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My Hero Academia: School Briefs, Vol. 6

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By Kouhei Horikoshi and Anri Yoshi. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Caleb Cook.

I’m not sure if this is the final volume of School Briefs. But it’s certainly the last one to date, coming out in Japan in October 2021. The stories take place in that nebulous period after the internship with Endeavor but before the massive war that takes up the rest of the series. If there is another volume, it may wait till after the main series has ended, as light and fluffy stories really don’t fit with the current plotline, and there’s no “gap” to put them. If this is the final volume, it has the strengths and weaknesses of most MHA spinoffs. It tries to focus on characters who get less attention but doesn’t succeed that often, it can’t really affect any of the canon plotlines or characterization so tends to be fairly pointless, and it’s still trying to get us to like Mineta, which is simply not going to happen, sorry. That sad, there are a few stories here that proved to be a decent read, and that’s all you can ask for with a spinoff.

The stories are: 1) as part of a setsubun-themed training exercise, Bakugo is ordered to make friends with Eri, which requires him to not be a constant boiling cloud of rage, something that is very difficult for him; 2) The 1-A girls are making Valentine’s Chocolate, but are waylaid by a girl who wants them to give chocolate to 1-A’s Prince Charming”… whoever that is; 3) Several of the guys decide to use some of their break to go mountain climbing, since U-A happens to have its own snowy mountain range; 4) Eri has never celebrated Shichi-go-san day, and the desire to celebrate wars with her wavering sense of self-worth. Can Shinso and a cat help? 5) the business course students are making promo videos, and 1-A and 1-B are asked to act in them… much to their horror; 6) The UA teachers have a final drinking party and the book reminds us that Midnight is about to be killed.

I despised the Mineta chapter, partly as it got in the way of some (theoretical) Valentine’s shipping, but mostly as it wants us to find Mineta being a sexist creep funny. The best chapters were the ones that were allowed to focus on character, unsurprisingly. Eri’s attempts to be useful to her new family are heartwarming but also painful to see, reminding us of the trauma she’s been through in the past. Bakugo also does very well here, finally being forced to understand that Izuku reaching out his hand to help is not meant to be some sort of pity thing, but just who he is. This is a good setup for Bakugo’s eventual apology in the main series. As for the “video” chapter, it went on far too long, and was not all that funny, but we did manage to see Kodai say more words in this book than she has in the entire series. Likely as her video had to do with a magical girl team, which is lightly related to her sentai obsessions.

As noted, the novel ends with a bittersweet chapter showing Midnight giving everyone some expensive sake she bought, and reminding the reader that this is the end of the light, fluffy stuff. It lends gravitas to an otherwise up-and-down book.

These Legs Don’t Lie! Harumi’s Legacy as the Strongest Mimic, Vol. 1

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By Tsuyoshi Fujitaka and Yuunagi. Released in Japan as “Bikyaku Mimic, Harumi-san: Tensei Monster Isekai Nariagari Densetsu” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Kevin Chen.

Sometimes a new series just doesn’t work out, OK? Leaving aside the actual content of this book, which I will get to eventually, I was informed as I began to read it that it was canceled after only one volume in Japan. Light Novel fans tend to dislike this, but after reading These Legs Don’t Lie Volume 1, I have to think, is another volume really needed? There were not really any horrible cliffhangers, there was no plot we really wanted to see resolved, the characters are not, on the whole, compelling. As a one-shot this was OK – a bit annoying at the start, very weird as it trundles along, but OK. That said, there’s no way that I would have been able to read, say, Vol. 8 of this series. I also recall the other series I read by this author, My Big Sister Lives in a Fantasy World, and how that declined as it went along too. So yeah, one volume then cancelled? Fine by me.

Our heroine is Harumi, who is a newly-born mimic (I had to look it up, as a non-gamer – think The Luggage from Discworld) being stuck at the top of a dungeon to be killed by adventurer newbies. She doesn’t want this to happen, and manages to forcibly grow legs to run away. Which does not work, but she attracts the attention of a thief with a fetish, who gives her magical high heels. As she discovers, this is a ludicrously powerful items that lets her make her opponents explode after she kicks them. She then goes on a reign of terror through the dungeon, kicking and exploding people, till the “event” has ended. Having grown far too powerful for this dungeon, she is then sent off to the place where the strongest monsters gather… if she can get there. It’s a long walk, and other folks are out for revenge against her.

