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The Hero Is Overpowered But Overly Cautious, Vol. 3

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By Light Tuchihi and Saori Toyota. Released in Japan as “Kono Yuusha Ga Ore TUEEE Kuse Ni Shinchou Sugiru” by Kadokawa Books. Released in North America by Yen On. Translated by Matt Rutsohn.

Though they share few similarities except for being comedies, I was reminded quite a bit of My Next Life As a Villainess while reading this 3rd volume of a series that was clearly designed to be two volumes long. Bakarina struggled for several volumes to try to find a way forward, and this volume of Cautious Hero does the same. That said, Cautious Hero has a lot more to walk back; at the end of the second volume Rista has been told who she is, and who Seiya is, and their destiny. Even better, when Seiya is called forth as a hero once more at the start of this book, he remembers what happened, and seems to actually return Rista’s feelings! Sure, they have to save the world, but he’s powerful, she’s a goddess, they’re in love, it’s great, right? Wrong. No one is reading the series for that. And so, sure enough, by the middle of the book, love has been trodden on and Seiya is using Rista as a comedic punching bag again. Know what your audience wants.

Those who read the first two books, or saw the anime (popular enough to get the two leads a cameo in Isekai Quartet’s second season) will be surprised at the cover art, showing a grinning, not-at-all-cautious Seiya charging forward. It’s the start of a long line of bad things happening to Rista. An enemy hits Seiya with an amnesia stat, meaning he’s back to his old reckless personality… and his love for Rista has gone down. Then, after more plot stuff happens, he loses the amnesia and is back to being Seiya… but thinks of Rista as an annoying weed. Yes, we’re back to baseline there. Honestly, it’s probably for the best, as this world is, as promised, much worse than the previous one. Humanity is not only enslaved but eaten, and the beastmen rule supreme. Seiya has to rescue the slaves in the old town they used to be fron, then he has to infiltrate the palace guard and take on the lion-headed big bad, Grandleon.

Does the book succeed at walking everything back? Partly, I’d say. Some of Seiya’s treatment of Rista, while horrible, does cross the line into funny, particularly his use of her as a periscope. The reader is, I think, meant to infer that his feelings for her are not rock bottom but that he’s faking that stat… but if so, he’s really good at it – even the old Queen at the end takes back her “he loves you deep down” speech after he’s appalling once more. Where the book does succeed, as always, is with Rista, who does not remember her life as Tiana, but that doesn’t stop it emotionally affecting her, particularly when she finds Tiana’s mother held prisoner and being tortured. Rista’s frustration and resolve waver constantly throughout the book, but at the end, her honest exhortation to Seiya actually gets through to him and makes him do the right thing. It was nice to see.

Of course the world’s not saved yet, and even stronger bad guys are on the way. Fans of this series had better be prepared for more of what the anime did best – comedy slapstick violence. That said, there’s enough character development in Rista to make this a series still well worth reading.

Daytime Shooting Star, Vol 6

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Daytime Shooting Star Volume 6 by Mika Yamamori

As this series continues, I grow more and more conflicted because heroine Suzume is such a sweet girl, I want her to get everything she wants. Unfortunately the main thing she wants is her teacher Shishio, and as he progresses in dropping some boundaries he was not even all that great at maintaining before, I find him more and more unappealing as a romantic prospect for Suzume. As I tend to do in k-dramas, I’m now firmly rooting for the second lead guy, Suzume’s classmate Mamura. I’m still drawn in by Daytime Shooting Star’s combination of stylish art and teen soap opera plot. As a bonus, Mamura is on the cover of this volume.

