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Pick of the Week: Manga Smorgasbord

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SEAN: There are some high-profile debuts this week: Something’s Wrong with Us from Natsumi Ando, and Hell’s Paradise: Jigokuraku from the assistant to Fire Punch’s creator (but I won’t hold that against him.) But I have to give the nod to my old friend Kumeta Koji (or Kouji… curse these romanji changes) with Kakushigoto: My Dad’s Secret Ambition, simply as I am so happy to see his stuff over here once more.

MICHELLE: I’ll definitely be checking out Hell’s Paradise: Jigokuraku and Kakushigoto: My Dad’s Secret Ambition, but I have just got to see what Natsumi Ando doing josei looks like, and thus my pick is Something’s Wrong With Us.

KATE: I’m exercising my right to nominate two titles for this week’s column: the gorgeously illustrated Witch Hat Atelier, whose plucky heroine just begs for her own Studio Ghibli film, and The Girl from the Other Side, whose plucky heroine may not survive to the end of volume eight. I have my supply of Kleenex and whiskey on hand in case things get any more emotional.

ASH: While there are some very interesting debuts this week, I find myself echoing Kate’s picks – Witch Hat Atelier and The Girl from the Other Side are consistently some of the best series being released right now.

ANNA: I agree, Witch Hat Atelier and The Girl from the Other Side as such special series it is an extra treat that they are both coming out the same week!

MJ: I’m with Michelle this week! Something’s Wrong with Us is too intriguing to pass up. I’m not always a fan of the josei manga that gets localized in North America, but this sounds just about weird enough for me.

Re: ZERO ~Starting Life in Another World~, Vol. 12

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

Subaru is much improved as a protagonist in these newer volumes of Re: Zero, to the point where I find I barely have to yell at him in my head at all. Most of the times that he dies and has to return by death are the fault of external forces or things he doesn’t know about, rather than his being a stubborn dumbass. And he gets two points here where he shows that his love for Emilia and Rem (still in that order, sorry Rem fans) is more than just saying it – he can tell when their own responses are either distorted or out-and-out falsified. That said, the last third of this book did a great job of reminding me just how flawed a protagonist Subaru can be. After all, every time he dies and starts again at his save point… he leaves behind a dead Subaru. And those who cared about him. Something he learns all too well when he gets to take the Second Test.

The cover art features our villains of the book, one very familiar to us, one not so much. Unfortunately, despite returning to the mansion in record time, I think Subaru is going to have to come up with another plan, because time is not on his side no matter what. It does, however, given us another very emotional confrontation with Beatrice. I knew going in that this fourth Arc would give some time to Emilia, but it must be back-loaded, as so far there’s been very little. Beatrice, though, also gets an incredible amount of attention and care, showing us how much she is suffering and also showing how little Subaru can seemingly do about it. It also throws into stark relief the end of the book, where Echidna offers to make a pact with him – the fact that he’s desperate enough to accept it despite EVERY OTHER WITCH saying it’s a bad idea shows he’s still very, very fallible.

Speaking of the other witches, Echidna, who had been nice, police and helpful so far this arc, is starting to show her true colors and her stunning lack of empathy – well, no, it’s not really that stunning, we knew this was coming. I will give kudos to the author for making the Witch of Lust a crybaby moe sort of girl, and the Witch of Sloth the one who has the Red Hot Mama vibe you’d normally give to Lust. The cliffhanger ending shows the 7th and final witch showing up at the tea Party, which may end up being as bloody as Umineko’s sometimes were. On the bright side, she’s probably come as herself this time – the earlier parts of the book features a Satella who had literally possessed Emilia, and it was not a pretty sight. (That said, the prize for creepiest moment of the book easily goes to the scene where Emilia, her mind utterly broken by the tests, gives Subaru a lap pillow and a kiss – a kiss that he gets right as he dies. Brr.)

We’re now halfway through this arc, and I get the feeling, revelations about Roswaal aside, we’re not much closer to getting a happy ending. Still, fans of the series will definitely enjoy what they get here, though as always it can be difficult to read. Everyone suffers: The Novel.

Monthly Girls’ Nozaki-kun, Vol. 11

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By Izumi Tsubaki. Released in Japan as “Gekkan Shoujo Nozaki-kun” by Square Enix, serialization ongoing in the online magazine Gangan Online. Released in North America by Yen Press. Translated by Leighann Harvey.

