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The Eminence in Shadow, Vol. 4

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By Daisuke Aizawa and Touzai. Released in Japan as “Kage no Jitsuryokusha ni Naritakute!” by Enterbrain. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

For about half of this volume, I thought to myself “oh good, the author has finally figured it out”. The plot was solid, the action was very well done, and most importantly Cid was annoying in a funny way rather than in an annoying way. It resolves a lot of the plot points that were left open with the second volume, and hopefully means that I will never have to take the words “Perv Asshat” seriously again. It read like the end of an arc… and given that this was based on a webnovel, it may very well have been. Then we got to the second half of the book, which decided to be a completely different book. It wasn’t bad per se, and Cid once again was not too bad, but there is a monstrous sense of “was this trip really necessary?” hanging over the back half of the novel, and I kept wanting it to end the only way that it was going to – by picking up the new girl. In a duffel bag, apparently.

The first half of the book returns us to the plight of Rose, who is currently trying her best as Number 666 but is also earnest and tortured by her past deeds, so is an easy mark for a kidnapping. Now she’s being forcibly married to Perv Asshat, the man that makes you long for the naming sense of Ryohgo Narita and Jacuzzi Splot. Clearly Cid is not going to stand for this, mostly as stopping the wedding is the really cool thing to do, so he, Beta, and Epsilon set out to ruin everything, albeit sometimes accidentally, such as Cid’s stealing the wedding ring and not knowing what it actually is. Having succeeded, and destroying a monstrous demon, a black hole portal opens and Cid, who knows drama when he sees it, promptly jumps through it. He (and Beta, who leaps after him) find themselves… back in Japan! But it’s not the Japan they know.

As I write this, the fifth volume is not out in Japan yet, so it’s possible that we can get a very good reason for it, but right now I have to ask myself the question: is there any reason why Akane could not have simply been magically isekai’d to Cid’s world and spared us the entire grimdark back half? Now, I admit that part of this may be my fault, as I did say that I enjoyed the series when it was taking itself more seriously. The problem is that the second half of this book does not feel like The Eminence in Shadow, it feels like a completely different series. We’re introduced to Akane and told about her past with Minoru, which is fine, but then we get a post-apocalyptic beast invasion book that also features betrayal and backstabbing, as well as mysterious powers awakening in people (who them go on murder rampages they get convenient amnesia about). In the end, Beta stuffs a few futuretech items from Japan (as well as Akane, clearly an afterthought) in a duffel and drags it back to the main plot. And I gnash my teeth. Again.

The front half of this was quite good, and I’ll read the next one, whenever it comes out, to see what happens next. (Signs point to a back to school arc). That said… the worst thing I can say about the back half is it feels like Cid wrote it. And not in a funny way.

Manga the Week of 6/22/22

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SEAN: When a manga meets a manga, coming through the rye…

ASH: None, they say, have I. (And they would be very wrong.)

SEAN: Yen On gives us So I’m a Spider, So What? 14 and The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat 5.

Yen Press debuts a new artbook highlighting its bestseller: Sword Art Online abec Artworks Wanderers.

They also have Bungo Stray Dogs 21, Puella Magi Madoka Magica: Wraith Arc 3 (the final volume), and Spy Classroom 2.

Viz debuts To Strip the Flesh (Tooda Oto Tanpenshuu: Niku wo Hagu), a collection of stories about Chiaki Ogawa, whose mother, on her deathbed, says to be a good daughter. But… that’s not who he is. This LGBT series is apparently a very good read for transgender folks, ran in Shonen Jump +, and is complete in one volume.

ASH: Extraordinarily curious about this release; I’ve heard very good things.

ANNA: Sounds interesting.

SEAN: Viz also has an artbook highlighting a bestseller: The Promised Neverland: Art Book World.

ASH: I do like seeing all these artbooks being licensed.

SEAN: And they’re also debuting Yashahime: Princess Half-Demon, the sequel to Inu Yasha written and drawn by the creator of Zettai Karen Children. It runs in Shonen Sunday S, and should appeal to Inu Yasha fans.

