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Combatants Will Be Dispatched!, Vol. 2

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By Natsume Akimoto and Kakao Lanthanum. Released in Japan as “Sentouin, Hakenshimasu!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Noboru Akimoto.

Given that this is a series by the creator of KonoSuba, featuring characters who bear great similarities to those in KonoSuba, has a sequence where our “heroes” use The Destroyer from KonoSuba, and finally features a literal crossover with KonoSuba at the end, where a different evil operative goes to that world and is horrified by the overpowered nature of Aqua, Megumin and Darkness, it would not be unreasonable for a potential reader to ask me if Combatants Will Be Dispatched! is as good as KonoSuba. And the answer is… no, of course it’s not. Even if you weren’t aware that this was an earlier work that was dusted off and published by Kadokawa after KonoSuba became ludicrously successful, the fact is that KonoSuba’s characters are all likeable and you root for them, despite their many, many deep personality flaws. Even Kazuma. Whereas Agent Six, Alice and the others are just as flawed, but are really unpleasant people at heart. Rose comes closest, but it’s bad when the author has to say in the afterword “they’ll get more heroic soon, I hope.”

Alice is on the cover, and Akimoto states she’s the “featured girl” of the book, but honestly she doesn’t get much to do beyond what she did in Book One – snark at Six. Even her saving the day at the end of the book is only mentioned secondhand, because Six was knocked unconscious for all of it. To be fair, she is VERY good at snarking at Six – she’s still my favorite part of the book. With the Kingdom desperately short of water, the King missing, and the princess unwilling to say Six’s stupid password to a large crowd, he and his group are charged with negotiating water from a neighboring kingdom. Well, actually, he and the group are bodyguards for Snow, who is supposed to seduce the horny and easily led ruler of that kingdom. Unfortunately, due to a ridiculous chain of events, they end up starting a war. And also reviving an ancient superweapon. Fortunately, Six can still do what he does best – be petty and horrible till he wins the day.

I mentioned on Twitter that this feels like a KonoSuba with all the brakes removed, and I still stand by that. Snow is still a horrible combination of Darkness and Aqua with the flaws of both characters, and I longed for her to get run over by a bus. Rose comes off best of the crew, as I said before, but is driven by her appetite, which unfortunately leads to a lot of cannibalism jokes… not to mention sex = food jokes… when they have to cross a desert for several days with no food. Grimm is less fun here, with her one personality trait seeming to be “desperate”. There is a long-running argument over the course of the book between her and Alice over the nature of magic, which Alice, as an artificial human, rejects entirely. This could lead somewhere good, but it will have to be in future books, as nothing comes of it here.

Fortunately, this book does have one big thing still going for it: it’s funny. I laughed quite a bit. But with KonoSuba I laugh and also care, and I haven’t gotten to that point with this cast. They need a third dimension. Hopefully in future books.

Pick of the Week: Jump to the Beat

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SEAN: It’s Jump/Beat week, so we have an embarrassment of titles. I’ll pick the final Anonymous Noise, which is not quite as gripping now that it’s not showing its heroine screaming her song at the reader, but still a very good read.

MICHELLE: I’m definitely going to read the finale of Anonymous Noise, which won me over after the first few volumes but never quite captured my heart, but what I’m really jonesing for is a hit of some volleyball action in Haikyu!!.

KATE: Lest anyone accuse me of being predictable, I’m going to pick… actually, I’m going to stay on brand and choose volume 13 of The Promised Neverland. Why break my streak?!

ANNA: I’m never going to pass up a chance to highlight some josei, so my pick is An Incurable Case of Love Volume 2. The first volume featured a few twists on the workplace romance genre, so I’m curious to see what happens next.

ASH: This really is a good week for Viz releases! But to be contrary, and because I just finished reading and liked the first volume, I’m going to pick Animeta!.

MJ: It doesn’t seem like this should be a difficult week to come up with something, but I admit it’s been a struggle! But I have finally started getting into Snow White with the Red Hair, so I think I’ll toss my vote in for that. I need to read more manga in 2020!

