Archives for January 2014

Bookshelf Overload: December 2013

January 3, 2014 by Ash Brown

I’m pretty pleased with my manga haul in December. I finally gave in and bought a complete set of Yumi Tamura’s series Basara on ebay. I ended up paying a little more than I really wanted (some of the volumes are very out of print), but the fact I had a couple of gift cards to use made me feel a little better about the whole transaction. Plus, the seller threw in copies of the two Basara artbooks as a bonus. As for preorders this month, my copy of Gengoroh Tagame’s Endless Game arrived which made me pretty happy. The English translation is actually the manga’s debut; it hasn’t even been collected in Japan yet. The next volume of Q Hayashida’s Dorohedoro was also released in December. We only get three Dorohedoro volumes a year, so I’m always excited when a new volume comes out. I got a great batch of queer comics in December which I’m looking forward to reading, too.

Manga!
Attack on Titan, Volume 10 by Hajime Isayama
Basara, Volumes 1-27 by Yumi Tamura
Between the Sheets by Erica Sakurazawa
Dorohedoro, Volume 11 by Q Hayashida
Endless Game by Gengoroh Tagame
Fairy Tail, Volume 33 by Hiro Mashima
Hetalia: Axis Powers, Volumes 4-5 by Himaruya Hidekaz
Knights of Sidonia, Volume 6 by Tsutomu Nihei
Lies Are a Gentleman’s Manners by Marta Matsuo
Mobile Suit Gundam: The Origin, Volume 4: Jaburo by Yoshikazu Yasuhiko
No. 6, Volume 4 by Hinoki Kino
Otomen, Volume 17 by Aya Kanno
Pink by Kyoko Okazaki
Red Colored Elegy by Seiichi Hayashi
Sankarea: Undying Love, Volume 4 by Mitsuru Hattori
Sekine-kun no Koi, Volumes 1-3 by Haruka Kawachi
Smuggler by Shohei Manabe
Soul Rescue, Volumes 1-2 by Aya Kanno
Wild Com. by Yumi Tamura

Manhwa!
Evyione: Ocean Fantasy, Volume 1 by Young-Hee Kim

Comics!
Flutter written by Jennie Wood, illustrated by Jeff McComsey
QU33R edited by Rob Kirby
Queerotica edited by Allie Kleber
What’s Normal Anyway? by Morgan Boecher

Artbooks!
Basara: Earth by Yumi Tamura
Basara: Flame by Yumi Tamura
The Sky: The Art of Final Fantasy by Yoshitaka Amano

Anime!
Sword of the Stranger directed by Masahiro Andō

Film!
Zoo directed by Various

Manga the Week of 1/8

January 2, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 3 Comments

SEAN: Well, the holidays are over. HOPE YOU LIKE MANGA. We have, between Amazon and Comic Shop sources, 26 titles coming out this week (some of which have already shipped from certain distributors, yes). Buckle up, folks, we’ll be here a while.

ASH: Excellent. I happen to love manga.

MJ: Yes, yes, yesssssss.

SEAN: Dark Horse has the 2nd Trigun Maximum omnibus. I’m hoping that in larger form the art will somehow make more sense.

Digital Manga Publishing has had a slow return from Print Hiatus, but they seem to be back with a vengeance this week. First we have A Century of Temptation, a vampire/barista romance. The author is best known here for Brave 10 (from DMG) and Sengoku Basara (from Udon).

ANNA: Wow, vampire/barista romance? I am somewhat intrigued.

ASH: Indeed! I had somehow missed that particular detail.

MJ: Well, huh.

SEAN: Volume 2 of Depression of the Anti-Romanticist wraps things up, hopefully with less depression and less anti-romance. Given its BL demographic.

Mr. Mini-Mart certainly wins the cute cover of the week award. A NEET shut-in tries to hold down a job at a convenience store, but must deal with his loud, outgoing coworker. Will romance develop? (Spoiler: yes.)

MICHELLE: Heehee. I approve of the presence of a kitty. I wonder if it figures into the story?

MJ: I’m completely on board with this. I almost don’t care what’s inside.

SEAN: Also with a cute cover, President Momoi-kun is, I inform my fellow Manga Bookshelf writers, an Opera manga. It also looks to be very silly indeed, with lots of funny gags in among the BL. Intriguing.

MICHELLE: I like that the lead dude is crushing on an older, married coworker!

MJ: Anything from Opera deserves a look, so count me in!

