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The Manga Review, 8/26/22

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On Wednesday, Tokyopop released Peremoha: Victory for Ukraine, an anthology of nine stories written shortly after the first Russian tanks rolled into Ukraine on February 24, 2022. In the forward to Peremoha, Tokyopop publisher Stu Levy explains that these comics “were created entirely by Ukranians to express their fears, tears, and anger towards ‘the Enemy,'” and to express “their resolve and will to fight.” Tokyopop will donate a portion of every book sale to RAZOM, a non-profit organization that is providing humanitarian relief inside Ukraine, evacuating vulnerable populations from war zones, and promoting “policies that strengthen and support Ukraine and its relationship with the US.”

MANGA NEWS

Shueisha is in the process of initiating lawsuits against several pirate websites. [Torrent Freak]

Coming soon to a laptop or television near you: Keseiju: The Grey, a live-action television series based on Hitoshi Hiwaaki’s Parasyte. The series will be directed by Yeon Sang-ho (Train to Busan), with an original script by Yeon and Ryu Yong-jae (Peninsula). No release date has been announced, but the show will stream on Netflix. [Otaku USA]

During her recent trip to Japan, Megan Thee Stallion visited the JoJo: Ripples of Adventure exhibit at the National Art Center in Tokyo. [Yahoo! News]

FEATURES AND PODCASTS

Erica Friedman files a report from Flamecon 2022. [Okazu]

Looking ahead to the holiday season, Brigid Alverson highlights three upcoming manga. [ICv2]

The gang at Honey’s Anime recommend five great manga for bibliophiles. [Honey’s Anime]

This week’s Mangasplaining episode is a veritable feast, as Deb, David, Chip, and Chris compare notes on four different series: Food Wars! Shokugeki no Soma, Sweetness and Lightning, Kokkoku: Moment by Moment, and How Are You? [Mangasplaining]

The Manga Machinations crew take at look at two new releases–Kowloon Generic Romance and Lost Lad London–as well as the under-appreciated Hetereogenia Linguistico. [Manga Machinations]

On the latest Multiversity Manga Club podcast, Walt Richardson, Emily Myers, and Zach Wilkerson recap chapters 901-924 of One Piece. [Multiversity Comics]

Justin and Marcella critique the fifth and final arc of the Sailor Moon manga. [Sailor Manga]

Jocelyne Allen has the skinny on est em’s latest series, Osama no Mimi, in which a mysterious bartender buys secrets from his customers and “distills them into a liquid which he then makes fancy cocktails with.” Yeah, I’d read that… [Brain vs. Book]

REVIEWS

Over at Comics Worth Reading, Johanna Draper Carlson sings the praises of Cat + Gamer. “Between the portrait of a happy, well-adjusted gamer and the charming cat, there’s a lot to enjoy,” she notes. “This is a wonderful read for anyone, particularly for anyone who wants a pet cat but can’t have one. After all, fictional cats are much better behaved.” Megan D. takes Osamu Tezuka’s Bomba! for a test drive, characterizing it as “yet another selection from what I refer to as Tezuka’s edgelord phase, that decade or so where he was determined to outdo the big-name gekiga mangaka of the day by producing an endless stream of grim, complex, edgy, and frequently unsuccessful tales of troubled young men.”

This week, you’ll find short-n-sweet reviews at Beneath the Tangles, Manga Bookshelf, Women Write About Comics, and SOLRAD, where Helen Chazan weighs in on The Men Who Created Gundam, “a comic begging to be harvested for ‘out of context’ posts on social media.”

New and Noteworthy

Ongoing and Complete Series

Manga the Week of 8/31/22

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SEAN: It’s a rare 5th week of the month! Like most 5th weeks, it’s light.

ASH: Even light weeks have plenty being released these days!

SEAN: Yen On has a bizarre release. We’re getting both the 2nd AND the 3rd volumes of The Hero Laughs While Walking the Path of Vengeance a Second Time.

ASH: Huh. Release schedule are still all over the place, aren’t they?

SEAN: And Yen Press gives us Lost Lad London 2, Love of Kill 9, The Other World’s Books Depend on the Bean Counter 2, Reign of the Seven Spellblades 4, That Time I Got Reincarnated as a Slime: The Ways of the Monster Nation 8 and Trinity Seven 26.

MICHELLE: I really, really liked the first volume of Lost Lad London and am excited for the arrival of the second! And wow, already up to volume two on the Bean Counter, huh?

