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Pick of the Week: Asadorable Manga

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SEAN: Naoki Urasawa tends to be one of those authors I know I should get into but I never really have for various reasons, but let’s face it, there’s one really obvious pick this week and it’s Asadora, his new Big Comic Spirits series. Though Mama Akuma sounds good enough to be my runner-up.

MICHELLE: I’m in absolute agreement with Sean. The only Urasawa series I’ve actually finished is Monster, but it was great and I really did like what I read of Pluto and 20th Century Boys, as well.

ANNA: I’m picking Asadora as well, I’m always curious about new Urasawa.

KATE: I admit that I was pretty disappointed in both Mujirushi and Sneeze, so I’m a little hesitant to recommend Asadora. Instead, I’m throwing my weight behind the fourth volume of Shuzo Oshimi’s creepy thriller Blood on the Tracks. Love or hate his work, it’s impossible to deny his phenomenal artistic chops or his crack sense of pacing, whether he’s re-imagining The Drifting Classroom for adult readers or recalling the unbearable horrors of being fifteen. Blood on the Tracks is no exception: it’s tense, uncomfortable, and filled with the kind of panels that invite 4,000 word think-pieces.

ASH: Normally Asadora would be the easy pick for me, but this week I find that I’m intrigued by all the debuts about girls dealing with the supernatural – Rozi in the Labyrinth, Dear NOMAN, Mama Akuma – so I’m just going to choose that entire subgenre. That being said, Kate is spot on about Oshimi and Blood on the Tracks!

MJ: There’s a lot to choose from this week, including all the series everyone has mentioned so far (as well as the re-release of Saiyuki!) but I’m getting behind the one Sean called for me from the beginning. I’m going with Mama Akuma as my pick this week.

Arifureta: From Commonplace to World’s Strongest, Vol. 11

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

It’s been over a year since I reviewed the 10th volume of Arifureta. In between that time we’ve had two volumes of Arifureta Zero, as well as a volume of short stories, and we also had the anime come to an end and remind us that some stories really work best when you can’t SEE all the fanservice. That said, all good things must come to an end, and while this is not the final volume of the series, it certainly feels like Vol. 12 is going to be. We get all the setup for the final battle here. Yes, that does mean a “darkest before the dawn” start to the book, and Yue fans will likely not be happy that she ends up possessed by the evil God and therefore not in most of the book, but after that it’s basically a curtain call for anyone who’s ever been relevant in this series and also several people who haven’t – like most of the rest of the students.

So yes, Hajime and company are told by the bad guys to come meet the evil God and his evil assistant, and they’ve taken the students hostage (which doesn’t work) as well as Remia and Myu (which does). After a brief “it’s OK, I’m really a good guy” shtick that fools almost no one, we get reminded why Ehit is so powerful, and they basically mops the floor with everyone, including Hajime, and takes Yue’s body for their own. They also say that in three days, they’ll destroy the world and then move on to destroy Earth. Fortunately, that means they have three days, so the rest of the book consists of preparing to fight back, heartwarming scenes with Hajime and his loved ones (Kaori and Tio get “I love you” scenes, and Aiko and Liliana are clearly upgraded to “will be added to the group in the near future”), and wacky fanservice and comedy, because likely there won’t be much time for that in the final book.

Despite bringing back almost everyone from previous books, the writing glides right through it, assuming (correctly) we won’t remember three-quarters of everyone here. There are also some students, who haven’t gotten anything to do in nearly six books, who get to briefly shine in the spotlight, which is nice to see. Certainly nicer than seeing Kouki – again – side with the villains. Now, much of this is Eri mind-controlling him, but I’m sorry, I just cannot work up any sympathy for him by now. I can’t see him dying, particularly given there’s three different people still trying to snap him out of it, but wow, I absolutely do not care if they succeed or not. And Tio gets another good character building book, with a side story of her own, and it shows off the super-powerful lonely princess equally with the anal pleasure-obsessed pervert.

The novels are still quite popular, and I suspect once the main series is finished the “After Story”, which is still being written to this day on the web, will be put out officially in Japan. That said, for the moment, this is the big lead up to the finale next book, and contains most of the good things about the series, as well as a few of the bad. Fans should enjoy it.

