Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Michelle Smith

Off the Shelf: In which we grant a request

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MJ: I’ve just realized how few jokes I know. You always open with a joke. I’ve got nothin’.

MICHELLE: That’s okay. I freely admit that most of mine aren’t very good. And even if you’ve got no jokes, you’ve surely got manga to talk about!

MJ: Indeed I do! Should I go first?

MICHELLE Please do!

MJ: Well, I know we have a special request to grant at some point here, but before we get to that, my big read for this week was the debut volume of Puella Magi Madoka Magica, adapted from the popular anime series. This is obviously a highly-anticipated release. In a rare twist, I’ve actually seen the anime series, and since I enjoyed it very much, I’d have to admit that this manga series was even highly anticipated by me. Ultimately, I’d say that this is not necessarily in the manga’s favor, though there is a quite a bit here to enjoy.

The series begins just as you’d expect from a magical girl story. Madoka is an ordinary girl with ordinary friends, who is suddenly approached by a talking catlike creature (Sailor Moon shout-out, I assume?) named Kyubey who offers her the opportunity to have a single wish granted if she’ll sign a contract to become a magical girl. This is understandably exciting for Madoka (and her friend, Sayaka, who is also invited), but nothing is quite as it first seems. Madoka’s magical dreams are quickly tempered by the reality of untimely death in a magical girl’s future, as well as by a mysterious new girl, Homura, who for some reason insists that it is of vital importance that Madoka not sign on with Kyubey—to the point that she makes repeated attempts on Kyubey’s life in an effort to save Madoka from him.

Having watched the anime series, there isn’t a lot of mystery in this for me, but even taking that into account, there are ways (mostly visual) in which the manga pales in comparison to its source material. For instance, one of the most spectacular elements of the anime series is the ornate visual fabric of the dimension inhabited by “witches” (the beings our magical girls are being asked to destroy). These encounters with witches are elaborate and rather psychedelic, and they really help to emphasize the series’ darker take on the magical girl formula. In the manga series, these sequences just look kind of drab and lumpy, and they are glossed over so quickly, the sense of real danger and anticipation is lost along with the general aesthetic. Even the fight scenes could really stand to be longer (did I really just say that?), as they seem to lose a lot of their tension and significance.

On the other hand, this story is compelling no matter how it’s told, and if the artist has failed to quite capture its eeriness, its pathos remains intact. I’m happy to see, too, that Madoka’s family life, headed up by her fearless corporate shark of a mom and her homemaker dad, is just as charming here as in the anime series (if granted slightly less screen time).

MICHELLE: This sounds a bit like Bokurano: Ours, in which middle-school-aged kids are duped into a contract that requires them to destroy aliens and die in the process. I do think, though, that you’ve sold me more on the anime here than on the manga.

MJ: Well, and perhaps I mean to, though I feel a bit bad about it. I have a lot more stake in the manga industry than I do in anime, yet in this case I can’t deny that the manga suffers in comparison. It is still quite interesting, though, and I’m looking forward to the second volume. It really is a very compelling story, regardless of how it’s being consumed.

One little oddity (and this applies to both mediums)— Puella Magi Madoka Magica is a magical girl series that resembles modern series for a male audience much more than a female one. You can easily identify all the usual suspects: the glasses-wearing girl, the spunky girl with fang teeth, the pretty girl with long, black hair, the self-conscious yuri jokes… you could be watching Lucky Star in that respect. This doesn’t detract from the series at all for me, but it definitely gives the series a bit of a male otaku vibe—at least that’s how it reads to me.

So, what’s next?

MICHELLE: Well, I’ve also read something that’s an adaptation from another medium, though this time it’s from a dating sim for girls!

You may recall that I talked about Alice in the Country of Hearts way back in our second ever Off the Shelf column. There, I initially referred to it as “bishie land” then instantly reconsidered, since the plot focused more on the mystery of the world in which the heroine, Alice, found herself than in her myriad romantic prospects. The series was much better than I expected, and I liked it so much that I sought out the sixth volume in Japanese after TOKYOPOP’s demise meant the series would not conclude in English (though it will be released in its entirety by Yen Press this summer).

Alice in the Country of Clover: Bloody Twins is an adaptation (by a different artist) of another game in the series, and though certain elements are reset, it functions fairly well as a sequel. Alice remains in the world that she believes is a dream and has become fairly comfortable there. Nearly every male resident is interested in her, but her constant companions are twin boys “Dee and Dum,” who constantly proclaim their love for her and who like to a) glomp her all the time and b) kill people. A shift in the dream environment moves everyone to the land of Clover, where the twins gain the ability to turn into grown men, whereupon they act the same as ever, causing Alice to get flustered and blush a lot.

This is another case of a series suffering in comparison to something else. Where Alice in the Country of Hearts surpassed my expectations for a manga adapted from a dating sim, Alice in the Country of Clover meets them fairly exactly. There is no focus on the mystery of the world at all. Instead, this reads entirely like a “what if” scenario: what if Alice fell in love with the twins? She’s still a reasonably likeable character, rather embarrassed that she’d dream up such a scenario, but Dee and Dum are so empty as people that it’s disturbing that she’s not disturbed by them. It’s utterly impossible for me to root for this romance, but perhaps I was never intended to, as the short stories rounding out the volume explore different “what if” pairings for Alice.

That said, Alice in the Country of Clover isn’t outright bad. I definitely smiled a few times at the humor, and can see myself checking out the next Clover installment, Cheshire Cat Waltz, which Seven Seas is publishing next month.

MJ: I suppose my feeling here is that you’ve perhaps sold me on Alice in the Country of Hearts rather than on this sequel, which sounds… not bad, but probably not worth prioritizing over better manga.

MICHELLE: And, like you, perhaps I meant to, but I feel bad about it! I definitely hope that people support Seven Seas by checking out the Clover titles.

And now… the special request. A few weeks ago, you reviewed the tenth volume of Pandora Hearts in our Bookshelf Briefs column, and we received a comment from Releona, who said she’d like to see it featured in an Off the Shelf column, as she was interested in our thoughts on it in greater detail.

Your wish is our command, Releona!

MJ: Since I’ve already done a review of sorts, would you like to get us up to speed on the series’ plot at this point?

MICHELLE: I’ll take a shot at it, though Pandora Hearts is one of those series that makes sense in the short-term but is not exactly clear in terms of its long-term plot trajectory.

Oz decides that the best bet for restoring Alice’s lost memories would be to visit Sablier, scene of a great tragedy a century before. Separated as they approach the epicenter of the disaster, Oz, Alice, and Gilbert see illusions from the past, each of which introduces some intriguing twists to the story, mostly in the form of answers about how the tragedy came to be. All of this is quite interesting, but mangaka Jun Mochizuki is adept at making the story about the characters, so the most compelling aspects are sympathizing with the character who brought about the tragedy as well as watching Gilbert angst oh-so-prettily about his memories and the possibility of being driven mad by them.

Probably I could read a manga that was all about Gilbert angsting prettily, but it sure was nice to get a little more shape to the story at this point.

MJ: Most readers by now have probably figured out that I’m a big fan of this series, and given that I’ve gone on in rapturous delight about its costuming, it’s probably a given that I’d happily read a whole manga about a prettily angsting Gilbert as well. But I certainly agree that this volume was a balm for the muddled brain. Not only was it a relief to understand Gil’s full history at last, but it also helped me to despise another character much, much less. And really, I wouldn’t have thought that could happen. Though probably I now hate Glen Baskerville much, much more.

Also, though Alice takes a back seat in this volume, the scene in which she confuses a kiss with a bite on the cheek is one of her most charming moments.

MICHELLE: It was, though I was startled to see how very obnoxious she was in the past. She may actually be a better person without her memories, which I’m sure is Mochizuki’s intent. Speaking of nice moments, I was also very happy that Oz actually feeling free to complain about something for the first time was given the significance it deserved. Gil desperately needs to be needed, and Oz still relying on him in a crucial moment brings him back from dangerous thoughts that still seem to be plaguing him, even at the volume’s end.

In addition to Gil’s violent impulses, another thing I’d like to see Mochizuki explore soon is Jack’s relationship to Alice and how much it influences Oz’s feelings towards her. In fact, this ties in to another important reveal in this volume, namely why Jack was consigned to the Abyss to start with.

I suppose my bottom line is, “this volume is not to be missed.” Not that I would advocate missing any of them, really.

MJ: Oh! And another thing that was a fairly big deal in this volume is Oz’s increasing ability to become one with the B-Rabbit. It was frightening, for sure, but pretty interesting.

And yes, I agree. This volume is not to be missed. It’s a substantial payoff for some of the confusion we’ve endured (amidst all the beauty) thus far.

Readers, if you (like Releona) have any special requests for Off the Shelf, feel free to let us know!

Pick of the Week: Ouran, Devil, GTO

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MICHELLE: Ordinarily next week would be one of those impossible-to-choose weeks for me, featuring as it does series like Bakuman, Slam Dunk, Kimi ni Todoke, and Dawn of the Arcana, all of which are terrific. However, they’re all also still being released in English, which means I have plenty of time to recommend them in future. The same cannot be said for Ouran High School Host Club, which reaches its eighteenth and final volume at long last. I’ve followed this series for six years, throughout various ups and downs—I loved some of it, I liked some of it, and I grew frustrated by some of it—but I am really looking forward to its conclusion. I hope it’s as satisfying as it has the potential to be!

SEAN: What Michelle said. Ouran 18 for me as well. (Hey, sometimes even I have little to say.)

