Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Something’s Wrong with Us, Vol. 1

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By Natsumi Ando. Released in Japan as “Watashitachi wa Douka Shiteiru” by Kodansha, serialization ongoing in the magazine Be Love. Released in North America by Kodansha Comics. Translated by Sawa Matsueda Savage.

One of the first things I noticed when I began to heavily overanalyze manga artists is that shoujo artists started out in the magazines for younger readers – the Margaret, Nakayoshi and Hana to Yume types – and then, after many years of long and faithful service, graduated to the magazines for adult women – You, Be Love, and Silky. I used to wonder if it was like being kicked upstairs into the House of Lords. I suspect it may be more that the josei magazines come out with far less frequency and are thus easier to handle on a schedule basis. The reason for this drawn out prologue is that this new series is by Natsumi Ando, famous – or infamous – for her shoujo potboilers that ran in Nakayoshi over the years, such as Kitchen Princess and Arisa. And now she’s “graduated” and started a series for Be Love, which seems to be doing quite well given it’s 11 volumes and counting over there.

Nao is a happy young child, who adores her mother, a sweetsmaker who has take a job at a prestigious sweets shop. She’s shy, but makes friends with the cute young boy who’s the heir to the business. Then there’s a murder, which Nao witnesses, and the very same cute young boy accuses her mother of the murder. Fast forward to Nao at age 21, still dealing with PTSD from the murder, her mother having died in custody meaning Nao can’t hold a job, suddenly finding work at the very same sweets shop, whose young heir is now gorgeous… and about to get married. That said, the family seems to be as cruel and overdramatic as ever, and Tsubaki is no exception. Can Nao find out why her mother was framed all those years ago? And can she do it while being used as a pawn… and possibly fall in love?

I will admit that I tend to start off enthusiastically reading Ando series and then gradually lose interest, and I’m not sure if this will be the same. It’s a very good start, though. Ando has used dark, dramatic arcs before, but rarely from the start, and Nao being 21 rather than a teenager helps lend heft to the murder accusation and aftermath plot. Tsubaki seems like the sort of asshole who will gradually be shown to have a nice side deep down that we see in many of these series, but so far he’s hiding it pretty well, and he has a MUCH harder hurdle to clear than simply “I am a rude jerk” to win Nao’s heart. I am expecting, given the nature of the series, that his accusation of Nao’s mother is not all that it seems, and in fact the entire family looks like they wanted a scapegoat… and may want one again. Given that “like accused criminal, like accused criminal’s child” is a thing in Japan, I am in fact expecting it soon.

I haven’t mentioned the sweets, for which I apologize. This book is also all about sweets, and the endnotes are mostly about the nature of them – these are Japanese sweets, not Western. They do help relieve a bit of the darkness that this series exhibits. If you liked Ando’s shoujo drama, her josei drama should definitely appeal. As for me, we shall see how long I last with this one.

Bibliophile Princess, Vol. 1

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By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Alyssa Niioka.

The great thing about first-person narration is that not only is it a good way to get inside the head of the main character, but it can also be used to obfuscate, and even to fool the reader entirely. The Murder of Roger Ackroyd by Agatha Christie is probably the most classic example, but Japanese light novels are also filled with narrators who conceal and/or lie about their own thoughts. Fortunately, Elianna Bernstein is not that sort of narrator. No, instead her narration is sort of like a puffball, floating alongside events while missing the point of most of them. This is especially true of the first half of the book, when she tries to figure out why everyone is avoiding her – particularly her fiancee, the prince, who seems to be charmed by another woman. Now, it should come as no surprise to the reader that this proves not to be the case (indeed, so little surprise that I’m spoiling it here). But the journey it takes to get there is funny and sweet.

Elianna comes from a family of book-lovers – indeed, they’re famous for it, and their family are also knowledge brokers of a sort. She does not seem, at first, to be the same – indeed, it’s hard to get much of a sense of personality out of her beyond “loves to read”. She herself tells us about kids calling her “the library ghost” due to her pale complexion, and the current nickname of Bibliophile Princess is only a mild step up. Now she’s seeing her fiancee with another woman. This is it, right? The end of their engagement. Even if it means… shudder… giving back the book that Prince Christopher once gave to her. But is that what’s really going on? What’s more, is Elianna really just an insular book-loving heroine? Or is she actually changing the entire nation in many and varied ways… and then promptly forgetting about what she said as she’s moved on to her next book?

The book is in three parts. The first is Elianna’s narration of the “cheating” story, and reads like a standalone short story that an editor told her to expand into a novel. The second comes from other narrators, showing us other perspectives on Elianna, particularly the prince’s. Then we’re back to Elianna, mostly, for a third chunk which also reads like a short story, about a traveling book fair and its people. The first part was the most fun, but I think the last story was the strongest, as it gets into themes of racial prejudice and poverty, as well as seeing Elianna suddenly become an action heroine when she hears someone is about to burn a pile of books. It also shows Elianna gaining depth beyond the fun airhead we saw at the start – her uneasiness as she realizes that she can’t remember the first meeting between her and Chris is well handled.

Not only did the first chunk of the book read like a done-in-one short story, but the book feels like a standalone novel. Still, there are more novels in the series, and I’ll definitely want to read more. Elianna is fun to read, even if, as the author notes, when not reading a book she seems to look at people with a question mark over her head.

Also, Christopher, and particularly Prince Chris, reads terribly to me. I wish he’d been an Edward.

Manga the Week of 3/25/20

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SEAN: It’s getting near the end of March. Are you getting some manga delivered to you?

