Manga Bookshelf

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Sean Gaffney

Bookshelf Briefs 7/11/20

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How Do We Relationship?, Vol. 1 | By Tamifull | Viz Media – This title has a lot of things going for it, once you get past the “draw them in with sex” opening pages. It’s a college-aged relationship, still rare enough to be notable. The pair get together very quickly, but navigating being a couple is different for both of them—they have different experiences in lesbian relationships, different comfort levels in being “out,” and different ideas of when they can move forward in terms of intimacy. It’s a push-pull that feels more realistic than a lot of the yuri manga that end when the couple get together, and I’m not entirely sure that this series will end with the couple together. There’s also one really weird friend who can’t keep her mouth shut—I liked her. Want to see where this goes. – Sean Gaffney

How Do We Relationship?, Vol. 1 | By Tamifull | VIZ Media –Miwa Inuzuka knows that it’s totally normal that she loves women, but she still lacks romantic experience, despite her physical attractiveness. Just when she’s about to come out to the first friend she makes upon starting college, upbeat and unabashed Saeko, Saeko beats her to the punch. And since they’re the only lesbians they know, they decide to try dating. This is kind of an unromantic start, but I still really enjoyed this first volume. Miwa’s and Saeko’s personalities come through clearly, and all of the hurdles in their relationship come from who they are as people. The one thing that bugged me is that twice Tamifull cuts away from a scene of conflict and picks back up after apologies have been rendered off-camera. That’s kind of unsatisfying. On the whole, though, I’m really looking forward to volume two. – Michelle Smith

Kaguya-sama: Love Is War, Vol. 15 | By Aka Akasaka | Viz Media – There is a good amount of humor in this volume—Ice Kaguya’s desperately obvious attempts to do couple things, and Shirogane’s equally hilarious denseness, is a highlight, as is the Christmas party. But for the most part the drama is more interesting, as “Ice” Kaguya is in charge but her headstrong and blunt approach merely sends a stressed-out Shirogane into the hospital. Their views are polar opposites (she doesn’t want to hide her real self, he desperately does) but talking things out helps a lot, and their second kiss is quite sweet. There’s still a lot more ground to cover in this title (Ishigami’s love life, Kaguya’s awful upbringing, what’s the deal with Hayasaka, etc.), but at least the main premise of “when will they confess” has been put to bed. They’re a couple. – Sean Gaffney

Little Miss P: The Second Day | By Ken Koyama | Yen Press – The second volume of this manga that teaches people about periods has stories that are a lot more long-form than the first. A young couple’s relationship can’t survive a vacation with Little Miss P; two people who don’t match their gender norms deal with periods and a zombie manifestation; an elementary school has a co-ed discussion of periods; an alien couple are trying to get pregnant; a middle schooler who’s been bullied into not attending school worries about her future; a manga editor deals with something that ISN’T her period; an ovarian cyst; and an idol competition is filled with periods and various remedies. This may be better than the first book; it has more variety, and is very well done. – Sean Gaffney

Magus of the Library, Vol. 3 | By Mitsu Izumi | Kodansha Comics – This series is very pretty and likable, but it has to be said it’s not really breaking any new ground. There’s a lot of standard shonen beats here, and you can easily guess what will be happening next. Theo has to learn to work together with another woman who is arrogant and haughty, and does so. He has to think that he’s done horribly at one part of the test and become convinced he’s failed (he hasn’t). He has to meet a random crotchety old woman and befriend her, only for her to turn out to be much more than she seems—check. That said, provided you don’t mind not being surprised, this is good stuff, helped along by the lush, expansive art and the occasional action sequence. It’s a good series that I think we’re already caught up on, but hopefully more soon. – Sean Gaffney

Requiem of the Rose King, Vol. 12 | By Aya Kanno | Viz Media – Every time Richard and Buckingham are on the page together I want to drop this. I really dislike their relationship and the power dynamics that it shows off. And yes, I know it’s not meant to be a good thing, but that does not change the fact that I hate it. That said, there’s always one woman being awesome at some point in this series, and for this volume it’s Anne, who is given a fine chance to kill her husband and get away with it, but finds the idea that everyone she is surrounded by being a horrible person rather appalling. As such, she chooses the devil she knows, but does it with BADASS panache. Meanwhile, the War of the Roses continues apace, though we’ve wandered far from Shakespeare here. A problematic fave. – Sean Gaffney

Something’s Wrong with Us, Vol. 2 | By Natsumi Ando | Kodansha Comics – I mentioned last time that I wasn’t ready for the author accelerating immediately to ‘everything is awful’ quite so fast, and that doesn’t let up here, as things go from bad to worse with Nao. She’s banned from the kitchen, the family HATES her with varying degrees of “I want her literally dead” to “I want her to simply go away,” and even Tsubaki, her husband, indicates that if “Sakura” ever appeared to him again, he’d make her disappear. Really, it’s amazing Nao is able to concentrate on sweets at all. That said, Tsubaki may want Sakura to disappear, but he’s slowly falling for Nao, and she for him. They consummate their marriage at the end of this book, but… are things going to get worse and worse? – Sean Gaffney

Toilet-bound Hanako-kun, Vol. 3 | By AidaIro | Yen Press – While the first two volumes firmly established Hanako as an enigma, some of that mystery begins to unravel with the third. Up until this point, much of Hanako’s past was only hinted at. But with the introduction of important new characters in this volume come distressing new revelations about who he really is (or was, considering he’s currently a ghost). The comedic aspects of Toilet-bound Hanako-kun and the goofiness of many of its characters keep the series from becoming overwhelmingly oppressive, but there are still some pretty dark elements. Both Nene and Kou—the closest things to friends that Hanako has had in a long while—wanted to know more about him than he himself had revealed; now they have to come to terms with what they’ve learned and how it will impact their friendships. I look forward to seeing how Toilet-bound Hanako-kun continues to develop a great deal. – Ash Brown