In this volume, Suzume and Shishio continue to capture some stolen moments here and there, but she’s often frustrated that she can’t deepen her relationship with him, and she’s continually reminded of the need for distance. She gives him a birthday present that she earned the money for with her part-time job. She attempts to make him a lunch, but sees him turning down food from another student. Throughout all of these interactions Mamura hovers in the background either quietly observing or forcing himself to eat some of Suzume’s first attempts at rice balls. Mamura continues to be a good friend, even when Suzume finds herself stood up by Shishio when he’s tied up with work on Christmas. A little bit of awareness seems to be settling in with Suzume as she realizes that she can be herself around Mamura after spending more time with him. Shishio seems to be losing his grip on his professional ethics, so I’m growing concerned about that, and the fact that Suzume’s uncle is extremely clueless about this developing situation between one of his best friends and his niece.

I have to admit I’m impatient to see how all the slowly building romance in Daytime Shooting Star will pan out. There’s a bit of a train wreck quality to this manga, seeing a young girl invest in the possibility of a romantic relationship that doesn’t seem like it will work, but I’m hoping that Mamura’s flashes of insight and his evolution from a boy who could barely talk to a girl to a young man who will gallantly bestow a scarf on a girl when she’s cold will pan out somehow. Go Mamura!

Pick of the Week: Is It a Given?

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SEAN: There’s a few titles that interest me but not much that screams “pick of the week”, so I’ll go withWandering Witch, a series so interesting I’m double dipping on the LN and manga, something I don’t usually do.

MICHELLE: There’s a fair amount coming out that appeals to me, but I’m most eager to continue the story of Given. I only watched the first few episodes of the anime so soon the manga will be in new territory.

KATE: I’d completely forgotten about Rin-Ne, but the recent announcement of an InuYasha sequel made me feel like it was 2008 all over again, so why not? Even a B minus effort from Rumiko Takahashi is still 100% better than most of what’s licensed for the English-language market.

MICHELLE: With RIN-NE having recently concluded in Japan, I do find myself wanting to dip back into it to see how it ends.

ASH: I actually haven’t read any of RIN-NE yet! (I probably should.) But I did read and greatly enjoy the first volume of Given, so I’ll be making that my official pick of the week. Although debut-wise, I’m probably most curious to read Sarazanmai: Reo and Mabu.

MJ: I’m behind on everything, and I still haven’t read the first volume of Given. But it seems inevitable that I’d love it, so I’ll make the second volume my pick this week. then it’s up to me to catch up!

ANNA: I’m joining in with the love for Given, I thought that the first volume was adorable.

Combatants Will Be Dispatched!, Vol. 3

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By Natsume Akimoto and Kakao Lanthanum. Released in Japan as “Sentouin, Hakenshimasu!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Noboru Akimoto.

It can be hard reviewing these books because, much as I’m still finding them funny, there’s not as much to say about them that I haven’t said in my previous two reviews. The characters were reused and combined into the characters we love from KonoSuba – Snow is the most obvious, but in this book it really becomes apparent that if Wiz was a lot more pathetic she’d be Grimm from this series. The author is making a slight effort to try to give the characters depth – mostly with Grimm here, but a bit with Six as well. But it can be hard when you also have to fulfill a certain quota of over the top humor. Combatants is slave to its joke plot and characters, in a way that the author hasn’t quite figured out how to escape. They will in KonoSuba, but this isn’t that. So we’re left with the jokes. Which are excellent… provided you have sympathy for no one and don’t mind things getting quite crass.

Our heroes… sorry, our villains are busy trying to build an enemy base from which they can fulfill their plans to take over this world. Sadly, the bases keep blowing up. Not only that, the very world itself seems out to get them, as they’re attacked by monsters, sandstorms, and can’t even burn down the forest without it coming back to take revenge. In amongst this chaos, the kingdom is having its annual Undead Festival, where the souls of those departed are… put into stuffed animals via Grimm, and wander around helping loved ones to move on. Trust me when I say this is played for laughs, not heartstrings. Unfortunately, some of the undead don’t seem to be peacefully mingling. And a former enemy, killed by Six, may be taking advantage of the Festival to stage a comeback. Can our heroes be horrible enough to win this time? Oh, no sweat.