Baccano!: 1710 Crack Flag

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

Yeah, I avoided this one for a while I will admit. I don’t like tragedies, even when I know they’re coming. What’s more, this book was famous among Baccano! fandom as the pinnacle of the series, and therefore had a lot to live up to. Does it do that? pretty much, yeah. Balancing out the mystery of exactly what’s going on, the achingly sweet and awkward romance between Huey and Monica, and the creeping feeling of impending doom that powers the 2nd half, Crack Flag is a huge winner. And that’s not even mentioning our villain. Pardon the language, but “Fuck Fermet” has been a refrain among the fandom for years, and while we’ve seen why in other books, no more is it driven home than here. Fermet wants nothing more than to bring despair to people, and with Huey and Monica we get the ultimate example of that in action. Izaya only wishes he were this evil. (I may have said that line before.)

The book says 1710, but it actually begins in 1707, two years after the events of The Ironic Light Orchestra. The poet and playwright Jean-Pierre Accardo is at a party for nobility, feeling very out of place, until he runs into Lebreau Fermet Viralesque and his 6-year-old charge Czeslaw Meyer. Through a relaxed, easy conversation, the two form a bond. At the same time, Huey and Monica’s bond is deepening as well, even if he’s still reluctant to admit it. Unfortunately, the arrival of a huge galleon from the Dormentiare family drives Monica to despair… though, as with most tragedies, we quickly learn that if the parties involved had actually spoken to each other, there’d be little she had to worry about. Will Huey be able to break through her walls? Can Huey break through his own walls? And, whatever you do, don’t go to the theatre tonight…

This is a brutal book (the author says in the afterword he won’t be getting quite this dark again, which, OK, 1711 would like to have a word with you), so let’s concentrate on things that are happier – Huey and Monica. It’s so WEIRD seeing Huey like this given, well, 1711 to the present, and it drives home how much she and Elmer mean to him. And yes, I don’t want to leave Elmer out – he does his best here, and while his own thoughts are still rather terrifying, he’s a terrific character. We also see here how Maiza went from “this alchemy stuff is all bullshit” to suddenly becoming ALL ALCHEMY ALL THE TIME, and I am rather amused that all it took was just a throat-slitting (and recovery). And Carla is fantastic, taking no shit from any men around her and doing her best to figure out what’s going on in Lotto Valentino. We’ll be seeing more of almost all of them in future books, thank goodness.

So yes, this book hurt to read, but it was also one of the best in the series. Narita says 1711 is next, and I guess in terms of stuff he had to write from scratch he’s correct. But first we’re getting another bonus volume. Just as Another Junk Railroad was an expanded version of the freebie that came with the audio drama, the next book is an expansion of the 5-part novel that came with the Anime DVD releases. It answers that hideously terrifying question: “what if Elmer and Graham met?”.

Reset! The Imprisoned Princess Dreams of Another Chance!, Vol. 1

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By Kei Misawa and poporucha. Released in Japan as “Torawareta Ōjo wa Nido, Shiawasena Yume o Miru” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Evie Lund.

If Japanese light novels are good at anything, they’re good at “take a premise and do slight variations on it for years”. As such, it can sometimes be very hard to read a book without thinking of that OTHER book you just read. Three are few readers who will pick this book up and not think “huh, this sounds just like Tearmoon Empire”, a series that also has a princess who is imprisoned end up traveling backwards in time to when she’s a child and trying to fix things so that she doesn’t die. Fortunately, the two books do not take the same approach. Reset is not a comedy, for one, and everyone pretty much sees our heroine accurately for who she is: a spoiled young princess who was sheltered her whole life and is now trying to be a slightly less sheltered young princess and not always achieving it. Mostly this succeeds, though there is one major head slapping moment towards the end.

Annabel is the princess of a country called Najir, and has recently married Daniel, the prince of a neighboring country. Unfortunately, one day he shows up furious, accuses her of betraying him, and she in thrown into the dungeons. If only she knew why this happened – she has no idea. What’s worse, her knight and protector Ed is brutally beaten and killed, causing her latent magic (which she’s never been able to use) to explode, destroying a huge chunk of the castle. Then… she wakes up as a twelve-year-old. Now she has to figure out how to change the future. But she doesn’t have a magical diary to help her, or any clue whatsoever. She’ll have to rely on the natural intelligence of a young girl who was home tutored her entire life and rarely left the castle till the day she died. This will go well!

