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Pick of the Week: A Bevy of Riches

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SEAN: This is a ridiculously stacked week for manga fans. Viz has a hot new Jump series in Dandadan, Seven Seas gives yuri fans what they’ve always wanted (women beating the shit out of each other) in Black and White: Tough Love at the Office, and Kodansha has both Last Gender *and* Shonen Note: Boy Soprano in the same week. That said, I’ll throw in with One Peace Books this week and Usotoki Rhetoric, because I love a good 1920s shoujo.

MICHELLE: Perhaps I’ll be disappointed by the mystery aspects of Usotoki Rhetoric, but it still looks so much my sort of thing that I have to pick it. Definitely honorable mention to Shonen Note, however.

KATE: I’m glad to see Drawn & Quarterly is keeping Shigeru Mizuki’s works in print, so my pick is Onwards Towards Our Nobel Deaths.

ASH: Usotoki Rhetoric has certainly caught my attention, too, but Shonen Note has been on my radar longer. I’ve been looking forward to it for awhile now, so I’ll make it my official pick (though I’ll be making a point to read both series!).

ANNA: Usotoki Rhetoric does look interesting, I shall make it my pick!

The Executioner and Her Way of Life: The Promised Land

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

There is a famous quote (actually he said it a number of times) by Anton Chekhov about dramatic principles. One of the quotes says “If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don’t put it there.”. This is a perfectly fine dramatic tenet to use, and I have no real issues with it. That said… you still need to write something OTHER than the pistol hanging on the wall. You can’t just have 90 minutes of ‘pistol on the wall, la de da’ and expect the audience to stay invested. In case you’re wondering where I’m going with this, the 5th volume of The Executioner and Her Way of Life does have some guns go off near the end of the book. But the first half of this volume may be one of the most boring I’ve seen in Japanese light novels, as everyone walks around aimlessly, reiterates what we already know, and waits for Menou to have some revelations about herself.

Everyone’s arrived at the Holy Land. Flare has taken Akari, put her in an ivory tower, and given her an existential crisis to keep her busy for most of the book. Momo and Ashuna arrive there, and have some warmed-over banter before Ashuna promptly exits the plot after seeing a future plotline. Momo is, to her surprise, taken in by the Archbishop and put to work with Hooseyard, who is a summary of all the “naive but nerdy” glasses girls in anime. Manon, Pandaemonium, and Sahara have arrived to wreak havoc. And Menou has arrived to fight Flare and lose, because she knows that’s going to happen. The problem is that she’s right for the wrong reasons. Something she figures out when they fight and it becomes clear that Menou has surpassed her master… in all ways but one.

The book turns around, as I said above, once Menou has a horrific realization: she’s only killed strangers she barely knew, and when she tries to kill someone close to her, like, say, Flare… she can’t do it. In other words, despite forcing herself into the role of a “villain”, she has empathy. Surprise! That said, it is pretty dramatically satisfying, and I enjoyed her burst of hysterical laughter. Akari has the misfortune of spending most of the book in a state of shock after realizing that if Menou dies, and she has to rewind time again,. she’s probably going to start losing her memories of her time with Menou, which nearly destroys her. Of course, there’s an obvious answer to this for both of them, one that Flare (who seems to be trying to commit suicide by cop throughout this book – Menou is the cop) is trying to hammer home. By the end of this book, we’ve finally moved past “I’m going to kill Akari/Only Menou can kill me”, and it will be interesting to see where things go next, especially after seeing the last few pages, which confirm something hinted since the start of the series.

I’ll keep going with this, because I want to see what happens to the characters. But “writing style” is not a reason anyone should read this series, and it makes the front half of this volume sheer murder.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 14

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by SQEX Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

It’s been a while since we last had the adventures of Mile and company in front of us. Most of the reason for this is that the series got a new publisher in Japan, Square Enix, which necessitated renegotiating the license for the series, which takes time. But now, a mere 16 months after the last book, we have a new volume of the series. Perhaps sensing that this was a chance to show off why the series was picked up by a larger publisher, the author has decided to get slightly more serious than usual this time around. Oh, not to worry, there’s still plenty of “Mile does OP stuff” and fourth wall breaking, it’s just that the volume as a whole seems to want to go back to the main plot of the series, the one it usually ignores for books on end. It’s going to get harder to ignore from now on, though, as there are portals opening from another world.

