Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Archives for February 2017

The Water Dragon’s Bride, Vol. 1

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The Water Dragon’s Bride Volume 1 by Rei Toma

I remember being delighted when I heard that another Rei Toma title was going to be released by Viz. Then many months passed between the announcement and actually getting the volume in my hand, I totally forgot about it and then was delighted all over again! I do enjoy fantasy manga and this volume was an excellent start to the series.

Asahi is a modern girl who has the misfortune of standing too close to a pond, where she is promptly whisked away to a village with no technology whose inhabitants don’t quite know what to make of her. A young boy named Subaru stumbles across Asahi and takes her home despite his sister’s protests. Unfortunately the village has a habit of offering up human sacrifices to the Water Dragon, and when Subaru brings home his new friend his mother decides that the odd girl will be a great way to ensure the prosperity of her family. Asahi is a bit stunned by being catapulted into another world and she doesn’t realize that she’s going to be a sacrifice until it is too late. Subaru tries to prevent the ritual but is unable to do anything to save his new friend.

Asahi finds herself in the Water Dragon’s realm. He’s a cold, stoic sort of god who says that he’ll wait to make Asahi his bride until she grows up. She asks him if he’s wearing cosplay and accuses him of being a pervert. The Water Dragon seems to find Asahi mildly entertaining, but he takes away her voice and then sits calmly while she starts to starve. Asahi finally realizes that the world she’s lost in is horrible. Other gods intervene to see some drama when Subaru and Asahi are reunited, but the humans in Subaru’s village prove to be even more terrible than the gods.

I think that Toma’s art, which was always good, has improved since Dawn of the Arcana. Her clear and simple style does a great job highlighting all the variants in facial expressions and reactions as the characters deal with the extraordinary. Subaru’s mother shows hints of evil in her smirk, and then devolves into full-out evil as she takes on the role of putting Asahi to trial for being rejected by the gods. Asahi’s personality is inherently bubbly and open, and it takes her a while to realize the truth of the world that she’s found herself in. Her body language completely changes after meeting the Water Dragon and the villagers. There aren’t a lot of detailed backgrounds in this manga, but the absence of setting is used to great effect when Asahi is in the Water Dragon’s world because the lack of detail in Asahi’s surroundings just makes everything seem even more surreal.

The inhumanity of the humans and the possibility that a god might change due to having to take care of a small girl are interesting themes for this manga to explore. This is a solid shoujo fantasy title and I strongly recommended it for fans of the genre.

A Certain Magical Index, Vol. 10

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

This picks up immediately after the end of the previous volume, as befits a two-part arc. In fact, Kamachi helpfully provides a recap for anyone who may have somehow skipped the previous book. I had wondered if we’d get more athletic events for the festival, but no, sadly the festival is mostly offscreen for Touma, as he spends 4/5 of the volume chasing after Oriana Thomson, watching her nearly kill his friends, and arguing with her on the nature of doing good and how it’s impossible for everyone to share the same view, ethics, or religion – it’s all influenced by their own head. Luckily, the Roman Catholic Church is coming to the rescue to change everyone’s minds into their own! For some strange reason, Touma objects to this…

Introduced in this volume: no one! Given this is the second in a two-parter, we get no new characters. That said, Lidvia certainly gets a lot more to do here, and she’s really not a pleasant person at all, though when given Lady of the Tiger choice she at least attempts to do the right thing by choosing Lady AND Tiger. We also see Laura Stuart (or rather hear Laura Stuart) at her most devious and cunning – Lidvia has a long way to go to get to Laura’s level. Himegami also gets a larger role in this book, and it once again reflects on her status as a “failed heroine” – she wants to do romantic things with Touma, but he’s too busy saving the world, and in the end she ends up an innocent victim who Touma doesn’t even have the time to rescue – Stiyl and Komoe-sensei have to do it. (I will simply ignore the ship tease between Stiyl and Komoe in this book, because eurgh.)

Luckily she’s cheered up by Index, who also gets very little to do this book, but that’s by design, as most of the Magic Side know that Index is a plot maguffin and so they have to keep an eye on her to see what’s going to happen. Of course, finding out Touma is once again getting himself hospitalized without her knowing anything makes her grumpier. I find Index far more tolerable in prose form – no offense to Yuka Iguchi, but I think Index herself simply sounds less stupid in the books as opposed to the anime. She’s the emotional core of the series, and it’s her purity that inspires many other characters – most obviously Touma and Stiyl here. (She also gets a great line about Peter Pan when looking at the youthful looks of Touma and Mikoto’s mothers, which the anime sadly cut.)

The book itself does its level best to conceal its big secret: this entire runaround was pointless, and chasing after Oriana was meant to be a distraction. Luckily, like follows like, and pointless follows pointless – for all that Lidvia succeeds in her ritual, it’s useless due to Academy City’s fireworks show lighting up the sky. I think one reason Index is so upset is that she could have saved him a lot of running around and injuries by simply having hm ask her, but then when you’re a walking magic wikipedia… In any case, a good volume, and less magic theory than the 9th book (though we still get some, mostly related to astrology). Next time, Index Does Italy!

