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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Katherine Dacey

Pick of the Year: Our Favorite 2020 Manga

December 28, 2020 by Katherine Dacey, Sean Gaffney, Anna N, Michelle Smith, Ash Brown and MJ Leave a Comment

KATE: Since this is the final week of 2020, we decided to pick our favorite new manga of 2020 instead of highlighting something from the new arrivals pile. I’m torn between two books: BL Metamorphosis, which is a feel-good series that’s never pat, obvious, or cliche in its portrayal of BL fandom, and Blood on the Tracks, a creepy, atmospheric series from Shuzo Oshimi about the perils of helicopter parenting. Though Oshimi’s manga always explores uncomfortable territory–seriously, this guy must be a joy at cocktail parties–he is one of the most distinctive and expressive artists currently being licensed for the US market. Oh, and he has a killer sense of pacing.

SEAN: There are all sorts of new manga I could talk about, from surprise romantic sweetness Sweat & Soap to the hilarious and sweet thriller Spy x Family to, as Kate said, the fantastic generational series BL Metamorphosis. But for me, the series of 2020 is actually from 1972. The Rose of Versailles was a Holy Grail of manga licensing for so long, and for a while it looked like it was in development forever, but the finished product shows off how it was worth the wait. One of the most iconic manga ever.

ANNA: No question for me, to have The Rose of Versailles released in such a wonderful edition after waiting so long for it to come out is something to be celebrated. To have such an iconic manga available in English is such a treat, and it deserves to be manga of the year.

MICHELLE: Looking back, there were a lot of debuts I loved (Knight of the Ice, Blue Flag, With a Dog AND a Cat, Every Day Is Fun, Yoshi no Zuikara…) and some that I’m sure I will love when I actually manage to read them (BL Metamorphosis, The Rose of Versailles, Ping Pong…) but the series that only took a few pages to completely secure my eternal love and devotion was Spy x Family. It’s stylish and clever but doesn’t lack substance, the characters are endearing and interesting, and it also manages to be both funny and heartwarming. I hope to be reading this series for years to come!

ASH: Many of my top manga of the year have already been mentioned – the coveted The Rose of Versailles, the undeniably wonderful BL Metamorphosis, the distinctive Ping Pong. It was also a great year for alternative and indie manga with the release of The Swamp, Magician A, and not one but two volumes of the Glaeolia anthology. But, if I’m to be completely honest, the single volume of manga that left the greatest impact on me this year was the conclusion of Blank Canvas. Akiko Higashimura’s ability to combine humor with brutal honesty is unmatched, making this series both heartwarming and heartwrenching.

MJ: It feels too obvious to say, “I’ve had a life-changing year” in 2020, but with so much new going on for me, career-wise, there hasn’t been much time for reading manga. That said, there are a number of series I know I should be reading, and I know I’ll love them when I do. Top of the list is BL Metamorphosis, which has been getting rave reviews from my colleagues, and wow, Michelle’s endorsement of Spy x Family is not something I can ignore. But I’m going to go “obvious” yet again and give my pick of the year to the long-awaited The Rose of Versailles. I can’ count the number of times we’ve chanted the name of that title—first, waiting for it to be licensed, then waiting for it to actually appear. And from what I’ve seen, the wait was more than worthwhile. What a gorgeous release! It has to be my pick.

Filed Under: PICK OF THE WEEK

Pick of the Week: Still High on BL Metamorphosis

December 21, 2020 by Sean Gaffney, Michelle Smith, Katherine Dacey, Anna N, Ash Brown and MJ Leave a Comment

SEAN: It’s not a very inspiring week for me this time around, though a new volume of the stellar BL Metamorphosis is always welcome. I’m sure the others will talk about it. My pick, though, is the final volume of Bloom Into You: Regarding Saeki Sayaka, a fantastic light novel spinoff of the original manga. This third volume promises to show us a romance for her that actually works out. Can’t wait.

MICHELLE: I haven’t yet ready any of BL Metamorphosis, but am nonetheless very happy it’s coming out here. I also really enjoy DAYS, which I suppose is not terrifically original as far as sports manga goes, but is still very entertaining with a fun cast of characters. I look forward to getting caught up on both of these series.