That said, we have another plot to get through first. The Crimson Vow are hired as escorts/bodyguards… supposedly… to take Clairia and her fellow elves back to their village. The reason turns out to be trickier than that, as they wanted the Vow to distract from what turns out to be a “get married already” meeting set up by the village. This involves a lot of inbred misogyny, and the Vow quickly take matters into their own hands. The Guild then hires them to investigate a nearby kingdom, where things are just going… slightly worse than usual. For no stated reason. Mile is the perfect person to figure out what’s really going on… robots are making portals to their world from another world and sending in stronger, smarter monsters to take out the adventurers!

The elf stuff was not as good as the rest of the book, mostly depending on “ha ha, it’s funny because elf men are lolicons” and a heaping helping of “women should stay in the village and breed more elves”. The latter, to be fair, the narrative rips apart with its bare hands, and indeed one of the main themes of the entire series has been “you don’t have to get married immediately”. The second part is more setup for the next few books, made more amusing by Mile literally sacrificing some of her nanos to a portal to another world just to get information, and their irritated response. We also see that the Crimson Vow are a mature, powerful, respected team… but only in their own lands, and when they go elsewhere, or when their intelligence is disseminated by the Crown, it still has an air of “these are stupid kids, why should we care?” to it. Mike needs to become more famous, and not just as an author.

This is a good, not great book, with the series’ usual flaws. But it also has the series’ usual strengths as well, and fans should be pleased.

Emma Dreams of Stars: Inside the Gourmet Guide

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Before Yelp! and Open Table made it easy to find a good restaurant, you had two options: consult your local newspaper’s Arts & Leisure section, or buy a guidebook that ranked and sorted joints by price, cuisine, decor, and service. Zagat’s, for example, offered pithy, sometimes withering, assessments of restaurants that were capped by a starred rating, while The Fearless Critic used a ten-point scale that resembled the scoring system for a gymnastics meet. The most trusted—in the US, at least—was the Forbes Travel Guide, which employed an army of undercover critics to evaluate hotels and restaurants, and rank them on a scale from “average” to “one of the best in the country”. Though different in tone and format, all three owed a debt to a much older publication: The Michelin Guide, which was introduced in 1900.

The Guide was the brainchild of Édouard and André Michelin, founders of the Michelin Tire Company. At the time their booklet debuted, France was just beginning to embrace the automobile; the brothers hoped that distributing free copies might encourage people to buy their first car, as the Guide contained a wealth of information for the would-be motorist, including maps, auto repair tips, and lists of hotels, garages, restaurants, and attractions. In the 1920s, the Guide introduced its first rating system, eventually settling on a scale of one to three stars. The Guide also began hiring anonymous male inspectors to visit restaurants and hotels around Europe, reasoning that the nature of the job—travelling solo for weeks at a time—made it impossible for a woman to perform.

Enter Emmanuelle Masionneuve, who joined the Guide almost 100 years after Michelin introduced its star system. Masionneuve had an unusual path to becoming an inspector, training first as a lawyer and journalist before pivoting into the culinary industry. After working for three France’s most esteemed chefs—Michael Bras, Alain Ducasse, Alain Passard—she decided to put her food expertise to the ultimate test by auditioning for the Michelin Guide. Emma Dreams of Stars: Inside the Gourmet Guide, co-written with Julia Pavlowitch and illustrated by Kan Takahama, tells Masionneuve’s story.

In the early chapters, Emma functions both as a character and a reader surrogate. We follow Emma through every stage of her training, from her initial interview to her first solo trip, along the way gleaning interesting tidbits about how inspectors maintain their anonymity, interact with chefs and hoteliers, and avoid heartburn. (Eating rich meals all day isn’t all it’s cracked up to be.) Emma Dreams of Stars also explores Maisonneuve’s efforts to navigate the stuffy male culture of the Michelin Guide, where she’s reminded on a daily basis that she’s the only woman inspector. Though most of her male peers are collegial, she feels the weight of being a trailblazer, worrying that even the smallest mistake will jeopardize her future with the Guide.

