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High School DxD: Ragnarok After School

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

If you’ve read the previous volumes, you know what the plot of High School DxD is: breasts. Everything else is secondary. That said, it is a shonen battle manga, which means that the breasts are not even there to titillate the reader or make them horny. They’re there as a weapon in Issei’s arsenal. Indeed, every new book brings with it a new breast power-up, and so we may as well talk about Issei loving breasts the way that we talk about Izuku using All Might’s Smash moves in My Hero Academia. It’s also very telling that, in universe, Issei’s shtick is popular with little kids rather than women. The kids don’t really get the sex part, they just see him busting out cool moves. It also shows off Issei as someone who really should mature a bit more before he starts getting his harem… something he seems to know anyway, rejecting Akeno’s offer to sleep with him because she “looks sad”. If you’re going to do a harem, do it properly.

Our heroes have been busy lately, as a bunch of heroes/terrorists keep showing up to try to fight them. The motivation of the other side is rather baffling till they figure out that they’re trying to force Balance Breakers by repeated combat. Which is, well, a tad unethical. That will have to wait for future books, though, because Odin is in town, supposedly here to meet with the Japanese gods but more accurately to go on a pub crawl and look at large-breasted women. (Notably, his hot Valkyrie bodyguard, Rossweisse, is not good enough – indeed, he abandons her at the end of the book.) Not everyone wants Odin to talk with other gods, though, and Loki shows up prepared to stop things by force if necessary. And he’s brought Fenrir with him. As a result, well, the subtitle of the book is accurate.

We finally get Akeno’s backstory here, and is it a bit disappointing at how normal it is. Well, as normal as a backstory can get when your relatives murder your own mother in front of you, but it really boils down to “I hate daddy because he’s never home” to a much larger degree. That said, things get resolved a bit too quickly here, and it feels like the author, having shown us how Akeno acme to hate her father, now feels it’s not necessary anymore. As for the rest of the book, well, lotsa fights. Indeed, we even get enemies teaming up, as in order to stop Loki, Vali and company are brought in, with him agreeing to put off his fight with Issei in order to fight someone equally badass. I did like his scoffing at Issei’s idea of peace, and pointing out that would be a nightmare to people who live for battle. Not everyone wants a Happy Harem After.

This was not quite as good as previous books, feeling a bit like it was filling in time. It did introduce Rossweisse, but she doesn’t do much here aside from whine and moan, so I assume we’ll develop her in later books. Average DxD, which is to say below average in terms of normal light novels.

The Girl I Saved on the Train Turned Out to Be My Childhood Friend, Vol. 2

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By Kennoji and Fly. Released in Japan as “Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta” by GA Bunko. Released in North America by Yen On. Translated by Sergio Avila.

This got off to a slow start but was definitely improving as it went along. Last time I said that this was what books like Bottom-Tier Character Tomozaki deconstructed, and that was certainly true of the first book, but here we see the author starting to really look at the situation. Ryou is the standard oblivious, self-hating potato protagonist, but here we see how that’s actually hurting everyone around him – and hurting himself as well. Ryou has, by the end of the book, four love interests, three of whom seem to be along the lines of “did a decent thing in front of her”, which is also standard high school romance LN but reminds you how goddamn low the bar really is. And he’s actually a little more serious than most high school boys – he doesn’t feel comfortable returning anyone’s feelings until he understands how love feels himself. Unfortunately for the rest of the cast, this may take a while.

Our cast is in that most popular of years, the 2nd year of high school, and as such they have to deal with present-day concerns like the school festival while also trying to think about the future. Ryou can’t really imagine what he’ll be doing in the future beyond vague “college, I guess”. Hina, on the other hand, has a secret… and a dream. She really is far more mature and put together than Ryou, something that he dwells on constantly. That said, he might not be dwelling on it enough, given that Hina said she’d happily give everything up to spend her days married to him… and he didn’t react at all. (She was expecting him to at least push back on that.) Even a surprise first kiss cannot get past Ryou’s wall of self-loathing that he’s put between the two of them. Will a film project help, or just make things even more complicated?