KATE: I heartily endorse BL Metamorphosis, as author Kaori Tsurutani understands why readers love BL, never reducing their passion to a cheap punchline. She also creates one of the most interesting, appealing, and authentic inter-generational friendships I’ve seen in manga–or, frankly, in just about any other medium. If you’re not reading it, add it to your list today–it’s one of the best new series of 2020.

ANNA: I absolutely agree that I should be reading BL Metamorphosis, so I will make that my pick as well.

ASH: BL Metamorphosis is one of my favorite series currently being released, and I agree with Kate 100% that it’s also one of the best of the year, so it’s an easy pick for me this week!

MJ: I am embarrassed to admit that I haven’t yet had the chance to dig into BL Metamorphosis, but with endorsements like these, it’s the obvious pick. I absolutely must find out what all the fuss is about!

Filed Under: PICK OF THE WEEK

Pick of the Week: Horror, Pets, and Tragic Backstories

December 14, 2020 by Michelle Smith, Katherine Dacey, Sean Gaffney and Ash Brown Leave a Comment

MICHELLE: I am looking forward to bicycle boys and creepy planets of doom, but I was so totally charmed by the first volume of With a Dog AND a Cat, Every Day is Fun, that I must make the second volume my pick of the week.

KATE: I never say no to pet manga, but the idea of Junji Ito in space is just too irresistible for me, so my pick is Remina. (May it erase the memory of Ito’s adaptation of No Longer Human…)

SEAN: Baccano! fans have been waiting for this novel more than any other since the series was first licensed. The second part of Huey Laforet’s tragic backstory, Baccano! 1710: Crack Flag is my pick this week.

ASH: I’m with Kate this week in picking Remina! I’m curious to see Junji Ito tackle a work that leans at least a little (if not a lot) more towards science fiction than some of his other horror manga.

Filed Under: PICK OF THE WEEK

Pick of the Week: Food and Mystery

December 7, 2020 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N, MJ and Katherine Dacey Leave a Comment

SEAN: I generally try not to double dip light novels and manga, and the novel this manga is based on is coming out in two months from J-Novel Club. But The Apothecary Diaries has gotten so much good buzz that I feel I have to make an exception. A pharmacist is kidnapped and taken to the Imperial harem. She tries to live quietly and not get into trouble, but constantly finds herself drawn into mystery and politics I’m down.

MICHELLE: The combination of mystery and politics in manga will never not appeal to me, so I’m definitely planning to try out The Apothecary Diaries, but even more up my street is Manly Appetites: Minegishi Loves Otsu, with its BL/food combo. I love What Did You Eat Yesterday?, I loved Our Dining Table… I hope I love this, too.

ASH: I’m absolutely with Michelle on this one – I simply cannot resist BL food manga, so Manly Appetites gets my pick this week. That being said, I’m also really looking forward to the debut of The Apothecary Diaries and reading more of How Do We Relationship? among other releases!

ANNA: I agree, Manly Appetites and The Apothecary Diaries both sound great.

MJ: Like Michelle, despite a number of alluring releases this week, I’m going to let my track record of satisfaction with foodie BL tip me towards Manly Appetites: Minegishi Loves Otsu. Though I’ll admit the title gives me the slightest pause.

KATE: I just finished season four of The Crown and am still jonesing for a little more palace intrigue, so I’m picking The Apothecary Diaries. (I was going to make a bad joke about “curing what ails me,” but… 2020.)

Filed Under: PICK OF THE WEEK

Korea as Viewed by 12 Creators

November 28, 2020 by Katherine Dacey

This anthology of twelve short stories, six by Korean artists and six by French, follows the same basic template as Japan As Viewed by 17 Creators, offering brief, impressionistic scenes of contemporary Korean life. Though 17 Creators is a uniformly excellent work, its companion volume is not; the stories run the gamut from pedestrian to brilliant, with the Korean artists making the strongest contributions.