Harumi is, frankly, a sociopath, who thinks very little of blowing up anyone and everyone. The way she comes across new attacks is somewhat similar to Maple, as is her somewhat ditzy narrative voice, but I’d say White from So I’m a Spider, So What? is a more apt comparison. The setting for this world is very bizarre, with humans and monsters essentially using each other to make money, and the dungeon being a kind of theme park – which means that Harumi massacring nearly everyone is a major bug in the program. Also, despite the cover art, she can’t grow an entire body by the end of this book. She can get legs/hips, legs and arms, or topless upper half, but not all three. This means there are scenes where she is running through the countryside, a treasure chest on legs, with a random urchin that she saved from bandits riding on top of her. Honestly, I wonder if the entire series was written for that image alone.

So yeah, as it turned out, after the first volume of this, My Instant Death Ability is So Overpowered really started to take off, to the point where it’s getting an anime, and so the publisher probably said “why keep up with this title which is likely unbroadcastable due to the constant exploding people?” One is enough.

Housekeeping Mage from Another World: Making Your Adventures Feel Like Home!, Vol. 4

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By You Fuguruma and Nama. Released in Japan as “Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

This series remains ongoing in Japan – both as a light novel series, which has 7 volumes to date, and as a webnovel, last updated 2 weeks ago – which makes it odd that the series really feels like it’s going to be ending in the next book. Most of the drama in this volume involves other people – first there’s the wrap-up of the Annelie and Dennis arc, and then there’s an arc that points out the somewhat rocky relationship between other adventurers and knights. It’s definitely building more of the world that Alec and Shiori are living in. That said, Alec and Shiori are still in a “honeymoon” stage of their relationship, with almost every moment between them being cute and romantic. The only exceptions are when Alec worries about Shiori’s past and sudden appearance in their country, or when Shiori worries that Alec is actually royalty. Both of those things need to be resolved before they can marry… and it’s being dragged out.

We pick up where we left off, with our merry band having resolved Annelie and Dennis’ love life… well, at least their feelings for each other… and now it’s time to head back. On the way they find the annoying nobles from the Empire have opened the massive door that screamed “do not open”, and now the worst of them is dead, and the other two are ill. Fortunately for them, our heroes are all nice, so they drag them back home, despite the dangers on the way back, including mythical beasts. Once home, Annelie and Dennis have Mrs. Tragic Backstory arrive to explain what ACTUALLY happened in Dennis’ past, and why their family has not spoken with the adventurer’s guild in ten years. Finally, in a side story, Alec, Shiori, Zack and Linus are called to a village with an infestation of monster bugs and find the knights and the village folks are not getting on.

This is one of those books where the reader has to be careful not to be disappointed by the story that isn’t being told. Everything about the past of Dennis’ father and what turns out to be his MALE partner reads like it’s going to say everyone lied to cover up a gay relationship. That’s not what happens here, and the explanation of Dennis’ grandfather, the actual villain of the piece, is far less interesting. I wonder if this may have been changed for the light novel – everything about the death is framed as “they were lovers”, even the final image of their dead bodies holding hands. It’s weird. As for Alec and Shiori, now that she’s more relaxed around everyone she’s letting more things slip, and Alec and the others are starting to realize that she’s probably not from “the Eastern lands” at all. Unfortunately, she and Alec are still too afraid of ruining their burgeoning love to confess their backstories to each other.

This is well-written enough, and I’ll definitely keep going, but I found this book a bit more frustrating than the previous ones, and hope the next book takes a few definitive steps forward.