Dark Horse debuts the Dangan Ronpa 2: Goodbye Despair manga, which I believe tells the story from the POV of the actual lead this time, as opposed to the semi-antagonist.

J-Novel Club continues its rollout of shoujo light novels with The White Cat’s Revenge as Plotted from the Dragon King’s Lap (Fukushuu wo Chikatta Shironeko wa Ryuuou no Hiza no Ue de Damin wo Musaboru), another series from the Arianrose label. A young girl ends up in another world, abandoned by her “friend”, trapped on a dangerous land, and turned into a white cat. But does she let that get her down? Hell no!

ASH: It make me happy to see more shoujo novels being translated.

SEAN: They’ve also got Ascendance of a Bookworm’s third manga volume, and Outbreak Company 13.

Kodansha’s print debut is Yuzu the Pet Vet (Yuzu no Dobutsu Karte), a Nakayoshi series about an 11-year-old who lives at her uncle’s pet hospital. She’s scared of animals, but wants to help out. Can she slowly come to love them? This looks, pardon me, goddamn adorable.

MICHELLE: It does. I wonder if it’ll be a little too cutesy for me, but I will definitely be checking it out.

ASH: I plan on giving it a look, too!

ANNA: It does sound cute!

MJ: Oh!

SEAN: Also out in print is Cells at Work: Code BLACK 4, If I Could Reach You 4, Living-Room Matsunaga-san 2, and The Seven Deadly Sins 37.

MICHELLE: I liked the first volume of Living-Room Matsunaga-san. I’m glad it’s getting a print release.

ASH: I’ve been meaning to give it a try.

SEAN: The digital debut is Star⇄Crossed!! (Oshi ga Watashi de Watashi ga Oshi de), which is from the creator of Kiss Him, Not Me! and looks to be about as bananas as that one was. It runs in Betsufure, begins with the hero and heroine dying, and features bodyswaps via kissing.

MICHELLE: I am so down for this. I hope it doesn’t involve ludicrous, spontaneous weight loss as a plot point.

ANNA: That sounds hilarious.

MJ: I’m so ready for this.

SEAN: Other digital titles next week: Altair: A Record of Battles 16, Boarding School Juliet 15, DAYS 17, Elegant Yokai Apartment Life 19, I Fell in Love After School 2, Vampire Dormitory 3, and Watari-kun’s ******* Is About to Collapse 4.

MICHELLE: I really need to read Elegant Yokai Apartment Life.

SEAN: Seven Seas has three debuts. The Conditions of Paradise is a short-story collection from celebrated yuri artist Akiko Morishima. The stories ran in Comic Yuri Hime.

ASH: I’m curious about this one.

MJ: I am, too!

SEAN: Cosmo Familia is by the artist of the Madoka Magica manga, and appears to appeal to that demographic, but replaces magical girls with alien invaders. This one runs in Houbunsha’s Manga Time Kirara Forward.

We’ve already seen the PENGUINDRUM manga, and the PENGIUNDRUM anime, now enjoy the first light novel volume as well. This is an early digital release.

ASH: I’m sure I’ll get around to reading this once it’s available in print.

SEAN: They’ve also got Didn’t I Say to Make My Abilities Average?! 8 (print) and 9 (digital), Grimgar of Fantasy and Ash 12 (print), Machimaho 5, Mushoku Tensei: Roxy Gets Serious 3, and the 3rd Skeleton Knight in Another World manga.

Square Enix gives us a manga version of a light novel Yen On is releasing, Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town. The novel was a lot of fun. The manga runs in Gangan Online.

ASH: It does sound like it would be fun.

MJ: It does!

SEAN: Vertical has a 14th volume of Devils’ Line.

Yen On has three titles. A Certain Magical Index 22 is the final volume of the first Index series… is it the end of the Index novels in North America as well? There’s also Do You Love Your Mom? 5 and You Call That Service? 2.

And Yen Press has a pile of manga, though no debuts. Instead we get Bungo Stray Dogs 14, Cocoon Entwined 2, Hatsu*Haru 11, Kiniro Mosaic 10, KonoSuba’s 10th manga volume, Laid-Back Camp 10, My Youth Romantic Comedy Is Wrong As I Expected’s 13th manga volume, Smokin’ Parade 7, So I’m a Spider, So What?’s 7th manga volume, Toilet-Bound Hanako-kun 2, and Triage X 19.

MICHELLE: The first volume of Cocoon Entwined was atmospheric and intriguing, and I very much look forward to more!

ASH: I just recently read the first volume of Toilet-Bound Hanako-kun and kind of loved it, so I’ll definitely be picking up the second.

SEAN: Does any of this ring your chimes?

Bookshelf Briefs 3/18/20

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Dr. STONE, Vol. 10 | By Riichiro Inagaki and Boichi | Viz Media – Dr. STONE thrives on ridiculous ideas, of course, but that does not mean that it cannot briefly pause when bad things are happening. Tsukasa is saved from immediately dying, but he is still dying, and the only solution that Senku can come up with is to cryofreeze him. This is handled rather well, though Senku is not shown to the reader when he is being emotional about it. After that,things get ridiculous again, as we need to go searching other continents. This means ships, which means unstoning the world’s most ridiculous ship captain, who iss also an arrogant SOB. Fortunately they have Yuzuhira, who can transform into JoJo when she is doing anything with sewing, be it bodies or sails. A ton of fun. – Sean Gaffney