The unevenness of the collection is attributable, in part, to a home field advantage. Artists such as Choi Kyu-sok and Byun Ki-hyun tackle deeper, more penetrating topics than their French counterparts, exploring homelessness (“The Fake Dove”), sexual discrimination and violence (“The Rabbit”), and the decay of traditional social networks (“The Rain That Goes Away Comes Back”). Though the artists’ ambition sometimes outstrips their allocated space, all three stories boast beautiful, detailed artwork that suggests the rhythm and feeling of modern urban life. The French contributions, by contrast, are travelogues of one sort or another: in “Beondegi,” for example, Mathieu Sapin imagines what it would be like for a French-Korean woman to return to her parents’ home country, while in “Letters From Korea,” Igort offers brief descriptions of places he visited in Seoul. The weakest of the collection is Catel’s “Dul Lucie,” an uneventful travel diary filled with observations about “doll-like” and “sensual” Koreans that — in English, at least — leave a bad aftertaste of exoticism. Though the other French artists are not as patronizing, the stories feel shallow; imagine an essay about New York City written by someone who only visited Times Square, and you have some idea of how superficial these artists’ appreciation of Korea seems to be.

Two stories make this collection a worthwhile investment. The first is “Solgeo’s Tree,” by Lee Doo-hoo, in which a monk paints a mural so life-like that birds attempt to perch in its branches. Told with almost no dialogue, the story relies heavily on Lee’s exquisite pen-and-ink drawings to impart its Buddhist moral. The second is “A Rat in the Country of Yong,” Herve Tanquerelle’s playful, wordless story about a mouse visiting Seoul. The surrealistic imagery — skies full of dragon transports, streets filled with animal-eared people, pools inhabited by monstrous carp — and Chaplin-esque physical comedy evoke the strangeness and excitement of visiting a new city without falling into the trap of essentializing its people. Both comics attest to the vitality and richness of the “as viewed by” concept, and suggest what might have emerged from this sometimes insightful, sometimes banal French-Korean collaboration.

This review was originally published on September 6, 2010.

Korea as Viewed by 12 Creators
Edited by Nicholas Finet
Fanfare/Ponent Mon, 222 pp.
No rating

Filed Under: Manga Critic, Manhwa, REVIEWS Tagged With: Fanfare/Ponent Mon

Pick of the Week: Overture, Curtain, Lights!

November 23, 2020 by Sean Gaffney, Michelle Smith, Ash Brown, Katherine Dacey, Anna N and MJ 1 Comment

SEAN: Seven Seas has most of my attention this week, as I’m torn between the relaxing yuri feel of Days of Love at Seagull Villa and the less yuri but more drama majorey Kageki Shojo!! The Curtain Rises. I think I’ll go with the latter, if only in hopes that we might get the sequel. Plus, I always love Takarazuka stuff.

MICHELLE: These two are also vying for my top pick this week, and since Sean picked the latter, I’m going with the former. The premise of a lonely person being accepted (presumably) into a family makes me think of Our Dining Table, another Seven Seas title that I loved immensely. Thus, I am very here for this!

ASH: Perhaps unsurprisingly, these are the two manga being released this week that also have most of my attention! Of the two, Kageki Shojo!! The Curtain Rises sits the highest on my ever-growing mountain of to-be-read books, so that gets my official pick. But I’m looking forward to reading the debut of Days of Love at Seagull Villa, too.

KATE: If only the rest of the American electorate was as unified as we are! I’m in total agreement with the rest of the MB gang’s picks.

ANNA: I agree, I’m looking forward to Kageki Shojo!! The Curtain Rises as well!

MJ: Probably this is obvious, but it’s Kageki Shojo!! The Curtain Rises for me! I’m so on board for this!

Filed Under: PICK OF THE WEEK

Pick of the Week: Let’s Eat Mermaid Flesh!

November 16, 2020 by Michelle Smith, Sean Gaffney, Anna N, Ash Brown, MJ and Katherine Dacey Leave a Comment

MICHELLE: Most of the stuff that interests me this week is a reminder of how far behind I’ve fallen in various series. There’s one, though, that I waited so long to read that it’s now fresh and new and I can be timely, and that is Mermaid Saga! I enjoy Rumiko Takahashi on the whole, but have never read Rumiko Takahashi being scary, and it’s an experience I’m looking forward to!

SEAN: My eye is on horror as well this week, but not Mermaid Saga, though I’m sure that’s great. My pick is Sadako at the End of the World, a title that asks the question “what if you took the girl from Ringu and put her in a world where humanity is nearly destroyed?” The answer might not be what you think!

ANNA: Mermaid Saga for me! I’m excited to check this out.

ASH: It’s a horror-filled week for me, too! The new edition of Mermaid Saga gets my official pick (I still love it from back when it made its first appearance in English), but I’m also looking forward to giving Sadako at the End of the World and Mieruko-chan a try.