As Tsubaki’s other major series, Oresama Teacher, reaches its end soon in Hana to Yume, it does feel odd that Nozaki-kun also looks to be headed towards an endgame. You’d think that she’d want to be able to devote even more attention to it. And yet it’s understandable. First of all, because ‘headed’ towards an endgame is an exaggeration. Slouching towards and endgame, perhaps. Meandering. Secondly, because no matter what happens to all the other couples in the series, Nozaki and Chiyo will always be lagging behind. The first two chapters in this volume deal with Kashima’s little sister, who is nothing like her at all, and also enjoys imagining everyone around her – everyone – in a pairing. Except, of course, Nozaki and Chiyo. She just can’t see it, much to Chiyo’s intense frustration. Then again, she only has herself to blame. She could try being a little more direct. Not that this always helps… look at Seo for a good example.

Seo has pretty much played out having fun with Wakamatsu over the Lorelei thing, and is also coming closer to wanting them to be a real couple, so finally decides to tell him outright. Well, almost outright. She goes to Nozaki and Chiyo for her plan, and they all try to imagine very manga-influenced scenarios that range from quite realistic to the usual completely ludicrous. The payoff comes towards the end, when Seo a) feels nervous talking to Wakamatsu about it, another sign of her growings feelings, and b) didn’t think of the immediate, most obvious result of this: Wakamatsu doesn’t trust her and doesn’t believe her. You’d feel bad for her if it weren’t Seo, but it is. So it’s just funny. (Incidentally, her brother does even worse in his own doomed romance, and we also discover that even the couples who DO get together in this series are giant flaming wreckages.)

As for Hiro and Kashima, it’s always been the most popular pairing in this series by far, and the end of the volume deals with it, as a hypnotism attempt gone wrong leads to Kashima forgetting who Hori is, which naturally upsets him a lot more than he’d like. The endgame of this, after the usual silliness, leads to a rare genuine moment in this manga with Hori saying (with a blush) he prefers the normal Kashima, and her (with a blush) actually understanding what he’s saying. Now, there’s a minimal chance this will actually lead to anything next time, but it’s still nice to have this bone thrown to us in a manga that still enjoys mocking romances more than having them (witness Chapter 103, which cycles through almost every single shoujo manga cliche in one single chapter).

There was a long break between volumes this time, so I’m not sure when we’ll see the next one. (Oresama Teacher is also down to about a volume a year now.) But it was worth the wait, giving the usual mix of hilarious subversion of manga romance while also trying to eat its cake as well.

Love Me, Love Me Not, Vol 1

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Love Me, Love Me Not, Volume 1 by Io Sakisaka

Strobe Edge was good, and Ao Haru Ride is a special series, so I was very excited when I saw that another Io Sakisaka series was going to be put out under the Shojo Beat imprint. Sakisaka changes things up a little bit by focusing just as much on female friendship as romance. Yuna is a girl who loves reading shoujo manga. She’s a bit shy and not very confident, but she’s quietly very nice. She meets the more outspoken Akari when she asks Yuna for train fare. Yuna also encounters a mysterious, but somewhat crass boy who resembles her long-dreamed of storybook prince. Akari and Yuna bond when they realize that they are both living in the same apartment building and attending the same high school. Yuna shares her romantic dreams, and Akari counters with her much more pragmatic approach of going out and meeting people instead of quietly waiting for a destined love to show up. Akari is surprised when Kazuomi drops by – he’s Yuna’s childhood friend and Yuna’s shyness disappears when she talks to him because she thinks of him like a brother.

Love Me Love Me Not

The characters are all introduced in a series of slice of live scenes that feel very naturalistic. They run into each other on the sidewalk, in convenience stores, walking to and from school, and visiting outside their part-time jobs. As Yuna gets to know Akari better she discovers that her fabled prince is named Rio, and he’s actually Akari’s brother! Akari is concerned about what would happen if Yuna gives in to her crush, because Rio is a bit of a player and is constantly turning down confessions of love from girls. Akari concludes that Yuna should get together with Kazuomi, but she also finds his forthright ways attractive. There’s a not super surprising twist at the end that sends Love Me, Love Me Not firmly into Marmalade Boy territory. This first volume does a great job setting up four sympathetic characters who are all equally engaging despite having very different personalities. Yuna might spend a great deal of time averting her eyes and blushing, but she is willing to push herself to stand up for Akari when some false rumors start going around. Akari is outspoken and always strategizing about what to do when it comes to her friends, but not always great at sharing her own feelings. While Rio is treated in a certain way due to his looks, it is easy to see from his body language and facial expressions, that he’s also burdened by girls developing crushes on him without even taking the time to talk to him. Kazuomi has an open personality, combined with the ability to occasionally come out with pronouncements about life and relationships that make him seem irresistibly cool.

