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Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 15

December 5, 2020 by Sean Gaffney

By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Paul Starr.

This volume is similar to Volume 8, in that it is essentially a short story collection with wraparounds. The stories are all (almost) on a basic premise, which is “let’s lay out the backstories of how everyone arrived in Orario and how their lives have improved 8000% now that they have family and friends”. As such, there is an air of melancholy to this book, as while we do admire how far everyone has come, we’re seeing a depressed Bell, a rejected Hestia, an abused Lilly, a disillusioned Eina, a frustrated and angry Welf, a bitter Lyu, and… well, we’ve mostly gone into Mikoto and Haruhime’s stories already, so theirs is the exception to the rule. And then there’s Aiz, who doesn’t show up till the end, but who provides the perfect capper to the book, even if it leaves you with an ominous feeling. After several volumes in a row that are just dungeon fights, this one also seems happy to give everyone a chance to rest.

Bell and Hestia are on the cover, and they get the first flashbacks, as they (independently) recall how they arrived in the city. Their stories are downbeat, but end on a high note as they meet each other. There’s a later mirror of them with Lyu’s story, which features similar beats – she really needs to join a Familia, but her preconceptions and prickly nature are driving everyone away. Lilly’s story was a high point – showing off how wretched her life has been from the moment of her birth (sorry, Soma, giving Lilly potato puffs once does not make me forgive you) while contrasting it with the glee and happiness she feels as Hestia tells her that she’s gone up to Level 2. That said, when it comes to her past, she’d still prefer to deal with it indirectly rather than confront it head on. Which is her own choice, of course.

Welf’s story is fairly predictable, and Haruhime and Mikoto’s suffers from being the ‘light’ story in the book (though it is nice to see Haruhime slowly try to get herself out of “clumsy foxgirl” status – the maid stuff really doesn’t help). The epilogue, though, is the true best part of the book. It features the one day a year when the city mourns all its fallen, something that has to be explained to Bell (who, we are reminded, has not even been there a year yet). Seeing the funeral elegy being sung by everyone – even those such as Freya – was hauntingtly beautiful. That said, Bell and Aiz are not headed down the same path, and this epilogue serves to underscore that. Aiz is not here to be anyone’s hero. And, while Sword Oratoria readers already have a good inkling of her past secrets, here Bell finally connects the dots, and is stunned.

Unfortunately, the 16th volume only came out in Japan two months ago, so we may have another long wait. And, given the cover to 16 has Syr and Freya on it, Aiz may not even be the focus. Still, for a collection that was written as “take the short stories from the anime releases bonus DVDs and create wraparound material”, this is surprisingly solid.

Filed Under: is it wrong to try to pick up girls in a dungeon?, REVIEWS

Manga the Week of 12/9/20

December 3, 2020 by Sean Gaffney, Anna N, Michelle Smith, Ash Brown and MJ 1 Comment

SEAN: Two manga enter! One manga leaves! Who will prevail?

J-Novel Club has two debuts, both manga. One is Mapping, the long title of which I will not quote here, and an adaptation of the light novel.

The other one is I Love Yuri and Got Bodyswapped with a Fujoshi (Ore ga Fujoshi de Aitsu ga Yuriota de), whose title is also its plot. It’s by the author of Failed Princesses, ran in Comic Flapper, and can be described as “yuri adjacent”.

Also out next week: Demon Lord Retry’s 4th manga volume; Infinite Dendrogram 13; Lazy Dungeon Master 13; Tearmoon Empire 3, and The Unwanted Undead Adventurer 7. Of those, Tearmoon is my clear pick.

ASH: I’ve heard really good things about Tearmoon Empire. (And not just from you!)

SEAN: Time for Kodansha, where I carefully double check the site before posting and STILL end up wrong as they shift release dates at the last second. Debuting this week in print is Life Lessons with Uramichi-Omiisan. It’s a black comedy that runs in Ichijinsha’ Comic Pool about a children’s TV show host who is… not a fun guy.

MICHELLE: I’m not sure I’ll like this, but the premise is interesting enough that I will at least check it out.

MJ: Hm, yeah, maybe.

SEAN: Also in print: Heaven’s Design Team 2, Perfect World 4, Rent-a-Girlfriend 4, Something’s Wrong with Us 4, To Your Eternity 13, and The Witch and the Beast 3.