Grimm is the heroine of this volume, though as with Alice before her, that doesn’t mean she gets all the focus. She does get an attempt at actual depth, though, as we see how dedicated she is to her archbishop job, and she truly does want to help the undead to move on (sadly, this usually also involves sending HERSELF to the next life as well). Six even notes if she were the nice helpful archbishop rather than the desperate man-hungry woman, she’d have a husband by now. As for Six, well, he’s terrible as always, but he manages to be topped by another agent here, Ten, whose own tendencies towards gross and petty evil are far worse than what Six has been doing, and lead to the biggest “oh my God” moment in the book, involving doing something in the Princess’ room. Snow is also entertaining, though as the series goes on she’s shifted from “mostly Darkness with a bit of Aqua” to “Mostly Aqua with a bit of Darkness”. And Rose deciding “Screw it, I’m gonna be a pet dog for this book” is fantastic.

So again, this book is not recommended to anyone who wants warm fuzzies. But if you like your humor along the Beavis and Butthead end of the spectrum, Six and friends are here to entertain you.

Isekai Rebuilding Project, Vol. 2

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By Yukika Minamino and Kotokan. Released in Japan as “Isekai Saiken Keikaku” by Legend Novels. Released in North America by J-Novel Club. Translated by Adam Seacord.

I admit I was a bit worried about this one. The first book relied a heck of a lot on the really good twist near the end, and I also did not want to end up having a ‘loop’-style redo of the previous book. Fortunately, my worries proved to be mistaken. The ‘let’s fix the beriberi’ plot is still around, but rapidly takes a backseat to ‘let’s battle the monsters who are somehow far more well organized’ plot, which frankly is a lot more interesting. As for the twist no longer applying, much to my surprise it makes the book a lot better, because with context what was a somewhat annoying and frustrating relationship turns into something really fantastic. The book still suffers a bit from dry prose, and the new twist about 3/4 through this book is somewhat uncomfortable, but I suspect it’s designed to be that way. Put it all together, and you have a volume that manages to avoid a sophomore slump. Plus, that cover art!

Our hero Eiji, when we last saw him, had died. We briefly see how things went after he died in that world, and get the revelation that Tiamat is actually his fiancee from Japan, and he then asks to go back and try again. He ends up back at the “would you like to come to the castle and be poisoned?” part of the book, and this time says no. This works out well, and eventually the King comes to him begging for their help in fixing the beriberi. While it’s not fixed by any means, they get enough of a start to have our main group move on to another country – because it’s not just this one country that has issues. Noura is a seaport, but before they can settle in they have to deal with the huge monster horde attacking it. A very… organized monster horde. It’s almost as if the enemy has someone on their side who’s been transported from another world.

The new villain here is a high school girl, which is less surprising than the revelations from the first volume. What’s worse, she’s also come from an abused family, something that Tiamat reluctantly uses against her to stop her simply killing Eiji. I admit I’m not really sure where the book is going with the character of Rio Kodama, but it was refreshing to hear a discussion of abused children and the impact it has on their lives and emotions. It feels like something a third volume would expand on. More to the point, and much to my surprise, the banter between Eiji and Tiamat, which I honestly found a bit annoying in the first book, has transformed now that we – and Eiji – know who she is, and their banter is far more affectionate and fun. (There are still plenty of otaku references I just didn’t get, however). Their relationship is now the highlight of the book.

This looks like it’s going to wrap up in a third volume, judging by the webnovel contents, but that 3rd novel is not announced yet in Japan. Till then, though, this is a decent second volume which manages to improve on the first mostly through its main couple and their flirting. Even if one is a dragon.