Pick of the Week: Atomic Devastation

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KATE: Though this is a lighter week than usual, I found two titles on the list that piqued my interest. The first is Maiden’s Bookshelf: The Moon Over the Mountain, which has a swoon-worthy cover, and draws from the same well of inspiration as Hell in a Bottle. I’m also interested in reading the new edition of Keiji Nakazawa’s I Saw It: A Survivor’s True Story of the Atomic Bombing of Hiroshima, which Last Gasp is releasing this week. It’s not clear from the packaging if this version is a reprint of the old Educomics edition, or is a fresh translation; nonetheless, it’s good to see this title available again, as it’s a simple but powerful way to help young readers appreciate the horrors of nuclear warfare.

SEAN: I’m picking the final volume of Mixed Bathing in Another Dimension. Its last volume came out in late 2019. I have forgotten everything about what happened in it. But I know I will miss this harem guy, his passel of bathing girls, and the importance of consent before he washes them.

ANNA: I’m going to join Kate in picking I Saw It: A Survivor’s True Story of the Atomic Bombing of Hiroshima, it is good that important stories like this are kept in print and accessible to readers.

MICHELLE: I agree that it’s good for I Saw It to remain in print, but personally I just can’t take something so devastating this week. Instead, I’ll pick volume six of Cherry Magic!, a cute series that I look forward to catching up on.

ASH: I’m not sure how I overlooked that it was being released this week (maybe because I’ve had it preordered for what seems like ages…), so I’m glad that Kate made mention of The Moon Over the Mountain. I’m a big fan of Atsushi Nakajima’s work and the first volume of Maiden’s Bookshelf was beautifully done, so I’m particularly looking forward to this next installment.

Formerly, the Fallen Daughter of the Duke, Vol. 3

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By Ichibu Saki, Nemusuke, and Ushio Shirotori. Released in Japan as “Moto, Ochikobore Koushaku Reijou desu” by Mag Garden Novels. Released in North America by J-Novel Heart. Translated by Andrew Schubauer.

When an author has a favorite character to write for, and you love that character, it’s always a treat whenever they show up. Unfortunately, when they are NOT your favorite character, it cam prove excruciating. This book’s antagonist, Charlotte, has been difficult to read since the start of the series. Clearly she’s also reincarnated from Japan, but we get no details about that except her utter rage at the fact that the route is not going her way. Worst of all, this book features a lot more Charlotte than the first two, and her scenes are a lot harder to simply try to skip over. That said, I will admit the payoff to this is really, really good – more on that later. Alas, a cliffhanger shows that we’ll get more Charlotte in the fourth book. Which admittedly may be because without her around, there’s no real conflict or problems – it’s just Claire having a wonderful time with her fiance. Nice, but dull.

Claire is not quite at the point where she has to do anything from the last timeline yet. The magical tornado is still in the future, and they’re working hard to make sure that when she goes back home for the event that destroyed her last time, she’ll have better magical protection. Fortunately, several clues fall into her lap: her mother’s bracelet turns out to be a powerful magical tool provided they figure out how to activate it. And a series of fairy stories, shown to them by Claire’s former charge from her previous life, Isabella, tell you exactly what to do to activate it. What’s more, Nicola is now in Claire’s domain and is doing quite well for herself… though she seems to spend most of the time exasperated at Claire’s former fiance, Asgard. Everything is perfect… till Charlotte steals the bracelet.

There is one scene that made me cheer in this book, which unfortunately is balanced out by the scenes that made me rub my temples. As noted above, almost everything that drives the plot forward in this book occurs due to either a happy coincidence (the bracelet stuff) or brain-boggling stupidity (Claire leaving the bracelet in an easy place for Charlotte to steal it). Even the cliffhanger ending, which introduces a new antagonist, feels tacked on for the sake of a cliffhanger ending. HOWEVER, this is all offset by the villainess scene. After 87 million books where our heroine, as the villainess or a noble girl, is disgraced and shunned in public in a way that makes us sympathize with her, it’s a delight to see the same thing happen to Charlotte, who deserves every minute of it. I cheered.

Sadly, this is still something I would call a very “mid” series. If you’re still reading it, you can probably get the fourth volume, which I hope is the final one. But it’s not remotely essential.

