Tensei – Isekai Ittara Honki Dasu” by MF Books. Released in North America by Seven Seas. Translated by Paul Cuneo. Adapted by JY Yang.

I was pleased to see that almost all of the things I brought up as negatives in the last review were improved here. Yes, OK, there are several scenes of Rudeus getting distracted while fighting as he literally cannot stop staring at large breasts, but compared to prior volumes, this is on the light side of him perving out. Eris gets a great deal more to do, and the scenes with her and Cliff on her goblin hunt were probably the funniest in the book. It’s also made clearer, in case it wasn’t already, that she is over the moon in love with Rudy. She also plays a part in the main plot point of this book – indeed, the entire book seems a letdown compared to these scenes – where Rudeus is finally reunited with his father and younger sister. Sadly, due to misconceptions on both sides, it’s not exactly a happy meeting. In fact, things go south far more rapidly than anyone could have guessed.

The biggest point of interest in the series is, of course, the dissonance between Rudeus’s adult reincarnated otaku brain and his physical (and, let’s face it, emotional) child self. Here, after getting caught beating up kidnappers who turn out to be his father’s group rescuing slaves, we get the biggest contrast yet, as he tries to impress his father with everything that he’s been through to reassure him that he’s fine, but is confronted with a very real question: why does he not know what’s going on with the entire kingdom being teleported and displaced? I mean, Eris knows – she’s been keeping silent as she assumes Rudy is keeping silent for her sake. And everyone else in the world knows. But Rudy, by various plot coincidences, has never seen ANY of the messages his father left at various guilds. The result of all this? A huge father-son fight.

Paul is handled well here – he’s at his wit’s end trying to save people, getting drunk and depressed as most of his family is gone, and suddenly here’s his son back, being smug, and accusing him of sleeping with women when he hasn’t actually done it. You can see why he snapped. At the same time, Geese is absolutely correct in reminding him that Rudy is a child (has he turned 12 by now?) and the mere fact that he survived at all is stunning. Rudy’s genius makes people expect things of him that he is not functionally equipped to handle at times. As we see in the best scene in the book, when Rudy, post-fight, simply lies dazed in his room at the inn Eris tries to comfort him in a really awkward yet sweet way. Fortunately, things are mostly resolved, with father and son making up. That said, the younger sister will take longer – her seeing Rudy punch her dad’s lights out means she is not forgiving him ever ever ever. Eris hates Paul too. Fun times!

So yes, a stronger volume in the series. I also liked seeing another of Rudy’s relatives here, and hope we see more of her. The side story about the princess and her retainers (including the mysterious Finn) was also excellent. I could hope for less horndog antics, but I know that’s vain. Just sit back and enjoy it.

Given, Vol. 1

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Given Volume 1 by Natsuki Kizu

Even before I read this manga, I remember scrolling past something on twitter and seeing the cover. Who is the mildly cranky guitarist? What’s up with the diffident dude with the red guitar? Has there been yaoi manga translated here featuring a rock band since Gravitation? I have no idea, but I was more than ready to check out this series.

Uneoyama is a cranky high school student and guitar player who is quite irked to see another boy passed out holding a guitar in his favorite sleeping spot. Uneoyama is perturbed that the guy is clutching a Gibson with rusted out strings, but the mysterious boy says “Can this be fixed?” with a look of desperation on his face. Uneoyama quickly tunes the guitar, strums a cord, and is promptly asked for guitar lessons. Uneoyama isn’t sure how to teach an absolute novice the guitar, but his newfound companion tags along to band practice and introduces himself as Mafuyu Sato. Mafuyu meets bassist Haruki and drummer Kaji, and continues to be relentless about asking Uneoyama for guitar lessons.

Given

Throughout most of this first volume, Mafuyu is presented as an innocent enigma, but as Uneo gets to know him he begins to discover that Mafuyu’s emotional attachment to the Gibson he can’t play is rooted in a tragic event from his past. Uneoyama’s jaded attitude towards music is gradually changed by Mafuyu’s enthusiasm and he begins to think about his mysterious new friend more and more. Given perfectly executes the “I’m mad at you because you are so pretty” trope that is so enjoyable when done well. The scenes of the band playing music are dynamic, and Uneoyama’s growing feelings are built up in a subtle way even though he’s not yet ready to be honest with himself. Haruki and Kaji also have some cute scenes together, and as older band members spend a bit of time being amused at Uneoyama actually feeling off-kilter due to the fact that he is finally emotionally invested in something. Kizu’s character designs are all distinct and stylish, and I enjoyed the bonus illustrations of all the major characters that showed sketches of facial expressions as well as vital statistics. This was an extremely promising first volume, and I’m expecting this series will continue to entertain with a winning combination of slow burn romance and music.