Kuma Kuma Kuma Bear, Vol. 1

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

First of all, despite expectations, there really aren’t many bear puns in this book. Even the title, which I thought was one, is “くま　クマ　熊　ベアー” which is simply ‘kuma’ in hiragana, katakana, kanji, and ‘bear’ in katakana. It’s ‘Bear Bear Bear Bear’. The author, Kumanano, translates to “I’m a bear”. and the heroine, Yuna, appears on the cover wearing a bear onesie with bear gloves and bear slippers. I’m telling you this up front because if you’re already annoyed, best not to read this. It is absolutely saturated with bear. Despite what I had thought, Yuna CAN remove the bear suit if need be… but she’s as powerful as a 15-year-old human girl when she does. WITH the bear suit, provided to her by the God who runs this world, she’s ludicrously overpowered. Which tells you at heart this is sort of for fans of Make My Abilities Average and its ilk. Do you like teenage girls beating up jerks and monsters? You’ll like this.

Yuna is a young girl who likes to game, sleep, eat,and not much else. She hasn’t gone to school ever since she found she can get rich working the stock market. Her parents briefly protested… so she paid them enough money to leave her forever. And they left! (I mention this because it jars very much with the overall tone of most of the book, and I am wondering if it will ever come up again.) Then one day, Yuna gets an upgrade to the game she’s playing, along with special equipment… the set of bear items. Then, she’s asked if she enjoys real life (no), if she has people who’ll miss her (no), and anything really important to her in reality (money). After this… again, try to contain your shock… she finds herself transported to a fantasy world that’s very much like the game she had been playing. In a bear onesie.

I spent a whole paragraph talking about the first 5 pages or so because the rest of the book is exactly what you’d expect. There’s stats (though not as many as Yuna would like, and all bear related), there’s guilds, there’s killing wolves and orcs, there’s mana gems, there’s jerk guys who look down on Yuna just because she’s a cute young girl in bear pajamas… this lasts until she beats him so much he needs medical attention. There’s also a cute girl risking her life for her family who Yuna essentially adopts as a little sister. Originality is absent here. That said, it reads quite well, and I was never bored, despite the same old things happening. The weakness may be Yuna, who tends to react with little emotion to much of anything, and thus can come off as a bit mean (shades of Potion Girl) or callous. That said, this book also lacks a lot of the bad habits of light novels, possibly as it has a female lead and is written for a female audience. There’s no descriptions of breasts, Yuna shows no signs of getting a romantic harem, and there’s no slavery. I appreciate that.

This is run-of-the-mill OP isekai, but unlike some others I’ve reviewed recently, its gimmick (bear) is handled very well, being funny and never really irritating. If you like bears, or just like young women walking around and being cool, this might be a good light read. Oh yes, and the illustrator also does The Devil Is a Part-Timer!, so if you like their work, also check it out.

Bookshelf Briefs 5/7/20

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The Ancient Magus’ Bride, Vol. 12 | By Kore Yamazaki | Seven Seas – As much as I continue to love this series overall, this particular volume had some highs and lows for me. When Chise’s new classmates are in a scene with her, I find them interesting (particularly her prickly roommate, Lucy) and enjoy seeing Chise successfully interact with peers when just a couple of volumes ago she had doubts about her ability to do so. That said, the conversations these characters have amongst themselves about their pureblood alchemical family drama are unimaginably boring. At the same time, there’s an important conversation between the leads in which Elias tries to clarify what he meant by “bride” and an eventful camping trip to Scotland at the end of the volume that sees Lucy in peril, both of which I greatly enjoyed. In the end, I’m as eager for the next installment as ever. – Michelle Smith

As Miss Beelzebub Likes, Vol. 9 | By Matoba | Yen Press – It would appear that the manga author is well aware that Eurydice is not the most popular character in this book, as the first part of it deals with her getting amnesia and forgetting she’s a shotacon… and having people reluctant to cure her. Big same. Elsewhere, it’s all about the three “main” couples in the series, none of whom are official but all of whom are teased to death. Astaroth and Sacchan are stuck on a seemingly deserted island, and both are feeling very awkward around each other. Beelzebub and Mullin are a couple but don’t actually seem to realize it, much to the frustration of others. Most importantly, Azazel and Belphegor hold a real conversation! It’s good setup for the final volume next time. Fluffy fun. – Sean Gaffney