The book’s chief strength is also its chief weakness, which is Annabel herself. She’s not from Japan, she’s not a reincarnation, and she’s not remotely snarky or sarcastic. She is an innocent lamb who is trying her best to figure out how she got from what seemed like a happy and loving marriage to “you are evil and I am imprisoning you”. She decides that ‘sheltered’ is the thing to work on first, so leans on her family to allow her to go to the same school as her older brother. From here she tries to activate her still latent magic (which does not go well most of the book), tries to research the neighboring country to figure out why they did this to her, and also falls in love with Ed, who is also in her school, and is quietly wonderful. Unfortunately, while less sheltered, she is still naive as heck, so there is a scene where, searching for an important item she lost, she allows two men to lead her down a dark alley and try to sell her to pimps. It’s such a jaw-droppingly stupid moment you want to scream. Yes, it’s there for plot reasons so she can activate her magic, but man alive, there must have been a better way.

This is a series still being written, so I’m not sure when we’ll get the next volume. Certainly the main problem has not been solved. Still, if you like Peggy Sue stories (called yarinaoshi loop stories in Japan, thank you, helpful afterword), this should entertain, though be aware that Annabel is very, very “young naive princess”.

Manga the Week of 1/20/21

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SEAN: Well, that was a nice break this week, huh? Next week is back to a giant pile, I’m afraid.

J-Novel Club has a quintet of light novels. We get Can Someone Please Explain What’s Going On?! 5, Holmes of Kyoto 3, The Master of Ragnarok & Blesser of Einherjar 14, Outbreak Company 16, and Slayers 5.

In print, Kodansha just has Life Lessons with Uramichi Oniisan 2.

Digitally, of course, there is far more. The debut is Will It Be the World or Her? (Sekai ka Kanojo ka Erabenai), a Bessatsu Shonen Magazine title. A guy tries to confess to his childhood friend… but another girl shows up and says she’s his girlfriend. What’s more, he has to forget about the other girl… or else the world will end! This sounds like an updated UY, but the cover art sort of puts me off.

We also get Dolly Kill Kill 10, Dr. Ramune – Mysterious Disease Specialist – 3, GE: Good Ending 13, I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World 2, I’m Standing on a Million Lives 10, Kakushigoto 11, Orient 10, Saiyuki 4, and We’re New at This 2.

ASH: I’m still pleased that Saiyuki is being re-released; I’d love to see even more of Minekura’s work in English.

ANNA: I’m glad that Saiyuki is being re-released too!

MJ: I am, too!

SEAN: Two debut manga from Seven Seas. The first is Rozi in the Labyrinth (Roji Meikyuu no Rozi), from Mag Garden’s Comic Garden. It’s another “innocent girl in a world of supernatural beings” series along the lines of Nicola Traveling the Demon’s World.

ASH: This is a sub-genre that appeals to me. Nicola is a delight, so I’ll probably give this series a try, too.

MJ: Same here.

SEAN: Tamamo-chan’s a Fox! (High School Inari Tamamo-chan!) runs in Niconico Seiga, and has a fox spirit try to blend in as a human so that she can enjoy high school life. Unfortunately, her disguise is not all that great. This looks cute?

ASH: I’m intrigued?

MJ: This does sound potentially adorable.

SEAN: Also from Seven Seas: The Ancient Magus’ Bride: Jack Flash and the Faerie Case Files 2, A Centaur’s Life 19, Classroom of the Elite 7 (in print), GIGANT 4, The Hidden Dungeon Only I Can Enter 2 (manga version), Kuma Kuma Kuma Bear 4 (manga version), Monster Girl Doctor 7, and Mushoku Tensei 9 (digitally).

ASH: I haven’t actually read the first volume yet, but I’m definitely interested in Jack Flash and the Faerie Case Files.

SEAN: Tokyopop has two volume 2s. BanG Dream! Girls Band Party! Roselia Stage (a final volume) and A Gentle Noble’s Vacation Recommendation (not a final volume).

Vertical has a number of titles. APOSIMZ 6, Blood on the Tracks 4, Don’t Toy with Me, Miss Nagatoro 5, and Weathering with You 2.

Viz’s debut is Asadora!, a new series from Naoki Urasawa that runs in Big Comic Spirits. This seems to be one of those “follow a girl from childhood into her adult life” series, so this first volume should be full of adorable little scamps.

MICHELLE: I’m looking forward to this!

ASH: Likewise!

ANNA: Me too!

MJ: Hurray!! Totally into this.

SEAN: There’s also BEASTARS 10, Children of the Whales 16, Dead Dead Demon’s Dededede Destruction 9, Hell’s Paradise Jigokuraku 6, and Mobile Suit Gundam Thunderbolt 15.

ASH: I need to catch up on BEASTARS.

ANNA: I need to catch up on Dead Dead Demon’s Dededede Destruction.