Ex-Enthusiasts: MotoKare Mania, Vol. 3 | By Yukari Takinami | Kodansha Comics (digital only) – At 27, Yurika Namba is obsessed with “Makochi,” a guy she broke up with five years ago. When they meet again at her new job, she discovers that the real Makochi is not like her fantasy version. After initially trying to forget him by dating someone else, by volume three Yurika has told Makochi that she has feelings for him and is trying to project as much “cool girl” as possible so as not to scare him away from the prospect of a relationship. At first, I thought I might not like this series, as Yurika came off as unhinged and stalkery, but as it has gone on, I’ve come to enjoy it quite a bit, especially the fanciful sequences where various facets of Yurika’s brain (and sometimes Makochi’s!) debate and comment on what’s happening to their hosts. I’m intrigued to see where this goes next. – Michelle Smith

In/Spectre, Vol. 11 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – I had been joking about whether “Kotoko is terrible” was a running theme in this book (along with “Kotoko is thirsty”), but it looks like it may be the actual main plot, as Rikka’s machinations seem to be to get Kuro to realize what a horrible person she really is. This is a tall order, mostly as I think Kuro has realized this from the beginning. In the meantime, we get the end of the family murder mystery, which is done very well with lots of twists and turns and Kotoko being the perfect arrogant detective. I particularly liked the granddaughter, who is the one who comes off as the least self-serving (and the only one who didn’t plot to kill her grandmother). All this and a nyotaimori reference. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 13 | By Aka Akasaka | Viz Media – The festival starts but doesn’t end in this volume, and we have several interlocking plots. Kaguya wants to confess but doesn’t. Chika is busy being herself and trying to find a balloon thief. Ishigami manages, somehow, to accidentally confess to Tsubame, which is a problem as she wants to concentrate on gymnastics and not dating but also doesn’t want to hurt him. And then there’s Shirogane, of course, who finally, in the cliffhanger, tells Kaguya he’s leaving to go to Stanford. This is all done with the usual heaping helping of humor, of course, but it’s also heartwarming that the reader has come to prefer the emotional character moments to the gag moments. Will we finally get a confession in the next volume? – Sean Gaffney

Stravaganza: The Queen in the Iron Mask, Vols. 2-3 | By Akihito Tomi | Udon Entertainment – This is one of the more frustrating series I’ve read in a while. The art is absolutely gorgeous, with amazing backgrounds and scenery, and some good action sequences. There are some horrific moments that bring to mind Attack on Titan and its better moments. But then there’s the constant nudity and sadism that is also throughout the books—the author seems to love to put the queen in danger and have her menaced/stripped/flogged by various bad guys. Rape does not come up, thank goodness, but it’s still annoying, because I’d love to recommend this to a wider audience, but once again it’s a series for those who really like the nude female form. Shame. – Sean Gaffney

Takane & Hana, Vol. 13 | By Yuki Shiwasu | VIZ Media – Finally, finally, Takane and Hana manage to honestly admit their feelings for each other and become a couple. I loved Takane’s silent fist-clench of relief and joy, as well as some of the dialogue that follows, like Hana telling her father “He means the world to me,” and Hana’s mother being concerned about her daughter’s future options being limited. (Takane awesomely tells Hana, “Do whatever you want to do. The only difference is that I’m at your side.”) The family trip to Okinawa gets a little silly, with Hana working herself up to ambush him with a kiss again, but there are nice moments as well, and I appreciated the reminder that Takane is really not going to try anything physical with her at this point in time. I had a few volumes to catch up on for this review, and now I’m bummed not to have any more. – Michelle Smith

What’s Michael? Fatcat Collection, Vol. 1 | By Makoto Kobayashi | Dark Horse – When I was first introduced to What’s Michael?, it was after the series had already gone out of print in English and was difficult to find. I am thrilled that the manga is being released again, making it available to a wider audience. The first “fatcat” omnibus collect the first six volumes of Dark Horse’s previous edition with no real changes, as far as I can tell. It also includes a newly written essay by Zack Davisson which provides additional context for the series. What’s Michael? may simply be one of the best cat comics that I’ve read. Generally episodic in nature—although with some recurring characters and running jokes—Kobayashi perfectly captures not only the peculiarities and personalities of cats but also those of their human admirers. Some of the stories are more fantastic than realistic but What’s Michael? is a manga that is consistently funny and solidly entertaining. – Ash Brown

Can Someone Please Explain What’s Going On?! ~A Sign-on-the-Line Wedding Story~, Vol. 1

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By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Mattias Hirsch.

Sometimes you go into a book with expectations. Perhaps the book is part of a new line of romance novels for young women the publisher is putting out. Perhaps the title features the words ‘wedding story’. Perhaps the cover, which shows the heroine in a wedding gown and a handsome young man, draws you in. Perhaps you read the manga version, which is available on the Renta ebooks site, and every single chapter was filled with a breathless romantic description of what was happening. Indeed, the book does indeed hit all these points. There is indeed a wedding. There are balls where the heroine shines. There is another woman, constantly trying to call out the heroine so that she can prove who’s top dog. There’s even the tried and true “hero asks for marriage of convenience and then gradually falls in love anyway” plotline. The startling thing about this book, though, is that its heroine, Viola, starts the book completely uninterested in romance and Cercis, the hero… and ends it the same way.