Manga the Week of 2/12/20

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SEAN: It’s Valentine’s Week! Instead of chocolate, why not get your crush manga?

Dark Horse is giving up a 500+-page omnibus of What’s Michael?, the first of two, I believe. I’m pretty sure this is just a straight re-release of the 6 volumes we’d seen way back in the day as an omnibus – still flipped, still censored, etc. But I don’t really care, as I love What’s Michael? to bits, and seeing it back in print in a giant omnibus delights me.

MICHELLE: !!! I’ll take what I can get!

ASH: Same! While I would love to see the rest of What’s Michael released in translation, I’m just happy that it’ll be back in print at all.

MJ: What they said!

SEAN: J-Novel Club has two debuts. The digital manga debut is Cooking with Wild Game, whose novel J-NC has already put out. A boy and his elf village who have no idea how to cook meat.

The digital novel debut is Teogonia, which seems like a somewhat grim fantasy with reincarnated memories.

J-Novel also has Seirei Gensouki manga volume 3 and Sorcerous Stabber Orphen LN 6.

Kodansha’s debut (in print or once!) is Beyond the Clouds, which has been called Ghibli-esque, so has a lot to live up to. It originally comes form a French publisher, and its premise reminds me a lot of… well, Laputa, so Ghlibi comparisons fit.

The digital debut is The Dorm of Love and Secrets (Koi to Himitsu no Gakuseiryou), another Dessert title, from an author whose Heart Break Club has been released digitally here by MediaDo. This one’s a quarter of the size of that, and is about… sigh… a school divided into average and elite kids, and… sigh… an average girl who ends up in the elite group. Sigh.

MICHELLE: That does not bode exceptionally well.

ANNA: Oh wow, that has never been done before.

MJ: I guess we can just… hope that there will be something fresh about it? I. Yeah.

SEAN: Also out next week digitally: 1122 For a Happy Marriage 5, All-Out!! 12, Ex Enthusiasts – Motokare Mania 3, Farewell My Dear Cramer 7, That Blue Summer 2, and The Prince’s Romance Gambit 6.

Seven Seas makes up for its absence last week. There are SIX debuts (two have come out digital first). Bloom Into You gets a light novel spinoff, Regarding Saeki Sayaka, which I found VERY enjoyable when it came out digitally last year.

The Carp on the Chopping Block Jumps Twice (Sojou no Koi wa Nido Haneru) is the sequel to The Cornered Mouse Dreams of Cheese, and thus has several interested Manga Bookshelf parties.

MICHELLE: Forsooth.

ANNA: Yes!

ASH: It is true.

MJ: This!

SEAN: Citrus+, the sequel to Citrus, had a digital early release, but this is the print version. I’m guessing there’s angst.

Kase-san and Yamada finally gives up on the “and ________” title format and gives us what we really want – the two leads, together, in college.

My Androgynous Boyfriend (Genderless Danshi ni Ai sarete imasu) is a josei title from Shodensha’s Feel Young, and the mere fact we’re GETTING another Feel Young title makes me happy. It is about a woman who works in publishing and her boyfriend, who makes himself beautiful for her. It sounds terrific. The author also had the BL title A Lotus in the Mud released digitally recently.

MICHELLE: Definitely looking forward to this one!

ANNA: I am intrigued.

ASH: I’m really looking forward to this one, too.

MJ: I’m so here for this!

SEAN: Lastly, there’s Scarlet, a Comic Yuri Hime title about a vampire who got that way by ingesting a drug, a werewolf who’s also Red Riding Hood, and their tortured yuri relationship. Also: they fight crime!

The non-debut from Seven Seas is the 2nd volume of Our Wonderful Days. (So that’s seven new titles from Seven Seas next week, all queer. Dang.)

ASH: That makes me happy.

MJ: Well, that’s lovely.

SEAN: We have a new publisher debuting! Square Enix Manga finally has its first release, and it’s one the Manga Bookshelf team are most excited about. A Man and His Cat (Ojisama to Neko) is listed as ‘shoujo’ but also runs in Shonen Gangan, and, well, that’s Square Enix for ya. The title is the story, but this one looks super good.

MICHELLE: A good week for cats!

ANNA: This looks cute.

ASH: Very curious about this one.

MJ: And that demographic confusion is my love affair with Square Enix in a nutshell, isn’t it?