Witch Hat Atelier, Vol. 6 | By Kamome Shirahama | Kodansha Comics – It’s hard not to make the entire review “OMG GORGEOUS,” because so much of what I love about this series is the artwork, which never gets tiring no matter how much you reread it. There’s more to it than the art, though. The girls’ test was interrupted, and they’re brought to one of the Big Witches in this world, who demands as a make-up test that they simply surprise him with magic. This doesn’t go well at first, but after realizing that they should work together to do this, they come up with a brilliant idea (Coco) and execution (the others) to win him over. Even the translation is great, with some hilarious wordplay around Agott’s name. This is one of the best manga releases out there right now. – Sean Gaffney

The Beloved of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Saiai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

I enjoyed the first Marielle Clarac series while noting a couple of flaws, and I’m pleased to say that this second book at least does a good job fixing one of them. (The “BL tease but no more” aspect is, I fear, not going away anytime soon.) But the mystery/thriller aspect of the book works even better than the first, keeping us guessing as to the motivations of the antagonist (who is not really a villain) and switching immediately to the thriller aspect the moment things are revealed. There’s also a good helping of elements of the first book I greatly enjoyed: Marielle and her tendency to see everything in terms of romantic ‘shipping’ tropes, who gets to simultaneously be very clever and good at reading people and also capable of the most shockingly dumb moves when trying to chase after a lead. She’s not quite an amateur detective, but it’s on the verge of that genre. And the relationship between her and her fiancee Simeon is fantastic.

It’s wintertime, so all the garden parties are inside. More importantly, the Crown Prince (Simeon’s best friend) is being forced to step up his attempts to find a bride now that Simeon and Marielle are engaged. Marielle recommends, in possibly the best scene in the book, the girl who had been bullying her in the past, because she’s clearly not concealing any hidden side and would stop doing it if her husband demanded it. The prince, however, falls for Michelle, a shy and withdrawn young woman who would rather be anywhere but at this party but who reluctantly opens up to the prince anyway. The Prince invites Simeon and Marielle to Michelle’s estate to basically be on his side, and they discover that the family seems to treat her with contempt, or at least treats her as a pawn rather than a daughter. What secrets does Michelle hold? And why is Lutin here and pretending (IS he pretending) to be an Earl?

Marielle and Simeon may have admitted their love to each other in the last book, but that doesn’t mean that they’re not still filled with doubts and misgivings. Marielle has a tendency to describe herself as plain and dull so often that it would come across as self-loathing if she weren’t so confident – it’s practicality turned inward and twisted, and I’m glad Simeon tries to get her to see that she can in fact be attractive. Marielle also has a tendency to get herself into trouble, and while I doubt that’s going away she does at least understand how much it’s panicki8ng him when she does this. The last third of the book has a number of excellent chase scenes, and shows that the author is just as good at action as they are at mystery and romance. As for Michelle’s secret, it’s relatively obvious (Marielle guesses it), but also not quite as obvious (Marielle is stunned), and is handled slightly better than I expected.

It’s suggested that the wedding might be in the next book, though given the subtitle for the third volume is The Temptation of Marielle Clarac that may not happen. But I’m definitely going to be reading more in any case. These are a fun addition to the J-Novel Heart line, and will interest any romance readers, even those not interested in Japanese light novels.

Manga the Week of 7/15/20

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SEAN: It’s still hot, there’s still manga.

ASH: I’m glad for one of those things.

SEAN: Apologies to Kaiten Books, who I forgot to add last week. They had Loner Life in Another World 2 come out digitally.

Denpa has the second volume of Pleasure and Corruption.

J-Novel Club’s debut is A Wild Last Boss Appeared! (Yasei no Rasubosu ga Arawareta!), a fantasy series where the Overlord has returned after being defeated years ago in a game world. A guy playing the game now finds himself in the Overlord’s body, and has to deal with her return after 200 years. Yes, her. This could be fun or awful, not sure which.

They also have the 2nd volume of The Extraordinary, the Ordinary and SOAP!; Lazy Dungeon Master 11; and Sorcerous Stabber Orphen 7.

Kodansha’s digital debut is Cells at Work again: Platelets! (Hataraku Kesshouban-chan). This runs in Shonen Sirius, and is basically “adorable grade schoolers” in the Cells at Work vein.

ASH: The platelets were pretty cute to begin with in the original manga.

SEAN: In print, we get The Quintessential Quintuplets 9. In digital, we get The Quintessential Quintuplets 13, the second to last volume, and find out once and for all which Quint is the winner.

Also out digitally: Ace of the Diamond 27, Giant Killing 21, Grand Blue Dreaming 11, Hitorijime My Hero 8, I’m Standing on a Million Lives 9, Sailor Moon Eternal Edition 8, The Hero Life of a (Self-Proclaimed) “Mediocre” Demon! 4, and Tokyo Revengers 16. Some of those will get print later, some will not.

MICHELLE: I’m a few volumes behind on Giant Killing. I expect catching up to be a great deal of fun.

ASH: I would pick this series up in a heartbeat if it ever gets a print release; I enjoyed the anime adaptation a great deal.

SEAN: One Peace has the 17th volume of The Rising of the Shield Hero.

Seven Seas has the print debut of Adachi and Shimamura, the popular yuri light novel series.

Also debuting in print is Love on the Other Side, a short story collection from the author of The Girl from the Other Side, which promises to be heartwarming and creepy in about equal measure.

MICHELLE: Woot!

ASH: Very excited for this volume!

ANNA: Nice, me too!

MJ: This sounds great!

SEAN: There is also Blank Canvas 5, A Certain Scientific Railgun: Astral Buddy 3, Dance in the Vampire Bund: Age of Scarlet Order 2, Grimgar of Fantasy and Ash 13, and Uzaki-chan Wants to Hang Out! 3. Most of those we discussed when the digital version came out.

MICHELLE: I really, really need to read Blank Canvas.

ASH: It is so, so good.

MJ: I also need to get around to this.

SEAN: Out early digitally is the 2nd Buck Naked in Another World, and let’s just leave that there.

Square Enix has, in print, the 2nd A Man and His Cat and the debut of the Wandering Witch manga.

MICHELLE: I am so there for A Man and His Cat.

ASH: I really enjoyed the first volume.

MJ: I need to catch up!