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!, Vol. 1 | By Yuu Toyota | Square Enix – The title of this one gave me the impression that it was going to be smutty, but the reality is anything but (at least so far). Kiyoshi Adachi is a gloomy, average, thirty-year-old virgin who has just discovered he can read the minds of the people he touches. When Adachi decides to see whether his seemingly perfect coworker, Kurosawa, has a secret nasty personality, he instead discovers that Kurosawa is romantically interested in him. As Adachi accesses more of Kurosawa’s thoughts throughout the volume, he realizes that he’s a genuinely good person and wants to get to know him better, but his lack of romantic experience means he gets overwhelmed easily. I think these guys make a cute couple and look forward to continuing the series. I also really enjoyed the bonus stories, especially the one about Adachi’s equally virginal friend and a delivery guy who bond over a kitty. – Michelle Smith

Gabriel Dropout, Vol. 8 | By Ukami |Yen Press – The main thrust of this volume is the arrival of Gabriel’s big sister Zeruel, who (as Gabriel knows) will flip her shit when she sees her behaving like a sloppy otaku, and (as Gabriel doesn’t know) has a massive sister complex about her. This amusingly leads to Gabriel acting like a perfect little angel and creeping everyone out. Fortunately, in a “who knows Gabriel best” trivia competition, Vignette’s knowledge of present Gabriel trumps Zaruel’s past knowledge. Speaking of Vignette, her demonic tendencies take another beating when another demon in the group refuses to see her as anything but an angel because she can’t be mean. Basically, be they angel or demon, everyone in this cast is a flake, so it’s all good. – Sean Gaffney

Kakushigoto: My Dad’s Secret Ambition, Vol. 2 | By Kouji Kumeta | Kodansha Comics (digital only) – This series continues to be the sweeter, more optimistic version of Zetsubou-sensei, and I’m OK with that. This is not to say that the author does not get a bit bitter about things that are in his wheelhouse, such as constant editor turnover (his current editor, who is a bit of a loser, is there because no one else will have Kakushi) and having to judge new entries in a manga competition (Kakushi judges fine, but is undercut by the stupid editor adding (lol) after every entry). Biting the hand that feeds him has always been Kouji Kumeta’s top skill. That said, it almost seems tempered by age and maturity here, particularly in the scenes with the father and daughter simply being a good family. Ominous future, though… – Sean Gaffney

Monthly Girls’ Nozaki-kun, Vol. 11 | By Izumi Tsubaki | Yen Press – Sometimes it happens that I just don’t have much to say about a volume of Monthly Girls’ Nozaki-kun. I like it best when some modicum of progress is made in one of the core relationships in the series, and for the most part (and despite the claim on the back cover that Wakamatsu finally learns Lorelai’s true identity) we don’t get that this time. Mostly it’s gags about otome games and hypnosis and what if Nozaki did a book signing. That said, there is a very nice tidbit at the end where Hori sincerely tells Kashima that he likes everything about her, and I hope that isn’t forgotten though I realize it’s extremely likely that nothing will come of it. In summation, I think I’m kind of reading this wrong, but ultimately I still enjoy it. – Michelle Smith

Prince Freya, Vol. 1 | By Keiko Ishihara | Viz Media – While several of Ishihara’s manga have now been released in English, Prince Freya is the first I’ve read. But I’m always happy to see more shoujo fantasy released, so I was looking forward to giving the series a try. The premise of the manga is pretty solid if not particularly innovative—Freya is a young woman who, due to unusual and deadly circumstances, is required to pose as Prince Edvard, the leader of her country. Ishihara has also laid the groundwork for some excellent court politics and intrigue. The pacing, however, especially in the introductory chapter, is extraordinarily fast. In addition, time and distance seem to have frustratingly little meaning in the series. And unless there’s some sort of spirit possession going on (which admittedly would be an interesting twist), Freya’s “becoming” Edvard in the first volume strains belief. But even considering its flaws, Prince Freya continues to intrigue me. – Ash Brown