SEAN: SuBLime has a debut as well, Given. It runs in Shinshokan’s Cheri +, and seems to be the gay version of Anonymous Noise.

MICHELLE: I’ve seen the first chunk of anime episodes and liked it a lot.

ANNA: It is absolutely adorable. Love the cover.

ASH: I’m excited for the chance to read this!

MJ: I didn’t love the straight version, so maybe this is the one I’ve been waiting for!

SEAN: They also have a 2nd volume of Yarichin Bitch Club.

Vertical given us the 5th Kino’s Journey manga.

Viz gives us the 8th Fullmetal Alchemist: Fullmetal Edition, Hayate the Combat Butler 35, Komi Can’t Communicate 5, and A Tropical Fish Yearns for Snow 2.

ASH: I just picked up the first volume of A Tropical Fish Yearns for Snow; maybe I should go ahead and pick up the second, too.

MJ: There are a few things I’m interested in, there.

SEAN: Lastly, Yen On has a straggler light novel with the 2nd volume of The Greatest Demon Lord Is Reborn As a Typical Nobody.

Happy Valentine’s Day! Which of these titles will you accidentally eat thinking they’re chocolate?

Yona of the Dawn, Vol. 22

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

Last time I asked when Yona was going to finally realize her romantic feelings for Hak, and I guess the answer is “not that long after”, as she admits it to Riri, if not to Hak. The two have a heart to heart, and Riri, of course, wants Yona to immediately confess. Yona, though, is now aware of her feelings but has to contextualize them with the rest of her life with Hak – she can’t simply flip into “oh, I love him” right away. Especially as we’re still not quite sure how she feels about Su-Won. Though Hak seems to think he knows how she feels, and proves it by spending most of a chapter trying to retrieve the hairpin that Su-Won gave Yona. Hak’s self-sacrifice can verge on the ridiculous at times, and it should be clear to the reader that we’re likely a couple of volumes away from a confession. Still, it’s nice to see Yona’s awareness.

While it’s clear to the reader that Yona and Hak are the big romantic pairing in this series, romance is only one facet of this fantasy action series, and the facet begins and ends with those two. This leads to an amazing scene where Su-Won goes to visit a recovering Riri, and sparks absolutely do not fly. In fact, he begs her to treat him normally, as it’s just too uncomfortable having Riri using polite language to him. (Given how often Su-Won goes undercover, this must happen quite a lot.) Others may see her as a potential bride for the King (witness the amazing sword dance that goes on as Riri gets a quick makeup job) but Riri likes Yona… erm, pardon me, older men like Geun-Tae, and Su-Won does not seem to grasp the concept of love and romance, something he freely admits. Which is possibly why he gave Yona that remarkable hairpin before murdering her father.

We finish up one plot and begin another in this book, which means we get nice comedy moments in between arcs, as always (no, Jaeha’s foot does not grow huge like Gija’s hand) before the Happy Hungry Bunch are called to Xing, another kingdom that is about to go to war with Kohka. The kingdom is divided between the two princesses, and Yona and company meet the younger one, Tao, who is trying to save lives by having her country surrender. Needless to say, this makes her a target for those who disagree. Tao looks like a classic “I appear to be an adorable pushover, but am actually very clever” sorts, and I took to her right away – especially when she noticed Yona’s discomfort around the guys due to the sudden incursion of an unusually painful period, and took immediate action. Hopefully she survives the cliffhanger ending, though given she’s with Zeno, who has gotten very good at using his powers now that we know what they are, I think she’ll be OK.

As always, it’s hard to say “this is a must buy and essential shoujo” after every review, but it’s true. An excellent volume.

The World’s Least Interesting Master Swordsman, Vol. 1

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By Rokurou Akashi and Shiso. Released in Japan as “Jimi na Kensei wa Soredemo Saikyou desu” by PASH! Books. Released in North America by J-Novel Club. Translated by Noboru Akimoto.

I was very much on the fence about this title when I heard it announced. The idea of a boring but overpowered lead is not new to the world – see One-Punch Man for the most obvious example – but whether the title succeeds or not is very much dependent on the surrounding cast and situations. In this regard Least Interesting Master Swordsman does a fairly good job. The cast is hefty, especially for a first volume, with a kingdom with four noble families, several princesses, several isekai’d heroes, and any number of magic powers and romantic back and forth. Contrasting all of this is our hero, Sansui, who not only has been practicing with his wooden sword for so long that he’s unbeatable but also has been living for so long that he no longer has the desire to eat, drink, or get romantically involved with anyone. All this is fine. The problem is that for the majority of the story, Sansui is also the narrator, and his tone is just as dry and boring as his swordsmanship.

