Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Katherine Dacey

Pick of the Week: Mermaid Josei

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SEAN: Josei? From a magazine we almost never see anything licensed from? Complete in one volume? Sold! Mermaid Scales and the Town of Sand also looks quite pretty, and is definitely my pick this week.

KATE: My thoughts exactly, Sean–done-in-one josei? With gorgeous, stylish art? And a plucky heroine? Sold! (Literally… I pre-ordered this one.)

MICHELLE: What else is there to say besides, “I concur”!

ANNA: Me too!

ASH: Ditto! (I really have been looking forward to this one and already have my pre-order in.)

MJ: Not to be predictable, but I’m going to go along with everyone else here! I’m so ready for this!

The Manga Review: Brush Up Your Shakespeare

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Earlier this week, ABLAZE announced that it will be publishing four manga by Osamu Tezuka. Two will debut this year: One Hundred Years, a story about an accountant who makes a pact with a demon in exchange for wealth and power, and Shakespeare Manga Theater, a collection of short stories based on Hamlet, Romeo and Juliet, and The Merchant of Venice. In 2024, ABLAZE will release Tomorrow the Birds, a one-shot about a world in which birds are smarter than people, and Neo Faust, one of Tezuka’s final works.

One quick programming note: to make it easier for you to find a great anime or manga podcast, I’ve created a permanent directory at the Manga Critic. Click here to view; click here to make suggestions or corrections. My goal is to update the list a few times a year.

NEWS…

The ALA’s Graphic Novels and Comics Round Table just published its list of 2022’s Best Graphic Novels for Adults. Though the list cants heavily towards Western titles, Frieren: Beyond Journey’s End and Talk to My Back both made the cut. [GNCRT]

The Beat has an eleven-page preview of Tokyopop’s forthcoming Guardian of Fukushima, a graphic novel documenting the bravery of Naoto Matsumura, a Japanese farmer who returned to Fukushima in the aftermath of the 2011 nuclear disaster to care for all the animals that had been left behind. [The Beat]

Star Fruit Books will be publishing Hideshi Hino’s Occult Detective Club: The Doll Cemetery this summer. [Star Fruit Books]

In April, Last Gasp will publish Keiji Nakazawa’s memoir I Can’t Forget the Bomb: Barefoot Gen and the Bombing of Hiroshima. [Last Gasp]

The first chapter of The JOJOLands, the newest installment of JoJo’s Bizarre Adventure, debuted yesterday in the pages of Ultra Jump. [Otaku USA]

If you’re feeling nostalgic for Death Note, InuYasha, or Sailor Moon, I have good news for you: VIZ has made the full run of all three anime available on YouTube, along with select episodes of Hunter X Hunter and Naruto. [CNET]

File under Better Late Than Never: Kakusai Han recently made his professional debut as a manga artist with the publication of 67-sai no Shinjin: Han Kakusai Tanpenshu, which, translated into English, means The 67-Year-Old Newcomer: A Collection of Short Stories by Kakusai Han. “I always thought things would work out if I drew something interesting,” he said. “I didn’t care about my age.” [The Asahi Shimbun]

… AND VIEWS

Martin de la Iglesia revisits K, an early manga from Jiro Taniguchi and Shiro Tozaki about a “Japanese climber living near the Himalayan and Karakoram mountain ranges” whose superior skills make him the go-to guy for tricky alpine rescues. [The 650-Cent Plague]

The latest installment of Dad Needs to Talk focuses on The Savior’s Book Cafe Story in Another World. [Dad Needs to Talk]

Over at Manga in Your Ears, Kory convenes a roundtable on Shuzo Oshimi’s Inside Mari. [Taiiku Podcast]

Should you read WANDANCE? Xan weighs in on the popular series, a sports manga set in the world of hip hop dancing. [Spiraken Manga Review]

Andy and Elliott devote the latest Screentone Club to Nodame Cantabile, a slice-of-life drama about young musicians, and Burn the House Down, a twisty psychological thriller. [Screentone Club]

Jocelyne Allen offers a hilarious, blow-by-blow account of Reiko Shimizu’s Kaguyahime, which, in spite of its title, has almost nothing to do with The Tale of the Bamboo Cutter. “It’s bonkers right out of the gate,” she observes. “The first page has a quick overview of the Bamboo Cutter, presumably setting us up for what we’re about to read, but no. Next up is a hot (probably—I can never tell with nineties manga) foreigner looking at art in a gallery. There’s a pretty funny moment where the gallery staff guy is forced to try and speak English, and then next thing you know, fire! And maybe a bomb!! The gallery is evacuated, and our foreign friend is joined by someone with flamethrowers. The two proceed to torch the gallery, and we cut to a random high school.” Back in the aughts, I have no doubt CMX or Tokyopop would have licensed this, but today, I’m not so sure any US publisher would take a chance on this pure, unadulterated slice of 90s shoujo cheese. [Brain vs. Book]

REVIEWS

This week’s must-read review comes to us from Tony Yao, who’s been blogging his way through Sensei’s Pious Lie. Writing about the fourth and final volume, Yao explains why he found the story’s resolution cathartic. “The characters in Sensei’s Pious Lie aren’t beautiful, just tragically human,” he observes. “But there’s a beauty in seeing the tragic. Through loss, you slowly get to pick up pieces and discover alternative ways to figuring things out, but it takes other people to help you see that.”

Also of note: Anna N. reviews the first four volumes of Matcha Made in Heaven … the crew at Beneath the Tangles reviews A Condition Called Love, Boss Bride Days, and Unnamed Memory… and Megan D. revisits Puri Puri, a harem manga from the DrMaster vaults.