SEAN: And in DMP’s one non-BL title, we have – finally – Volume 1 of Takasugi-san’s Obento, which feels like it was pushed back about eight times. A grad student has to take in his cousin after her mother dies, and they learn to bond through cooking. The cousin is twelve, so I think this is meant to be more of a family bonding. It’s 7+ volumes in Japan, and runs in one of my favorite magazines, Comic Flapper, so I definitely want to try this out.

MICHELLE: Me too!

ANNA: I read this when it was available digitally, and liked it! We get food manga so seldom, titles like these are a treat.

ASH: More food manga is always a good thing.

MJ: I’m so glad to see this in print!

SEAN: Fantagraphics shipped the 6th volume of Wandering Son when I wasn’t looking, so most of you may have it already. We’ve talked before about why this should be a must-buy title for all of you.

MICHELLE: I am so dreadfully behind on Wandering Son. Catching up will be one of my resolutions, methinks.

ANNA: Ugh, me too! Too much manga!

ASH: I am still eagerly waiting for my copy to arrive. I can’t wait!

MJ: Same here!

SEAN: Kodansha has Fairy Tail 34, still in the Grand Magic Games arc. I’m falling behind on my Fairy Tail, need to catch up.

Seven Seas expanded greatly in 2013, and this shows no sign of stopping now that it’s 2014. We start with the 2nd and final volume of Alice in the Country of Hearts: The Mad Hatter’s Late-Night Tea Party, which continues the romance between Alice and Blood Dupre.

Dictatorial Grimoire has the 2nd in the Snow White arc, featuring its Alice in the Country of Hearts genderswap-esque plot. I was more interested in Vol. 1 than I expected, so will check the 2nd out.

ASH: I haven’t read the first volume yet, but I am tempted.

SEAN: Monster Musume was a giant hit, and everyone except me seemed to love it. Proving, if nothing else, that I do not drive the taste of most manga readers. Vol. 2 should make even more people happy.

ASH: Monster Musume was a huge success for Seven Seas! I had no idea it was such a popular series.

SEAN: Zero’s Familiar wraps up with the 3rd omnibus, containing Vols. 6-7. Fear not, though, the sequel has been licensed and is coming in the spring.

Flowers of Evil has gotten to Volume 8. Is it still just as twisted? I’m curious.

ASH: The cover art for this story arc is absolutely beautiful.

MJ: I’m still pretty well engaged with this series, so bring it on!

SEAN: And there is the traditional Pile Of Viz. Bleach has a 7th 3-in-1 omnibus, getting towards the end of the Soul Society arc, which many people feel it has never bettered.

Hana-Kimi also gets its 7th 3-in-1. If I recall, it should wrap up with the 8th. Bleach, not so much.

ANNA: I love Hana-Kimi!

SEAN: I adore every single volume of Kimi ni Todoke that comes out, even now that it’s at Volume 18. The cast start to think about their futures around this point, as graduation is near.

MICHELLE: I’m looking forward to this one, too. It’s a definite favorite.

ANNA: Viz does great shoujo.

SEAN: Midnight Secretary 3 continues to combine office lady romance with vampire romance, and is doing a damn fine job of it. I expect more intrigue to happen here.

ANNA: I do enjoy this series.

MJ: As do I.

SEAN: Oh look, another 3-in-1 Volume 7. This is Naruto.

Natsume’s Book of Friends 15! Another series I always love to read. I wish it had more Taki in it, but I’m happy to accept whatever gentle, melancholy yokai antics it will give me.

MICHELLE: Another definite favorite!

SEAN: I reviewed Nisekoi Volume 1 when the digital volume hit, and it’s now coming to print. It’s a fairly typical Shonen Jump romantic comedy, which will appeal to those who like tsunderes, yakuza, and lots of shouting.

MICHELLE: Which is not me, I’m afraid. I found the premise and characters tiresome.

MJ: I’ll be checking this one out for sure, despite Michelle’s reservations.

MICHELLE: I look forward to seeing what you think of it!

SEAN: Otomen 17, completing a trilogy of addicting shoujo I always read first whenever the new volumes come out. Last time we had a nasty cliffhanger, are things going to get worse?

MICHELLE: Someday I will catch up on Otomen.

ASH: I’ve been saving the last few volumes to read in one go; I really enjoy this series.

SEAN: Psyren 14 barrels on to its finale, and will presumably be bringing all the major players together back in the Psyren World for a big battle royale.

Rurouni Kenshin: Restoration has now fulfilled its purpose of advertising the recent movie, so it can end with Vol. 2, which indeed it does.