ASH: I’m actually reading quite a few of these, but most of my attention is going to To Your Eternity.

SEAN: Two digital debuts. Shangri-La Frontier just debuted in Weekly Shonen Magazine, and is from the artist who does Attack on Titan: Lost Girls and Fairy Gone. That said, it’s an MMORPG manga based on a webnovel, so you know what you’re getting here.

The other is The Story of Our Unlikely Love (Kimi ga Kirai na Koi no Hanashi), a quick 2-volume shoujo series from Betsufure. He was a bad boy. She was a good girl. Can I make it anymore obvious?

ANNA: I seem to have a short attention span for digital shoujo, but 2 volumes might be just right.

MICHELLE: Yeah, I probably will end up reading this, too.

MJ: I haven’t really been reading anything digital at all lately, but this might be the right length for it.

SEAN: We also get All-Out!! 17 (the final volume), Peach Boy Riverside 2, Practice Makes Perfect 3, Seven Shakespeares 14, Shaman King: Flowers 5, Space Brothers 38, and We Must Never Fall in Love! 4.

MICHELLE: I had been waiting for that final volume of All-Out!! to hit so I could marathon the whole series in one chunk. That sounds like a nice project for my holiday break.

SEAN: One Peace has The New Gate 4.

Manly Appetites: Minegishi Loves Otsu (Minegishi-san wa Outsu-kun ni Tabesasetai) is one of Seven Seas’s debuts next week. It combines BL and food, and looks to be quite amusing.

MICHELLE: I’m very excited about this!

ASH: Same!

MJ: Always here for this combo.

SEAN: The other Seven Seas debut is the manga version of The Saint’s Magic Power Is Omnipotent.

Digitally we also get a light novel debut: Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells. Class transported. Our hero has no powers. Left for dead. Powers are actually really cool. We’ve read this before.

We also get: Cube Arts 2, The Hidden Dungeon Only I Can Enter novel 2 (print), The Ideal Sponger Life 7, Nurse Hitomi’s Monster Infirmary 11, PENGUINDRUM 2 (novel), Peter Grill and the Philosopher’s Time 3, Plus-Sized Elf 6, and Uzaki-chan Wants to Hang Out! 4.

ASH: Every time Penguindrum is mentioned I remember that I still need to catch up with Penguindrum in many of its forms.

SEAN: Square Enix debuts the manga version of the acclaimed novel series The Apothecary Diaries (Kusuriya no Hitorigoto). It runs in Big Gangan, and is about a servant in training who finds herself in the midst of palace politics. It’s apparently VERY good.

ANNA: Huh, sounds interesting. This wasn’t on my radar before.

MICHELLE: Same! I might check it out.

ASH: I’m really looking forward to this one!

MJ: Well, wow. Sounds great!

SEAN: They also have the 2nd volume of the Wandering Witch manga.

SuBLime has Caste Heaven 4 and Punch-Up! 6.

Tokyopop has The God and the Flightless Messenger (Kamisama to Tobenai Tsukai), a one-and-done BL manga from Printemps Shuppan’s Canna. As you might guess by the title, it’s a fantasy.

Vertical gives us Bakemonogatari manga 6 (yes, I know I said this last week) and a digital release of Katanagatari 4 (yes, I know I said this two weeks ago).

Viz has no debuts, unless you count Super Mario Manga Mania, whose audience I suspect is adjacent to the normal Manga Bookshelf one.

ASH: That being said, I do know at least a few people who will be interested in this release!

SEAN: They do have How Do We Relationship? 2, Komi Can’t Communicate 10, and Pokemon Adventures Collector’s Edition 5.

MICHELLE: I’ve fallen a bit behind with Komi, but I’m in the mood now to get caught up.

SEAN: Yen Press has one debut: Slasher Maidens (Kaijin Reijoh), a Gangan Joker series that manages to combine horror manga and horny teen boys. It’s from the creator of Akame Ga KILL!.

Also out: As Miss Beelzebub Likes 11, Durarara: Re; Dollars 6, Happy Sugar Life 7, the 13th and final Hatsu*Haru, Restaurant to Another World 3, and Toilet-Bound Hanako-kun 6.

ASH: I’m reading the more recent Toilet-Bound Hanako-kun in preparation for this one as we speak.

SEAN: So, which manga won?

