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Bookshelf Briefs 8/11/21

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Sean is our hero as he shoulders the burden of this column solo.

D-Frag!, Vol. 15 | By Tomoya Haruno | Seven Seas – This manga is here for romance and jokes, but the jokes are so prevalent that the romance tends to fall by the wayside. Technically there are a bunch of girls who have fallen for Kazuma, but honestly, in reality he and Takao seem to have the only relationship with actual sexual chemistry. This is especially helped by a wacky sequence where Kazuma has to dress up as a girl to avoid Takao’s protective father, and ends up being quite a believable one. Takao has now finally left Kazuma’s house (minus one bra, which becomes another running gag), but the others are still there, despite the meteor preventing them from moving back home being taken care of by the power of EEL. Deeply silly. – Sean Gaffney

The Dangers in My Heart, Vol. 1 | By Norio Sakurai | Seven Seas – This bizarre little comedy was not quite what I was expecting. Our “hero,” Kyotaro, is a wannabe edgelord who keeps narrating inside his head and dreams of killing his classmates… except no, he doesn’t, as he’s far too much of a wuss to do anything. He has a repressed crush on Anna, the “best girl” in class, who is not only popular but also turns out to be a model on the side. That said, as he and the reader slowly realize, Anna is… strange. Stranger than she likes to let on, really. What ensues are a series of short chapters where he tries to stop the other horny teens in his class from sexually harassing the girls, while also watching Anna break her stereotype. Not sure if recommended? It was OK. – Sean Gaffney

Horimiya, Vol. 15 | By Hero and Daisuke Hagiwara | Yen Press – We’re nearing the end of the manga at last, after the misstep that was the anime (not a disaster, but not as well-received as hoped). The anime helped highlight the manga’s main flaw, which is that it absolutely will not let Hori’s temper and tendency to hit Miyamura go away, and it continues to walk a fine line between “it’s funny in a Looney Tunes way” and “this is abusive behavior and I, the author know it,” with a side of “they know they’re into S&M so it’s OK.” It feels weird, frankly. Yuki and Tooru are still the secondary not-quite-a-couple, but frustratingly, that’s all they seem to be. And of course there’s the focus on endless minor characters I can’t remember. This is still a mess, but it’s almost over. – Sean Gaffney

Love at Fourteen, Vol. 10 | By Fuka Mizutani | Yen Press – Do you love age-gap romance? Or romance that looks like age-gap romance? Then this is the manga for you… at least when it’s not focusing on its main couple, who continue to be the main reason to keep reading it. We’re not walking back the moving away yet, and it’s really hitting them both hard, to the point where they do a “day trip” to talk about how far away it will be. There is talk of them having sex (which they are quick to point out is legal between two fourteen-year-olds in Japan), but neither one has knowledge beyond rudimentary, so they back off to research it. Frankly, it’s too soon. As for the others, well, they are what they are. I do like the sad lesbian helping out her next-gen equivalent, though. – Sean Gaffney

Ran the Peerless Beauty, Vol. 9 | By Ammitsu | Kodansha Comics (digital only) – Resolving the cliffhanger from the last volume turns out to go exactly the way every reader thought it would. Ran is taken away by her dad and there’s a bit of “you can’t see him again” going on. It’s all mainly because her dad is sad that his little girl is growing up. Akira manages to win the dad over by basically being his usual self, and in the end Ran agrees not to have any sex before marriage, because … well, because they’re so pure, really. That said, we’re only a volume away from the finale, so it’s time for one last little wrinkle from Ran’s past to show up and stress everyone out. If you miss Kimi ni Todoke and wish you could read more of it only with even more innocent leads, this is the manga for you. – Sean Gaffney