SEAN: Debuting digitally first for Square Enix is The Strongest Sage with the Weakest Crest (Shikkaku Mon no Saikyou Kenja – Sekai Saikyou no Kenja ga Sara ni Tsuyokunaru Tame ni Tensei Shimashita). Fantasy, harem, magic academy, strong guy who is supposedly weak, etc.

SuBLime has a debut called Jealousy, from Scarlet Beriko, the author of Jackass!. It’s a yakuza BL title, and looks pretty serious.

ASH: I’ll expect that I be checking this one out at some point. I liked Jackass!, though this manga sounds to be in quite a different vein.

MJ: I’ll cautiously consider.

SEAN: Vertical gives us the 6th volume of My Boy.

Viz’s debut is a spinoff, Splatoon: Squid Kids’ Comedy Show. I have no idea, really.

They also have Case Closed 75 (good lord), the 3rd Persona 5, Radiant 12, Record of Grancest War 7, and RIN-NE 34.

What manga cools you off?

Bleach: Can’t Fear Your Own World, Vol. 1

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By Ryohgo Narita and Tite Kubo. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Jan Cash.

There have been several Bleach novels released in Japan, but I believe this is the first one to be licensed for the West. Previous books either tended to be novelizations, tie-ins to games, or… well, no, I don’t know why they didn’t pick up We Do (Knot) Always Love You, except shipping reasons. This trilogy, though, is explicitly a direct sequel to the main manga, exploring aftermaths that Kubo couldn’t get to because they cancelled Bleach a bit earlier than expected. Moreover, it’s written by a known name to English-speaking readers: Ryohgo Narita, the creator of Baccano! and Durarara!!. Narita’s series are also known for their huge, hard to wrangle casts and slow-burn plots that end in explosions. Moreover, unlike Kubo, Narita actually knows how to pace. So it makes sense that this is the first novel we see of Bleach over here, and fortunately it’s a good choice, wrapping up several things while introducing a new villain to the piece. And boy howdy, Narita also knows how to write villains. This guy is smug scum who makes you long for Aizen.

Aizen is in this book briefly, and he gets to be smug as well. That said, as the cover might suggest, the star of the book is Hisagi, who is in his capacity as roving reporter for the Soul Society’s newspaper. The newspaper, as you might imagine, was not being published during the last, oh, 30 volumes of Bleach, but it’s starting up again, and he’s trying to interview the participants in the Thousand Year War, figuring that it’s best to get opinions now while it’s fresh than years from now. Unfortunately, a new story inserts its way into the narrative: there’s a new head of one of the Four Great Noble Clans. He’s paying to have the newspaper talk all about him. Oh yes, he’s also a known murderer. Of his wife. Who was Tosen’s best friend. This is not a spoiler, he pretty much admits it. And he has a plan to install a new King in Soul Society. Fortunately, this plan MOSTLY does not involve Ichigo.

The “main” cast of Bleach are pretty much absent from this book, and you get the feeling that will be the case for the other two books as well. Narita seems to have two goals in this book. The first is to wrap up Bleach proper, as we see a lot of the aftermath of Hueco Mundo (including several people I was sure were dead who are, in fact, not dead) and the Sternritter (including several people I was sure were dead who are, in fact, not dead). If you dislike the fact that Jump tends not to kill off characters, this volume may annoy you. The other goal of this book seems to be saying “screw the class system”, and I’m behind that. We’ve seen before that Soul Society has a lot of skeletons in its closet, but here we really get a sense of what it means to be privileged. The villain is absolutely over the top, not in a laughing crazy way but in a smug snake way, and he reminded me not a little bit of another villain Narita has written in his series. I assume he and Hisagi will eventually confront each other.

In the end, I’d say this book succeeds in that it made me interested in Bleach again. I’ll definitely be getting the second in the series. And there’s no romance at all in it, so even shippers can buy it without fear. Maybe Kubo should hire out a writer and just plot his next work. Then again, that did not work very well for Naruto’s creator…

Kuma Kuma Kuma Bear, Vol. 2

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

There’s a lot less focus on bear in this second volume of Kuma Kuma Kuma Bear, mostly because Yuna herself has gotten used to it – at one point she casually names something with a bear motif, showing that unconsciously she’s accepted that’s what she is now. Instead the focus is on Yuna and her general attitude towards everything. Yuna is, in both her own internal narration and dialogue, a grumpy girl with minimal emotional range, and we see lots of that here. That said, the point of the books is to show that Yuna, underneath that, is a caring girl with a heart of gold. Here she helps a nearby orphanage, employs Fina’s mother so that she doesn’t have to return to adventuring, helps save a village from a giant snake, and protects a newbie group of adventurers from a giant wolf. All in a day’s work for our overpowered heroine, who has a few moments here where she has to break a sweat and not simply overpower everything in her path… but only a few.

As with the first book, if the idea of OP heroes irritates you in any way, steer clear. Here not only does Yuna do awesome power moves to defeat strong monsters, including having an army of tiny bears made of fire march down the gullet of an enemy, she’s also learning cure and heal, so that she can be an all-purpose team all on her own, and also save Fina’s mom from her tragic ending. Other than that, though, Yuna doesn’t really have very many motivations in this book. The ending of the book indicates she’s going to the capital city of this world, and that might be a good idea, because she’s a bit unmotivated. We see her looking at several quests and rejecting them all as she doesn’t feel like doing them. It’s hard when you’re stuck in a rut only a few weeks after you arrive in your “trapped in a game world” world.

One interesting thing (in both good and bad ways) that was done here is the local lord of the Town, who Yuna meets in this volume. He’s a nice guy with an adorable daughter, but Yuna, having read far too many light novels in her old life in Japan, immediately thinks he’s going to be cruel and arrogant, with a snide, privileged son. This turns out not to be true… however, the lord *is* negligent, as we see when Yuna discovers kids begging on the street and a run-down orphanage losing its funding. Yuna is understandably furious, even as she fixes the problem all on her own (because of course she does). That said, it turns out the reason for all this is an evil aide and his evil family. The aide is REALLY evil – as in “kidnapping young girls, raping and killing them” evil. It’s tonally awful in a book that is supposed to be “cute girl in bear suit is awesome”, and I didn’t enjoy it, mostly as the lord, who was negligent in not noticing this, is very quickly forgiven. (The first book also had that mindboggling “so I paid my parents off till they abandoned me” moment, and it was just as jarring.)