Of course, Emma Dreams of Stars is also a story about French cuisine, and that front, the authors deliver exceptionally well. Throughout the book, there are lengthy discussions about the merits of various cheeses and wines, as well as numerous soliloquies extolling the virtue of simply prepared dishes, locally sourced ingredients, and regional specialties. Artist Kan Takahama does an expert job of rendering the food, using a soft palette that captures the texture and presentation of each meal in life-like detail. The same is true of her backgrounds; every setting demonstrates similar attention to light, pattern, and color, making it easy for the reader to feel the atmosphere of every restaurant and hotel that Emma visits, from a chic Parisian cafe to a dim but cozy rural pub.

Whenever the shop talk threatens to stop the story in its tracks, Takahama breaks up the stream of chatter by breaking the flow of her tight, orderly grids. Characters burst out of the frame, allowing us to more fully appreciate their enthusiasm and resolve. As these panels demonstrate, Takahama has a great talent for faces, working in a naturalistic style that’s reminiscent of Naoki Urasawa; Takahama imbues each one of her characters with an individuality that speaks volumes about their age and experiences, as well their taste in food and wine.

Though Takahama’s artwork is stellar throughout the book, there are a few passages where the authors didn’t fully trust the images to tell Emma’s story, most notably when depicting her strained relationship with Thomas, her long-term boyfriend. The two never meet in person, but exchange increasingly tense voice mails and text messages that reveal just how much Thomas resents Emma’s growing independence. Takahama’s artwork does a great job of showing us how conflicted Emma feels, but the authors saddle these moments with heavy-handed voice overs that spell out what the reader can readily grasp from Emma’s facial expressions and body language: she’s determined to have a meaningful career on her own terms, even if that means leaving Thomas behind.

If these moments feel a little forced, Emma’s interactions with other female foodies do not. In one particularly delightful chapter, for example, the Guide dispatches Emma to the Côte Vermeille, where a chance encounter with Natalie, a local vinegar maker, leads Emma to a lively farm-to-table bistro on the outskirts of town. As Natalie and Emma chat about the terroir–the secret ingredient in Natalie’s concoctions–we can see how their expertise and enthusiasm helps them form an immediate bond; by the time they arrive at the restaurant, they’re chatting like old friends.

The same spirit of mutual respect animates Emma’s interactions with another culinary expert: Kanami, a travel guide who leads Emma through a whirlwind tour of Tokyo. Kanami explains the origins of particular dishes, challenges the Michelin rating for a famous restaurant, and takes Emma to the Tsukiji Market to see how local fishmongers transform enormous tuna into delicate morsels. Emma is humbled by the depth and breadth of Kanami’s knowledge, and vows to return to Japan so that she can “keep learning and growing.” By the time I finished Emma Dreams of Stars, that’s how I felt, too. I was reminded of how little most of us know about the food we eat, and pledged to develop a deeper, more thoughtful relationship with the meals I prepare, and the dishes I enjoy. Recommended.

EMMA DREAMS OF STARS: INSIDE THE GOURMET GUIDE • BY EMMANUELLE MAISONNEUVE AND JULIA PAVLOWITCH • ART BY KAN TAKAHAMA • TRANSLATED BY EAMON FOGARTY • KODANSHA COMICS • NO RATING • 192 pp. 

 

Sugar Apple Fairy Tale: The Silver Sugar Master and the Obsidian Fairy

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By Miri Mikawa and Aki. Released in Japan by Kadokawa Beans Bunko Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

Frequently in romance novels, in both English and Japanese, I find myself waiting for the bomb to go off. It’s always really easy to spot the bomb. It’s the guy who we first meet. He’s not on the cover art. He’s usually a Swell Guy ™. He loves the heroine. He says so. A lot. Ignoring whatever she might have to say about it. Sometimes everyone else around her also assumes that they’re fated to be together. And, credit to our Sugar Apple heroine, she is deeply aware of this and runs away at the earliest opportunity. Alas, the bomb follows her. That’s when I started to get annoyed. I was on edge, waiting for the Asshole Bomb to go off, and when it finally did, I breathed a sigh of relief. Now, it does mean the identity of the villain in this first book is immediately obvious from about page 3, but that’s fine. This first book is not about Asshole Dude, it’s about a teenager who just lost her mother weeks before trying to cope with overwhelming grief.