Viola is the daughter of an Earl whose landholdings have fallen on hard times, and is used to doing most things herself with a minimum of fuss and servants. She is rather startled when Duke Cercis arrives at her door with a proposal. Well, more of a contract. He has a woman he already loves, but she’s a dancing girl and therefore he can’t marry her and his family won’t approve. So Viola is to be his “show wife”. Viola, after securing enough funding to save her family’s debt, agrees very matter-of-factly, and a year later they are married and she’s living in a fabulous mansion. Wondering what to do with herself at first, she’s soon winning over the servants (and indeed dressing as one), cutting back on the extravagant meals, brightening up the gardens and house, and putting her own stamp on everything while the Duke and his lover live in the cottage elsewhere on the estate. All well and good… but why is the Duke coming over more and more often?

Viola’s narrative voice is all over this book, and it’s a fun one. She has a fair amount of snarkiness to her, but there’s also a heaping helping of unawareness, and those two don’t usually go together. She’s the sort to describe herself as scrawny, plain and flat-chested, and has absolutely no idea why her maids, when given the opportunity to put her in real fashion and jewelry, go absolutely ga-ga. The answer, of course, is that Viola’s scrawny and flat-chested is everyone else’s tall and willowy, and she looks fantastic dressed up. She doesn’t put on airs, she actually cares about the people around her, and she shows absolutely no interest in getting involved with the Duke and his mistress. Indeed, I was sort of hoping for more Duke and mistress – there’s a running gag where the mistress keeps showing up looking for the lady of the manor and runs into Viola (dressed in her normal black “maid dress” and therefore unrecognizable), but for the most part the book is content to gradually work its way up to the inevitable breakup that comes when the Duke realizes he does love Viola after all.

This leads to the climax, where the duke confesses his love, and Viola says she doesn’t really think of him that way. Given that the series is nine volumes long to date, one would assume he will eventually get his point across, but if he’s going to be wooing her, he’d better try a bit harder – rewriting their contract (which had said she, as a “show wife”, could also have lovers) to say she can only love him is not a terrific start. Still, the combination of the oddly shaped not-romance and the intelligent (if somewhat too self-deprecating) heroine makes me want to read further.

Pick of the Week: Manga Smorgasbord

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SEAN: There are some high-profile debuts this week: Something’s Wrong with Us from Natsumi Ando, and Hell’s Paradise: Jigokuraku from the assistant to Fire Punch’s creator (but I won’t hold that against him.) But I have to give the nod to my old friend Kumeta Koji (or Kouji… curse these romanji changes) with Kakushigoto: My Dad’s Secret Ambition, simply as I am so happy to see his stuff over here once more.

MICHELLE: I’ll definitely be checking out Hell’s Paradise: Jigokuraku and Kakushigoto: My Dad’s Secret Ambition, but I have just got to see what Natsumi Ando doing josei looks like, and thus my pick is Something’s Wrong With Us.

KATE: I’m exercising my right to nominate two titles for this week’s column: the gorgeously illustrated Witch Hat Atelier, whose plucky heroine just begs for her own Studio Ghibli film, and The Girl from the Other Side, whose plucky heroine may not survive to the end of volume eight. I have my supply of Kleenex and whiskey on hand in case things get any more emotional.

ASH: While there are some very interesting debuts this week, I find myself echoing Kate’s picks – Witch Hat Atelier and The Girl from the Other Side are consistently some of the best series being released right now.

ANNA: I agree, Witch Hat Atelier and The Girl from the Other Side as such special series it is an extra treat that they are both coming out the same week!

MJ: I’m with Michelle this week! Something’s Wrong with Us is too intriguing to pass up. I’m not always a fan of the josei manga that gets localized in North America, but this sounds just about weird enough for me.

Re: ZERO ~Starting Life in Another World~, Vol. 12

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

Subaru is much improved as a protagonist in these newer volumes of Re: Zero, to the point where I find I barely have to yell at him in my head at all. Most of the times that he dies and has to return by death are the fault of external forces or things he doesn’t know about, rather than his being a stubborn dumbass. And he gets two points here where he shows that his love for Emilia and Rem (still in that order, sorry Rem fans) is more than just saying it – he can tell when their own responses are either distorted or out-and-out falsified. That said, the last third of this book did a great job of reminding me just how flawed a protagonist Subaru can be. After all, every time he dies and starts again at his save point… he leaves behind a dead Subaru. And those who cared about him. Something he learns all too well when he gets to take the Second Test.

The cover art features our villains of the book, one very familiar to us, one not so much. Unfortunately, despite returning to the mansion in record time, I think Subaru is going to have to come up with another plan, because time is not on his side no matter what. It does, however, given us another very emotional confrontation with Beatrice. I knew going in that this fourth Arc would give some time to Emilia, but it must be back-loaded, as so far there’s been very little. Beatrice, though, also gets an incredible amount of attention and care, showing us how much she is suffering and also showing how little Subaru can seemingly do about it. It also throws into stark relief the end of the book, where Echidna offers to make a pact with him – the fact that he’s desperate enough to accept it despite EVERY OTHER WITCH saying it’s a bad idea shows he’s still very, very fallible.

Speaking of the other witches, Echidna, who had been nice, police and helpful so far this arc, is starting to show her true colors and her stunning lack of empathy – well, no, it’s not really that stunning, we knew this was coming. I will give kudos to the author for making the Witch of Lust a crybaby moe sort of girl, and the Witch of Sloth the one who has the Red Hot Mama vibe you’d normally give to Lust. The cliffhanger ending shows the 7th and final witch showing up at the tea Party, which may end up being as bloody as Umineko’s sometimes were. On the bright side, she’s probably come as herself this time – the earlier parts of the book features a Satella who had literally possessed Emilia, and it was not a pretty sight. (That said, the prize for creepiest moment of the book easily goes to the scene where Emilia, her mind utterly broken by the tests, gives Subaru a lap pillow and a kiss – a kiss that he gets right as he dies. Brr.)