Putting that aside, though, the book delivers what its readers want, though I wish Yuna’s stoic emotionlessness didn’t sometimes carry over to the actual prose. It will be interesting to see what a larger city does for our favorite bear.

Pick of the Week: Blue Skies, Knights and Acting

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SEAN: I admit I tend to be more of a meat-and-potatoes manga reader, and there’s a ton of Viz stuff that I’ll be getting this week. That said, my pick is definitely Drawn & Quarterly’s The Sky Is Blue with a Single Cloud, a collection of Kuniko Tsurita’s works that ran in underground manga magazine Garo and elsewhere. It just looks wonderful.

MICHELLE: It does, but I have just been looking forward to act-age for so long that I can’t quit now. I don’t know what to expect from a shounen series about acting, but I am dying to find out.

ANNA: This seems like a great week for quirky manga in general. I’m going to have to go for the second volume of Knight of the Ice, because I’m not going to pass up any chance to celebrate a Yayoi Ogawa series.

KATE: I’m all in for The Sky Is Blue with a Single Cloud because if nothing else, I’m super-predictable when it comes to old, weird, or historically important manga. If I’m being a little less high-minded, I’m also totally on board with volume two of Knight of the Ice. It’s not as good as Tramps Like Us, but as Anna said, any Yayoi Ogawa manga is worth supporting, even if the supporting characters are more memorable than the lead romantic couple.

ASH: The Sky Is Blue with a Single Cloud is definitely my pick this week, too! I’m always interested in creators who published in Garo, but Kuniko Tsurita is one of the few women whose work has been translated, so I’m doubly interested.

MJ: I’m certainly excited about The Sky Is Blue with a Single Cloud, but this week I’m going to live dangerously and join Michelle in crossing my fingers for act-age. I just have to give it a shot!

Kokoro Connect: Asu Random, Part 1

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Famitsu Bunko. Released in North America by J-Novel Club. Translated by Molly Lee.

Here we are, folks, the final arc of Kokoro Connect. (There’s another short story book after this, but I’m going to go out on a limb and say it’s more of a victory lap than a plot mover.) This one is big enough to be divided into two books. When you finish it you will see why. Everything that the Club has been doing for the last year and a half – every victory, every heartwarming moment, every time they managed to win out and not completely lose it – has now turned into a liability, as it turns out that they’re simply TOO STRONG for Heartseed. And so there are new dangers on several fronts: other students are now suffering bodyswaps/emotional rages as they once did; people are finding out about the Club’s real activities, particularly their families; and there are now FOUR Heartseeds, some of whom are (supposedly) good guys now, and some of whom are determined to erase everyone’s memory of the last eighteen months. Even if that means destroying lives.

These books have always had a high amount of teen drama, and this one is no exception, though for once our main heroes aren’t actually part of it. By design. (Actually, I was rather surprised that the two main couples didn’t reflect more on the fact that their budding relationships might soon be completely undone, but to be fair they’ve got a LOT going on.) Indeed, all their secrecy is now coming back to haunt them, as it’s fairly easy to see them as the cause of the problem. There’s also a lot of brainwashing in this book, to a disturbing degree. Everyone has heard rumors of the school vanishing, but no one knows where from. The teachers don’t seem to care that everyone’s skipping class… or not there at all. Even Iori’s mother and Taichi’s sister, tho literally go to the school to investigate, end up being influenced. And then there’s Misaki, who serves as the test case for what’s going to happen to everyone – after talking with the Club, she loses her memories, and is mow merely casual acquaintances with her former best friends. It’s scary.

If this sounds a bit over the top and unrealistic, well, the Club points that out as well, as to how big an undertaking it will be to do this and not have the world notice. What’s also interesting is that they have not one, but TWO former enemies seemingly on their side – I say seemingly merely because Heartseed, as always, is deeply untrustworthy, be in the first or the second one. But they admit what I’ve been suspecting for a while – the reason they’re doing this so much is to see the emotions that humans have, and the Club has been influencing them more and more to try to retain their observations and emotions. As I said, the Club is simply too good at being emotional wrecks, in both good and bad ways. Now the entire school is in anotehr dimension, along with most of the first and second years, and it’s up to our heroes to rescue them.

Will they do it? Probably, though if any series was going to play with a tragic ending it would be this one. We’ll see what happens in the 2nd part. In the meantime, get reading for a shipfull of feels. (Speaking of ships, is it me or does polyamory feels REALLY natural with these five?)

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 2

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

The good news is this is still a very fun series with a lot of laughs and big goofy characters doing silly things. The bad news is that it is not a series that lives and dies on its character development, so I can see myself having trouble stretching reviews out to 500+ words as we go along. Lloyd is still stupidly strong and overpowered and completely unaware of it. He gathers yet more women into his orbit in this book, without remaining remotely aware of it, of course. Marie, the other seeming “main” character from the first book, is sidelined so hard and with such humiliation here I was tempted to call her Yunyun. The closest we get to serious characterization is Riho Flavin (yes, that’s still her name, a fact I will never get over), whose past catches up with her and whose days may be numbered. That said, this is a very silly comedy. Don’t expect it to kill off major characters.

The main cast remain the same as last time. Lloyd and Marie I mentioned. Sadly, the village chief comes back as well, and she’s not any less annoying. Selen is a mind-blowing yandere, but unlike most of this type, is actually funny. The plot is that there’s a magic tournament that’s located in their hometown this year. Unfortunately, their hometown is filled with muscles, not magic. No one would even want to participate expect Riho is being blackmailed by her childhood friend-turned-archenemy Rol Calcife, who seems to have become a Bond villain, and a pair of sisters. Mena is the sort of girl you’d expect in any other series to be the reporter girl looking for scoops, and she talks a lot. Her sister Phyllo is stoic and also a martial-arts master, looking for the one enemy she isn’t able to defeat. Guess who she finds that fits that bill? So Riho. Selen and Lloyd end up in the tournament after all.