New and Noteworthy

Complete and Ongoing Series

Pick of the Week: Classic and Modern

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MICHELLE: Part of me really wants to pick Marmalade Boy here, as it’s one of the first manga I ever read and I have tremendous nostalgic feelings about it. However, I do realize that some aspects of it were decidedly not great. So, instead, I will go with the second volume of Usotoki Rhetoric since the first was absolutely delightful!

SEAN: I agree with Michelle regarding Marmalade Boy, though I will of course be reading it, because who doesn’t want to relive their old problematic media? That said, my pick this week is The Girl That Can’t Get a Girlfriend, about one woman’s search for the butch of her dreams.

ANNA: I’m going to choose chaos this week and pick Marmalade Boy!

KATE: Break of Dawn sounds like it’s just my speed, so that’s my pick.

ASH: Break of Dawn seems like an obvious pick for me, too, but this week I’m going to choose the print debut of Raven of the Inner Palace. I’ve heard great things about the series as a whole and the cover artwork for the first volume is stunning.

Bookshelf Briefs 2/10/23

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Blue Box, Vol. 2 | By Kouji Miura | VIZ Media – Blue Box continues to strike a great balance between being a sports manga and being a romance. In this volume, Taiki is paired with Haryu-sempai for doubles and they end up doing well enough together and separately at the prefectural qualifiers to advance in their journey to nationals. Haryu has a manipulative side, but he also makes a point of complimenting Taiki’s work ethic and overall potential in Chinatsu’s presence. Taiki’s other friends do their part to help his romantic prospects, as well. His friend Hina, in particular, is emerging to be my favorite character, as she’s doing her best to root for him, but the more it seems like he and Chinatsu could really have something special, the lonelier she feels. She’s on her own journey to nationals, and I hope we see more of that going forward! – Michelle Smith

The Fox and the Little Tanuki, Vol. 1 | By Mi Tagawa | Tokyopop – It’s not hard to see why Tokyopop licensed this charming, kid-friendly title; though it isn’t a Disney property, it has a lot in common with Bambi and The Fox and the Hound, right down to its button-cute cast of talking animals. The story focuses on the improbable relationship between Senzou, an ancient fox demon, and Manpachi, a baby tanuki, who—natch—are temperamental opposites. Though it’s not hard for an adult to see how their dynamic will evolve over time, the story offers enough twists and tear-jerking moments to keep readers invested in this oddball relationship, especially as Manpachi struggles with the realization that his birth family has rejected him for being different. The illustrations are another plus, as artist Mi Tagawa has a flair for drawing expressive animal faces; I dare you not to sniffle when Manpachi pines for his mother. – Katherine Dacey

Hello, Melancholic!, Vol. 3 | By Yayoi Ohsawa | Seven Seas – In this final volume, Minato and Hibiki officially become a couple, but not before Hibiki pushes Minato into checking out a civic brass band that has attempted to recruit her, resulting in a bit of a squabble. Minato’s gotten better at being open about her feelings, but now it’s Hibiki’s turn to stop trying to steer Minato in the direction she’d like their relationship to go and just be honest herself. After this breakthrough, it’s a whirlwind, as Hibiki graduates, Minato’s third year happens off camera, and then they reunite at college. This series has been cute and pleasant throughout but I’m a little dazed and confused that it’s over so soon, particularly with the Sakiko and Chika relationship, which featured so prominently in volume two, still in its uncertain state. Oh well. Still recommended. – Michelle Smith

Kubo Won’t Let Me Be Invisible, Vol. 5 | By Nene Yukimori | Viz Media – Shiraishi is coming along. Slowly. That said, his face is still just a blank most of the time, because that’s what his character is, so there’s no denying that it’s more fun watching Kubo’s expressions. Whether she’s panicking imagining that another girl might possibly hang out with Shiraishi, or deeply traumatized when Shiraishi, in the mall with his brother, sees her buying a sexy bra. She also meets his mom, who clearly seems to love her, and we all know that it’s only the series’ popularity that is preventing them from hooking up. Heck, the series even has an anime currently running… except it’s been pushed back to April due to COVID-19. Luckily, we still have the manga. – Sean Gaffney

Toradora! Vol. 10 | By Yuyuko Takemiya and Zekkyo | Published by Seven Seas – Well, it’s been two and a half years, clearly it’s time for the next volume of the slowest-releasing adaptation ever. We are deeply in the ‘dramatic’ part of the series, with humor kept to a minimum, though there is at least some, as everyone tries to hide in the closet to avoid Ami and Minori’s confrontation. I feel bad for Ami here, who does not really have any problem-solving settings beyond “be a bitch till the problem is solved,” and that’s just not going to work here. As for Taiga and Ryuuji, he at least now knows she loves him, but has no emotional capacity to deal with it, and should be worried more about college, and how to afford it. Come on, just read the LNs. Don’t wait three more years. – Sean Gaffney

The Two of Them Are Pretty Much Like This, Vol. 2 | By Takashi Ikeda| Seven Seas – There’s not a lot of what you’d call forward movement here—this is a vibe manga. We do see Wako getting a decent-sized voice acting role, and the scenes where she tries to do publicity and not freak out or screw up are fun. She also meets her co-stars, who are in a fake relationship, which interests Wako greatly, given that she’s in a real relationship with Ellie. Ellie, meanwhile, has some lunch/dinner talks with another friend of hers who is clearly massively crushing on her but unwilling to do something about it given that Ellie is happy. Ellie even finds her neighbor is a huge fan of her work… her BL doujinshi work, that is. This is so relaxed and fun to read. I love it. – Sean Gaffney

Blood on the Tracks, Vols. 1-5

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One part Mommie Dearest, one part Kids, Blood on the Tracks is an unsettling depiction of the toxic parent-child relationship between Seiko, an overbearing mother, and Seiichi, her thirteen-year-old son.