We’re New at This, Vol. 8 | By Ren Kawahara | Kodansha Comics (digital only) – Turns out that Ikuma being a salaryman is not that big a shift from Ikuma being a contract worker, though it does mean he has to go out with his boss and get drunk more often (a staple of Japanese corporate culture, and I’ve never liked it). Fortunately, while he and Sumika still sometimes have trouble communicating their needs and desires, they still communicate better than 90% of the other married couples in manga. That said, things end with a fight here, as Ikuma’s womanizing friend has finally met a nice girl, and Ikuma and Sumika differ on whether this is a good thing or not. Their fight will probably spill into book nine, though given the cliffhanger I’m guessing Ikuma is correct here. Sweet fun. – Sean Gaffney

The Whole of Humanity Has Gone Yuri Except for Me | By Hiroki Haruse | Yen Press – This two-volume series is out here in one omnibus, and that seems to be the correct decision, because I doubt this premise could sustain a long series. A high school girl wakes up one day to find everyone in the world is now a woman, and always has been. She’s in a parallel world… and she’s straight! Or is she? If that premise makes you go “heck yeah!,” you’ll be fine with this SF series, as she and her seemingly aloof, secretly disaster lesbian schoolmate try to figure out what happened and if she can return to her own world. If you saw the premise and sighed, it’s not going to magically be any different than what you’d expect. – Sean Gaffney

Accomplishments of the Duke’s Daughter, Vol. 2

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

It’s not always easy trying to reform something. First of all, how much can you really do? Iris is the acting governor of her land, and is doing a great job of building it up and modernizing it. But what about the next domain over? What about the entire Kingdom? What about the Kingdom next door, which is not nearly as well off as you are? These are not questions one can easily answer, and Iris has trouble coming up with answers either, though she’s doing her best to try to make changes that everyone is going to want to emulate. Fortunately, as I noted in my previous review, she has a ridiculous number of allies who are there to help her make those changes. Unfortunately, she also still has a large number of enemies. The villainess otome game aspect of this continues to be a very small part, while the politicking and intrigue are definitely at the forefront. Which is for the best, really.

Iris may be the glory of Armelia, but that means little to the Kingdom as a whole, which does not know she’s behind the Azuta Corporation and thinks of her as the noble who got shunned by the second prince. That said, an invitation by the Queen Dowager to a major function helps her start to reintegrate into high society, helped along by the prince, who is being an absolute dick, and also Yuri, the protagonist of the otome game that this supposedly is based on, who is at best ridiculously unaware of everything and at worst an actual enemy agent. Then, just when things seem to be going really well, word comes from the Church that Iris has been excommunicated! With employees leaving her company and neighboring domains refusing to allow trade, is there anything Iris can do to possibly get herself out of this? If only she had a really hot assistant who was secretly the first prince…

As I said earlier, the otome game aspect of these books is minimized, but I do want to come back to the character of Yuri. I’m not sure if the author of Duke’s Daughter read My Next Life as a Villainess before starting this (there are many other examples of the genre, but Villainess did begin on the web about 8 months before this title), but it’s hard to look at Yuri and not see Evil Maria. Which makes sense, given that Iris is essentially Good Original Catarina, without the personality of the Japanese girl overwriting her. I appreciate that Iris can’t be sure if Yuri is a spy that is seeking to have the kingdom collapse simply because if she is, she’s so bad at it. There are many other ways to go about doing this rather than acting like a cliched otome game heroine trying to get all the Good Ends with the various boys. I doubt we’ll ever get anything from Yuri’s perspective, but it would be interesting.

With another crisis solved, you’d think the series would be wrapping up quickly. But alas, the first Prince absolutely does not want to marry Iris, as he’s far too content seeing her “flying free” and changing the entire world. it’s hard to disagree with him. That said, I hope Dean sticks around, if only for her own mental health. This was an improvement on the first volume, though it has the same flaws.

Pick of the Week: Skipping This Week

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SEAN: My eyes this week are on Skip and Loafer, a Seven Seas title about a “country bumpkin” moving to the city that has me just with its cover – the combination of body and face on the lead is wonderful. I’ve heard many other good things about it as well.

KATE: I second Sean’s recommendation: Skip and Loafer looks like a delightful bit of escapism.