ASH: It does seem like the first volume just came out.

SEAN: Seven Seas debuts SPRIGGAN: Deluxe Edition. Viz put out 3 volumes of this in the 1990s then cancelled it, now Seven Seas is trying again with 650-age omnibuses. The writer gave us Until Death Do Us Part, the artist Project Arms. It’s from Weekly Shonen Sunday, and is loaded with ancient artifacts and secret agents.

ANNA: I do find it interesting when we get license rescues like this, even though I’m sure the series I’m most interested in will never be printed again.

ASH: Same.

SEAN: Also from Seven Seas is PULSE, a yuri manwha webtoon that’s getting a print release here. A doctor who keeps her sexual relationships strictly for pleasure tuns into trouble when she meets a transplant patient who refuses to get the operation.

ASH: I’m not sure I’ve actually read a yuri manwha before! It’s exciting to have the opportunity.

SEAN: Also coming out: Chillin’ in Another World with Level 2 Super Cheat Powers 4, D-Frag! 16, The Girl in the Arcade 2, Necromance 4, Seaside Stranger 4, and Tokyo Revengers Omnibus 2.

Kodansha, in print, gives us Blackguard 4, Blue Lock 2, Cells at Work! CODE BLACK 8, Lovesick Ellie 5, and Something’s Wrong With Us 10.

MICHELLE: In addition to obligatory praise for Lovesick Ellie, I’m also hyped for more of Blue Lock, which turned out to be not at all what I had expected.

ASH: Guess I’ll need to check out both of those series!

SEAN: Digitally, we have Even Given the Worthless “Appraiser” Class, I’m Actually the Strongest 5, Guilty 10, Having an Idol-Loving Boyfriend is the Best! 2, I Was Reincarnated with OP Invincibility, so I’ll Beat ’em Up My Way as an Action-Adventurer 3 (the final volume), My Roomie Is a Dino 7 (also a final volume), My Tentative Name 2, My Unique Skill Makes Me OP even at Level 1 8, Oh, Those Hanazono Twins 4, and Peach Boy Riverside 11.

J-Novel Club debuts a digital light novel whose manga came out a couple of weeks ago: Oversummoned, Overpowered, and Over It! (Meccha Shoukan Sareta Ken), about a hero who can’t seem to stop getting summoned to save the day.

There’s also Black Summoner’s 7th manga volume, Infinite Dendrogram 18, Magic Knight of the Old Ways 3, Marginal Operation 14 (digital version), Sometimes Even Reality Is a Lie! 2, and the 5th and final manga volume of Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons.

Cross Infinite World has a 2nd volume of Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound.

Lastly, Airship has early digital releases for Irina: The Vampire Cosmonaut 2 and Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash 2.

That’s it. Man, this feels more like a list from 2013 or something. Are you buying anything?

ANNA: Maybe not!

Sasaki and Peeps – That Time I Got Dragged into a Psychic Battle in Modern Times While Trying to Enjoy a Relaxing Life in Another World: ~Looks Like Magical Girls Are on Deck~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

This book is a mess. Saying that right off the bat, confident that even those who loved the title will agree. It’s trying to be a mess, after all. I’m not sure what the meeting of the author and their editor was like, but it feels very much like “I have four different ideas for a light novel, but I can’t decide which one to write.” “Why not write all of them?” “Four different books?” “No, no, the SAME book!”. It’s the sort of thing that requires a delicate hand and solid worldbuilding, and the series that comes closest to this, A Certain Magical Index, still can’t quite pull it off a lot of the time. Sasaki and Peeps doesn’t even try, content to simply revel in its mishmash qualities. It does eventually settle into one of its genres near the end, which makes it both better written and less interesting. I think we’re here for the car crash.

Plot 1: A salaryman in his late thirties, Sasaki, buys a pet Java sparrow, Peeps, who turns out to be a powerful macician from another world. Sasaki goes to this world, trading Japanese tech for gold and also learning magic. Plot 2: Learning magic means he gets in the way of a battle (in Japan, he and Peeps go back and forth) between rivals espers, and he is forcibly recruited into an esper organization trying to control those with powers. This goes far less well than you’d expect. Plot 3: His middle school next door neighbor, unnamed but abused and always sitting outside her front door, has a twisted crush on Sasaki that wars with her despair and suicidal thoughts. Plot 4: There’s a magical girl digging in the trash outside his apartment. This is the magical girl on deck from the subtitle, I assume.