Private Tutor to the Duke’s Daughter: The Lady of the Sword’s Lament and the War in the South

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

As the author has noted in previous books, Lydia has by far the biggest advantage among the other girls who are in love with Allen, and judging by comments I’ve seen on the original webnovel site (the webnovel is still ongoing, by the way), fans seem to prefer Lydia as well. Our author said that he’d try writing Lydia out of the plot for a bit, but that didn’t even last one book. Now we have this solution, which is to make the reader feel that having Allen and Lydia end up together would be bad for her. The front half of this book has Lydia and her family being told that he’s presumed dead, and she completely falls to bits. It’s almost comical, as everyone writes her off as being useless without Allen. By the last quarter of the book she’s recovered, cut her hair, and is ready to join in the battle… and becomes so terrifying that by the end of the book no one dares go near her for fear of accidentally being murdered.

This volume can be divided into thirds. The first third has Tina, Ellie and Stella back home, dealing with an invasion from the North in addition to the noble’s rebellion. The last third has the Leinsters dealing with an invasion from the South in addition to the noble’s rebellion. And in the middle portion we get a flashback showing Allen’s “final” moments, as well as the reaction of Caren and his parents to this. We get introduced to the “Hero”, Alice, who has a past with Allen and Lydia, and who seems to suspect that Lydia is going to snap and have to be assassinated before she turns evil. And we discover that it’s not just Lydia, all the Leinsters are absolute monsters who will destroy you if you get in their way. We also get more tantalizing hints of backstory about Allen and Lydia’s time at the academy… but no flashbacks, dammit.

So yes, of course Lydia doesn’t actually kill the opposing Army, it’s made very clear that they’re all burned but alive. Still, the implication is that this is Not Okay, and Lydia knows this but can’t help herself. The feelings of despair have to go SOMEWHERE. Meanwhile, it’s pretty hilarious that Allen is *still* doing the “I can’t believe you’ve heard of me” given that he’s clearly known to everyone in the Kingdom as a legend and the most important man to kill when the rebellion starts. Certainly Richard tells him point blank, “Look, either marry Lydia or have us take you into the family anyway”. Everyone desperately wants Allen to be credited for SOMETHING, and his last stand in this war may be the answer. He is, of course, not dead, and appears to be trapped in the evil magic dungeon of bad things. I expect, since Book 6 had lots of Lydia, that the 7th book will shift towards Tina, but no doubt we’ll also see Allen do amazing things that he insists are just things that anyone can do.

As you all have no doubt noted, I’m on Team Lydia as well, mostly because of a reason that is very important to me: she’s not 13 years old. This continues to be a much better series than it has any right to be, and the battle scenes were excellent.

The Manga Review: Lost in Translation

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If you were on Twitter this week, you may have seen folks talking about Titan Comic’s Kamen Rider Kuuga for all the wrong reasons. Gizmodo’s James Whitlock summarized the controversy succinctly, noting that fans were upset by “a consistent pattern of errors and awkward phrasing in the English translation of the manga. From clunky syntax to inconsistent name romanization, from awkward line breaks to printing errors cutting off art and dialogue, both volumes of Kuuga showcase a pattern of sloppiness that make them difficult to read at best.” Titan Comics’ initial response stated that both books “were worked on by two highly respected translators in the business,” though readers expressed skepticism over the company’s claim. Within 24 hours, Titan posted a new response acknowledging the shoddy translation and production, this time promising to implement new quality control standards and fix the “identified art errors and textual inconsistencies” in both volumes.

NEWS AND VIEWS

Party like it’s 2008! Barnes & Noble will be adding 30 new stores to the chain this year–a hopeful sign for anyone who remembers the manga boom of the aughts, when teenagers clogged the aisles at BN and Borders any time a new volume of Fruits Basket or Naruto hit the shelves. [ICv2]

No Flying No Tights publishes its list of the Top Comics of 2022. Though the emphasis is on American titles, Our Not-So-Lonely Planet Guide got a shout-out as well. [No Flying No Tights]

Jocelyne Allen explains why Hitomi Takano’s Gene Bride is both totally relatable and also… totally bananas. Someone license this, please! [Brain vs. Book]