MICHELLE: This is definitely a case where the cover has utterly sold me. Count me down for Skip and Loafer, too!

ANNA: I’m all in for escapism, Skip and Loafer is my pick as well.

ASH: Who am I to break the consensus? Skip and Loafer was already going to be my pick this week, but seeing so many other people choose it makes me even more interested.

MJ: Okay, it’s been a heck of a week and I haven’t even had time to really look at this, but if all these people, with their impeccable taste, are enthusiastic about Skip and Loafer, I have no doubt I’ll be into it too! My pick this week is blind trust in my amazing colleagues!

Rascal Does Not Dream of a Sister Home Alone

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Orusuban Imouto no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

The first four books of the series had its main character, Sakuta, helping out a different girl each time who had what he termed “Adolescence Syndrome”, where an inner issue they were suffering from showed itself in an exterior way. Mai was turning invisible, Tomoe was time looping, Rio twinned herself, and Nodoka bodyswapped herself with her sister. Through all this, though, we were also learning of Sakuta’s own past – both his encounter with a high school girl named Shouko (who he rediscovers but not in high school) and his sister, whose reaction to bullying, and his frustration and reaction to her own pain, is what jumpstarted all of this. Now, at last, in this 5th book, we finally get to focus on Kaede. She’s more determined than ever to leave the apartment and go to school, to the point where she has a list of tasks in her diary. Together with Sakuta, can she succeed? Well, yes, but that’s not necessarily a wonderful thing for all involved.

Much of this book is about moving forward and trying to take a next step. For Sakuta that means actually applying himself. Mai, despite her celebrity, is going to college, and Sakuta wants to follow her there a year later. For Kaede, this means a whole lot of things. Just going to school is fraught with tensions, given that whenever she sees someone she doesn’t know, especially someone wearing her school uniform, she has a panic attack. She’s also re-exhibiting signs of her adolescence syndrome, which is definitely not a good thing. (Given that when this happened before, the authorities thought her mother abused her, I worried they might zero in on Sakuta, but thankfully this does not go there.) And there’s another, even larger issue: Kaede, as we discover here, has no memories from before two years ago. Given the way amnesia works, there’s a danger that she might lose herself no matter what the outcome.

There is a large chunk of this book that is very heartwarming. Seeing Kaede’s determination is great, trying to take small steps despite her terror. Sakuta strikes exactly the right notes, knowing when to push and when to retreat. The scenes at the zoo were magical, and brought a smile to your face… which of course makes the last fifth of the book all the more tear-jerking. It’s startling to see not just Kaede but also Sakuta re-develop symptoms from adolescence syndrome, and of course it happens when Mai is out of the city and can’t help him. Fortunately, he has Shouko – the older version – to help him once again. That said, she’s not Mai, and I wish that Mai had been there to talk him out of it. Mai remains the best part of this series. In any case, I’m not sure where Sakuta’s family relationship will go from here, but hopefully his romantic relationships will survive the cliffhanger. They probably will, she’s eminently sensible.

I joked on Twitter that the next two books would be light and fluffy – trust me, I saw the movie reviews, and while I don’t know what’s going to happen I know it’s a tear jerker. But so is this, in its own way, as we take a look at what makes up a person’s identity, and how fragile that can really be.

The Executioner and Her Way of Life: Whiteout

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

The second volume in this series picks up right where the first one left off, with Menou and Akari arriving in the Port City Libelle. Akari is here to have a vacation, Menou is here to try to kill her, and makes an attempt, but it fails as the others have. More worryingly, the terrorist organization we saw on the train in the first book has also got a hook into this city, and it appears to actually have the approval of the royal family – or at least the royal princess, who seems somewhat… detached from life. Menou’s not getting any help from the Church – they loathe her. The fight-loving princess finally meets her, but, unsurprisingly, just wants to fight. And Momo is doing her best to help, but things might be a little more difficult than any of them had assumed. Why is one of the four Human Errors out of her fog prison? Why does she know Akari? Even more chillingly, why does she know Menou?