Sansui is, as so many of these stories begin with, a typical Japanese boy accidentally killed by God – his name is sort of the equivalent of Amos for North American countries, and therefore God thought he was old and killed him. As an apology, he’s sent to another world, and offered the choice to get insanely strong, which he happily takes up. Unfortunately, his teacher teaching the sword just has him doing practice swings. And, as he’s immortal, he does them a long time. After five hundred years, he’s got nothing more to learn, and also comes across a baby about to be eaten by wild animals, so heads towards the civilization (with baby). Years later, he and his adorable adopted daughter are living with the House of Sepaeda, with him serving as the bodyguard to its spoiled princess Douve, alongside Blois, her bodyguard and attendant, who has a crush on Sansui. They head off to the Magical Academy, and the plot comes with them…

Sometimes this book feels like I’m reading an isekai from the POV of the villain’s party. Sansui is relatively nice, but he’s so monotone it doesn’t come off well, and he will happily kill people if his mistress asks him to. Douve is pretty awful, seemingly doing anything as long as she’s entertained, but fortunately this makes her fun to read rather than annoying. There’s a 2nd cast that’s meant to read as “the normal isekai party”, with a Japanese guy with superpowers (who loses to Sansui over and over, of course) and his harem of princess, foreign princess, and cursed princess. They contrast nicely with Sansui, and when the narrative voice switches to one of them the book comes alive a bit more, not a good sign. As for Sansui, he doesn’t really get aroused anymore after 500 years, and his reaction to Blois can be summed up as “OK, whatever”, but he at least doesn’t reject her.

Again, there’s a lot to like here – the plot is pretty good, and there are some funny lines throughout. It just feels lugubrious when Sansui is narrating everything as if he’s reading his grocery list, and it took me a while to plow though. I’ll read another, but I hope he gets a bit more interesting.

Pick of the Week: Yona and Others

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SEAN: It’s Jump/Beat week, folks, and once again my pick is Yona of the Dawn, because it remains one of the best manga Shojo Beat is putting out.

MICHELLE: It is super hard to choose between all the Jump/Beat offerings! Since Sean’s got Yona covered, I’ll pick My Hero Academia. I really like this arc, pitting class 1A and 1B against each other, and even though I know how it ends (courtesy of my Shonen Vault subscription) I’m still eager to revisit it.

ANNA: It is a tough week for me, because needing to pick between Yona of the Dawn and other Shojo Beat offerings is very difficult. But I’m going to go with Shortcake Cake because in it, a romance moves forward after some incredibly cinematic love confessions. This volume is shoujo turned up to 11!

ASH: Like seemingly everyone else this week, Yona of the Dawn is one of my top picks, but I’m also really looking forward to the latest volume of JoJo’s Bizarre Adventure.

MJ: I’m not feeling as excited about the ongoing Jump/Beat series this week, so I’m going to stray into digital and take a look at Kodansha’s debut, Let’s Kiss in Secret Tomorrow. I’m not sure what to expect, but I’m always a fan of childhood friends-to-lovers, so I’ll give it my pick for the week!

Isekai Rebuilding Project, Vol. 1

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By Yukika Minamino and Kotokan. Released in Japan as “Isekai Saiken Keikaku” by Legend Novels. Released in North America by J-Novel Club. Translated by Adam Seacord.

This is a title with a lot of things going for it, starting with one of the best pieces of cover art I’ve seen for some time. The premise is also strong. Our hero Eiji is… a man who is happy with his life. He has a good career, a fiancee he loves, etc. But one day he is… NOT killed by a truck. Instead he ends up transported in front of a “goddess” (though it’s made clear that’s how his brain is formatting this) and told he’s being asked to help save worlds that had heroes sent to them before. Unfortunately, those heroes, in introducing modern concepts to an otherwise pre-industrial world, ended up making things worse. Eiji is being asked to fix this, then he can go back to his cool life. He’s well-versed in light novels and isekai… as is the author, clearly. There’s also a well-handled twist at the end. It’s just that I found the actual plot in the middle… a bit boring?

