Ash Brown

My Week in Manga: May 4-May 10, 2015

May 11, 2015 by Ash Brown

My News and Reviews

Despite spending a long weekend in Canada for the Toronto Comic Arts Festival and generally being very busy, I still managed to post a few things here at Experiments in Manga last week. To begin with, the winner of the Yamada-kun and the Seven Witches manga giveaway was announced. The post also includes a list of some of the manga available in English that feature witches. As for reviews, two were posted. The first was for Blade of the Immortal, Volume 31: Final Curtain, the last volume of Hiroaki Samura’s epic manga series. With that post, I have now written a review for every Blade of the Immortal trade collection in English. (At some point, I do hope to work on an Adaptation Adventures feature for the Blade of the Immortal anime, as well.) Last week’s other review is only very tangentially related to manga. I finally read Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass, which is simply marvelous and I highly recommend the novels. I specifically read (and reviewed) Seven Seas’ recent omnibus edition which includes hundreds of delightful illustrations by International Manga Award-winning artist Kriss Sison.

As previously mentioned, I spent a portion of last week at TCAF and so was rather preoccupied. (I hope to post some random musings about the event later this week, most likely on Friday if I can’t manage to get the feature together that quickly. Otherwise, I’ll aim for next week.) Still, I did catch some interesting things online. For example, a recent episode of the Inkstuds podcast features Anne Ishii and Graham Kolbeins, the editors of the Massive anthology, talking about gay manga, its creators, and other related topics. Tofugu posted a couple of manga-related articles recently: an interview with Araki Joh and Exploring Shueisha. A few licenses were announced last week as well. Coinciding with the news that Masashi Kishimoto will be a guest at this year’s New York Comic-Con, Viz also announced new Naruto light novels, an artbook, and a box set. Seven Seas slipped in another license announcement, too: Tsukasa Saimura’s manga series Hour of the Zombie. And not to be left behind, Yen Press also made two license announcements on Twitter: Of the Red, the Light and the Ayakashi by HaccaWorks* and Nanao, and School-Live! by Sadoru Chiba and Norimitsu Kaihou.

Quick Takes

Attack on Titan: Before the Fall, Volume 4 written by Ryo Suzukaze, illustrated by Satoshi Shiki. Although Before the Fall has kept my attention since the beginning of the series, the fourth volume is the first volume that really excited and engaged me. Part of that is likely due to the introduction of a new character, Cardina Baumeister, who is much more capable than he initially appears. (Although, maybe it’s a bad thing that I find him more interesting than the series’ protagonist…) He and Kuklo are both prisoners who will soon be quietly and secretly sent to their deaths. The method of their planned execution? Abandonment outside of the walls, left to be consumed by the Titans. Fortunately for Kuklo, there are people who are invested in keeping him alive. But even considering that, surviving still won’t be an easy feat. At this point in the series, Before the Fall is beginning to tie in a little more closely with the established history and worldbuilding of Attack on Titan as a whole, which I like to see. The fourth volume reveals a bit more about the political and social settings of Attack on Titan in addition to having some exciting action sequences. I don’t really care much for how the Titans are drawn in Before the Fall, though. Or Sharle’s character design, for that matter.

The Seven Deadly Sins, Volumes 7-8 by Nakaba Suzuki. Happily, by the beginning of the seventh volume, the largely pointless tournament arc of Seven Deadly Sins is done and over with and the series is getting back on track with an actual plot. More of Meliodas’ personal history is revealed as are the motivations of the Holy Knights who are trying to incite a massive war. Another of the legendary Seven Deadly Sins is introduced in these volumes as well: Gowther, a rather peculiar young man known as the Goat Sin of Lust. I still haven’t been able to figure out the significance of the animals or even the sins as the relate to the warriors, which seems like a lost opportunity for Suzuki’s worldbuilding. Perhaps there really is no greater meaning, and the names are just supposed to sound cool. It’s also rather curious that, despite having been comrades who fought closely together in the past, the Seven Deadly Sins don’t seem to actually know who each other are. They don’t seem to pay attention to each other either; for example, Meliodas seems very surprised to discover a demon he is fighting used to be a Holy Knight when Gowther stated that very fact at the end of the previous chapter. But, while Seven Deadly Sins can be frustrating, there are very entertaining parts as well, like when Diane simply chucks her teammates forty miles when they need to cover distance quickly.

Your Honest Deceit, Volumes 1-2 by Sakufu Ajimine. I believe that the short boys’ love series Your Honest Deceit is the only work by Ajimine to have been released in English. It’s a largely enjoyable manga, but for me it wasn’t a particularly spectacular one. However, I did appreciate that for the most part the story revolves around grown, adult men with well-established careers. In this particular case, Your Honest Deceit is about lawyers and their professional assistants. (Granted, if I’m in the mood to read about gay lawyers, I would generally prefer Fumi Yoshinaga’s Ichigenme… The First Class Is Civil Law. Or What Did You Eat Yesterday?, for that matter.) Kuze is the younger of the two men of the series’ primary couple. He went to law school and did exceptionally well in his classes, but he seems to not be interested in becoming a lawyer and is content working as a secretary for the older Kitahara, the lawyer and object of his affections and one of the school’s lecturers. Your Honest Deceit has its serious moments and misunderstandings, but Ajimine incorporates a fair amount of humor in the manga. At the same time, I’m not really sure that I would call it a comedy; Kuze and Kitahara’s burgeoning relationship is threatened by their own jealousies as well as by interference from other people, so it can be rather dramatic at time.

Alice’s Adventures in Wonderland and Through the Looking-Glass

May 10, 2015 by Ash Brown

Author: Lewis Carroll
Illustrator: Kriss Sison
U.S. publisher: Seven Seas
ISBN: 9781626920613
Released: August 2014
Original release: 1865, 1871

Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice Found There are two well-loved, oft-adapted, and extremely influential novels written by Lewis Carroll, the pseudonym of English author Charles Lutwidge, in 1865 and 1871 respectively. I was initially a little surprised when Seven Seas announced that it would be publishing a newly illustrated omnibus edition of the novels in 2014, especially as the company had moved away from publishing prose works in recent years in order to focus on manga and other comics. However, the novels do nicely complement Seven Seas’ releases of the various Alice in the Country of manga. What makes Seven Seas’ edition of Alice’s Adventures in Wonderland and Through the Looking-Glass stand out from others are the incredibly cute and charming manga-influenced illustrations by Kriss Sison, an International Manga Award-winning artist from the Philippines. In addition to a gallery of color artwork, hundreds of black-and-white illustrations can be found throughout the volume.