The Alchemist Who Survived Now Dreams of a Quiet City Life, Vol. 2

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By Usata Nonohara and ox. Released in Japan as “Ikinokori Renkinjutsushi wa Machi de Shizuka ni Kurashitai” by Kadokawa Shoten. Released in North America by Yen On. Translated by Erin Husson.

The second volume of this series has many of the same strengths and weaknesses that the first has. The writing is good and makes you want to see what’s coming next. There is slightly less detail about the creation of potions, which pleased me. Those who are into deep worldbuilding will love it. But it seems tonally off in a way that means I can never quite love it. The author still wants to use slavery and critique it, but also shows us that all the slaves we meet are “bad guys being punished for robbery and murder” so that we’re still OK with it in this series. More to the point, there’s a disconnect between the world this book exists in and Mariela herself, and I don’t just mean that she’s displaced by 200 years from her old world, though that might explain it. It’s a slice of grim-n-gritty life, with Mariela being a bright ball of sunshine bringing joy into everyone’s life. The two don’t always mesh.

There’s a lot going on in this 2nd volume, even longer than the first – and the first was quite long. Mariela and Sieg are trying to run her shop, meet new people, and avoid having her outed as an alchemist, as she’d rather not be shut up in a building and worked to death. We see as the book moves along that her fears are not entirely unfounded. The Kingdom is still trying to beat the Labyrinth once and for all, helped out by Mariela’s Holy Water. And a noble family has a dark secret, one not entirely known to the nice girl who befriends Mariela and shows her the wonders of modern appliances, but her older brother certainly knows and is obsessed with it. What is concealed in a secret passageway in their mansion? And what kinds of things are being done to slaves to ensure the safety of the royal family?

If it sounds like this turned into a different story, you’re thinking along the lines I was. The last part of the book is quite dark and disturbing, with sacrifices, blood magic, and graphic descriptions of people’s heads cut open and brains showing. It contrasts with the childlike Mariela, who is shown to be even more childlike than she had been before in these scenes, as if the author wanted to emphasize the contrast but took it too far. Indeed, for most of the book the author can’t quite decide whether Mariela is meant to act like a 16-year-old or a 6-year-old, and it pinwheels between the two. This is especially discomfiting given that both Sieg and Lynx are shown to be falling for her. Innocent is fine, immature is less so.

Despite this, the book overall is very readable, and while it has many parts that annoy me I don’t actually feel the need to drop it yet. The flashback scenes showing Mariela’s first learning of alchemy and the relationship with her master are excellent. I just wish the author would stay in the fantasy-slice-of-life lane and stop making detours to the wrong side of the tracks.

Star Wars: Episode I – The Phantom Menace

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As The Rise of Skywalker brings the Star Wars saga to its official close, now seems like the right time to revisit the very first chapter in the series, The Phantom Menace. Episode I debuted in 1999, making the leap from screen to print the following year with Kia Asamiya providing the illustrations. Readers familiar with Asamiya’s Silent Möbius will immediately understand why he was tapped for this project: he has a penchant for drawing detailed space ships and cityscapes, two important qualifications for translating George Lucas’ vision into a compelling comic.

Alas, Asamiya was also saddled with Lucas’ original script, leaving him little room to make the story more interesting on the page than it was on the screen. Asamiya faithfully preserves the film’s most frustrating elements—the tin-eared dialogue, the unfortunate minstrelsy of JarJar Binks—as well as its surfeit of plot points, secondary characters, and clumsy discussions of Federation trade policy. To his credit, Asamiya’s version is brisk and streamlined in contrast with Lucas’, marching from one scene to the next with a sense of urgency that’s often lacking from the film. Some of the film’s most tedious scenes—the blockade of Naboo, the first interactions between Padme and Anakin, the Imperial Senate’s deliberations—have been telescoped, giving Asamiya room for more detailed treatments of chases, light saber fights, and space battles.