And we get Alice in Borderland 2, Assassin’s Creed: Blade of Shao Jun 4 (the final volume), Jujutsu Kaisen 16, Seraph of the End 24, and Twin Star Exorcists 25.

Tokyopop gives us Ossan Idol! 6.

Seven Seas has two (well, three) one-shot debuts. The Muscle Girl Next Door (Tonari no Kinniku Joshi) stars a guy who feels scrawny, and his crush on the incredibly buff woman who lives next door to him. It ran in Media Factory’s Gene Pixiv.

ASH: I am intrigued.

SEAN: We also get both the novel and the manga of Until I Meet My Husband (Boku ga Otto ni Deau made), the story of a young gay activist and his search for love. It’s an autobiographical book, and I’ve heard is excellent. The manga ran on Bungei Shunjuu’s online manga site.

ASH: I have likewise heard these are excellent.

SEAN: Also from Seven Seas: Chronicles of an Aristocrat Reborn in Another World 5, Creepy Cat 3, GIGANT 8, I Got Caught Up In a Hero Summons, but the Other World was at Peace! 4, The Ideal Sponger Life 11, Kageki Shojo!! 6, The Most Heretical Last Boss Queen: From Villainess to Savior 2, and Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 3.

One Peace has Farming Life in Another World 6 and The New Gate 10.

Kodansha has a print debut for soccer manga Blue Lock. We’ve already discussed its digital release, but look at that intense cover.

MICHELLE: I enjoy going from being far behind on the digital release to having the opportunity to be timely with the print release! I plan to finally check this one out.

ASH: Oh! New sports manga in print? I’m game!

ANNA: Woo!

SEAN: Also in print: If I Could Reach You 7 (the final volume), Perfect World 11, Saint Young Men Omnibus 9, The Seven Deadly Sins Omnibus 5, and Witch Hat Atelier 9, the most important of these.

MICHELLE: I liked the first volume of If I Could Reach You. I should go back and see how it resolves.

ASH: This is a great Kodansha week.

ANNA: Looking forward to more Witch Hat Atelier for sure.

SEAN: The first digital debut is A Nico-Colored Canvas (Nikoiro no Canvas), a josei series from Be Love about a free-spirited artist and her adventures at college in Osaka.

MICHELLE: This sounds so fun!

ANNA: So much digital josei, I can’t keep track of it!

SEAN: The other debut is A Serenade for Pretend Lovers (Renai Gokko Sayokyoku), the story of a worker at a TV station trying to make a documentary about a musician while dealing with the fact she just saw her boyfriend cheating on her. It ran in Comic Tint, and thus this is a double-josei debut week.

MICHELLE: So much josei these days!

ASH: Love to see it.

ANNA: Even more!!!!

SEAN: Also digital: Defying Kurosaki-kun 19 (the final volume), A Girl and Her Guard Dog 7, The Girl, the Shovel and the Evil Eye 3, Hozuki’s Coolheadedness 8, I’ll Be with Them Again Today 3, Irresistible Mistakes 3, Piano Duo for the Left Hand 4, The Rokudo Rounds 2, and When a Cat Faces West 2.

MICHELLE: Still gotta check out When a Cat Faces West.

SEAN: Kaiten Books has Loner Life in Another World’s 5th manga volume in print, and The Yakuza’s Guide to Babysitting 4 digitally.

J-Novel Club’s digital debut is a manga, Sometimes Even Reality Is a Lie! (Real mo Tamaniwa wo Tsuku). A guy who games as a girl is finally meeting his gamer buddy… only it turns out she’s a girl who games as a guy! What’s worse, she told her overprotective parents she was bringing another girl over. Only cross-dressing can save us now. This was originally a webcomic on Pixiv, and was picked up by Kadokawa.

ASH: Okay, that has the potential to be fun (or really not so good).

SEAN: Also from J-Novel Club: Arifureta: From Commonplace to World’s Strongest 12, Black Summoner 9, Campfire Cooking in Another World with My Absurd Skill’s 8th manga volume, and Holmes of Kyoto 10.

Ghost Ship gives us Does a Hot Elf Live Next Door to You? 4.