Filed Under: FEATURES, manga the week of

Reign of the Seven Spellblades, Vol. 1

December 3, 2020 by Sean Gaffney

By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Alex Keller-Nelson.

This was one of the two “big names” licensed a while back, and it had a huge amount of buzz to live up to. It not only lived up to the hype, it sailed over any other hurdles. This book is good. Really, hard-to-put-down good. This is all the more surprising given that it runs on some very common fantasy novel themes. Our heroes are first-years who are arriving at a prestigious magic school in not-Britain. Most of the characters will be a recognizable type, but this doesn’t make them annoying or boring, rather it makes it easier to identify and sympathize with them. The exceptions are our two lead protagonists, both of whom clearly have a lot more to their backstories than our first meeting would initially suggest. They go to school, learn magic, learn swords (more on that in a bit), and end up in trouble about every 30-40 pages or so. That said… this is surprisingly dark.

Our group of first years are: Oliver, the main protagonist, a serious young man with a talent for intricate spells; Nanao, the other main protagonist, a foreign student who knows nothing in the world except fighting to the death; Katie, the daughter of demi-human rights activists who shares their activism; Guy, a goofy everyman sort; Pete, who comes from a nonmagical family and is here to study and prove himself; and Michela, the noble girl with princess curls who, for once, turns out to be the nicest person in the book. They get into adventures right off the bat when a troll goes berserk at the run-up to the opening ceremony, and can’t seem to stop stuff happening to them after that, from getting trapped in the labyrinthine hallways after school to fighting a duel that goes horribly awry to finding that most of their upperclassmen are completely, 100% bonkers.

As I said, this book is darker than you’d expect. It’s made very clear at the start by the headmaster that a lot of the students die. We also see several fourth and fifth years who are happy to torture, battle, or experiment on anyone that catches their fancy. It’s also a school that combines swordsmanship with magic, after a magical duel in the past ended in death because the mage was no good at up-close fighting. The “spellblades” in the title are legendary blades that are essentially “one hit kill” blades, and there are not many on the world at all. It’s not hard to guess who’s going to be spellblading by the end of this book, but that’s OK. Plus there’s a lovely twist at the end that throws a lot of what we were assuming about one of the characters out the window, and makes me wonder if this cute romance I was hoping for is going to end at all well.

There’s more I could talk about. Nanao is, as I said, trained only for battle, but she’s surprisingly innocent and goofy otherwise. There’s a nasty rival character who appears to be set up to just be a constant antagonist, but then is dealt with and starts becoming a better person. There’s everything about Chela, who may be my favorite character in the book, despite essentially being Rin Tohsaka with Luvia’s hair. (There are a lot of characters who you could say are “essentially __________”, and you will note I have avoided mentioning a certain series that will come to mind.) Most importantly, the book is gripping and makes you want to read fast and immerse yourself in the world, despite being pretty lengthy (it’s over 280 pages). This is absolutely worth the hype.

Filed Under: reign of the seven spellblades, REVIEWS

Love Me, Love Me Not Vols 4 and 5

December 2, 2020 by Anna N

Love Me, Love Me Not Volumes 4 and 5 by Io Sakisaka

With the conclusion of Ao Haru Ride, I’m glad that the Shojo Beat imprint has another Sakisaka series running with Love Me, Love Me Not. This series doesn’t quite have the layers of meaning I was finding in Ao Haru Ride, as the love quadrangle in this series lends itself more to more of a chill teen soap opera feeling with plenty of slice-of-life elements that makes this a soothing series to read, even as the protagonists deal with plenty of romantic complications.

In the fourth volume, there’s the fallout of Rio kissing Akari to deal with. While Akari has been dedicated to putting up emotional walls since they became step-siblings, Rio hasn’t been able to detach from his previous feelings so easily. Along the way Akari has to deal with a boy at school who has a crush on her who turns hostile after she turns him down. Inui is around to help her deal with things, but Akari wonders just how much he understands about her situation. Akari gets self-conscious and starts avoiding Yuna, who is dealing with her own feelings for Rio. Really, the tangled relationships ensure that there’s plenty of drama to come. However, one of the reasons why Love Me, Love Me Not remains interesting is that the characters actually talk about what’s bothering them and evolve and change. Yuna calls out Rio for his actions and points out that he’s not being considerate of Akari, and she then messages Akari so they can have a chat as well. Being active in her friendships and talking to the boy that she has a crush on show how much Yuna has evolved from the shy and self-contained girl she was in the first volume of the series. Rio even comments to her that Yuna is “growing into the person you want to be” while he hasn’t progressed much beyond the person he was in junior high.