We’re now halfway through this arc, and I get the feeling, revelations about Roswaal aside, we’re not much closer to getting a happy ending. Still, fans of the series will definitely enjoy what they get here, though as always it can be difficult to read. Everyone suffers: The Novel.

Monthly Girls’ Nozaki-kun, Vol. 11

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By Izumi Tsubaki. Released in Japan as “Gekkan Shoujo Nozaki-kun” by Square Enix, serialization ongoing in the online magazine Gangan Online. Released in North America by Yen Press. Translated by Leighann Harvey.

As Tsubaki’s other major series, Oresama Teacher, reaches its end soon in Hana to Yume, it does feel odd that Nozaki-kun also looks to be headed towards an endgame. You’d think that she’d want to be able to devote even more attention to it. And yet it’s understandable. First of all, because ‘headed’ towards an endgame is an exaggeration. Slouching towards and endgame, perhaps. Meandering. Secondly, because no matter what happens to all the other couples in the series, Nozaki and Chiyo will always be lagging behind. The first two chapters in this volume deal with Kashima’s little sister, who is nothing like her at all, and also enjoys imagining everyone around her – everyone – in a pairing. Except, of course, Nozaki and Chiyo. She just can’t see it, much to Chiyo’s intense frustration. Then again, she only has herself to blame. She could try being a little more direct. Not that this always helps… look at Seo for a good example.

Seo has pretty much played out having fun with Wakamatsu over the Lorelei thing, and is also coming closer to wanting them to be a real couple, so finally decides to tell him outright. Well, almost outright. She goes to Nozaki and Chiyo for her plan, and they all try to imagine very manga-influenced scenarios that range from quite realistic to the usual completely ludicrous. The payoff comes towards the end, when Seo a) feels nervous talking to Wakamatsu about it, another sign of her growings feelings, and b) didn’t think of the immediate, most obvious result of this: Wakamatsu doesn’t trust her and doesn’t believe her. You’d feel bad for her if it weren’t Seo, but it is. So it’s just funny. (Incidentally, her brother does even worse in his own doomed romance, and we also discover that even the couples who DO get together in this series are giant flaming wreckages.)

As for Hiro and Kashima, it’s always been the most popular pairing in this series by far, and the end of the volume deals with it, as a hypnotism attempt gone wrong leads to Kashima forgetting who Hori is, which naturally upsets him a lot more than he’d like. The endgame of this, after the usual silliness, leads to a rare genuine moment in this manga with Hori saying (with a blush) he prefers the normal Kashima, and her (with a blush) actually understanding what he’s saying. Now, there’s a minimal chance this will actually lead to anything next time, but it’s still nice to have this bone thrown to us in a manga that still enjoys mocking romances more than having them (witness Chapter 103, which cycles through almost every single shoujo manga cliche in one single chapter).

There was a long break between volumes this time, so I’m not sure when we’ll see the next one. (Oresama Teacher is also down to about a volume a year now.) But it was worth the wait, giving the usual mix of hilarious subversion of manga romance while also trying to eat its cake as well.

The Invincible Shovel, Vol. 1

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By Yasohachi Tsuchise and Hagure Yuuki. Released in Japan as “Scoop Musou: “Scoop Hadouhou!” (｀・ω・´)♂〓〓〓〓★(゜Д゜ ;;) .:∴DOGOoo” by MF Bunko J. Released in North America by Seven Seas. Translated by Elliot Ryoga. Adapted by Renee Baumgartner.

First of all, I apologize for not using the full title in the header, which is “The Invincible Shovel: “Wave Motion Shovel Blast!” ( ｀・ω・´)♂〓〓〓〓★(゜Д ゜ ;;;).:∴KA-CHOOOM”. It turns out that this title literally breaks the URL. Which seems appropriate for this book, which may break a few brains, particularly those who are not ready for the true path of the shovel. The word ‘shovel’ and its variations are in this book 708 times, and after finishing it you’ll be surprised it’s that low. “Variations?”, I hear you cry. Why yes. We get shovely, shoveltastic, shoveltronic, and many, many more, courtesy of the cover heroine, Lithisia, who, as with everyone else who meets our hero, starts off seemingly normal and then leaps off the deep end. Now, mind you, this is not to say that Alan, the hero, is any less completely unbelievable – though in his case it’s his own stoic acceptance of all things shovel that’s the issue. Basically, this book is very, VERY silly.

Indeed, the book starts off silly and never stops, as we begin with Alan, a miner who somehow forgets to die or age, finding that his shovel can now fire beams. As he lives longer and mines more, the shovel and Alan gain more and more powers. Now, one thousand years later, he’s so used to it that it never occurs to him that shovels can’t do everything. One day he runs into a runaway princess who is trying to save her land, Lithisia. Saving her from bandits, she rapidly, through both him showing off his shovel’s powers and her amazing skill of misinterpretation, falls in love with Alan and then later essentially becomes the High Priestess of the new Shovel religion (which she creates). As they try to gather the orbs to save her people, they run into her best friend, a knight who fills the straight man function; an elf who is the last of her kind; a princess who’s now an undead queen; and a water priestess who’s been sold into slavery. No worries, though. The shovel solves all.