Sakisaka does a great job setting up a new series in the first volume of Love Me, Love Me Not. I like the idea of a shoujo series that will focus just as much on female friendship as it does on romance, and will be eagerly waiting to see how this tangled web of potential teen romance develops in future volumes.

The Invincible Shovel, Vol. 1

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By Yasohachi Tsuchise and Hagure Yuuki. Released in Japan as “Scoop Musou: “Scoop Hadouhou!” (｀・ω・´)♂〓〓〓〓★(゜Д゜ ;;) .:∴DOGOoo” by MF Bunko J. Released in North America by Seven Seas. Translated by Elliot Ryoga. Adapted by Renee Baumgartner.

First of all, I apologize for not using the full title in the header, which is “The Invincible Shovel: “Wave Motion Shovel Blast!” ( ｀・ω・´)♂〓〓〓〓★(゜Д ゜ ;;;).:∴KA-CHOOOM”. It turns out that this title literally breaks the URL. Which seems appropriate for this book, which may break a few brains, particularly those who are not ready for the true path of the shovel. The word ‘shovel’ and its variations are in this book 708 times, and after finishing it you’ll be surprised it’s that low. “Variations?”, I hear you cry. Why yes. We get shovely, shoveltastic, shoveltronic, and many, many more, courtesy of the cover heroine, Lithisia, who, as with everyone else who meets our hero, starts off seemingly normal and then leaps off the deep end. Now, mind you, this is not to say that Alan, the hero, is any less completely unbelievable – though in his case it’s his own stoic acceptance of all things shovel that’s the issue. Basically, this book is very, VERY silly.

Indeed, the book starts off silly and never stops, as we begin with Alan, a miner who somehow forgets to die or age, finding that his shovel can now fire beams. As he lives longer and mines more, the shovel and Alan gain more and more powers. Now, one thousand years later, he’s so used to it that it never occurs to him that shovels can’t do everything. One day he runs into a runaway princess who is trying to save her land, Lithisia. Saving her from bandits, she rapidly, through both him showing off his shovel’s powers and her amazing skill of misinterpretation, falls in love with Alan and then later essentially becomes the High Priestess of the new Shovel religion (which she creates). As they try to gather the orbs to save her people, they run into her best friend, a knight who fills the straight man function; an elf who is the last of her kind; a princess who’s now an undead queen; and a water priestess who’s been sold into slavery. No worries, though. The shovel solves all.

This book is here for one reason and one reason alone: to be funny. Everything runs on humor. Lithisia quickly thinks that Alan uses the word ‘shoveling’ to mean sex (he does not), and rapidly the other heroines (with Catria, the sensible one, excepted) also fall into this thinking. (Alan, who is 1000 years older than them, and also dense, does not try anything despite their best attempts.) Alan shows the cast and the reader new uses for his shovel almost by the page, which range from actual digging to the titular wave motion gun to time travel, raising the dead and flight. The latter half of the book is Alan doing something mind-boggling, explaining it with a “of course, this is obvious” look, having everyone marvel at him, and having Catria scream that it is not, in fact, obvious. All this, and also Lithisia converting more to her shovel religion.

I had already heard that this title had a reputation for being hilarious, and was worried it would fail to live up to that. No fear. Only the biggest “OP is always bad” light novel fans would find this aggravating. For everyone else, all hail the Mighty Shovel!

Manga the Week of 3/18/20

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SEAN: It’s the week of St. Patrick’s Day, and yet the amount of Irish manga is thin on the ground.

Dark Horse has Mob Psycho 100 4, which I remain convinced must be 2000% better animated.

ASH: I’ve been enjoying the manga, but it sounds like I should check out the anime, too!