The fifth volume features that staple of shoujo romance, a festival! Rio is haunted by the fact that he had a dream about Yuna, which makes him finally start to be interested in her romantically. Akari continues to be intrigued by Inui, and she and Yuna engineer a double date to the festival. Out of all the main characters, Inui has been a bit of a cipher, occasionally dropping by to make enigmatically mature pronouncements and then moving on. I was happy that this volume featured a little more of his self-reflective moments, making it clear that he’s only steering clear of Akari because he doesn’t want to hurt Rio. I really like the way some of Sakisaka’s illustrations shifted to reflect the characters’ feelings in this volume. Yuna has a few panels of looking absolutely adorable, because Sakisaka is showing her from Rio’s point of view as he appreciates her more and more. It is particularly fun to see Rio in a somewhat tortured state throughout this volume as he struggles with his new feelings, since he was originally introduced with such a self-assured, flirtatious personality that was all on the surface. While the characters are all suffering through the foibles of teenage romance, there’s no question in my mind that there will eventually be a happy ending, which makes this a great comforting manga to read when I feel the need to de-stress a little bit.

Filed Under: Manga Reviews, REVIEWS Tagged With: love me love me not, shojo beat, shoujo, viz media

Yona of the Dawn, Vol. 26

December 2, 2020 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

It can be hard to find the perfect cliffhanger o end a manga volume. Of course, with most ongoing series there is a cliffhanger of sorts, particularly in action series such as Yona of the Dawn. There are several obvious examples in this volume alone, each of which could probably have served perfectly well as the cliffhanger, particularly the second to last chapter in the volume. But there’s something so deliciously satisfying about this one, the sort of ending that gives the reader what they have wanted all along but not ENOUGH of it. Yona of the Dawn is usually a pitch perfect blend of political intrigue, action adventure, and a dash of romantic tension, and for most of Vol, 26, the focus is definitely on the first two. Even when we get to the romantic tension, it looks like the usual “misunderstandings abound!”. So we are both cheering and also laughing hysterically at how said misunderstandings are cleared up. You DESPERATELY want to read more.

As for the politics, not to spoil too much, but there is one less death than I was expecting when I finished Vol. 25. As it turns out, things can mostly be resolved with negotiation, though it takes a few more sacrifices and also everyone ganging up on the evil priest. This actually leads to the other great moment in the book, one that relies very much on Su-Won and how he is choosing to rule. The priest (whose name I keep forgetting, mostly as I tend to call him Wormtongue in my head) points out that Kouren captured and imprisoned the Legendary Dragon Warriors, to which he gets a “so what?” response. The priest is stunned that he does not want to use their magical cool powers to strengthen his position. (Technically this is what Yona is doing, but she is not doing it in the way the priest wants it to happen. The priest’s stunned face as Su-Won cuts all his arguments off at the knees is hysterical.

Other things to mention: Riri is here and awesome, though not as awesome as her retainers, who manage to gang up on Kouren and make sure she can’t tragically die leaning against a building or some other samurai thing. The other guys spend most of the book unable to move, alas, though they’re on the road to recovery by the end. It also helps sell that this is a problem that CAN be resolved with discussion and negotiation, rather than “I have a guy with a big hand, medusa eyes, a big kick, and Zeno.” Although it led to Yona’s misunderstanding, I really liked Hak’s chatter among his Wind tribe friends – she’s right, he acts like a totally different person around them, and while I don’t think it’s entirely her fault she’s never seen it, it does show off why they’re still not quite ready to get any closer than they are.

OR ARE THEY? Cannot wait till the next volume, which thanks to my backlog is already out. There’s always so much to talk about and love with Yona of the Dawn.