The first volume is an artful tease, frankly portraying Seiko’s controlling behavior while encouraging the reader to see it through her obedient son’s eyes: as an expression of parental love. Oshimi hints that Seiko’s attachment to Seiichi goes beyond a simple desire to protect him, but it isn’t until a fateful hiking trip that Seiko’s true ability to manipulate and terrorize Seichii is revealed. In the aftermath of the trip, Seiichi begins to question his earliest childhood memories, and forms a connection with his classmate Yuko, another teen caught in a toxic parent-child relationship. The teens’ effort to break free of abuse, however, is thwarted by their age and by Seiichi’s deep-seated guilt about running away from home; the final page of volume five shows Seiichi abandoning Yuko under a highway overpass to search for his mother, rain and tears streaming down his face.

I’d be the first to admit that Blood on the Tracks is a potent reminder of just how good an artist Oshimi is. No matter what genre he’s working in, he does a superb job of creating fully embodied characters whose facial expressions, gaits, and vocal tics reflect their lived experiences; we can see how socially and emotionally stunted Seiichi is from the way he slouches and stands on the fringes of his friend group at school, and from his difficulty making eye contact with other people. Even more striking is how fluidly Oshimi segues from crisp naturalism to abstraction, using the latter as a way of representing how feelings manifest not as fully formed thoughts but as vivid, unsettling images that intrude on everyday life. Oshimi’s expressive linework and creative use of perspective give these sequences a visceral authenticity that would be almost impossible to achieve with language. 

In this scene, for example, Oshimi shows us the turning point in Seiko’s relationship with his mother. The first image in the sequence offers a fleeting glimpse of Seiko as Seiichi used to see her: as a beautiful young woman who devoted her life to protecting her son from harm. The second and third images in the sequence, however, reveal how Seiichi now sees her: as a terrifying stranger, a point reinforced by his wide-eyed stare and the faint smirk on Seiko’s lips. Oshimi sharply contrasts the beauty of the setting with the horror of what just transpired, creating a visual analog for Seiichi’s shock at learning who his mother really is.

The stumbling block—for me, at least—is that Oshimi’s stories always veer into the uncomfortable terrain of transgressive behavior and power dynamics. His characters exhibit such destructive, sadistic tendencies that his work often leaves me feeling queasy, not least because so many of his protagonists are teenagers. Maybe that’s the point: we can’t understand what it’s like to live with a pathologically selfish person unless Oshimi uses jump scares and creepy close-ups to make us feel the same sense of apprehension that Seiichi does. Yet there’s something distressing about making entertainment out of this material, however convincing his portrayal of Seiko’s pathology may be; I couldn’t shake the feeling that watching Seiko squeeze the life out of her son was a kind of emotional torture porn. I threw in the towel with volume five, but your mileage may vary.

BLOOD ON THE TRACKS, VOLS. 1-5 • BY SHUZO OSHIMI • TRANSLATED BY DANIEL KOMEN • VERTICAL

The Manga Review: Before Chainsaw Man

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The January 2023 NPD Bookscan numbers are in, and Tatsuki Fujimoto is king! He claimed twelve of the top twenty spots on last month’s Adult Graphic Novel list, with eleven volumes of Chainsaw Man and the first installment of Tatsuki Fujimoto Before Chainsaw Man. January was a good month for other VIZ properties as well, with volumes of Demon Slayer, Jujutsu Kaisen, Kaiju No. 8, One Piece, and Spy x Family charting; Dark Horse’s new deluxe edition of Berserk was the the only other series to make the cut. On NPD’s Author Graphic Novel list, webtoons and manhwa made a strong showing with volumes of Killing Stalking, My Gently Raised Beast, The Remarried Empress, Solo Leveling, and Villains Are Destined to Die.

NEWS…

Congratulations to Erica Friedman, who recently reached a major milestone: her 5,000th article at Okazu! To mark the occasion, she shared the results of her recent Global Yuri Fandom Survey, and offered insight into how the survey was designed. [Okazu]

Brigid Alverson has the low-down on VIZ’s fall line-up, which includes gag manga, more Junji Ito, and Ai Yazawa’s Neighborhood Stories. [ICv2]

Have you completed the February Seven Seas Reader Survey yet? [Seven Seas]

The crack team at Yatta-Tachi have compiled a comprehensive list of all the manga and light novels scheduled for a February release. [Yatta-Tachi]

Good news for oenophiles: Kodansha has just made all 44 volumes of The Drops of God more widely available. You may remember that Vertical published a few volumes in 2011, leaving the series incomplete. Then in 2020, Kodansha teamed up with comiXology to make the entire series accessible through Amazon. The story is now available in a much wider array of digital formats, from Apple Books to Kobo and nook. [The Fandom Post]

…AND VIEWS

One of the best things I read this week was Carrie McClain’s Love Letter to Josei Manga, a personal reflection on how she discovered—and fell in love with—manga for older female readers. If you still have dog-eared copies of Suppli or Tramps Like Us lurking on your bookshelf, this post is for you. [Black Nerd Problems]

Arpad Okay revisits Shiro Masume’s Ghost in the Shell, explaining why it remains a cyberpunk classic almost 30 years after it was first translated into English. [The Beat]