KATE: I’ve never been an Ouran gal, so my pick goes to another Shojo Beat title: volume three of A Devil and Her Love Song. I thought the first two volumes showed promise, but felt that the author sometimes didn’t quite know what to do with her prickly, truth-telling heroine. In the third volume, however, the story really clicks: the characters are fully realized, and the storyline begins moving more briskly. Though there are some melodramatic flourishes, A Devil and Her Love Song remains squarely focused on real teenage concerns: fitting in, staying true to one’s beliefs, and rejecting phoniness in all guises. Surely Holden Caulfield would approve.

MJ: While there are quite a few favorites of mine on the list this week, I’ll give my vote to volume three of GTO: 14 Days in Shonan. From my write-up at Off the Shelf: “What I found pretty spectacular about 14 Days in Shonan, is that it features a main character who spends a lot of time telling other people just how much of a badass he is, while actually being a badass … I enjoyed these volumes so much more than I expected, I find myself wishing I had some kind of award to give out for it, or something. It’s been a while since my expectations were so neatly trounced.” I realize that simply repeating myself is a lazy way to make my pick, but really, that gets to the crux of it. I (very unexpectedly) loved the first two volumes of this manga, and I can’t wait to read more!

Readers, what looks good to you this week?

Bookshelf Briefs 6/4/12

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This week, Michelle, Kate, and Sean look at recent releases from Viz Media, Yen Press, and Sweatdrop Studios.

Ai Ore!, Vol. 5 | By Mayu Shinjo | Viz Media – Ai Ore! in its fifth volume is pretty different than its first. Almost entirely gone is Akira’s manipulative/disturbing behavior (though he’s still fixated on making Mizuki “his”), which is definitely a good thing, and the series has settled into a fairly generic romantic comedy groove. Unfortunately, it seems like Mayu Shinjo may already be out of ideas, since we’re treated to yet another “Mizuki thinks Akira has secretly been gay all this time” bout of melodrama. I continued to be disappointed that Mizuki, who occasionally looks ravishingly boyish, is not a cooler and stronger character, but it’s pretty much a lost cause at this point. Still, even though I stop short of calling Ai Ore! good, it is compulsively readable, and I see myself finishing out the series, though I’m not looking forward to the beachy hijinks advertised for the next volume. – Michelle Smith

Bamboo Blade, Vol. 13 | By Masahiro Totsuka and Aguri Igarashi | Yen Press – There’s some big surprises here, though many of them were signposted earlier. TV Savant Erina is not who she appears to be, and it’s her backstory and growth that is the focus of this volume. The reason that it’s her, by the way, is that Tama loses – genuinely and honestly. This is exactly what her coach has wanted all along, and now we get to see what she will gain from it. Tama has always sort of done kendo as it’s expected of her. Now she sees true kendo passion – both from Erina and from Ura Sakaki, whose delusions of sentai are finally thrashed out of her in one of the most awesome sports battles I’ve seen in a long time. So we’ve one volume to go, and I’ve no doubt that volume will have Tamaki finally seeking the real reason she fights kendo matches. Highly recommended. –Sean Gaffney

Oresama Teacher, Vol. 8 | By Izumi Tsubaki | Viz Media – I sense that Tsubaki-san was told be her editors at Hana to Yume around this point in the manga that the series was a success, and in no danger of ending soon, so it was time to break out the new characters and plot complications. There’s a sense of gearing up for the next big battle here. Unfortunately, as always, Tsubaki’s plotting always seems flaky and scattered. So we get a chapter giving a bit of depth to the main villain, then some background for Takaomi, then a whole passel of new minor villains (some even female – gasp!) are introduced, and then Mafuyu’s two suitors find out about her relationship with Takaomi. There’s some fun stuff here – I was, as always, laughing a lot throughout – but Tsubaki needs a stronger editor than the ones Hakusensha provides. –Sean Gaffney

Soul Eater, Vol. 9 | By Atsushi Ohkubo | Yen Press – Soul Eater is another title, like Oresama Teacher, that is finishing one plot and getting ready to gear up for another. It, however, handles this much better, with plot threads from Vol. 6 onwards just now starting to pay off. The focus here is on our three meisters, rather than their weapons, and I was impressed with how the manga handled Black*Star, everyone’s favorite insufferable talented jerk. We get a lesson seemingly set up for teaching him humility and learning to hold back for the sake of the others – then it turns out this is a fakeout, and that it’s Maka who has to learn not to hold her fellow student back. Finally, our team goes off on its next big battle, where they’re acting as backup for an increasingly unstable Doctor Stein – and they promptly disobey his orders and charge in to the rescue. Kids, sheesh. Good shonen fun. –Sean Gaffney

The Story of Saiunkoku, Vol. 7 | By Kaira Yura and Sai Yukino | Viz Media – The ongoing hazing and abuse of Shurei and Eigetsu sort of percolates along through this entire volume, driving many plots but not quite coming to a head – no doubt that will happen in the next volume. Instead, we get to see that ‘slow and steady wins the race’ seems to be the moral lesson for the entire cast – the villains always seem to overplay their hands by overdoing things and making fast, impetuous choices. Our heroes, meanwhile, are the picture of calm and serenity, even when they’re being arrested for favoritism or held captive so as not to testify at a trial. Of course, one can be *too* serene and unreadable – there’s a great story here about Koyu’s frustration with his lord, and being unable to tell the difference between not caring and not wanting to hold back. It’s all about the small, quiet moments here. –Sean Gaffney

Sun Fish Moon Fish | By Morag Lewis | Sweatdrop Studios – Set in the fictional kingdom of The Thousand Island Archipelago, Sun Fish Moon Fish tells the story of Anciarin, a court mage who’s falsely accused of murdering Archipelago’s royal family. The premise is certainly ripe with potential, but the execution is wanting; Morag Lewis’ character designs have a faintly unnatural quality to them, with enormous, wide-set eyes and perpetually surprised expressions. The dialogue, too, tacks between medieval formality and modern-day casualness, with one character demanding, “What’s your beef?” and another making reference to “teams,” as if he were a S.W.A.T. captain. If the art and dialogue are sometimes amateurish, Lewis shows considerable promise as a writer; Sun Fish Moon Fish is briskly paced and skillfully plotted, giving equal time to Anciarin and Iashar, the soldier tasked with bringing the mage to justice. An ambitious, though uneven, work. – Katherine Dacey

Pick of the Week: Genshiken, Wallflower, & more

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MJ: There’s not much to choose from at Midtown Comics this week, but making my pick is astonishingly easy, perhaps only because I came so late into the world of manga. The truth is, I’ve always wanted to read Genshiken, and this new omnibus release from Kodansha Comics has finally made it easy for me to actually conceive of doing so. I look forward to finally picking this series up!

SEAN: It’s a very slim week this week, so instead of highlighting something revolutionary or cutting-edge, I will go for one of my comfort manga again. The Wallflower will not win any points for originality—or indeed for resolving its plot—but it’s always so much fun, and I always enjoy seeing what wacky situations the cast will find themselves in this time. Everyone needs a manga that you just turn your brain off and read, and this is a good one. Plus Sunako kicks ass when she wants to.

KATE: Looking over the final shipping list of the month is like opening a half-empty refrigerator: there’s bound to be something worth trying, but it takes a little imagination to find it. This week, however, the manga offerings are just too meager, so I’m going to recommend the first Wonder Woman trade instead. For me, the big draw is the artwork: Cliff Chiang depicts WW not as a voluptuous pin-up, but as a tall, lean warrior who just happens to look a lot better in a strapless unitard than the rest of us mortals. I don’t have any difficulty imagining this WW kicking ass and taking names.

MICHELLE: It’s not on the Midtown list, but according to Amazon, volume three of GTO: 14 Days in Shonan is due out this Tuesday. I wasn’t sure what to expect from this tale of a former delinquent with a talent for getting through to troubled teens, but it turns out it’s a lot of fun. I enjoyed volume two more than the first, as a matter of fact, which certainly bodes well for this next installment!

Readers, what looks good to you this week?

Bookshelf Briefs 5/29/12

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This week, Kate, MJ, and Michelle look at recent releases from Yen Press, VIZ Media, JManga, and eManga.

Amorous Women of the Floating World: Sex in Old Tokyo, Vol. 1 | By Kaoru Hazuki & Chinatsu Takamura | Leed Publishing Co., LTD – The cover copy for this manga begins, “Did you know that Japan in the 18th century was even more sexually permissive than it is today?” After reading this manga, however, it must be clarified that “sexually permissive” should be appended with”…for men.” This book is for men, of course, but it’s difficult to accept it as harmless sexual fantasy, when it works so hard to try to sell the subjugation of women as female empowerment. The book opens with lessons in “marital harmony.” “It is incredibly pleasurable for your lord to enter your mouth,” a young woman is told on the eve of her wedding night. “Do not deny him!” Later, we learn about the rural practice in which groups of local men set upon households of women in the middle of the night to ask for sex, which we’re told was empowering for the women because they were allowed to say no. While as a history of sexual behavior in Japan, this book offers some interesting information, as sexual fantasy it’s just kind of… icky. – MJ

Black Butler, Vol. 9 | By Yana Toboso | Published by Yen Press – You know the previous arc must’ve been a dark one when a murder mystery set in Phantomhive Manor seems positively lighthearted by comparison! Ciel is compelled by Her Majesty to play host to a distinguished German visitor, but when the man turns up dead (on the requisite dark and stormy night, of course), Ciel is the only one without an alibi. One guest believes in his innocence, however—a medically trained mystery writer named Arthur, whom one can only assume is meant to be Conan Doyle. Arthur narrates the tale, which is kind of neat, and though I don’t believe for one moment that Sebastian has truly become the killer’s latest victim, I must say that I was really bummed out that I didn’t have volume ten immediately to hand.– Michelle Smith