Smoothness is not the selling point of this book. Which is a shame, as the last third of the book, which dedicates itself entirely to the isekai plotline, is the best written part, containing several excellent plot twists and a few cool battle scenes. That said, after watching the author and Sasaki flit around like… well, like a sparrow for most of the book, it feels wrong somehow. Sasaki should be a “potato” protagonist, but there’s a certain broken quality to him that shines through on occasion. His treatment of his neighbor like a stray cat that he keeps feeding is at least not as bad as, say, Higehiro, and I appreciate he did call social services, but he’s not helping there either. The book has no real romance as of yet, which is probably a good thing, as the female cast consist of a high school girl, a middle school girl, and two children.

Mostly the main problem with this book is it cannot settle down as to what it wants to be. That’s baked into the plot so it won’t get better, but I thought I’d mention that I think the plot is bad. The plot with the neighbor and the magical girl barely feature in the book, they’re just there as flavortext so far. That said, I may read a second volume, just to see if the author can keep this up. Or to see if the neighbor kills him.

Bookshelf Briefs 8/23/22

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Box of Light, Vol. 1 | By Seiko Erisawa | Seven Seas – I’m not sure if this is meant to be a horror anthology with a minor supporting cast or a horror manga featuring the cast but also having each chapter be “the problems of one of the one-shot customers.” Unfortunately, the indecision makes it less than good. The premise has a convenience store stationed at the border between life and death, and only those who are on the verge of death can see it and shop there. This sounds darker than it is, as most of the stories are quirky rather than bittersweet, and the only customer who actually is close to dying ends up working there instead. If you like quirky supernatural stuff… there are probably more interesting titles than this. – Sean Gaffney

Gabriel Dropout, Vol. 11 | By Ukami | Yen Press – The bulk of this volume is devoted to a single plotline, which is the class trip to Okinawa. Everyone gets to have their bit: Gabriel is grumpy and reluctant to do anything but ends up being helpful and a good person anyway, Vignette is so super hyped about the trip that when they actually return she goes into a spiral of depression, Satanya… is herself, and Raphiel shows once again that she’s trying her hardest to convince Satanya that she genuinely loves her while at the same time being a jerk and a troll about it. As you can imagine, this is not going well. That said, this series still manages to make me laugh out loud more than most other comedy manga I read these days, so is still highly recommended. – Sean Gaffney

Hello, Melancholic!, Vol. 2 | By Yayoi Ohsawa | Seven Seas This second volume, after the concert is done (and Minato takes a big step forward in interaction skills), focuses more on the other three members of the cast. It turns out that Chika and Sakiko are in a relationship!… or not, as Chika describes it as “friends with benefits,” somewhat awkwardly. Flashbacks show off how the two met and ended up together-ish, helped enormously by Yayoi Ohsawa’s incredible talent for facial caricature. After this we focus on Hibiki, who can’t really understand Minato so takes her on a date to try to get inside her head… but just ends up more confused. This was a great second volume of what has become a must-read yuri series. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 18 | By Kagiji Kumanomata | Viz Media At some point over the course of this series, the creator was forced to answer the question “how old is Princess Syalis,” which is a question that frequently needs answering when anime girls are designed to always look like children. It turns out Syalis, while we don’t know her exact age, is “an adult,” which if nothing else makes it slightly better that she was buried in work before the demons kidnapped her. In this volume the demon castle falls to pieces, mostly due to laziness, and the princess discovers her inner talent for crisis management, which is… genuinely excellent. This is still funny, but I really enjoy seeing when the cast end up having real character development. – Sean Gaffney

Therapy Game Restart, Vol. 2 | By Meguru Hinohara | SuBLime – To simply describe the plot of this volume of Therapy Game Restart would be to miss everything that is great about it. Minato and Shizuma are planning to move in together, but Shizuma is being kept busy at the veterinary clinic. When he finally gets an opportunity to learn from the director, followed by the arrival of an emergency patient, he stands Minato up for an appointment with a realtor. Meanwhile, Minato tries to keep his insecurities and fears under control, with varying degrees of success. I adore Minato, and I think it’s the superb characterization of someone suffering from anxiety but trying to move past that and have faith in the possibility of a happy ending that makes this series so special. I already am sad thinking about this ending someday. – Michelle Smith