Bookshelf Briefs 2/27/17

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Anne Happy, Vol. 4 | By Cotoji | Yen Press – I am beginning to wonder if the goal of this class filled with luckless idiots is not so much to improve their bad luck as to simply get them to find joy in little things anyway, as this fourth volume mostly involves a school trip that ends up in a giant keep away gave of tag, with the losers sleeping outside and foraging for food. Take a wild guess which team ends up losing. There’s also Karaoke (Anne breaks the equipment by merely attempting to use is) and woodcarving (Anne is quite good, but it shatters fairly easily). In order to appreciate these sad sacks, one must turn the brain off, but if you do, it can be cute and adorable, and a culture festival sounds fun. Recommended if you like moe stuff. – Sean Gaffney

Fate/Zero, Vol. 4 | By Gen Urobuchi, Type-Moon, and Shinjiro | Dark Horse – One of the biggest reasons to read Fate/Zero is too see the contrast in heroes between Shirou, the naive, hardheaded yet lovable hero of Fate/Stay Night, and Kirutsugu, the cool, pragmatic, “greater good” protagonist of Fate/Zero. And while Saber falls pretty hard for Shirou, it’s pretty clear that Kirutsugu fills her with rage and disgust, which is very well drawn here by Shinjiro. I also enjoyed seeing Irisviel’s attempts at being his balance, which I suspect are doomed to failure, and was weirded out by Sola-Ui, possibly as she looks like Bazett and has a crush on Lancer like Bazett. Oh yes, and we have more lovingly detailed child murder. Fate/Zero is classic Gen Urobuchi, which is to say death and pain, but so well-written. – Sean Gaffney

Haikyu!!, Vol. 8 | By Haruichi Furudate | Viz Media – In general, most sports manga that revolve around “it’s our chance to win the big tournament” invariably involve losing in the first tournament they try to win, because otherwise the manga would be quite short. And so it is for Haikyu!!, as despite various stratagem, and almost having a shot, our heroes still go down to defeat. But they can learn from it and let that frustration fill them with the desire to improve. And the graduating teammates may stick around a little longer after all, if they get permission, because yes, college is important, but this is volleyball. All that and we get cool poses, facial grimaces galore, and so much sweat you could float down it in a boat. Haikyu!! is powerful and fun to read. – Sean Gaffney

Kamisama Kiss, Vol. 23 | By Julietta Suzuki | VIZ Media – I’ve always enjoyed Kamisama Kiss, but I was never particularly excited about it. That has officially changed with this volume. Suzuki-sensei manages to strike the perfect balance between action, plot resolution, and feelings. Instead of the focus being on Tomoe and Nanami’s relationship, it’s on the friendship Tomoe and Akura-Oh once shared and how both of them were able to change through coming to love and understand humans. It’s quite lovely, actually. Creepy Yatori, who still looks like a villain out of Basara, is still in play, though, so our heroes are not entirely out of the woods yet. Having a high-quality ending like this really bolsters my opinion of the series as a whole. – Michelle Smith

Kuma Miko: Girl Meets Bear, Vol. 3 | By Masume Yoshimoto | One Peace Books – Kuma Miko is becoming a lot less weird and a lot more moe. Unfortunately, this has the effect of also making it far less interesting, as the story beats it’s hitting are ones that we’ve seen done better elsewhere (albeit with fewer talking bears). It also means we pay more attention to the interpersonal relationships, which can be somewhat creepy (Yoshio towards Machi, which is thankfully called out by Hibiki) or disturbingly co-dependent (Machi and the bear). We do get an occasionally funny gag (“they’ll throw rocks at me!” seems like country naivete till it gets a callback. I’m beginning to be reminded of another series set way out in the country, Non Non Biyori, and am asking: is there a point to this? – Sean Gaffney

Kuroko’s Basketball, Vols. 7-8 | By Tadatoshi Fujimaki | Viz Media – The crushing defeat from last volume still weighs on both Kuroko and Kagami, and Kuroko in particular is finding it hard to move past and get to the next level. Luckily there are ways to fix that, such as INTENSE TRAINING. We get sand basketball, which is as rough as it sounds, and poor Kagami running and running and running and then running some more. And then we get to watch more of the winner’s in the tournament, as the battle between Aomine and Kise, which is incredibly badass, and also helps to show that yes, Kuroko and Kagami DO have a ways to go. Luckily, we’ve a number of volumes to go as well. Having this and Haikyu!! coming out at the same time means we’re hitting similar beats, but they’re both good. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 22 | By Shinobu Ohtaka | Viz Media – The heroes of Magi are filled with shiny shonen idealism, and they run up hard against the cynicism of the real world in this volume. Even Sinbad, who’s been presented till now as at least a reasonable ally, is starting to show signs that he may be, if not just as bad, certainly just as problematic. Alibaba is not yet strong enough to refuse offers that he can’t refuse. To the rescue comes Aladdin, who gives everyone a giant flashback to show what happened in the universe he’s from, a parallel one where humanity is fighting evil Mr. Potato Heads, and we also get Solomon and Sheba, because I was wondering when they would show up in this manga clearly influenced by Biblical as well as Arabian Nights myth. Magi is terrific; you should know this by now. – Sean Gaffney

Maid-sama!, Vols. 13-14 | By Hiro Fujiwara | VIZ Media – Y’know, Maid-sama! is certainly not a great manga, but damned if it isn’t immensely satisfying when things finally happen! I suppose that’s owing to the fact that Misaki is a stubborn tsundere, which can be frustrating, but I cannot deny that her confession of love and Usui’s reciprocation, followed by their becoming an official couple and eventually revealing their status to the school is all the sweeter because it took so long. There’s plenty of other stuff in this volume, including a school trip with appearances by random supporting characters and more boring drama about Usui’s family background, but even the plot wherein he transfers schools for his final year is redeemed when Misaki is 100% not cowed by some rich girl claiming Usui is her fiancé. The endgame is afoot! – Michelle Smith

Monthly Girls’ Nozaki-kun, Vol. 6 | By Izumi Tsubaki | Yen Press – I suppose it might seem like an insult to say that this volume of Nozaki-kun is pretty much the same as the others, but I actually mean it as a compliment. Tsubaki continues to spin out amusing scenarios for her characters with no dip in quality. In this volume, Nozaki is doing a lot of research into horror themes, in anticipation of having to incorporate some into his manga, but there are other silly gags like Wakamatsu being transformed into a confident guy via an eye patch, doing summer homework at Nozaki’s house, and finding a suitable girl to pretend to be Mikoshiba’s girlfriend in order to persuade a persistent admirer to back off. Each new volume of this series is like the best kind of brain balm and I’m grateful for it! – Michelle Smith

Pick of the Week: A Short Month Long on Picks

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ASH: Originally my pick for this week was so clear! I simply couldn’t pass up a gorgeous, deluxe box set of the Revolutionary Girl Utena manga (even if the contents might not live up to their presentation). Alas, the release date has been delayed until April. That being the case, I’ll fall back on one of my favorite manga series currently being released; Monthly Girls Nozaki-kun never fails to delight.