Alice was enjoying a leisurely afternoon on a riverbank with her older sister when a very curious thing happened—a rabbit with a pocket watch hurries by talking to itself. When Alice follows after it she tumbles down a rabbit hole to find herself in a very strange place indeed. What else is there to do for an inquisitive and adventurous young girl but to go exploring? And so she does. As Alice wanders about she discovers food and drink that cause her to grow and shrink, animals of all sizes and shapes that can talk, and people who have very peculiar ways of thinking about and approaching life. Eventually she returns home to her sister, but several months later she finds herself once again slipping into a fantastical world when she crawls through the mirror above a fireplace mantel. Of course, Alice immediately sets off exploring, encountering even more strange and wondrous things and meeting all sorts of new and perplexing people.

Despite already being familiar with the story of Alice’s Adventures in Wonderland and Through the Looking-Glass (mostly through the seemingly infinite number of adaptations and otherwise Alice-inspired works) and despite having been encouraged for years by devotees of Carroll’s writings, I had never actually read the original novels for myself until I picked up Seven Seas’ edition. I’m really somewhat astonished that it took me so long to do so and it truly is a shame that I didn’t get around to it sooner. Alice’s Adventures in Wonderland and Through the Looking-Glass is absolutely marvelous and an utter joy to read. It’s easy to see why the novels have been treasured and continue to be treasured by so many people for well over a century. The books are incredibly imaginative and delightfully clever. Carroll liberally employs puns and other wordplay, turning nonsense into logic and vice versa. Alice’s Adventures in Wonderland and Through the Looking-Glass has been translated into something like seventy different languages; though certainly worthwhile, I can’t imagine these interpretations were easy to accomplish due to the novels’ linguistic complexities.

What particularly impresses me about Alice’s Adventures in Wonderland and Through the Looking-Glass are the novels’ broad appeal. Both children and adults can easily enjoy the works. Younger readers will likely be amused and drawn to their silliness while more mature readers will be able to more fully appreciate the cleverness of Carroll’s prose, poetry, and song. I would wholeheartedly encourage just about anyone to read Alice’s Adventures in Wonderland and Through the Looking-Glass. Even without counting the multitude of adapted works, there are a huge number of editions of the original two novels available. There is bound to be a version that will appeal, whether it be Martin Gardner’s extensively annotated editions, which reveal references that modern readers are apt to miss, or one of the many illustrated releases. While I may one day move on to The Annotated Alice, I was very pleased with Seven Seas’ Alice’s Adventures in Wonderland and Through the Looking-Glass. Carroll’s novels and Sison’s illustrations are a delightful combination. I am very glad to have finally read the novels and anticipate reading them again with much enjoyment.

Blade of the Immortal, Vol. 31: Final Curtain

May 8, 2015 by Ash Brown

Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781616556266
Released: April 2015
Original release: 2013
Awards: Eisner Award, Japan Media Arts Award

So, this is it. The Final Curtain of Blade of the Immortal, both literally and figuratively. Released by Dark Horse Comics in 2015, the volume is the thirty-first and final installment in the English-language edition of Hiroaki Samura’s epic manga series. After nearly two decades of publication, the entirety Blade of the Immortal has now been translated. Due to slight differences between the early English trade collections and the Japanese releases, Final Curtain is actually equivalent to the thirtieth volume of the original Japanese edition of Blade of the Immortal published in 2013. The manga has been well-received by both critics and fans alike, winning Samura many awards and honors including a Japan Media Arts Award and an Eisner Award. Blade of the Immortal was one of the very first manga that I began reading and collecting and the series has remained a personal favorite of mine ever since I discovered it. Because of that, Blade of the Immortal and its ending hold particular meaning for me. I have been looking forward to reading its conclusion for a very long time.

At its height, the Ittō-ryū was poised to become the official sword school of the shogunate, bringing the goal of the group’s leader Anotsu Kagehisa—the restoration of the way of the sword to Japan—tantalizingly close. But in the end they were betrayed and massacred by the very people who invited them to join the banshū. Since then the Ittō-ryū’s numbers have continued to dwindle as the survivors of that initial attack have been hunted down by the Mugai-ryū and Rokki-dan, forces largely made up of death row criminals commanded by Habaki Kagimura. The fighting has been fierce and casualties have been immense on both sides. Now only a few members of each group remain and they are locked in their final battles against one another. Though it appears as though Anotsu may have the upper hand, the outcome of the conflict is far from certain, especially as there are others interested in controlling the fate of the Ittō-ryū, including the young woman Rin and her near-immortal bodyguard Manji.

Final Curtain serves two main purposes: providing a resolution to the intense and bloody confrontations begun in the previous volume, Vigilance, and granting a conclusion to Blade of the Immortal as a whole. I feel the final volume is successful on both counts. Even though they aren’t as over-the-top or as brutal as some of the other fight sequences in the series, there are still plenty of surprises to be had in the final battles of Blade of the Immortal. They require incredible physical, mental, and even emotional fortitude from those involved, making the scenes very engaging to read. It’s not just fighting for fighting’s sake; there is deliberate purpose and reason behind the struggles. Lately, the series seems to have turned its attention to the dramatic demise of the Ittō-ryū and its leader, but Final Curtain manages to bring the manga full circle again by allowing Rin and Manji to once again become directly involved in how events unfold.

Blade of the Immortal has always had a large cast of characters as well as several intertwining plot threads. All of the survivors and the families and friends of those who have died have at least one moment in Final Curtain, even if it’s only a few panels, in which they become the focus of the manga, creating something akin to an epilogue. Loose ends are tied up and, while some ambiguity remains, the aftermath of the long struggle is revealed. Blade of the Immortal covered a lot of ground in its thirty-one volumes, the story twisting and turning and the characters and their relationships continually growing and evolving. The series can be read and enjoyed simply for its impressive action and fight sequences, but the manga also explores deeper, thought-provoking ideas. The characters are morally complex—very few can be said to be entirely in the right or in the wrong—and Blade of the Immortal questions what their or any person’s ultimate legacy will be. As for the last volume itself, I found Final Curtain to be a very satisfying conclusion to the series.

Manga the Week of 5/13

May 6, 2015 by Sean Gaffney, MJ, Anna N, Ash Brown and Michelle Smith 1 Comment

SEAN: I haven’t seen a week this small since Christmas. It’s sort of creepy.

First of all, right after I posted Manga the Week of last week, Dark Horse did a classic date slip, so Drug & Drop 2 is here again. Dark Horse is famous for release date slips, though they’re better than they used to be. If nothing else, it gives the MB team an opportunity to pick it two weeks in a row.