Cross Game, Vol. 7 | By Mitsuru Adachi | Published by VIZ Media – I’ve you’ve been keeping up with Cross Game, you pretty much know what to expect with this volume. The Seishu team has one last chance to make it to Koshien, and this omnibus (comprising volumes 14 and 15 of the original Japanese edition) offers lots and lots of baseball goodness as they make their way through the Tokyo tournament. Meanwhile, there’s a sort of romantic pentagram going on that provides some distractions. I really admire the elegant way that Adachi and co. depict the games—they are effortlessly easy to follow—as well as Aoba’s growing realization of Ko’s various good qualities, and am always left wanting more even after 300+ pages. Speaking of wanting more, I shall avail myself once more of the opportunity to express my wish for another Adachi series after Cross Game wraps in July. Please, VIZ? – Michelle Smith

A Devil and Her Love Song, Vol. 3 | By Miyoshi Tomori | VIZ Media – Miyoshi Tomori captures adolescence in all its messy confusion, addressing pack behavior, frenemies, and faculty bullies. To be sure, other manga explore the same terrain, but Tomori’s work is one the few that can transport an adult reader back to his or her high school days in a vivid, compelling fashion. What makes this series work is its cast: the characters are flawed, inconsistent, and sometimes unlikable — just like real people — but they’re also funny, smart, and occasionally brave in small ways — just like real people. Best of all, Tomori’s heroine is prickly and brash without being cartoonish; chances are, you knew someone just like Maria when you were 15, and secretly admired her candor, too. Recommended. -Katherine Dacey

Don’t Cry, Girl | By Tomoko Yamashita | JManga – Are wacky nudists the latest trend in manga? I ask because Don’t Cry, Girl was the second manga I’ve read that featured a naked character — in this case, Masuda, a bachelor who agrees to provide a home for Taeko, his friends’ chaste but sensible 17-year-old daughter. The story reads like an extended riff on Austin Powers, with Masuda strategically using bowls of fruit, house plants, and vacuum cleaners to block Taeko’s line of sight. It’s a giddy and stupid conceit, sustained by the chemistry between the unsparingly blunt Taeko and the irrepressibly childish Masuda. The volume is rounded out by a second story, “3322,” which explores the relationships among a trio of women who spend a summer living together. The second story is lush and atmospheric but a little disjointed, making it difficult to follow all the plot strands. Taken as a whole, however, Don’t Cry, Girl is a welcome addition to the small but growing body of josei in English. – Katherine Dacey

Rin-ne, Vol. 9 | By Rumiko Takahashi | VIZ Media – The latest volume of Rin-ne features several ghost-of-the-week stories. Some have a loopy charm: in “Ramen Kaedama,” for example, Rokudo’s feckless father teams up with another damashigami to open a noodle shop, while “The Wig’s Regret” features a possessed prop from a long-forgotten school play. Other chapters, however, feel like something that Rumiko Takahashi could produce on autopilot: the stories are pat and predictable, with magical elements that feel overdetermined. The artwork, too, lacks the detail and personality of Takahashi’s earlier efforts; the backgrounds are uncharacteristically sparse and bland, while the figure drawings look like pallid imitations of characters from Ranma and InuYasha. It’s not bad, just tired; we’ve seen Takahashi tell these kind of stories before with more spark and wit. -Katherine Dacey

BL Bookrack: May 2012

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Welcome to the May installment of BL Bookrack! This month, Michelle takes a look at est em’s Apartments of Calle Feliz (JManga) and the first volume of The Scent of Apple Blossoms (SuBLime), while MJchecks out western BL webcomic Honeydew Syndrome. In Brief: Doukyusei from JManga, and My Sweet Home from the Digital Manga Guild.


Apartments of Calle Feliz | By est em | Published by JManga – It seems that every time I turn around I am thanking JManga for something these days, and this quirky set of interconnected short stories from est em can now be added to the list!

Life’s not going well for aspiring novelist Luca. His editor is dissatisfied with his work, and he’s just been kicked out of his home because his boyfriend found a new guy. When he responds to a flyer advertising a room for rent, he ends up living with the landlord, Javi, instead. Luca’s intrigued by Javi, but keeps telling himself not to care about him, because it seems obvious that Javi has ousted a past lover from his apartment and Luca knows what that feels like.

Still, Javi is an inspiration, and his suggestion that Luca write stories with happy endings for the tenants of the apartment building—located on Calle Feliz (or “happy street”)—results in the tales included here. Residents include Dino and Salvator (a fashion designer and his nudist recluse boyfriend), Noe and the Twins (a man unable to decide which of a pair of twins he prefers), Matias and Pepe (a boy who reminds a puppetmaker of his lost love), and Jose and Eva (a hard-of-hearing guy and a crossdresser with a bunch of noisy roommates). A story about Javi and Luca and Javi’s past rounds out the collection.

The stories themselves are generally fun and charming—though I was disappointed that the Jose and Eva story seemed to end so abruptly—but what’s even more intriguing is wondering how much of this actually happened and how much is Luca’s imagination. Did Pepe’s lover really return to him? Did the designer and the nudist resolve their problems and live happily ever after? It’s nice to imagine they did, but est em floats the possibility that maybe things didn’t actually turn out so well, which is a narrative trick I just love.

This may not be as dramatic a collection as something like Seduce Me After the Show or Red Blinds the Foolish, but it is definitely worth reading all the same.

– Review by Michelle Smith


Honeydew Syndrome, Vol. 1 | By New Shoe | Rated Teen – A while back, I got an e-mail asking if I’d be willing to take a look at a North American comic called Two Keys from the creative team New Shoe (Chloe Chan and Aliena Shoemaker). I agreed. Included in the package when it arrived was the first print volume of the duo’s older BL webcomic Honeydew Syndrome, which immediately stole my attention with its sparse, melancholy cover art and manga-influenced character designs. I couldn’t help but read it, and though its promising first impression was marred somewhat by a small rash of typos and lettering mishaps, the truth is, I found myself rushing to my computer the moment I finished in order to read the rest (and I’ve just purchased volume two, which promises a bonus chapter and some prose stories). It’s just that charming.

So here’s the setup: High school student and emo-in-denial Metis (yes, like Athena’s mother, for those of you who are into Greek mythology) accidentally witnesses popular jock Josh being dumped by his cheerleader girlfriend, which somehow lands him in the way of Josh’s angry fist. To make things worse, he then gets paired up with Josh for a major school project. Though Metis is initially afraid for his well-being, fear soon turns to anger as he realizes that Josh has no idea who he even is, let alone that he recently punched him. Since this is BL, we know that teen angst and misunderstanding ultimately lead to love, but in romance, of course, it’s all about the journey, and this one is pretty delightful all-around.

Though romance is definitely the destination, what makes this series’ journey so worthwhile is its focus on friendship—specifically that between Metis and his collection of outsider friends, and especially his long-time best friend, Charles. Metis and Charles, with their impenetrable universe of two, embody all the best parts of teenage outcast friendship, including all the conversational shorthand, unspoken loyalty, and weirdly casual sexual tension that so often comes with the package. Other standouts include quietly colorful Jay and witheringly honest Sarah (who appears in later chapters).

New Shoe’s artwork lacks polish (at least in this early work), but it’s also unfailingly expressive, and the visual storytelling is solid. The characters’ emotional trajectory is crystal clear, panel-to-panel, even in the artwork’s most uneven moments. If I had the opportunity to register only one complaint regarding Honeydew Syndrome, it would be that there simply is not enough of it. The series ended abruptly in 2009 amid discontent on the part of both fans and creators, as evidenced by comments posted to its fan community at the time. But whatever controversy the series once generated, the existing work is well worth reading.

With its character-driven approach and thoughtful storytelling, Honeydew Syndrome holds its own alongside my small collection of Japanese and Korean favorites. Recommended.

– Review by MJ


The Scent of Apple Blossoms, Vol. 1 | By Toko Kawai | Published by SuBLime – I have yet to meet a Toko Kawai manga I didn’t like, and The Scent of Apple Blossoms proves to be no exception.

Born in America, salesman Haruna Mutsuki is a little more uninhibited than most, and when he meets the intriguing grandson of a sake brewery master during the course of business, he’s pretty forthright with his interest. The grandsom, known for most of the volume only as Nakagawa, presents a cold demeanor, but proves to be kindly in certain situations. I swear, never has the act of remaining sober so as to drive someone else home had so much sweet, romantic significance.

While this is definitely a romance, Kawai gives the story space to breathe and allows her characters ample time and opportunity to establish their personalities. While Haruna looks like the stereotypical uke, for example, and requires a bit of nursing on several occasions, he’s actually a pretty confident guy who’s very capable at his work. Nakagawa, meanwhile, is a ringer for the stereotypical gruff but sweet type who will come around eventually, but he’s actually got some legitimate reasons for shying away from Haruna’s romantic advances.

When the two eventaully get together (not really a spoiler in this sort of story), it’s a big leap for both of them that Kawai’s storytelling has allowed readers to really understand and appreciate. Although I get the sense that she was fine where the story ended in this first volume, The Scent of Apple Blossoms is actually a continuing series. The third volume was just released in Japan earlier this month, and though SuBLime’s digital release calendar doesn’t show volume two yet, I am hoping the wait won’t be too long.