So, first of all a warning: while this is not quite as bad as, say, Roll Over and Die 4, it is a very gore-filled and violent book. Pandæmonium is our villain here, and she’s a little girl who can essentially resurrect herself from her own body and blood – meaning that she can be killed endlessly and literally crawl out of her dead body. This is, needless to say, disquieting, both as a concept and as prose. She’s a classic type – the killer little girl – but that does not make her any less difficult to deal with. Akari’s own subplot is also rather chilling, as we get a lot more time in the head of the original Akari, the one who is not an airhead (though both are in love with Menou – indeed, that’s pretty much the one trait they share). The revelation from Book 1 is gone into further, and I wonder if a happy ending is truly possible for her – or if death is the only solution.

Not that the world has really had a solution to the isekai’d heroes before. We don’t get much more backstory, and a lot of it is filtered through Pandæmonium, who sees everything in terms of a movie, but it’s pretty clear there’s more going on here than just “the four human errors turned evil and were all destroyed”. For one thing, the one who put them down has also vanished from history… maybe. We get hints here and there as we go through this book that Menou’s past is tied to the human errors more than she’s aware of. (She’s also mostly figured out what Akari is doing, so it’s not simply making her ignorant on purpose.) As with the first book, everything ties back to her mentor Flare, who she gets her nickname (Flarette) from. Good news! They may reunite soon! That is the end of the good news.

Apologies for being somewhat oblique, but this is the sort of book that runs on mysteries, and I’m not ALWAYS a giant spoiler factory. If you’re reading this for the yuri, you may be disappointed – it’s there but isn’t a focus. If you’re reading this for lots of cool action, dark mysteries, and a bit of existential horror… OK, more than a bit… then this should serve you quite well. If you got off the Roll Over and Die train after Book 4 caught up to Japan, pick this up.

Manga the Week of 8/11/21

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SEAN: August continues. It’s still 2021, you know. Not 2022 yet, I promise.

ASH: I do sometimes wonder at what year it is, so I appreciate the clarification.

SEAN: Two print novels from Airship: Drugstore in Another World: The Slow Life of a Cheat Pharmacist 2 and Skeleton Knight in Another World 9.

In early digital news, we get two debuts. Monster Musume The Novel – Monster Girls on the Job! is pretty much exactly what it says.

ASH: Huh, I had missed that there was a novel, too.

SEAN: She Professed Herself Pupil of the Wise Man (Kenja no Deshi wo Nanoru Kenja) is about a gamer whose OP character is an old man. Then one day he falls asleep and wakes up in the world of the game… but he’s a young girl! What else can he do but pretend that she’s his disciple?

Denpa Books gives us Gambling Apocalypse: KAIJI 3.

ASH: Glad to see this coming out!

SEAN: Ghost Ship debuts Sundome!! Milky Way, a Shueisha series from Grand Jump about a salaryman who runs into an alien girl who wants to have his baby. The trouble is, when she gets embarrassed she reverts to her alien form. This is from the creator of Yokai Girls.

ASH: Not to be confused with the now out-of-print (though still available electronically) Sundome by Kazuto Okada.

SEAN: J-Novel Club has, in novels, Are You Okay With a Slightly Older Girlfriend? 4 and The Greatest Magicmaster’s Retirement Plan 10.

On the manga side, they debut Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons (Doushitemo Hametsushitakunai Akuyaku Reijou ga Gendai Heiki wo Te ni Shita Kekka ga Kore desu), whose light novel we’ve already seen. The manga runs in Suiyoubi no Sirius.

And we also get Record of Wortenia War’s 3rd manga.

In print, Kodansha has the 3rd volume of the delightful A Sign of Affection.

MICHELLE: I really will read this at some point.

ANNA: I love this series. It is one of the few series that I decided to get digitally because I didn’t want to wait for print.

ASH: I just recently picked up the first volume! I’m looking forward to giving the series a try.