The Way of the Househusband, Vol. 8 | By Kousuke Oono | VIZ – I hate to say it, but I think The Way of the Househusband might be running on fumes. Though this volume pulls out all the stops—a food battle, a snow storm, a movie night—the bonus material is funnier than any of the main storylines. It’s only when we get a glimpse at Miku’s favorite anime series PoliCure that volume eight comes to life. Kousuke Oono creates a deliriously silly mash-up of magical girl manga and police procedural that looks and sounds a lot like Futari wa Pretty Cure. The shift in artwork and tone are a testament to Kousuke Oono’s skills as a draftsman and parodist, and makes me wonder if he should be doing a PoliCure series instead of another installment of Househusband. – Katherine Dacey

Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway, Vol. 1

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By Shimesaba and booota. Released in Japan as “Hige wo Soru. Soshite Joshikousei wo Hirou” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Marcus Shauer (Medibang, Inc.).

I was not originally going to be reading this at all. What I’d heard from reviews of the anime did not really appeal to me. Kadokawa’s license of the light novel made me ask “are you going to use Mediba–yes, you are”, and sure enough, their original version did not read great, from what I’ve been told. But then Yen On licensed the actual books (Kadokawa releases only chapters), and they promised actual editing. Which, to the credit of Emma McClain and Jordan Blanco, works well; the book may be unreadable to me for several reasons, but the translation and adaptation is not one of them. So I waffled. I read a lot of these romance books lately. It stars actual adults. Fine, I’ll give it a try. Lesson learned? Trust your instincts, Sean. I want to bill the author for the dental work I’ll need after grinding my teeth through this first volume, which tries to clear a low bar but forgets about all the other bars.

Yoshida is a corporate worker who has just confessed to his boss, who promptly rejects him because bosses should not date their employees… no, wait, it’s because she says she has a boyfriend already. In despair, he gets incredibly drunk and goes home, where he finds outside his house a high school girl who has run away from home. She asks if she can stay with him in exchange for “certain favors”, he rejects the favors and notifies the police… no, he does not in fact do that, he lets her stay at his place. As the days wear on and she continues to stay, clean the house, and cook his meals, he suddenly finds that he’s sleeping better, looks more put together, and is leading a sensible life. He’s even getting attention from his cute underling… and from the boss who rejected him. Is the secret to success having a runaway underage wife?

Let’s start with my pettiest objection: I expected shaving to have far more impact on the narrative given that it’s in the title. He doesn’t even have a real beard, just… scruff that he probably shaved every third day. Moving on, one of the reasons that high school romances with a dimwit protagonist who has 8 different women who love him because he’s actually not a terrible person works is because he’s a dumb teen who’s still growing up. It works far less well with a 27-year-old salaryman. The majority of this book is from his POV, and I will admit that when the book finally switched to Sayu it got more interesting, though we never do learn why she’s run away. The book tries to critique the tropes it’s wallowing in, too, pointing out the dangers of “kind” people and also when to learn how to trust, but I still can’t get over the premise of “wow, I just need a girl to be my wife in all ways except sexual ones, and suddenly I’m a harem protagonist!”.

If this book was going to be about found family, and about Yoshida and Sayu’s relationship being more like an older brother/younger sister, I might be vaguely interested. But I have zero confidence that the author is not setting things up for her to be part of the love interests one the “high school” part is done. In the end, this is a giant cavalcade of NOPE for me.

Pick of the Week: Phantoms and Food

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MICHELLE: I’m not wildly passionate about anything coming out this week, but I did think the first volume of Phantom of the Idol was fun, so this week I’ll choose the second.

KATE: I’ll join Michelle in recommending Phantom of the Idol. It’s a silly, escapist read that’s best enjoyed poolside with a fruity drink in hand.

SEAN: My pick this week is See You Tomorrow at the Food Court, because I sort of love the ‘honor student and delinquent are best pals’ dynamic.

ASH: I apparently really should check out Phantom of the Idol! But this happens to be a good week for for food-related manga, too. In addition to See You Tomorrow at the Food Court, there’s also Ramen Wolf and Curry Tiger and not one but two Delicious in Dungeon books, which is where my heart lies.

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 7

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By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Alexandra McCullough-Garcia.