– Review by Michelle Smith

In Brief:

Doukyusei | By Asumiko Nakamura | JManga | Rated Teen Plus – As far as I’m concerned, when it comes to romance, the more awkward the better, and that goes double if the characters are teens. Fortunately, Doukyusei gets this exactly right, and really so much more. Emotionally offbeat in the vein of Rihito Takarai & Venio Tachibana’s Seven Days series (but without the contrived setup), Asumiko Nakamura delicately explores the awkwardness of first love with a kind of frank delicacy, aided greatly by her unique art style and gangly character designs. The story’s themes and school-based situations may be standard genre fare, but Nakamura’s storytelling is decidedly not. Highly recommended. – MJ

My Sweet Home | By Kai Nanase | Digital Manga Guild | Rated Mature – This BL one-shot about a young real estate agent who finds himself showing luxurious apartments to an ex-lover sounds promising to start. (Adults with jobs? Check. Workplace awkwardness? Check.) Unfortunately, the book’s summary is its highlight, leading quickly to rushed, unsatisfying romance, incoherent plotting, and artwork so generic that only the change in main character names really distinguishes the book’s title story from the shorter one-shots that follow. Digital Manga Guild localizing team Kaedama Translations does their job, but there’s only so much that can be done with a clunker like My Sweet Home. With so much BL manga now flooding the market by way of the DMG, mediocre fare like this holds very little appeal. – MJ

Review copies provided by the publishers.

Disclosure: MJ is currently under contract with Digital Manga Publishing’s Digital Manga Guild, as necessitated for her ongoing report Inside the DMG. Any compensation earned by MJin her role as an editor with the DMG will be donated to the Comic Book Legal Defense Fund.

Other recent BL reviews at Manga Bookshelf: Apartments of Calle Feliz (JManga), Working Kentauros (JManga), Devil’s Honey (Sublime), The Boyfriend Next Door (Digital Manga Guild)

Announcing the Takehiko Inoue Manga Moveable Feast!

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What: A multi-blogger event focused on the works of Takehiko Inoue. (Those published in English include Slam Dunk, Vagabond, and Real.)

When: The week of June 24-30, 2012.

Who: Co-hosted by Michelle Smith and Anna Neatrour, participation open to all!

Why: Because we are both major Inoue fans and want to spread the love!

Where: Soliloquy in Blue (that’s here!) and Manga Report (that’s here!).

How: Anna will be maintaining the archive at Manga Report, so if you’ve written anything Inoue-related in the past that you’d like to be included, just send her an e-mail. Michelle will be posting daily MMF wrap-up reports at Soliloquy in Blue, so if you’re contributing new stuff, drop her a line. You can also post your link on Twitter using the hashtag #inouemmf. If you don’t have a blog of your own but would like to contribute, just let us know and we can make that happen!

Pick of the Week: Flowers of Evil & other stories

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KATE: If you buy only one manga this week, make it The Flowers of Evil. I was fully prepared to hate this series with every fiber of my feminist being, as the plot summary made it sound like Sundome: The Revenge. What I discovered, however, is that Shuzo Oshimi is a far more accomplished storyteller than Kazuto Okada. Oshimi paints a sympathetic portrait of his hero, oddball bookworm Takao Kusuga; Kusuga is the kind of earnest kid who feels uncomfortable with normal boy stuff, but isn’t confident enough to ignore his peers’ snickering. Kusuga unwittingly becomes the toy of Sawa Nakamura, an angry, confused girl who threatens to expose Kusuga as a “pervert” unless he acquiesces to her demands. The dynamic between Kusuga and Nakamura is expertly rendered; though Nakamura’s motives for blackmailing Kusuga aren’t directly explained, we can see how important it is for her to find someone—anyone—her shares her predilections. A queasy yet fascinating exploration of teenage sexuality.

SEAN: When Yen press announced Until Death Do Us Part at NYCC, I was quite excited. For one thing, it was 15 volumes and still going, and I wasn’t expecting any more licenses of long series that weren’t Naruto-esque. For another, it simply feels like it will do well here. It has swordfighting, it has future prediction, and it has lots and lots of excitement and action. It may not win any prizes for depth, but that’s never stopped me before. And it’s an omnibus, so you get two volumes in one.

MICHELLE: Having not yet read The Flowers of Evil, and having probably touted Pandora Hearts a time or two in the past, I’ll cast my vote for the fifth volume of Saturn Apartments, from VIZ’s SigIkki lineup. I’ve described the series as a low-key dystopia, as it somehow manages to charm whilst depicting a pretty bleak future for humanity. It doesn’t come out very frequently, but when it does, it’s something to be happy about.

MJ: This week, I’m with Kate. While I’m certainly enthusiastic about new volumes of Nabari no Ou and Pandora Hearts, and I’m looking forward to checking out Puella Magi Madoka Magica, this week’s must-buy is The Flowers of Evil. As I mentioned in last week’s Off the Shelf, I went into volume one of The Flowers of Evil with the expectation that it was most likely Not For Me, but it rather emphatically was for me. As Kate indicates, it succeeds on the strength of its characterization, and the fact that both of its leads are immediately sympathetic, or at least relatable. This kind of honest storytelling is absolutely the key to my heart. This series is not to be missed.

Readers, what looks good to you this week?

Bookshelf Briefs 5/21/12

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This week, Sean, Kate, MJ, and Michelle look at recent releases from Yen Press, VIZ Media, Digital Manga Publishing, and Kodansha Comics.

Ai Ore!, Vol. 5 | By Mayu Shinjo | VIZ Media – I have completely given up on these characters – especially Mizuki – growing or learning from any of their experiences. And honestly, doing that makes it much easier to get into the groove of this melodramatic, silly manga. From Akira’s desperately trying to be taken seriously as a guy while wearing a kitty hoodie, to Mizuki’s over-the-top “MY WORLD IS ENDING!” reaction to her first fight with Akira, the situations here are made for amusement. Sure, there’s some soap opera dramatics – the fight I mentioned earlier – but even the serious backstory for Akira, where he reveals that his tutor once brought in an older woman to “make a man of him” – is played with its tongue in cheek. The ending seems to hint we may be seeing the return of “Dark Akira”, though – let’s hope he’s merely firm and seductive, and not the callous ass he was at the start. Fun stuff. –Sean Gaffney

Arata: The Legend, Vol. 10 | By Yuu Watase | VIZ Media – The latest installment of Arata: The Legend features body-swapping hijinks. Usually these kind of comic interludes are a sign that the artist is marking time between big fight scenes, but Yuu Watase uses this time-honored trick to advance the plot in a meaningful fashion, allowing Hinohara to infiltrate Yataka’s stronghold. The body-swapping gimmick also provides the characters an opportunity to reflect on their feelings for one another, giving us greater insight into Hinohara and Mikusa’s personalities. The only drawback to the out-of-character behavior is that it grants Watase license for fan service — something that the series doesn’t need to be funny or sexy. That minor gripe aside, Arata remains engrossing, finding the perfect middle ground between shojo angst and shonen action. Recommended. -Katherine Dacey

Hana-Kimi, Vols. 4-6 Omnibus | By Hisaya Nakajo | VIZ Media – A lot of this second omnibus deals with the class culture festival, where most of Mizuki’s class is dressing up in drag. This gives her an excuse to wear a dress most of the time, even if it’s as Alice in Wonderland. After a strong start, the author seems to have realized that the series will be a long one, so the actual romance between Mizuki and Sano isn’t moved forward as much. Instead, Nakatsu gets the focus, as he struggles with his repressed feelings for a “guy”. He’s mostly comedic, but I liked how he handled telling the girl who likes him that he was breaking it off – he’s a sweetie pie that sadly is doomed in a series like this. The addition of a female friend – as well as a new rival – for Mizuki is also welcome, and I look forward to the third and presumably last teaser omnibus. –Sean Gaffney

Itazura Na Kiss, Vol. 8 | By Kaoru Tada | Published by Digital Manga Publishing – There are times when Itazura Na Kiss is so frustrating, one wants to hurl it against the wall. Usually this is because the protagonist, Kotoko, is almost aggressively incompetent. In this latest volume, she has decided that what she wants to do is become a nurse and help Naoki with his medical practice, so she enrolls in nursing school with practically no idea what this will entail. Naoki is cutting in his criticism, as usual, but what’s interesting is that one of Kotoko’s classmates objects to how Naoki treats his wife and eventually presents himself as an alternative. Naoki, faced with jealous feelings for the first time, is thrown for a loop and it’s what he does to win Kotoko back that makes up for every bit of irritation caused by other elements of the series. Still recommended, despite its flaws! – Michelle Smith

Pandora Hearts, Vol. 10 | By Jun Mochizuki | Yen Press – While the series’ last few volumes have posed many more questions than they have answered, things finally come to a head here in volume ten. This volume is chock full of revelations, particularly regarding Gil and Vincent Nightray, and the atmosphere is tense in exactly the way that shows off Jun Mochizuki’s fast-paced storytelling style to its best advantage. Though crystal-clear plotting has never been Mochizuki’s strong point, clarity in the moment is, which is what makes a volume like this work so well. Panel-to-panel, she maps out these characters’ emotional truths so clearly that the text becomes nearly irrelevant to our understanding of their plights. That said, some of Mochizuki’s dialogue is so delightful (Xerxes Break owns my soul), it would be a tragedy to do without it. Still recommended. – MJ

Psyren, Vol. 4 | By Toshiaki Iwashiro | VIZ Media – I’m starting to enjoy this the more I get into it. The lead is likeable and talented while retaining that ‘everyman’ spirit, the cast isn’t too overpowered yet, and of course hard work is emphasized, as in the best Jump works. The introduction of the Elmore Wood kids is well-handled – they act like typical kids, ranging from bratty to shy to stoic. They help Ageha to figure out how to control his powers (well, we presume – we haven’t seen it in action just yet) by virtue of a simpler mindset and learning at a younger age. And, as a cliffhanger shows, they may be mankind’s last, best hope. Of course, they may all be killed at the start of the next volume, too. The only downside here is Kabuto, who lacks enough likeable traits to make a good comic relief character – you want him to fail. Otherwise, very good stuff. –Sean Gaffney

Sayonara, Zetsubou-Sensei, Vol. 12 | By Koji Kumeta | Kodansha Comics – “We’ll have to start a new campaign with easier content so that even first-timers can understand Zetsubou-Sensei,” declares suicidal teacher Itoshiki Nozumu in the first pages of volume 12. What follows is a sharp, funny deconstruction of a common manga practice: the catch-up chapter. I wish the rest of the jokes in volume 12 were as accessible to a Western reader as “The First-Timer Condition,” but the intricate wordplay and cultural allusions often sailed over my head. (Word to the translator: I know what Comiket is! More explanation of the yakuza jokes and economic references, please!) Zetsubou-Sensei ought to be in my wheelhouse — there was a Stendahl joke in chapter 112, for Pete’s sake! — but requires too much explanation to elicit more than an appreciative, “Oh, I get it. Very clever.” -Katherine Dacey

Off the Shelf: Ode to Lionel Richie

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MJ: Hello, hello!