MICHELLE: Ha! Really? I wonder if it was always intended to be so short! Does this mean it doesn’t attempt to rewrite the Kyoko Arc, which needed no rewriting? I am relieved!

ANNA: I didn’t realize that it was going to be so short either, but it makes sense. The original manga was so good, it didn’t really need a reboot.

SEAN: Strobe Edge is nearing the end of its run with Vol. 8, and so surely the two leads will finally start to work out their angst and get closer… no, huh? Oh well.

MICHELLE: Soon!

ANNA: I hope so! I do enjoy this series, but am ready for it to wrap up.

MJ: This series continuously surprises me with its ability to keep me engaged… but I do hope we’ll see some movement here, finally.

SEAN: Lastly, Yu-Gi-Oh Zexal 4 does whatever it is Yu-Gi-Oh volumes do these days. It could have become a wacky 4-koma about high school girls for all I know. :)

How much of this pile appeals to you?

Massive goes to Fantagraphics

January 2, 2014 by Brigid Alverson

Fantagraphics has picked up the gay manga anthology Massive, which was originally slated to be published by PictureBox. I talked to the translators, Anne Ishii and Graham Kolbeins, about the book and its predecessor, The Passion of Gengoroh Tagame, as well as the genre of gay manga in Japan.

Shonen Jump will run Takeshi Obata’s adaptation of All You Need Is Kill on the same day it appears in Young Jump magazine in Japan.

David Brothers writes, in depth, about two manga he really enjoyed in 2013: Slam Dunk and Bleach.

The Manga Bookshelf bloggers take the long view and discuss their Pick of the Year, and they also take a look at this week’s new manga.

Freelance manga editor Daniella Orihuela-Gruber writes about her struggles with depression and how that has been interwoven with her work life.

Hirofumi Watanabe, the suspect in the Kuroko’s Basketball threat letters case, has given an interview to the magazine Tsukuru; the first item released is his message to users of the bulletin board 2chan, denying that he is a zainichi (foreigner).

News from Japan: Say Hello to Black Jack creator Shuho Sato is adapting Orson Scott Card’s Ender’s Game into manga form; it will be published on his website, Manga on Web. Dan Brown, author of The DaVinci Code, is the latest literary character to show up with superpowers in Bungō Stray Dogs. Suehiro Maruo is working on a new series, Tomino no Jigoku (Tomino’s Hell), which will debut in the March issue of Monthly Comic Beam. Toriko will go on hiatus for one month at the end of the current story arc. Keisuke Itagaki’s martial arts series Baki is returning to Weekly Shōnen Champion. Sora no Otoshimino/Heaven’s Lost Property will come to an end next month.

Reviews: Ash Brown looks back on a week’s worth of manga reading at Experiments in Manga. The Manga Bookshelf team finish out 2013 with the year’s last set of Bookshelf Briefs.

Rebecca Silverman on vol. 1 of Alice in the Country of Hearts: The Mad Hatter’s Tea Party (ANN)
Katherine Hanson on vol. 8 of Aoi Hana (Yuri no Boke)
Leroy Douresseaux on vol. 16 of Arata: The Legend (The Comic Book Bin)
Lesley Aeschliman on vol. 1 of Battle Angel Alita (Lesley’s Musings… on Manga)
Sean Gaffney on vol. 1 of Bloody Cross (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 11 of Dorohedoro (The Comic Book Bin)
Sean Gaffney on vol. 11 of Dorohedoro (A Case Suitable for Treatment)
AstroNerdBoy on vol. 33 of Fairy Tail (AstroNerdBoy’s Anime and Manga Blog)
Leroy Douresseaux on vol. 3 of Happy Marriage?! (The Comic Book Bin)
Matt Cycyk on Helter Skelter: Fashion Unfriendly (Matt Talks About Manga)
Leroy Douresseaux on vol. 3 of Magi (The Comic Book Bin)
Johanna Draper Carlson on vol. 5 of Missions of Love (Comics Worth Reading)
Ash Brown on vol. 4 of No. 6 (Experiments in Manga)
Leroy Douresseaux on vol. 69 of One Piece (The Comic Book Bin)
Sakura Eries on vol. 15 of Oresama Teacher (The Fandom Post)
Johanna Draper Carlson on vol. 3 of Sankarea: Undying Love (Comics Worth Reading)
Sean Gaffney on vol. 2 of Summer Wars (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 2 of Tiger & Bunny 2-in-1 Anthology (I Reads You)
Johanna Draper Carlson on vol. 1 of Vinland Saga (Comics Worth Reading)
Sean Gaffney on vol. 6 of Wandering Son (A Case Suitable for Treatment)

Wandering Son, Vol. 6

January 2, 2014 by Sean Gaffney

By Shimura Takako. Released in Japan by Enterbrain, serialized in the magazine Comic Beam. Released in North America by Fantagraphics.