SEAN: I loves me some Nozaki-kun too, and I’m also very interested in the digital debut of House of the Sun. But my choice is the 2nd volume in Nisioisin’s Bakemonogatari novel, featuring Suruga Monkey and Nadeko Snake. There will be words. Oh so many words.

MICHELLE: I’m definitely interested in House of the Sun, and several other titles from Kodansha, but what I’m most asquee about is the continuation of Nodame Cantabile in digital-only releases, starting with volume seventeen!

KATE: My pick is the fourth volume of Sweetness and Lightning. It isn’t in the same league as my all-time favorite food manga — really, can anything top Oishinbo? — but its sincerity and appealing characters more than compensate for the occasional ham-fisted scene. In fact, I’m getting hungry just thinking about Sweetness and Lightning right now…

ANNA: I think out of everything coming out this week, I’m most excited about Monthly Girls Nozaki-kun. Bring on the wacky antics!

MJ: I’m always on board for more Nozaki-kun, but this week I have to join Michelle in celebrating the digital return of Nodame Cantabile! I was devastated when that series was dropped in the US, and I’m beyond thrilled to see it back, even if it won’t be able to fill my physical manga shelves.

My Week in Manga: February 20-February 26, 2017

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My News and Reviews

In a few more days and March will be here and in a few more days the winner of the Tokyo ESP manga giveaway will be announced. Never fear though, there’s still a little time left to enter for a chance to win the first omnibus in the series! Simply tell me a little about a favorite psychic/esper from a manga. (A quick note: Normally I announce giveaway winners on Wednesday mornings but, because I have an all-day job interview on the 1st, this time the announcement will likely be made sometime on Wednesday evening instead.)

As for some interesting things I came across last week: The National Museum of Modern Art in Tokyo has created an online archive of early Japanese animation. An English-language version of the site is currently in the works, but even if you can’t read Japanese if you click around enough you’ll find the some of the videos available for viewing. The University of Michigan’s Center for Japanese Studies recently hosted two master rakugo artists–Yanagiya Sankyo and Yanagiya Kyonosuke–and has posted a video of one of their events. The video includes a brief introduction to rakugo, a demonstration and performance, and a question and answer session.

There are also a few podcasts worth mentioning (though I haven’t actually had the opportunity to listen to most of them yet): The most recent episode of Comic Books Are Burning in Hell is devoted to the late Jiro Taniguchi. Tofugu started a podcast not too long ago and recently talked with Alexander O. Smith about What Makes a Good Japanese Translator? (Smith does a fair amount of video game translation but translates novels and manga as well. He’s also one of the founders of Bento Books.) Vertical Comics recently started a podcast, too, and the first episode of the Mangocast is now available for listening.

As for crowdfunding efforts for queer comics, the end of February has seen quite a few Kickstarter projects launch: The Husband & Husband campaign is hoping to publish the first volume of the cute and funny webcomic in print. The Dates anthology, which focuses on queer historical fiction, is back for a second volume. (Though I haven’t written a quick take for it yet, I have the first volume and it’s great.) The Go Get a Roomie! project is raising funds to print the second volume and reprint the first volume of the webcomic. And finally, Digital Manga’s most recent Kickstarter has launched–Juné Manga is working with Velvet Toucher, a Japanese artist living in the United States, to release Eden’s Mercy.

Quick Takes

Guardians of the LouvreGuardians of the Louvre by Jiro Taniguchi. I’ve read most but not quite all of Taniguchi’s manga that has been released in English, but his recent passing reminded me that I hadn’t yet read Guardians of the Louvre, the latest one to have been released. One of the most remarkable things about Guardians of the Louvre is its full-color artwork. The volume is actually part of the “Louvre Collection,” a series of comics commissioned by the Louvre that feature the museum and its collections. (Hirohiko Araki’s Rohan at the Louvre is part of the same series.) Taniguchi is an extremely versatile creator; while some of his manga are action-packed, others are more introspective. Guardians of the Louvre is definitely one of the latter. The story is a quiet and contemplative exploration of art and inspiration, following a manga creator who is visiting Paris on his own for a few days. He falls ill soon after he arrives but pushes through in order to visit the Louvre. And so when he seems to start slipping through time, meeting artists and historical figures associated with the museum, not to mention the embodiments of some of the works housed there, he’s never quite sure how much of his visit is based in reality and how much is a fever dream.

He's My Only Vampire, Volume 1He’s My Only Vampire, Volumes 1-3 by Aya Shouoto. While I don’t actively avoid vampire manga, I also don’t actively seek it out. Usually there has to be something a little “extra” to catch my attention. In the case of He’s My Only Vampire, I had decided to seek out more of Shouoto’s work available in English while waiting for more of The Demon Prince of Momochi House to be released. He’s My Only Vampire is kind of an odd series and at this point the manga doesn’t seem to have a clear direction. It’s as if Shouoto is either trying to do too much at once with the story or hasn’t quite decided where it should go yet. It can still be pretty entertaining from time to time, though. Shouoto’s artwork, even though anatomy seems to occasionally go out the window, can be lovely and sensual, too. So far the best part of the manga is the three main characters–Kana, the strong and spunky heroine, Aki, the titular vampire and Kana’s long-lost childhood friend, and Jin, a high-school delinquent who has recently discovered that he is at least part werewolf. Personality-wise and the relationship-wise they’re all sort of goofy and their interactions can be quite amusing. The story is taking some darker turns, but I think I prefer its humor.