The staff at WWAC compile a list of their favorite indie-press comics of 2022. [WWAC]

Kristin sifts through all the various manga editions of Tokyo Ghoul, offering readers practical advice about how to assemble a complete set without breaking the bank. [Anime Collective]

For anyone curious about the history of manhwa, William Schwartz’s in-depth essay on Lee Hyun-see’s Alien Baseball Team is essential reading. “The sheer eccentricity of these constantly shifting genre tones underlies much of the comic’s appeal – and also its influence,” he notes. “Anyone familiar with modern South Korean cultural content has probably experienced the same form of whiplash. International hits like Parasite and Squid Game have been big mainstream examples of much the same blended storytelling, which has been the calling card of South Korean media since the first Korean Wave back in the late ’90s.” [The Comics Journal]

LISTENING IN: PODCASTS

Looking for a great anime podcast? Check out this brief but well-curated list compiled by the folks at Audible. [Audible]

To celebrate their second anniversary, the OverMangaCast gang host a lively discussion of The Promised Neverland. [OverMangaCast]

The Mangasplainers dedicate their latest episode to Riyoko Ikeda’s shojo classic The Rose of Versailles. [Mangasplaining]

In the first of a two-part series, the Manga Machinations team revisit Akiko Higashimura’s autobiographical series Blank Canvas: My So-Called Artist’s Journey. [Manga Machinations]

Marian, Sakaki, and VLord discuss the first volume of Alice in Borderland, a sci-fi thriller that sounds a little like Battle Royale and Squid Game. [Saturday Night Shoggy]

On the most recent episode of Shojo & Tell, Ashley is joined by fellow podcasters Giana and Chika (Shoujo Sundae) for an in-depth discussion of Yuu Watase’s Alice 19th. [Shojo & Tell]

The Trash Manga Friends unite for a lively conversation about A Couple of Cuckoos, a romantic comedy in which “two kids swapped at birth are forcibly engaged and made to live together.” [Trash Manga Friends]

REVIEWS

Over at Anime News Network, Rebecca Silverman offers a glowing appraisal of Is Love the Answer?, a book exploring one young woman’s efforts to come to terms with her sexual orientation. The book “doesn’t offer any clear-cut answers, nor does it settle all of its characters into a comfortable happily ever after,” Silverman notes. “But what it does do is teach the questions to ask and stress that it’s okay if you don’t come up with a definitive answer, now or ever. There is no such thing that’s “normal.” There’s only who you are, and whoever that is, it’s perfectly fine.”

New and Noteworthy

Complete and Ongoing Series

Pick of the Week: Get Up, Stand-Up

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SEAN: Not a lot of must-buy titles for me this week, but I will say that if you never got the original manga, the box set of Wotakoi: Love Is Hard for Otaku looks like a great buy, and has a sticky notepad as a bonus.

MICHELLE: I’ll be checking out Show-ha Shoten!. It’s less that I’m into comedy duos and more that I’m into Takeshi Obata’s artwork, though.

KATE: I second Michelle’s recommendation: comedy tonight!

ASH: Likewise! As much as I enjoy Wotakoi, my pick this week goes to the debut of Show-ha Shoten! Though I’m unfamiliar with the author, I do find myself intrigued by the series’ premise and I’m definitely looking forward to Obata’s illustrations.

ANNA: Put me down for Show-ha Shoten! as well!

MJ: As a certified Takeshi Obata superfan, there is no other choice for me this week but Show-ha Shoten! I have been a diehard fan since Hikaru no Go, and I’m admittedly happy to see him working with a new writer, so count me IN for his beautiful work.

The Manga Review: In Your Ear

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This week’s Manga Review is something of a departure. On Wednesday, I posted a brief message on Twitter, encouraging other users to recommend their favorite podcasts, or share a few details about their own. The response was enthusiastic, introducing me to more than a dozen new podcasts–well, new to me–that explore the mangasphere from just about every angle, from individual series such as City Hunter and Haikyu! to manga so bad they’re good. (Or at least fun to discuss.) Below, I’ve compiled the results of my survey, but feel feel free to suggest more in the comments; the internet is a big place, and it’s a daunting task to try and find smart conversation about any topic, let alone manga.

PODCAST DIRECTORY

I’ve organized this alphabetically, with links to each podcast’s home page. Because of the sheer volumes of recommendations I fielded, my descriptions of each podcast are brief; I encourage you to click through to the sites directly for a better sense of tone and content.

REVIEWS

This week’s must-read review comes to us via the Sports Baka substack, which features an article about Moonland. The series is one party Haikyu!! and one part gymnastic primer, with “textbook-style explanations of skills and scoring” and plenty of drama. Over at The Manga Test Drive, Megan D. resurrects one of my favorite shojo manga of yore, The Secret Notes of Lady Kanako, while the crew at Beneath the Tangles dedicate their latest Reader’s Corner to Alice in Borderland, My Sister the Cat, and Solo Leveling.

New and Noteworthy

Complete and Ongoing Series

Pick of the Week: Atomic Devastation

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KATE: Though this is a lighter week than usual, I found two titles on the list that piqued my interest. The first is Maiden’s Bookshelf: The Moon Over the Mountain, which has a swoon-worthy cover, and draws from the same well of inspiration as Hell in a Bottle. I’m also interested in reading the new edition of Keiji Nakazawa’s I Saw It: A Survivor’s True Story of the Atomic Bombing of Hiroshima, which Last Gasp is releasing this week. It’s not clear from the packaging if this version is a reprint of the old Educomics edition, or is a fresh translation; nonetheless, it’s good to see this title available again, as it’s a simple but powerful way to help young readers appreciate the horrors of nuclear warfare.