I remain pleased with the relationship between Ryou and his sister Mana. She clearly loves her brother, supports him, and is STILL buying him condoms he won’t use, but there is not one speck of subtext between them, which is an increasing rarity in books these days. This is meant to be a realistic sibling relationship. The other strong part of this book was Hina. She’s been hiding her dreams of being an actress from the others, but it turns out that she has some serious chops. This leads to good and bad things with Ryou. Good in that filming something she can use as a quick promo video shows off his film editing skills, leading to a possible future direction. Bad in that he clearly puts her on a massive pedestal, and clearly the main reason he is not going out with her is for that reason. She tears into him for it, and her frustration is palpable.

That said, we get yet another saved childhood friend at the end of the book, and this risks becoming Osamake if it’s not careful. It can be difficult at times to deal with Ryou’s moping, but the book eventually rewards you.

VTuber Legend: How I Went Viral After Forgetting to Turn Off My Stream, Vol. 1

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By Nana Nanato and Siokazunoko. Released in Japan as “VTuber Nanda ga Haishin Kiri Wasuretara Densetsu ni Natteta” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Alice Prowse.

I’m not even sure how to review this at all. I’ve talked before about how I’m not a gamer, but that doesn’t stop me from reviewing endless amount of isekai titles that rely on level ups and power balances. Even if the lingo sometimes confuses me, there’s at least a plot structure to be had. That is not the case with VTuber Legend, which mostly exists to be read as an amusing chat stream turned into a light novel. Even the author was surprised when Fujimi Shobo approached them and asked if they could make it a real book. So I should approach it from a plot or characterization perspective… but there really isn’t one. As for the VTuber stuff… I’ve never watched a single one. I know there are comments that scroll either on the side of the video or literally in the video by watchers. And there are cute personas. That’s about it. Did I like this? Mmmmrrrmmm… not really.

Yuki Tanaka is a 20-year-old NEET, whose sole job turned out to be exploitative and evil. As a result, she’s holed up in her apartment for the most part. That said, she recently got a job with Live-On, a management company that has VTubers. She creates a persona, Awayuki Kokorone, who is refined and placid, with lots of ‘snow’ imagery. Unfortunately… she’s not really that popular. Then one day her computer freezes at one point after she ends the stream, and she does not realize that the stream is still going. So she cracks open a can of Strong Zero and starts blabbing to herself, getting drunker and drunker… and still never realizes her stream is still running. Now people are sure interested in her! In fact, management hints that they hired her expecting her to sort of be a disaster. Should she take this and run with it?

I should note the above paragraph is the first 15 pages of a total of 212. Most of what follows is the crafting of a character based around getting wasted, hitting on any other VTuber that moves, and generally being a chaotic force. With the audience and her fellow VTubers, for the most part, approving. There’s little to no conflict here, and the only time people seriously think about what’s going on is when they tell Yuki not to get drunk EVERY day. The rest of the cast are her fellow VTubers, all of whom seem to be eccentric, and all of whom also seem to be gay. (Yuki identifies herself as a “real-life lesbian”, and honestly that may be another reason why she was hired, but this is mostly used as an excuse for over the top sexual comments rather than anything serious.) I assume as a VTuber novel it works quite well. But the formatting and the lack of any real story make it fall flat for me.

If you enjoy VTubers and are looking for a funny and crass comedy, this may be for you. I ended up drowning in a sea of chat and Strong Zero.

Prison Life Is Easy for a Villainess, Vol. 2

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By Hibiki Yamazaki and Tetsuhiro Nabeshima. Released in Japan as “Konyaku Haki kara Hajimaru Akuyaku Reijou no Kangoku Slow Life” by Enterbrain. Released in North America by J-Novel Club. Translated by Sean McCann.

While I did very much enjoy this second volume and the series, I want to emphasize once again that this is a bit of a mess. The entire cast is filled with terrible, terrible people. The resolution basically amounts to “the king and queen finally come home and stop everything”. And every time that we get a scene that wasn’t in the original webnovel (which is to say one that is not focusing on Rachel in prison) it’s well written but jars terribly with everything else. Margaret’s past as a child, selling flowers on the side of a road, avoiding pedophiles, and living with sex workers trying to marry into royalty, honestly makes me want a bit more for her. The author says in the afterword that Margaret has “gumption but nothing else”, but gumption can get you far. In the end, though I think accidentally, the books read more as “you can be the worst person imaginable and it’s fine as long as you’re rich”. Which, well, current mood of world.