Magi: The Labyrinth of Magic, Volume 1Magi: The Labyrinth of Magic, Volumes 1-4 by Shinobu Ohtaka. I know quite a few people who love Magi and have heard plenty of great things about the series but despite those facts it’s still taken me this long to finally get around to reading the manga. Magi more or less starts out as a dungeon crawl which, while highly entertaining, isn’t exactly the most compelling narrative for a series that’s already over thirty volumes and still ongoing. But after the first dungeon crawl (and I suspect that there will likely be more of those in the future) Ohtaka begins delving into the characters and their motivations while exploring the vast world in which the live. In part Magi is inspired by One Thousand and One Nights but Ohtaka does not strictly adhere to those stories and characters, instead creating a complex world that is reminiscent of but distinct from that work. Magi really is a great series, with plenty of magic, mystery, and adventure; I can easily understand why it’s so well-loved. The artwork is clear and attractive, the settings and characters are interesting and well-realized, and the story, worldbuilding, and action are engaging. I also particularly appreciate that the women can be just as badass as the men in the series and in some cases are even more so.

NewsPrintsNewsPrints by Ru Xu. My introduction to Xu’s work was through the beautifully illustrated webcomic Saint for Rent. However, NewsPrints is her debut graphic novel. Published by Scholastic the comic is aimed towards middle grade readers but it can be appreciated by older readers, too. NewsPrints, while still being very approachable, actually tackles some pretty weighty subject matter–war, propaganda, identity, and so on. The comic is about Blue, an orphan who is hiding the fact that she is a girl so that she can work as a newsboy for the Bugle, one of the only newspapers that actually reports the truth. The Bugle has taken in and cares for other orphans as well, but Blue is afraid that she won’t be able to hide her secret much longer and may lose her newfound family because of it. The city she lives in has very firmly entrenched ideas about what is and is not appropriate for girls to do. Blue is embroiled in an extremely dangerous situation when she meets and becomes friends with Crow who is also hiding a secret, one that could greatly influence the course of the war. Though NewsPrints tells a complete story the ending is left fairly open. Apparently a sequel is currently in the works; I’m very curious to see where Xu takes the comic next.

Hayate the Combat Butler, Vol. 29

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

Hayate Ayasaki is a very good butler. That’s pretty much the premise of the entire manga. As a butler, he’s smooth, always knows what to do, and provides the girls he waits on with whatever they desire. I wouldn’t go so far as to say that’s why they fell for him, as in fact each of them has different, non-butler reasons for that. But it’s striking if only because in Hayate’s other role as a harem protagonist in a romantic comedy manga, he’s absolutely terrible. He’s very good in terms of what Hata needs to convey in the writing. But much of Hayate’s so-called “bad luck” can also be put down to wishy-washiness, cowardice, and the complete inability to understand the trembling of a pure maiden’s heart. It’s why we’re 29 volumes in and disasters keep piling up for him.

The disaster doesn’t happen in this particular volume, but we know that at some point in the near future, Ruka is going to discover that Hayate is a guy, and there will be hell to pay. Of course, this is played for max comedy – every time he thinks he can confess, she says the one thing that stops him from doing so – but it’s still a case where you want to put your face in your hands. She also, by the way, is trying to earn a large pile of cash to get herself out of debt because her parents are suckers – a similarity Hayate is quick to catch on to. It’s not the first time Hata has done this – Hina, too, has lost her birth parents due to “we abandoned you because of our debt” – but that at least had the excuse that it was part of his original outline for the series. Ruka’s past seems more like overegging the pudding.

The rest of the volume is for the most part a series of one-shots focusing on the cast, which I think Hata enjoys best. Alice talks with Hayate, and there’s some discussion of who she is, but not much – she says she’s lost her memories of Athena, but clearly knows she *is* Athena in some way. Also, don’t let dogs eat chocolate. Wataru and Saki also have money troubles, and even Sayaka literally loaning them a giant pile of money doesn’t help, particularly when Hayate gets involved. Speaking of Sayaka, she’s rather annoyed to find that the position of “Nagi’s (relatively) sane best friend) has been stolen by Chiharu, particularly since Chiharu is HER OWN MAID. As for Maria, well, she gets nothing to do except pose naked for the camera as pre fanservice, something Hata lampshades almost immediately. These are all pretty good chapters, not hilarious but quite amusing.

In the end, though, the plot will have to advance soon. Ruka will find out Hayate’s gender. Athena will eventually stop being a girl. And, one assumes, the manga will end. It’s coming to a close in Japan, but Viz still has a long way to go. See you in the fall for another volume.

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 2

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Andrew Gaippe.

After a first volume that was good but a bit too much side story by the numbers, the second volume of Aiz’s book series ups the ante, and really shows us how similar and yet totally different Aiz and Bell both are. This is less tied into the main series than the first book was – we can tell it’s at the same time as Book 2 due to Aiz giving Bell a lap pillow (at the suggestion of her companion) when they find him collapsed. And that’s all for the best, as we begin to develop the rest of Loki’s badass crew, including Loki herself, who is allowed to become a bit of a detective as she tries to track down who’s responsible for the plant monsters we saw in the prior book. That said, the core of this book is all Aiz, as she finally finds someone she can’t defeat, and it nearly breaks her.