MJ: And since I flaked last week, it gives me the opportunity to get excited about it this week!

SEAN: The other Dark Horse release is of a very different nature. Panty & Stocking with Garterbelt was a manic anime series from a couple years back, and like many anime had a tie-in manga as well, this one running in Kadokawa’s Young Ace. It’s complete in one volume.

The Heroic Legend of Arslan has its third volume – the series has slowed somewhat (as has Silver Spoon by the same author) due to family emergencies, apparently. Still should be good high fantasy.

ANNA: I keep meaning to check this out! One day!

SEAN: Seven Seas debuts two new series. The Ancient Magus’ Bride is from Mag Garden’s Comic Blade, which we haven’t seen stuff from in years. It’s also a Taisho award winner with gorgeous art. The genre, as you can likely guess, is fantasy/romance, like half the titles licensed recently.

ASH: I’m intrigued by this series and look forward to giving it a try.

ANNA: I am always interested in fantasy/romance. This does sound intriguing.

SEAN: Evergreen is from the author of Toradora!, and from what I hear is something of a similar series, starting out as a sweet romance but introducing darker themes as it goes on. It runs in Dengeki Daioh.

Another debut, this one from SubLime, Viz’s BL imprint. Love Stage! runs in Asuka Ciel, which is what Asuka readers turn to when they’re looking for the harder stuff. It’s also by Eiki Eiki and Taishi Zaou, who I assume most BL fans have already heard of.

MJ: I’m looking forward to this, I admit.

MICHELLE: I haven’t read anything by Eiki Eiki and Taishi Zaou in ages! I might have to check this out, too.

SEAN: Lastly, 07-GHOST inches ever closer to completion with its 16th volume.

ANNA: One day I will read it all! ONE DAY!

MICHELLE: Me, too. Every time there’s a new volume, I think, “Oh, I am terribly remiss!” but then I just get waylaid by other things.

SEAN: Anything exciting you for next week?

Manga Giveaway: Yamada-kun and the Seven Witches Giveaway Winner

May 6, 2015 by Ash Brown

And the winner of the Yamada-kun and the Seven Witches manga giveaway is… Anna!

As the winner, Anna will be receiving a copy of Yamada-kun and the Seven Witches, Volume 1 by Miki Yoshikawa as published by Kodansha Comics. There seem to have been quite a few manga released recently that feature witches, so for this giveaway I asked participants to tell me a little about their favorite witches in manga. Check out the giveaway comments for all of the detailed responses, and check out below for a list of additional witchy manga!

Some manga featuring witches that have been licensed in English:
The Ancient Magus’ Bride by Kore Yamazaki
Berserk by Kentaro Miura
The Big Adventures of Majoko by Tomomi Mizuna
Cowa! by Akira Toriyama
Dragon Knights by Mineko Ohkami
The Good Witch of the West written by Noriko Ogiwara, illustrated by Haruhiko Momokawa
Himeyuka & Rozione’s Story by Sumomo Yumeka
Innocent W by Kei Kusunoki
Knights by Minoru Murao
Kurohime by Masanori Katakura
MÄR by Nobuyuki Anzai
Maria the Virgin Witch by Masayuki Ishikawa
Princess Knight by Osamu Tezuka
Puella Magi Kazumi Magica: The Innocent Malice by Magica Quartet
Puella Magi Madoka Magica by Magica Quartet
Record Of Lodoss War: The Grey Witch written by Ryo Mizuno, illustrated by Yoshihiko Ochi
Rosario+Vampire by Akihisa Ikeda
Rosario+Vampire: Season II by Akihisa Ikeda
Shoulder-a-Coffin Kuro by Sato Kiyuzuki
Soul Eater by Atsushi Ohkubo
Soul Eater Not! by Atsushi Ohkubo
Spell of Desire by Tomu Ohmi
Sugar Sugar Rune by Moyoco Anno
Tsubasa: Reservoir Chronicle by CLAMP
Ultra Maniac by Wataru Yoshizumi
Umineko: When They Cry written by Ryukishi07
Witchcraft Works by Ryu Mizunagi
xxxHolic by CLAMP
xxxHOlic: Rei by CLAMP
Yamada-kun and the Seven Witches by Miki Yoshikawa
Zone-00 by Kiyo Kyujyo

Thank you to everyone who participated in the giveaway and shared your favorite witches with me. I hope to see you again for the next one!

Pick of the Week: Late again?

May 6, 2015 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: There’s a lot of good stuff out this week, but I have to go with the continuation of JoJo’s Bizarre Adventure, giving us its retro 80s over the top ridiculousness. Now with added immortality.

MICHELLE: I’m very intrigued by Drug & Drop, though I confess I haven’t read volume one yet. But, as ever, my heart belongs to What Did You Eat Yesterday?. I just can’t help it.

ANNA: There’s a ton of great manga coming out this week, and if Sean hadn’t picked JoJo’s Bizarre Adventure I would probably have gone with that. But instead I will pick Spell of Desire, hooray for weird witchy romance!

ASH: Wow, this is a tough week to choose! Lots of great manga are being released that I’ll definitely be picking up. But since JoJo’s Bizarre Adventure and What Did You Eat Yesterday? have already been mentioned, I’ll take the opportunity to highlight The Legend of Zelda: A Link to the Past. It’s a rare, full-color manga and it’s by Shotaro Ishinomori. Even if you’re not interested in video games, this should be worth a look.

MJ: JoJo’s Bizarre Adventure is obviously a no-brainer. I’m also pretty well enamored of Drug & Drop. But since there’s plenty of support for the former, and I happen to know that I have another chance at the latter coming up soon, I’ll throw my vote alongside Michelle’s and go for my beloved What Did You Eat Yesterday?. This series remains a touchstone for me, and I’m always simultaneously thrilled and comforted to see a new volume cross my threshold. Definitely my pick of the week!

What looks good to you this week?

My Week in Manga: April 27-May 3, 2015

May 4, 2015 by Ash Brown

My News and Reviews

Last week was the end of one month and the beginning of another, which means the most recent manga giveaway at Experiments in Manga is currently underway. The winner will be announced on Wednesday, so there’s still a little time to enter for a chance to win Miki Yoshikawa’s Yamada-kun and the Seven Witches, Volume 1. An in-depth manga review was posted last week as well. I took a look at Aki’s The Angel of Elhamburg, a bittersweet tragedy which, although it can be difficult to follow in places, is a lovely single-volume manga. And finally, over the weekend, April’s Bookshelf Overload was posted for those who are curious about the manga that made its way into my home last month.