SEAN: Yen On has a debut light novel: King of the Labyrinth (Meikyu no Ou). This seems to be a dungeon crawl light novel, only from the perspective of the monster, a powerful minotaur.

ASH: Okay, I do like a good minotaur story…

SEAN: They’re also reprinting the Haruhi Suzumiya light novels, in paperback but with the original cover art that was used for the hardcovers. The first two are out next week.

ASH: I’d somehow missed that particular news!

Yen On also has The Asterisk War 15, High School Prodigies Have It Easy Even in Another World 3, I’ve Been Killing Slimes for 300 Years and Maxed Out My Level 9, Kingdom Hearts III: The Novel 3, My Youth Romantic Comedy Is Wrong As I Expected 10.5, Strike the Blood 17, Sword Art Online 21, That Time I Got Reincarnated As a Slime 10, and Wandering Witch 4. Phew.

Yen Press has no fewer than four debuts next week. Wow! We’ll start with The Dark History of the Reincarnated Villainess (Tensei Akujo no Kuro Rekishi). This runs in LaLa, and has an amusing and also horrifying premise: our heroine is, yes, reincarnated as the villainess… but it’s from her own story she wrote in middle school!

MICHELLE: Huh. The premise and the fact it runs in LaLa piques my interest a little.

ASH: That does sound like one of the better variations on the theme I’ve heard lately.

MJ: This sounds kind of great, potentially.

SEAN: Dear NOMAN is from Kadokawa’s Comic Walker, and it’s about a girl who can see supernatural creatures but pretends not to. Then, one day, it becomes impossible to keep pretending. This is semi-yuri, and also only two volumes long.

ASH: Count me as curious.

MJ: Same!

SEAN: Mama Akuma (Akuma no Mama) is a Gangan Online title about a demon who prides himself on granting any wish… then a fourth-grader wishes for him to be her mama? Well, if that’s the wish, then that’s how it’s got to be. This looks fun.

MICHELLE: I will probably have to check this out.

MJ: This sounds very much like my thing. FYI, Sean totally called this in my DMs.

SEAN: Mint Chocolate is from HanaLaLa Online, and is the old standard “oh no, the guy I like is now my step-brother, how will we live under the same roof?” sort of series. Sounds like the classic “jerk slowly becomes not jerk” shoujo title, too…

In non-debuts, we get Combatants Will Be Dispatched! 4 (manga version), Delicious in Dungeon 9, Heterogenia Linguistico 2, Interspecies Reviewers Comic Anthology: Darkness, Trinity Seven 22, and The World’s Strongest Rearguard 3 (manga version).

Lots of debuts nxt week. What catches your eye?

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 4

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Clearly someone has been listening to my review, as after last volume’s weird hotel detour, this one gets back to what I expected the series to be about: Lloyd and company’s time in the academy. Not that we spend much time there, as the town’s cleaned out and empty starter dungeon is suddenly teeming with terrifying dragons and monsters and the like. There’s also the issue of a man wandering around and asking people what he looks like, and then dealing with them if the answer is wrong. And there’s the usual dose of over the top humor and goofy fun from all our regulars. Unfortunately, when you live by the silly cliche you can also die by the silly cliche, so I have to warn in advance that the main antagonist of this volume is an obsessed lesbian who ends up turning evil. Which, I get it, is also a character type to parody. It’s just not one I want to see again.

As noted, the academy has gotten word that their empty dungeon is suddenly dangerous again, and sends Lloyd and company to check on it, figuring he’s ridiculously strong enough, even if he still has crippling self-esteem issues. To no one’s surprise, there does turn out to be a top-tier monster in the dungeon – a giant snake. To everyone’s surprise, Lloyd is not able to defeat it, and gets kicked around a bit. There may be more to this monster than meets the eye. There’s also the man walking around killing people… erm, sorry, testing them and then making them disappear. He turns out to be an old foe of Alka’s, and he and the smiling friend of Lloyd we met in the previous volume are here to be the Big Bads for the series as a whole. And for this volume, it means taking one woman’s obsession with Marie and turning it into a monstrous nightmare.

There are some really good action scenes here. As noted above, Lloyd for once is not One-Punch Man, and seeing him have to actually struggle is excellent, and hopefully will show off some character development. There’s also a lot of hilarity involving the King, who has recovered from being possessed but seems to have turned into a middle manager, and whose “reward catalog” is roundly attacked, and justifiably so given one of the rewards is “marry whoever you want” without giving thought to the other person. As for Micona, she has an irrational hate-on for Lloyd, mostly as he’s living with Marie, and it turns to a massive grudge when she’s merged with a treant by the bad guys. (Who remove her at the end, so I’m sure she’ll be back down the road). And of course, when you have a tree monster who attacks using roots, well, yes, there’s Marie tentacle attacks as well, though not too explicit, thank God.