Frustratingly, at last for the reader, we never get a name for this mystery assailant, who is clearly set up to be an ongoing antagonist. She’s definitely in charge of the plant monsters, though, and is strong enough to take out Aiz, though to be fair she’s already injured when they fight. Their main battle happens barely halfway through the book, though, so it’s not the point. The point is not just that Aiz lost but that Aiz lost to someone who knows the name of her mother, Aria. Aiz’s past is a mystery to the reader, though we know she’s been dungeon crawling since she was seven. Here we see a flashback to happy family times before that, and can sense there’s a tragedy here we haven’t quite heard about. More to the point, that trauma combined with the loss drives Aiz to make a suicidal charge on one of the lower floor bosses, which she insists on taking out all by herself. It’s an absolutely brutal sequence, and it’s also fascinating to see Aiz actually struggle given how perfect she’s seen to be in the main series.

As for the rest of the cast, they all get their cool moments. Lefiya still has a tendency to need rescuing, but is less self-deprecating here, and helps out Aiz more than once. (She’s also still very gay for Aiz, something I doubt will ever go anywhere but I also suspect will continue as the books go on.) They have their own murder mystery to solve, but unlike Loki’s the murder is not that mysterious, just gruesome, and the culprit shows herself almost immediately. There’s also some nice little world building and ties to prior books – Hermes’ follower who pops up here as an incidental part of the murder investigation reveals that Hermes is having her hide her higher status, something that doesn’t surprise me at all knowing him, and we meet Ouranos, the God who rules the city, and he’s one mysterious character.

Honestly, not much else to say beyond this is a really good, enjoyable book from one of my favorite light novel authors. Also, lots and lots of cool fights. Fans of the series have to pick it up. It does have a typo in regards to Lefiya’s level at the very end (she’s a 3, not a 5), but I’m ignoring that because the book was so much fun.

Fruits Basket Collector’s Edition, Vol. 10

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By Natsuki Takaya. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Yen Press. Translated by Sheldon Drzka.

Yen Press’ rush release of these omnibuses has been a bit disorienting at times, and because I’m giving each of them full reviews it sometimes feels like I was only just talking about the last book and here’s another one. (It’s been about 3 1/2 weeks since I reviewed Vol. 9). That said, one can never, ever run out of things to talk about when discussing Fruits Basket, so no worries on that end. As Takaya herself says, we’re beginning the home stretch here, and many mysteries are being cleared up now that the biggest of them all has been revealed. We see why Kakeru has been so on edge around Tohru, and finally meat his semi-mythical girlfriend Komaki (who for a moment looks as if she may stay with a ‘hidden face’ before getting revealed a bit later), and we get Kyo starting to explain exactly why he feels tremendous guilt and pain when he thinks about Tohru’s mother.

Speaking of Tohru, this volume is probably her low ebb. Her inability to reveal the fact that she loves Kyo is shown to have explicit ties to her idolization of her mother and the trauma of her passing, as well as a somewhat understandable complete misunderstanding of how loving someone actually works. Shigure, who in the past gave her nice, calm, friendly advice, is perhaps getting a bit too attached to her, as he now proceeds to slam at all of her buttons at once, trying to break past her traumas and get her to admit what she doesn’t want to. It hasn’t worked on Akito, and there’s no reason it’d work on Tohru, but it does show how he may feels about her now, and winds up with Shigure wondering, to the reader’s horror, what might have happened if he’d dreamt of Tohru rather than Akito.

As for Akito, well, much of the book is spent with her holed up and avoiding everyone, having a massive sulk after recent events. We finally get some backstory regarding his father (who reminds me of Yuki quite a bit, something I think Akito herself is also aware of), as well as, unfortunately, more insight into Ren, who we see Akito seems to get her selfishness and tendency towards insane tantrums from. Akito at least is seeing the cursed Sohmas gradually break away from her – more on that later – but Ren is given no real reason for her abusive nature beyond being a petty, selfish and violent person. Her attack on Akito is unfortunately, not so much for her as because it gives Akito a knife, which leads to bad things later on.

I’d mentioned two more curses break here, one right after the other – Momiji and Hiro’s. Hiro, possessing an actual warm and loving home life and with his angst over Kisa and Rin mostly being resolved, is not much of a surprise, and the revelation is quite heartwarming. Momiji is more startling, particularly in the somewhat unrealistic way he’s grown up and, frankly, become almost unrecognizable – I’ve talked before about when Takaya’s art morphed from its early Furuba faces to late ones, and despite her hurting her hand after Vol. 8, I think it’s more around here that we see it. Momiji is no longer cursed, but of course he can’t return to his family, and he already knows he’s not going to win Tohru’s love, despite his words to Kyo. So what’s left is a deep loneliness, but also a yearning to make a brilliant future for himself.

More to discuss, as always! Ayame angering an already angry BL fandom by admitting that Mine is his girlfriend, and showing off some casual cruelty towards a love confession when he was in high school that will make your jaw drop (Hatori is appalled, Shigure just amused). Kagura may barely appear in the series anymore, but she makes her appearance count, getting upset at Tohru waffling about her love for Kyo to the point where she belts Tohru in the head – which a) should give Tohru a concussion and possibly hospitalize her, given this is Kagura, and b) leads to a wonderful bit where Rin witnesses this and loses her shit, screaming that Kagura has no right to hit anyone. (Kagura, very pointedly, apologizes to Rin but not Tohru.)

And now everything is terrible, basically. (I didn’t even talk about Shigure’s scenes with Ren, in which acid meets… well, even more corrosive acid.) Kureno is stabbed (and hey, that maid wasn’t fired after all!), Akito is walking around town with a knife and not in the best frame of mind, and Kyo is telling Tohru that he a) thinks he killed his mother, and b) thinks he killed HER mother. Can things possibly get worse? Hell yes. In any case, Fruits Basket: still wonderful.

Psycome: Murder Maiden and the Fatal Final

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By Mizuki Mizushiro and Namanie. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Nicole Wilder.