Over at SOLRAD, Bradathon Nu explores the creepy horror of Masaaki Nakayama, “a creator obsessed by the plane of existence between ours and the next.” Nu elaborates: “That is to say, horrors that we as humans can just barely grasp, horrors that are so subtle, so close to our world, that we might not even notice them (one notable example of this is a story in which a man smokes a cigarette in the woods, completely unaware that he is being watched by a shadowy figure who lurks just shy of his peripheral vision). Many of Nakayama’s stories are only a few pages long, giving the reader a glimpse into some kind of otherworldly terror, but never giving any details. Nakayama often utilizes the short, uncertain nature of his works to insert an air of creepiness into them. ” [SOLRAD]

REVIEWS

Helen Chazan’s latest Comics Gridlock column is up, and she doesn’t mince words about Last Gender: When We Are Nameless. “Last Gender is definitely LGBT Manga, pejorative,” she observes. “Kodansha’s putting out this one, it’s packaged all fancy, you won’t be able to tell from the cover or ad copy but it’s smut. Credit to Kodansha for including a crisis line number under the table of contents, I’ve never seen that before and I hope I’ll see it again, especially since I don’t think reading a comic this facile and tawdry is gonna make things better for any sad gay kid that might come across it. I don’t know much about the author Rei Taki, but the work definitely has the feel of a wikipedia binge brought to life, down to a character referencing how many gender identities are offered on Facebook.” (Spoiler alert: she liked The Gay Who Turned Kaiju a lot better.)

The latest installment of Beneath the Tangles’ Reader’s Corner offers pithy reviews of Tatsuki Fujimoto Before Chainsaw Man: 17-21, Kaiju No. 8, and Tombs, while the Manga Bookshelf gang posts a fresh crop of briefs. (Spoiler alert: I was kinda underwhelmed by 17-21, but Ash’s review of Hell in a Bottle persuaded me to order a copy.)

New and Noteworthy

Complete and Ongoing Series

I Swear I Won’t Bother You Again!, Vol. 3

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By Reina Soratani and Haru Harukawa. Released in Japan as “Kondo wa Zettai ni Jama Shimasen!” by Gentosha Comics. Released in North America by Seven Seas. Translated by Molly Lee. Adapted by T. Anne.

I remember when I read the first volume of this series, I was impressed at its ability to take a stock plot, “villainess goes back in time to try to avoid her fate”, and seriously examine what traumas they might actually carry back by doing so. In the second volume, I was impressed (but also a bit wary, as it’s clearly the end pairing) at showing how disturbing and obsessive Yulan’s love for Violette is, and also at how the series shows that even if you do have a “safe haven” at school, and make new friends, there’s still the abusive family at home. And now we have the third volume, and by the end of it I am reduced to begging the author to please make it stop. This is still an excellent, compelling read, provided you can get past, well, the entire plot. But let’s face it, at this point we’ve switched genres. It’s not a villainess book. It’s a horror novel.

In the first two-thirds of this book, things are looking relatively good for Violette. She manages to apologize to Claudia for her previous behavior, closing the book on that chapter in her life. She’s managed to make a good friend in Rosette, another noble who hides her true self behind a facade. Sure, Yulan tells her that he can’t study with her this round of exams because he has to study with Maryjune, but that’s… she can deal with that. She may not like it, but she can deal with it. Heck, she’s even having Marin come up with new hairstyles for her, which is a big, big change, because her hair is one of her triggers from her childhood abuse by her mother. Then even more good news: her abusive father is called away to her grandfather’s place for the week! Now mealtime will be peaceful… OR WILL IT?

There’s no sugarcoating this, the last third of this volume is straight up terrifying. We haven’t really seen much at all of Lady Elfa, Violette’s stepmother, in this book, and given how absolutely terrible Violette’s father was, and how innocently terrible her sister is, I wasn’t sure we needed another terrible person. Sadly, I proved to be incorrect. (Indeed, the author states that the head chef, named in this volume, is literally the only non-terrible adult in the series.) Elfa feels like a horror parody of all the smiling, “ara ara” moms that you see in anime, and her words and actions towards Violette come uncomfortably close to a line I really really do not want this series to cross. That said, the most terrifying parts of the book involve Marin, Violette’s maid. She’s not the heroine, so does not have plot immunity, and I am very, very worried that she will not live to the end of the series.