SEAN: I’m picking the final volume of Mixed Bathing in Another Dimension. Its last volume came out in late 2019. I have forgotten everything about what happened in it. But I know I will miss this harem guy, his passel of bathing girls, and the importance of consent before he washes them.

ANNA: I’m going to join Kate in picking I Saw It: A Survivor’s True Story of the Atomic Bombing of Hiroshima, it is good that important stories like this are kept in print and accessible to readers.

MICHELLE: I agree that it’s good for I Saw It to remain in print, but personally I just can’t take something so devastating this week. Instead, I’ll pick volume six of Cherry Magic!, a cute series that I look forward to catching up on.

ASH: I’m not sure how I overlooked that it was being released this week (maybe because I’ve had it preordered for what seems like ages…), so I’m glad that Kate made mention of The Moon Over the Mountain. I’m a big fan of Atsushi Nakajima’s work and the first volume of Maiden’s Bookshelf was beautifully done, so I’m particularly looking forward to this next installment.

The Manga Review: Lost in Translation

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If you were on Twitter this week, you may have seen folks talking about Titan Comic’s Kamen Rider Kuuga for all the wrong reasons. Gizmodo’s James Whitlock summarized the controversy succinctly, noting that fans were upset by “a consistent pattern of errors and awkward phrasing in the English translation of the manga. From clunky syntax to inconsistent name romanization, from awkward line breaks to printing errors cutting off art and dialogue, both volumes of Kuuga showcase a pattern of sloppiness that make them difficult to read at best.” Titan Comics’ initial response stated that both books “were worked on by two highly respected translators in the business,” though readers expressed skepticism over the company’s claim. Within 24 hours, Titan posted a new response acknowledging the shoddy translation and production, this time promising to implement new quality control standards and fix the “identified art errors and textual inconsistencies” in both volumes.

NEWS AND VIEWS

Party like it’s 2008! Barnes & Noble will be adding 30 new stores to the chain this year–a hopeful sign for anyone who remembers the manga boom of the aughts, when teenagers clogged the aisles at BN and Borders any time a new volume of Fruits Basket or Naruto hit the shelves. [ICv2]

No Flying No Tights publishes its list of the Top Comics of 2022. Though the emphasis is on American titles, Our Not-So-Lonely Planet Guide got a shout-out as well. [No Flying No Tights]

Jocelyne Allen explains why Hitomi Takano’s Gene Bride is both totally relatable and also… totally bananas. Someone license this, please! [Brain vs. Book]

Over at SOLRAD, Bradathon Nu explores the creepy horror of Masaaki Nakayama, “a creator obsessed by the plane of existence between ours and the next.” Nu elaborates: “That is to say, horrors that we as humans can just barely grasp, horrors that are so subtle, so close to our world, that we might not even notice them (one notable example of this is a story in which a man smokes a cigarette in the woods, completely unaware that he is being watched by a shadowy figure who lurks just shy of his peripheral vision). Many of Nakayama’s stories are only a few pages long, giving the reader a glimpse into some kind of otherworldly terror, but never giving any details. Nakayama often utilizes the short, uncertain nature of his works to insert an air of creepiness into them. ” [SOLRAD]

REVIEWS

Helen Chazan’s latest Comics Gridlock column is up, and she doesn’t mince words about Last Gender: When We Are Nameless. “Last Gender is definitely LGBT Manga, pejorative,” she observes. “Kodansha’s putting out this one, it’s packaged all fancy, you won’t be able to tell from the cover or ad copy but it’s smut. Credit to Kodansha for including a crisis line number under the table of contents, I’ve never seen that before and I hope I’ll see it again, especially since I don’t think reading a comic this facile and tawdry is gonna make things better for any sad gay kid that might come across it. I don’t know much about the author Rei Taki, but the work definitely has the feel of a wikipedia binge brought to life, down to a character referencing how many gender identities are offered on Facebook.” (Spoiler alert: she liked The Gay Who Turned Kaiju a lot better.)

The latest installment of Beneath the Tangles’ Reader’s Corner offers pithy reviews of Tatsuki Fujimoto Before Chainsaw Man: 17-21, Kaiju No. 8, and Tombs, while the Manga Bookshelf gang posts a fresh crop of briefs. (Spoiler alert: I was kinda underwhelmed by 17-21, but Ash’s review of Hell in a Bottle persuaded me to order a copy.)

New and Noteworthy

Complete and Ongoing Series

Bookshelf Briefs 1/25/23

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A Certain Scientific Railgun, Vol. 17 | By Kazuma Kamachi and Motoi Fuyukawa | Seven Seas – After briefly wrapping up the previous arc (and, sure enough, glossing over the fact that Uiharu developed story-breaking powers), we end up flashing back to Mikoto’s first year in middle school. She’s just turned Level 5, and lacks the confidence she’ll gain later. We also see Misaki, who has the same problems (though now that Junko’s spinoff has finished, we can officially see her kicking ass in Railgun proper). As for the plot, well, it’s a turf war between the school’s three cliques, who are being manipulated by some unknown factor. Meaning this is basically now a delinquent manga with middle school girls. To be fair, that’s par for the course with this franchise. – Sean Gaffney