On to other interesting reading and news found elsewhere online! Sparkler Monthly has started a monthly blog and the first post Why do we need “comics for women”? Why not “comics for everyone”? is excellent. Seven Seas announced three new manga licenses last week: Katsuhisa Kigitsu’s Fraken Fran, Wataru Karasuma’s Not Lives, and Ichigo Takano’s Orange (which is also being released digitally by Crunchyroll.) Franken Fran in particular has been a oft-requested title by fans. Organization Anti-Social Geniuses talked with Lissa Pattillo from Seven Seas about the Franken Fran license. Also at OASG is an interview with Hope Donovan, a managing editor at Viz Media. And Mangabrog has posted a translation of a conversation between mangaka Nobuyuki Fukumoto and musician and author Kenji Ohtsuki.

Quick Takes

Cipher, Volumes 1-6 by Minako Narita. During its time, CMX published some really great manga, including several old-school shoujo series. Cipher is one of those, and probably one of the most eighties manga that I’ve read. The series, set in New York, began serialization in 1984 and includes many references to American pop culture of the time. Anise is trying to make friends with Siva, an up-and-coming actor as well as one of her classmates, when she discovers his secret. He has a twin, Cipher, and they’ve been taking turns pretending to be “Siva.” And so they make a bet: if after two weeks she can tell the two twins apart, they will tell her why they have been sharing an identity. Cipher doesn’t always have the most believable story—for one, I don’t know of any parents who would ever let their child move in with someone they’ve never met even temporarily—but the characters and interpersonal drama are consistently engaging and at times even compelling. So far, I’m loving it. Cipher is often slow-moving, generally focusing on the everyday lives of American teenagers, but a plot twist towards the end of the sixth volume hastens and sets up important character and story developments for the second half of the series.

Junk! Shushushu Sakurai. If I’m not mistaken, Junk! was the very last manga to be released by DramaQueen before the publisher disappeared. Like Sakurai’s other DramaQueen release, Missing Road, Junk! is a boys’ love manga that incorporates elements of science fiction and action. Also like Missing Road, Junk! is a manga that could have benefited from additional volumes in order to explore some of the complexities of the plot and setting. Reading these manga, Sakurai seems to be overly ambitious when it comes to her stories. However, I think Junk! is the more cohesive, coherent, and successful of the two overall. Even though it’s only a single volume, Junk! has a lot going on in it. A religious cult focused on breeding people together—whether they are male or female—in order to foster the evolution of even stronger humans. A man who holds the key to a closely kept government secret that ensures a person’s survival even in the face a nuclear apocalypse. And, because it is a mature boys’ love title after all, there’s plenty of sex, too, even at inopportune moments. (Seriously, taking time to bang your lover in the middle of a dangerous infiltration mission doesn’t seem to be the wisest decision.)

My Little Monster, Volume 7 by Robico. The last few volumes of My Little Monster left me a little frustrated with the lack of progress in the development of the series’ story and in the relationships of its characters. Fortunately, the seventh volume seems to get things back on track and the manga continues to be a fairly amusing and even endearing series from time to time. Also, I love that after everything that has happened, Nagoya, the pet chicken, continues to make repeated appearances. The cast of My Little Monster is made up of a bunch of oddballs who tend to be socially awkward, but I do like them quite a bit. Part of that social awkwardness means they can be completely oblivious to other people’s feelings, even when those feelings have been clearly and repeatedly stated. To be fair, they’re sometimes oblivious to their own feelings as well. The result is one heck of a mess of tangled and conflicting relationships. The seventh volume of My Little Monster sees some but certainly not all of those relationships sorted out after several confessions of love are made and replies to them eventually given. At this point the series is more than halfway over, so I hope Robico is able to maintain its forward momentum.

Sankarea: Undying Love, Volume 11 by Mitsuru Hattori. I was very curious to see how Sankarea would end since I honestly had no idea which direction Hattori was going to take things. And now that I’ve read the final volume, I’m not entirely convinced that Hattori actually knew, either. From the very beginning Sankarea has been a strange mix of horror and romantic comedy, an offbeat story with offbeat characters. Sometimes the ideal balance between the two genres was there, and sometimes it wasn’t. The finale of Sankarea would seem to demand that Hattori choose one over the other, but instead he attempts to satisfy the requirements of both by employing a series of false endings. I think that ultimately the conclusion of Sankarea would have been more satisfying if Hattori had simply picked one ending and ran with it. Like the rest of the series, the eleventh volume of Sankarea had its cute and sweet moments as well its moments of blood and gore. It also has the return of Rea’s abusive father (legitimately one of the most disturbing elements of the series), trying to put him in a slightly more sympathetic light. In the end, little Bub the undead cat is probably still my favorite part of the entire series.

Bookshelf Overload: April 2015

May 3, 2015 by Ash Brown

April saw a fair number of manga, comics, and other books making their way onto my shelves courtesy of some excellent sales and a handful of Kickstarter rewards. Once again, I mostly stuck to preorders this month, though as always a few other purchases slipped in as well. A few months ago I wrote a Spotlight on Mitsukazu Mihara which reminded me that I’ve been meaning to pick up the rest of The Embalmer that never made it into English, and so I now have the last three volumes of Shigeshōshi. I also got my hands on Aki’s The Angel of Elhamburg, which I reviewed a couple of days ago. As for the manga that were actually released in April, I was particularly curious about Naoshi Arakawa’s Your Lie in April, Volume 1 (which I reviewed earlier this month) and I was thrilled to finally see Blade of the Immortal, Volume 31: Final Curtain, the last volume in Hiroaki Samura’s long-running epic (review to come!). As for other books, I’m looking forward to reading Ken Liu’s first novel The Grace of Kings. (His award-winning short story “Mono no Aware” was one of my favorite contributions to the anthology The Future is Japanese from Haikasoru.) And I’m currently reading and enjoying one of Haikosoru’s most recent releases, Red Girls: The Legend of the Akakuchibas by Kazuki Sakuraba, so expect a review of that novel in the near future as well.