The good news is that this is a much more tonally consistent book than the first two, and has a better idea – most of the time – as to when to be over the top funny and when to have the reader genuinely disturbed. Renko remains the best character, getting in so many hilarious lines I can’t even bother to count them but also getting a really surprising amount of character depth (though I could have done without the epilogue telling rather than showing us all that character depth). Eiri continues to be the girl that Kyousuke SHOULD end up with, and I am very happy to hear that she’s the focus of the next book. Maina was less annoying as well this time around, and though Shamaya is back she seems to have lost the unpleasant implications of the end of the last book and just become another garden variety psycho. What I’m trying to say here is that I enjoyed everything about this except for the two lead characters and the main plot.

I knew going in that I wasn’t going to warm up to Ayaka. The “little sister obsessed with her big brother to an unnerving degree” is something already greatly exaggerated and overused by anime in general, and so turning the dial to 11 is not as successful as I think the author wants it to be. We’re meant to be amused at first and then gradually horrified as we realize that Ayaka is far more mentally unbalanced than she really should be for a “comedy” light novel, but since she enters the book hitting the high note and then only gets higher after that, we’re merely exhausted. That said, the larger issue here is Kyousuke.

There are hints, particularly at the end of the book, that Kyousuke’s entire family is, shall we say, a bit unusual, but even so, his reactions to Ayaka’s behavior beggar belief. I could be wrong here by dint of being an only child, but I’m fairly certain even the most doting brother would have noticed what was going on with Ayaka long before he did. It’s one of those cases where the revelation can’t come until the climax of the book, and so the hero ends up being unnecessarily stupid. The plot – when it arrived – was actually quite interesting, involving Ayaka deliberately being recruited into the school by their teacher, who can see a future assassin in her no doubt, but the fact that we didn’t find out about that until 90% of the way through the book is frustrating. And the subplot – involving everyone studying for finals, which have awful punishments for the bad students and setups for the next volume for the good students – was simply dropped at the end, making the “Fatal Final” a giant anticlimax.

And so, having spent much of this review being annoyed, let’s return to my original paragraph. This is a better book than the first two. The writing is more consistent, and there were some nice heartfelt scenes almost despite itself. But I don’t think Psycome will ever stop teetering on the edge of being a flaming ball of disaster, as seen in the Kamiya Family this time around. As long as it teeters and doesn’t fall off, I’ll keep reading.

Manga the Week of 3/1/17

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SEAN: Next week is the biggest “5th week of the month” I’ve seen in quite some time. There’s another huge pile here, be warned.

Dark Horse gives us a 25th volume of Vampire Hunter D, the great-granddaddy of the vampire craze.

ASH: I’ve been meaning to read the Vampire Hunter D novels for a loooooong time now, but I don’t see me tackling all twenty-five any time soon.

SEAN: J-Novel Club has a 2nd volume of My Little Sister Can Read Kanji. Further, deponent sayeth not.

Kodansha has a lot of stuff. First, we get the 2nd and final volume of the Attack on Titan: Lost Girls manga adaptation.

ASH: I was surprised by how much I enjoyed the first volume! Lost Girls may very well be my favorite Attack on Titan spinoff right now.

SEAN: There’s also a 58th volume of Fairy Tail, which we’ve just heard is in its final arc.

There are three new “digital only” series debuting next week. The first is another josei title from Kiss, The Full-Time Wife Escapist, aka Nigeru wa Haji da ga Yaku ni Tatsu. It’s technically another “fake marriage” title, but this looks like it has lots of depth, and inspired a live-action drama.

From Dessert, we have House of the Sun, aka Taiyou no Ie. This looks like a cute and fluffy romance series, and is 13 volumes. I think it’s also won awards.

MICHELLE: I’m really interested in both of these!

ANNA: As am I, surprising no one!

MJ: I might be? These are sometimes a wild card for me.

SEAN: Back briefly to print, we have the 9th volume of Kiss Him, Not Me!, which can be cute and fluffy romance, but honestly should be read for the laughs.

ASH: Definitely not a series to be taken too seriously, but it can be a lot of fun.

SEAN: Our final digital debut is Peach Heaven!, also a 13-volume romance from Dessert, but this one seems more in the “how much do I like jerks?” L♥DK mode. I hope I’m wrong.

MICHELLE: Here’s one Kodansha digital title I’m going to pass on.

MJ: Ugh.

SEAN: And back to print again, with the third volume of Ouran’s dark mirror, The Prince in His Dark Days.

And there’s a 4th Sweetness and Lightning as well.

ASH: Yay! Still loving the series’ combination of family and food.

SEAN: Seven Seas has another Freezing omnibus, collecting volumes 13 and 14.

And the second volume of Holy Corpse Rising.

MICHELLE: Is that what they do the morning after a Corpse Party?

ASH: Hahaha!

SEAN: Their first debut is the last of the “month of yuri” titles, this one from Hirari magazine. Kase-san and Morning Glory looks sweet and adorable, and I look forward to it.

MICHELLE: It does look cute!

ASH: It certainly does.

SEAN: The second debut is There’s a Demon Lord on the Floor, which is an ecchi comedy, and for once involves a demon being summoned to OUR world rather than an “average school student” being summoned there.

Vertical gives us the 2nd Bakemonogatari novel from Nisioisin, which introduces us to enthusiastic Suruga Kanbaru and shy and moe Nadeko Sengoku. (No spoilers, please.)

And also the 7th Cardfight Vanguard, which I think will now resume regular releases after a long hiatus over here.

Viz gives us a gorgeous-looking deluxe boxset of the entire Revolutionary Girl Utena manga, including the movie volume. I am conflicted, to say the least, about the content of said manga, but as a hardcore Utena anime fan, I will be getting it anyway, and seeing if the years have been kinder.