And Airship, in print, debuts Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash, which we discussed when its digital came out. They also have The Haunted Bookstore – Gateway to a Parallel Universe 4 and She Professed Herself Pupil of the Wise Man 4.

In early digital, we get a debut. Irina: The Vampire Cosmonaut (Tsuki to Laika to Nosferatu) is here to ask the important question: what if we shot vampires into space? This also got an anime last year.

ASH: I’ve seen space vampires before, but it’s certainly not a common combination.

SEAN: And we also see Accomplishments of the Duke’s Daughter 6, which is more accurately Accomplishments of the Duke’s Wife, as it’s a prequel looking at Iris’ mother.

If a manga kiss a manga, need a manga cry? What manga are you making cry next week?

A Late-Start Tamer’s Laid-Back Life, Vol. 3

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by Yuko C. Shimomoto.

At long last, this series has a big event that threatens the lives (well, the virtual lives) of its players. There’s missing kids. There’s killer bears. There’s dying magic trees. There’s two demon lord minions and the demon lord himself. Everyone will have to band together in order to find a way to defeat this horrible disaster. As for Yuto, he’s really excited about making pizza. Yuto will never really change who he is, and thus while all the other folks are going around finding quests and figuring out where the hell to sleep, Yuto immediately befriends a local NPC farmer and starts odd-jobbing his way to success. Which is good, because this event was designed with Yuto’s skill set in mind, and honestly the main problem may be getting Yuto to actually want to help them in battle against the boss. Why would he do that? He’s a terrible fighter. Much better to try to fish and grab some really nice pears. (No, not like that.)

While all the actual fighters are off having their tournament (which we never even hear the result of), Yuto and the other non-combatant players get an event to themselves. they arrive in a village of NPCs and have to figure out what’s going on. Yuto, as is his modus operandi, does not really bother and just sets about meeting all the NPCs, helping them out, getting useful bits of advice, and getting cool ingredients and recipes to cook with. That said, when the boy that he was fishing with vanishes, Yuto’s investigation ends up uncovering that they need to stop trying to kill the Shardik that’s trying to destroy them but instead find out why he’s doing that – as it turns out he’s meant to be a Guardian Bear who protects the village. Could it be demons? And if so, will Yuto just die like the terrible fighter he is?

Again, a lot of this series runs on Yuto underestimating his own playing style – he doesn’t see what he’s doing as great or unusual, but the other players don’t even THINK of it. That’s why he’s a pioneer. He also gets a coup;le new monsters by the end of the book – one, a treant he tamed that turned into a plant, will wait till next time, but Sakura and Olto’s egg turns out to have a singing fairy inside – though the singing is as wordless as all his other monsters. Unfortunately, he also suffers from his monsters being adorable – meaning they attract “fans”. The other players manage to stand on the edge of being creepty stalkers without ever quite going over it, but it’s a close thing, and I agree with his discomfort. That said, I fear this is the book’s running gag.

This was a stronger volume than the first two. If you can put up with Yuto’s narrative modesty and the long length of each volume, it’s a must for slow-life fans.

Pick of the Week: Such Treacherous Picks

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KATE: I freely admit that any manga title that includes the words “treacherous piano sonata” has potential, but Golden Gold‘s blend of horror and folklore sounds like a safer bet for me; I’m 100% less likely to nit-pick about the author’s musical knowledge (or lack thereof).

SEAN: One of the benefits of Kodansha Manga’s ludicrous digital manga release schedule has been a lot more josei. After so many high school romances with brooding boys, I want to read series about two adults, with a brooding MAN. And so my pick is Such a Treacherous Piano Sonata. Great cover, too.

MICHELLE: I share Kate’s trepidation about Such a Treacherous Piano Sonata, I’m afraid, so I’ll instead award my pick to the sixth and final volume of Wotakoi: Love Is Hard for Otaku. I really enjoyed the first two volumes then life happened and I got behind, so I look forward to starting afresh and devouring the whole story at once.

ASH: I seem to be on the same page as everyone else this week with a distinct interest in Such a Treacherous Piano Sonata, although I may have a higher tolerance of liberal interpretations of music in manga. That being said, I join Michelle this week in choosing Wotakoi as my pick, since it will be my last opportunity and I’ve really been enjoying the series.