The plot is the same as the first book, though honestly some of the events seem to strain… not disbelief, but I think they show the author was grasping at straws. Elliott and company try to torment Rachel with terrible music, but she merely grabs a trumpet and forces them to play to her own rhythm, in a metaphor so obvious it smacks you in the head. She also has her pet monkey arrive from home, which leads to as many shenanigans as you can imagine a monkey running around the royal palace can have. Meanwhile, Elliott’s allies are being cut down one by one… possibly literally in the case of Sykes, whose fiancee turns out to be one of the few times I will actually use the word yandere in a review. That said, this cannot last forever, and finally Rachel’s parents and the King and Queen arrive to stop Elliott. But can they get Rachel to leave her cell?

The best parts of the book are the ones that show us what Rachel is really like behind all her confidence and casual cruelty. We’ve seen the shallow selfishness of Elliott and Margaret… but honestly, Rachel’s not all that much better. She can plan things out very well in the moment, but does not bother to think of consequences. What’s more, we see more people that her schtick doesn’t actually work on here… though, in keeping with the theme of the book, they’re also terrible sadists. (Word of warning, there are spanking scenes here. More than one.) In the end, she whines like a child and refuses to come out of her cozy cell where she’s been able to avoid responsibility, and ends up having to be bribed with a toy. (The toy is Margaret. Honestly, terrible as they both are, in five years or so I can see them being quite a power couple with Raymond as the beard.) Prison life is easy for a villainess, but actual life does not go as she’d like.

In the end, this book has a very, very specific readership. If you love the idea of a bitch doing horrible things to pathetic men who deserve it, you’ll love this. Two volumes honestly is a bit too many, but nevertheless I had fun.

Pick of the Week: Baking with Bears

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KATE: I gotta admit that I’m pretty indifferent to what’s on offer this Wednesday; as Anna so aptly put it, it’s a “word salad” titles kind of week. If pressed, though, I’d pick Baby Bear’s Bakery, which sounds cute and inoffensive.

MICHELLE: I’m not super enthused by any of the debuts, either. I think I’ll award my pick to the fact that I will get to have a Yowamushi Pedal catch-up marathon, which sounds pretty fun to me!

SEAN: I’ve been told that Summertime Rendering is supposed to have a Higurashi feel, so I will probably check it out, though three hardcovers in the same week is a bit much.

ASH: I’m certainly interested in everything that’s been mentioned so far, but I’ll be joining Kate in selecting Baby Bear’s Bakery as my official pick this week. I’ve seen a few preview pages and it seems like it should be delightful.

ANNA: I’ll join with Kate in picking the hopefully cute Baby Bear’s Bakery!

MJ: Like Kate, I’m having kind of a “meh” week here, but Baby Bear’s Bakery does indeed sound cute, so I’ll go for that as well!

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 12

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Jasmine Bernhardt.

There has been some discussion over the last few years about “yuri tease” or “yuribait” series, i.e. series which promise yuri content but fail to deliver. (This is entirely separate from LGBT content, by the way.) Frankly, any series that was popular with yuri fans in 2004-2005 would likely be piled on by modern fans for this very reason. Gains in media have made people spoiled, especially when you hear things like “it’s a yuribait series because men exist in it” (heard that one recently about Birdie Wing). But sometimes I do have to admit that I feel like I’m being led on. I’m not even sure I *want* Killing Slimes to be yuri. I think it works much better as found family. But if I could pay the author to drop Azusa reminding us that she’s straight every single volume, I would. Especially when the side story is MariMite with dragons. In any case, this volume is pretty much the same as the previous ones.

(Cover art, you are REALLY not helping the author’s case.)

In this volume: Azusa finally decides to get some rice and make some Japanese dishes, but reckons without Laika and Flatorte’s appetites; a Tiger Festival in a nearby down proves to be an excuse for baseball jokes; the treasure dredged from the lake a book or two ago is appraised by “experts”; Azusa and the ghost characters investigate a haunted hotel; Kuku and Pondeli have invented the compact disc, but that also comes with the marketing for same; Falfa and Shalsha see what might (or might not) be a UFO and have a debate about it; and finally, Azusa, Beelzebub and a few others try to help the smart slime, one of the great sages of the world, meet up with another sage who lives on an inaccessible island. In the Laika side stories, Laika continues to mature and become a better fighter almost despite herself.