This book is here for one reason and one reason alone: to be funny. Everything runs on humor. Lithisia quickly thinks that Alan uses the word ‘shoveling’ to mean sex (he does not), and rapidly the other heroines (with Catria, the sensible one, excepted) also fall into this thinking. (Alan, who is 1000 years older than them, and also dense, does not try anything despite their best attempts.) Alan shows the cast and the reader new uses for his shovel almost by the page, which range from actual digging to the titular wave motion gun to time travel, raising the dead and flight. The latter half of the book is Alan doing something mind-boggling, explaining it with a “of course, this is obvious” look, having everyone marvel at him, and having Catria scream that it is not, in fact, obvious. All this, and also Lithisia converting more to her shovel religion.

I had already heard that this title had a reputation for being hilarious, and was worried it would fail to live up to that. No fear. Only the biggest “OP is always bad” light novel fans would find this aggravating. For everyone else, all hail the Mighty Shovel!

Manga the Week of 3/18/20

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SEAN: It’s the week of St. Patrick’s Day, and yet the amount of Irish manga is thin on the ground.

Dark Horse has Mob Psycho 100 4, which I remain convinced must be 2000% better animated.

ASH: I’ve been enjoying the manga, but it sounds like I should check out the anime, too!

SEAN: J-Novel Club has two debuts. Bibliophile Princess (Mushikaburi-hime) is from Ichijinsha’s Iris Bunko line, and features a princess who spots her betrothed with another man, confirming the rumors she’s heard. But this is just the start of a VAST CONSPIRACY! I’ve heard good things about this.

ASH: That does sound like it could be good.

SEAN: The other debut is also a shoujo light novel, from Frontier Works’ ArianRose label. Can Someone Please Explain What’s Going On?! (Dareka Kono Joukyou wo Setsumei Shite Kudasai!) has our poor noble heroine signing a marriage contract to a rich noble man to save her family. Now she’s forced to level up in being a high-class fiancee. I’ve heard less good things about this, but will absolutely give it a shot.

They also have Arifureta Short Stories, which is what it says, and the long-awaited 9th volume of The Magic in This Other World Is Too Far Behind!.

Kodansha’s print debut is Something’s Wrong with Us (Watashitachi wa Douka Shiteiru), a josei series from Natsumi Ando, best known as the creator of Kitchen Princess. This runs in Be Love, though, so the audience is much older. A young woman is on a quest to become a sweets maker, but the owner of the company she starts with is the childhood friend who framed her mother for murder 15 years earlier. Um… well, that went somewhere unexpected.

MICHELLE: This creator also did Arisa, which might be seen as a sort of bridge between the two series you mentioned, since it did at least have some mystery elements. I’ll definitely check out Ando doing josei!

ASH: Me, too! Ando’s work always seems to have some unexpected turns (for better and worse), but I’ve enjoyed the creator’s past manga.

ANNA: Huh, I’m curious about this for sure.

MJ: Okay, wow. I’m in.

SEAN: Also in print: I’m Standing on a Million Lives 6, the 2nd Saint Young Men hardcover, That Time I Got Reincarnated As a Slime 12, and Witch Hat Atelier 5, which is the one Manga Bookshelf cares about.

MICHELLE: I really must get caught up on this.

ASH: I also care about Saint Young Men, but Witch Hat Atelier is just SO GOOD.

ANNA: It really is, I am stoked for a new volume of Witch Hat Atelier

SEAN: Digitally the debut is Kakushigoto: My Dad’s Secret Ambition, from the creator of Sayonara, Zetsubou-sensei (of which Kodansha put out 14 of 30 volumes. Not that I’m bitter.), a story about a writer of a very popular but very raunchy manga series… which he absolutely does not want his young impressionable daughter finding out about at all. This runs in Monthly Shonen Magazine, and looks to be more realistic than either Zetsubou or Katteni Kaizo.

ASH: I’m intrigued (and hope it might get a print release at some point so I will actually read it).

MJ: I’m intrigued… but cautiously?

SEAN: Also out digitally: Cosplay Animal 11, Defying Kurosaki-kun 15, GE: Good Ending 3, I’ll Win You Over, Sempai! 2, MabuSasa 3, and My Boy in Blue 15.

One Peace gives us a 15th volume of The Rising of the Shield Hero. Fans of the series will be desperate for more of the main cast after their non-appearance in most of Isekai Quartet 2. Not that I’m smug.

No debuts from Seven Seas, but fear not, there is The Girl from the Other Side 8, New Game! 8, Saint Seiya Saintia Sho 9, and Wonderland 5.

MICHELLE: Yay for The Girl from the Other Side!

ASH: Yes, indeed!!

ANNA: Some good stuff coming out this week. I need to get caught up.

SEAN: Tokyopop has a debut with The Fox and the Little Tanuki (Kori Senman), a Mag Garden title from Comic Avarus, which stars a fox spirit who’s an ex-con! Out of God Jail, he has to prove he’s reformed by babysitting a tanuki. This looks cute.

And Tokyopop also has a 2nd Still Sick.

Vertical has Ajin 14.

Viz debuts Hell’s Paradise: Jigokuraku, a Shonen Jump + title that’s been on the SJ app and has an unbelievable amount of buzz. It’s set in Edo Japan, and features a ninja assassin and an executioner searching for the secret of immortality.

MICHELLE: I will probably check this out.

ASH: Same.

ANNA: Me too.

MJ: Agreed.

SEAN: Also out from Viz: 20th Century Boys Perfect Edition 7, BEASTARS 5, Levius/Est 3, and No Guns Life 4. Damn, Viz is grim this week.

ASH: I’ve already read all of 20th Century Boys, but I’ll be ready for more BEASTARS soon.