ANNA: I’m going to throw caution to the winds and just go with Such a Treacherous Piano Sonata!

MJ: I’m pretty interested in X-Gender, but even though josei romance is very hit-or-miss for me, I am irresistibly drawn to Such a Treacherous Piano Sonata. I’m sure I’ll have plenty of musical nitpicks, but somehow the older I get, the more tolerant I become of such blasphemy, so I’ll give it a shot.

A Tale of the Secret Saint, Vol. 3

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I think I’m going to have to give up and accept that this series is never going to be quite what I want it to be. It will continue to have broad comedy and horrible tragedy rubbing elbows with each other, and not always be successful at blending. It will also consist of about half the actual book I want to read, and half side stories and extra stories. That said, now that I have done that, this was a pretty good book, giving us an extended flashback showing us exactly what life with Serafina was before her tragic end. Unsurprisingly, she’s a lot like Fia. We also meet Serafina’s aide, the Blue Knight, and learn of a near tragedy that happened a few years before said tragic end, which involves a pandemic and an uncaring government doing nothing to stop it because racism. Again, I think this was written before COVID, but…

That’s Serafina on the cover, by the way, rather than Fia, as well as Canopus, her Blue Knight. The book starts in the present, though, with Fia being invited to join Cyril as he returns to his homeland of Sutherland… which is also the homeland of Canopus, so Fia is interested in going so she can visit his grave. Unfortunately, Cyril’s parents were both of the Bad Royal variety, and as a result the populace has a seething hatred for knights in general and Cyril in particular. This may change with the arrival of Fia, who happens to look exactly like the sacred saint that they venerate. Can Fia manage to keep her true identity a secret, find out about Cyril’s tragic past, and attempt to assuage the population? Especially given there’s a return of the pandemic she fixed three hundred years earlier…

The answer to at least one of those questions proves to be no, though it also ties in with a rather vicious cliffhanger, so I won’t talk about it much here. (The cliffhanger is on Page 177 of 225, which is why I find the side stories kind of aggravating). There’s a rather serious look at racism here as well, especially in the “300 years ago” sections. The Sutherland people are actually an island people who moved there, and they have darker skin as well as slightly webbed hands – which, as you might imagine, leads to a lot of rage and disgust – the ever popular “filthy” gets used – and also gives us a hint as to why Serafina’s family ended up betraying her in the end (hint: because they’re bad people and she is not). I will admit that the introduction of the 13th Brigade Captain, which I honestly barely noticed at first, proves to be a bit convenient – but that’s only in hindsight, so I’ll have to give it a pass.

Fia is still deeply dippy a lot of the time, but that may change with the next book, which might force her to be more serious. Till then, this was better than the first two volumes.

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 6

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

There’s a bit if a soft reset with this volume, if not in terms of plot than in terms of tropes, and I must admit that I found the first half of the book quite irritating because of it. Slowe is trying his best to stop the anime plot and to manage to confess his feelings to Charlotte, but he does NOT want to be a hero, and the world seems determined to put him in that slot. As does Charlotte, much to his chagrin. It’s frustrating and you sympathize with him… but going home and eating himself back to nearly his original weight is not a good response to that problem, and you feel even more for Charlotte and the others who have to deal with him running away from his problems. Even when he gets back to the academy, things are mostly “why does no one understand how I feel” for seventy-odd pages. Because you don’t tell them being the answer Slowe does not want to acknowledge.

Having asked to think about the Queen’s request for him to be a Guardian Knight, Slowe then returns back to the Denning domain… which proves to be a mistake, as everyone is assuming that he will naturally accept it. Including Charlotte. After trying to overeat his way out of the problem, he manages to strike a deal to return to the academy… but everyone else there (except maybe the headmaster) expects him to accept it as well. There’s also a new teacher (this school goes through teachers like Seven Spellblades) who has a chip on her shoulder and seems to despise Slowe. Meanwhile, to the shock of nearly everyone, Nanatrij has called off her war with the South after events in the previous two books. Unfortunately, some of her subordinates are not willing to accept this.