Shoulder-a-Coffin Kuro Side Story: Nostalgic Travelogue | By Satoko Kiyuduki | Yen Press – This is nothing more than a series of short stories set during and after the main series, but if it allows us to spend more time with Kuro and friends, I’m 100% down with it. There’s moments of bittersweet tragedy in a story of a princess who sacrifices her life for the sake of her country. There’s amusing moments, such as Kuro and Sen having to play chess to escape a king’s wrath… a very strange game of chess. And there’s heartwarming, such as a young boy who grows older as he hears the stories of the travelers (including Kuro) who pass through his inn, eventually finding himself involved with some of the people he heard about. I love this series; it’s gorgeous and poignant. – Sean Gaffney

Sweat and Soap, Vol. 2 | By Kintetsu Yamada | Kodansha Comics – Now that our main couple has gotten together, it’s time to bring in some things to cause potential drama. The cute underling at work that’s in Kotaro’s department (and clearly has a crush on him) tries to uncover if he and Asako are dating… but fails. Also, he sees her like a little sister. Asako tells her mother she’s dating a guy… and she’s thrilled. The biggest issue in this volume may be Asako’s little brother Keita, who had to defend her from bullies as a kid and thus doesn’t trust anyone who might date his big sister. That said, a nice dinner at Keita’s restaurant (he’s a budding chef) does the trick, with Kotaro winning him over by simply being sincere. Both the sweat and the sex have lessened in this book, leaving pure sweetness. – Sean Gaffney

A Witch’s Printing Office, Vol. 2 | By Mochinchi and Yasuhiro Miyama | Yen Press – This started badly, with an entirely gratuitous boob shot distracting me from what turned out to be a pretty good plotline of a cooped-up rich kid wanting to get out into the world and read more… even if it turns out she might be reading her mom’s doujinshi. The basic premise of this series is that anyone and everyone can be happy buying and reading doujinshi, even if it’s monster guides or magic spellbooks. Yes, even the demon lord, who turns out to be quite nice. In fact, the real danger in this book is a natural one, as there’s a huge typhoon that threatens to take out the island that not-Comiket is held on. And there’s even a cliffhanger… is there another Japanese person trapped here? Aside from one bad bit of fanservice, still very good. – Sean Gaffney

Manga the Week of 5/13/20

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SEAN: Mid-May (Mother’s Day) and we’re feeling the loss of many books, though there’s still enough coming out that people should be kept busy.

ASH: Indeed! It certainly feels odd not going to TCAF this year, but I’ve still found plenty to read.

SEAN: We start with J-Novel Club, which has the 4th Ascendance of a Bookworm manga, Cooking with Wild Game 7, and Outer Ragna 2.

ASH: I’ve heard so many good things about Ascendance of a Bookworm; I really need to move it closer to the top of my to-be-read pile.

Newbie publisher Kaiten Books has its second release, which is Shed that Skin, Ryugasaki-san! (Mukasete! Ryugasaki-san), which is NOT based on a light novel but is in Overlap’s Comic Gardo anyway. It’s the sweet story of a lizard-like girl and a boy who really loves lizards. Can they find love?

Catching up on things I missed: Kodansha now has the rights to Loveless, presumably through their partnership with Ichijinsha, and has released all 13 volumes digitally as of last week.

Also out already from Kodansha via their partnership with Comixology is Drops of God Vols. 12-22.

In the “would have been print but isn’t yet” Kodansha titles, we find Beyond the Clouds 2 and Knight of the Ice 2.

MICHELLE: Knight of the Ice is so much fun.

ASH: I really liked the first volume!