Our story takes place in the Kingdom of Highland, where they have candy crafters, the highest ranked of which are Silver Sugar Masters, whose candy is basically endorsed by the Crown. Our heroine, Anne, has bee traveling the country with her mother Emma, learning at her elbow and growing up. Then Emma gets sick and dies. Anne resolves to travel to the main city of the Kingdom so that she can pass the test to become a Silver Sugar Master. She needs to do this by the next holy day, so that her mother’s spirit can rest in peace. Of course, she can’t make it in time till she takes a nasty and brutal shortcut… for which she will need a bodyguard. Fortunately, this Kingdom also has fairies! To be their slaves.

So yeah, I liked this book, but it has a very high bar to clear. There’s slavery here, and our heroine immediately buys a slave, because she needs a bodyguard to get there in time and does not have the ability to stick to her principles. She talks about slavery being wrong, and frees him at the end of this book, but… yeah. Fairies are still slaves, that’s not going away. As for the rest of the book, the romance was OK, but I think my favorite part was exploring Anne’s attempts to be plucky and have gumption in the wake of her mother’s death, which the book needs to remind us a few times was only about three weeks before the start. She’s an excellent candy crafter, but she’s not making her OWN candies, she’s making the candies her mother made. She needs to accept her grief, then she can flower as a true artist. That’s the good part of the book.

I also enjoy Culinary Chronicles of the Court Flower, by the same author. This series came out before that one, and is 17 volumes, so we have a ways to go. If you like romantic fantasies, and can get past “slaves are bad, but here I am buying a slave”, this is a solid start.

The Manga Review, 10/7/22

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Bust out that Sailor Moon costume–New York Comic Con is in full swing! If you’re looking for a good manga panel, I highly recommend This Manga Is Awesome! Manga Must-Reads and Underrated Gems, which is happening today at 3:30 pm. Deb Aoki leads an all-star crew of librarians, industry professionals, podcasters, and critics in a lively discussion about their favorite series. Also of note is Comics in the Post Pandemic World, which is scheduled for Saturday at 12:30 pm. Publishers Weekly is the sponsor; the conversation will focus on the explosive growth of the comics industry during lockdown, and will consider some of the challenges facing publishers as supply chain issues increase and inflation rises.

NEWS AND VIEWS

Jamila Rowser, founder of Black Josei Press, posted an update on the forthcoming Gladiolus Magazine, which “will feature comics, essays, short stories, and more created by people of color from marginalized genders and sexualities.” Rowser shared a list of contributors whose work will appear in the inaugural issue, as well as the magazine’s expected publication date: spring 2023. [Black Josei Press]

Bill Curtis compiles a list of October’s new manga and light novel releases. [Yatta-Tachi]

To kick off LGBTQ History Month, the librarians at No Flying No Tights recommend nine queer-friendly comics for teen readers, including The Bride Was a Boy and Be Gay, Do Comics. [No Flying No Tights]

Yuu Watase is resuming work on Fushigi Yugi Byakko Senki. [Otaku USA]

It’s a hit: Chainsaw Man now has 16 million volumes in print. [Otaku USA]

Dog lovers rejoice: Seven Seas has licensed Shibanban: Super Cute Doggies which is pretty much what it sounds like: a parade of adorable Shiba Inus doing adorable things. Volume one is slated for a May 2023 release. [Seven Seas]

If you’ve been on the fence about Taiyo Matsumoto‘s work, let Jocelyne Allen’s generously illustrated review of Tokyo Higoro persuade you to give him a second chance. “Pretty much every page is filled with such thoughtful detail to make even minor characters seem fully fleshed out,” she notes. “It’s one of those books that I kept flipping back and forth in, just to drink in the details, the art, and the many, many perfect pages.” [Brain vs. Book]

VIDEO OF THE WEEK

I’m not a big MangaTuber, but I make an exception for BakaBoysClub, a new-ish YouTube channel featuring lively, thoughtful reviews of manga, old and new. In particular, I thought that host GrunWho did an exceptional job of explaining why The Girl from the Other Side: Siúl, A Rún is such an engrossing story, making great use of the video format to highlight Nagabe’s beautiful artwork:

Check out the BakaBoys’ other videos here: https://www.youtube.com/channel/UCnmtMpN3E2LGnz_Mef4zCCw.