So something of a mixed bag in the end, but I’m pleased to see the book actually buckling down and getting to its long-term plot. The implication is that the next volume will bring the main cast to Lloyd’s village, which promises to be quite fun in a sadistic sort of way. Much like the rest of the series, really.

Accel World: Kuroyukihime’s Confession

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

I suspect how much readers enjoy the first half of this book depends on how invested they are in awkward teen romance. Last time we ended with Kuroyukihime inviting Haruyuki over to spend the night at her place, and he ends up accepting here, though he’s not quite sure how long he’ll be staying. As it turns out, the answer is “all night”, and there’s also a bath scene involved, which, as with everything else about this series, gets 80 times more awkward when you remember they’re both 13-14. But they are pretty sweet dorks, and things don’t really go anywhere beyond “I am depressed and want to take comfort in you”. And, as it turns out, Kuroyukihime has a lot more to be concerned about than being caught in an Unlimited EK, as her friend Megumi, aka Orchid Oracle, seems to be held hostage by the enemy… which has caused her real-world self to fall into a coma. Can they rescue her? And can Haruyuki get yet another girl to fall for him without trying?

Yes, we can add another “don’t read this in public” volume cover to the pile. In any case, one of the more important things that comes up here is Kuroyukihime opens up to Haruyuki about the circumstances of her birth, and we finally, definitively put to rest the rumor that her parents are Kirito and Asuna. (I’m not sure why anyone ever found this acceptable, unless they like grim ‘n gritty.) In any case, we don’t get her name, or the names of her parents, but we do discover that Kuroyukihime was a “machine child”, incubated in an artificial womb. While the direct SAO connection isn’t happening, fans of the Alicization arc may recognize some of the discussion here about the nature of the soul. According to Kuroyukihime, her parents regard her as an experiment rather than a child – she even has a barcode on her neck to drive the point home. It’s pretty heavy.

The weaker part of the book is in the middle, when most of the cast gets together virtually to try to figure out how to fix the huge trap they’re in. This involves lots of banter, some jealousy, and a whole lot of talking, but essentially boils down to “no, we can’t do this, no we can’t do this, hey, why don’t we try this”, only over the course of 50 pages. Things pick up again when Haruyuki teams up with Rose Milady in order to rescue Orchid Oracle, her sister, from the clutches of the White Legion. This amounts to a bunch of cool battle scenes, and Kawahara is quite good at those. Haruyuki tries to do the whole “I’m not really good at anything I just have a lot of help” whining, which promptly gets smacked down. That makes me happy. More importantly, they actually succeed in both the rescue and waking Megumi up, meaning this volume does not leave us hanging. (Well, everyone’s still in the deathtrap, but…)

So a decent volume, with some much needed revelations, but the core issue here is still not resolved, so the arc continues. Recommended to those already reading the series.

The Devil Is a Part-Timer!, Vol. 18

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

This book is definitely front-loaded with stuff that I am here for. Much as I appreciate the machinations and plans for avoiding destruction going on on Enta isla, I will admit I’ve always been more drawn to the Japan side of this series. And just as everyone is working to ensure that they have a future for humans, angels and demons over there, others need to work to ensure that they have a future going forward in Japan. Even if that future may not involve Maou. As you might guess by the cover art showing her with her hat off, Chiho finally gives her notice to McRonald’s, as she needs to prepare for college, and then move on to her dream of… well, that’s the problem, isn’t it. Which college does she want to try for? Does she want to keep doing archery? Does she have a career in mind at all? And most importantly, can she find a way to stand at Maou’s side rather than just admiring him from afar?

It’s not just Chiho either – McRonald’s is suddenly down FIVE people after a bunch of resignations, and Maou and Emi – their two most important part-timers – have to take all of July off to, well, save the world. They also have a new manager, and while she’s a perfectly good normal manager sort, she is not the exceptional, once-in-a-lifetime manager that Kisaki was. This causes her no small amount of anxiety. Now Maou has to find some part-time help for the business. More importantly, he has to simply be patient and not worry too much as his allies are busy putting everything in place. It’s something he’s not used to, and he apologizes to Chiho at one point, as she is very used to it. And there’s also a disturbing new revelation that implies that not only might Alas Ramus and Acieth not be able to help in the final battle, they may be turned to the other side.