ASH: Surprisingly, I actually haven’t read the Utena manga series, but I did love The Adolescence of Utena (the movie volume) which is also included in this set. From the pictures Shojo Beat has been posting online, this should be a stunning release.

MJ: I’m probably putting this on my list.

SEAN: Yen Press says “Hey, we have digital-only releases too!”, and they do indeed, with the 8th Aoharu x Machinegun, 9th Corpse Princess, and 8th Saki.

ASH: Saki!

There are also two print stragglers. Anne Happy has a 4th volume of “how miserable can we make everyone for comedy?” antics.

And Monthly Girl’s Nozaki-kun never has to worry about that, it’s always funny. Here’s the 6th volume.

MICHELLE: Yay!

ASH: I love this series so much. Reading it makes me so happy.

ANNA: I’m behind already. One day I will catch up!

MJ: Woot!

SEAN: That’s a lot of stuff. Are you prepared? Can you handle so many manga volumes?

JoJo’s Bizarre Adventure: Stardust Crusaders, Vol. 2

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By Hirohiko Araki. Released in Japan as “Jojo no Kimyou na Bouken” by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Evan Galloway, original translation and adaptation by Alexis Kirsch and Fred Burke.

I had worried with the last volume if I wasn’t going to like Jotaro as much as his predecessors, and indeed that still seems to be the case, though I’ve somewhat come to terms with it. Things are still “we must do as many cool things as possible”, but there’s a notable element of humanity missing from this new series, instead relying on set piece after set piece and slowly moving the story around the globe, presumably ending up confronting Dio, though he barely shows up here. I also noticed the first major “we have to change this or the band will sue us” adaptation fix, as Soul Survivor (a Santana reference, so clearly the translators did an excellent job there) replacing the Japanese Devo. (Couldn’t they just say Deevo or Divo or something? They did with Kars, after all.)

It’s always worrying when I’m discussing translation choices in the first paragraph of a review. JoJo’s is one of those series I decided to write full reviews for every volume, but that was much easier in the days of Jonathan’s histrionics and Joseph’s amusing banter. The trouble with Stardust Crusaders is that while it’s not exactly bad, there’s nothing to really grasp and think deeply about. It’s all surface. Now, to be fair, Araki does surface very well. There are some striking fights here, and some of the gory deaths are both horrifying and somewhat amusing, in the best JoJo’s tradition. But even when a major plot point does appear, such as Kakyoin supposedly still being under the influence of Dio, it ends up being a bit too confusing for its own good, as it turns out that the Kakyoin that’s betraying them is actually a spy. (Also, is he named Rubber Soul or Yellow Temperance? Was the name adapted out as well?)

We also pick up a bratty little kid along the way, which I don’t really have too much of an objection to – bratty kids hanging out with heroes is very much a shonen manga trope. I was rather annoyed when she randomly decided to take a shower in the face of ever-present danger, which seems to have been solely to have her be named when faced with such danger. She looks to be about 11 years old, so this was especially annoying. We don’t need that kind of fanservice. I’m not sure how long into the series she’ll last – she doesn’t even have a name to date – but she certainly seems to have taken a shine to Jotaro. As for everyone else, they pose, they shout, and I can’t even remember most of their names.

After spending its first two volumes influencing the majority of modern Jump manga, Stardust Crusaders seems to be coasting, confident that it’s popular enough not to worry about getting cancelled, and relying on violence, set pieces, and attempting to look cool. I miss the earlier style.

A Springtime With Ninjas Vol. 1

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A Springtime with Ninjas Volume 1 by Narumi Hasegaki

I had high hopes for this title because I greatly enjoy both ninjas and shoujo manga, but I was underwhelmed by A Springtime With Ninjas. I think part of my disappointment was because I was hoping that the heroine and hero of the manga were both ninjas, but it turned out to be a decently executed manga that had some funny moments with a very conventional clueless rich girl heroine who was unfortunately not a ninja at all.

Benio is a sheltered rich girl who lives with the a horrible curse – she has to marry the first man who kisses her. She’s trapped in her home, at the mercy of a procession of tutors and she longs to go to school and experience normal life as a high schooler. Her uncle announces that he’s found a friend for her, and produces Tamaki, a flirtatious ninja bodyguard. Benio immediately finds him offputting, cherishing the memory of a friendship she had as a child when a boy who came over to play with her. Surprising no one who has read a shoujo manga before, it is pretty clear that Tamaki is her long lost friend.

Benio and Tamaki eventually get clearance to go to school, and he fends off Benio’s would-be suitors with his elite ninja skills. There were some amusing lines of dialogue like “The sanctity of this princess’s lips bears more weight to me than your lives.” Also, it was fun to see random high school club presidents suddenly manifest ninja abilities. The art is attractive, and the action scenes are clear and easy to follow. But there isn’t really any distinct quality or style to the art that would help offset storylines that kept giving me a sense of deja vu. I ended up putting down this manga being reminded of all the other shoujo manga that I’ve read that cover some of the same story tropes but end up being a little bit more funny, or have a more interesting take on ninjas or sheltered heiresses.

A First Look at We Never Learn

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We Never Learn follows a tried-and-true shonen formula: an ordinary joe finds himself at the apex of a love triangle with two pretty girls. The points of this particular triangle are Yuiga, a bright, hard-working student from a poor family; Ogata, a math whiz whose classmates call her “Thumbelina Calculator”; and Furahashi, a budding literary talent whose classmates call her “Sleeping Beauty of the Literary Forest.” (Something tells me those nicknames were funnier in the original Japanese.) In keeping with the dictates of the genre, Ogata and Furahashi are physical and temperamental opposites: Ogata is petite, cold, and disdainful, while Furahashi is lanky, spazzy, and cheerful. Both girls initially appear to be out of Yuiga’s league, as they outperform him in the classroom and outclass him in looks.