REVIEWS

Thinking about starting your own manga blog or podcast? One great way to build an audience for your work is to contribute to an established site like The Fandom Post, which is currently looking for reviewers. Site founder Chris Beveridge notes that “we get a good range of books from publishers and have a bit of a backlog we’re looking to clear out… There’s a good mix of one-offs and ongoing series that we’re looking for people to take on and new series starting up all the time.” For information on how to apply, click here.

New and Noteworthy

Complete and Ongoing Series

When Supernatural Battles Became Commonplace, Vol. 4

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By Kota Nozomi and 029. Released in Japan as “Inou Battle wa Nichijoukei no Nakade” by GA Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

As always, this series tends to run on character-based comedy that is 50% decent, 30% good with a side of heartwarming, and 20% godawful. Usually the godawful part involves Andou doing something mind-numbingly stupid, but aside from one poorly-delivered euphemism that causes dangerous searches on the internet, he’s mostly fine now. It’s Sagami that gets the bulk of being awful. That said, it’s good in this case, because it’s showing off that he really IS the villain of this piece. For the most part the overarching plot of this series has been very hit and miss, and we haven’t seen that gang that attacked Hatoko since her book. But Sagami’s preening, salacious inability to see anything except as a fictional construct does make him a good antagonist. And of course this IS a fictional construct that is also a romantic harem comedy, so he gets the added aggravation of being correct. I think most readers were thinking the same thing Sagami was: in a harem of four girls, Sayumi is a distant fourth place.

Each volume has focused on one of the girls in the Literary Club, and as the cover suggests, this is Sayumi’s book. The actual present-day dilemma is fairly easy to resolve, but it also ties back to the past, so we see flashbacks, from Sayumi’s POV, of how she first met Andou and immediately did not get on with him. Unsurprising, this is Andou. In the present, the girls all present Andou with a game that they’ve been coding and ask him to play test it, which gives us a string of great humiliating gags as well as a wonderful sweet heartwarming bit at the end. As for the conflict, Andou discovers that Sayumi was going to run for Student Council President in high school, but never did… and he thinks that he’s the reason for this.

Sayumi is the most mature of the cast, meaning that thankfully we get less of the antics that we got last volume (though they’re still there, sadly, but at least Andou is NOT involved in the stupidity this time). It makes sense that her arc is resolved by simply telling Andou he’s gotten things wrong and that she doesn’t regret what happened. Of course, that’s not really what this book is doing. This is the fourth volume, so we’ve run out of heroines. It’s setting up the next arc, and doing so pretty well. All four girls are explicitly in love with Andou by the end of the book. Chifuyu doesn’t really know what it means, Hatoko knows what it means and who the “best girl” is and is ready to go to war, and Sayumi is getting advice from the devil himself. That just leaves Tomoyo, and if Sagami was here he’d no doubt say that she’s “best girl” at this point, or at least the most likely winner, if she can stop tsunning it up.

As always, I don’t recommend this book to anyone but those who are buried so far into otaku culture that they don’t really notice the bad things. If you’re that sort of person, this is a solid volume.

Bookshelf Briefs 10/6/22

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Falling Drowning, Vol. 3 | By Yuko Inari | Kodansha Comics (digital only) – It’s the final volume and, inevitably, Honatsu has begun to regain her memories. With them, she remembers that Shun was once her most precious person. Unfortunately, she’s currently dating Toma. Seasoned shoujo readers might expect that Honatsu choosing one of them would be the culmination of the series, but it’s actually her relationship to her past self that has the biggest payoff, as she eventually comes to recognize that young Honatsu was never really as invincible as everyone thought, and the past six years have taught her how to talk about her weakness and sadness without hesitation. It’s clear from the author’s notes that she was told to wrap things up quickly and that there had been more she wanted to draw. While things do feel somewhat rushed, Falling Drowning still comes to a satisfying conclusion. – Michelle Smith