Everything is secondary to the comedy here. Including Lloyd, who after starring in the first volume plays more of a supporting role here. He’s become the big gun that’s pulled out when an instant win is needed. As for the cast additions, my guess is that Phyllo will be the major one going forward. She’s amusing, as seeing Lloyd take her kicks without even reacting (she did break his ribs, but he doesn’t give that away), she is now almost as much a yandere over him as Selen is, just in a stoic way. It gets to the point that when a serious plot point is introduced at the very end, when we see that Rol may not have been fully in control of her evilness, that it feels out of place. We don’t really want this book to get any darker. We want it to be Big Goofy.

That said, this is still predominately great fun, with an excellent translation to match, which gets the book’s ‘no one is above humiliation’ style dead on. If you’re missing KonoSuba and looking for similar zaniness but wish Subaru and Wiz switched personalities, this is right up your alley.

Bookshelf Briefs 7/3/20

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Akashic Records of Bastard Magical Instructor, Vol. 9 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – Forgot to review the previous volume of this, and may have even forgotten to read it. Honestly, it doesn’t matter, as we begin a new story this volume, finally giving us the backstory of Celica, Glenn’s adopted mother figure and resident mysterious older sister sort. Unfortunately, she quickly learns why we shouldn’t wander into portals that will trigger guardians that want to kill everyone, and it’s up to Glenn and company to save her. This remains decent but not great magical school fantasy. Also, apropos of nothing, Rumi looks a lot like Yotsuba from Quintuplets, right down to the ribbon. – Sean Gaffney

Black Clover, Vol. 21 | By Yuki Tabata | Viz Media – Yes, this is the arc that never ends. It just goes on and on, my friends. As ever, Black Clover doesn’t do anything wrong here—the characters get good things to do, there are sparks of character depth and the action scenes are fantastic as ever. But once again, the series shows that it’s never quite going to make it into the pantheon—it’s never going to be a Naruto or My Hero Academia. It’s the best of the second tier, looking up at better series. That said, Jump always needs series like this, and several of them do tend to run and run—Black Clover is now among the longest-running Jump series. Doesn’t mean I don’t want this possessed by elves/devils/what have you arc to end. On the bright side, we finally see what’s up with that bird. – Sean Gaffney

Kakushigoto: My Dad’s Secret Ambition, Vol. 4 | By Kouji Kumeta | Kodansha Comics (digital only) – The anime series just ended, and sensibly gave more attention to the heartwarming parental aspects of this series rather than the bitter and cynical manga stuff. Thankfully, we do have the original manga, so we can get the best of both worlds. Because while Kumeta has mellowed over the years, he still has a lot of sharpness in his reactions (and overreactions) to things, and is STILL bitter about assistants after all these years, though thankfully he leaves Kenjiro Hata’s name out of it this time. On the family side, there’s discussion of Hime getting a dog, which doesn’t quite pan out just yet, and a Parent’s Day at school that likewise also doesn’t happen. Funny and heartwarming. – Sean Gaffney

Knight of the Ice, Vol. 2 | By Yayoi Ogawa | Kodansha Comics – Again, I really wish that we’d seen the prequel series Kiss and Never Cry before this, though from what I understand that had less of a “gimmick” to pull readers in than Knight of the Ice does. Things actually move pretty fast in this volume, as Kokoro and Chitose are able to somewhat indirectly have a confession, thanks to a pendant that was given to her years ago but never actually opened. The bigger worry is her job, though after some explanations she seems to have avoided being fired for now. It helps that Kokoro is becoming more famous, and he actually triumphs here with a daring free skate jump. Fans of josei romances should absolutely be reading this, as it hits all the things you want it to hit. – Sean Gaffney

My Villain Academia, Vol. 24 | By Kohei Horikoshi | Viz Media – Yes, the entire title changes in this volume, courtesy of our League of Villains changing the logo. It’s also a villain-on-villain battle here, as we get to see some of what makes our anti-heroes tick—reporter and villain Curious tries to make Toga’s “tragic backstory” a thing, but Toga just isn’t having it, and instead levels up and uses Uravity’s powers to drop them all to their deaths. Twice also gets a bit more depth here, as we see more of a running theme in MHA, which is that the system is flawed and a lot of villains are that way because of class issues. And then there’s Shigaraki, who gets a grandma and a backstory… that waits till next time. Uncomfortable but essential reading. – Sean Gaffney

The Promised Neverland, Vol. 15 | By Kaiu Shirai and Posuka Demizu | VIZ Media – I don’t know how it happened, but for at least part of this volume, I was thinking that The Promised Neverland had become kind of… dull. Part of the issue is that I identify more with Norman in his multi-chapter debate with Emma about whether it’s right to annihilate all demons—it would be a more certain path to their safety, and her idealism threatens his carefully laid plans for the pursuit of a fairy tale. I’m sure readers are supposed to be rooting for Emma, though. There’s also a lot about the hierarchy of demon society and Mujika’s place in it. Ultimately, while I definitely appreciate the complication of reuniting with a Norman who is no longer on quite the same page as his siblings (“I’m not wavering”), I’m also glad this series wraps up in another five volumes. – Michelle Smith

Sleepy Princess in the Demon Castle, Vol. 12 | By Kagiji Kumanomata | Viz Media – A good deal of time is spent by the rest of the cast in this gag manga trying to figure out what makes Princess Syalis tick. Is she, as was hinted at the start, just a spoiled princess who loves to sleep? Is she a demonic force of nature and mass murderer, something that really only applies if you take this title seriously? Is she a young woman on the cusp of her teenage years, as is laughably disproven in this volume when you realize that shame is not something Syalis was ever gifted with? Of course, the answer is that Syalis is a gag comedy protagonist, and therefore is all those things at any one time, because all of them involve funny things happening. Character development is for Komi Can’t Communicate. – Sean Gaffney

Toilet-bound Hanako-kun, Vol. 2 | By AidaIro | Yen Press – Having thoroughly enjoyed the first volume of Toilet-bound Hanako-kun, I was definitely looking forward to reading more. In general, I tend to be interested in manga dealing with yokai, so it’s probably not too surprising that I like the series, but I find the mix of humor and horror in Toilet-bound Hanako-kun to be particularly appealing. AidaIro’s use of comedy in the manga makes some of the narrative twists even more unsettling and impactful than they would otherwise be. The characterization of the titular Hanako (a ghost haunting the third-floor women’s bathroom at Kamome Academy) provides an excellent example of this—his goofiness is sharply contrasted by his sudden and often unexpected streaks of maliciousness. At times he comes across as benevolent or even endearing while at others he seems to be truly dangerous. So far, much of Hanako remains an enigma, from his true nature to his tragic past. – Ash Brown