Last time I suggested that things might get a lot more interesting now that bad things have happened to our heroes. Sadly, I was overoptimistic there, and I forgot how, no matter how bad things may get, the general tone of this series remains “cozy”. Yes, Theresia was cursed by the Shinimg Simian Lord, but she’s not immediately turned evil, it’s a slow-acting evil curse, so she spends most of this book merely being herself and occasionally shuddering as it corrupts her. And Elitia is of course devastated that she got everyone into this in the first place, but after a suitable period of angst and wallowing she’s allowed to be reborn as a far better person and swordswoman. And, of course, nothing can ever take away from the true purpose of this series: watching everyone ask Arihito what new skills they should buy. Even the author says that this is more a video game than a book at this point. That said… I’m still reading it, so something must be going right.

On the cover are two new characters, Ivril and Viola, who introduce themselves but not much else. But they look cool, right? As for Arihito’s party, after the disastrous battle in the Blazing Mansion they have a new problem; they not only have to rescue Elitia’s comrade but also cure Theresia from her curse. This requires research, as well as battling some undead horrors, in order to reach a curse-breaker who reminds everyone of Ceres (they’re not related, apparently, but have a past history). They also join another battle to help out two wayward seekers who got separated from their party during a retreat, and they take on yet another sentient weapon at the end of the book, which pops up when trying to open a black treasure chest. Do they go back and fight the simian lord? Not yet. See you in Book 8.

Again, these books meander. Chapter 2 goes from Page 54 to 122 in my copy, and it’s nothing but looking at Expedition Results, Level Ups, and choosing new skills. I also left out the delicious meals they eat (including a chef who wants to cook food with the rare fruits they got recently) and of course all the sexual innuendo, as this remains the filthiest G-rated book in light novels. (Kyouka has a dream she’s married to Arihito and is wearing a naked apron for him.) That said, as noted above, it was nice to see Elitia finally figure out how to master her blade, which essentially turns out to be “trust that I won’t use it to murder allies”. We get a bit more of her backstory here, and see that her brother has been manipulating it – after the Simian Lord his group may be the next fight.

No one is reading this for depth, and if you’re reading it to see when anyone will have sex, despite all the innuendo, you should also find some other series. But if you’ve enjoyed rearguard so far, you’ll enjoy this.

Chitose Is in the Ramune Bottle, Vol. 2

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I’m enjoying the Chitose series a great deal, but if there’s one thing that worries me it’s that I don’t know what the series’ overall plot is. Other series have ‘each volume has a girl in distress” about them, most notably Rascal Does Not Dream Of (insert girl here), but we know by the end of Book 2 what the basic thread of the series is (the supernatural manifestations of psychological trauma). I suppose it veers closest to My Youth Romantic Comedy Is Wrong As I Expected, which also features a lead guy who will throw himself under the bus to solve a problem, but I think if I tried comparing Chitose with Hachiman the latter would be very angry with me. The question is, are we meant to be figuring out who is “best girl” in a romantic sense? Is this about ripping Chitose’s mask off? Or is it just a series where a group of high schoolers give an excuse for a plot of the week, like many TV shows?

As you might have guessed, the girl on the cover is the main girl of this book, Yuzuki Nanase. She’s lately been worried that she has a stalker, and asks Chitose to pretend to be her boyfriend in order to either drive them off or draw them out. He’s the obvious choice as the two of them are extremely similar, and so she knows he won’t be getting any misconceptions about what this relationship is about. Unfortunately, her fears turn out to be quite justified, as delinquents from a different school are forcing her to revisit an incident from her past that she’s been trying to bury. In the meantime, the fact that he’s now dating Nanase has Chitose in a spotlight he’d rather avoid, and he ends up having ANOTHER guy that he tries to give life advice to.

The other similar series I didn’t mention in the first paragraph is Bottom-Tier Character Tomozaki, and there is an element of that here in Chitose’s trying to hammer home the idea that girls are not pure fantasy creatures and fart and masturbate and everything else that’s normal. But, as with the first book, one of the big draws here is that the popular kids are the leads, allowing the ability to tell a different kind of story. Even something like Tomozaki relies on the outsider who has a past where he always thought “goddamn normies” to get past. Kenta, the nerd from the first book, is still here and is now part of their group, but he’s not the narrator and doesn’t drive the plot. This is a story of popular kids dealing with a specific popular girl problem in a way that, say, Hachiman would be unable to pull off. Good thing, too, as this book also gets more serious towards the end, with suggestions of sexual assault in both past and present.