The main reason that Slowe is dragging his feet only comes out halfway through the book, which is the fact that Guardian Knights are meant to be celibate. (Presumably as they’re guarding the royal family, and you want to avoid “situations” with the Queen and princesses.) Indeed, the current Guardian Knight had a lover he had to abandon. So to Slowe, hearing Charlotte’s enthusiasm for his taking the position is like a knife to his heart. Of course, it’s his own damn fault, as he knows quite well. He’s too cowardly to confess his feelings, and he has not actually told Charlotte what being a Guardian Knight entails. He actually gets close to a confession this time around… but sadly the plot messes it up. As for the new teacher, well, I was also annoyed at her a lot of the time too, to be honest. She was far too much of a sucker.

So yeah, this wasn’t bad, but I had a sort of low-grade irritation while I was reading it. We’ll see what happens next with the Guardian Knight thing when the next book comes out.

Kuma Kuma Kuma Bear, Vol. 11

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

Another light and fluffy volume, though we are given a hint of the next major villain as Ellelaura has a noble who hates her… and hates Yuna, albeit for different but related reasons. He’s clearly going to be an antagonist at some point, but is merely shown off here in order to provide SOME drama in a book that otherwise meanders even more than a volume of Kuma Bear normally does. As for Yuna, she’s still doing her best to be blase about everything, but it’s getting harder, especially when it gets shoved in her face by multiple people that all the things she’s done, such as the tunnel, or the various new dishes, or taking out an entire noble family, cause lots of problems for the King and other nobles afterward… problems that Yuna herself has remained blissfully unaware of. That said, despite her feeling a bit of guilt over this, I don’t expect ‘The Bear Becomes a Civil Servant” to be a subplot here. Yuna is who she is.

The main plot of this volume is that the Academy is having a school festival, and Shia would like Yuna to come. This ends up roping in Noa, Fina, and Shuri as well, with Yuna acting as their bodyguard. Which, of course, means she has to walk around in the bear suit, which embarrasses her more than usual this time around, as the festival feels very much like the ones she… did not go to back in Japan. Honestly, most of the second half of the book is Yuna getting it ground into her face how much she is NOT a normal teenage girl. Yuna helps Shia’s group by suggesting they make cotton candy, an unknown quantity in this land. She also meets Flora’s older sister Princess Teilia, who has been someone upset at the rest of the Royal Family for hearing all about this amazing bear girl but never meeting her.

If that doesn’t sound like a plot, that’s because it isn’t. I’m happy everyone gets to have fun, but the main drawback to this volume is that there just isn’t any conflict at all. Previous volumes had a contract between Yuna’s fluffy antics and some surprisingly dark storylines, but that does make this one seem a bit shallow. I also urge Fina’s parents and Yuna to do something about that girl’s self-esteem, as there’s “I am modest” and then there’s this. Even as Fina shows off how she’s the best monster butcher in the land (and yes, how to butcher a monster is a booth at the festival), she still acts as if she’s going to be thrown in the dungeon the moment she makes a wrong move. She needs some confidence.

We’ve only finished the first day of the festival, so I assume it will continue into the 12th volume. But before, that… yes, it’s 11.5, featuring short stories posted to the web, original short stories, designs form the artist, and more. So I guess we’ll leave Yuna is festival mode for a few more months.

Your Forma: Electronic Investigator Echika and Her Amicus Ex Machina

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By Mareho Kikuishi and Tsubata Nozaki. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

Possibly the most difficult type of book for me to review falls under the category of “excellent book that is nevertheless not for me”. I can recognize the worth in this title, and think a lot of people should check it out, especially if you like the darker side of light novels such as Eighty-Six (whose author recommends Your Forma). That said, this is going to be my only volume of this series, which very nicely wraps up as if it was a single book. (It was a contest winner, and those usually do.) First, its genre, however sci-fi its coating may be, is police procedural, which I usually do not vibe with. Secondly, one of the two leads annoyed me throughout the book. Now, that’s deliberate on the part of the author, and there’s a very good, realistic reason behind it. Nevertheless: annoyed. That said… damn, this was compelling, and I loved Echika, the brilliant but broken cop who keeps losing partners as they injure themselves trying to keep up with her amazing brain.