Filed Under: REVIEWS, yona of the dawn

Bookshelf Briefs 12/1/20

December 1, 2020 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Cutie and the Beast, Vol. 1 | By Yuhi Azumi| Seven Seas – This looked cute, and gave off a very My Love Story!! vibe, but I was wary of the fact that one of the leads is in his late twenties and the other is a senior in high school. That said, unlike a lot of other romance titles from Japan that adore this sort of couple, the manga makes their age difference the main conflict. He’s a famous pro wrestler, and getting involved with a girl her age, even if she is eighteen, would be career-killing. On the other hand… these two have fallen hard for each other almost at first sight, and can’t stop texting, calling, meeting up, etc. Now, how this will play out I’m not sure. Pretty sure they’ll get together, but I bet his career does take a big hit. Nice to see the manga address it, though. – Sean Gaffney

How Do We Relationship?, Vol. 1 | By Tamifull | Viz Media – “Opposites attract” is a common enough trope, but it is utilized to great effect and with notable complexity in How Do We Relationship?. The manga follows two young women in college as they begin dating each other—the somewhat shy and innocent Miwa and the much more boisterous and experienced Saeko. Navigating a new relationship is rarely easy and a romance between two women has additional sets of challenges, as Saeko in particular is very aware. While Miwa and Saeko’s deepening feelings are obviously core to the story, their relationships with friends and classmates play critical roles as well. One of the things that impressed me the most about the first volume of How Do We Relationship? was just how believable and realistic all of these different relationships were. The characterization of the leads is wonderfully nuanced, too. I’m really looking forward to reading more of the series. – Ash Brown

Komi Can’t Communicate, Vol. 9 | By Tomohito Oda | Viz Media – Most of this Komi volume revolves around Valentine’s Day, which as always presents the author with a conundrum: how do I make them give chocolates and be the cutest couple ever without actually making them a couple or having them confess? Rest assured, though, fans of Komi and Tadano will find endless scenes to love here. My favorite may be Tadano’s sister trying to get him to admit his feelings, then being rather annoyed when he actually comes close to doing so. Fortunately, as the title suggests, Komi is not very good at communicating, so things stay the same for now. Still, I suspect we need something to shake things up. Perhaps a new love interest could magically arrive soon? – Sean Gaffney

My Hero Academia, Vol. 25 | By Kohei Horikoshi | Viz Media – Shigaraki’s backstory is as terrifying and traumatic as you might imagine—let’s just say the hands he wears aren’t just for show. So it’s back to our heroes, who are practicing how to do hero interviews (Midoriya’s goes as badly as you’d expect) and also preparing for the next round of internships. Oh yes, and celebrating Christmas, which is adorable and also has Eri Santa. As for internships, Nighteye is dead and his agency is too busy to take him in, and Best Jeanist is missing, so Bakugou’s in limbo as well. Todoroki suggests an obvious idea: all three of them could intern with the best dad ever. All of this is clearly setting up a huge battle in the upcoming books, but it’s fun to see. – Sean Gaffney

Ossan Idol!, Vol. 1 | By Ichika Kino and Mochiko Mochida | TOKYOPOP – Adapted from a light novel, Ossan Idol! is the story of Miroku Osaki, a virginal, pure of heart, and unemployed 36-year-old who has spent the last decade as a shut-in. He’s always been overweight, but once he discovers a love of dance, he starts training at a gym with Yoichi Kisaragi, who was once overweight himself. Soon, Miroku is buff, handsome, and charming and the karaoke video he accidentally uploads to the internet becomes a viral sensation. The volume concludes with a famous producer declaring he’ll turn Miroku into an idol, and not just him but Yoichi (41) and dancer pal Shiju (40), too. All in all, this is a pleasing bit of fluff that I don’t have a lot to say about either positively or negatively. I will probably check out volume two, at least, to see where the story goes. – Michelle Smith

Sadako at the End of the World | By Koma Natsumi and Koji Suzuki | Yen Press – The premise of this one-volume manga—What if the girl from The Ring ended up in a post-apocalyptic world?—made me wonder if it would be horror or melancholic like Girls’ Last Tour. It’s pretty much both. Sadako, particularly once the artist gives her a tablet to communicate with, is not as scary here, and the girls she’s with are an innocent delight. But as they meet the few remaining people in this world along the way, there’s a definite sense she’s also going back and doing what she does best to each of them. The ending tries for sort of a fourth-wall-breaking thing but I think it was simply there as the author wasn’t sure how to end it after the cast was gone. A good read overall, though. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 13 | By Kagiji Kumanomata | Viz Media After reading my brief of the last volume, I feel a need to eat my words. The combination of this new volume and the currently running anime have made me realize: yes, there is real character development here. Syalis at the start of the series was a gag character who would murder at the drop of a hat. Here, while she’s still extremely flaky, she’s doing her best to unite humans and demons, even if this means completing all the Demon Lord’s paperwork—in ONE DAY. Even better, when the Cleric waffles on about his feelings for her and the reason he ran away from the castle, Syalis points out something: who she likes is her own decision. Our Sleepy Princess is all grown up! – Sean Gaffney