MICHELLE: Is it me you’re looking for?

MJ: Heh. Yes. Though now I’m a little embarrassed about it.

MICHELLE: I had the sheet music to “Say You, Say Me,” if that makes you feel any better.

MJ: It does, it does. So. What have you been reading this week?

MICHELLE: Well, as promised, I undertook a marathon read of We Were There in order to finally get current with the series (now up to volume 14 in English). I must admit that I’m still kind of gathering my thoughts from the experience. But the thing that sticks in my head from when you talked about this volume last week is “That’s how you write a shoujo manga!” and I find that I couldn’t agree more.

There were several twists along the way that I totally didn’t expect, and I shan’t spoil them here, but I will say that I kind of love where the characters are at the moment, even though it’s pretty heartbreaking for some of them. I feel like mangaka Yuki Obata does an especially good job making readers understand exactly why Yano has the living situation he does without coming right out and saying, “it’s atonement.” I must also sing her praises in regards the “show, don’t tell” method of storytelling—in the volumes leading up to this one, we’d seen Yano referred to as kind but cold, and to see him so visibly, demonstrably moved in this volume shows how deeply he still loves Takahashi.

If I had any complaint at all, it would be that I could write multiple paragraphs about Yano, a couple of paragraphs about steadfast Takeuchi, and perhaps a sentence or two about Takahashi, the heroine. It’s not that she’s a flat character, exactly, but she is somewhat of an angelic figure, the only one who can heal Yano’s hurt. It struck me today that we see far more of a supporting character’s family than we ever see of hers!

Ultimately, I cannot stress enough how much I enjoyed catching up with this series, and how much I look forward to the final two volumes.

MJ: I feel like I could really write a lot about Takahashi, but maybe it’s just because I identified with her so strongly early on in the story. I suppose I feel like I *know* her in some way, despite the fact that she’s not as obviously fleshed-out. I could write a book about Takeuchi, though, mostly because I feel so freaking SORRY FOR HIM. Poor Takeuchi.

Seriously, though, this is a great shoujo manga.

MICHELLE: I definitely identify with her on some levels, to be sure. And man, Takeuchi. There are some especially painful moments for him in volume 14, too. I keep hoping he’ll get together with Sengenji in the end, but that’s a little bit Marmalade Boy.

Anyways, what have you been reading this week?

MJ: Well, first I read volume one of Shuzo Oshimi’s The Flowers of Evil, a new shounen series from Vertical. With the back cover tagline, “Aren’t you a perv too?” I wasn’t sure this would be a good fit for me, but I actually liked it quite a bit.

Kasuga is a bookish middle schooler who buries himself in Baudelaire poetry while admiring his pretty classmate, Saeki, from afar. One day after school, he finds himself alone in his classroom, along with Saeki’s gym bag, and impulsively steals her gym clothes to take home with him. He regrets this action pretty much right away, but by the time he has an opportunity to try to put the clothes back, the whole class is buzzing about a clothes-stealing pervert. Worse still, the class outcast, a foul-mouthed girl named Nakamura, saw him steal the clothes, and is using the information to blackmail him into hanging out with her.

Nakamura is obsessed with Kasuga’s bad deed, and with the idea of seeing Kasuga act out his fantasies (or what she imagines to be his fantasies) with the clothes, and she’s enough of a bully to get under his skin with it all, especially after Kasuga actually scores a date with his dream girl. This aspect of the story gives it a fetish-y feel, similar to something like Sundome, though the vibe is a bit different than that series, since the girl who’s controlling the hero isn’t the object of his sexual fantasies (at least not yet). If anything, it seems like she’s drawn to him mostly because she’s relieved to find out that she’s not the only person in her class having “perverted” thoughts, which is sort of heartwarming in an odd way.

What really makes this story work for me, is that both Kasuga and Nakamura are sympathetic characters, whose personal failures and perversions really ring true for their age. It’s hard not to relate to the boy who is aware that his obsession with foreign poetry is based in a kind of desperate pretension, but can’t stop himself from embracing that anyway, or the unpopular girl who is so grateful to find that she’s not all alone with her sexual fantasies, and can’t quite keep herself from wanting to know more, even if she has to be a bully to get it.

It may be too early to say this, but while I never would have recommended Sundome to *you*, Michelle, I think I actually might recommend The Flowers of Evil. And I certainly recommend it to everyone else.

MICHELLE: Yeah, I just don’t know. I’m a little intrigued and a little hesitant. I may just have to bolster my courage and give it a go.

MJ: I can at least reassure you that the first volume is very tame, sexually, so testing the waters should be relatively risk-free.

So what else have you got for us this week?

MICHELLE: To give a little bit of contrast to We Were There, I opted for another shoujo love story now in its fourteenth volume, Karuho Shiina’s Kimi ni Todoke: From Me to You.

Despite a few superficial similarities—the protagonists live in Hokkaido, there’s a girl named Takahashi and a somewhat inscrutable character named Yano…—the depiction of first love in these series could not be more different, with the sweetness of Kimi ni Todoke offering a bit of brain balm after the more-or-less realistic drama of We Were There.

The premise of the series is that Sawako Kuronuma has always unintentionally scared her classmates with her spooky behavior and resemblance to a horror movie character, but has now finally made a couple of good friends and found love with the popular Shota Kazehaya. The fourteenth volume finds the main characters on a school trip to Okinawa, and while Sawako and Kazehaya come reeeeeeally close to sharing their first kiss, and it’s all very adorable, the really emotional moments belong to her two friends.

Most of the time, tomboyish Chizu is rather ditzy, but when she realizes that her childhood friend, Ryu, likes someone and hasn’t told her who it is, it really bothers her. She is genuinely shocked to learn that she is the object of his affections, but the volume ends before she can really begin to process the information. Even more affecting is Ayane Yano’s failed attempt to fall in love—seeing her two friends confess their love in recent volumes (Chizu has long had a thing for Ryu’s brother) made this mature and rather private girl yearn to experience love, and when a boy in another class asked her out, she said yes, thinking she might be swept away on the tide of his feelings for her. Alas, things don’t go as planned, and she ends the volume in tears.

I love that a character as complex as Ayane exists in the realm of shoujo manga, usually populated by girls who don’t think much before they speak, and find myself rooting for her happiness even more strongly than I do for the main characters, now that they seem to be on the path to happily ever after. I wonder if Yuki Obata and Karuho Shiina are in secret communication and Ayane is, like, Motoharu’s long-lost cousin or something.

MJ: I’m a few volumes behind in this series, but I love the fact that its cheerful sweetness manages to feel just as rich and emotionally true as the delicate melancholy of We Were There—thanks largely to the awesomeness of Chizu and Ayane. I’m a real sucker for female friendship in manga, and these two are the greatest example of that since Fruits Basket‘s Uotani and Hanajima. I’m so glad to hear there’s so much of them in volume fourteen.

MICHELLE: I am sure that Chizu and Ayane would totally be friends with Uotani and Hanajima. Not only that, the four of them would look on proudly as Tohru and Sawako tentatively became friends.

What else did you read this week?

MJ: This week, I also read volume one of Kyudo Boys, a series of short shoujo manga by Keiko Nishi, available from JManga. I say “shoujo,” because the stories are school-based, and it ran in Wings, but for the record, JManga classifies it as josei.

The stories all revolve around the members of a high school archery club—both male and female members. Some of the stories are romantic, like one about a boy who can’t decide whether he has a crush on a new girl or her twin brother, or a later story (one of my personal favorites) about an archery nerd who discovers that it’s his very nerdishness that makes him attractive to a pretty team member. I should note, however, that not all the stories are romances, and even the ones that are, are more concerned with exploring the idiosyncrasies of their subjects than reaching any kind of romantic conclusion. I love romance—we all know that—but even I have to admit that it’s refreshing to read a shoujo manga in a school setting that isn’t playing by those rules.

Short stories have never been my favorite format for manga, but these make the best of their brevity, by focusing on small moments and embracing an open-ended feel. Nishi never gets too ambitious. She doesn’t rush. She presents us with a few deft snapshots that let us feel like we’ve really gotten to know and love these students, without ever giving us too much to handle, story-to-story. Her artwork is charming, and relatively sparse, with a light touch that matches the breezy tone of the book overall.

Though it may seem like I don’t have a lot to say about this manga, the truth is, it’s simply charming. It’s a very satisfying light read, and I’d recommend it without question.

MICHELLE: I’ve definitely had Kyudo Boys on my radar as a candidate for a future Going Digital column. That’s largely because Keiko Nishi was responsible for some of the first josei to hit American shores. Like you, I’m not particularly into short stories, but I am definitely, definitely down with idiosyncratic romance!

MJ: Unlike Flowers of Evil, I can *wholeheartedly* recommend this series to you. It’s absolutely your kind of manga.

MICHELLE: That’s good to know!

Pick of the Week: Sailor Moon & more!