Hell in a Bottle | By Kyusaku Yumeno and Towoji Honojiro | Kodansha – The first work included as part of the Maiden’s Bookshelf, a series of classic short stories re-released in beautifully illustrated hardcover editions, “Hell in a Bottle” was originally published in 1928. The translation by Angela Yiu used for this volume was previously released in the anthology Three-Dimensional Reading (which, tangentially, is a great collection of stories for readers interested in modernist, Taishō era short fiction). “Hell in a Bottle” is an epistolary tale about a brother and sister shipwrecked on a deserted island as children, a tragedy fully revealed in reverse chronological order through a sequence of letters placed in glass beer bottles and thrown out to sea. The overall design and presentation of Hell in a Bottle, from the use of color and lettering to Honojiro’s beautiful and evocative artwork, greatly enhances the reading experience of Yumeno’s story. I am definitely looking forward to future volumes of the Maiden’s Bookshelf. – Ash Brown

Honey Lemon Soda, Vol. 1 | By Mayu Murata | Yen Press – Uka Ishimori was bullied in middle school for her stony mien, and chose a laidback high school with the goal of changing herself. Alas, some of her bullies have enrolled there too, but with the help of blond bishounen Kai Miura, she finds the courage to start making progress. As this is another series about a socially awkward girl who catches the attention of a popular guy who then helps her to make friends, it took a little while for me to warm to it. However, Ishimori eventually won me over with how endearing she can be in certain moments—I adored her spontaneously asking a classmate whether they can be friends and being stunned at the “Aren’t we friends already?” reply she receives. This may be reminiscent of several different series I have read, but I still enjoyed it and will be back for more. – Michelle Smith

Kageki Shojo!!, Vol. 7 | By Kumiko Saiki | Seven Seas – This entire volume is an exquisitely written kick in the teeth. After a first half where we deal with Sugimoto having to face up to the fact that Sarasa has a bit more “oomph” than she does (which is why Sarasa was cast as Tybalt), we then get a family crisis meaning that Sarasa can’t do the role anyway. I’m glad that it all worked out OK, but the frustration in that she didn’t get to perform and everyone turned out to be fine is hellacious—I worry that this will affect her getting roles in the future, if she’s going to be thought of as unreliable. Being a Takarazuka idol is hard, and this volume shows why in the best ways. Oh yes, we also write out one of the semi-regulars for a brutally realistic reason—even the side stories are harsh. – Sean Gaffney

Lost Lad London, Vol. 3 | By Shima Shinya | Yen Press – I really wish this series had been longer, with the opportunity to introduce more possible culprits. Because, to my mind, there was only one likely prospect and, indeed, I was right. This rendered a lot of the action of this final volume somewhat anticlimactic and, combined with the social criticism that I once admired getting a little more blatant and heavy-handed, I was starting to feel a little disappointed. However, the final scene between Ellis and Al redeemed it all for me, because the mystery of who killed the mayor was never really the point of Lost Lad London. It was about these two loners relying on each other and learning not to let something negative from their past dictate their whole lives. The series ends on a note of new beginnings, symbolized by one dinky little houseplant. Highly recommended. – Michelle Smith

Snow White with the Red Hair, Vol. 22 | By Sorata Akiduki | Viz Media – We do indeed go on the road this volume, but last time I asked for less of Hisame/Kiki (they’re both here) and also suspected there would be less romance. Instead Shirayuki is once again the center of attention, and once again cannot simply come out and say “I’m dating Zen”, so things get awkward. That said, she and her group are also being manipulated, which makes her rather angry. I actually really love seeing Shirayuki in fury mode, if only as it’s a very mild, gentle fury rather than exploding rage. As for those who are hoping for more evidence of a Shirayuki/Zen/Obi OT3, well, you won’t be disappointed here either. That said, it does look like getting the cure spread will be hard.-Sean Gaffney

Tatsuki Fujimoto Before Chainsaw Man: 17-21 | By Tatsuki Fujimoto | VIZ Media Given the critical reception for Look Back and Goodbye, Eri and the strong sales for Chainsaw Man, it’s no surprise that VIZ decided to license Tatsuki Fujimoto Before Chainsaw Man. The first installment of this anthology series, 17-21, focuses on Fujimoto’s earliest published work. As you might imagine, volume one is a mixed bag, filled with ambitious stories that sacrifice character development in favor of show-stopping plot twists and detailed layouts. The exception is “Love Is Blind,” in which a lovelorn teen’s awkward, earnest outburst saves the world from annihilation. Fujimoto does a great job of subverting sci-fi and romance tropes with bold, imaginative artwork that honors the intensity of the hero’s feelings while acknowledging how solipsistic they are–a level of nuance that’s missing from the other stories. Here’s hoping 22-26 is more satisfying. – Katherine Dacey

Pick of the Week: Finding Gems

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SEAN: There’s no new manga titles that really call out to me, and while I am interested in These Legs Don’t Lie!, that borderline H cover makes me wary. So I’m going to pick Ascendance of a Bookworm, because it’s always fantastic.

KATE: I’m in the same boat as Sean; this week’s list is long but not very enticing. If I had to choose a title, though, I’d pick the new edition of Polar Bear Cafe, if only because the premise sounds like a nice bit of escapism. (The artwork looks pretty darn cute, too.)

MICHELLE: The blurb for Happy of the End includes the line ” Chihiro may not have a place to call home currently and Keito may not be a good person by any means, but maybe the two of them could be happy together.” Depending on how bad Keito actually turns out to be, this could be dreadful or right up my street. Either way, I’ll take a chance and pick this one this week!

ASH: While there are a few debuts that vaguely interest me this week, I think I should probably make up for being delinquent in my reading of Wave, Listen to Me! and take some time to get caught up with that series, so that’ll be my pick.