Sweat and Soap, Vol. 4 | By Kintetsu Yamada | Kodansha Comics – There’s a chapter of sex here, in case you were looking for that, but for the most part this series would rather deal with the sweet tensions of a young couple in love trying to negotiate how to do that and still be attentive to the other partner’s needs. Their couple-ness is now generally known to the office, though we have not quite told the parents yet—I suspect that will be next book. More importantly, they are talking about moving in together, something that requires charts and sticky notes, because these two are organized and also adorable. And they are also still very much desiring each other as well—the sex here is hot. One of the best romance mangas to come out in 2020. – Sean Gaffney

What the Font?! – A Manga Guide to Western Typeface | By Kuniichi Ashiya| Seven Seas – This is pretty much exactly what you’d expect. A young woman is told to layout a presentation, but has never done this before. While studying Western fonts, she falls asleep… and meets personifications of many of them, both Serif and Sans. Each font has a personality, they talk about themselves and their history, and then we move on. If you’re expecting Hetalia antics, look elsewhere—there’s no plot to speak of, and the fonts are not the most riveting characters. If you do want to learn about the differences between Western typefaces, though, this is a good enough guide for you, though I suspect it works even better in Japanese. – Sean Gaffney

Whisper Me a Love Song, Vol. 1 | By Eku Takeshima | Kodansha Comics – The cover of this volume is quite striking, and it led me to believe that this would be somehow different from your standard “high school girls in love” story. Unfortunately, it really isn’t. Yori Asanagi is a talented singer who fills in with the light music club band for a performance at the entrance ceremony Himari Kino is attending. Himari promptly informs Yori she’s fallen for her at first sight and Yori believes she means it romantically (instead of merely as a fan), and instantly falls in love herself. Characterizations here are shallow, particularly for Yori’s would-be bandmates, and there’s just not much going on that’s especially interesting. The one exception is that Himari’s enthusiastic appreciation for Yori’s singing is seemingly helping her to overcome some confidence issues. I’ll give this one more volume, I think, to see how it develops. – Michelle Smith

You Are My Princess | By Hiroto Kujirada | Futekiya (digital only) – Itsumi Tachibana is a scary-looking guy who secretly loves kitties. He’s surprised when the princely student council president, Seima Takajo, confesses romantic feelings for him, and suspects he’s being made fun of. After spending more time with Takajo, however, and realizing he’s the only one Takajo allows himself to be unguarded around, Itsumi’s feelings change. Plot-wise, You Are My Princess isn’t terribly unique. The guys get together, they have sex in the final chapter, the end. What makes it special, though, is Kujirada-sensei’s clean and expressive artwork, the nonverbal storytelling, and the little moments in which Takajo drops the facade and reveals real vulnerability. And also kitties. In the end, I enjoyed this cute story and look forward to more by this creator! – Michelle Smith

Filed Under: Bookshelf Briefs

Pick of the Week: Yona and Friends

November 30, 2020 by Sean Gaffney, Michelle Smith, Anna N and Ash Brown Leave a Comment

MICHELLE: There are a few things coming out this week that appeal to me a great deal, not least of which is the latest Yona of the Dawn, but this week I’ll highlight a pair of digital-only Kodansha josei series that I’ve been enjoying a lot: Chihayafuru (now volume 23) and Ex-Enthusiasts: MotoKar Mania (now volume 5). I will never not be grateful that Kodansha is reliably churning out josei material on a monthly basis. Ten years ago we had a dearth of great josei and now we have a respectable amount of options!

SEAN: I’m also interested in Yona, as well as Reign of the Seven Spellblades, but my pick this week is Eniale & Dewiela, because honestly Kamome Shirahama could do a manga of the phone book and it would be gorgeous and awesome. I’m also interested in seeing how the creator of Witch Hat Atelier creator does comedy.

ANNA: There’s a lot of intriguing manga coming out this week, but I’m going to pick Yona of the Dawn, which is consistently great.