Wandering Son has ended in Japan at 15 volumes, so we are now sure that we’re entering the middle third of this story. And things sort of simmer along here. There are no major crises this time around, as we slowly develop some of the things that started in the prior volume. Chiba and Mitori continue to rewrite Romeo and Juliet to suit their tastes and desires, though in the end neither one really get what they want. Nitori makes a confession to Takatsuki, but finds the answer far more ambiguous than he’d really like. And remember when I said Chiba was now stoic rather than emotional? Yeah, nevermind.

Chiba continues to be the character that most interest me, which meant this volume was particularly suited towards me, as she stomps through it like Godzilla (Ariga even notes at one point that she walks angrily), taking offense at everything and particularly the fact that people’s feelings may not match up with her own. She gets a boy who likes her here, but the feeling does not seem to be mutual, and she’s more determined than ever to get closer to Nitori, even as he tries to get closer to Takatsuki. Both succeed about the same amount, which is to say not at all.

Speaking of Takatsuki, she’s still going through her own issues. The bra thing is really bothering her, and someone talking about wearing a chest wrapping may provide a solution. In the meantime, though, she clearly cherishes her relationship with Nitori, but gets uncomfortable when it’s made explicit that he likes her, something that I suspect will bounce back on her in a bad way in the future. They are really cute, though, going on picnics together and dates where they can each dress as they want to. It’s very cute, and very safe. Nitori is getting bolder as well, trying on his sister’s bra and panties despite his feelings of guilt – it reads as uncomfortably as it sounds, but that’s not necessarily a bad thing.

As for the rest of the cast, Ariga gets the most development here, as he ends up being cast as Juliet opposite Chiba’s Romeo. He seems to be the one who understands her the most, and tries occasionally to calm her raging emotions, though his success rate is low. It’s not helped by his own poor self-image, which drives Chiba nuts as she demands he have more confidence in himself. We only see bits and pieces of the play, but it’s good to see that after a bad start, he grows more confident in the role as he goes along.

Other things to note: I liked Sasa being asked about love, and noting that she hasn’t really loved anyone like that, both because I felt it realistic and also because it does sort of close her out of her immediate peer group, all of whom are dealing with crushes of one sort or another (I loved her reaction to Ariga noting he’d felt this way “a few times”). Sarashina hasn’t really advanced much beyond ‘being loud’ and ‘saying the wrong thing at the wrong time’, but I’m sure we’ll get more in the coming volumes. She does get the best gag, though, as Maho’s fellow models wear semi-obvious disguises and go to her culture festival, and Sarashina notes Anna is “the mean one”, to Maiko’s amusement.

Wandering Son continues to be a heartwarming series that is not afraid to focus on the awkward moments of teenage life and put them under a microscope. If you aren’t reading this series, you’re really missing out.

Bringing the Drama: Mischevious Kiss: Love in Tokyo

January 1, 2014 by Anna N, Nancy Thistlethwaite, Emily Snodgrass and Eva Volin 1 Comment

Mischievous Kiss: Love in Tokyo!

Mischevious Kiss: Love in Tokyo is available on Dramafever.

Anna: I tend to think of Itazura Na Kiss as one of those eternally fresh manga series just because it has inspired such a wide variety of adaptations in different countries, much like Hana Yori Dango (Boys Over Flowers). I was happy when the latest Japanese version was licensed since we don’t tend to get as many Japanese dramas as opposed to Korean dramas and I was also looking forward to experiencing the story of Itazura Na Kiss again. The basic plot about a dimwitted girl relentlessly pursuing a boy who is intellectually brilliant and emotionally distant is something that has been done over and over again in manga, but very few variations actually manage to pull the story off with as much humor and heart as Itazura Na Kiss. What were your initial thoughts about this series? Eva, I understand that you found this series stupefyingly boring! Had you also read the manga, or was this your first time encountering this story? I enjoyed the series quite a bit, but part of that might have been due to being able to see a live action version of a manga I’d read and enjoyed.

Kinnosuke focuses on Kotoko with laser-like precision.