I can’t recommend this series for everyone anymore, as it’s just become far too harrowing. If you don’t care for emotional torment as a plot device, Tearmoon Empire would be a better “villainess goes back in time” book. But for those who love a good soap opera that’s not afraid to get dark as pitch, this is a nightmarish yet thrilling ride.

Manga the Week of 2/1/23

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SEAN: It’s February 1st, but as readers of Manga the Week of know, that really means January.

ASH: That it does.

SEAN: It also means no Yen Press, and no Viz Media. Instead we start with Tokyopop, which has Her Royal Highness Seems to be Angry 4 and Yuri Espoir 3.

Square Enix Manga gives us Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?! 6 and My Dress-Up Darling 7.

MICHELLE: I really liked the first volume of Cherry Magic!. Hopefully this’ll be the release where I get caught up.

ASH: I’ve really enjoyed what I’ve read so far, too, but am likewise a bit behind.

SEAN: No debuts for Seven Seas. But we do see The Evil Secret Society of Cats 2, Happy Kanako’s Killer Life 6, How Heavy Are the Dumbbells You Lift? 10, I Swear I Won’t Bother You Again! 3, I’m in Love with the Villainess 4, and Yakuza Fiancé: Raise wa Tanin ga Ii 2.

ASH: I’d kind of forgotten about How Heavy Are the Dumbbells You Lift?, but at least the earlier volumes had some legitimate fitness advice.

SEAN: Last Gasp has I Saw It: A Survivor’s True Story of the Atomic Bombing of Hiroshima (Ore wa Mita), a one-volume title from the creator of Barefoot Gen. This actually came out in English in 1982, but I believe this is a new edition. As you can imagine, the subject matter is gripping and horrible.

ASH: I’m glad to see this staying in print, but it is definitely not light reading.

ANNA: Agreed.

SEAN: Kodansha, in print, has Fire Force Omnibus 2 and Sayonara, Football 15 (which, glory be, is actually on their website calendar for once).

The digital debut is Boss Bride Days (Gokutsuma Days ~Gokudou Sankyoudai ni Semaretemasu~), a Palcy title based on a webcomic. A shut-in otaku girl rescues an old man… who’s actually a yakuza leader! Now he orders his three sons to woo her, as whoever wins her hand takes over the clan!

Also digital: The Great Cleric 9, Guilty 11, My Unique Skill Makes Me OP even at Level 1 9, Saint Cecilia and Pastor Lawrence 10, SHAMAN KING & a garden 4 (the final volume), Vampire Dormitory 10, Wandance 4, Watari-kun’s ****** Is about to Collapse 12, and Wistoria: Wand and Sword 2.

MICHELLE: Wandance is another series where I really liked volume one and promptly fell behind.

ANNA: Oh, yeah, I meant to check this out.

SEAN: And there’s also Kodansha Books. The debut is As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World (Tensei Kizoku Kantei Sukiru de Nariagaru – Jakushou Ryouchi o Uketsuidanode, Yuushuuna Jinzai o Fuyashite Itara, Saikyou Ryouchi ni Natteta), whose manga Kodansha already releases, and whose title is the plot.

And they have the new Maiden’s Bookshelf: The Moon Over the Mountain, based on the short story by Atsushi Nakajima.

And there’s also the 2nd The Dawn of the Witch.

J-Novel Club debuts another Sol Press rescue, I Surrendered My Sword for a New Life as a Mage (Moto Saikyou no Kenshi wa, Isekai Mahou ni Akogareru). A boy really wants to learn magic… but has no talents there. He does have amazing talents as the reincarnation of a master swordsman, but still… he wants to learn magic!

Also out next week: Full Metal Panic Short Stories 4, Fushi no Kami: Rebuilding Civilization Starts With a Village 7 (the final volume), the third Fushi no Kami: Rebuilding Civilization Starts With a Village manga volume, The Greatest Magicmaster’s Retirement Plan 15, Holmes of Kyoto 13, The Ideal Sponger Life 10, and, at long, long LONG last, the 7th and final volume of Mixed Bathing in Another Dimension.