ASH: Like Sean, my top pick this week is Eniale & Dewiela, but I’m also curious about How Many Light-Years to Babylon since I enjoyed the creator’s odd sort of humor in The Voynich Hotel and have had good luck reading other Seiun Award winners in the past.

Filed Under: PICK OF THE WEEK

The Asterisk War: Struggle for Supremacy

November 30, 2020 by Sean Gaffney

By Yuu Miyazaki and okiura. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Haydn Trowell.

Ooof. We are deep into “tournament arc” here, folks, which means that a) the books are really not doing anything aside from showing off some cool fights, which means I have very little to write about, and b) it is fairly easy to guess who is going to be winning each of those fights. Ayato and Julis are not going to be losing at this point in time. Heck, even the “trying to figure out what the bad guys are doing” plot takes a back seat here, though it does lead to one of the funnier not-really-a-gag moments in the book when Orphelia straight up tells the other villains “oh yeah, I told Julis our plan six months ago.” After basically being absent from the last book, Julis gets more to do here, including what ends up being the best fight, but I suspect she is going to continue to be very unhappy for the next few volumes. Fortunately, the book has a secret weapon: Saya, aka Best Girl.

Claudia is on the cover, but barely in the book itself at all. Though she fares better than Kirin, who is totally absent. We get a series of fights, after briefly seeing Julis win her Round Four battle. First we see Ayato take on Rodolfo Zoppo, an arrogant ass who we dearly want to see get the shit beaten out of. Sadly, all of Ayato’s fights in this series have involved him barely winning, and that’s what happens here. Lester fights the Black Knight, and wins, but unfortunately is too injured to continue, so Julis gets a bye in Round 6. Speaking of Julis, as stated, she gets the best fight, taking on Xiaohui, who has returned from his Vision Quest and gotten stronger thanks to an old man on a mountain who doesn’t train him but lets him watch his everyday life. It’s a good reminder that Asterisk War runs on cliches. Saya takes on a girl who’s too amusing to take seriously. We get Robot vs. Robot, and the more evil robot wins. Silvia wins her match, which amounts to song vs. dance. And Orphelia manages to not only take out Hilda, but Hilda may in fact be permanently removed from the stage – her ending is ominous.

Apologies for the spoilers, but again, none of this is a surprise. You knew most of these people were going to win. Aside from Julis, as I noted, Saya gets the best moments, as she has the 2nd best fight, but more importantly is there to deliver a pep talk to Claudia and Rimcy, who are both feeling depressed and useless. Saya points out that she is an Unlucky Childhood Friend who spends every day handing around a hot tsundere princess and a meek sword prodigy, and also has to deal with the world’s top idol singer. They are all probably better fighters than her. They are all more likely to get Ayato’s love than her. But, as Saya wonderfully puts it, “so what?”. She refuses to simply stop trying. It’s not quite the end of the book, but it makes for a great emotional climax.

Unfortunately, it’s not enough to make up for 170 pages or so of fight after fight after fight. And I suspect we’ll get more of the same next time, though the cliffhanger does at least promise some emotional torture of Julis as well. Good times!

Filed Under: asterisk war, REVIEWS

Adachi and Shimamura, Vol. 4

November 29, 2020 by Sean Gaffney

By Hitoma Iruma and Non. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

Since my last review, the anime has been running, and it’s due to adapt up to this volume if it keeps at the pace it’s been using. The anime has helped me come to terms with Shimamura’s monologues somewhat – it cuts out the boring bits, which is to say 80% of them, and leaves us with what is essentially a teenage girl who is constantly doubting that she is even a functional human being. Given the evidence of this book, she is correct to worry. Not that Adachi is any better, as the start of second year shows, to her horror, that despite the “I want to be BEST friends!” of previous books, just a mere class change can mean Shimamura will be happy to drift away from her without another thought. So Adachi is ready to take the initiative. Confess? A ha ha ha no. But she’s ready to ask if they can eat lunch together, and later even ask if they can have a weekend sleepover. Baby steps, really.