SEAN: J-Novel Club has two debuts. Bibliophile Princess (Mushikaburi-hime) is from Ichijinsha’s Iris Bunko line, and features a princess who spots her betrothed with another man, confirming the rumors she’s heard. But this is just the start of a VAST CONSPIRACY! I’ve heard good things about this.

ASH: That does sound like it could be good.

SEAN: The other debut is also a shoujo light novel, from Frontier Works’ ArianRose label. Can Someone Please Explain What’s Going On?! (Dareka Kono Joukyou wo Setsumei Shite Kudasai!) has our poor noble heroine signing a marriage contract to a rich noble man to save her family. Now she’s forced to level up in being a high-class fiancee. I’ve heard less good things about this, but will absolutely give it a shot.

They also have Arifureta Short Stories, which is what it says, and the long-awaited 9th volume of The Magic in This Other World Is Too Far Behind!.

Kodansha’s print debut is Something’s Wrong with Us (Watashitachi wa Douka Shiteiru), a josei series from Natsumi Ando, best known as the creator of Kitchen Princess. This runs in Be Love, though, so the audience is much older. A young woman is on a quest to become a sweets maker, but the owner of the company she starts with is the childhood friend who framed her mother for murder 15 years earlier. Um… well, that went somewhere unexpected.

MICHELLE: This creator also did Arisa, which might be seen as a sort of bridge between the two series you mentioned, since it did at least have some mystery elements. I’ll definitely check out Ando doing josei!

ASH: Me, too! Ando’s work always seems to have some unexpected turns (for better and worse), but I’ve enjoyed the creator’s past manga.

ANNA: Huh, I’m curious about this for sure.

MJ: Okay, wow. I’m in.

SEAN: Also in print: I’m Standing on a Million Lives 6, the 2nd Saint Young Men hardcover, That Time I Got Reincarnated As a Slime 12, and Witch Hat Atelier 5, which is the one Manga Bookshelf cares about.

MICHELLE: I really must get caught up on this.

ASH: I also care about Saint Young Men, but Witch Hat Atelier is just SO GOOD.

ANNA: It really is, I am stoked for a new volume of Witch Hat Atelier

SEAN: Digitally the debut is Kakushigoto: My Dad’s Secret Ambition, from the creator of Sayonara, Zetsubou-sensei (of which Kodansha put out 14 of 30 volumes. Not that I’m bitter.), a story about a writer of a very popular but very raunchy manga series… which he absolutely does not want his young impressionable daughter finding out about at all. This runs in Monthly Shonen Magazine, and looks to be more realistic than either Zetsubou or Katteni Kaizo.

ASH: I’m intrigued (and hope it might get a print release at some point so I will actually read it).

MJ: I’m intrigued… but cautiously?

SEAN: Also out digitally: Cosplay Animal 11, Defying Kurosaki-kun 15, GE: Good Ending 3, I’ll Win You Over, Sempai! 2, MabuSasa 3, and My Boy in Blue 15.

One Peace gives us a 15th volume of The Rising of the Shield Hero. Fans of the series will be desperate for more of the main cast after their non-appearance in most of Isekai Quartet 2. Not that I’m smug.

No debuts from Seven Seas, but fear not, there is The Girl from the Other Side 8, New Game! 8, Saint Seiya Saintia Sho 9, and Wonderland 5.

MICHELLE: Yay for The Girl from the Other Side!

ASH: Yes, indeed!!

ANNA: Some good stuff coming out this week. I need to get caught up.

SEAN: Tokyopop has a debut with The Fox and the Little Tanuki (Kori Senman), a Mag Garden title from Comic Avarus, which stars a fox spirit who’s an ex-con! Out of God Jail, he has to prove he’s reformed by babysitting a tanuki. This looks cute.

And Tokyopop also has a 2nd Still Sick.

Vertical has Ajin 14.

Viz debuts Hell’s Paradise: Jigokuraku, a Shonen Jump + title that’s been on the SJ app and has an unbelievable amount of buzz. It’s set in Edo Japan, and features a ninja assassin and an executioner searching for the secret of immortality.

MICHELLE: I will probably check this out.

ASH: Same.

ANNA: Me too.

MJ: Agreed.

SEAN: Also out from Viz: 20th Century Boys Perfect Edition 7, BEASTARS 5, Levius/Est 3, and No Guns Life 4. Damn, Viz is grim this week.