Not gonna lie, my mind keeps drifting back to the frank conversation Rika has with Chiho about her future, and about her love for Maou. If only as the author seems to take the time to sink what is probably the series’ most popular pairing – Rika says that Chiho’s only real competition for Maou is probably Suzuno, and that Maou and Emi aren’t happening. It’s worth actually quoting:

“What, am I wrong? I mean, some people say a lot of good relationships start from less than nothing, but I think Stockholm syndrome would work only so much with those two. It’s a miracle they’re acting like friends right now, even. I can’t see much more than that happening.”

Other than that, the book is quite good, with some very funny bits – the new part-timer at McRonald’s being the best – but it does suffer a bit from Maou and Emi being necessarily sidelined at the moment. The stage is set for the final battle… but we have three volumes to go, not two, so I suspect we’ll have wacky unrelated shenanigans next time. Till then, Chiho fans should really enjoy this book.

Pick of the Week: Sports Manga on a Light Week

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MICHELLE: There isn’t a whole lot that appeals to me from this week’s releases, but what always does appeal to me is the chance to have a mini-marathon of one of my favorite sports manga series in order to get caught up to the most recent volume. I love doing this no matter the series, and next week it’ll be Ace of the Diamond‘s turn, so that’s my pick this week.

SEAN: My choice is also a sports manga… sort of. I’ve been delighted with Practice Makes Perfect from Day One, with its premise of two dumb jocks who treat having good sex the way they would treat becoming the best at any other major Olympic sport. Equal parts hilarious and sexy, the fourth volume is the last, so expect them to finally get the Gold. So to speak.

ASH: This week will largely be a week for me to catch up on me reading, too, without adding too much more to the to-be-read pile. But if Practice Makes Perfect ever makes it into print it would probably be by my pick, so I’ll just go ahead and pick it now.

The Sorcerer’s Receptionist, Vol. 2

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By Mako and Maro. Released in Japan as “Mahousekai no Uketsukejou ni Naritaidesu” by ArianRose. Released in North America digitally by J-Novel Club. Translated by Roko Mobius.

It should go without saying, really, but fans of this sort of light novel should also be fans of shoujo manga that also runs along these lines. If you, as a reader, read manga where the lead couple are constantly at odds? The girl is constantly angry at the smug arrogant guy? Everyone seems to think they’re already a couple even though she hates his stupid guts? Yeah, that’s this series in a nutshell, it’s just in prose rather than in Hana to Yume. So yes, if smug arrogant guys constantly mocking the heroine are not your cup of tea, don’t read this, because we know who the end guy is going to be and it’s him. The other thing to mention here, which I believe I also did in my first review, is that you’d better love “oblivious to love” and “everyone can see it” as tropes, because the book is drenched in them. When it’s not actually dealing with Nanalie’s actual work, it’s watching everyone smirk at her cluelessness.

As noted above, the book is divided in half. Half the time we are seeing Nanalie at her job at Harre, growing better at it, learning valuable magical skills, and beating up lesser demons. At one point she’s sent to the southern branch for a month to see what it’s like there, and the answer is basically “hot, with added exorcisms”. The other half of the book is her interactions with Rockmann, who always seems to be around despite her best efforts to not see him, and is always there to rub it in her face that he’s still Number One and she is Number two. This even applies to alcohol – Nanalie has an amazingly high tolerance… but not as good as Rockmann’s. The one worrying plotline is that a neighboring kingdom is asking – rather aggressively – for ice witches, and Nanalie is being asked to hide that she is one. What’s really going on here? Also, why is Nanalie being asked to meet the King?

This book is not without its problems. the ending to the first book implied that there was some dangerous demon possession going on… but it’s solved quickly and then dropped. More importantly, the nature of the “Ice Witches Wanted” plotline involves Nanalie not knowing anything about it, and so the climax of the book, frustratingly, takes place offscreen, with most of it explained to her in a “yeah, sorry about this” way by the director. It’s realistic that they would take such steps, but as a reader it is incredibly anticlimactic. Also, Rockmann heals up far too quickly and far too well given they’re making this out to be the first time Nanalie might actually feel something for him. Fortunately, the rest of the book is filled with fun banter and situations, and Nanalie when she’s furious and snarky is the best Nanalie.

There is a suggestion of a few ongoing plots, with some backstory dropped to help the reader along, so I don’t expect this will be ending soon. It’s a fun little series, if a bit uneven, and recommended for those who like shoujo manga where the leads yell at each other all the time.