Manga!
Ajin: Demi-Human, Volume 4 by Gamon Sakurai
Alice in the Country of Clover: Cheshire Cat Waltz, Volumes 1-5 by Mamenosuke Fujimaru
Alice in the Country of Joker: Circus and Liar’s Game, Volumes 6-7 by Mamenosuke Fujimaru
The Angel of Elhamburg by Aki
Attack on Titan, Volume 15 by Hajime Isayama
Attack on Titan: Before the Fall, Volume 4 written by Ryo Suzukaze, illustrated by Satoshi Shiki
Black Lagoon, Volume 10 by Rei Hiroe
Blade of the Immortal, Volume 31: Final Curtain by Hiroaki Samura
Dengeki Daisy, Volume 16 by Kyousuke Motomi
Fairy Tail, Volume 47 by Hiro Mashima
Food Wars!: Shokugeki no Soma, Volume 5 written by Yuto Tsukuda, illustrated by Shun Saeki
Genshiken: Second Season, Volume 6 by Shimoku Kio
Gyo: The Death-stench Creeps by Junji Ito
Karneval, Omnibus 1 by Touya Mikanagi
Let’s Dance a Waltz, Volume 1 by Natsumi Ando
Library Wars: Love & War, Volume 13 by Kiiro Yumi
Lone Wolf and Cub, Omnibus 8 written by Kazuo Koike, illustrated by Goseki Kojima
Love at Fourteen, Volume 2 by Fuka Mizutani
My Little Monster, Volume 7 by Robico
My Love Story!!, Volume 4 written by Kazune Kawahara, illustrated by Aruko
Mobile Suit Gundam: The Origin, Volume 9: Lalah by Yoshikazu Yasuhiko
New Lone Wolf and Cub, Volume 4 written by Kazuo Koike, illustrated by Hideki Mori
Prophecy, Volume 3 by Tetsuya Tsutsui
Sankarea: Undying Love, Volume 11 by Mitsuru Hattori
Shigeshōshi (The Embalmer), Volumes 5-7 by Mitsukazu Mihara
Servamp, Volume 1 by Strike Tanaka
The Seven Deadly Sins, Volume 7 by Nakaba Suzuki
SOS by Hinako Ashihira
Terra Formars, Volume 5 written by Yu Sasuga and illustrated by Ken-ichi Tachibana
UQ Holder, Volume 4 by Ken Akamatsu
Wolfsmund, Volume 6 by Mitsuhisa Kuji
The World’s Greatest First Love, Volume 1 by Shungiku Nakamura
xxxHolic, Omnibus 5 by CLAMP
Your Lie in April, Volume 1 by Naoshi Arakawa

Comics!
Brody’s Ghost, Volume 6 by Mark Crilley
Empowered: Unchained, Volume 1 by Adam Warren and others
Grey Is…, Volume 1 by dee Juusan
O Human Star, Volume 1 by Blue Delliquanti
Sonnet written by Emily Cheeseman, illustrated by Lindsey Rodgers
The Usagi Yojimbo Saga, Omnibus 1-2 by Stan Sakai

Novels!
Adonis written by EAB, illustrated by Toluenesister
Dandelion Dynasty, Volume 1: The Grace of Kings by Ken Liu
Red Girls: The Legend of the Akakuchibas by Kazuki Sakuraba

Anthologies!
The Cape and Other Stories from the Japanese Ghetto by Kenji Nakagami
The Legends of Tono by Kunio Yanagita

Nonfiction!
Daughters of the Samurai: A Journey from East to West and Back by Janice P. Nimura

Anime!
DD Fist of the North Star directed by Akitaro Daichi

The Angel of Elhamburg

May 1, 2015 by Ash Brown

Creator: Aki
U.S. publisher: Yen Press
ISBN: 9780316340465
Released: March 2015
Original release: 2013

So far, three of Aki’s manga have been released in English. First was her debut, Utahime, published by Digital Manga. Second was her short series Olympos, released by Yen Press as a single omnibus volume. Most recently published in English is Aki’s The Angel of Elhamburg, initially conceived of as a short, one-shot manga, but expanded to fill an entire volume. Also released by Yen Press, The Angel of Elhamburg is presented in an attractive hardcover edition with a dust jacket with foil accents. The manga was released in Japan in 2013 and in English in 2015. Aki’s manga tend to be historical fantasies with prominent European influences and a fair amount of melancholy and sadness. The Angel of Elhamburg falls into that category as well. Although I sometimes find aspects of Aki’s storytelling frustrating, I largely enjoy her manga and her artwork is consistently beautiful. I was very happy to see The Angel of Elhamburg licensed.

After successfully overthrowing the previous lord, Madeth has become the High King, something that would not have been possible had it not been for the support and efforts of his close friend and knight Lalvan. Madeth has extraordinary charisma—people easily love and willingly follow him—but he is uneducated and of low birth. He lacks the ambition and confidence that one would expect from a ruler. Lalvan, on the other hand, is exceptionally clever and capable. But despite his talents, and his peculiar ability to see spirits invisible to others, Lalvan has always been overshadowed by his friend and most often finds himself in an auxiliary role. Now that Madeth has become king, their relationship has started to fracture as long-hidden and suppressed insecurities, jealousies, and issues of trust threaten to destroy their friendship and perhaps even throw the kingdom into turmoil once more.

Although the title is The Angel of Elhamburg, the role of the angel in the manga—a spirit that watches over Elhamburg Castle, the kingdom’s seat of power—is actually a relatively minor one. The fact that Lalvan can see the angel significantly impacts some of the story and character developments, but the angel itself is not an active character, merely a notable presence. The real focus of The Angel of Elhamburg is on the changing relationship between Lalvan and Madeth, with a particular emphasis given to Lalvan and his perspective of events. This highlighting of the characters is present in Aki’s storytelling as well as in her artwork. Although overall quite lovely, the backgrounds and settings tend to be somewhat limited; more attention is devoted to the characters’ facial expressions and body language, and to the details of their clothing and design. Because the manga’s focus is so much on people as individuals, The Angel of Elhamburg often feels very intimate and personal.

The Angel of Elhamburg is told in five scenes, or chapters. I particularly liked the structure of the first which is further divided into three acts following Lalvan, Madeth, and the angel respectively. However, once Aki decided to expand the manga, the narrative deviates from this initial structure and becomes more linear until the last scene. The final chapter is a little confusing at first since its use of flashbacks and flash-forwards obscures the story’s chronology. The Angel of Elhamburg is a bittersweet tragedy. With the manga’s classical feel and theatric nature, I could easily see it being adapted as a stage production. The rise and fall of a kingdom serves as the backdrop for the interpersonal drama and conflict, which is the true heart of the manga. There is a story, but The Angel of Elhamburg is probably best described as a character study. The Angel of Elhamburg excels in conveying the depth of Lalvan and Madeth’s individual personalities and fears, ultimately showing an established and evolving relationship that is believably complicated.

Manga the Week of 5/6

April 30, 2015 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N 3 Comments

SEAN: May, and the manga volumes coming out are not letting up in any way. Let’s see what we have in next week’s pile.

I’m not entirely sure if Dr. Makumakuran And Other Stories is coming out this first week – Amazon’s site says “May 2015” in an unhelpful way. But it’s from Bruno Gmunder Verlag, so you know what that means. Fans of Massive should check this out.