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SEAN: Many interesting releases this week, but I have to go with an old favorite. Sailor Moon has hit its 5th volume, which in this 12-volume re-release means we get to the end of the ‘R’ arc here. The manga may lack some of the characterization highs of the anime – the other four senshi in particular suffer in this volume as the focus is on other characters – but its action, coherence and occasional emotional brutality – Chibi-Usa’s transformation into Sailor Chibi Moon ends up being heartbreaking – are top-notch. And Pluto actually gets a lot more characterization here than in the anime, being far more than just a stoic ‘guardian’ of time. Any fan of manga should be getting this.

KATE: Since I’ve plugged InuYasha more times than I can count, I’m going off-list to highlight an awesome graphic novel that’s arriving in stores on Wednesday: Princeless. This Eisner-nominated kids’ comic is funny, edgy, and utterly feminist in its outlook — even though it stars a princess who’s imprisoned in a tower. That princess, sixteen-year-old Adrienne, is a blast of fresh air: she dismisses fairy tales as “full of plot holes,” and dispatches would-be suitors with withering assessments of their intelligence. When she finds a sword stashed under her bed, she enlists the help of a dragon to escape. (And that’s just in the first few pages!) Like the best kids’ comics, the script works equally well for kids and adults, offering a good mixture of teachable moments and laugh-out-loud scenes.

MICHELLE: I’m with Sean on this one. Somehow, I never did get around to watching the ‘R’ arc of the anime, so I’ve been enjoying getting a better handle on that storyline, since I’m actually able to read it in English now! I’ve definitely been enjoying Pluto, too, but I’ve got to say… what really makes me happy is that the conclusion of the ‘R’ arc means the start of the ‘S’ arc is just around the corner, and ‘S’ introduces some of the most beloved characters in the series. MJ, I hope you find a way to keep up with this series, because I dearly want to know what you think of what’s coming next!

BRIGID: OK, I’ll be different and go with Starry Sky. I know, I know, it’s based on a game, but the idea of an astronomy student reminiscing about her old school friends—who are somehow tied into a four-seasons theme—seems like a good choice for a lazy day. I’m not expecting to be blown away by this, but I think I’ll enjoy reading it more than a late volume of a series I haven’t been following. (Actually, Sailor Moon was my first choice too but I didn’t want to just go with the crowd.)

MJ: Like Brigid, while Sailor Moon is probably my first choice this week, I’ll seize the opportunity to talk about something different, though I may sorely regret it. Back September of 2010, I read the first volume of Hinako Takanaga’s The Tyrant Falls in Love and kinda hated it. Several months later, I read the second volume and kinda loved it. Though I haven’t yet gone any further in, I’m seriously considering picking up the rest of the series, including volume six, which was released this week. Which will be it? Love or hate? Your guess is as good as mine, but I think I may risk it.

Readers, what looks good to you this week?

Disclosure: MJ is currently under contract with Digital Manga Publishing’s Digital Manga Guild, as necessitated for her ongoing report Inside the DMG. Any compensation earned by MJin her role as an editor with the DMG will be donated to the Comic Book Legal Defense Fund.

Off the Shelf: Second volumes & others

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MICHELLE: Hey, MJ? What did the fish say when he ran into the wall?

MJ: I don’t know, Michelle, what did the fish say when he ran into the wall?

MICHELLE: “Dam.”

MJ: Okay, that time I actually laughed.

MICHELLE: Yay! Victory at last!

Anyhoo, I believe it’s your turn to go first in talking about some of the manga you’ve read since we last convened.

MJ: You’re right!

So, first I caught up with you (and the rest of the manga blogosphere), and finally read the first two volumes of GTO: 14 Days in Shonan, the latest hit from Vertical. I have to admit, that despite all the praise, I was a little reluctant to dive into the GTO universe. I’d never read any of it when it was published by Tokyopop, so I wasn’t at all familiar with the characters, and even after your reassurances a few columns ago, I still couldn’t quite shift myself from simply “intrigued” to “actually cracking the books.” This week, I finally did it, and I am pleased to say that I enjoyed myself so much that I decided to bring it here to the column, even though we discussed the series so recently.

You’ve already covered the premise, so I won’t rehash it all here. While, unlike you, I didn’t worry about the comedic sensibility coming too close to something like Detroit Metal City (I loved Detroit Metal City), I did worry that I’d just find it all kind of… boring. Or maybe contrived. Fortunately, it was neither, and (again, unlike you) I think I just might be looking to try to track down all the series’ previous volumes.

What I found pretty spectacular about 14 Days in Shonan, is that it features a main character who spends a lot of time telling other people just how much of a badass he is, while actually being a badass. Usually, if a character has to tell me how great he is, that’s a sure sign that I won’t think he’s great at all—but in this case, Eikichi is exactly what he says he is, and I find myself with absolutely no doubt at all that he’ll be able to do absolutely anything he says he can, including winning over all the teens at the White Swan Children’s Home, while also possibly saving the world. And perhaps curing cancer. Can you tell I liked him?

Seriously, though, I enjoyed these volumes so much more than I expected, I find myself wishing I had some kind of award to give out for it, or something. It’s been a while since my expectations were so neatly trounced.

MICHELLE: Yay, I’m glad you liked it! I like what you said about the reader’s confidence in the protagonist’s ability to make good on his promises; I absolutely felt the same. I should also note that I liked the second volume even more than the first, and am at least intrigued by the prospect of reading the earlier series, if daunted by the expense of such an endeavor.

MJ: I’d say that I preferred the second volume as well, and I’m actually glad I saved them up to read together. Though now, of course, I’m anxious to get to the third!

So what have you been reading this week?

MICHELLE: Well, speaking of second volumes… I checked out volume two of Durarara!! this week. For the uninitiated, this is ostensibly the story of a kid named Mikado, who has moved to Ikebukuro to attend high school and has encountered its various peculiar residents. There’s a lot more going on besides that, though, including a mysterious gang, a nefarious pharmaceutical company, and a headless (female) figure in black who rides through town on a motorcycle.

I deemed volume one “weird but intriguing,” and was hoping things would start to make a bit more sense in the second volume. And they do. I think, though, that my favorite plotline—the mystery surrounding Celty, the black rider—may actually now make a bit too much sense. A key revelation regarding her felt so obvious I’m left wanting a twist of some kind. “Is that all there is?” Meanwhile, other aspects of the story are still fairly baffling at this point.

I guess my gripe is I’d prefer a more balanced march towards clarity, as opposed to a lopsided one. Durarara!! is a very stylish series, and not one with a whole lot of depth, and I’d hate to see Celty’s tale resolved in a perfunctory manner.

MELNDA: I admit I had little patience with volume one, and though it’s heartening to hear that volume two is more coherent, I’m not sure it’s my cup of tea. Normally, I can deal with waiting for things to make sense, but it sounds like the payoff may not be worthwhile.

MICHELLE: Yeah, I really don’t know at this point. I’m willing to keep going with it a while longer, but I have no idea whether I’ll be satisfied or annoyed in the end.

What else did you read this week?

MJ: On a very different note, I also read the latest volume of one of my favorite current shoujo series, Yuuki Obata’s We Were There. Though this is a title I have reviewed regularly, I think this may be the first time I’ve brought it to Off the Shelf.

For anyone who might be unfamiliar with this series, it’s one of those titles like Sand Chronicles that begins as a high school romance, but eventually takes its characters much further into their lives, ultimately feeling much more like josei than shoujo, at least for my money. Though unresolved teen emotions are a major element of the romance, the characters also must face much more grown-up concerns, like jobs, marriage proposals, and taking care of ailing parents.

Clinging to first love is often a theme in these types of stories, and that’s certainly the case with We Were There, though it’s only “first love” for Nanami, the story’s heroine, as one of the romance’s primary conflicts is hero Motoharu’s lingering feelings for his former girlfriend who died in a car accident (and some of the ill-considered choices he makes out of guilt and grief). Though the plot is pure soap opera, Obata’s handling of it is so thoughtful and complex, it feels very little like anything I would normally describe with that term. Like Obata’s writing, the relationships in We Were There are as delicate as a scrap of old lace, ready to crumble at the slightest touch. And crumble they do.

This series has long been a favorite of mine—one of a short list of shoujo manga (along with more dramatic titles like Banana Fish and Tokyo Babylon) that’s made me sob helplessly for long periods while reading. So it was a bit of a surprise to me to find that volume 13 left me feeling completely disillusioned with the story’s primary relationship, to the point where I no longer had any desire to see it rekindled. I was okay with this, really. After all, there was another perfectly wonderful love interest just waiting there for my heroine. I didn’t need to care about Nanami and Motoharu anymore. I really, really didn’t.

Except now I do.

And that, volume 14, is how you write a shoujo manga. Heh.

MICHELLE: I stalled out on volume four of We Were There, but I actually just started over from the beginning the other day! If all goes according to plan—and if you don’t mind a bit of redundancy—I’ll be talking about this volume next week! I really look forward to seeing how the series progresses, as I am still firmly in the high school portion of the story.

MJ: I will be thrilled to hear what you think of this volume next week! And I’ll take care not to spoil you any further.

What else do you have for us this week?

MICHELLE: You may remember that I was a big fan of Dining Bar Akira, a BL oneshot published by NETCOMICS. So when JManga licensed another oneshot by its creator—Tomoko Yamashita—I knew I had to read it.

Don’t Cry, Girl is first and foremost an exceedingly silly manga. Due to unspecified problems with irresponsible parents, 17-year-old Taeko is sent to live with an acquaintance of her father named Masuda. Unfortunately for virginal Taeko, Masuda is a nudist and opens the door in his birthday suit. Taeko freaks out, as any normal person would, and I was giggling by page three, thanks to dialogue like, “Oh, shut up! Shut up, you stupid naked dumbass!”