Tomo-chan Is a Girl!, Vol. 7 | By Fumita Yanagida | Seven Seas – As with another series that shall remain nameless but is Fruits Basket, one of the big highlights of Tomo-chan is the school’s production of Cinderella, particularly as, due to being out sick when roles were chosen, Misuzu is the title role, leading to one of the grumpiest Cinderellas ever. Also, Jun finds his inner tree. More importantly, though, Misuzu realizes that she has been subconsciously sabotaging Tomo’s attempts to win Jun, and should have just said “be yourself.” Bit late now. Still, Jun apparently gets his feelings across. Unfortunately, Tomo runs away from said feelings. The next volume is the final one, so I’m sure it’ll be resolved soon. Till then, I love this character-driven romantic comedy. – Sean Gaffney

The Hidden Dungeon Only I Can Enter, Vol. 1

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By Meguru Seto and Takehana Note. Released in Japan by Kodansha Lanove Books. Released in North America by Seven Seas. Translated by Tiva Haro. Adapted by Cae Hawksmoor.

As I was commenting on Twitter about reading this book, I kept calling it “trash”. And it really is. But wait, it’s not actually bad. In fact, you could do far worse than this kind of trash. But – it’s still trash. The lead is a stock light novel hero, the sort referred to these days as “Potato-kun”. He gathers together a group of young women, all gorgeous, all who are either already in love with him or fall for him almost instantly. His powers essentially rewrite reality to a certain extent, and aren’t powered by MP but rather LP, which means he can do more provided he gorges on delicious food, makes love to beautiful women, etc. It’s not actually an isekai (he’s the son of a baronet, and genuinely from this world), but isekais have happened here before, so there’s soy sauce and miso. I was expecting it to hit the plot/character beats that would cause me to groan and drop it in annoyance. But… it didn’t.

Our hero is Noir, and as I mentioned before he’s the son of a Baronet, which means he’s nobility but the lowest rung, meaning nobles don’t give him the time of day. He has a great ability where a voice in his head tells him the solution for any problem… but it gives him crippling pain to use. And the job he had lined up for adulthood was given to a higher noble’s son. All he has is his adoring busty childhood friend who clearly is in love with him but he hasn’t caught on to this. She discovers that the pain of using the skill is lessened by kissing, and this in turn leads him to a dungeon no one has found, and an adventurer who’s been trapped there for 200 years. From there, he’s ready to become an adventurer, go to Hero Academy, save the lives of cursed young ladies, and… yeah, you get the picture. This is trash.

So why is it good? It knows its boundaries, and knows when to push and when not to. For all that his skill is powered up by sexual acts, hugging, lap pillows, and the like usually suffice – the closest this gets to 18-rated is the instructor who decides to reward him by sitting on him. He gets a skill that is called ‘lucky pervert’, and after falling into his friend’s boobs and seeing an old lady’s panties, he quickly rewrites the skill so that it happens ‘very rarely, and never in a serious situation’. For a generic guy, he’s a bit smarter than most (still dense, of course). In one epilogue, he sees a bunch of kids bullying a boy for “hanging out with a girl”, and very quickly tears apart their logic – aside from mentioning Emma’s chest a lot, there’s little of the stock sexism we see in these books. Heck, there isn’t even any slavery (and it makes me sad that this is so rare I’m happy to note it). Even the little sister in love with him is restrained compared to others.

So basically, if you bought the book because you wanted it to be a nice, friendly OP fantasy with a lot of cute girls in a harem, this is a good book to buy. It hits all those buttons, and isn’t appalling. It’s also getting an anime soon, so you get in on the ground floor. It’s trash. Embrace that.

The Asterisk War: The Steps of Glory

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By Yuu Miyazaki and okiura. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Haydn Trowell.

There’s good news and bad news in this new volume of The Asterisk War. The bad news is that this is the start of the series’ THIRD tournament arc, and with a few exceptions, battle scenes are what we’re going to get. The good news is that this author is quite good at writing battle scenes, particularly with a lot of young men and women kicking ass in various kinds of ways. We do get more at the start of the book showing the growing relationship between our villain, Madiath Mesa, and Ayato’s mother Sakura, whose real name seems to be Akari. It’s no surprise by now that she’s a girl shunned by the rest of her family due to “out of control” powers and forced to essentially live in a shed for most of her childhood, given what we’ve seen of this world to date. We do also get a bit of Kirin investigating, though that’s mostly her almost getting killed. The rest is fighting and foreshadowing of more fighting to come.

Saya is on the cover this time, and does get a bit to do, as she’s in the tournament. I was amused that chaotic, unpredictable fighters are her weakness, which makes perfect sense given her own personality and her love for Ayato. Ayato actually gets the most troublesome fights, not a big surprise given he’s the main character, and learns the hard way that the nature of this tournament (one-on-one, as opposed to pairs or groups) means everyone is far more brutal – several characters are hospitalized and the narrative has to tell us “it’s OK, they’re going to live”. He fights a big guy who has a few surprise Luxes that he can bring out, which shows off that there are various factions trying to influence this tournament as much as possible. He also fights a very nice girl and is very nice back at her, and it’s a good thing their battle is fierce otherwise I suspect the audience watching these fights would have been rather bored.

For those wanting more Julis, sorry to say you will have to wait – she’s barely in this book, and we don’t get to see any of her preliminary bouts. Instead we get a large number of characters, some of whom we’ve seen before and some we haven’t, but I can guarantee you I’ve mostly forgotten who they are. That’s fine, we’re not here for character development, we’re here to read some nice fights. Hilda’s battle was excellent, and I look forward to seeing the Mad Scientist fight, even though the narrator for some reason wants to tell me I won’t be able to get it. I was also amused at the student council presidents of the various schools trying to figure out how to explain the various borderline-illegal things their students have done. Next volume promises us the start of the real Tournament proper – in other words, battles where we may NOT guess the outcome in advance.