Kubo Won’t Let Me Be Invisible, Vol. 3 | By Nene Yukimori | Viz Media – This is an improvement on the second volume. There is still the occasional mention of Shiraishi lacking any presence, but for the most part we’re moving on from that and starting to show WHY Kubo seems to be so over the moon for him. Because she 100% is, far more than the Takagis and Nagatoros of this world. It can be embarrassing, as she would no doubt freely admit when her older sister starts drunkenly teasing her in front of Shiraishi (who now worries this is his fault somehow). I’m not sure when these two cuties are going to get together, and I’ve no doubt it will be a few more volumes. But guaranteed money they’ll do it before the other two girls I mentioned above. – Sean Gaffney

Lost Lad London, Vol. 2 | By Shima Shinya | Yen Press – To be honest, the central mystery of Lost Lad London—who is framing Al Adley for the murder of his biological father, the mayor of London?—doesn’t move forward much in this volume. The most significant thing that happens is that the cops decide Al’s their prime suspect, haul him in for questioning, and search his residence without a warrant. The real charm is the atmosphere. This feels like a proper mystery, for one, but there is also some amusing interplay between Al and Ellis that makes me yearn for an adaptation of some kind. Too, I appreciate that the characters discuss the racism and sexism they’ve had to contend with in their lives. I look forward to the third and final volume for the solution (and to see if my guess is right) but I’m bummed our time with these characters will have been so brief. – Michelle Smith

Queen’s Quality, Vol. 15 | By Kyousuke Motomi | Viz Media – Suddenly Queen’s Quality has gotten a lot more depressing. Certainly this helps with the aimless feel we’ve had the last few books, and the cast is now winnowed down to people I can remember. But man, when the “good end” is your hero protecting everyone by destroying all the memories he’s ever had, that’s bleak. Fortunately, I doubt that Fumi and company are going to let Kyutaro get away with that. Unfortunately, all their alternatives also seem to involve sacrificing themselves. Hell, even some of the terrible villains are falling to horribly gruesome deaths. I don’t THINK this is the sort of manga to end with its main couple dead or dying. But I guess we’ll have to see. – Sean Gaffney

Spy x Family, Vol. 8 | By Tatsuya Endo | Viz Media – Not gonna lie, this is THE best arc of Spy x Family to date, and the entirely of this book is right in the middle of it. Not only do we see Yor take out dozens of assassins, either in public (so she has to incapacitate them) or in private (where she can murder them). She is simply amazing, and it’s also stunning to see a Jump series show off this much blood, gore, and death—expect the anime to cut this heavily. At the heart of this, though, is the core of Yor’s story arc—her goals in becoming an assassin are mostly fulfilled now, or can be fulfilled by the family that she loves dearly but doesn’t know it yet. She wants to give it up. Unfortunately, she can’t right now, as she has to save the mother and daughter from death. Amazing book. – Sean Gaffney

We’re New at This, Vol. 11 | By Ren Kawahara | Kodansha Comics (digital only) – Aside from one chapter right at the start of this volume which tries to get into the topic of fetishes and flounders badly, this is a very good entry in the series, mostly because of a discussion I don’t think I was expecting it to have, even if it doesn’t dwell on it ling. When our married couple go to buy a car and Ikuma has to take a call, he returns to find that the salesman was “waiting for the man” to offer his card and start the pitch—something Sumika notes happens ALL THE TIME. Indeed, when Ikuma does the bare minimum of pointing out that women should be treated as equals, he gets a round of applause from every woman in the dealership. An unexpected surprise in this otherwise cutesy volume. – Sean Gaffney

Manga the Week of 10/12/22

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SEAN: Manga the Week of is brought to you this week by Weetabix.

MICHELLE: I will never not associate Weetabix with Spike and Giles.

ASH: Now that you mention it!

SEAN: We start with Yen On, which gives us In the Land of Leadale 6, Magistellus Bad Trip 2, and Sasaki and Peeps 2.

While Yen Press has The Hero Laughs While Walking the Path of Vengeance a Second Time 2 and Kaiju Girl Caramelise 6.

ASH: Oh, I somehow didn’t realize that Kaiju Girl Caramelise was an ongoing series.

SEAN: Viz Media debuts Dandadan, a Shonen Jump + title. A boy believes in aliens, but thinks ghosts are the bunk. A girl in his school believes the exact opposite. Together they will discover… that aliens and ghosts are too spicy for Shonen Jump’s app, I can tell you that.