Again, there’s almost no depth to any of this. The closest we come is when Azusa, on board a ship with only Smarsly for company, actually tells them that she’s a reincarnation from Japan, and opens up about her regrets. Unfortunately, we only get her summarizing this, and it’s mostly done to make Azusa realize that she’s come to terms with and is happy with her new life, but it’s better than nothing. We’re introduced to a bunch of sages from an isolated island, who turn out to be dryads… who talk like Valley Girls. Fortunately, as we discover towards the end of the main story, they really are brilliant, and are happily discussing philosophy with Smarsly, so that’s good. It honestly astonishes me that these books tend to run 250-300 pages, as they feel light as air. Still, at the same time, aside from the walking back on the yuri tease, there’s nothing really wrong with them.

Another popcorn book down. It should please fans, provided they don’t ship Azusa with anyone.

Spy Classroom: To Forget Is Annette

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

Given that the last book focused on four of our spies, this one is here to focus on the others. Mostly it’s about Thea, who is the designated leader this time around, and the most normal of the group… for good and ill. Her “power” also ties in with her personality, and makes it so that she has the moral dilemma in the book. Monika continues to be the “I don’t work well with others” one, but here we see that she too is not as stoic and uncaring as she appears, and she also gets to do the most badass stuff. Erna… well, look, Erna is probably the weak link of the book, but we got a large chunk of her deal in Book 1, so that’s to be expected. And then there is Annette. The cliche of “lovable but airheaded gadgeteer genius” is not new to Spy Classroom – leaving aside Mei from My Hero Academia, it’s been around for years. I’m not sure they had quite the same impact as Annette, who feels empty to Thea.

As was revealed in the last book, Lily’s quartet is actually a decoy mission – our heroines introduced above will be helping Klaus take out the assassin. We don’t actually see too much of that, and only in flashback. Instead, we get the aftermath, where the girls are relaxing after the mission at a luxury hotel. They then run into a woman who says she’s Annette’s mother… and certainly there’s a resemblance. It’s a bit difficult to ask Annette, as she has amnesia of the time before she became a spy. But Thea, who is perhaps projecting just a little after seeing that Annette’s heart’s desire was “I want to get taller”, wants the two of them to reunite. Which may be harder than it seems, as it becomes apparent that Annette’s mother is an enemy spy.

I feel less guilty giving things away than I did the previous two volumes, probably as there’s no big “a ha!” moment where the narrative is totally flipped like their was in the first two books. The story of Matilda and Annette is not that hard to at least figure out, and I’d argue the real mystery was trying to see when it would be revealed and how. It’s very good for Thea and Monika, who are at odds over what to do here. Both are soft in different ways, and I have a feeling that may come back to bite them in later books, but here it doesn’t, mostly as Annette is anything but soft. Its worth remembering that the other cliche about Japanese gadgeteer geniuses is that they have a tendency to forget about ethics and morals unless it’s brought up to them. Annette fits this to a T… and that’s probably very good given she’s a spy.

But just because the mystery is not as mysterious does not mean this isn’t excellent. Spy Classroom runs on its characters, and this book’s heart is not the titular Annette (who is on the cover – again) but Thea, and I’m interested to see what she does next.

Altina the Sword Princess, Vol. 14

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Nothing annoys English-speaking fans quite so much as a series they’re enjoying being unfinished in Japan, and their usual logic is to blame the publisher for not being told that it wasn’t going to continue. This is, of course, nonsense. In regards to this particular series, it was very popular in Japan, its 14th volume had come out only 10 months earlier, and the author was also riding another hit with the How NOT to Summon a Demon Lord series. It looked like a great license, and it is. I’ve enjoyed this series a great deal. It’s fun, has great military strategy and battle scenes, likeable leads with a tinge of romance to them (but not too much), and each volume is pretty short, which, trust me, is a plus for me these days. Unfortunately, Both the American and Japanese publishers are still at the mercy of one thing: the author actually writing more of the book. And it’s been almost four years since the last volume. Hope it doesn’t have a nasty cliffhanger… oops.

We pick up where we left off last time, with Altina and Regis going to war against Spain (or rather Hispania). For the most part, things have been going fairly well, even though both Regis and Altina have had to deal with the fact that they can’t do battles with no fatalities anymore. Indeed, they even have the spare time to debate the nature of Altina’s pacifism, and how, while Regis supports her ideals, he realizes that they are, in fact, idealistic, and no not take into account human nature. That said, he has a bigger problem, as it turns out Hispania has its own eccentric strategist, and she’s just as good if not better than Regis – and seems to lack his moral scruples. With our heroes on the verge of victory, will the price they pay be the life of their chief strategist?