In an alternate version of our present everyone has Your Forma, which is basically a sort of VR overlay in their head. Unfortunately, that also leads to things like viruses that make the user see horrible blizzards and puts them into the hospital. Echika and her partner are diving into the minds of the infected to try to trace where it came from. Sadly, her partner passes out, as I noted above, when Echika is simply too fast for him. Since she has done this for several partners in a row, her chief is a bit tired of it, and partners her with an Amicus – which is to say an artificial human. The question of just how self-aware they are is very much up in the air, and Echika for one despises them, for reasons that seem to have something to do with her past. Can Harold prove his worth to her and turn this into a fun Caves of Steel-esque book? Or is there something more sinister going on?

First off, as I noted above, I know there are some people who will want to know this, so: Your Forma is indeed a cop book, and there are cops here who do questionable things, including our two leads. So YMMV there. Echika’s past is something that comes out little by little as the book goes on, and her cold, seemingly emotionless exterior is chipped away by Harold’s charming, sensitive… and manipulative questions, as he needs to break through her facade in order to get what he wants. Honestly, as a long-time reader of books with realistically human robots, the question of whether Harold was a “real” person was one I took as read, and I think as a reader we’re supposed to. This also means I’m allowed to think that he’s an asshole a lot of the time frequently to provoke Echika into a reaction. The fact that he’s very charming while doing this does not really change it.

I do recommend this book to fans of crime dramas or sci-fi. The world it carves out is excellent, the action and set pieces are also excellent, Echika is terrific.

Bookshelf Briefs 6/10/22

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Boys of the Dead | By Tomita Douji | Kuma – Enticed by the cleverness of the “Zom-BL” portmanteau, I bought this volume without really knowing anything about it. Almost immediately, I experienced buyer’s remorse, for Boys of the Dead is unremittingly bleak. I don’t just mean all the gore and violence and cannibalism—that’s Zombie 101—but rather the depravity and desperation. None of the couples has anything like a healthy relationship. In the first story, a victim of kidnapping and rape grows sympathetic to his abuser. In the second pair of stories, a guy digs up his zombified boyfriend and then procures human flesh for him to eat. And in the final chapters, a journalist encounters a pair of brothers in an incestuous relationship that ends gruesomely. For all my reservations, though, I must admit that reading Boys of the Dead was a unique experience and not one I’m likely to forget anytime soon. – Michelle Smith

A Bride’s Story, Vol. 13 | By Kaoru Mori | Yen Press – The twins are on the cover, and they do get a fun arc which shows us that they are settling in to being actual good wives while also not losing their chaotic energy. That said, it’s hard not to come out of this volume feeling extremely disappointed, as Smith and his fiancée are forced to abandon their return trip to see Amir and Karluk. The Russians are making headway into the area, bandits are everywhere, and in some instances poor and hungry villagers are taking to banditry to survive. It’s nowhere for an Englishman to take a young woman, no matter how good she is with horses, so they finally board a boat to India, presumably to return to England. And what of Amir? Well, that’s next time, I assume. – Sean Gaffney

Interviews with Monster Girls, Vol. 10 | By Petos | Kodansha Comics – The end of this volume seems to announce that the next book will be the final one in the series, so it’s no surprise that this one focuses on the two women who have gotten the most focus in the series: Machi and Sato. Machi’s plot does not involve her crush on her teacher—they all seem to have given up and are helping Sato get closer to him—but instead involves connecting her head with her body, if only for a day. She finds it an interesting experience, but ultimately is happy how she is. As for Takahashi and Sato, at long last, they both take that first step and admit they’ve fallen in love with each other. And with that, it really seems safe to wrap things up, which will be next time. Good stuff. – Sean Gaffney