So I’m still not sure where this series is going, but I’m greatly enjoying the ride. That said, I suspect that all the potential romantic interests for Chitose, including Nanase, are going to have to take a back seat to his upperclassman crush, and the cover for Vol. 3 suggests we’ll get a lot more of her next time.

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 6

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

The Bofuri series does have a pretty good supporting cast, and I enjoy reading about them. That said, most people who picked this up are here for one reason and one reason alone, and that’s Maple breaking the game by doing awesome unpredictable shit. Good news, the 6th volume is here to help you. It definitely doesn’t hurt that this 6th book involves the 6th level of the game, which is entirely related to ghosts and the supernatural. As such, except for one disastrous attempt to get over her terror, Sally is pretty much absent, grinding on other floors so she can avoid being Shaggy in an episode of Scooby-Doo. This allows Maple to solo several events, or team up with Mii, or experiment with rewards in strange and brilliant ways. It’s the sort of thing that will look great animated if Season 2 ever happens, but that’s still sadly far in the future at this point.

We start by Maple getting her new favorite toy, which is a literal throne that she can sit on while attacks do nothing to her. (The downside being that she can’t use “evil” attacks while on it – i.e. most of her repertoire). She uses it a lot in the next stratum, which as noted above is one based around ghosts. Sally, who sees there are lots of cool things she could get if only she got over her fear, tries… and fails miserably. So Maple tries to get some nice rewards that she can give Sally, as well as some rewards that will specifically benefit her build. Finally, we get the Seventh Event, which fortunately does NOT involve ghosts, and so Maple wants to go old-school on it: only her and Sally vs. the toughest opponents.

A lot of the humor in this volume comes from the occasional times we cut back to the developers, who have either designed things to be anti-Maple that she proceeds to win out over by doing something bonkers, or else they’ve designed things that would be lethal difficulty for anyone else that Maple strolls through even though it wasn’t designed to get her interest at all. The rest of Maple Tree, of course, have simply given up on being surprised, with Chrome just sighing and helping Maple to control her ghostly hands that can wield other shields, etc. It helps that Maple’s not doing this for any reason other than “it’s fun”. She’s gotten better at thinking things through… just… but most of her gaming still seems to be “do whatever the hell I like”. This includes lunching with Mii, who can drop her roleplay facade around her, or fending off Frederica, who’s trying to duel Sally and wondering why she’s not on the 6th floor. Maple is simply too nice to get angry with.

This isn’t essential reading, and fans of the anime can probably wait for whenever it continues, but I still quite enjoy Bofuri. It’s a relaxing, quick read.

The Manga Review, 8/19/22

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Attention manga shoppers! Kodansha is currently holding a blow-out sale on digital manga. And when I say “blow out,” I mean it: they’re offering deep discounts on over 3,000 titles, with first volumes priced as low as 99 cents, and later volumes discounted 50%. It’s a great opportunity to try a buzz-worthy series such as Blue Period, Boys Run the Riot, Knight of the Ice, PTSD Radio, or Witch Hat Atelier; to catch up on long-running favorites; or to check out classic titles such as Black Jack and Princess Knight. Don’t wait, though; the sale ends on Monday, August 22nd.

MANGA NEWS

The July NPD Bookscan Numbers are in, with My Hero Academia, Spy x Family, and Kaiju No. 8 topping the list. Also making a strong showing on this month’s bestseller list are Demon Slayer: Kimetsu no Yaiba and Chainsaw Man. [ICv2]

Have you completed this month’s Seven Seas Reader Survey? If not, don’t miss your opportunity to make licensing requests and give feedback on new and upcoming releases. [Seven Seas]

Coming soon to the Azuki platform: Red Riding Hood’s Apprentice: Final Testament to the Moon (Glacier Bay Books) and Doomsday Cleaning (Star Fruit Books). [Azuki]

Job alert: VIZ Media is currently looking for a Copy Editor. [VIZ Media]

Help Erica Friedman celebrate the 20th anniversary of Okazu by participating in a treasure hunt! The winner will receive a t-shirt of their choice from the Yuricon store. [Okazu]

And speaking of Erica Friedman, she and Rica Takashima (Rica ‘tte Kanji?!) will both be guests at Flame Con this weekend. [Anime News Network]

Blood on the Tracks, Blue Period, and Cat + Gamer are among the titles competing for Best Manga at this year’s Harvey Awards. Also making the cut are Chainsaw Man, Red Flowers, and Spy x Family. [ICv2]