SEAN: The digital debut is Yamaguchi-kun Isn’t So Bad (Yamaguchi-kun wa Warukunai), the story of a girl who finds the scary-looking classmate of hers is actually quite a kind person. It runs in Betsufure.

MICHELLE: I know this is a well-trodden shoujo genre, but dangit, I usually like these.

ANNA: Unsurprisingly, me too!

ASH: Saaaaaaame.

SEAN: They also have Are You Lost? 7, Cells at Work and Friends 5, A Couple of Cuckoos 5, Defying Kurosaki-kun 16, Giant Killing 25, and Police in a Pod 3.

MICHELLE: Insert perennial Giant Killing squee here.

ASH: I really enjoyed the anime; I still need to read the manga!

SEAN: A lot of debuts for Seven Seas. Chronicles of an Aristocrat Reborn in Another World (Tensei Kizoku no Isekai Boukenroku – Jichou o Shiranai Kamigami no Shito) is another “the title is the plot” isekai, and it runs in Mag Garden’s Beat’s.

I Got Caught Up In a Hero Summons, but the Other World was at Peace! (Yuusha Shoukan ni Makikomareta kedo, Isekai wa Heiwa deshita) is a Kadokawa series from Comp Ace. Our protagonist is accidentally transported due to a hero summons… but there’s no war? Demons are our friends? No adventuring either? Good thing there’s piles of girls to glom onto our potato of a lead guy!

Skip and Loafer is a series from Kodansha’s Afternoon about a country girl who thinks she is completely prepared for life in the big city!… She isn’t. This is award-nominated.

MICHELLE: This sounds fun! The cover is cute, too. Kind of has a Silver Spoon vibe.

ANNA: This does sound cute.

ASH: I am intrigued!

SEAN: Also from Seven Seas: Doughnuts Under a Crescent Moon 2, Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 2, Harukana Receive 8, How Heavy Are the Dumbbells You Lift? 7, and Tamamo-chan’s a Fox! 3.

Square Enix has a 7th volume of Hi Score Girl.

SuBLime has a 2nd volume of horror BL series MADK.

ASH: I’m so far behind on so many series, but this one is higher up on the ever-growing pile of manga to be read.

Tokyopop gives us Glass Syndrome (Glasstaion Shoukougun), a one-shot BL manga about two teens who both have tons of issues and how they get together. It ran in Kaiousha’s Gush.

MICHELLE: Another nice cover.

ANNA: Tokyopop, you still can’t trick me.

SEAN: Viz has Call of the Night 3, Fullmetal Alchemist: Fullmetal Edition 14, Komi Can’t Communicate 14, the 7th volume of Persona 5, Radiant 14, and Sleepy Princess in the Demon Castle 15.

ASH: Some good selections in that list.

SEAN: Lastly, Yen Press has The Dark History of the Reincarnated Villainess 3, ID:Invaded #Brake-Broken 2, Love of Kill 3, Mint Chocolate 3, and Sasaki and Miyano 3.

What manga are you reading if you get transported to another world?

In the Land of Leadale, Vol. 3

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By Ceez and Tenmaso. Released in Japan as “Leadale no Daichi nite” by Famitsu Bunko. Released in North America by Yen On. Translated by Jessica Lange.

As we get more and more into this series, I am starting to wonder if it may be more connected to Keina’s life than I had thought. I had assumed that the general horribleness of her life before getting trapped in this “game world” was basically for drama purposes, and indeed we get a flashback to the car accident that saw her permanently on life support and killed her parents here, as well as showing why she’s so much more ludicrously ovepowered than everyone else – she literally had nothing else to do but lie in the hospital and game. That said, the narrative also notes that she’d been ill her entire life, and also offhandledly says her family were somehow involved with Leadale’s production. And we also heard form some other players who got trapped in the game that its shutdown was a huge surprise, and no one could work out why. Things that make you go “Hmmm”. That said, most of this book is not concerned with that at all.