This is apparently the final arc in the series, per the author, which doesn’t surprise me given the main cast is about to graduate. I am assuming that many good fights will be had, all the remaining women in love with Ayato will confess to him, and he will end up with Julis, because in the end Asterisk War is well-written cliche but still very, very cliche. Still, I’ll be back next time.

Manga the Week of 7/8/20

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SEAN: Well, while things are not yet back to normal in the world around us, they’re back to normal in regards to manga. Which means there’s a LOT next week.

ASH: Woohoo, manga!

SEAN: Drawn and Quarterly have a collection of stories by feminist manga pioneer Kuniko Tsurita, called The Sky Is Blue with a Single Cloud. A single-volume collection of her best works, this sounds absolutely amazing.

ASH: It really does; I’ll definitely be checking it out.

MJ: Wow, yes, this sounds fantastic.

SEAN: J-Novel Club has a number of print releases coming out. We get An Archdemon’s Dilemma 6; the 9th and final volume of If It’s for My Daughter, I’d Even Defeat a Demon Lord; the 7th Infinite Dendrogram; the 3rd Marginal Operation manga; and the 2nd My Next Life As a Villainess.

In digital releases we see Arifureta Zero 4, the 4th Discommunication manga, I Refuse to Be Your Enemy! 2, Infinite Dendrogram 12, Seirei Gensouki 10, and the 3rd manga volume for The Unwanted Undead Adventurer.

Kodansha has one print title out next week, the 2nd volume of Knight of the Ice.

ANNA: I am extremely excited about this!

ASH: Looking forward to it, especially after all of the delays!

SEAN: The digital debut is Cells at Work: Bacteria! (Hataraku Saikin), another in a long line of spinoffs. This one runs in Nakayoshi, though, and so is a shoujo manga about good bacteria battling bad bacteria. It’s already got 6 volumes.

ASH: Some of the spinoffs can be hit-or-miss, but I liked the original and I like the sound of this one.

SEAN: Also out digitally… (deep breath)… All-Rounder Meguru 15, A Condition Called Love 5, Knight of the Ice 3, My Boss’s Kitten 5, Orient 4, Pretty Guardian Sailor Moon Eternal Edition 7, Pumpkin Scissors 23, Saint Young Men 5 & 6, A Sign of Affection 2, Smile Down the Runway 11, To Be Next to You 7, and Wotakoi: Love Is Hard for Otaku 4. (Yes, we mentioned the last one before – it got bumped.)

MICHELLE: I’ll be reading quite a few of those!

SEAN: Seven Seas has a large number of titles that are coming out in print. The 8th Arifureta light novel, A Certain Scientific Railgun 15, the debut of the Kuma Kuma Kuma Bear light novels, the debut of the PENGUINDRUM light novels, I Had That Same Dream Again – the novel AND the manga, My Senpai Is Annoying 1, The Legend of Dororo and Hyakkimaru 1, and the 9th Didn’t I Say To Make My Abilities Average?!. We’ve discussed the debuts when they came out digitally, but it’s nice to see them in print.

ASH: That it is! I’m particularly looking forward to giving The Legend of Dororo and Hyakkimaru and PENGUINDRUM a try.

SEAN: Digital-first, there is a new debut light novel: Yes, No or Maybe? (Yes ka No ka Hanbun ka). This is a done-in-one BL title, and it’s about a news anchorman and a stop-motion animator. It’s gotten great buzz, and is getting an anime.

ASH: Oh, I had missed the anime news, but I am interested.

MICHELLE: I don’t read many light novels, but this sounds kind of fun.

MJ: Huh, interesting.

SEAN: Also digital first is the 7th Mushoku Tensei novel.

Sol Press has a digital release of the 4th Chivalry of a Failed Knight.

And then there’s Viz, who have a full slate of releases. The debut is act-age, a Weekly Shonen Jump title that seeks to do for acting what One Piece did for pirates. Unfortunately, its star, Kei, is all about method acting. This is 11+ volumes to date, so it’s a proven winner by Jump standards. Still… method acting. Ugh. The drama major in me rears back and hisses.

ANNA: Ha, I have to admit I am curious about this based on the description.

MICHELLE: The music major in me hasn’t got a lot of opinions about method acting, so I’m looking forward to this. :)

MJ: Agree on method acting, but also, I’m gonna have to read this.

SEAN: Also debuting in Bleach: Can’t Fear Your Own World, the first of a 3-volume light novel sequel to the popular/controversial Jump title written by Ryohgo Narita, the creator of Baccano! and Durarara!!. Given that pedigree, he knows how to handle huge casts, but Bleach may be a bigger challenge. This stars Hisagi, aka “that guy with 69 tattooed on his cheek’.

There’s also Demon Slayer: Kimetsu no Yaiba 14, Dr. STONE 12, Haikyu!! 39, Kaguya-sama: Love Is War 15, One-Punch Man 20, and Seraph of the End 19.

ASH: I’m behind with Haikyu!!, but I have been dutifully collecting volumes in preparation for a marathon read.

MICHELLE: I’m a couple of volumes behind, so I can have a mini-marathon, which will probably be extremely enjoyable.

SEAN: On the Shojo Beat tip, we have Daytime Shooting Star 7, An Incurable Case of Love 4, Love Me Love Me Not 3, Prince Freya 2, Snow White with the Red Hair 8, and Takane and Hana 15.

ANNA: Yay, it is a WEEK FOR ANNA!

ASH: Despite some of the pacing issues of the first volume, I am curious to see how Prince Freya continues to develop.

MICHELLE: Yeah, it didn’t really live up to the awesomeness of its cover, but I’m not ready to give up on it just yet. I’m actually reading everything in that Shojo Beat list except for the one of them that is not actually shojo.

SEAN: Something for everyone here. What’s for you?