The mental battle between Regis and Mariam, Hispania’s secret strategist, is the best reason to read this book. It’s not the first time we’ve seen Regis pressured and doubting himself, but it has more impact now that he and Altina have come so far. He almost calls off his plan, except that his soldiers have already enacted it – and, fortunately for him, it works really well. Unfortunately, as I said, Mariam is every bit his equal. And I mean that in both strategy and being a weirdo. Not her muteness, of course, though I admire her writing speed. No, I mean that she doesn’t really care if her nightgown is riding up, or whether people think of her as a noble lady, or even whether she commits treason on paper. She’s the distaff Regis in every way except for the final few pages, where she does something that Regis wouldn’t have. I’d say it played on the religious fervor of the Hispanians… but that didn’t really seem to be a factor for the strategists.

And yeah, that’s a nasty cliffhanger, as this book came out in September 2018, and there haven’t been any more since. You could blame the even more popular How NOT to Summon a Demon Lord… but that last had a volume a year ago. When you read a writer’s story, you have to depend on the writer to write it. Let’s hope he gets back to it soon.

The Manga Review, 5/27/22

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Everybody’s talking about Tokyopop this week, as the publisher that brought us Mixx, Sailor Moon, and Rising Stars of Manga celebrates its twenty-fifth anniversary. To mark the occasion, Brigid Alverson interviewed Tokyopop founder Stu Levy about the company’s history. “Not a single person believed it would work—and frankly many called us crazy,” Levy recalled. “Even internally, most of my team was against it—or at least wanted to test it. My view was we either had conviction and went all-in or we didn’t. Testing wouldn’t work because retailers would always favor the left-to-right reading books if they had a choice—so there would never be a true test of its potential. So, I bet the company on it.” Over at Drop-In to Manga, Tony reflects on how Tokyopop titles such as Chobits and GTO: Great Teacher Onizuka helped introduce him to the joy of reading manga. “I know there’s a lot of criticism towards its founder, Stu Levy, and a lot of it is warranted,” he observes. “But I still respect Tokyopop for showing Japanese manga publishers that America can be a hotspot for manga during a time when that wasn’t the case.”

NEWS

Moto Hagio has just published a new installment in her on-again, off-again vampire saga The Poe Clan. The newest storyline, Poe no Ichizoku: Ao no Pandora, takes place in present-day Munich. [Anime News Network]

Mari Yamazaki’s Olympia Kyklos will resume serialization in Grand Jump next month. The story follows the adventures of an ancient Greek potter who’s accidentally transported to the 1964 Tokyo games. C’mon, this needs to be licensed STAT! [Anime News Network]

Are new chapters of Hunter x Hunter on the horizon? [Variety]

Brace yourself for more H.P. Lovecraft: Dark Horse will be publishing Gou Tanabe’s adaptation of The Shadow Over Innsmouth in a single omnibus edition. No word yet on a release date. [Anime News Network]

Earlier this week, the employees of Seven Seas Entertainment announced that they’d formed their own union, United Workers of Seven Seas. In a statement on their website, union organizers explain the rationale for their decision: “The company has grown exponentially since the start of the COVID-19 pandemic. But with rapid growth comes growing pains, and we, the workers of Seven Seas, have been shouldering much of that pain. We find ourselves overworked, underpaid, and we do not currently receive the benefits otherwise typical of the publishing industry.” [ICv2]

FEATURES AND INTERVIEWS

Are you interested in learning more about the roots of contemporary Japanese culture? Kathryn Hemmann offers a great list of “popular-audience books that are smart and specific yet still accessible to a casual reader,” from Matt Alt’s Pure Invention: How Japan’s Pop Culture Conquered the World to Tara Devlin’s Toshiden: Exploring Japanese Urban Legends. [Contemporary Japanese Literature]

Jocelyne Allen swoons over the gorgeous artwork and soapy plot lines of Ashita Niji ga Denakutemo. [Brain vs. Book]

Over at Women Write About Comics, Carrie McClain highlights some of Seven Seas’ best new releases. [Women Write About Comics]

The folks at Anime Feminist want to know which unfinished or cancelled Tokyopop series you’d like to see rescued. [Anime Feminist]