MJ: Okay, look. I’ve never been the kind of Rumiko Takahashi fan I’ve always felt I was supposed to be. But I gotta finally read this. Mermaid Saga it is!

KATE: If InuYasha didn’t convince you that Rumiko Takahashi has real horror chops, let the weird, unsettling stories in Mermaid Saga work their eerie magic on you. There’s a good deal of Monkey Paw Theater in this collection–lots of people discover that immortality isn’t what it’s cracked up to be–but the stories’ resolutions are never too pat or predictable, and Takahashi’s artwork is evocative. I already own the complete set, but I’m sorely tempted to purchase the new edition… just ’cause.

Filed Under: PICK OF THE WEEK

King of Eden, Vol. 1

November 11, 2020 by Katherine Dacey

Is it too soon to enjoy a pandemic-themed manga? That question was foremost in my mind as I read King of Eden, a new thriller that pits a group of globe-trotting scientists against an assortment of terrorist organizations that have weaponized a lethal virus. I’m happy to report that King of Eden didn’t remind me of the COVID crisis, but it did something arguably worse: it bored me.

The dullness of the story is all the more surprising for a series written by Takashi Nagasaki, Naoki Urasawa’s collaborator on such entertaining pot-boilers as Monster, Master Keaton, and 20th Century Boys. All of Nagasaki’s worst tendencies are on display in King of Eden: there are pointless flashbacks to the main characters’ childhoods, solemn monologues about the Old Testament, long-winded conversations about global terrorism, and an interminable lecture on the ancient Scythians that name-checks Herodotus because… why not? Though the first volume introduces a dizzying number of characters, Nagasaki barely fleshes them out. Even leads Rua Itsuki and Teze Yoo feel more like skill sets than actual people, as evidenced by an on-the-nose exchange in which a bureaucrat recites Dr. Itsuki’s resume and reminds her that she “hold[s] a black belt in Tae Kwon Do” and is “proficient in the Israeli martial art of Krav Maga” as if she didn’t know these things about herself.

None of this would matter, of course, if King of Eden were entertaining, but Nagasaki is so intent on world-building that he overwhelms the reader with information, all delivered in such earnest, exhaustive detail it saps the narrative momentum. Itsuki and Yoo cross paths with MI-6 agents, WHO officials, IRA terrorists, crazy archaeologists, Interpol officers, and zombies—ZOMBIES, for Pete’s sake!—yet none of these encounters are memorable. Had Nagasaki placed more trust in artist SangCheol Lee (a.k.a. Ignito), King of Eden might have been a brisker, more imaginative entry in the zombie canon.

The first chapter offers a tantalizing glimpse of that potential partnership. Gone are the long-winded speeches; instead, Lee drops the reader into the action alongside two police officers who stumble across a baffling, gruesome scene. After the officers arrest a potential suspect, Lee skillfully cross-cuts between two spaces at the local precinct—an interrogation room and the morgue—allowing us to glimpse what’s unfolding in each room, and to feel the policemen’s growing unease. Lee’s crack pacing keeps the reader invested in the characters’ fate, building to a satisfying reveal of the carnage’s true source: a hideous, lantern-jawed creature that’s part werewolf, part zombie.

Alas, that cinematic flair disappears as soon as the characters begin talking; the next two chapters consist of information dumps punctuated by the occasional fist fight or car chase. By the time Nagasaki and Lee introduce a vampire arms dealer near the end of volume one, it barely registers as a major development. And that, in a nutshell, is what’s wrong with King of Eden: the story is so overstuffed with characters and events that I couldn’t muster the energy for another 15 or 100 chapters of talking heads explaining zombie behavior or Scythian culture just to figure out who this vampire is, and why he matters.

Yen Press provided a review copy of volume one.

KING OF EDEN, VOL. 1 • STORY BY TAKASHI NAGASAKI • ART BY IGNITO • TRANSLATED BY CALEB COOK • LETTERING BY ABIGAIL BLACKMAN • RATED OLDER TEEN (16+) • 384 pp.

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Horror/Supernatural, Takashi Nagasaki, yen press, Zombies

Pick of the Week: Jazz and Josei

November 9, 2020 by Sean Gaffney, Michelle Smith, Anna N, Katherine Dacey, Ash Brown and MJ Leave a Comment

SEAN: I try not to do more than one pick per week, but I have to break the rules this time around, as I cannot decide between jazz-tinged Blue Giant and gut-wrenching My Broken Mariko They both look amazing.