The artwork, on the other hand, is a hit-or-miss affair. Asamiya’s skill at drawing aliens, robots, space craft, and futuristic cities is unquestionable; his evocation of Otoh Gunga and Coruscant do justice to the complexity and specificity of Lucas’ original designs, while Asamiya’s establishing shots of Naboo convincingly evoke the planet’s lush jungles and Greco-Roman palaces without the added benefit of color. His ability to compress lengthy action sequences is likewise impressive; in just a few artfully constructed pages, for example, he captures the excitement and danger of Anakin Skywalker’s pod race, using panels-within-panels to juxtapose the racers’ progress with the crowd’s ecstatic reaction to the event:

Asamiya’s human characters, by contrast, are as expressionless as their big-screen counterparts—a key failing, as the characters register as pawns, not people, dutifully shuttled from one scenario to the next with almost no sense of how the violence and chaos they’ve encountered has affected them. Only the two principle non-human characters—JarJar Binks and C3PO—are drawn in an animated fashion, providing the series’ few moments of genuine emotion and surprise.

And that, in a nutshell, is why Asamiya’s take on The Phantom Menace is so frustrating: it improves on certain aspects of the source material while emphasizing its fatal flaws, making for an efficient but affectless gloss on Lucas’ original story that reads a lot like Cliff Notes. Not recommended.

STAR WARS: EPISODE I – THE PHANTOM MENACE, VOLS. 1-2 • ART BY KIA ASAMIYA • MARVEL COMICS • NO RATING (SUITABLE FOR READERS 10 AND UP)

A Double Dungeon review

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Dungeon Builder: The Demon King’s Labyrinth Is a Modern City!. By Rui Tsukiyo and Hideaki Yoshikawa. Released in Japan as “Maou-sama no Machizukuri! ~Saikyou no Danjon wa Kindai Toshi~” by Overlap, serialization ongoing in the magazine Comic Gardo. Released in North America by Seven Seas. Translated by Elina Ishikawa-Curran. Adapted by Julia Kinsman.

My Room Is a Dungeon Rest Stop. By Tougoku Hudou and Takoya Kiyoshi. Released in Japan as “Boku no Heya ga Dungeon no Kyuukeijo ni Natteshimatta Ken” by Takeshobo, serialization ongoing on the online site Web Comic Gamma. Released in North America by Seven Seas. Translated by Wesley O’Donnell. Adapted by Kim Kindya.

After reading both of these titles I decided to review them together. Yes, they both have ‘dungeon’ in the title, but more than that, they’re both clearly catering to the exact same audience: light novel fans who enjoy fantasy manga, or in this case adaptation of light novels we don’t have licensed over here. They both have suitably generic male leads – one may be a demon lord and the other may be a schlub in a tracksuit, but at the end of the day they’re not why you’re reading this. And there’s also plenty of fanservice. Which is why folks are reading this.

Dungeon Builder might be an isekai – we do see the new Demon Lord has lost his memories but knows what guns are – but the isekai part is mostly irrelevant. Procel is new Demon Lord of Creation, and has to create minions and dungeons that feed on people’s despair and fear. As the flash forward at the start of the book tells you, however, he is too nice a guy, so decides to make his dungeon the happiest place on Earth. It’s not clear yet how he’ll do this – the first volume doesn’t get too far into the story. He’s joined by Marcho, his busty demon lord mentor (that’s her on the cover) and two cute minions, both of whom look underage (something cheerfully pointed out by Marcho, who nicknames him “Lolicel”. This has slightly less service than the other title, and might develop into something interesting, but also seems to run on cliche power – his rival Demon Lord of Wind is a classic tsundere with shaky self-esteem that shows as arrogance. There’s also a dwarf girl who ticks the “rei Ayanami Expy” box.