Still, she’s got nowhere else to go, so Taeko and Masuda continue to cohabitate. Yamashita has a lot of fun with the premise, positioning speech bubbles and house plants in front of Masuda’s nether regions, and eventually introducing a friend for Masuda whose cool and sophisticated veneer hides a penchant for juvenile humor. A couple of would-be serious moments don’t quite work however, and make it hard to remember that this is a comedy and certain things don’t really need to make sense.

Also included is a story called “3322,” in which another young woman is staying with her father’s acquaintance. Kanoko is considering leaving school, so her father has her stay with Chiyoko, who is probably her mother. While Chiyoko has a dalliance with a local man, and her friend Yoko seems to pine unrequitedly for her, Kanoko finds herself interested in Yoko while frustrated by the adults and all their secrets. It’s an interesting tale and one I wish could be expanded upon.

Although a little uneven, Don’t Cry, Girl is still a lot of fun. And JManga’s now got another Yamashita title up—Mo’some Sting—which I will definitely be checking out!

MJ: Okay, now I’m giggling thanks to just the bit of dialogue you quoted! Silly manga is not always to my taste, but this sounds like far too much fun to pass up!

MICHELLE: I think it’s just the right kind of silly. Once again, I find myself thanking JManga for offering something it’s very unlikely we would’ve been able to get in English otherwise. New est em, new Tomoko Yamashita… could new Saika Kunieda (Future Lovers) be next? One can only hope!

MJ: That’s worth some hope, indeed!

Bookshelf Briefs 5/7/12

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This week, Kate, Sean, and Michelle look at recent releases from Yen Press, Dark Horse, VIZ Media, and Digital Manga Publishing.

Highschool of the Dead, Vol. 6 | Story by Daisuke Sato, Art by Shouji Sato | Yen Press – After reading the first six volumes of this Dawn of the Dead rip-off, I’m still mystified by its appeal. The layouts are busy and poorly composed, a riot of screentones, traced elements, and grossly distended breasts, while the script consists mostly of characters ordering one another around. Yes, there are plenty of scenes of zombie carnage, but even those aren’t executed with much imagination. In volume six, for example, our heroes try to fight their way out a shopping mall, eventually taking refuge on the roof. Sound familiar? That’s because volume one follows the same basic trajectory — just swap “school” for “mall,” and the two storylines are virtually interchangeable. That kind of lazy storytelling might be excusable if Highschool of the Dead were funny or exceptionally gory, but when the laughs and scares are in such short supply, it’s hard to fathom why horror fans are making do with such weak sauce. -Katherine Dacey

Itazura Na Kiss, Vol. 7 | By Kaoru Tada | Digital Manga Publishing – We’re now over halfway through this series, and so we begin to get some new plotlines and characters debut in order to give us more to chew on than “When will Naoki be nice/when will Kotoko be smart?” So we get a new girl who is clearly introduced to be the ‘consolation prize’ to nice yet loser-ish Kinnosuke. It works here, though, as Chris is so much fun – kudos to DMP for translating her fractured Japanese in a way that shows how she sounds to everyone else – and you’re also rooting for her. As for Kotoko, reality slaps her in the face again here, despite minor triumphs like winning over Naoki’s family. Naoki is correct in that Kotoko works best when she isn’t coddled or sympathized with. What’s impressive here is that she realizes it as well. She really may be finally growing up. –Sean Gaffney

Itazura Na Kiss, Vol. 8 | By Kaoru Tada | Digital Manga Publishing – And if the last book showed us Kotoko, if not getting smarter, then at least learning her strengths and limitations, this volume is for Naoki. No, he’s not really all that nicer, but he is at last realizing that he can’t simply expect declarations of love to be entirely one-sided on his wife’s part. Naoki simply doesn’t do emotions – except around Kotoko, who has taught him the joys of frustration, anger, exasperation… and love, reluctant as he still is to admit it. He admits this publicly for one reason – a serious threat to his marriage arrives, and starts pointing out all of his worst flaws. Keita is not particularly in danger of stealing Kotoko – she’s not all that interested. But Naoki here not only admits that he needs Kotoko to be more human – and to be more loving. Which is why the final part of the book is the two of them skipping their anniversary party and sharing a drink and a kiss on a quiet bench. –Sean Gaffney

Kamisama Kiss, Vol. 8 | By Julietta Suzuki | VIZ Media – The annual kami conference is underway, and Nanami has been assigned the special task of sealing the entrance to the land of the dead, which is always besieged by yokai when its guardian kami is away. Unfortunately, she and a mysterious human named Kirihito end up trapped on the other side. So basically, this is yet another “Tomoe to the rescue” scenario. True, Nanami exhibits some bona fide powers as she works to free herself and Kirihito, but ultimately it’s Tomoe who must save her. One nice side effect is that Tomoe seems to realize his feelings for Nanami at long last and some secrets concerning his past—that even he is unaware of—are touched upon. I continue to enjoy Kamisama Kiss, but it must be said that this particular volume was not particularly riveting. – Michelle Smith

Magic Knight Rayearth 2 | By CLAMP | Dark Horse Comics – Needless to say, although it had a great ending, it cannot be denied that the way the last Rayearth manga ended was a bit… well, depressing. So let’s have a sequel where we bring our heroines back and have them save the world again! This omnibus has more flaws than the first – too many characters and a messy and confusing plotline. That said, it explores the idea of what would happen to a world which is collapsing after the woman keeping it idyllic is killed quite well. And it is nice seeing the cute couples that barely had time to be suggested in the first series having a bit more time to develop now – aged-up Ascot is adorable, and I love Caldina and Lafarga too… (Sorry, Rafaga. Damn romanizations.) And of course there’s Hikaru, Lantis and Eagle, which is about as close as one can get to a canonical threesome without a wedding. Not as essential as the first, but still fun. –Sean Gaffney

Psyren, Vol. 4 | By Toshiaki Iwashiro | VIZ Media – The plot of Psyren is moving right along. Oh, sure, there’s the obligatory shounen stuff wherein the heroes are determined to get stronger and the main character must gain control of his tremendous yet potentially destructive power, but we also get more information about how the world of Psyren came to be and how far ahead it is from the present for our characters. Each volume of Psyren is a lot of fun, though I’m beginning to suspect that I would enjoy it even more if I had a lovely stack to consume at once—each time I finish a volume, I wonder when the next will be coming out, which is a pretty big compliment. If you’re weary or wary of certain shounen clichés, Psyren might be different enough to satisfy. As an added bonus, at sixteen volumes, it’s considerably shorter than many titles in this demographic. – Michelle Smith

Voltron Force: Shelter from the Storm, Vol. 1 | Story by Brian Smith, Art by Jacob Chabot | VIZ Media – Back in the 1980s — the golden age of cruddy cartoons with merchandising tie-ins — Voltron: Defender of the Universe introduced a generation of American kids to mecha. Nickelodeon revived the series last year, giving it a fresh look and new cast of cadets. In keeping with the spirit of the original, the new Voltron has inspired its fair share of spin-off products, including a series of original graphic novels published by VIZ. When contrasted with similar comics — especially the original Ben 10 “manga” — Voltron Force: Shelter from the Storm is a superior product, with crisp artwork, sophisticated storytelling, and teenage characters who sound and act enough like teenagers to pass muster with the comic’s target audience of seven-to-ten-year-old boys. The language is sufficiently challenging for advanced readers but not too overwhelming for kids who have just graduated to chapter books, while the diverse cast of characters ensures that boys and girls alike will find a cast member to identify with. A solid addition to the elementary school classroom library. -Katherine Dacey

Pick of the Week: Quick Pick

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The Battle Robot is short-staffed today, but MJ, Michelle, and Sean grab a moment to make their picks from this week’s haul at Midtown Comics.

MJ: There’s quite a bit to choose from at Midtown Comics this week, but my choice is immediately clear. I’ll be picking up the fourteenth volume of Yuki Obata’s We Were There , and it really can’t arrive too soon. Volume thirteen had me teetering on the brink of finally losing faith in the series’ core relationship, and I’m anxious to see at this point where it’ll lead me next. Will I continue to feel that Nanami should let her first love go, once and for all, or will it convince me that there’s still something there to fight for? I simply must know! There aren’t many romance series that can still keep me on the hook the way this one does, and I’m grateful to see this volume in print after half a year’s wait.

MICHELLE: I, too, am happy about the arrival of We Were There‘s fourteenth volume, ‘cos it gives me the opportunity to finally get caught up on that series, once and for all, but I am going to have to award my pick to volume four of Toshiaki Iwashiro’s Psyren. After getting off to a hesitant start, this sci-fi series from Shonen Jump has really won me over. Possibly this is due to the fact that it’s very much like what Bokurano: Ours would be if it were shounen and involved spiky-haired boys trying to get stronger so that they can protect those they care about. Though Psyren may rely on a few shounen staples, it’s still genuinely interesting and intriguing. Look for my review of this volume in next week’s Bookshelf Briefs!

SEAN: My pick of the week is rather odd, as it’s more a pick that’s about perspective rather than enjoyment. But this week gives us the third Love Hina omnibus, aka the best thing out there for showing how far anime fandom has come in the last ten years. Almost everything that Love Hina brought to the art of ‘shonen harem manga’ has now been utterly run into the ground, even by its own creator. As a result, this manga that was revolutionary back in 2003 when it came out in North America now looks even more dated than K-On! will in 10 years. And sadly, the one influence on fandom it had that continues to exist today is Naru punching Keitaro, as fans argue about how abusive (vs. comedic) this is actually meant to be to this day. That said, this omnibus has Vol. 9, which has one of my favorite chapters, dealing with Seta and Haruka.

Readers, what looks good to you this week?