ASH: Definitely! Especially as Takeshi Matsu was one of the artists who was featured in Massive. This will be his second collection of manga released in English. I rather enjoyed his first, More and More of You and Other Stories, so I’m looking forward to it.

SEAN: Dark Horse brings out a 17th volume of popular manwha title Bride of the Water God.

And a second volume of Legal Drug continuation Drug & Drop, now with added plot and deeper characterization!

ASH: Woo!

MICHELLE: Huzzah!

ANNA: I haven’t checked out the first volume of this yet, but I intend to!

SEAN: Kodansha has a fourth omnibus of Tsubasa, still in its excellent period before its plot brambles became too strong.

Hopefully the 2nd volume of Yamada-kun and the Seven Witches will give us some actual witches.

ASH: And more kissing.

SEAN: I admit I rarely talk Perfect Square books here, but the Legend of Zelda manga they have coming out next week looks awesome. Called A Link to the Past, it’s in full color and should appear to all LoZ fans.

ASH: This should be great.

SEAN: Seven Seas gives us a new Devils and Realist (Vol. 5) and a new Dragonar Academy (Vol. 6), both of which will interest their prospective audiences, which sadly are not me.

And Vertical has an 8th volume of What Did You Eat Yesterday?, which has lost me, but still enchants the rest of Manga Bookshelf.

ASH: It’s true!

MICHELLE: I’ve been so pleased with the speed with which this series has been coming out, but I’m already sad that we’ll soon be caught up with Japan.

SEAN: Viz, as always, has most of its releases this week. There’s a 4th volume of Black Rose Alice, the story of a touching romance between a body and the spiders within it.

ASH: Actually, that’s not entirely inaccurate.

MICHELLE: Heh. Here’s another series where I’m already dreading being caught up to Japan.

ANNA: I enjoy this series a bunch. Each volume is a bit of a surprise. Also, spiders.

SEAN: The 11th Bleach 3-in-1 omnibus finds the cast in the middle of the Hueco Mundo arc, one of the most beloved and uncontroversial arcs in all of Bleach.

If you thought that JoJo’s Bizarre Adventure had reached peak ridiculousness with the first hardcover, be advised it only gets weirder from here. The 2nd hardcover ships next week.

ASH: Dioooooo!

ANNA: YAY!

SEAN: I haven’t enjoyed Kiss of the Rose Princess as much as He’s My Only Vampire, but it’s good enough, and a 4th volume should be decent reading.

MICHELLE: Yeah, I’ll keep reading the former but actually keep the latter. There’s the distinction for me.

ANNA: I enjoy it for what it is.

SEAN: If you were waiting for the 2nd Millennium Snow omnibus to keep your shelves neat and tidy, here it is.

ANNA: I’ve been meaning to do a complete reread of this after only reading the first early volumes.

SEAN: Nisekoi’s ninth volume. The subtitle is still False Love, reminding those of us who enjoy the balanced harem aspect of it that there’s still one main heroine.

Ranma 1/2’s eighth omnibus gives us two of the series’ most memorable (and silliest) one-shot villains, The Gambling King and Picolette Chardin II.

Rosario + Vampire Season II Volume 14 still has too much punctuation and numbers in its title.

Spell of Desire continues to be edgy in ways I don’t like, as opposed to edgy in ways I like (which Midnight Secretary was).

MICHELLE: I had high hopes for Spell of Desire, possibly chiefly because the male lead was kind to a kitty, but now I find that I don’t like it as much as Midnight Secretary after all. I kind of can’t explain how that happened.

ANNA: I like it just as much, but I’m not a very critical paranormal romance manga reader.

SEAN: Lastly, there’s a second Yu-Gi-Oh! 3-in-1 omnibus. It’s based on a card game. Many people don’t know that bit of trivia.

ANNA: My kids have now moved on from Pokemon cards to Yu-Gi-Oh cards, and let me tell you how thrilled I am that there is yet another card game that they want to collect.

SEAN: Something for everyone? What’s for you?

Manga Giveaway: Yamada-kun and the Seven Witches Giveaway

April 29, 2015 by Ash Brown

The end of April is almost here, which means it’s time for another manga giveaway! With thanks to Kodansha Comics, this month you will all have a chance to win a copy of Miki Yoshikawa’s Yamada-kun and the Seven Witches, Volume 1. (I unintentionally ended up with two copies, so my gain is also your gain!) As always, the giveaway is open worldwide.

What with the recent releases of Yamada-kun and the Seven Witches, Maria the Virgin Witch, and Witchcraft Works, it seems as though manga featuring witches are becoming increasingly prevalent in English. And that’s not even to mention all of the series that don’t actually have the word “witch” in the title. Now, despite it’s cover and title, after only one volume Yamada-kun doesn’t seem to necessarily have anything to do with witches, but I’ve been assured by others that they are indeed a part of the series.

As with vampires, I don’t have a particular interest in witches, though that’s certainly not going to stop me from reading a manga. (Interestingly, but perhaps unsurprisingly, vampires appear to be more prevalent in manga intended for women while witches appear to be more prevalent in manga intended for men.) I have no idea why witches seem to have become so popular recently, but they’ve actually been around in manga for a while.

One of my favorite witch manga is the sadly out-of-print Sugar Sugar Rune. Berserk, another favorite series of mine, also features a young witch as a main character in its recent story arc. The two series are drastically different from each other, though; just because a manga has a witch in it doesn’t mean it will be like any of the others!

So, you may be wondering, how can you win the first volume of Yamada-kun and the Seven Witches, Volume 1?

1) In the comments below, tell me about your favorite witch from manga. (If you don’t have one, or have never read a manga about a witch, you can simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to two entries for this giveaway and has one week to submit comments. If you have trouble with the form, or if you would prefer, entries can also be sent to me via email at phoenixterran(at)gmail(dot)com. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on May 6, 2015. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Yamada-kun and the Seven Witches Giveaway Winner

Pick of the Week: So much Kodansha!

April 28, 2015 by Anna N, Michelle Smith, Ash Brown, Sean Gaffney and MJ 1 Comment

ANNA: Kodansha! So many things coming out from Kodansha this week! What Kodansha or non-Kodansha title do you have your eye on? Personally, I am going to go for the latest volume of Gundam: the Origin from Vertical.

MICHELLE: I really need to get caught up again on Say I Love You., so that is definitely my pick of the week!

ASH: I’m actually really curious to see how Maria the Virgin Witch continues to develop. There were a few things about the first volume that bothered me, but overall it was a very intriguing, and occasionally endearing, start to the series.