ANNA: I’m also not seeing a ton out there that is a must buy for me, but I am curious about A Condition Called Love.

The Manga Review [Insert Snappy Title Here]

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Before I get to this week’s news and reviews, I’m making my quarterly appeal for help. Do you follow a podcast or YouTube channel that’s producing great manga-related content? Did you just launch a manga-centric Substack or blog? Have you recently joined the reviewing team for an established site like ANN or The Fandom Post? If so, let me know! Your suggestions have helped me cast a wider net for my weekly round-ups, so leave a link in the comment section or contact me through Twitter; my handle is @manga_critic.

NEWS

Earlier this week, Kodansha announced that it is suspending simulpub updates on Crunchyroll and Azuki, and will pull a number of series from these platforms on January 31st. Krystallina offers a thoughtful, in-depth analysis of the company’s decision, outlining several possible scenarios for what Kodansha might do next. [The OASG]

Yen Press just announced 10 new licenses for summer 2023. [ANN]

It’s that time of the month again: the Seven Seas’ January 2023 Reader Poll is now open. [Seven Seas]

For the curious: here’s a highlight reel of scenes and songs from the Attack on Titan musical, which is currently playing at the Nihon Seinenkan Hall in Tokyo. [Otaku USA]

…AND VIEWS

Translator Jocelyne Allen delves into the world of explainer manga. “These are born from the artist getting really, really into something,” she observes. “Rather than bursting at the seams with this new knowledge, they barf it all up into a manga. Which is not a bad thing. They do the work of studying and we get to learn something new in a fun and accessible way.” [Brain vs. Book]

The all-star line-up of Masha Zhdanova, Carrie McClain, Paulina Pzystupa, Alenka Figa, and Kathryn Hemmann discuss the manga and graphic novels they’re reading right now, from Oshi No Ko to Darlin’. [WWAC]

Kristin breaks down the cost of buying the full run of Bleach and Naruto in all their various formats, from individual volumes to box sets. [Anime Collective]

Over at Honey’s Anime, Brett Michael Orr names his five most anticipated yuri and yaoi manga of 2023, as well as five manga that will “help you stick to your new year’s resolutions.” [Honey’s Anime]

The Manga Machinations crew hold a round table discussion about three current series: Chainsaw Man, Kowloon Generic Romance, and Drowning Love. [Manga Machinations]

David and Jordan share their first impressions of Shounen Shoujo. [Shonen Flop]

The latest episode of Screentone Club focuses on Yokohama Kaidashi Kikou and My Wonderful World. [Screentone Club]

Once again, Jon Holt and Teppei Fukuda team up to translate an essay by manga critic Natsume Fusanosuke–this time, focusing on Jiro Taniguchi’s fruitful partnership with Natsuo Sekikawa (The Times of Botchan, Trouble Is My Business). [The Comics Journal]

REVIEWS

Tony Yao posts a thoughtful–and thought-provoking–review of Sensei’s Pious Lie, while Good Comics for Kids’ Renee Scott explains why My Sister, The Cat, is “by far one of the cutest found-family stories I’ve ever read.” Over at Anime News Network, Rebecca Silverman reads You Like Me, Not My Daughter?! so that you don’t have to, while Sean Gaffney, Michelle Smith and I warn readers off Love at Fourteen, The Music of Marie, and Rainbow Days. 

New and Noteworthy

Complete and Ongoing Series

Pick of the Week: Soda, Idols, and PTSD

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MICHELLE: I’m intrigued by [Oshi no Ko] and Honey Lemon Soda, but how could I not pick the finale of Lost Lad London, which I have enjoyed exceedingly thus far? I hope we see more mysteries in manga form in future!

SEAN: I’m a big fan of Kaguya-sama: Love Is War, and I enjoyed Scum’s Wish as much as anyone can enjoy a series like Scum’s Wish. The idea of a collaboration intrigues me, so I’ll go with [Oshi no Ko].

KATE: One of my favorite horror series of the last five years was PTSD Radio, a collection of interconnected vignettes that are every bit as spooky and weird as Junji Ito in top form. If you missed out on this series when it was digital-only, now’s your chance to pick up the first two omnibus volumes; the final omnibus will be available in May, so you won’t have to wait long to read the conclusion.

ANNA: I’m very curious about Honey Lemon Soda, looking forward to checking it out!

ASH: As a fan of horror manga, I appreciate Kate’s reminder about PTSD Radio, which I somehow haven’t actually read yet. My pick this week goes to the debut of BARBARITIES, however; I’ve been looking forward to giving another manga by Tsuta Suzuki a try.

Bookshelf Briefs 1/14/23

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Hello, Melancholic!, Vol. 3 | By Yayoi Ohsawa | Seven Seas I don’t think this series was cancelled, per se, but I am sad that this is the final volume, as it felt like it was just getting started. As you can likely guess, this final volume focuses on our main couple (the other pairings get side chapters that, alas, are not collected here) and their attempts to realize that they actually do like each other that way, as well as dealing with Minato’s terminal anxiety. I appreciated the way that this book showed that sometimes pushing a person to do something way outside their comfort zone can be a good thing, and I also enjoyed Hibiki being forced to realize that she may be more like her father than she thinks. Easily the best trombone-related yuri I’ve ever read, this is also an excellent manga even without the trombone. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 24 | By Aka Akasaka | Viz Media – This volume flat-out tells you that we’ve reached the final arc of the story, and the back half of it is dedicated to that arc, kicked off by Kaguya vanishing from school. Before that, we get a lot more Ishigami and Iino ship tease, some more of Maki being a good friend but a terrible romantic partner, and Chika wondering why on Earth she doesn’t have any romance in her life? (Kaguya offers to set her up with Hayasaka, and given how much Chika fawns over another girl in this book, it’s probably not a bad idea.) There are still plenty of laughs here, but no doubt the final arc will be a serious one. Let’s hope that Kaguya can not only stay together with Shirogane, but survive to the end of the series. – Sean Gaffney