MICHELLE: I am absolutely in the exact same boat. I’m really looking forward to both of these.

ANNA: I agree, both of them sound amazing.

KATE: I am 400% on board with Blue Giant. I’m contractually obligated to pick it; what’s more Berklee than jazz manga?!

ASH: While I’m certainly interested in My Broken Mariko, I’m with Kate this week in fully backing Blue Giant as my pick. Bring on the award-winning music manga!

MJ: Okay, I’ll admit I’ve been having a hectic week, and I’m feeling unprepared to make a pick. But I’m hearing “jazz manga” and I absolutely can’t resist. Make it Blue Giant for me!

Filed Under: PICK OF THE WEEK

Pick of the Week: Idols, Clubs, and Maidens

November 2, 2020 by Michelle Smith, Sean Gaffney, Ash Brown, MJ, Katherine Dacey and Anna N Leave a Comment

MICHELLE: I’m reluctant to tout anything from TOKYOPOP, given that I am still bitter about past deeds, but I must admit that Ossan Idol! looks really fun. I’m worried they’ll abandon this series midway, like so many others, but I shall cautiously award it my pick of the week.

SEAN: This week’s pick is Easy Breezy for me: it’s the first volume of Keep Your Hands Off Eizouken, which if it’s even half as good as the anime will be very good indeed.

ASH: I’m certainly interested in Eizouken, too, but this week I think I’ll be focusing on catching up on Viz series, probably starting with JoJo’s Bizarre Adventure before pivoting to shoujo.

MJ: Okay, I’ll be honest, folks. I don’t have a pick this week, because I can’t focus on anything besides the impending doom we’re facing this week in the U.S. It’s pretty all-consuming. I know they are still selling manga, but that knowledge is buried under so much anxiety, I can barely even acknowledge it. Stay safe, everyone. I’m sure you know where my meager hopes fall. Sorry I’m useless.

KATE: I’m intrigued by Ossan Idol, but my heart belongs to O, Maidens in Your Savage Season, a sharp, funny portrait of nerdy girls coming to terms with their budding sexuality. If you enjoyed the movie Booksmart, Maidens is for you, as it explores some of the same emotional (and humorous) terrain.

ANNA: I’m finding it hard to concentrate on manga right now. There’s a lot of great shoujo coming out this week, I think I’m going to pick Daytime Shooting Star, a manga that inspires both feelings of dread about potentially inappropriate relationships and hope that things all work out somehow.

Filed Under: PICK OF THE WEEK

Pick of the Week: Traveling Manga

October 26, 2020 by Sean Gaffney, Michelle Smith, Anna N, Katherine Dacey, Ash Brown and MJ Leave a Comment

SEAN: I am torn between two manga with really nice art this week. Shikimori’s Not Just a Cutie and Heterogenia Linguistico both make me want to judge books by their covers. I’ll make them a co-pick.

MICHELLE: I’m keen to get caught up on The Girl from the Other Side, but I too am charmed by the cover of Heterogenia Linguistico, so will make that my official pick this week.

ANNA: I’m going to signal my intentions of getting caught up on The GIrl from the Other Side and make that my pick!

KATE: The last two volumes of Girl from the Other Side have been such colossal downers that I’m going to highlight a different Seven Seas title this week: Nicola Traveling Around the Demon’s World, a handsomely illustrated, utterly charming manga about a plucky human who’s passing through a world of monsters, demons, ghosts and spirits, making friends and casting spells along the way. It’s the kind of all-ages series that adult readers can appreciate for the craftsmanship and young readers can appreciate for its emotional honesty and down-to-earth humor. Why this isn’t on more people’s radar, I don’t know, but Nicola is Eisner-worthy. Just sayin’.

ASH: I don’t think I can put it much better than Kate already has, but Nicola Traveling Around the Demon’s World is a truly wonderful and absolutely delightful series. While debut-wise I’m curious about Heterogenia Linguistico, my heart goes to Nicola this week.

MJ: Okay, I really didn’t have a pick this week, but you all have convinced me that I absolutely need to check out Nicola Traveling Around the Demon’s World. So I guess that’s that. I’m doing it.