SEAN: Yen On gives us the 5th volume of The Isolator.

And on the manga end, there’s Delicious in Dungeon 8 (yay!) and Shibuya Goldfish 7 (ergh…).

ASH: I love Delicious in Dungeon so much.

SEAN: What manga is in your pot of gold?

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 11

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By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Dale DeLucia.

(Note: I spoil the ending for this one, be warned.)

Sigh. I can’t say it wasn’t hinted – it’s been hinted since she first showed up, and there’s a massive deadly flag in this volume where Lefiya and Filvis promise to visit the elven country after they finish this next battle. I almost smacked my forehead. But yeah, there are two characters in this series who are fairly obviously coded as lesbians, and Lefiya has protagonist armor, so the other one had to go. The death is handled well and all – Filvis is not shot by an impossible bullet or anything – but yes, I am grumpy that we get to throw another dead lesbian on the pile of dead lesbians. Lefiya is in a sort of grief coma after this, so I’m not sure whether she’ll turn evil and try to destroy the world. Probably not. And Aiz makes for a poor Buffy in any case. And now I will drop this stretched analogy and look at the rest of the book.

For about three-quarters of this book, it’s actually fairly triumphant. Finn and company are getting ready to defeat the evils once and for all. It’s a plan in two stages, the first of which is to map out as much of Knossos as possible, with help from other families – including the Hermes Family, with Hermes being fairly straightforward for once, and the Dionysus Family, with him basically begging to come along so that he can avenge the deaths of his other family members. Things go well. They have a SUPER POWERFUL healer with them on this one, and therefore cursed weapons don’t work like they should. They manage to defeat the guy who makes the dungeons and his hideous monster form. All is going pretty swimmingly, in fact, till Dionysus sees something off to the side and splits off down a different corridor…

I have to admit that I’m much of the same mind as Loki and Hermes are at the end of this – I suspect Dionysus to be a double agent of sorts. That said, I also do wonder if there might be some self-brainwashing going on, as he really does seem to care about the fate of his family. Which, every single one, is killed off at the end of this book, in one of the biggest massacres we’ve seen in DanMachi to date. And Levis is alive and has escaped again, which is frustrating as the start of this book, which features Aiz making a deal with the devil and being told exactly why she’s having trouble fighting Levis – implied that a great final battle was coming. The reader feels as frustrated as Loki does.

The next volume is huge, and the afterword implies it may wrap up this plotline once and for all. As always, it’s very well told and has some great fights. But yeah, at the end of the day, what a miserable ending to a book.

Love Me, Love Me Not, Vol. 1

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By Io Sakisaka. Released in Japan as “Omoi, Omoware, Furi, Furare” by Shueisha, serialized in the magazine Bessatsu Margaret. Released in North America by Viz Media. Translated by JN Productions. Adapted by Nancy Thistlethwaite.

I was, at first, rather surprised to see this new volume of Io Sakisaka’s coming out, given that we still have a few volumes of Ao Haru Ride still in the queue. But after reading it, I’m glad we’re seeing it now, as this is a good one. The cover features two heroines, with the love interests relegated to the back cover, and the first volume makes it clear that, while this is all about love and romance, as usual for this author, the girls are co-protagonists and will carry most of the action. As for the premise, it’s not only about the growing friendship of these two girls, who immediately get on like a house on fire, but their tw3o opposing views of love, neither of which is looked down on. Yuna is looking for her Prince Charming, a “love at first sight” sort, while Akari thinks you can get to know a guy and then fall in love based on your everyday interaction. As we’ll see, both are right – and wrong.

Yuna, the light-haired girl on the cover, is the one who is looking for her Prince. Unfortunately, she’s also painfully shy around guys, with the exception of her childhood friend Inui. One day she is saying goodbye to her best friend, who is moving away, when she is accosted by another girl who forgot her wallet and desperately needs money for the subway so SHE can say goodby3e to HER moving friend. This is Akari, the dark-haired girl, who is currently in a relationshi0p, though that doesn’t last the book. The two find they live near each other, and quickly bond discussing the concept of love, and compare their own views. Akari wants to ship Yuna and her childhood friend Inui together. Yuna, though, falls instantly for Akari’s brother, Rio. It’s… well, a recipe for fun shoujo manga.

I enjoyed almost all of this, so let’s quickly get to the bit that made me groan. Given that the concept of this manga reads very much like “love square”, the moment Akari and Rio were shown to be related my brain went “nope, gotta be a remarriage or adoption”, and sure enough. I would be really happy to not see “we’re not really siblings” in a manga ever again, to be honest, and Akari’s loud arguing that it’s not like that to her mother does not help my thought that it is going to be like that down the road. Fortunately, the rest of the book is excellent. Yuna and Rio really do have that ‘instant love’ bond, and also some really heartwarming scenes as we learn about Rio’s “playboy” ways. And Akari may be trying to ship Yuna with Inui, but the audience is, I suspect, thinking that Akari/Inui is the preferred pairing here.

This is about a dozen volumes, which is typical for successful series by this writer. It’s also getting a live-action film this summer. For those who love romance manga and strong friendships, this is a winner.

Pick of the Week: Ice Ice Baby

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MICHELLE: In a week with the debut of a josei series about a nerdy figure skater, there is really no contest. It’s gotta be Knight of the Ice.

SEAN: I didn’t use it for the Manga the Week of Feature Image because I knew it would be here. Obviously, it’s Knight of the Ice.