Komi Can’t Communicate, Vol. 18 | By Tomohito Oda | Viz Media – The inevitable comedown after the awesomeness of the previous volume, mostly as Komi and Manbagi realize that just because they have vowed to both fight for Tadano’s love does not make them any better at actually confessing to Tadano. Komi comes closest near the end, but is stopped by the dreaded “random folks walking into the room.” Elsewhere, this volume reminds us just how large a cast this series now has, and that the author is pretty good at juggling it and still keeping us interested. Hell, even Yamai got to do something that did not immediately make me skip to a non-Yamai chapter, which may be a first. Unsurprisingly, it did not involve Komi. – Sean Gaffney

Kubo Won’t Let Me Be Invisible, Vol. 1 | By Nene Yukimori | Viz Media – This is an odd mix of Teasing Master Takagi-san with Komi Can’t Communicate. Our protagonist, Shiraishi, is one of those ‘kids with no presence’—even his teachers frequently mark him absent as they don’t notice he’s there. But he has one girl who notices—the titular Kubo, who keeps trying to get him to try new ways to stand out and actually attract attention. This also involves a lot of teasing, which is where Takagi comes into play. That said, these are high schoolers rather than middle schoolers, and Kubo is a lot thirstier than Takagi—the crush she has on Shiraishi is really obvious throughout the volume. If you’re looking for another volume in the “cute shonen romance” genre, this is a good choice. – Sean Gaffney

Medalist, Vol. 4 | By Tsurumaikada | Kodansha Comics (digital only) – I always feel like John the Baptist with this series, so here we go again: this was a stellar volume of Medalist. The art was amazing in showing off the speed and artistry of the skating, our heroine got to have some big achievements, and the coach got to demonstrate to everyone that he’s not just some failure but a brilliant skater in his own right. We also get another rival for the series in a boy who can’t even bring himself to put down any goals for the future as he’s so overwhelmed by a legacy, but fortunately he is shown the correct way through the power of shonen sports manga. I realize that Kuroko’s Basketball and Haikyu!! have more cool guys, but don’t sleep on Medalist; it’s a knockout. – Sean Gaffney

New Game!, Vol. 13 | By Shotaro Tokuno | Seven Seas – First off, answering my question from the previous brief, I do not think an “oh, they got married when the laws changed” in the afterward is QUITE what Kou and Rin fans were looking for. That said, in the end this isn’t a yuri series but a 4-koma about a game company, and it stays on that brand till the end. The book has one huge high point, which is Aoi winning her first “art competition” ever (this is even lampshaded), and forcing Hotaru to experience the agony of feeling second-best and envious for the first time. The rest is a series of wrapping up the game and moving offices pages. New Game! was a fun series, but like many 4-komas with all-female casts, I don’t think the author knew what to do with the yuri fanbase. – Sean Gaffney

Our Teachers Are Dating!, Vol. 4 | By Pikachi Ohi | Seven Seas – This is the final volume in the series, and there’s really only one way that it could have ended in these modern times, and that’s with a wedding. The proposal is cute. The wedding is lovely. The honeymoon is sexy. The conflict is minimal—Saki’s family is delighted with her choice, and the main worry there seems to be that her sister is one of those “interesting” cooks. Asuka’s is a bit more difficult—they want her to quit teaching and inherit the family business—not only is she staying a teacher but she’s marrying another woman! That said, there are no real long-term issues with them being a couple, because this is a series that runs on fluff. It may not be realistic, but who cares? – Sean Gaffney

The Manga Review, 6/10/22

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After Kentarou Miura passed away last year, fans feared that they would never see his long-running saga Berserk reach a proper conclusion. Then on June 7th, artist Kouji Mori announced that he would take the reins from his friend and complete the final story arc. Ryan Dinsdale reports that Mori pledged to “only write the episodes that Miura talked to me about. I will not flesh it out. I will not write episodes that I don’t remember clearly. I will only write the lines and stories that Miura described to me. Of course, it will not be perfect. Still, I think I can almost tell the story that Miura wanted to tell.” The Fantasia Arc/Elf Island Chapter will begin serialization in the June 24th issue of Young Animal magazine.