Cartoon Crossroad Columbus (CXC) announced that manga scholar Frederik L. Schodt will be the recipient of the second annual Tom Spurgeon Award, which “honors those who have made substantial contributions to the field of comics, but are not primarily cartoonists.” Schodt is author of three books: Manga! Manga! The World of Japanese Comics (1983), Dreamland Japan: Writings on Modern Manga (1996), and The Astro Boy Essays: Osamu Tezuka, Mighty Atom, and the Manga/Anime Revolution (2007). In addition, he has translated a number of manga into English, including Osamu Tezuka’s Astro Boy and Henry Yoshitaka Kiyama’s The Four Immigrants Manga. [CXC 2022]

FEATURES, PODCASTS AND INTERVIEWS

If you’re a parent, teacher, or librarian in search of STEM-friendly comics, look no further than this helpful list compiled by the experts at No Flying No Tights. [No Flying No Tights]

Brigid Alverson posts a brief but thoughtful tribute to illustrator Sho Murase, who passed away earlier this month. [ICv2]

It’s Witch Week at Mangasplaining! Join the crew for lively discussions of Witch Hat Atelier, Witchcraft Works, and Witches, then stay for the bonus discussions of Fuyumi Soryo’s MARS and Yayoi Ogawa’s You’re My Pet (originally published in English as Tramps Like Us). [Mangasplaining]

The latest Manga Machinations podcast focuses on Yokohama Kaidashi Kikou as well as two manga/Marvel crossovers: Wolverine: SNIKT! and Secret Reverse. [Manga Machinations]

What did David and Jordan think of Monster Hunter Orage? Tune in to the latest Shonen Flop episode for their thoughts on Hiro Mashima’s other battle manga. [Shonen Flop]

ICYMI: Ashley and Loyola Rankin dissect the first eight volumes of Love*Com (Lovely Complex). [Shojo & Tell]

In honor of Sailor Moon‘s thirtieth anniversary, Christopher Chiu-Tabet revisits the first eight issues of Codename: Sailor V. [Multiversity Comics]

Jocelyne Allen flips through the pages of Keiko Takemiya’s Kokuhaku. “The takeaway for this volume… is pure vibes,” she notes. “The seven stories in the  collection technically have plots, but these tales are mostly about the feels. Because the stories themselves inspire questions like ‘how?’ and ‘why is this happening?’, and the smaller details of what is going on aren’t really relevant. Takemiya is using science fiction to dig deep into psyches and emotions and relationships because this is shojo before it’s SF, and shojo demands feels.” Someone license this, please! [Brain vs. Book]

Elias Rosner interviews Ryan Holmberg about translating Yamada Murasaki’s Talk to My Back. [Multiversity Comics]

Over at TCJ, John Holt and Chikuma Teppei  translate Natsume Fusanosuke’s essay “The Transgenerational Manga Sazae-san and Its Meaning.” In their preface, Holt and Teppei attribute the enduring cultural appeal of Hasegawa Machiko’s series to its long-running anime adaptation. “Like The Simpsons, the animated Sazae-san has been a fixture of Japanese television for decades,” they observe, “but unlike Matt Groening’s creation, Sazae-san has been a wholesome staple of family life, still operating by the terms of 1950s and 1960s culture in new episodes today. Therefore, although it lacks a Simpsons-level criticality, Sazae-san is still a mirror of society. As Natsume argues, the manga and anime create a kind of touchstone to what was good about Japan in the late 20th century. In this way, Sazae-san not only entertains, but also it curates a way of life that may be now remote or even alien to the lived experience of contemporary viewers in Japan.” [The Comics Journal]

REVIEWS

Scott Cederlund reflects on the radical empathy of Gengoroh Tagame’s Our Colors, while Eric Alex Cline explains why he won’t be picking up volume two of Rooster Fighter. “Whether one finds the series worth following will largely depend on if they share its ridiculous sense of humor, and if they’re willing to overlook incredibly blatant bigotry in character design,” Cline observes. “The major con is that some of the monster designs are lackluster, and the last one in particular tanks the fun vibes with a sudden veer into blatant transphobia.” You’ll also find new capsule reviews at Women Write About Comics, where Masha Zhdanova looks at three new VIZ titles, and right here at Manga Bookshelf, where Sean Gaffney, Michelle Smith, and I tackle Rooster Fighter, Shadow House, and Wandance.

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