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Ouran High School Host Club 7 by Bisco Hatori: B+

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From the back cover:
Hunny’s little brother, Chika, pays a visit to the Host Club—and immediately starts attacking Hunny, using all his martial-arts prowess against his older brother! Chika seems to be the absolute opposite of his sweets-loving, Bun-Bun-toting sibling, but why is he so angry with Hunny? The Host Club is determined to find out the cause…

Review:
This volume as a lot more consistent than the last, unified by the theme of Haruhi is contemplating the wall that she feels separating her from the other members of the host club. Learning some of the family backgrounds of the others might gradually be helping her make progress in understanding them.

The first story is about Kyoya in a commoners’ store, and is quite cute. He looks especially nice in his casual clothes, and I love the panels where he’s rummaging in his pockets for money or a cell phone. The chapters about Hunny’s brother were better than I expected them to be, and also reveal how Tamaki lured Hunny from the karate club to the host club. Insight into the twins comes from a tale about their first time crying in public.

Rounding out the volume are a pointless chapter about Roberia Gakuen and a fun bonus story in the “Love Egoist” saga, continuing the tale of the cold-blooded teacher and the student who fancies him.

Valentine Princess by Meg Cabot: B

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From the inside flap:
Valentine’s Day means flowers, chocolates, and all-out romance.

That is, it usually means those things. But when you’re Princess Mia, nothing happens the way it’s supposed to. For one thing, Grandmere seems determined to prove that boy (or Michael, as he is commonly known) isn’t the right one for the crown princess of Genovia. And Mia isn’t having much luck proving otherwise, since Michael has a history of being decidedly against any kind of exploitative commercialization (Valentine’s Day, as it is commonly known).

Boris can declare his love openly to Lilly, and even Kenny comes through with a paltry Whitman’s Sampler. So why can’t Michael give in to Cupid and tell Mia he loves her—preferably with something wrapped in red or pink and accompanied by roses—in time to prove he’s Mia’s true prince?

Review:
Well, with a book this short and frivolous, one doesn’t have very high expectations. Suffice it to say that I wasn’t disappointed by this little book but neither was I blown away.

Good stuff: It made me giggle a few times and marks the first time I have ever seen the word ‘snerk’ appear in print.

Not so good stuff: This takes place in the past (Mia found an old journal), so it’s supposed to be amusing when Grandmere’s astrology buddy predicts unlikely celebrity couples that Mia scoffs at (Tom Cruise and Katie Holmes), but it isn’t.

Random stuff: I had to look up a slang term that I was unfamiliar with (“blow-out,” a type of hairdo). It made me feel kinda old. There’s also confusion about the numbering of this book in the series. Cabot’s site calls it 7.75, but the series listing in the front of the book calls it 4.25. Based on the material within, and all the stuff that’s supposed to foreshadow what ultimately happens, I think reading it after book 7 would make the most sense.

Reunion by Meg Cabot: B+

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From the back cover:
Suze Simon, a teenaged mediator who guides ghosts to the afterlife, is having a great time with her best friend Gina from New York. That is until four ghosts, the “RLS Angels,” show up looking for revenge. The angry spirits died in a car accident and they blame Michael Meducci, a nerdy boy with a crush on Suze.

Suze starts spending time with Michael to protect him. After all, she’s one of the few people who can see the ghosts. And Michael isn’t too bad—under those glasses he is even somewhat of a hottie. But there’s something strange about the accident that took the Angels’ lives. Is it possible they are rightfully seeking revenge on Michael? Could he be their killer?

Review:
This was definitely an improvement over Ninth Key. And, interestingly, Suze seems to’ve remembered that boy who asked her out in Shadowland. Maybe somebody else busted Cabot over that error.

The plot in Reunion is pretty similar to the first book, though it wasn’t bad. The most irksome thing was the unrealistic portrayal of popular kids. I just really have a hard time believing that they would really say some of the stuff said here.

In the positive category, Suze’s character also seems back on track, as she is less focused on boys and more on being snarky and protecting a classmate from vengeful ghosts. There were a few moments when she put herself in the path of danger and was a bit reckless/ruthless, and while these actions were pretty dumb, they also played up her resemblance to Veronica Mars, which was pretty much missing in the last book.