Filed Under: PICK OF THE WEEK

Pick of the Week: Waves, Sneezes, and Flags

October 19, 2020 by Michelle Smith, Sean Gaffney, Katherine Dacey, Ash Brown and Anna N Leave a Comment

MICHELLE: It’s all about the W’s for me this week. Wotakoi and Whisper Me a Love Song are high on my list, but I’m most excited to continue the story of Wave, Listen to Me. The digital releases paused to allow the print version to catch up, so it has been a long time! Honorable mention to non-W Blue Flag, as well.

SEAN: I’ll go with a double dose of light novels this week. Ongoing, no question it’s the new Ascendance of a Bookworm that has my pick. But we’re also seeing the debut of In the Land of Leadale, which has intrigued me since it first was announced, if only for the gorgeous covers. (Remember around four years ago, when we were desperate for any light novels with a female protagonist? Those days are happily long gone.)

KATE: Achoo! It’s Sneeze for me, as I’m really curious about Naoki Urasawa’s short game. I’ve enjoyed Master Keaton and Pineapple Army, two series that are more anthologies than epic sagas, so I’m cautiously optimistic about Urasawa’s ability to tell a self-contained story.

ASH: My wallet will certainly be hurting this week; I’m reading so much of what is being released! In addition to everything that everyone else has mentioned so far, I’ve also got my eyes on the (print) debut of Heaven’s Design Team.

ANNA: There’s a lot of manga coming out this week that sounds interesting, but I think for me more Blue Flag is what I’m most excited about.

Filed Under: PICK OF THE WEEK

Pick of the Week: Blue Moods

October 12, 2020 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N, MJ and Katherine Dacey Leave a Comment

SEAN: Was feeling kind of blue this week, so thought I might go for the adorable-looking Cutie and the Beast as my pick instead, but then I thought, so what? Let’s go with the manga I’ve been most excited for, that is miles ahead of the others. Blue Period is my pick.

MICHELLE: These are definitely the two titles I am most excited about this week! I must agree with Sean that Blue Period generates the most excitement, though, so I will also pick that one.

ASH: It’s the debut of Blue Period and Cutie and the Beast for me, too, this week! Quite different series from each other, I expect, but I’m looking forward to reading both of them.

ANNA: To be honest, I’m probably most excited for Cutie and the Beast, it sounds like an adorable distraction.

MJ: There’s not a lot luring me in this week, with the exception of Blue Period, which sounds like exactly my kind of manga. So here’s hoping!

KATE: What Ash said!

Filed Under: PICK OF THE WEEK

A First Look at YashaHime: Demon Half-Princess

October 11, 2020 by Katherine Dacey

For a brief moment in the early 2000s, Rumiko Takashashi’s InuYasha was the shonen franchise in America. It was a constant presence on cable television, where it anchored Cartoon Network’s Adult Swim line-up, and a commercial success for VIZ Media, which issued and re-issued the series in formats ranging from flipped floppies to deluxe, three-in-volumes. By the time InuYasha finished its run in 2008, readers had moved on to other franchises, but InuYasha was an important series for the North American comics market, as it helped reveal an underserved population of teens who weren’t particularly interested in Batman or Captain America, but were interested in reading comics about characters their own age.

InuYasha also demonstrated that teen girls were just as enthusiastic about action, adventure, and horror comics as their male counterparts, especially if the series featured well-rounded female characters. To be sure, plenty of shonen manga included at least one Tough Female Character™, but InuYasha’s three female leads were defined as much by their frustrations, insecurities, and smarts as they were their ass-kicking capabilities. Equally important, Kagome, Sango, and Kikyo weren’t drawn for the male gaze; they were depicted as normal young women, making it easier for teen girls to identify with the characters’ struggles and triumphs.

It seems fitting, then, that the new InuYasha spin-off puts girls front and center. YashaHime: Princess Half-Demon is a “next generation” sequel that focuses on the original characters’ offspring—in this case, the teenage daughters of InuYasha and his big brother Sesshomaru. This time around, however, Sesshomaru’s twins Towa and Setsuna are the leads and InuYasha’s kid Moroha is the brash, impetuous foil to her sterner, more reticent cousins.