My Room Is a Dungeon Rest Stop is more of a reverse isekai. Our hero Touru (Why? What that romanization now for that specific name? Don’t get me wrong, I was an ‘ou’ fan for the longest tine, but really?… sorry, back to the review) gets an apartment that’s dirt cheap… because once he moves in, the front door turns out to lead to a dungeon! Luckily, he can go out the window to his modern-day life. Exploring the dungeon, he comes across a passed-out adventurer girl and takes her back to his apartment, where she discovers the wonders of modern lie and explains a bit to him about dungeon life. Like Dungeon Builder, this title has barely gotten started. It’s a lot heavier on the fanservice – there’s a long sequence regarding the girl wetting herself from fear and the consequences of this that I really did not need to read about – and Touru is slightly more generic than the already generic Procel. As with Dungeon Builder, it opens with a brief flashforward showing us other characters who have fallen into our lead’s orbit.

I’d argue that both titles deliver what the intended audience wants, and will irritate anyone who is not in that narrow audience bracket. I’d say Dungeon Builder, based on its first volume, has more promise than Dungeon Rest Stop. I may get a second volume of the former. Still, if you like fantasy dungeon series with cute girls, these two books exist for you.

Skull-Face Bookseller Honda-san, Vol. 1

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If you’ve ever worked a thankless retail job, you’ll appreciate Skull-Face Bookseller Honda-san, a candid, fitfully funny series about working in the customer service industry. The titular character works in the manga section of a large Tokyo bookstore, helping buyers find the perfect series, taking inventory, and meeting with representatives from major publishers.

Some of her adventures are genuinely amusing, as when a handsome male customer requests explicit doujinshi for his daughter, or an American fujoshi explains her penchant for a particular seme-uke dynamic; other chapters are more matter-of-fact, conveying the difficulties of keeping popular titles in stock, or documenting the social and professional interactions among the staff members. Though none of its is laugh-out-loud funny, the artwork is terrific, capturing Honda-san’s sweaty anxiety every time a customer or colleague makes an uncomfortable request of her—no mean feat, given that the artist has depicted herself with a skeleton head and androgynous, apron-clad body. (Her colleagues’ identities have been camouflaged in a similar fashion: one has a paper bag for a head, and another wears a gas mask.) Amanda Haley’s thoughtful translation complements Honda’s crisp illustrations, offering useful context for understanding the unique challenges of selling manga to the general public, and plenty of footnotes to decode the insider shop-talk.

Yet for all the craft with which Skull-Face Bookseller is written, I never fully succumbed to its charms. I found the pacing uneven and the publishing-focused chapters long-winded, especially when contrasted with the snappy staging of Honda-san’s encounter with the international BL brigade. I’m still curious about the series, but would put Skull-Face Bookseller in the same category as Saint Young Men: a comedy that’s better in principle than in practice. Your mileage may vary.

SKULL-FACE BOOKSELLER HONDA-SAN, VOL. 1 • STORY AND ART BY HONDA • TRANSLATION BY AMANDA HALEY • YEN PRESS • NO RATING • 166 pp.

Bookshelf Briefs 1/4/20

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Dead Dead Demon’s Dededede Destruction, Vol. 7 | By Inio Asano | Viz Media – Every time a new volume of this fantastic series comes out I avoid reading it, possibly as I still expect it to end with everyone depressed or dead, because Asano. Despite that, things trundle along in this volume. Oran’s starting to have ominous feelings that she’s seen some of this before, and even the main cast heading to the beach, with lots of silly beach comedy, can’t quite stop you thinking things aren’t going to be the same anymore, especially after that cliffhanger. Makoto is on the cover, and gets a fair number of scenes as well, something you can’t always say about the covers. Most of all, this continues to examine the nature of conspiracies and media frenzies. Great stuff. – Sean Gaffney

My Hero Academia, Vol. 22 | By Kohei Horikoshi | Viz Media – What I remember about this volume’s chapters when they came out weekly was the fandom going ballistic attacking Momo after her loss. Possibly because the main cast praised her abilities regardless, possibly as she lost another fight and Jump fans are all secret wrestling fans complaining about “Jobbers.” It’s an excellent battle, though. The other fights are good as well. You’d expect Todoroki to clean up, but that battle too does not go as expected. Bakugo shows off that he can be kind and heroic while STILL being a loud asshole, and Izuku shows that the fact that he’s trying to learn his powers on the fly is leading to bad things. Fortunately, Uraraka and Shinso are there. Excellent. – Sean Gaffney