Ninth Key by Meg Cabot: B

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From the back cover:
Mediator Susannah Simon is a go-between for ghosts and the living. No hand-holder, this teenager is tough on the spirits who need her help. When the ghost of a murdered woman wakes Suze up one night to insist that she deliver a strange message, the 16-year-old just wants to get rid of her. But the ghost won’t give up.

Soon Suze is looking for a wealthy man called Red, who has an aversion to sunlight. When she finally meets him, he keeps staring at her neck, and Suze sees big trouble. Although he’s the father of the hottest boy in her class, he just might be a vampire.

Review:
I didn’t like this as much as Shadowland. Suze wasn’t as amusing and snarky. Instead, she suddenly became obsessed with her lack of a boyfriend and we got a lot more info on the topic of boys and the state of their abs.

As an additional bonus, there was an extremely irritating and stupid continuity error! Suze mentioned a couple times that no boy has ever asked her out. Except one just did in the last book, which took place a mere week before! I think Meg Cabot cranks out too many books to actually remember the specifics of what happened in each one.

The plot was more ambitious this time, and included a couple of twists I didn’t expect. These would’ve been more successful if the outcomes of the twists hadn’t been immediately obvious to me. I also couldn’t help from wanting to superimpose Buffy arcs upon this story, like Suze letting her friends in on the secret, or becoming more serious about her job.

All of these things aside, it was still pretty good and was a quick read. At least I still liked all of the Suze/Jesse interaction. Perhaps this is just a sophomore slump and the others in the series will be better.

Shadowland by Meg Cabot: A

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From the back cover:
Sixteen-year-old Susannah Simon is a mediator who can see and speak with ghosts. As a bridge between the living and the dead, she gets called on to help troubled ghosts take care of unfinished business. Soon after she and her mother move from New York City to sunny California, Suze meets the sexiest boy she’s ever seen. But there are two problems: he’s a ghost, and he’s haunting her room.

Review:
This was YA supernatural fluff and I totally adored it! There isn’t actually much of a plot aside from one particularly hateful ghost wanting revenge on an ex, but it’s fun anyway. Cabot borrows heavily from the premise for Buffy and I suppose I should be annoyed by that, but it reads more like an homage than a rip-off.

The similarities:
* Susannah (a little Buffyish in character, but with the super snark of Veronica Mars—I obviously like her quite a bit!) has a supernatural ability/job that she did not ask for and cannot relinquish.
* This ability has gotten her into some trouble in her old town, and her mom is hopeful that moving to a new place, in the middle of her sophomore year, will be a fresh start.
* There’s an adult staffer at her new high school who knows what she is and can give some advice.
* The popular kids make overtures towards her, but she seems more inclined to hang with the “losers”—specifically one guy and one girl. The guy (quippy, but not as funny as Xander) has a crush on Susannah and is clearly oblivious to the feelings that the other girl (nothing like Willow, alas) has for him.
* Susannah meets a foxy dead guy who has been around for over a century and who helps her out when fighting the aforementioned hateful ghost.

Shadowland reads kind of like a pilot episode. It sets the theme, the mythology, and the characters without delving too deeply into any of those categories. At this point, I sort of expect the series to compare to Buffy’s first season without approaching the impact of the latter half of season two. I would be highly (pleasantly) surprised if Cabot managed to pull off something like that.

Ouran High School Host Club 6 by Bisco Hatori: B

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From the back cover:
The school festival opens at Ouran, and the Host Club members are busy entertaining the visiting parents. Teasing his son is a favorite pastime of Tamaki’s doting father, the school chairman, but Tamaki’s grandmother is cut from a very different cloth. She despises and shuns Tamaki, banning him from the main Suoh Mansion. It’s now time for Kyoya to take action with the Host Club to help their favored leader out.

Review:
The first few chapters aren’t very interesting or amusing, though they do provide a bit of background on Kyoya’s home life. The last chapter is also fairly pointless. Chapter 26, however, was a good one. We learned more about Tamaki’s family, and how it’s actually a fortunate thing that he is so upbeat and energetic.

The art also seems to’ve changed a little bit. I noticed several times that characters shown in profile had virtually no noses; one even kinda looked like Voldemort! Tamaki and the twins looked a little different, too, though I can’t exactly pinpoint how. I realize it’s normal for art styles to evolve over the course of a title, but this isn’t an improvement.

The Beatrice Letters by Lemony Snicket: C

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From the back cover:
To: My Kind Editor

Top secret—only for readers deeply interested in the Baudelaire case. How I pity those readers.