ASH: Ha!

Also from Viz: Case Closed 84, Kaiju No. 8 4, Komi Can’t Communicate 21, Sakamoto Days 4, and Splatoon 15.

Tokyopop has a shoujo debut, Formerly, the Fallen Daughter of the Duke (Moto, Ochikobore Koushaku Reijou desu). J-Novel Club releases the light novel of this. The manga runs in MAGCOMI. It’s essentially a Villainess story, even if the lead isn’t evil in the original.

They also have a new one-shot, Hyperventilation. This BL manwha features two guys who meet again at a high school reunion and rekindle things.

Titan Books debut Atom – The Beginning, which runs in Shogakukan’s Heros magazine. It is, as you may have guessed, a prequel to Tezuka’s Astro Boy.

ASH: I am intrigued.

SEAN: SuBLime has Black or White 5 and Moon & Sun 2 (the final volume).

ASH: Which reminds me that I’ve been meaning to read the first volume.

SEAN: Square Enix Manga gives us Beauty and the Feast 4, Hi Score Girl 9, and My Isekai Life 3.

Seven Seas once again has a number of debuts. Black and White: Tough Love at the Office (Shiro to Kuro) probably has that subtitle to set it apart from other manga with similar titles. Two women at the same office who can’t seem to stop a) beating the shit out of each other or b) having sex with each other have to team up to solve a mystery. It runs in Comic Ruelle.

ASH: Not the type of yuri series we often see.

SEAN: Hunting in Another World With My Elf Wife (Hokkaidou no Geneki Hunter ga Isekai ni Hourikoma Rete Mita – Elf Yome to Meguru Isekai Shuryou Life) is a MAGCOMI title. A hunter gets killed by a bear and ends up in a fantasy world… but he still has his shotgun!

SHWD is also from Comic Ruelle. It stands for Special Hazardous Waste Disposal, and has been described as “yuri buddy cop story meets horror”.

ASH: Another atypical combination!

SEAN: Seven Seas also has Cat Massage Therapy 3, Creepy Cat 4 (the final volume), The Duke of Death and His Maid 3, The Girl From the Other Side: Siúil, a Rún Deluxe Edition II, Kemono Jihen 2, Magic Artisan Dahlia Wilts No More 3, The Saint’s Magic Power is Omnipotent 6, and This Is Screwed Up, but I Was Reincarnated as a GIRL in Another World! 3.

MICHELLE: I enjoyed the first volume of Kemono Jihen so look forward to the second.

ASH: I’m buying The Girl From the Other Side again; the deluxe edition is lovely.

SEAN: One Peace Books debuts Usotoki Rhetoric, a Bessatsu Hana to Yume title (!) about a girl who can hear lies teaming up with a detective in the mid-1920s.

MICHELLE: Ooooh. This sounds potentially fun!

ASH: It does!

SEAN: They’ve also got I Belong to the Baddest Girl at School 5.

Kodansha debuts Last Gender (Last Gender: Nanimono demo nai Watashitachi), an LGBT title about a hidden bar where people can explore different sides of themselves. It ran in Evening Magazine.

ASH: My curiosity is piqued.

SEAN: And they also have Shonen Note: Boy Soprano, a Morning Two title from the creator of Shimanami Tasogare. A middle school student with a wonderful soprano voice runs into issues growing up. This has been nominated for awards.

MICHELLE: I’ll definitely be checking this out.

ASH: I’ve really been looking forward to this one, too.

SEAN: And they have this weird poster book/artbook/massive thing, AKIRA: Art of Wall.

Also in print: The Ghost in the Shell: The Human Algorithm 3, Island in a Puddle 4, Lovesick Ellie 6, The Seven Deadly Sins: Four Knights of the Apocalypse 5, and Something’s Wrong With Us 11.

Digitally, we see The Fable 7, Giant Killing 33, Girlfriend, Girlfriend 10, Medaka Kuroiwa is Impervious to My Charms 4, My Maid, Miss Kishi 4, Police in a Pod 17, Quality Assurance in Another World 6, The Shadows of Who We Once Were 5, Tokyo Revengers 27, and Vampire Dormitory 7.