ANNA: Me too, I’m looking forward to collecting this in print.

SEAN: On the actual digital front, we have Ace of the Diamond 26, The Dorm of Love and Secrets 4 (a final volume), Giant Killing 20, The Hero Life of a (Self-Proclaimed) “Mediocre” Demon! 2, and Tokyo Revengers 15.

MICHELLE: I’ll be reading 60% of these!

SEAN: Seven Seas has two debuts (digital, of course). The first is the Kuma Kuma Kuma Bear manga, based on the light novel we talked about a week ago. It runs in Shufu to Seikatsusha’s Comic Pash!, which is not a magazine I get to mention here very often.

More relevant to the Manga Bookshelf crowd is Sarazanmai: Reo and Mabu, a single volume BL manga from Gentosha’s RUTILE. From what I can tell, this is the prequel to the Sarazanmai anime/light novel series, which is from the pen of Kunihiko Ikuhara and whose light novel version Seven Seas is releasing later this year. Um, they’re cops, they’re lovers, they adopt a kid, there’s weird supernatural shit? Sounds like Ikuhara, all right.

MICHELLE: Hmm.

ASH: I’ll be reading this at some point.

MJ: Count me in on this.

SEAN: Also out next week: Classroom of the Elite 5 has a early digital release. There’s also Dungeon Builder: Demon King’s Labyrinth Is a Modern City 2, Magical Girl Site 12, and the 11th and final volume of Masamune-kun’s Revenge.

Square Enix has one digital release: The manga version of Wandering Witch, whose light novel is coming out from Yen On. This manga version is from Gangan Online. For fans of Kino’s Journey.

ASH: I do like Kino’s Journey…

MJ: Ohhhhh, I also love Kino. Hm.

SEAN: SuBLime has a 2nd volume of Given and the 3rd Yarichin Bitch Club.

MICHELLE: Yay, Given!

ASH: Yes! Looking forward to reading more.

ANNA: Looking forward to more Given!

MJ: Oh, no! I’mm behind!

SEAN: Finally, we have Viz. No debuts, but we get A Tropical Fish Yearns for Snow 3, Fullmetal Alchemist: Fullmetal Edition 9, Radiant 11, RIN-NE 33, Splatoon 9, Transformers: the Manga 2, and Yo-Kai Watch 14. (Yes, I know. I always forget Yo-Kai Watch exists.)

ASH: I’ve been enjoying A Tropical Fish Yearns for Snow quite a bit so far.

SEAN: Some interesting things. Are you buying any manga for your mom?

BL Metamorphosis, Vol. 1

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By Kaori Tsurutani. Released in Japan as “Metamorphose no Engawa” by Kadokawa Shoten, serialization ongoing in the magazine Comic Newtype. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Ysabet MacFarlane.

In troubled times, sometimes you just want to read something that puts a smile on your face and a song in your heart. Slice-of-life series can be all kinds of things, and this story of an old woman bonding with a teenager over BL manga fits perfectly. Ichinoi teaches calligraphy classes at her home, and is alone now that her husband has passed away. One day, the cafe she goes to closes down so she’s forced to go further into town, where she goes into a bookstore to cool off. Startled by how much of the store is now devoted to manga, she’s taken by a book with gorgeous artwork. She buys it, startling the bookstore clerk, Urara, because the book is BL – something Ichinoi is unaware of till she reads it later at home. That said, the love story within intrigues her, and she goes back to the bookstore for more – sparking a friendship with Urara.

The balance between the new friendship slice-of-life and the BL manga that connects the two is perfectly done. Ichinoi does not have a life that is wanting by any means, but she’s feeling lonely, and enjoys talking about the books with Urara. Urara is the sort of teen I’d describe as ‘naturally sullen”, and has trouble connecting with kids her own age, all of whom seem more together than she is. Discussing the books that Ichinoi is buying helps to break the ice, and Ichinoi is also a natural-born friend-maker, which Urara is very much not. By the end, they’re even going to a writer signing event, though the size of the event proves to be a surprise. It’s a very natural, well-paced budding friendship between two women with 50 years between them.