Queen Bee, Vol. 3 | By Shizuru Seino | Kodansha Comics (digital only) – In Queen Bee’s second volume, Toma realized he had feelings for Hirata while on a forest field trip, during which she displayed extreme competence (and fought off a bear). Now, they’ve become an official couple, but Hirata’s insecurity, coupled with the reveal of a junior high ex-girlfriend that Toma might still have feelings for, makes her worry that he’s just trying to make himself love her. Ordinarily, the emergence of a love rival in the latter half of the final volume of a short series would irritate me a great deal, but I actually liked that it gave Hirata one more opportunity to show that Toma’s happiness is her top priority. She may look scary, but she’s pure and valiant, and in the end, this series kind of gave me gender-flipped My Love Story!! feels. Truly delightful. – Michelle Smith

Queen’s Quality, Vol. 8 | By Kyousuke Motomi | Viz Media – Answers are here, with extended flashbacks showing us what actually happened years ago, and who Fumi is. It’s helpful to have Kyutaro’s late mother explaining things to them, admittedly, and she’s super cool—I’d be OK with more adventures of her. Meanwhile, as Fumi tries to take this all in, Kyutaro adds to things by confessing to her, something which is perhaps not timely but is at least heartfelt. That said, it may be relatively irrelevant, as the cliffhanger suggests that we may be seeing some memory loss/destruction of alternate selves going on. Still, as far as dream-laden fantasy shoujo with comedic undertones go, QQ is tops. And love that they still have Dengeki Daisy cameos in them. – Sean Gaffney

Saint Young Men, Vol. 1 | By Hikaru Nakamura | Kodansha Comics – The premise of Saint Young Men is both simple and kooky. Jesus and Buddha have rented an apartment in Japan to enjoy some well-earned time off, where they enter into a sort of odd-couple existence, with Buddha being the serious guy who does all the chores and Jesus being the carefree guy who has a popular TV review blog. The situations are pretty fun—the guys go to an amusement park and ride a roller coaster, they experience a packed commuter train, Jesus buys a Shinsengumi costume to wear as pajamas, Buddha wins a statue of himself while trying to win a trip to Okinawa…—but I’m sad to report that I never actually laughed at anything. Perhaps that will change with later volumes, as I did think this one got more amusing as it went along. We shall see! – Michelle Smith

Species Domain, Vol. 7 | By Shunsuke Noro | Seven Seas – The bulk of this volume is based around the school athletics festival, which gives us a chance to revisit several ongoing issues: Kazamori trying to live up to the “elf” standard everyone sees in her, ship tease between Hanei and Mikasagi, and the usual athletic festival cliches. The most interesting part of the book was showing us that Mizuno, who is frustrated at the mermaid classmate who’s going to put the swimming competition out of reach, also is a mermaid. That said, the reason they’ve been hiding it is fascinating, getting into both monster cliches and the sort of thing that LGBTQ people deal with daily, and I thought the reaction of the class was great. All in all, another solid volume. – Sean Gaffney

Sword Art Online: Hollow Realization, Vol. 5 | By Tomo Hirokawa, based on the story by Reki Kawahara | Yen Press – Despite Genesis being a clear bad guy, one who’s even taking drugs to enhance his gaming “performance,” he’s still able to make a huge impression on Tia. Sadly, when he is then “killed,” that proves the impetus for her to pick up where he left off, and she’s now out to remove humans from this MMORPG. As always with SAO lately, there’s some good discussion of what constitutes an NPC, and Premiere also goes through some emotional crises, especially given Tia is her dark twin. The next volume is the final one, so we’ll see if Kirito and the cast of every other video game spinoff can help. Despite the high entry level of this series, it’s pretty decent. – Sean Gaffney