ASH: It really is an obvious choice! Knight of the Ice is unquestionably my pick – I’m very excited that more of Yayoi Ogawa’s work is being translated – but I’d also like to take the opportunity to encourage everyone to pick up the most recent volume of Monthly Girls’ Nozaki-kun!

ANNA: No surprise, I’m picking Knight of the Ice too!

KATE: The Massachusetts judge awards Knight of the Ice a perfect 10!

MJ: Well, I’m not going to be the one to break the streak. Knight of the Ice it is!

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 9

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

The first half of this book is rough going, as it continues to mine the trough of awkward despair that our heroes are going through. Hachiman is still dealing with the unspoken fact that he screwed up the Student Council Election for Yukino, though honestly the bigger problem is that it IS unspoken. Isshiki is now student council president, but is having trouble dealing with the rest of the council and also out of her depth. So when she has to come up with a Christmas event with the help of another school, she naturally comes running to the Service Club. Unfortunately, Hachiman’s guilt makes him take on helping her on his own, and he has to confront not only the most irritating character in the entire series to date, but also Orimoto, that girl from middle school, who goes to the other school. And, as a result of his doing this secretly, the Service Club is falling apart. It’s all very depressing.

Thank God for Hiratsuka, then. Acting a bit more proactively than she usually does, the teacher is there to give Hachiman the push he needs to finally confront the club and show actual emotions. This is very much the best scene in the book, and a real emotional breakthrough, at least for him. Yukino is a bit of a tougher nut to crack (as always), but a trip to an amusement part even allows her to open up about her rivalry relationship with her sister… and with Hachiman. Yui doesn’t feature as heavily, basically reduced to her role as the emotional center. That said, solving the situation requires all three of them – Hachiman plans, Yui bonds with everyone, and Yukino takes a firm hand in telling people when to shut the hell up and decide. Which is desperately needed.

As I indicated above, I don’t think I’ve ever found a character quite as punchable as I did Tamanawa, the student council president from the rival school. Honestly, I’d almost have liked it better if he were evil, or at least doing this on purpose for some petty reason. But no, this just seems to be how he deals with things, with the rest of the council (sans Orimoto, who like Hachiman is a dragooned helper) joining in on his business-talk doublespeak. This is hilarious at first, with even Hachiman having trouble following the plethora of buzzwords, but gradually the reader gets as exhausted as he does, and by the end of the book you just want a steamroller to run over Tamanawa (this does not happen). It was also odd seeing the return of Rumi, the young girl Hachiman tried to help in a previous book, though it goes along with the theme of this book and the last one: Hachiman’s help doesn’t always really work. Rumi is still having troubles. Maybe the play will help.

This book is about as well written as the previous one, but the fact that it ends on a big, positive note makes all the difference, and makes it feel much better overall. Not having a sour taste in your mouth is key. Next time, we get another book of short stories as we leap back in time with Vol. 6.5 (which, in Japan, did indeed come out after Vol. 9).

Urusei Yatsura, Omnibus 5

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By Rumiko Takahashi. Released in Japan in two separate volumes by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz Media. Translated by Camellia Nieh.

One of the well-known factoids about the Urusei Yatsura manga is that is is unsentimental. Now, this is not really all that true. There’s plenty of sweet moments scattered throughout its pages. But it is, when compared to its anime adaptation, a lot more interested in laughs than heartwarming. There’s a chapter in this volume where the Moroboshi house is dealing with a hurricane that’s flooded the entire place thanks to some of Lum’s technology, and the manga does not have the touching Ataru/Lum moments the anime put in. Even the manga moments that clearly ARE sentimental are subordinate to the comedy – the longest extended story in this volume has Ataru hitch a ride on Ten’s spaceship to stop Lum getting married off by her dad. Ten being tiny, Ataru spends most of his time stuck in a funny crouch – it’s especially funny when he stops a guy from hitting on Lum by stomping on him, then goes back to pretending he’s not really there. But Lum recognizes him, and smiles. See? Sentimental. Just.

No new major characters are introduced here, though we do get a few two-or-three chapter girls for Ataru and company to deal with. The best of these is the girl who, thanks to her dad, is literally followed by rain everywhere she goes. Miserable, she is nonetheless touched when Ataru insists on dating her anyway, even if it means he just gets a cold. (Unfortunately, her father looks exactly like an abusive dad we will meet later in the series, which sort of threw me off as I was reading it.) And there’s a ghost who everyone tries to help move on to the next world, but is far more interested in mooching off of everyone in this one. Lastly, we get an elderly vampire and his bat companion, most noteworthy for the male bat transforming into a human girl to trick Ataru… something very quickly regretted.

Ataru and Lum have mostly settled into their permanent characterization here. Mendou and Shinobu are here as well, but they mostly function as part of the Greek chorus, so don’t get as much face time. Shinobu has not yet gotten to the point where she can rip trees out of the ground to threaten people with. As a result, these chapters feel very much like a relaxing rest stop for the series, where we can sit back and enjoy the chaos caused, with one exception, on Earth. Soon the “main cast” aliens will return in a big way, and the plots will get even sillier. Certainly there’s not going to be much romantic development – Ataru may not want Lum to get married, but he’s not about to stop trying to date anyone and everyone. Even Tsubame and Sakura, who are an actual couple, can’t settle down to make out without everyone horning in.

Fortunately, a new semi-regular debuts next volume. Unfortunately for you, she’s my favorite character in the whole series. So if you want to hear me gush – a lot – about Kodachi Kuno only done WELL, tune in next time. Till then, this is still a must read.