Ghost Ship gives us a 2nd volume of I’m Not a Succubus!.

Denpa Books gives us Heavenly Delusion 5.

ASH: Another series I need to catch up on!

SEAN: Dark Horse has gotten very bad at actually labeling manga manga on their Upcoming Manga calendar. Neon Genesis Evangelion: The Shinji Ikari Raising Project Omnibus 6 is already out.

ASH: That… sounds about right for Dark Horse.

SEAN: Cross Infinite World debuts The Abandoned Heiress Gets Rich with Alchemy and Scores an Enemy General! (Suterare Reijō wa Renkinjutsu-shi ni Narimashita. Kaseida Okane de moto Tekikoku no Shō o Kōnyū Shimasu), another in the latest trend of noble girls jilted publicly and shamed for it. Now she’s an alchemist, she buys a bodyguard who used to be… well, read the title.

Cross Infinite World also has Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound 3 and Expedition Cooking with the Enoch Royal Knights 2.

And Airship, in print, has Loner Life in Another World 4 and Mushoku Tensei: Jobless Reincarnation 20.

Airship, digitally, has The Most Heretical Last Boss Queen: From Villainess to Savior 4.

Short! To the point!

Bride of the Barrier Master, Vol. 1

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By Kureha and Bodax. Released in Japan as “Kekkaishi no Ichirinka” by Kadokawa Bunko. Released in North America by Yen On. Translated by Linda Liu.

Sometimes you get the feeling that you’re reading something in the wrong medium. Bride of the Barrier Master is a shoujo manga. Everything about it screams shoujo manga, and the personalities of the two leads are designed so that we can watch the expressions on their faces as they react to each other. Unfortunately, while there *is* a manga adaptation of this light novel, this isn’t it. I mean, I get it. Sometimes the written word is all a creator has. It’s fine. The problem here is that without visuals, everything just feels a bit too harsh. We’re supposed to admire the perseverance of the heroine and laugh at her biting cynicism, but I found her a bit too mean. Likewise, the main guy has a bit of that “I can be an asshole to you because I’m hot” vibe that really doesn’t work when you can’t see him being hot, so it just makes him seem controlling. This isn’t a bad book, it’s perfectly readable. It just feels off.

We are, for once, in modern Japan, but it is a supernatural-tinged Japan in danger of being overrun by Shades. To combat this, five huge pillars are set up as a barrier, each pillar controlled by one of five families – who are very rich and powerful as a result. A family in the biggest clan has twins, Hana and Hazuki. They’re delighted with both of them… till Hazuki shows off impressive supernatural power, and Hana shows off bupkus. Hana is immediately shunned by her parents, who don’t physically abuse her but certainly there’s plenty of mental and emotional abuse. Over the years even her sister, sympathetic at first, grows to look down on her. Then, when she turns 15, Hana suddenly comes into a huge amount of power. Sadly, she’s far too worldwise and cynical at this point, and does not desire any sycophants saying they always knew she was wonderful, so she hides it. But can she hide it from the head of the family, who is looking for a bride?

This is something like the 4th title in a few days I’ve read featuring an abusive family and their daughter, and that might be tainting my viewpoint a bit. Hana’s bitter wit can occasionally be amusing, and I do like the genuinely loving relationship she has with the three shikigami she has created. You certainly sympathize with her desire to simply forget about the supernatural altogether and become an OL. As for Saku, well, we’ve seen his type in shoujo manga before. He’s attractive, powerful, and smart. Women throw themselves at him, and he’s totally uninterested in them. Hana, on the other hand, is rude and dismissive towards him. It’s almost love at first sight. That said, I’m nev3er fond of the “I will manipulate you into loving me by this written contract” as a plot device, and I don’t like it here. He’d be better off being sincere… except I’m not sure Hana can even accept sincerity at this point in her life.

Again, this isn’t bad, it just feels a bit sour and fatalistic. I’m sure if the manga is licensed (only one volume is out in Japan to date), it will be more pleasant to read.