There is also discussion of the BL manga itself. Ichinoi last read manga back in the Aim for the Ace! days (1970s), so was unprepared for the BL relationship in the book she bought, but she immediately gets into the series. We see occasional pages from the series, showing a not-quite couple, both of whom seem to be bad at communicating their true feelings – one bright and outgoing, one inward and moody. The series is only three volumes long, and it only comes out every 18 months, so for Ichinoi there’s a very real worry she won’t live to see the end of it. The manga ties in with the protagonists’ lives so that it seems natural, and doesn’t overwhelm the day-to-day stuff (such as Urara’s crush on her childhood friend, which isn’t going anywhere as he’s dating someone else.

In the end, this is simply a terrific story, and I really want to see these two hang out and talk about BL manga or anything else they choose to. I’d also like to see more of their pasts – we see Urara had another childhood friend who’s no longer in her orbit, and the final chapter shows Ichinoi approaching a building (for the author signing) her husband wanted to take her to the top of but they never did. Absolutely recommended, whether you like BL or not.

Otherside Picnic, Vol. 3

by

By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

I’ve talked before about how this book is well served by the fact that Sorawo is our narrative voice. This means, of course, that we see what she thinks of Toriko’s words and actions, but don’t get Toriko’s own POV in reverse. The fun part lies when the reader is able to infer what Sorawo isn’t. Certainly Sorawo is correct that Toriko is obsessed with finding Satsuki, but she seems to equate that with a romantic longing, and on our end we’re not so sure. More to the point, Sorawo can be very savvy in some ways and not in others – there’s a scene where Toriko mentions the fact that she was brought up by two mothers, and it’s very clear she’s dropped this information on Sorawo to see how she’s going to react… because of course Toriko is in love with Sorawo, something that has been clear for some time but is increasingly textual as the book goes on. It’s good characterization, and the narrative POV helps sell it.

There’s three main stories in this volume. In the first, Toriko and Sorawo go back to the other world and try going in a different direction, but their rooftop picnic (love the idea of an actual picnic in this book) is interrupted by some time-stretching shenanigans and the ominous presence of Satsuki, who is invisible to Toriko but very visible – and terrifying – to Sorawo. The second story sees the return of Sorawo’s kohai Akari, who Sorawo continues to be wary and uncomfortable with, and Akari’s childhood friend Natsumi, who has unfortunately not done as the creepy urban legend told her to, and is suffering as a result. Finally, Sorawo and Kozakura are kidnapped by a cult, whose leader has a voice much like Toriko’s hand and Sorawo’s eye, and said leader really, really wants to meet Satsuki. Unfortunately for all concerned, she does.

I will admit, the actual urban legends/ghost stories presented here did not ring a bell for me, nor are they really supposed to for Japanese readers, I think, despite all the documentation of 20-year-old 2chan threads in the book’s appendix. Indeed, Sorawo makes an important distinction here, as she hates “I know a guy who this happened to” stories, which are far more likely to be made up, and looks for real “this happened to me personally” legends. As with the second volume, the scarier stuff is at the back half here, though those with teeth phobias may wince at the second story. This includes Sorawo herself, who upon being kidnapped and locked up brings to the fore another part of herself only concerned with survival (though honestly, there’s not much difference between this and her normal self, IMO – I think a lot of it may simply be her psyching herself up.) The climax of the book leaves one dead, one maimed, and one big Satsuki problem that still isn’t going away, but at least our heroines are OK.

This is getting an anime soon, apparently, and it will be interesting to see how they convey some of the concepts here – a lot of the horror themes work best on the page. As for this volume, it’s another strong one in the series, and I look forward to the fourth one, if only to see how – or if – Sorawo responds to Toriko’s words at the end.