The Trial of Kitaro | By Shigeru Mizuki | Drawn & Quarterly – Collecting five short manga originally published in shonen magazines between 1968 and 1971, The Trial of Kitaro brings to a close Drawn & Quarterly’s delightful seven-volume compilation of selections from Mizuki’s influential series GeGeGe no Kitaro. Combining creepiness with comedy (including some literal potty humor—beware haunted mountainside toilets), the stories in this volume are tremendous fun. As with previous installments, the episodic chapters were in part chosen specifically to be kid-friendly, so there’s a certain amount of grossness and just plain strangeness to them. But, regardless of intended audience, I’m enamored with these yokai tales of horror. I love how Mizuki has taken traditional Japanese folklore and incorporated his own ideas and even some Western legends to create something truly special. Along with the other volumes, I will treasure The Trial of Kitaro. I am sad that this is the series’ end, but I am so incredibly happy that these stories were translated. – Ash Brown

Full Metal Panic!: Ending Day by Day, Part 2

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By Shouji Gatou and Shikidouji. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

This is also quite a short book, though not as short as the first part, and it might have flowed better as one long volume. But light novels were shorter in general back when FMP! came out. What’s more, it might have simply been too exhausting: the events in this book are designed to grind our hero and heroine down to the point where they’re both mentally broken, and succeed in doing so, though thankfully no permanent harm is done. Having this as the entire second half of one book might have demoralized the reader. As it is, be prepared for Sousuke to get more and more depressed and distracted, to the point where he’s zoning out and thinking of Kaname during an actual mission, leading to an accident and Mao having to try to clean up after him. (One weakness of the book is that we don’t see him meeting Mao after this occurs and he stalks off, possibly as she’d break his jaw and he needs that jaw.)

After spending most of the last few books seemingly getting killed and then coming back like Richard Nixon, Gauron finally bows out here, though not before making Sousuke’s life even more miserable than it already is. His new squad commander shows he doesn’t trust the Arbalest, which Sousuke agrees with – this despite talking with “Al” and finding the AI a lot more human than he had imagined. Unfortunately, he does not have the opportunity to work this out off-duty, as Hing Kong is about to descend into civil war thanks to Amalgam, whose leader turns out to be Tessa’s brother Leonard, who is there to give us a new bad guy to hate now that Gauron (finally) dies. Gauron was after Sousuke – Leonard is after Kaname. Kaname is possibly helping out, as after finding that Sousuke has removed himself from her life, she goes on a rampage in an effort to get her new “watcher” to take action… something that has almost lethal consequences.

It has to be said, a number of Kaname’s actions in this book beggar belief, and are the very definition of “don’t try this at home”. In particular, if you are being watched and want your tail to make themselves known, don’t take some stranger to a love hotel so he can try to assault you. However, Kaname gets a number of good (if fanservicey) scenes in this book, none more so than her reappearance and thrashing of Sousuke after he had been told she was dead, which is one of the best moments in the entire series. Unfortunately, it also highlights the pacing problems – this book is all backloaded, meaning the front part drags. Clouseau wipes the floor with Sousuke, but then seems to mostly vanish, with only a brief suggestion that his trashing of their late commander was entirely an act. Oh yes, and Tessa’s apology to Sousuke was cute, but reminds us again that she’s a very, very distant second in this love comedy race for Sousuke’s heart.

The next volume promises to be a longer one, and also lighter in tone, likely with more of the “wacky” comedy parts of FMP that sometimes work and sometimes read like the author read too many shonen manga with tsunderes. This is a flawed but readable angst-and-action book in the meantime.

Ms. Kozumi Loves Ramen Noodles, Vol. 1

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Ms. Kozumi Loves Ramen Noodles is pretty much what you’d expect from the title: a manga about a high school student whose interest in noodles crosses the line from simple enthusiasm into full-blown mania. While Kozumi’s peers go to the mall or the malt shop, she visits out-of-the-way restaurants to sample every conceivable type of ramen, from spicy to sour to sweet. Her passion is so extreme, in fact, that she ditches school for a 200-mile trip to Iwaki just to taste a local specialty: no-bake natto ramen. Though Kozumi is uninterested in socializing with her classmates, three girls—Yu, Misa, and Jun—find Kozumi’s reticence an irresistible challenge, and repeatedly seek her company outside of school. Yu, in particular, is one of those only-in-manga characters whose cheerfully inappropriate behavior would be considered creepy in almost any other context, as she follows Kozumi to ramen joints around Tokyo, copying Kozumi’s behavior and—more egregiously—her orders. When Yu’s pals befriend Kozumi before she does, she flies into a jealous tizzy, and doubles down on her efforts to show Kozumi that she, too, appreciates ramen.