The Saga of Tanya the Evil: Ut Sementem Feceris, ita Metes

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By Carlo Zen and Shinobu Shinotsuki. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

This book came out just before the anime began in Japan, and right about the time the manga started. As such, it’s the first one to be possibly influenced by both of those sources. I’ve talked before about how I don’t think Tanya’s pragmatism is usually as evil as the author wants us to believe, but sometimes he digs deep and shows us that there really is a difference in the way she (and her soldiers) think and everyone else. This book has an Ildoan Colonel observe her unit during a Federation attack, and is horrified that the soldiers not only plan to attack a town but also to bomb a church. Tanya’s cheerful explanation of how this is all perfectly fine due to the rules of war (and the fact that the Federation hasn’t signed any agreements) can be chilling as you realize how she’s not thinking of morality in a general sense at all. And then you remember that this is meant to be an anti-war series, and it all makes sense.

Tanya is all smiles on the cover, partly as she’s entertaining the observer and tries to be on her best behavior, but also has there’s a very real chance that we may be achieving peace again. Lergen spends most of the book in Ildoa, negotiating a peace with excellent terms for the Empire. And the generals (and Tanya) make sure that those terms are acceptable by absolutely trouncing the Federation, who have stronger weapons, better shields and well-trained men now but still lack aerial mages, and that’s making all the difference. Unfortunately, peace is not decided by the generals. We get another look at the ruling government of the Empire, and it’s chilling. By the end of this book, you realize that there’s no way the series can possibly end with anything but total, 100% defeat for the Empire. That’s a ways down the road, but… get used to war is what I’m saying.

The last volume was mostly talk and little fight, and this one goes in the other direction, being mostly filled with battle after battle. Our core team stays alive, and wins each battle, but there’s no mistake – things are getting harder. The enemy is starting to prepare for Tanya’s pyrotechnics, and she’s stunned when, for the first time, one of her “blow everything to hell” attacks does not blow everything to hell. Even when they do win due to clever tactics and overwhelming mage superiority, the Federation are able to make their retreat to fight another day. Even worse, they do so in an orderly fashion – discipline is winning. These are not the enemies Tanya wants to fight, as they’ll only lead to bad things for her and her fellow soldiers. That’s why she’s so happy at the end of the volume, not knowing what’s been happening with her government. I expect a big freak out from her at the start of the eighth book.

So a good, strong Tanya volume, better than the last, and reminding you again that when war is being fought, no one wins. The title’s translation, “As you sow, so shall you reap” could not be more appropriate.

Pick of the Week: Love and Sports

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MICHELLE: There’s not much that I’m especially excited about this week. I have enjoyed what I’ve read of Farewell, My Dear Cramer, though, and we don’t get much sports manga about girls’ teams over here, so I will award its tenth volume my pick this week.

SEAN: When it was out digitally I was distracted by Spy x Family, so now I definitely want to make Love Me for Who I Am my pick. A terrific look at LGBTQ identity, from multiple viewpoints.

ASH: While I am sorely tempted by the new hardcover deluxe edition of Clover, this week my pick aligns with Sean – I’ve been waiting for Love Me for Who I Am to be released in print, so I’m glad it’s finally here!

MJ: Like Ash, I’m interested in the hardcover edition of Clover, but I have to give a cautious vote to Love Me for Who I Am—cautious only after I saw the kind of weird cover. But I’m going to trust Sean that it’s more to my taste than its “infantilized sexy maid” cover suggests. But also, it’s got a nonbinary lead, and that’s enough for me. I must read it.

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 6

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By Satoru Yamaguchi and Nami Hidaka. Released in Japan as “Otome Game no Hametsu Flag Shika Nai Akuyaku Reijou ni Tensei Shite Shimatta…” by Ichijinsha Bunko Iris. Released in North America by J-Novel Club. Translated by Marco Godano.

At last, our cast has managed to graduate from school and become real adults. That said, working at the Ministry seems to be giving Katarina and company the same opportunities that they had in the 3nd and 4th books, which is to say going around investigating magical problems. More importantly, though, Katarina has discovered that Fortune Lover had a sequel that came out after her death (courtesy Sophia’s still unconscious memories – Sophia herself sadly seems to function only as a plot device this book) which features the return of villainous, one-note Katarina Claes… and this time there’s no exile involved, it’s jail or death. Now she has to charm new characters (read: new love interests) all while dealing with being put into the Magical Department that all the weirdos go into… not that Katarina is weird, of course. Oh no.

So yes, be reassured that the plot is moving forward at last. That said, I’m not sure how I feel about Fortune Lover II, which seems like a convenient way to simply have the same stuff happen. It certainly widens the cast, albeit at the expense of the original “harem”, who all get far less to do this time around, with the exception of Maria, who is in Katarina’s group for the practical exam they’re taking. (She does not end up in the department of weirdos.) This includes a trans character, though I’m not quite sure how we’re supposed to read her. The “girly macho” type is a Japanese stereotype mined for comedy, and there’s quite a bit of that here as well – she clearly makes Katarina uncomfortable. That said, Katarina does at least gender her correctly and use her preferred name, which the rest of the cast does not. (I’m not sure how much of that is down to translation, though.) It remains to be seen if this is progressive or just awkward.

As for the new “love interest” we meet in this book, Dewey, he’s meant to compare and contrast with Maria, being a younger boy from her hometown, also poor and relatively unloved, who studied hard and got into the Ministry at a young age and is not fond of a) people who pity him, b) asking for help, or c) nobility. Naturally, Katarina rubs him the wrong way. Fortunately, their practical exams blows up into a major crisis which turns out to involve a dragon (something thought to be mythical, even in this “magic exists!” world) and Katarina knows the best way to deal with it… throw rocks and sticks at it. OK, that didn’t work, but it distracted the dragon long enough for her magical darkness puppy (from Book 4) to get REALLY BIG and defeat it. (Katarina’s relationship with dark magic is something I hope we get into in future books… there’s already Ministry officials wanting to examine her.) I’m not sure Dewey has fallen in love with Katarina like everyone else in her orbit, but at least he knows she cares.

Despite the gimmicky Fortune Lover II jumpstarting the plot, this is a good volume in the series, and I’m happy we’re away from school life. Whether the author can handle the huge cast is another question – Jeord gets a chapter to himself here (and it’s good – the anime did him no favors, frankly) but I suspect we’ll be dealing with Katarina’s workplace friends more and more. Fans of the anime should still enjoy it, however.