ASH: I’ve already read all of 20th Century Boys, but I’ll be ready for more BEASTARS soon.

SEAN: Yen On gives us the 5th volume of The Isolator.

And on the manga end, there’s Delicious in Dungeon 8 (yay!) and Shibuya Goldfish 7 (ergh…).

ASH: I love Delicious in Dungeon so much.

SEAN: What manga is in your pot of gold?

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 11

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By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Dale DeLucia.

(Note: I spoil the ending for this one, be warned.)

Sigh. I can’t say it wasn’t hinted – it’s been hinted since she first showed up, and there’s a massive deadly flag in this volume where Lefiya and Filvis promise to visit the elven country after they finish this next battle. I almost smacked my forehead. But yeah, there are two characters in this series who are fairly obviously coded as lesbians, and Lefiya has protagonist armor, so the other one had to go. The death is handled well and all – Filvis is not shot by an impossible bullet or anything – but yes, I am grumpy that we get to throw another dead lesbian on the pile of dead lesbians. Lefiya is in a sort of grief coma after this, so I’m not sure whether she’ll turn evil and try to destroy the world. Probably not. And Aiz makes for a poor Buffy in any case. And now I will drop this stretched analogy and look at the rest of the book.

For about three-quarters of this book, it’s actually fairly triumphant. Finn and company are getting ready to defeat the evils once and for all. It’s a plan in two stages, the first of which is to map out as much of Knossos as possible, with help from other families – including the Hermes Family, with Hermes being fairly straightforward for once, and the Dionysus Family, with him basically begging to come along so that he can avenge the deaths of his other family members. Things go well. They have a SUPER POWERFUL healer with them on this one, and therefore cursed weapons don’t work like they should. They manage to defeat the guy who makes the dungeons and his hideous monster form. All is going pretty swimmingly, in fact, till Dionysus sees something off to the side and splits off down a different corridor…

I have to admit that I’m much of the same mind as Loki and Hermes are at the end of this – I suspect Dionysus to be a double agent of sorts. That said, I also do wonder if there might be some self-brainwashing going on, as he really does seem to care about the fate of his family. Which, every single one, is killed off at the end of this book, in one of the biggest massacres we’ve seen in DanMachi to date. And Levis is alive and has escaped again, which is frustrating as the start of this book, which features Aiz making a deal with the devil and being told exactly why she’s having trouble fighting Levis – implied that a great final battle was coming. The reader feels as frustrated as Loki does.

The next volume is huge, and the afterword implies it may wrap up this plotline once and for all. As always, it’s very well told and has some great fights. But yeah, at the end of the day, what a miserable ending to a book.

Love Me, Love Me Not, Vol. 1

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By Io Sakisaka. Released in Japan as “Omoi, Omoware, Furi, Furare” by Shueisha, serialized in the magazine Bessatsu Margaret. Released in North America by Viz Media. Translated by JN Productions. Adapted by Nancy Thistlethwaite.

I was, at first, rather surprised to see this new volume of Io Sakisaka’s coming out, given that we still have a few volumes of Ao Haru Ride still in the queue. But after reading it, I’m glad we’re seeing it now, as this is a good one. The cover features two heroines, with the love interests relegated to the back cover, and the first volume makes it clear that, while this is all about love and romance, as usual for this author, the girls are co-protagonists and will carry most of the action. As for the premise, it’s not only about the growing friendship of these two girls, who immediately get on like a house on fire, but their tw3o opposing views of love, neither of which is looked down on. Yuna is looking for her Prince Charming, a “love at first sight” sort, while Akari thinks you can get to know a guy and then fall in love based on your everyday interaction. As we’ll see, both are right – and wrong.

Yuna, the light-haired girl on the cover, is the one who is looking for her Prince. Unfortunately, she’s also painfully shy around guys, with the exception of her childhood friend Inui. One day she is saying goodbye to her best friend, who is moving away, when she is accosted by another girl who forgot her wallet and desperately needs money for the subway so SHE can say goodby3e to HER moving friend. This is Akari, the dark-haired girl, who is currently in a relationshi0p, though that doesn’t last the book. The two find they live near each other, and quickly bond discussing the concept of love, and compare their own views. Akari wants to ship Yuna and her childhood friend Inui together. Yuna, though, falls instantly for Akari’s brother, Rio. It’s… well, a recipe for fun shoujo manga.