Komi Can’t Communicate, Vol. 22 | By Tomohito Oda | Viz Media – It can be very, very difficult to confess your love to a crush, especially in Japan, where casual dating is far less of a thing than it is over here. That said, I feel the plotline of “when will Manbagi confess, get rejected, and try to move on?” is taking forever, and that’s not helped by this volume, which gives her the perfect opportunity to confess, but she just can’t work up the guts. It doesn’t help that this is killing Komi too, and Manbagi knows it. The rest of the volume is mostly just the rest of the school trip, the high point of which was my realization that they’re staying at the same hotel that I stay at when I go to New York. (It’s got a lot of international customers.) Still good, but get on with it! – Sean Gaffney

Love at Fourteen, Vol. 12 | By Fuka Mizutani | Yen Press – I don’t think I’ve been this disappointed over the direction a series went since Bunny Drop. Now, don’t worry, no one breaks up here or anything. We even get a flashforward showing our main couple still together (if fairly static). The issue is that the author ran out of ideas for the main couple and so decided to bring in their fetishes, and we pay as much attention to them as we do to the Love at Fourteen. There’s not one, but THREE teacher-student romances, one of which explicitly has the girl decide to romance the teacher so he’s not seduced by a gay man. There’s the middle schooler and the mature looking fifth-grader. There’s the middle schooler and the OL, who get married at the end. Why was this so seedy? – Sean Gaffney

The Music of Marie | By Usumaru Furuya | One Peace Books – In this visually arresting, maddeningly empty story, Usumaru Furuya envisions a world in which humanity has been stripped of its technological progress. Marie, an enormous clockwork automaton, floats through the sky, keeping a seemingly silent vigil over her creators. Only one person can hear her celestial music: Kai, a young man who is torn between his feelings for Pipi, a childhood friend, and his emotional connection to Marie. Furuya’s illustrations are gorgeous, but the story never quite finds its groove, see-sawing between Pipi’s increasingly desperate attempts to win Kai’s affection and Kai’s efforts to uncover who built Marie, and why. The script sounds a few cautionary notes about the dangers of idolatry and technophobia, but Furuya’s penchant for making icky jokes spoils the mood. – Katherine Dacey

No Longer Allowed in Another World, Vol. 1 | By Hiroshi Noda and Takahiro Wakamatsu | Seven Seas This manga has one joke, and if you’re not here for the joke, you’ll probably want to stay away. The joke is that the protagonist of famous novel No Longer Human, about to kill himself along with his lover Sacchan, is instead hit by the inevitable isekai truck, and ends up in a fantasy world. This is a broad comedy, and the parodies of isekais are hilarious if (like me) you’ve read too many of them. That said, the main character here tries to kill himself multiple times over the course of the volume, and if suicide as comedy bothers you, absolutely do not read this. For those with no such issues, and who are familiar with No Longer Human, it’s pretty funny. – Sean Gaffney

Orochi: Perfect Edition, Vol. 1 | By Kazuo Umezz | VIZ – It’s pretty rare for me to disagree with critics like Helen Chazan and Chris Mautner, but I was underwhelmed by Orochi, especially when compared with some of Kazuo Umezu’s other translated works. The stories read like half-recalled dreams, with baroque plot twists and dialogue that makes Whatever Happened to Baby Jane? seem like a work of cinéma vérité. To some extent, that’s true of Umezu’s other work, but at least Cat-Eyed Boy and The Drifting Classroom pack a visual and an emotional punch, both of which are sorely lacking in Orochi; the title character is such a cipher that she registers more as a walking plot contrivance than a person, thus blunting the tragedies she helps set in motion. – Katherine Dacey

Rainbow Days, Vol. 1 | By Minami Mizuno | VIZ Media – I typically enjoy manga that was serialized in Margaret or one of its offshoots, but in Rainbow Days I have found the exception. Natsuki Hashiba is a wholesome teen with more worldly friends, and when they try to warn him that his new girlfriend is a gold digger, he refuses to listen. Alas, they were right. I found Natsuki to be a bland protagonist, but he’s at least better than one of his friends, Katakura, whose only personality trait is “into S&M.” Practically any time he’s in a scene, he’s either holding a whip (at school, no less!) or making comments about mouth gags. At no point is any of this ever funny. I do like Natsuki’s new love interest—and her abrasive, overprotective, and smitten best friend—and honestly I just wish those two had their own manga instead, because I really can’t do fifteen more volumes of this one. – Michelle Smith

The Shadows of Who We Once Were, Vol. 8 | By Yae Utsumi | Kodansha Comics (digital only) – I wouldn’t exactly say The Shadows of Who We Once Were has been a fun series to binge—it’s about teens being held hostage by a former classmate and forced to participate in deadly experiments, after all—but it’s certainly been riveting in its own bleak way. From the outset, readers knew the total of deaths related to the incident, and the final two turn out to be quite a surprise. I also appreciated how the reporter factored in, and the cynical detail that her subsequent article managed to change public opinion for, like, three months. The best part of the series, though, is the way the survivors have changed from the incident, in many cases for the better. Overall, I really liked this series and hope that it will one day have a print release. – Michelle Smith