Bill Curtis wins the award for best headline of the week with How to Ease Your Big Burly, Hairy, Glistening, Beer Swillin’, Iron Pumpin’ DUDE Self Into the Wonderful World of Shojo & Josei Manga. Amen! [Yatta-Tachi]

Speaking of josei, the Mangasplainers dedicate their latest episode to an in-depth exploration of Fumi Yoshinaga’s All My Darling Daughters. [Mangasplaining]

Congratulations to the Manga Mavericks crew: they just celebrated their 200th episode with a roundtable discussion about Tatsuki Fujimoto’s one-shot Goodbye, Eri. [Manga Mavericks]

Lucas DeRuyter revisits Death Note, a series he “took super seriously” as a teen viewer. “When I watched Death Note as a teenager I definitely hadn’t lived enough to recognize it as camp; nor did I have as firm of an understanding of my own sexuality as I do today,” he observes. “I thought I’d be returning to a problematic fave, but was delighted to realize that Death Note is camp. Accidental, ostentatious camp that, in its attempts to create a dark and edgy power fantasy, stumbles so spectacularly that it tears down some of the worst kinds of people and beliefs around today.” [Anime Feminist]

REVIEWS

Reviewing volume five of Kageki Shojo!!, Yuri Stargirl raises a good question about the state of shojo and josei licensing in North America. “Has the industry just become dominated by trite, superficial storytelling and bland art that can’t decide if it’s moe or realistic?” she asks. “Or is what gets translated to the US market so limited, that they pick lowest common denominator titles to publish even though there are a lot of higher quality ones in Japan going untranslated?” Meanwhile, Megan D. takes a look at one of the weirder titles DMP ever licensed, Bambi and Her Pink Gun, while Rebecca Silverman reviews Erica Friedman’s new book By Your Side: The First 100 Years of Yuri Anime and Manga. “If you are a fan of yuri or simply want to understand what the deal is with any of the genre’s elements or major texts, I’d highly recommend reading this book,” Silverman argues. “It’s both an analysis of and a love letter to the genre, both academic and accessibly readable, and worth your time.”

Manga the Week of 6/1/22

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SEAN: The beginning of June! (Or, OK, the end of May if you go by most of these release dates.) What do we get?

Airship has new volumes. Berserk of Gluttony 6 and The Most Heretical Last Boss Queen: From Villainess to Savior 2.

And digitally we see early releases for Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 4 and A Tale of the Secret Saint 3.

Cross Infinite World has another one-shot, Rapunzel of the Magic Item Shop (Mahou Douguten no Rapunzel), a one-shot shoujo light novel. A young sorcerer finds herself locked up for ten years simply for knowing magic. She’s rescued and brought to a household where she ends up treated with respect… but there’s also lots of secrets.

ASH: One-shot shoujo light novel, you say?

SEAN: Dark Horse has Blade of the Immortal Deluxe Edition 6.

ASH: Steadily upgrading my collection of this series to this new edition. The tomes are massive, but they look great.

SEAN: It is often difficult to put Denpa titles on here, as their website frequently updates release dates after the fact, and Amazon… well, Amazon is usually wrong. That said, it certainly looks like we get Baby Bear’s Bakery (Koguma no Keiki-ya-san) next week. This Monthly Shōnen Sunday title is about a baby bear who’s a terrific baker but not good at other things, like running a business.

ANNA: Ok, I’m curious about this.

ASH: It looks genuinely delightful.

SEAN: From Ghost Ship, we have the debut of I’m Not a Succubus! (Succubus ja nai mon!), which runs in Young Unreal Jingai, a magazine I have absolutely never heard of. A girl is attending a monster girl academy, but she’s not one… that is, until she pretends to be a succubus! Unfortunately, she forgot this is not only a Ghost Ship title but also a yuri title!

ASH: Oh, myyyyyy!

SEAN: They also have JK Haru is a Sex Worker in Another World 3 and Sundome!! Milky Way 4.

J-Novel Club has a new debut, VTuber Legend: How I Went Viral After Forgetting to Turn Off My Stream (VTuber Nandaga Haishin Kiri Wasuretara Densetsu ni Natteta). As with a lot of LNs these days, the title is the plot.