That’s not to say that the book is not concerned with the interweaving of “game world” and this world with real, actual people, as it very much is. Cayna starts to find that old “game events” are seeming to reactivate years later… only now killing all the NPCs is far less easy to shrug off. With the help of two other players, she helps to clear out one of them, but the villages that were wiped out remain very much wiped out, and Cayna ends up adopting the one survivor, a little girl. There’s clearly ominous stuff happening. That said, the other half of the book is pretty much just Cayna being Cayna. She’s creating beer and whiskey, she’s battling dark elves with ease, and she’s basically about 200 levels above everyone else. That said, social interaction is still an issue, especially now that she has to be a mom. Keina did not emotionally mature much in hospital… and it shows in Cayna.

Given we’re seeing a few more gamers who have ended up in this world (and woe betide them if they try to explain “well, see, 200 years ago” to the authorities) we get an answer to a question that was bound to crop up eventually: what about players who gamed as the other gender? Turns out the game did not let you do that… but that did not stop one player, who used an illegal mod to play as a woman. Now she’s in the game, and is having troubles. Fortunately, this book is almost entirely service-free, so the troubles are more “I talk like a brash guy in this body”, something Cayna finds amusing. We also get two more servants that Cayna calls upon (and then keeps around, since it’s unclear what happens to them when unsummoned). They’re a cat butler and cat maid, and they both hate each other a whole lot. Comedy ensues. Sometimes it’s even funny. Mostly, though, the laughs come from Cayna and her ludicrous power.

So yes, this remains a slow life series with a potentially dark, chewy center. I’m enjoying it quite a bit.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 16

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

Look, I know the spoiler. You know the spoiler. Most readers following this series have long since figured out the spoiler, if only as they googled the name and were redirected in a spoilery way. But yeah, this review is gonna talk about Syr, so if you say to yourself “oh, the shy but also sly waitress who likes Bell!”, I’d advise not reading this till you’ve read the book. We’ve seen Syr in action in one of the spinoff books, where she and Lyu go to a casino and she absolutely destroys a group of gamblers. But we’ve never quite seen Syr like this. This is Syr’s Last Stand. In the last volume we had a festival of remembrance, and in this one, hot on its heels, we have a festival of harvest. It’s meant to be a happy, joyous occasion, and is very popular with couples. As such, when Syr asks Bell out on a date, all hell breaks loose.

Admittedly it’s hard to pretend you’re avoiding a spoiler when the cover also heavily references the spoiler. So yeah, Syr is Freya. We all had guessed this by now, especially if we knew any mythology, and the derivation of the name Syr. That said, there’s another twist to it (hinted at in the Freya spinoff that came out last year) that makes things more interesting. For a good 3/4 of this book, however, this is really a cute romcom – something the author admits they were going for. Syr is, for obvious reasons, protected by the Freya Familia, and if she’s going to be dating Bell Cranel, then by God, she will be dating the BEST Bell Cranel, leading to a hilarious 5-day training from hell trying to teach Bell how to be a sexy boyfriend. (Poor Cassandra.) At the same time, Hestia is flipping out, and she and Aiz team up to follow Bell… as do Lyu and the rest of Syr’s co-workers. There’s funny moments, there’s sweet moments, there’s touching moments.

…and then it all goes to hell. Another slight spoiler, but the end of this book absolutely sets the table for the next arc, which I suspect is going to be “Freya Familia tries to kill all of Hestia Familia over and over again”. It has nothing to do with Bell figuring out Syr is Freya – he doesn’t. It’s simply that Syr left all her emotions and love on the table, begged Bell to accept her, and he CAN’T. He loves Aiz. (This is not stated explicitly with her name, but, um, see the previous 15 books). And it’s devastating and tragic until the last five pages or so, when you realize that oh shit, no, it’s going to be “fuck it, burn it all down” for Freya as she decides to have Bell Cranel By Any Means Necessary. It’s a stunning ending, and made me appreciate the comedy in this book all the more – I doubt we’ll see it in 17.