The story takes an interesting turn midway through chapter one: Yuiga’s school hires him to tutor Ogata and Furahashi, both of whom are blissfully unaware of their natural strengths. Ogata dreams of enrolling in a prestigious liberal arts school, while Furahashi hopes to attend an engineering college. In trying to help Ogata and Furahashi achieve their goals, Yuiga discovers that his high EQ is a better asset than his book smarts. Yuiga knows how to cope with failure: as we learn in a flashback, he was once a mediocre student who gradually improved through trial and error. Ogata and Furahashi, by contrast, are portrayed as naturally brilliant in their respective fields but lacking the experience or maturity to master their weaker subjects.

Of course, there are plenty of elements you’d expect to see in a shonen rom-com: gratuitous shower and bath scenes, melodramatic proclamations, and a supporting cast of interchangeable classmates, none of whom make much of an impression. The manga’s generous portrayal of its principle characters and its genuine sincerity, however, suggest that We Never Learn has the potential to be sweetly funny without making Yuiga into an insufferable know-it-all or a dweeby doormat.

The bottom line: Try before you buy! The first chapter is available free on the VIZ website; readers wishing to continue the story can do so through the digital version of Shonen Jump. 

WE NEVER LEARN • BY TAISHI TSUTUI • VIZ MEDIA • RATED T, for teen (13+)

Manga Giveaway: Tokyo ESP Giveaway

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The end of February is almost here which means it’s yet again time for another giveaway at Experiments in Manga. This month everyone will have the opportunity to win the first omnibus of Hajime Segawa’s manga series Tokyo ESP. (Published in English by Vertical Comics, the omnibus collects the first two volumes of the original Japanese edition.) As always, the giveaway is open worldwide!

Tokyo ESP, Omnibus 1

Growing up I absolutely loved stories about psychic powers. (Did anyone else read The Girl with the Silver Eyes Willo Davis Roberts? That was a favorite of mine and I frequently reread it.) I no longer deliberately seek out that particular subgenre in the same way that I used to, but I do continue to enjoy stories with ESP as a prominent feature. At one point in time, it actually seemed like it was impossible to get away from manga series revolving around characters with psychic powers. While they don’t seem to be nearly as common as they once were, manga with psychics and espers are still regularly released in English, Tokyo ESP being just one example

So, you may be wondering, how can you a copy of the first Tokyo ESP omnibus?

1) In the comments below, tell me a little about one of your favorite psychics or espers from a manga. (If you don’t have a favorite or don’t know of any, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s pretty straightforward, right? Everyone participating has one week to submit comments and can earn up to two entries for the giveaway. Comments can also be sent directly to phoenixterran(at)gmail(dot)com if needed or preferred. Those entries will then be posted here in your name. The giveaway winner will be randomly selected and announced on March 1, 2017. Good luck, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Tokyo ESP Giveaway Winner

Konosuba: God’s Blessing on This Wonderful World!: Oh My Useless Goddess!

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!: Aa, Damegami-sama” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

In the current light novel boom that North America has been experiencing, there have been many novels that fall under the broad category of ‘funny’. They either take a relatively serious plot and give it a funny touch (The Devil Is a Part-timer!), expand on a completely ludicrous situation (Psycome), or are an outright parody (I Saved Too Many Girls And Caused the Apocalypse). KonoSuba’s first volume is most like the latter of these options, but I have to say as I was reading it that I can’t think of a single series, even Little Apocalypse, that was as dedicated to wringing as many laughs out of everything as KonoSuba is. Never mind plot complications or depth of characterization. This series is damned funny, and that’s why you should read it.

The archetype being parodied will be most familiar to readers of the manga Mushoku Tensei. A young man who is something of a loser dies performing one noble act, and is given an option to reincarnate in a fantasy world so he can be a hero. Except here, Kazuma’s death turns out to be so pathetic that even the doctors who tried to save him and his own parents laughed when they heard about it, and the young goddess who wants to send him to a fantasy world seems to be doing it so that she can fill her quota more than anything else. She’s so annoying, in fact, that Kazuma, rather than wishing for a fantastic sword or unbeatable magic powers to go along with him into this world, wishes for… the goddess herself. Fans of Oh My Goddess will be especially amused, showing that the subtitle of the first volume isn’t just for show. Kazuma and Aqua could not be more different than Keiichi and Belldandy, though, and when they both arrive in Generic Fantasy world X, he finds this goddess to be a lot less help than he’d hoped.

Everything that follows amps up the comedy, as it should be. Kazuma, because he didn’t pick an insane superweapon but a useless goddess, as average stats and minimal weapons to defeat a giant demon king. He has luck… but that merely seems to allow him to use thief abilities to steal girl’s panties. (Yeah, sorry about that, it’s still written for guys.) We meet Megumin, a teenage overdramatic girl who likes explosions and not much else. We meet Darkness, a knight with elite defensive powers who can’t hit the side of a barn door with her sword, and who seems to get off on just about anything. Together, these four take on giant frogs (which I won’t spoil), supposedly evil lichs (another great scene), and in the end a demon general who is a dullahan (were these always in anime even before Celty, or is their resurgence all Ryohgo Narita’s fault?). And what’s more, they win!

It’s tricky to review this, because I don’t want to give away the best gags. I will note that, while I’m sure this will change, I was pleasantly surprised at the utter lack of romance in this first book. Kazuma and Aqua act like bratty siblings, Megumin is too young for him, and while Darkness is basically what he finds attractive, her masochism creeps him out. That plus his tendency to yell at everyone and everything makes this party dynamic more family than harem, and I appreciated that. But when all is said and done, you read this book because it will make you laugh. Even if you aren’t familiar with the tropes of isekai and reincarnation novels, you’ll still like this.