Off the Shelf: BL GL Bookrack

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MJ: Welcome back to Off the Shelf! We’re doing something a bit different with the column this week. Usually, somewhere around this time, we’d be preparing our monthly BL Bookrack column, featuring reviews of a handful of new BL titles. This month, we decide to switch things up a bit, and take on a few Yuri titles—sort of a “GL Bookrack” if you will—inspired by the growing number of Yuri titles becoming available digitally from JManga. But as we talked more about it, we realized we both wanted to read all three of the titles currently available.

So, in the end, we bring you BL GL Bookrack, Off the Shelf style!

Michelle, would you like to introduce our first title?

MICHELLE: Hmm… where to start? I suppose the simplest title can go first, and that would have to be Hayako Goto’s Poor Poor Lips.

Told in a four-panel format, Poor Poor Lips is a comedy about Okashi Nako (whose name is a pun meaning “strange girl”), a deeply impoverished 21-year-old who answers an advertisement for a sales job at a store selling power stones. The manager, Otsuka Ren, is the daughter of a rich family who promptly tells all the applicants that she is a lesbian. When most of them flee, Nako is hired on the spot with the reassurance, “You’re DEFINITELY not my type, so don’t worry.”

Most of the manga involves gags about Nako’s extreme poverty—she eats a lot of bread crusts—and Ren’s growing fondness for her, coupled with her impulse to give Nako everything she lacks, which she is trying not to do because previous relationships have been spoiled by excess generosity. Ren also gets really jealous of Nako’s old classmate, pastry chef Furui, and does various silly things to get him to go away/keep tabs on him, including placing spy cameras in his shop.

All in all, I have to say that I didn’t find this funny at all. That’s not to say that it isn’t pleasant, but none of the gags struck me as funny. I kept thinking, “I wonder what this would be like if Nako was actually depicted as a scruffy young woman instead of looking like an eight-year-old.” I bet I would’ve liked it more then. Ultimately, I didn’t really feel much inclined to read the other two volumes available on JManga, figuring they’d simply be more of the same.

How about you?

MJ: I’d say my reaction was significantly different, at least once I’d gotten a ways into the story. What you describe is pretty much how I felt over the course of the first few chapters, but as the volume continued, I have to say it really grew on me. I began to like both of the main characters quite a bit, and I did actually find a lot of it to be quite funny, particularly the running (false) rivalry between Ren and Furui (whose family’s bakery “Furui Cake” could also be read as “old cake”).

Things like the over-the-top spying and even Nako’s young/cute appearance read as humorous to me, which I largely chalk up to its being a 4-koma. I think I would have found most of it unappealing as a regular story manga, but in comic strip format, it really worked for me.

MICHELLE: I was still envisioning it as 4-koma, but with an older-looking Nako. But, yeah, maybe a lot of over-the-top silliness wouldn’t be possible if she looked too realistic.

I will say that I think the story has surprising depth in terms of Ren’s conflicting impulses. She honestly doesn’t know how to make someone happy other than by bestowing money and gifts upon them, and it’s hard for her not to coddle someone or something she likes. Goto exemplifies this rather neatly in a few panels about a stray kitten Nako takes in, and Ren’s sad past with an overfed baby bird.

I guess I should clarify that me not finding something funny doesn’t mean I don’t think it’s worthwhile or, as I called it, “pleasant.” It is at least not outright unfunny.

MJ: I’ll point out, too, that this is one of the better localization efforts I’ve seen from JManga. It read really smoothly, the translation notes were genuinely helpful, and the fact that I found it funny at all says a lot. I think 4-koma is very difficult to bring across effectively in English.

MICHELLE: Definitely. I think I saw all of one typo. There are a few print publishers who wish they could make that claim!

So, how about you introduce the second title?

MJ: Sure! Let’s take a fairly drastic turn and look at the other single volume we each read, Ebine Yamaji’s Love My Life, originally serialized in josei magazine Feel Young, home of familiar titles like Bunny Drop (Yen Press), Happy Mania (Tokyopop), and Blue (Fanfare/Ponent Mon).

Love My Life tells the story of a young woman named Ichiko who, upon coming out to her father, discovers that he also is gay, as was her mother (who died when Ichiko was quite young). What’s especially interesting about this, is that though the story certainly centers around the relationship between Ichiko and her girlfriend, Ellie, that’s not the only thing Ichiko is dealing with by far. She’s also having to come to terms with the fact that her parents’ relationship wasn’t what she thought, and that even now, her father has been living a life completely separate from the one he has with her. And since we meet Ichiko after her relationship with Ellie has already been going on for some time, it’s neither a coming-out story nor a typical romance.

Ichiko meets her father’s boyfriend (who wants very little to do with her), helps Ellie survive her strained relationship with her own father, struggles with feelings of loneliness while Ellie studies for the bar exam, and poses as her gay (male) best friend’s girlfriend to help shield him from having to deal with his sexuality at school. It’s more of a slice-of-life manga than anything else, but emotionally resonant in a way I tend to expect from serious drama or well-written romance.

I have to say that this was probably my favorite of all the Yuri we read this week, mainly because it was by far the most relatable and true-to-life. I like genre romance a lot, but this contained some of the best aspects of romance manga (including a good amount of sexual content) without having to rely on fantasy at all, which I’ll admit is pretty refreshing. It’s also added to my yearning to see more josei in English, Yuri or otherwise.

MICHELLE: Yes, this was my favorite, as well. As you say, it’s neither a coming-out story nor a typical romance. To me, it reads simply as a growing-up story with a focus on being true to yourself. Ichiko comes out to her father, but learns a truth in return that flips her world on end. It’s a hard thing to learn that something you’d believed in was never real, and that your parents are individuals with thoughts, desires, and lives that may have nothing to do with you. As hard as that is to process, though, she achieves a better understanding of her father as a result, including the realization of how understanding he is.

And then there’s Ellie, who has been fueled by the desire to compete with her father and brother. It’s not that she particularly wants to be a lawyer, but wants to prove, “I can catch up to you. And be on equal footing with you.” Ichiko instinctively feels that this is wrong, but must learn not to meddle and let Ellie have her own journey, come to her own realizations.

I liked that there’s not a certain “happy ever after” feeling to Love My Life. Ichiko and Ellie may not last as a couple. But one definitely gets the sense that, even if that were to happen, they would still be okay.

MJ: That was all so eloquently put, Michelle! I’m not sure I could add anything of substance to what you just said. Yes. Exactly. You’re so right-on.

As I attempt to muster some kind of intelligence again, do you want to talk about our third selection?

MICHELLE: Thank you! And sure!

Our last title is Milk Morinaga’s Girl Friends, which is available on JManga in its five-volume entirety (and which will be coming to print courtesy of Seven Seas later this year). This seinen series was serialized in Futabasha’s Comic High! and takes place at an all-girls high school.

Mariko (Mari) Kumakura is somewhat shy and reserved, but accepts an invitation from a more outgoing classmate, Akiko (Akko) Oohashi, to take the train home together. This leads to Akko encouraging Mari to get a haircut, educating her about fashion, and introducing her to some friends, including glamorous Sugi and cosplay addict Tamamin. All of this helps Mari gain confidence and some independence, and as she and Akko get closer, she starts to realize that she not only doesn’t want their friendship to fade, but wants to be more than friends.

Various misunderstandings ensue. Mari despairs that hers is “a love that can never come true,” and decides to date a former classmate in an attempt to move on and be happy that she gets to be Akko’s friend. At one point she kisses Akko, but is later evasive and embarrassed and eventually plays it off as a joke. But soon, Akko is feeling jealous of the time that Mari spends with her boyfriend, and realizes that she too wants to be more than friends. Now if only she can convince Mari that she really means it, or has that ship already sailed?

Sorry, lapsed into a bit of “back cover blurb” style, there!

MJ: Well done! In some ways, the “back cover blurb” summary is very much the point. Girlfriends falls into what Erica Friedman refers to as “Story A” for the genre, which isn’t an inherently negative description, by any means, but it is an indication that this is going to be a formula romance on a basic level. It’s a very enjoyable formula romance, in my opinion, but it’s unquestionably romantic fantasy. I’d even say it’s unquestionably romantic fantasy for men, given the particular types of fanservice we see throughout, but even that isn’t really a negative. It’s just a point of fact.

As I’ve said, I absolutely enjoy genre romance, and that’s what Girlfriends is. It’s got all the sweetness and anticipation of most any high school romance you’d find in a typical shoujo magazine, and there’s nothing wrong with that at all. It’s adorable. And if the way things work out so neatly and sweetly (after getting through a few typical hurdles) feels unbelievable, that’s part of what makes it fantasy.

MICHELLE: I concur. Reading it, though, I was struck by how little yuri I have really actually read. While I knew it was all going according to formula, reading about a burgeoning relationship between two girls still felt pretty new to me.

I’m glad you brought up the fanservice, because I definitely wanted to talk about that. First off, I should mention that it’s much less than I had anticipated, knowing that this series ran in a seinen magazine. There are a few superfluous bikinis, a few crotch shots, some boobies… but that’s about the extent of it. In contrast, Love My Life has much more sexual content, but because it feels more natural to the story (with no zooming in to specific body parts) it doesn’t come off as fanservice at all.

MJ: Yeah, I would never describe the sexual content in Love My Life as “fanservice” and looking at these two titles together really highlights the difference there. But as you say, the service in Girlfriends is definitely restrained. It almost feels like little more than a shift in perspective from shoujo romance, in which the girls are usually drawn just as prettily, short skirts and all, just not by way of the male gaze.

I, too, have read relatively little yuri, but I’m very glad to see more of it becoming available in English, including romantic fantasies like Girlfriends. I’m a big fan of romance, and I’ve pretty much discovered over the years that my tastes in that genre depend very little on the genders of the characters, outside of the fact that it offers more variety in the genre, and variety is always a good thing. Possibly that makes me pretty shallow, but really, I just like a good romance.

MICHELLE: Same here! So thanks, JManga, and more of the same, please!