Speaking of that twist, this paragraph will be spoiler-free. Then I’ll put a break line in the review, and then I will discuss the end of the book. In any case, Eiji arrives and is given a partner, a female dragon (she’s his own height and walks on two legs, though) who he names Tiamat, because of course. The two of them end up at a city where the inhabitants are slowly dying from beriberi, aka B1 deficiency, because the previous isekai’d hero loved his white rice and introduced the area to it, forgetting that brown rice is where the vitamins are. So he and Tiamat, through trial and error (he very deliberately has no powers at all) have to find substitute foods with B1 in them. This is not as interesting as it sounds. There’s also a lot of time spent deconstructing isekais, which is fine, and Eiji has a point, but I don’t think that this series is sufficiently different enough for him to be too smug about it.

Break line summary: the twist means I’ll be reading more, but I’m finding that Legend Novels trying to be for older readers means that sometimes the book is also duller.

OK, let’s talk that twist. It’s handled well enough, making the reader guess something is up as the book goes on, but not quite what. It doesn’t really kick in till they tell you WHO the prior hero was. That said… I found Tiamat’s constant spouting of Japanese trivia and media through the book rather irritating, and the fact that she turned out to be who she is didn’t mean that I went back and said “Aaah, so she’s not annoying!”, it just made me say “ah, that explains it”. While I don’t think that’s what we’re getting in the second book (Eiji herre dying – ironically not on Earth but in the isekai world – and asking to try again) , I’d love to see a book from Tiamat’s perspective, which would also get into how she feels about the previous hero. In addition, the way the world is “saved” feels, not to put too fine a point on it, grim and gritty. It’s why Eiji wants to return – it leaves a bad taste in his mouth. But it does in mine as well.

So good idea, great cover, the execution could use some work. Still worth reading for those who enjoy deconstructions or snarky dragon women.

Ao Haru Ride, Vol. 8

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Ao Haru Ride, Volume 8 by Ao Sakisaka

Ao Haru Ride continues to provide a unique shoujo story by combining teen romance against a backdrop of grief. Kou continues to think he can fix the world by taking on the responsibility of being sole friend/psychotherapist/boyfriend to his old classmate Yui, but Futuba may finally be ready to move on.

Ao Haru Ride 8

As the volume opens Futuba tells Kou that she likes him, in full expectation that she’s going to be rejected. She wants to get everything out in the open so she can attempt to move on. Kou’s words are carefully chosen, he says “I can’t go out with you” and Futuba smiles and says “That feels like closure.” Her smiling face interrupts a sequence of panels where Kou’s expressionless face is shadowed, pointing to the facade he’s wearing to hide his feelings. Futuba walks away and when Kou’s phone rings (presumably a call from Yui), he smashes it. While Futuba has vowed to move on, she can’t resist trying to make Kou feel a bit of regret, and she decides that she’ll act more feminine and further distance herself from the tomboy persona that she used to assume. She wonders “Is everyone else pretending to be the person they want to be?” Toma seizes his chance and tells Futuba that he likes her just as she is. She isn’t quite sure how to respond, but Toma tells her that he’ll wait and see what she thinks after she gets a chance to know him.

Futuba accidentally runs into Kou at school and he’s back to his usual harsh comments telling her that her attempts to be more feminine totally don’t work for her. Futuba’s introspection makes her both relatable and endearing, as she comments to her friends, “Spending time thinking about a boy who didn’t pick me…is a waste of my youth!” Kou and Futuba are generally so much better together than they are apart, and the attempts to put distance between them simply don’t work. This is a solid middle volume in this series, and there’s a nice one-shot included as a bonus. It’ll be interesting to see what happens when Kou decides that he’s no longer responsible for fixing the universe.

By the Grace of the Gods, Vol. 1

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By Roy and Ririnra. Released in Japan as “Kami-tachi ni Hirowareta Otoko” by HJ Novels. Released in North America by J-Novel Club. Translated by Mana Z.

We’re starting to get the second generation of isekai writers here, those who did not start their webnovel after watching El Hazard and playing a lot of RPG games, but rather those who started their webnovel after reading a giant pile of isekai webnovels. By the Grace of the Gods and its author, Roy is definitely a book written by an isekai reader, and the lead character is also a fan of the novels, so dying and meeting gods does not surprise him. In fact, little surprises him. He is reincarnated in another world, a fantasy world, as a young eight-year-old boy. Of course, he also brings along a large amount of magic power. And a large number of ridiculous skills. And this is in addition to his old life in Japan, where, despite being a salaryman, he was a martial arts expert who worked out daily and also has swordsmanship drilled into him by his father. If anything in those last few sentences irritates you, I advise you to stay away. If, on the other hand, it’s fine, you should enjoy this book, as Ryoma ends up in his fantasy world and immediately… hides away from civilization for three years.