As you can possibly see from the cover art, Shimamura has stopped dyeing her hair and let it settle back into her natural ‘slightly lighter than Adachi’ brown. They’re in second year now, and Hino and Nagafuji are now in another class. (Not to worry, the two get their own little subplot, though I continue to wonder whether the author is also making them a couple or just having them be goofy.) Adachi is still in her class… but is still suffering from Adachiness. As a result, when three other girls ask if Shimamura can join them for lunch, she says sure. What’s more, her old childhood friend, Tarumi, has called up again after their disastrous February date, and really, really wants to try again. They hang out. They get matching bear bookbag charms! And Tarumi, as with Adachi, runs up against the massive wall that is Shimamura’s blithe indifference to almost anything.

I mentioned the subplot with Hino and Nagafuji, and there’s one with Yashiro as well. Indeed, it has been brought to my attention that almost every single character in the book who is not a regular – a fortune teller Adachi meets who gives her courage, another seeming alien girl that Nagafuji meets at Hino’s estate – is from one of Iruma’s other books. Hell, even Yashiro straight up says here she’s not the same Yashiro as the one from Denpa Onna. This is almost entirely lost on English-speaking readers (I had to have it all explained to me), but it does show off how these books are filled with “treats for the fans”, sometimes to the detriment of the actual plot. I also left out the start of the book, which is probably the best part of it, in which we realize that something important happened much earlier than we expected. It is a sign of how much this book is obsessed with the transient nature of teenage relationships that nobody remembers this.

That said, the biggest takeaway for me from this book is: man, everyone is trying their hardest to indirectly shout “I love you!” at Shimamura, but indirectness just is not cutting it. It does make me wonder how much longer, or how many more crossover cameos, this series can do before it begins to wear on the reader. Someone needs to tear down Shimamura’s wall.

Filed Under: adachi and shimamura, REVIEWS

Korea as Viewed by 12 Creators

November 28, 2020 by Katherine Dacey

This anthology of twelve short stories, six by Korean artists and six by French, follows the same basic template as Japan As Viewed by 17 Creators, offering brief, impressionistic scenes of contemporary Korean life. Though 17 Creators is a uniformly excellent work, its companion volume is not; the stories run the gamut from pedestrian to brilliant, with the Korean artists making the strongest contributions.

The unevenness of the collection is attributable, in part, to a home field advantage. Artists such as Choi Kyu-sok and Byun Ki-hyun tackle deeper, more penetrating topics than their French counterparts, exploring homelessness (“The Fake Dove”), sexual discrimination and violence (“The Rabbit”), and the decay of traditional social networks (“The Rain That Goes Away Comes Back”). Though the artists’ ambition sometimes outstrips their allocated space, all three stories boast beautiful, detailed artwork that suggests the rhythm and feeling of modern urban life. The French contributions, by contrast, are travelogues of one sort or another: in “Beondegi,” for example, Mathieu Sapin imagines what it would be like for a French-Korean woman to return to her parents’ home country, while in “Letters From Korea,” Igort offers brief descriptions of places he visited in Seoul. The weakest of the collection is Catel’s “Dul Lucie,” an uneventful travel diary filled with observations about “doll-like” and “sensual” Koreans that — in English, at least — leave a bad aftertaste of exoticism. Though the other French artists are not as patronizing, the stories feel shallow; imagine an essay about New York City written by someone who only visited Times Square, and you have some idea of how superficial these artists’ appreciation of Korea seems to be.

Two stories make this collection a worthwhile investment. The first is “Solgeo’s Tree,” by Lee Doo-hoo, in which a monk paints a mural so life-like that birds attempt to perch in its branches. Told with almost no dialogue, the story relies heavily on Lee’s exquisite pen-and-ink drawings to impart its Buddhist moral. The second is “A Rat in the Country of Yong,” Herve Tanquerelle’s playful, wordless story about a mouse visiting Seoul. The surrealistic imagery — skies full of dragon transports, streets filled with animal-eared people, pools inhabited by monstrous carp — and Chaplin-esque physical comedy evoke the strangeness and excitement of visiting a new city without falling into the trap of essentializing its people. Both comics attest to the vitality and richness of the “as viewed by” concept, and suggest what might have emerged from this sometimes insightful, sometimes banal French-Korean collaboration.

This review was originally published on September 6, 2010.

Korea as Viewed by 12 Creators
Edited by Nicholas Finet
Fanfare/Ponent Mon, 222 pp.
No rating

Filed Under: Manga Critic, Manhwa, REVIEWS Tagged With: Fanfare/Ponent Mon

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