As with the wait between 15 and 16, 17 is not yet on Yen On’s schedule. Still, I hear 17 isn’t the end of the story arc either, so if you want to wait to binge, I’d advise against it. This works well as a stand-alone showing us what happens when someone who can get anyone she wants falls hard for the boy who won’t sleep with her because it would be wrong.

Pick of the week: Killer Viz-ion

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MICHELLE: It’s the once-a-year release of Kaze Hikaru and there’s also the debut of the fun-looking Happy Kanoko’s Killer Life, but if it’s my last chance ever, I simply must pick Haikyu!!. I didn’t think anything could supplant Hikaru no Go as my favorite sports manga, but Haikyu!! has done it. I’m going to miss this series so much.

SEAN: It’s hard to ignore Viz this week, but ignore I must, because Happy Kanako’s Killer Life is hilarious. Well, if you find murder repugnant, I would not read it. But honestly, most of the people Kanako kills are terrible, and she’s just such an airhead that the whole thing becomes hysterical. The author posted the first 4 chapters – in Japanese and English – on their Twitter, I can’t wait to read more of it.

ANNA: Every summer Kaze Hikaru comes out and every summer I must pick the latest volume!

ASH: While I am intrigued by Happy Kanako’s Killer Life, my heart belongs to Viz this week. Both Haikyu!! and Kaze Hikaru are highlights for me, but the debut of Golden Wind gets my official pick!

Fist of the North Star, Vol. 1

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Fist of the North Star, Volume 1 by Buronson and Tetsuo Hara

Here’s a flashback for you and a demonstration of my advanced age, Fist of the North Star as it was produced back in 1989 as a flipped monthly comic and the new hardcover edition. I was curious what it would be like to read a whole volume of Fist of the North Star, after all the idea of a delayed attack (“You’re already dead!”) that results in blood explosions is pretty much a shonen cliche at this point, but what’s the source material like? While I did read the first chapter way back in the day I’d never read more of the story although I’ve read plenty of references and jokes about Fist of the North Star since then.

Fist of the North Star

Fist of the North Star takes place in the future after a cataclysmic event in the late 1990s has produced a world where water is scarce and people attempt to survive in a post-apocalyptic landscape of city-states. The enigmatic Ken travels from town to town, demonstrating is extreme stoicism and manliness as a practitioner of the martial art Hokuto Shinken. I was immediately struck by how much Fist of the North Star reminded me of the Mad Max series due to the roaming bands of motorcycle gangs. As the story opens a motorcycle gang called the Zeed discovers that their scouts have been killed with some sort of localized explosions coming from inside their bodies, and a parched Ken gets caught in a trap as he approaches a town. A young girl approaches his cage to give him water, and when another prisoner grabs her Ken fends him off easily in his weakened condition. Ken soon finds himself battling the Zeed for the town that captured him. The action scenes are dynamic and gory, with the lack of expression on Ken’s face contrasting with the horror and surprise of his enemies as they find vital parts of their bodies exploding. I enjoy all of Ken’s calm proclamations as he informs his enemies of his impending demise by naming martial arts techniques and flatly declaring “Scum like you cannot possibly kill me.” The art often plays with perspective, with Ken fighting enemies that appear to be two or three times his size, which creates a little bit of dramatic tension in the battles even though Ken’s victory is always assured.

Ken sets out on further adventures, accompanied by the young former prisoner named Bat, who provides ongoing amazement and commentary on Ken’s martial arts feats. As he approaches the city of the Southern Cross, he has to deal with confronting his past and the reader learns more about the pain and trauma that lead Ken to be the master of martial arts who still stops to protect the weak throughout the dystopic remains of human civilization. This volume packs in so much origin story I’m curious to see if the rest of the series is more episodic, or if even more of Ken’s past is revealed in future volumes. This is a great hardcover edition that historic shonen collectors should appreciate that will look nice on a bookshelf with the other recent deluxe volumes Viz has been producing.