With all due respect,
Lemony Snicket

Review:
Cons? Rather pointless and reminds me of the Griffin & Sabine series with its obscure epistolary nature. Pros? Short!

No answers are forthcoming in this series of letters, but we do get some tiny hints as to what occurred after the events of The End. This book could very easily be skipped, and definitely shouldn’t be approached with any expectation of clarity.

The End by Lemony Snicket: B-

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From the back cover:
Dear Reader,

You are presumably looking at the back of this book, or the end of THE END. The end of THE END is the best place to begin THE END, because if you read THE END from the beginning of the beginning of THE END to the end of the end of THE END, you will arrive at the end of the end of your rope.

This book is the last in A Series of Unfortunate Events, and even if you braved the previous twelve volumes, you probably can’t stand such unpleasantries as a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents.

It has been my solemn occupation to complete the history of the Baudelaire orphans, and at last I am finished. You likely have some other occupation, so if I were you I would drop this book at once, so THE END does not finish you.

With all due respect,
Lemony Snicket

Review:
Unfortunately, I found the final volume of A Series of Unfortunate Events to be somewhat of a disappointment. The first half is dull, and one feels that time that could’ve been used to settle some mysteries has been squandered. A couple of things are finally formally clarified, but a lot is left up in the air or, as the book puts it, in the Great Unknown.

At the same time, though, the point is made in the book that we seldom do get answers to all of our questions, which is certainly true. The orphans conveniently discovering all of the answers in the final volume would be satisfying, but it would also be too simple for a series that has spent the last few volumes dwelling on life’s ambiguities. I’m still annoyed, but perhaps not as much as I would be under other circumstances.

A Dark-Adapted Eye by Barbara Vine: A-

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From the back cover:
Like most families, they had their secrets—and hid them under a genteelly respectable veneer. No onlooker would guess that Vera Hillyard and her beautiful sister, Eden, were locked in a dark and bitter combat over one of those secrets. England in the fifties was not kind to women who erred. They had to fight it out behind closed curtains using every weapon they had. And in this case, it was murder.

Review:
Barbara Vine is a pen name for Ruth Rendell, whose writing I generally like a great deal. A Dark-Adapted Eye is no exception.

The book can’t be called a mystery, really. The culprit is clear from the beginning, as is the method. What is missing is the why. Told from the point of view of the niece of Vera and Eden Hillyard, we are presented with “warts and all” portraits of the women involved, ultimately leading to the circumstances inspiring the drastic act. It’s very well-done and interesting throughout.

One frustrating thing is that the narrator refers to a variety of people by their given names at the beginning of the book without referencing their relationships, so it takes a bit of time to work out who these people are. I ended up drawing a little family tree to help myself.

I also guessed what “the secret” would turn out to be halfway through the book. There was at least one awesome surprise, though. Definitely recommended.

The Nursing Home Murder by Ngaio Marsh: B+

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From the back cover:
Sir John Phillips, the Harley Street surgeon, and his beautiful nurse, Jane Harden, are almost too nervous to operate. The emergency case on the table before them is the Home Secretary—and they both have very good, personal reasons to wish him dead. Within hours he does die, although the operation was a complete success…

Review:
Wow, a Ngaio Marsh book I actually enjoyed! I think the difference is that we’re not seeing events (and Inspector Alleyn) through the eyes of another character this time. Alleyn seems almost like a different character now. He’s still breezy and flip, but seems to be more consistent in mood and personality. Characterization is not the focus of this novel, but this is still a definite improvement.

The structure of the book was very tidy. The first third is devoted to setting up the victim in life, and those with possible motivations against him. The next third consists of Alleyn’s interviews with all the surgeons and nurses present during the procedure. James Saxon, the audiobook’s narrator, does a fabulous job giving each of these people their own voice, both literally and figuratively. I especially love how he handles a blustery doctor prone to going “ha ha ha” at his own comments.

The rest of the book continues and completes the investigation. The only things I didn’t particularly like were the first appearance by a couple of Alleyn’s civilian buddies (they got on my nerves and disrupted the flow of things) and the pantomime reconstruction of the surgical procedure in question (lo, how it dragged).

A final note: apparently a nursing home is something else in the UK. This is not about a place where elderly folks dwell, but rather a small hospital where surgeries are performed. It took a while for me to get the image of the victim as an old dude out of my head.