SEAN: I’ll go with the new Attack on Titan Junior High, because it will be hilarious.

MJ: I suspect my pick is a little bit obvious. You all should know by now that I can’t get enough of xxxHolic, and that includes the recent sequel/reboot/whatever-the-hell-it-is xxxHOLIC Rei. The truth is, CLAMP could continue to put stories about Watanuki in front of me for the rest of my life and I’d probably never get tired of him. That’s just the way things are. So, yeah. xxxHOLIC Rei. Bring it on.

What looks good to you this week?

My Week in Manga: April 20-April 26, 2015

April 27, 2015 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted a review of Kaori Ekuni’s quiet yet devastating novel God’s Boat. Ekuni’s debut novel Twinkle Twinkle is one of my favorites, so I made it a point to read more of her work. The underlying premise of God’s Boat—a young woman and her daughter living their lives together while the child’s father has gone missing—is somewhat similar to Hiromi Kawakami’s novel Manazuru which a I read relatively recently, but the two books are very different. I find Ekuni’s work to be very effective, so I wish that more was available in translation. Last week I also posted my second Adapatation Adventures feature, this time taking a closer look at The Twelve Kingdoms and comparing the anime adaptation with the original novels. Both version of The Twelve Kingdoms are excellent. I’m really hoping that one day the novels might be licensed again.

As for other interesting reading that I discovered last week, Brigid Alverson wrote A Brief History of Ultraman in honor of Viz licensing one of the more recent Ultraman manga. Jonathan Clements posted an article about the Japanese manga industry, particularly in regards to digital publishing. Alicia at Things We Lost at Dusk translated an excerpt of an interview with Hanamura Eiko, Chiba Tetsuya, and Takemiya Keiko about drawing girls in early shoujo manga. Other interesting things of note, the 2015 Eisner Award Nominations have been announced. As always, there are some great comics on the list. Though, as usual, manga has for the most part been relegated into the Best U.S. Edition of International Material—Asia category: All You Need Is Kill, In Clothes Called Fat, Master Keaton, One-Punch Man, Showa: A History of Japan, and Wolf Children: Ame & Yuki. The major exception this year is Massive: Gay Erotic Manga and the Men Who Make It which is up for Best Anthology. Viz’s Hello Kitty, Hello 40: A Celebration in 40 Stories was also nominated in the Best Publication for Early Readers category. And speaking of Viz, the publisher is currently running a survey about social media and websites.

Quick Takes

Let’s Dance a Waltz, Volume 1 by Natsumi Ando. I’ve previously read two other series in which Ando was involved: Kitchen Princess and Arisa. Her manga tend to incorporate a fair number of well-worn shoujo tropes and melodrama, which is true of Let’s Dance a Waltz as well. But, the manga are put together in such a way that makes for an enjoyable read even if the series aren’t particularly ground breaking. Let’s Dance a Waltz is cute, and I liked the series’ focus on ballroom dancing, which isn’t often seen in manga in English. However, one thing that really annoyed and bothered me was how Ando handled Himé’s weight at the end of the volume. After two weeks of intense dancing, she loses over forty pounds, becoming stereotypically slim and pretty. She was already cute before that though. Sadly, I suppose it was too much to ask that her and the series’ expressed admiration of the other dancers was an appreciation of their elegance and confidence rather than their slim figures. But at least Himé seems to be interested in dancing for dancing’s sake rather than as a weight loss program.

Lies & Kisses Masara Minase. A few of Minase’s boys’ love manga have been translated into English, but so far Lise & Kisses is the only one that I’ve actually read. Tatsuya has been searching for his long-lost half-brother Haruka and unwittingly sleeps with him after bringing an attractive stranger home from the bar one evening. Haru does switch from being the adoring younger brother to the sex-craving lover surprisingly easily and quickly, so the manga loses its believability very early on. But ignoring that, the aptly named Lies & Kisses actually handles the characters’ emotional turmoil and baggage surprisingly well. The reasons for Haru and Tatsuya’s repeated miscommunication makes sense and their conflicting feelings as their relationship evolves are understandable. When it is revealed that they may or may not actually be related by blood, even more emotional drama ensues. Most of the decisions made by the two men to lie and to hide things from each other, while misguided, are generally done so with good intentions and with concern for the other’s well-being.

UQ Holder!, Volume 4 by Ken Akamatsu. I continue to be somewhat frustrated by UQ Holder! and the hero’s ambiguous and seemingly directionless ambitions, but I have liked the last couple of volumes more than the first two. Tōta’s goal is still extraordinarily vague and uncomplicated—as far as I can tell, at this point it basically amounts to just wanting to be awesome—but at least the fight scenes tend to be fairly entertaining. The part of UQ Holder! that currently interests me the most is the wide variety of immortals in the series. This particular volume reveals yet another character with a special skill that, with careful use, more or less renders her immortal. Functionally, she is able to create a “save point” which, although it does have its limitations, is an admittedly cool ability. The fourth volume also ties UQ Holder! in a little closer to the tangentially related series Negima! by introducing one of its major characters, Fate Averruncus, as a primary antagonist. Hopefully this means the story of UQ Holder! will become more engaging now that it seems that the manga might be developing an actual plot.

Wolfsmund, Volumes 5-6 by Mitsuhisa Kuji. If I recall correctly, Wolfsmund was initially expected to end with the sixth volume, but it looks like there will be at least seven volumes if not more. Wolfsmund is an extraordinarily brutal manga and its violence is not at all romanticized. The fighting and torture is savage and cruel, making the series an uncomfortable read at times. In these two volumes of Wolfsmund, the Swiss rebellion continues its attack on the “Wolf’s Maw” of Sankt Gotthard Pass. Austrian reinforcements are expected, so their time is limited. They must overtake the barrier station and its bailiff as quickly as possible. Desperate measures are needed in order to accomplish that. The rebels literally throw their lives and bodies at the fortress, becoming willing participants in what amounts to a suicide mission. Even after breaching the outer defenses, they still have to contend with the traps found inside the barrier station itself and the clever design of a fortress built to withstand invasion from the outside. The deaths are gruesome and extremely unpleasant, but ultimately the rebels are able to overcome simply because they have a great number of people who are willing to die for their cause.

Adaptation Adventures: The Twelve Kingdoms

April 24, 2015 by Ash Brown

In 1992, The Twelve Kingdoms debuted as a series of fantasy novels written by Fuyumi Ono with illustrations by Akihiro Yamada. The series has inspired an anime adaptation as well as audio dramas and video games. Between 2007 and 2010, Tokyopop released English translations of the first four books in the series (which I have previously read and reviewed): Sea of Shadow, Sea of Wind, The Vast Spread of the Seas, and Skies of Dawn.