NEWS

Over at The Comics Journal, Ian Thomas interviews members of the United Workers of Seven Seas about their unionization effort. “At Seven Seas Entertainment we never received basic benefits such as healthcare or 401ks in the first place,” organizers note. “Even with the staff roster going from 10 full-time employees in 2018 to over 40 today, we are stretched to our limit trying to keep up with the volume of work. Like workers in every sector of the entertainment industry, we are burnt out, and unfulfilled promises of “imminent” benefits have worn thin.” [The Comics Journal]

Are you following the UW7S on Twitter? If not, you should; in addition to regular updates about their unionization efforts, they’re also posting great threads about the important work that other labor organizations do. [Twitter]

Brigid Alverson takes a closer look at the May 2022 NPD BookScan chart for the top 20 Adult Graphic Novels. [ICv2]

Kodansha Comics announced that it will be releasing a new edition of Princess Knight and a first edition of Bomba! [Anime News Network] 

Kodansha is also sponsoring a Humble Bundle that includes volumes of Beck: Mongolian Chop Squad, Grand Blue Dreaming, Initial D. Peach Girl, Tokyo Revengers, and Until Your Bones Rot. All proceeds will benefit The Trevor Project, a non-profit that focuses on suicide prevention and crisis intervention for LGBTQ youth. [Humble Bundle]

New title alert: VIZ just began serializing Fusai Naba’s Aliens Area on its Shonen Jump website. [VIZ Media]

And speaking of Shonen Jump, Netflix just posted a sneak peek of its forthcoming live-action adaptation of One Piece. I’ll let you decide for yourself if this project looks good:

FEATURES, INTERVIEWS, AND PODCASTS

Shimada Kazushi profiles the late Abiko Motoo, who, with Hiroshi Fujimoto, created some of postwar Japan’s most popular manga under the pseudonym Fujiko Fujio. [Nippon]

In honor of Sailor Moon‘s thirtieth birthday, Christopher Chiu-Tabet begins an arc-by-arc exploration of the beloved series. [Multiversity Comics]

Tony Yao deconstructs a favorite storyline in Tokyo Revengers, using it to meditate on friendship, self-love, and vulnerability. [Drop-In to Manga]

The dynamic podcasting duo of Elliot and Andy compare notes on two popular romantic comedies: How Do We Relationship? and Ouran High School Host Club. [Screentone Club]

Mike Toole and Joey Weiser join the Manga Mavericks to discuss Akira Toriyama’s under-appreciated masterpiece Dr. Slump. [Manga Mavericks]

If you’ve been on the fence about reading Blue Giant, let the Mangaplainers persuade you to try this entertaining, engaging series about a young saxophonist’s quest to become the next John Coltrane. (Seriously, this series is great–something I almost never say about music manga!) [Mangasplaining]

Looking for a good read? Anna Williams recommends five underrated seinen manga. [CBR]

The folks at Yatta-Tachi just posted a comprehensive list of this month’s light novel and manga releases. [Yatta-Tachi]

Matthew Hill interviews Japanese artist Kyo Machiko about Essential: My #stayhome Diary 2021-2022. “Being a cartoonist is not an ‘Essential’ profession, but imagining, creating, talking to each other, and living an ordinary life are ‘Essential’ things that are essential to living like a human being,” she explains. “I chose the title because I have been thinking about this for a long time with the COVID-19 Disaster. Most people are not ‘Essential’ in their professions, but there is no such thing as a person who doesn’t need to be in this world. By depicting the ordinary lives of ordinary people in the city, I hope to convey the message that all people are indispensable to each other.” [The Comics Journal]

REVIEWS

At Comics Worth Reading, Johanna Draper Carlson posts reviews of I Want to Be a Wall and the “weird but strangely attractive fantasy” The Masterful Cat Is Depressed Again, Today. Erica Friedman praises the twisty plot of Summer Time Rendering. “Its 374 pages have enough twists to appeal to the most hard-core of suspense readers,” she notes. “It made me gasp out loud – more than once! – and kept me glued to the page right through the astonishing end of the volume.” TCJ contributor Leonel Sepúlveda looks at Hideshi Hino’s The Town of Pigs, praising Hino’s ability to create the “feeling of being trapped in a nightmare,” while the crew at Beneath the Tangles posts short reviews of Fangirl, Crimson Prince, Deadpool Samurai, and more.