MICHELLE: One day I really will succeed in getting caught up on Giant Killing.

SEAN: J-Novel Club has a light novel debut. Yuri Tama: From Third Wheel to Trifecta (Yuri no Ma ni Hasamareta Watashi ga, Ikioi de Futamata Shite Shimatta) features a girl who is best friends with her school’s yuri power couple. Sadly, that means everyone else hates her. She doesn’t like herself much either. Then… both of her friends, separately, ask her out. And she says yes. To both of them.

ASH: Oh, my!

SEAN: Also digital: The Apothecary Diaries 6, the 8th manga volume of An Archdemon’s Dilemma: How to Love Your Elf Bride, Full Metal Panic! Short Stories 2, In Another World With My Smartphone 26, My Quiet Blacksmith Life in Another World 4, and The Reincarnated Princess Spends Another Day Skipping Story Routes 5.

Drawn and Quarterly are reissuing all four volumes of Shigeru Mizuki’s Showa: A History of Japan, with new cover art, as well as single volume Onward Towards Our Noble Deaths.

ASH: Very glad to see Mizuki’s work staying in print.

SEAN: And now we jump to Airship, which has some print light novels. We see the print debut of The Case Files of Jeweler Richard. There’s also Berserk of Gluttony 7, Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 5, and I’m in Love with the Villainess 5 (the final volume).

ASH: I’ve been waiting for The Case Files of Jeweler Richard.

SEAN: And in early digital we see I Swear I Won’t Bother You Again! 2, I’m the Evil Lord of an Intergalactic Empire! 3, and Kuma Kuma Kuma Bear 12.

Please enjoy this delicious manga made from whole grains. What are you eating next week?

My Stepmom’s Daughter Is My Ex: “First Kiss Manifesto”

by

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

Last time I mentioned that the anime was just starting, and I wondered how it would be handled. Well, now we know, and we also know that apparently the anime producers like Akatsuki as much as I do. Almost the entire third volume was jettisoned from the anime, which decided it really did not need multiple episodes focusing on the world’s most toxic ex-couple. More to the point, they knew something had to go if they wanted to adapt this volume, which turns out to have the perfect “open ending” for an anime that might eventually get a second season. It focuses squarely on our main couple… well, OK, no it doesn’t. It focuses squarely on Yume. The back and forth narrative voices are skewed very much towards the feminine thins time around, because Yume wears her heart on her sleeve and is really easy to figure out, but Mizuto bottles everything up and is not. It takes a family reunion to finally crack the “my stupid ex” facade.

Mizuto and Yume have now gotten comfortable with each other, and with arguing. Perhaps a bit too comfortable, as their parents note they act like a couple that’s fallen out of the “honeymoon” phase. Because Yume is Yume, she looks up online how to deal with this, which apparently involves going with Mizuto to try on swimsuits. The reason for the swimsuit is that they’re making the annual trek into the rural hinterlands of Japan to see Mizuto’s extended family, and this is the first year Yume and her mother will be making the trip. Meeting the in-laws goes well enough, but unfortunately they also come with a hot older cousin, who Yume seems to be convinced was Mizuto’s first love. And in fact Mizuto has been acting even more remote and uncaring than usual lately. Is there something going on?

I don’t want to spoil one of the major emotional parts of the book, which involves Mizuto’s great-grandfather, but suffice it to say it’s really well handled and offers some insight into Mizuto himself. But what this book is really about is Yume coming to terms with the fact that she’s in love with Mizuto. I enjoy the way that it’s framed, as it’s not a case of “oh, I’ve been in love with him all this time”, but rather that the Yume here and now loves him, and her biggest rival turns out not to be Higashira (who is busy trying to write AO3 fanfics of herself and Mizuto, and failing) but her younger self, the one who first captured Mizuto’s heart. The reason that most of the narrative is from her perspective is because we need Mizuto to be mysterious and remote here. I do wonder what his reaction will be in the next book.

I may need to wonder longer, of course, given that the cover art and back cover copy of Volume 5 imply it’s a 100% Higashira focused book. In the meantime, this was an excellent romantic comedy volume… unless you’re Akatsuki and Kawanami, I guess. Sorry, guys, cute pool antics aside, you’re just not important enough.