They also debut a new manga, Doll-Kara. This series from Manga Life Win has an MMA fighter, imprisoned for years, finally getting out… and getting hit by a truck. He wakes in the body of a comatose schoolgirl. What happens next? If you guessed “MMA”, you’re probably right.

ASH: The mention of MMA definitely caught my attention.

SEAN: We also get the manga debuts of two light novel series from J-NC. Fushi no Kami: Rebuilding Civilization Starts With a Village (Fushi no Kami ~Henkyou kara Hajimeru Bunmei Saiseiki~) runs in Overlap’s Comic Gardo, and Housekeeping Mage from Another World: Making Your Adventures Feel Like Home! (Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!) is in Comic Zero-Sum.

ASH: Housekeeping Mage from Another World seems like it could be fun!

SEAN: Also from J-Novel Club: Der Werwolf: The Annals of Veight -Origins- 7, The Great Cleric 8, The Greatest Magicmaster’s Retirement Plan 13, I Shall Survive Using Potions!’s 9th manga volume, Magic Knight of the Old Ways 2, Monster Tamer 9, My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ— 4 (manga), Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel! 6, and Seirei Gensouki: Spirit Chronicles 19.

MICHELLE: I sometimes feel bad that none of this stuff interests me, but that’s the way of things.

ANNA: I’m amazed by the word salad sometimes.

SEAN: No print for Kodansha. Their digital debut is The Rokudo Rounds (Rokudou Tousou-ki), a post-apocalyptic tragedy that runs in good! Afternoon.

Also digital: Anyway, I’m Falling in Love with You 3, Falling Drowning 2, My Pink Is Overflowing 6 (the final volume, I assume she finally called the plumber), Quality Assurance in Another World 5, and Those Snow White Notes 9.

MICHELLE: Both Anyway, I’m Falling in Love with You and Falling Drowning were pretty good, so I am looking forward to continuing with them. Also, snerk re: plumber.

ASH: Indeed!

SEAN: Seven Seas debuts The Duke of Death and His Maid (Shinigami Bocchan to Kuro Maid), which runs in the awkwardly titled Sunday Web Every. A boy is cursed to kill anyone he touches, so lives alone in his mansion with only his attractive childhood friend (who is also his maid) as companion. This sounds like Pushing Daisies, honestly. It also got an anime.

ASH: I mean, I did like Pushing Daisies…

SEAN: Also from Seven Seas: Hitomi-chan Is Shy with Strangers 4, Machimaho: I Messed Up and Made the Wrong Person Into a Magical Girl! 10, MARS RED 3 (the final volume), Monster Guild: The Dark Lord’s (No-Good) Comeback! 3, The NPCs in this Village Sim Game Must Be Real! 3, Servamp 16, Slow Life In Another World (I Wish!) 3, Succubus and Hitman 2, Syrup: A Yuri Anthology 4, and Uzaki-chan Wants to Hang Out! 7.

Udon Entertainment has a big release: the first three volumes of Summertime Rendering (Summer Time Render). This Shonen Jump + series has an anime currently running, and starts with a young man at the funeral of his foster father hearing that it may have been a murder. This has big time fans.

MICHELLE: Potentially interesting.

ANNA: Hmmmmm.

ASH: Count me curious.

SEAN: Yen On has The Irregular at Magic High School 19.

Two debuts for Yen Press. The Holy Grail of Eris (Eris no Seihai) is the manga version of the light novel Yen released a few weeks ago. It runs in Manga Up!.

Also from Manga Up! is Re:ZERO -Starting Life in Another World-, The Frozen Bond (Re:Zero Kara Hajimeru Isekai Seikatsu: Hyouketsu no Kizuna). This adapts the anime-original OAV story about Emilia.

Yen also has The Abandoned Empress 2, Black Butler 31, The Hero Is Overpowered But Overly Cautious 4, I’m the Catlords’ Manservant 3, Magia Record: Puella Magi Madoka Magica Side Story 4, Reign of the Seven Spellblades 3, So I’m a Spider, So What? The Daily Lives of the Kumoko Sisters 3, and Yowamushi Pedal 20.

MICHELLE: Black Butler is another series that I forget is still going. I need to catch up on YowaPeda!

ANNA: Got to order YowaPeda, my kids like it.

ASH: I’ve really been enjoying Yowamushi Pedal. And somehow also didn’t realize Black Butler was still ongoing.

SEAN: Manga! Light novels! So much! You? Buy?