The good news is that YashaHime faithfully adheres to the spirit of the original series, with its characteristic mixture of romance, slapstick, horror, and action; anyone worried that the new series might try too hard to differentiate itself from InuYasha will be happy to see that the new show keeps the focus on demon-fighting, quests, and camaraderie. The bad news is that the first episode is so compressed that the new heroines barely make an impression on the viewer, as their introductions are overshadowed by clumsy bits of exposition, cameo appearances by the original series’ main characters, and a showdown between a demon and the old gang.

In an effort to create more continuity between the original series and the sequel, the second episode reveals that Towa was raised by Kagome’s younger brother Sota in present-day Tokyo. Towa’s introductory scenes are so focused on explaining her backstory that her distinctive choice of clothing—a schoolboy’s uniform—initially seems like an afterthought: “better for fighting,” Towa tells us in a voice-over. That detail turns out to be an important clue about how Towa sees herself, as she complains that “girls must be feminine and boys must be masculine,” a distinction that Towa finds as restrictive as the clothes she’s expected to wear. Towa’s gender presentation is addressed in a ham-fisted way—her younger sister pleads with Towa to be more “girly” and “cute”—but the writers’ willingness to address Towa’s fierce rejection of gender binaries suggests that YashaHime may explore some interesting new thematic territory.

The only truly disappointing aspect of YashaHime is the animation, a flaw that’s most evident in its stiffly executed fight scenes. The animators never create a persuasive illusion of people jumping, flying, and running through three-dimensional space; all the characters look like paper cut-outs superimposed on unimaginative backgrounds. The flatness of the imagery is even more obvious when YashaHime and InuYasha are viewed side-by-side, as InuYasha’s softer, more nuanced color palette gave the picture plane more depth and the characters’ bodies more weight. The one bright spot is YashaHime‘s character designs: Moroha, Towa, and Setsuna bear just enough resemblance to their parents to make it easy for the viewer to grasp the father-daughter connection, even though each girl has her own unique look. That attention to detail extends beyond their physical appearance, too, influencing the way they move, talk, and twitch their noses when they catch wind of a demon.

If I sound a little ambivalent about YashaHime, I am: it shows considerable promise, but hasn’t quite escaped the long shadow of its parent series or found the right pacing for the kind of stories it wants to tell. I’m reserving final judgment until the relationships between Towa, Setsuna, and Moroha are more clearly delineated—after all, it was the complex web of feelings and friendships that made InuYasha compelling as much as its demon-of-the-week adventures. Here’s hoping the sequel will embrace that approach, too.

Episodes 1-2 of YashaHime: Princess Half-Demon are currently streaming on Crunchyroll, Funimation, and Hulu. New episodes air on Saturdays.

Filed Under: Manga Critic, Movies & TV, REVIEWS Tagged With: anime, inuyasha, VIZ, YashaHime

Pick of the Week: Beginnings and Endings

October 5, 2020 by Michelle Smith, Sean Gaffney, Katherine Dacey, Ash Brown and Anna N Leave a Comment

MICHELLE: I’m excited by all the final volumes out next week. I’m definitely interested to read the conclusions of Ao Haru Ride and The Demon Prince of Momochi House, but most look forward to the resolution of To Be Next to You, a shoujo offering of Kodansha’s digital-first initiative. I’ve really enjoyed what I’ve read by Atsuko Namba and look forward to more in the future.

SEAN: Lotsa Viz I’m getting, and I’m tempted to pick Yona (always my default). But I really loved Sexiled, and want to see more by the author, so I will go with A Lily Blooms in Another World, despite having read a very similar book 3 weeks ago.

KATE: With Halloween around the corner, I’ll put in a word for the new digital edition of Junji Ito’s Dissolving Classroom, a weird, funny, and icky collection of short stories about the siblings from hell. Plot-wise, Ito’s manga doesn’t have much to do with Kazuo Umezu’s similarly titled Drifting Classroom, but it shares the same penchant for over-the-top gore and WTF? moments.

ASH: Despite already owning the first trade paperback edition of Blade of the Immortal, I can’t resist picking up the new deluxe release in all its glory. But I’ll also be turning my eyes towards the debut of another dark, action-packed series this week – Chainsaw Man.

ANNA: There’s a bunch of manga coming out this week that I’m excited to read, but the one I’m most excited about is the final volume of Ao Haru Ride, which has managed to tell a compelling story of teen romance developing despite past tragedy.

Filed Under: PICK OF THE WEEK

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