I enjoyed almost all of this, so let’s quickly get to the bit that made me groan. Given that the concept of this manga reads very much like “love square”, the moment Akari and Rio were shown to be related my brain went “nope, gotta be a remarriage or adoption”, and sure enough. I would be really happy to not see “we’re not really siblings” in a manga ever again, to be honest, and Akari’s loud arguing that it’s not like that to her mother does not help my thought that it is going to be like that down the road. Fortunately, the rest of the book is excellent. Yuna and Rio really do have that ‘instant love’ bond, and also some really heartwarming scenes as we learn about Rio’s “playboy” ways. And Akari may be trying to ship Yuna with Inui, but the audience is, I suspect, thinking that Akari/Inui is the preferred pairing here.

This is about a dozen volumes, which is typical for successful series by this writer. It’s also getting a live-action film this summer. For those who love romance manga and strong friendships, this is a winner.

Pick of the Week: Ice Ice Baby

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MICHELLE: In a week with the debut of a josei series about a nerdy figure skater, there is really no contest. It’s gotta be Knight of the Ice.

SEAN: I didn’t use it for the Manga the Week of Feature Image because I knew it would be here. Obviously, it’s Knight of the Ice.

ASH: It really is an obvious choice! Knight of the Ice is unquestionably my pick – I’m very excited that more of Yayoi Ogawa’s work is being translated – but I’d also like to take the opportunity to encourage everyone to pick up the most recent volume of Monthly Girls’ Nozaki-kun!

ANNA: No surprise, I’m picking Knight of the Ice too!

KATE: The Massachusetts judge awards Knight of the Ice a perfect 10!

MJ: Well, I’m not going to be the one to break the streak. Knight of the Ice it is!

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 9

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

The first half of this book is rough going, as it continues to mine the trough of awkward despair that our heroes are going through. Hachiman is still dealing with the unspoken fact that he screwed up the Student Council Election for Yukino, though honestly the bigger problem is that it IS unspoken. Isshiki is now student council president, but is having trouble dealing with the rest of the council and also out of her depth. So when she has to come up with a Christmas event with the help of another school, she naturally comes running to the Service Club. Unfortunately, Hachiman’s guilt makes him take on helping her on his own, and he has to confront not only the most irritating character in the entire series to date, but also Orimoto, that girl from middle school, who goes to the other school. And, as a result of his doing this secretly, the Service Club is falling apart. It’s all very depressing.

Thank God for Hiratsuka, then. Acting a bit more proactively than she usually does, the teacher is there to give Hachiman the push he needs to finally confront the club and show actual emotions. This is very much the best scene in the book, and a real emotional breakthrough, at least for him. Yukino is a bit of a tougher nut to crack (as always), but a trip to an amusement part even allows her to open up about her rivalry relationship with her sister… and with Hachiman. Yui doesn’t feature as heavily, basically reduced to her role as the emotional center. That said, solving the situation requires all three of them – Hachiman plans, Yui bonds with everyone, and Yukino takes a firm hand in telling people when to shut the hell up and decide. Which is desperately needed.

As I indicated above, I don’t think I’ve ever found a character quite as punchable as I did Tamanawa, the student council president from the rival school. Honestly, I’d almost have liked it better if he were evil, or at least doing this on purpose for some petty reason. But no, this just seems to be how he deals with things, with the rest of the council (sans Orimoto, who like Hachiman is a dragooned helper) joining in on his business-talk doublespeak. This is hilarious at first, with even Hachiman having trouble following the plethora of buzzwords, but gradually the reader gets as exhausted as he does, and by the end of the book you just want a steamroller to run over Tamanawa (this does not happen). It was also odd seeing the return of Rumi, the young girl Hachiman tried to help in a previous book, though it goes along with the theme of this book and the last one: Hachiman’s help doesn’t always really work. Rumi is still having troubles. Maybe the play will help.

This book is about as well written as the previous one, but the fact that it ends on a big, positive note makes all the difference, and makes it feel much better overall. Not having a sour taste in your mouth is key. Next time, we get another book of short stories as we leap back in time with Vol. 6.5 (which, in Japan, did indeed come out after Vol. 9).