These scenes are clearly intended to be funny, but the social dynamic among the four principal characters is too strained to elicit laughter, as it relies almost entirely on the characters behaving idiotically for effect. The artwork, too, leaves something to be desired, juxtaposing hyper-realistic drawings of food and condiments with ultra-cutesy character designs that seem ready-made for key chains and body pillows. The cuteness would be less off-putting if the characters weren’t frequently drawn in rapturous close-up, sucking down noodles while suggestive trickles of broth dangled from their lips—a potent reminder that Ms. Kozumi runs in a seinen magazine and not, say, Bessatsu Friend.

The shop talk, by contrast, is genuinely enlightening. If your primary experience with ramen has been limited to steaming bowls of noodles, scallions, and chicken broth, the sheer range of dishes will come as a revelation; in one sequence, for example, Kozumi describes a form of ice cream ramen, while in another, Jun discovers the savory pleasures of a salted pineapple ramen bowl. A solid translation by Ayumi Kato Blystone helps convey what’s distinctive about each dish, and offers good insight into how dishes are prepared—more so, in fact, than many ostensibly “serious” food manga. So on that front, at least, Ms. Kozumi succeeds in communicating why the title character likes ramen so much; too bad the reader has to soldier past so much resolutely unfunny slapstick to enjoy the tastiest bits. Your mileage may vary.

MS. KOZUMI LOVES RAMEN NOODLES, VOL. 1 • ART AND STORY BY NARU NARUMI • TRANSLATED BY AYUMI KATO BLYSTONE • DARK HORSE COMICS • 136 pp. • NO RATING

Takane & Hana, Vols 11 and 12

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Takane & Hana, Volumes 11 and 12 by Yuki Shiwasu

Sometimes my interest tends to wane a bit at more long-running comedic series, but Takane and Hana is still going strong, even when some of the plot points tend to get repetitive. The main way this manga manages to actually get me rooting for a romance between an emotionally stunted businessman and a high school girl is the way it deliberately shies away from things progressing very far physically. As the 11th volume opens Takane and Hana are dealing with the emotional fallout from when Takane got carried away….and kissed Hana on the nose. The over-the-top angst combined with Shiwasu’s dynamic rendering of psychological turmoil makes the opening chapter extremely amusing. Things aren’t kept light for long, as Takane’s evil cousin Yakumo figures out the relationship between Takane and Hana and decides to kidnap her. I’m trying to remember if this is the second or third kidnapping in this series, but it does provide the opportunity for some impressive, action-movie heroics as Takane and Okamon attempt to rescue Hana.

takane and hana 11

Volume 12 features my favorite cover so for this series, Takane’s twisted grin combined with heart hands captures the wacky appeal of this manga. Takane is recuperating from his dramatic rescue attempt, and Hana is determined to put more distance between them again because she doesn’t want their relationship to cause issues for Takane. This is circling back to a reset of their previous relationship dynamic, where Takane is bombarding Hana with an endless stream of unsuitable gifts and she’s growing more and more frustrated. Okamon ends up enlisting himself as Hana’s beard as he prevents Takane from grabbing Hana and carrying her out of a diner by proclaiming that he and Hana just recently started going out.

takane and hana 12

Takane ends up getting relationship advice from Nicola on a speedboat, and his attempts to rehearse speaking to Hana as well as “chill out” feature the emotional anguish and hilariously tortured facial expressions that Shiwasu is so excellent at portraying. These two volumes continue doing what Takane & Hana does so well – set up over the top comedic situations combined with a core relationship that is actually very sweet.