Although I had vaguely heard great things about The Twelve Kingdoms, I didn’t actually get around to reading the novels until they had technically gone out of print. I ended up loving them and they are well-worth tracking down. (The hardcover editions were apparently notorious for quality control issues, though, so it’s probably best to stick with the paperback releases when they can be found.) Soon after reading the first volume, Sea of Shadow, I immediately sought out the remaining books as well as the anime adaptation; I wanted all of The Twelve Kingdoms in English that I could get. Directed by Tsuneo Kobayashi, the anime is a forty-five-episode series which originally aired between 2002 and 2003. In North America the anime was licensed by Media Blasters. It, too, is well-worth tracking down.

The Twelve Kingdoms is a fantasy epic with an Asian flair, the worldbuilding drawing particular inspiration from Chinese myths and legends. It’s a story about the rise and fall of kingdoms as well as a person’s role in influencing the world around them, whether for good or for ill. There is action, adventure, magic, politics, combat, court intrigue, and more. The Twelve Kingdoms is broad in its scope, but it can also be very personal with the attention that is devoted to its characters and to their development as individuals. Both the narrative and the characters of The Twelve Kingdoms are layered and complex. The Twelve Kingdoms also stands out from many other fantasy works due to its excellent female characters. They often play a prominent role, whether as a hero or as a villain, and in many cases are the characters who are the focus of and really drive the story. They are every bit as nuanced as any of the other characters in the epic.

For the most part, The Twelve Kingdoms anime adapts the material covered in the first four books. So, anyone who has read the Tokyopop novels and is looking for more of the The Twelve Kingdoms story in English won’t find much new. However, there are some differences between these two versions of The Twelve Kingdoms. Some changes are inevitable due to the very nature of the new medium in which the story is being expressed—illustrated prose has been transformed into moving images with color and sound—while others are the result of deliberate choices made by the creative teams.

The anime remains faithful to the content and tone original, but it’s also not a strict retelling. Generally, the novels tend to stand on their own as separate books. They are closely related to one another, sharing the same world and even some of the same characters, but the individual stories don’t necessarily directly impact the others in the series. In the anime, the plot is treated as more of an overarching whole and is chronologically more cohesive. As a result, the anime is arguably more successful in making The Twelve Kingdoms feel more like a single, continuing story rather than a series of connected tales. There are still distinct story arcs in the anime, they’re just more closely intertwined and slightly reordered when compared to those of the novels.

One of the most notable differences between the novels and the anime is the introduction of two new characters (Ikuya Asano and Yuka Sugimoto) who play an important role in the first major story arc which largely adapts the first novel. The addition of these characters actually makes a good deal of sense. For the most part, Sea of Shadow follows Youko Nakajima, who becomes one of the most significant characters in The Twelve Kingdoms as a whole. In the first novel she is quite often alone, both literally and figuratively, and so much of the narrative as well as her personal character development are internal. This sort of inwardly-focused storytelling doesn’t always translate well in a more visual medium; the inclusion of the new characters allows the internal development of The Twelve Kingdoms to become more outwardly explicit in the anime.

In general, I find Yamada’s illustrations in the novels to be more refined and consistent than the anime’s visuals. (I have been sorely tempted to import Yamada’s The Twelve Kingdoms artbooks; they’re gorgeous.) There are scenes in the anime that are stunning, but there are also scenes where the animation and artwork are simply off. However, it is marvelous to see and be constantly aware of the visual details of the series’ setting and character designs in the anime, something that is more easily missed when reading the books. While the novels often allow a reader to better understand the worldbuilding and the more internalized aspects of The Twelve Kingdoms, overall the anime does provide a better visual context.

The anime also has a wonderful soundtrack, something that I particularly appreciate as a musician. Obviously, a soundtrack is one of the elements that the novels completely lack and is therefore unique to the anime. The music for the anime was composed by Kunihiko Ryo and is a mix of sweeping orchestral pieces and pieces more reminiscent of folk music. As previously mentioned, The Twelve Kingdoms as a whole is in large part inspired by Chinese culture, legends, and mythology. This influence can be heard in the soundtrack as well; Ryo incorporates many traditional Chinese instruments and stylings into the music of The Twelve Kingdoms.

I love The Twelve Kingdoms, both the original novels and the anime adaptation. The Twelve Kingdoms has an interesting setting and exceedingly detailed worldbuilding, well-developed characters with strengths and weaknesses, and a complex story that can be engaging as well as emotionally resonant. Anyone who enjoys a good fantasy tale would do well to experience the epic for themselves, in whichever medium it happens to be that appeals to them most. I wish that more of The Twelve Kingdoms was available in English, but what we do have is great.

Manga the Week of 4/29

April 23, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 1 Comment

SEAN: The last week of April is pretty much KODANSHA WEEK, with only two exceptions.

There’s a 3rd Attack on Titan Junior High omnibus, which is highly recommended for those who enjoy seeing how far an adaptation can go, those who enjoy seeing their favorite characters being very silly indeed, and those who like to quote one-liners on Tumblr.

Maria the Virgin Witch is a title I was very conflicted about after reading the first volume, but I’ve heard that it improves, and it’s a short series, so I will give Vol. 2 a try.

ASH: The series has a lot of potential, so I’m curious to see how it develops.

SEAN: There’s a 4th volume of supernatural comedy Noragami.

And a 7th of addictive shoujo potboiler Say “I Love You”. (I will never let go of those quote marks. It would be like leaving the ! out of Skip Beat!.)

MICHELLE: I have fallen behind on this one. Must rectify!

SEAN: Lastly, a 3rd volume of xxxHOLIC Rei, which I will continue to read as long as there’s a possibility of more Himawari/Doumeki/Watanuki OT3 shenanigans.

MICHELLE: I still have not managed to finish the original xxxHOLiC. Bad manga fan!

ASH: I was glad to see it recently announced that CLAMP is resuming work on this series after its hiatus.

MJ: This! I will be reading this.

ANNA: When will they finish X/1999? WHEN?

SEAN: In non-Kodansha news, there’s a new Alice in the Country of Clover from Seven Seas, this time focusing on Elliot: The March Hare’s Revolution.

And Vertical Comics gives us a 9th deluxe hardcover edition of Gundam The Origin.

ASH: There was a delay on this volume’s release to address some printing errors, so I’ll be happy to see it finally arrive!

ANNA: Need to get caught up on this!

SEAN: Still catching up from last week? Or does something here leap out at you?