Ryoma is the anti-Tanya. The gods love him… in fact, he has blessings from FOUR gods, and makes sure to pray to them. His three years spent living in a cave away from people have allowed him to research slimes, which takes up most of his time, though he still finds time to kill bandits and learn more powerful magic. Fortunately, there’s a timeskip towards the start of the book, and an eleven-year-old Ryoma meets a duke and his party who are in need of some medical aid, which Ryoma is able to provide (he can make medicine too). The duke is nice, and has a family who are also nice, including a girl Ryoma’s own age who is bright and shiny and innocent and the opposite of the soft-spoken, stoic Ryoma. Invited to leave his cave and go with them, Ryoma finally interacts with a fantasy city… which is good, as his trained slimes are desperately needed to stave off an epidemic.

As you may have gathered, this book is ridiculous, but one thing I haven’t mentioned yet is that it is also a “slow life” book. Things happen at a leisurely pace, there are no action sequences, and there’s no romance as Ryoma and Eliaria are eleven years old (despite Ryoma’s old memories). It just wants to hang around Ryoma and watch him be cool, but he’s cool in a very nerdy scientist sort of way. He has his specialized slimes, and they get to show their stuff. They can clean the hardest grime. They can kill off bandits when ingested. And, in the thrilling climax to the book, they can eat sewage from a filthy cesspit… which also shows there is a potential deadly bacteria there as well. The best part of the book is the relationship Ryoma develops with his found family, who treat him like an orphan with a tragic backstory and love him to death.

Again, this is second generation isekai. It assumes that you’re okay with OP heroes, and that excitement and adventure are about 4th on your list after friendly chats about slimes (which are the first three slots). For those readers, this is a solid choice. I enjoyed it.

Sublime Quick Takes: Liquor and Cigarettes and Fourth Generation Head: Tatsuyuki Oyamato

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I’ve decided in the interest of clearing away some of my to-read manga stacks, I’m going to dedicate the month of February to BL and yaoi manga and do at least one extra post of mini reviews a week. I’m going to do a big giveaway at the end of the month with a selection of what I’ve read (however many manga I can fit into a flat rate priority box). So let’s take a look at some manga from SubLime.

Liquor and Cigarettes by Ranmaru Zariya

Camilo and Theo are childhood best friends who run family businesses across the street from each other in a quasi European setting. Theo sells liquor and Camilo sells cigarettes. Theo’s deep dark secret is that he’s secretly a lightweight who can’t tolerate alcohol. Camillo’s favorite hobby is propping his head in his hands and staring soulfully at Theo. When Camilo asks his lifelong friend to consider dating him, Theo isn’t sure, but he decides to throw himself into a quasi trial relationship while at the same time building up his alcohol tolerance so he can take part in a town wine festival. What follows is a series of booze and angst-filled nights as Theo struggles with his sexuality and Camilo attempts to win him over. The art is well-done and fluid, with distinct character designs. Liquor and Cigarettes is complete in one volume, and would be a good choice for yaoi fans who are wanting something short but explicit to read that also features a decent amount of character development, as both Theo and Camilo puzzle out how to take their relationship forward without the booze.

liquor and cigarettes

Fourth Generation Head: Tatsuyuki Oyamato By Scarlet Beriko

The cover for Fourth Generation Head: Tatsuyuki Oyamato shows a shocking lack of concern for basic gun safety. I can say that the cover certainly signals the content of the manga. Tatsuyuki Oyamato is an heir to a powerful yakuza family. He’s not that invested in his duties in organized crime, as he’s struggling to get over being dumped by a masseur. He ends up wandering around a city half-drunk and gets picked up by Koga Nozomi, a kindergarten teacher who recognizes Tatsuyuki from an incident in their past that Tatsuyuki has no memory of. A local mafia boss named Rogi is determined to make both Tasuyuki and Nozomi miserable, and his daughter attends the kindergarten where Nozomi works. One of the reasons why I tend to be only an occasional yaoi reader is that I don’t care for reading much about non-consensual sex. Rogi decides to hatch an elaborate blackmail scheme that involves sexual torture, and that wasn’t appealing to me as a reader. Trauma in general gets a pass in this manga, and Nozomi’s semi obsessive tendencies towards Tatsuyuki get mention and then glossed over. Beriko’s art is great, and Nozomi is appropriately adorable, but in the end, this was not a manga that inspired enthusiasm for me as a reader. While there is a happy ending of sorts, I do hope that the yakuza have a good mental health provider.

Fourth Generation Head