Nancy: I’m already a fan of the manga Itazura na Kiss, and I do like the Naoki in this version. All the leads were charismatic. I was also impressed with the adaptation until the last few episodes. I thought the story arc of Naoki’s little brother falling ill was done very well. Kinnosuke, Naoki’s rivals, also pretty much steals the show. I would definitely recommend it to fans of the manga.

Anna: I thought that for existing fans of the manga, the casting for this version was just really well done. There wasn’t a single character who I thought was miscast. I thought Kinnosuke was great, as was the captain of the tennis team.

Kotoko and Sudou stalk the objects of their affection!

Emily: I’ve been a fan of the manga for years, and I also think they did a great job at adapting the story. They hit all the major milestones for the first half of the series. I really look forward to season 2. The casting was well done as well. I was a little bothered by the huge age gap between the leading actors – she is 16 and he’s about 25, but he convincingly fit in with the others and looked good with her. This is a very… shoujo manga… story that may not seem all that original to modern viewers, but I think it’s because this is the series that influenced so many other series after it. Yet at the same time, it does things other shoujo-manga series usually don’t do– it follows the characters into college. How refreshing to see the romance (or lack of) go beyond high school into the larger world of college life.

Eva: I am a fan of the manga, which may be why it was so tough for me to make the move to the live-action show.

I absolutely agree that the show was beautifully cast. Naoki is a perfectly dreadful person with floppy hair and an attitude. Kin-chan takes a healthy bite out of every scene he’s in. Kotoko is as silly and twitchy as she is in the manga. All of these are things I loved in the books and (except for the awesome Kin-chan) are things that made me tired while watching the TV show. Somehow Kotoko’s live-action lack of agency drove me crazy while the same lack of agency was endearing in the books.

Kotoko with Irie’s enthusiastic and somewhat insane mother.

Anna: That’s really interesting! I didn’t have the same reaction, but I can see how something that is easier to take in manga format would become annoying in a live action format. Perhaps because the lack of agency in the manga can be resolved more quickly by moving on to the next chapter, but it might stick around for one or two episodes in the live action version.

Nancy: So that means it’s not just three to one, but four to zero, so people should give it a try. ;) Have we been keeping a record of our tallies?

Eva: Oh, I absolutely agree that people should give it a try. I wish more people would give the manga a try, too. I think it’s been tragically overlooked. But as we know from previous installments, my dumb-threshold is very, very low. Once around the dumb-bush was enough for me.

Anna: My overall reaction to the series was just that it was very adorable and heartwarming. The great casting, and the opportunity to see some signature scenes from the manga in live action format, like the tennis captain Sudou’s transformation into a demon on the court, or Kotoko’s horrible disguises as she stalks Naoki were very amusing. 4 out of 4 of us agree that you should give it a try!

Watch at Dramafever!

Manga Giveaway: 4-Koma for You Winner

January 1, 2014 by Ash Brown

And the winner of the 4-Koma for You manga giveaway is…Cassandra!

As the winner, Cassandra (who currently writes at The Huge Anime Fan) will be receiving the Yen Press omnibus of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh. For this giveaway, I asked entrants to tell me a little about the four-panel manga that they had read. Check out the 4-Koma for You comments for all of the details. And if you’re looking for some yonkoma manga to read, I’ve taken this opportunity to pull together a list of some of the titles that have been licensed in English.

4-Koma Manga in English (in print)
.hack//4Koma by Koichi Sumimaru
Azumanga Daioh by Kiyohiko Azuma
Bloody Brat written by Yuuki Kodoma, illustrated by Kanata Yoshino
ChocoMimi by Konami Sonoda
Crayon Shinchan by Yoshito Usui
Dojin Work by Hiroyuki
GA: Geijutsuka Art Design Class by Satoko Kiyuduki
Great Place High School by Naduki Koujima
Hetalia: Axis Powers by Himaruya Hidekaz
Ichiroh! by Mikage
K-ON! by Kakifly
Lucky Star by Kagami Yoshimizu
Neko Ramen by Kenji Sonishi
Palepoli by Usamaru Furuya (excerpted in Secret Comics Japan)
Oh My Goddess!: Adventures of the Mini-Goddesses by Kosuke Fujishima
Shoulder-a-Coffin Kuro by Satoko Kiyuduki
Shugo Chara Chan! by Peach-Pit
S.S. ASTRO: Asashio Sogo Teachers’ Room by Negi Banno
Sunshine Sketch by Ume Aoki
Suzunari! by Shoko Iwami
Tori Koro by Hairan
Welcome to Wakaba-soh by Chaco Abeno