Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Archives for July 2022

My Stepmom’s Daughter Is My Ex: “Childhood Friends No More”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

Given that I’ve said how much I don’t care for Akatsuki, and how I prefer it when the series focuses on its main couple, this third volume was always going to be a hard sell for me, as it gets into the nitty gritty backstory of her relationship with Kawanami, how it changed, and her own personal issues, with Mizuto and Yume once again being pushed to the background. That said, it does a decent job, showing me that Akatsuki is aware of her dangerous personality issues and is doing her best to change them, even if she thinks of it as “wearing a mask”. And frankly Kawanami has just as many issues, some of which were brought on my his tortured past relationship but most of which are his own damn fault, and he seems to be as obsessed with his friendship with Mizuto as Akatsuki is about her friendship with Yume. They have a lot more baggage than our two leads, and I’m not sure they need to get back together.

The first half of the book focuses heavily on Isana Hagashira, who has now been rejected by Mizuto but oddly takes that as an invitation to be even more blatant around him, since she knows he’s not interested in her romantically. Essentially, she still has some difficulties working out how normal girls react around normal boys. And she’s probably not getting any help from the people around her – for one thing, Kawanami takes an instant dislike to her as she says she’s Mizuto’s best friend – that’s his job! The second half of the book gets into the backstory of Akatsuki and Kawanami when the group all go on a “study camp” sponsored by the school, and we discover, as Hagashira points out, that the “childhood friend” trope is something best reserved for fiction.

Explaining the backstory of those two is pretty easy, actually: they’re both latchkey kids who lived next to each other, and Kawanami was naturally extroverted anyway, so they simply grew together. Unfortunately, Akatsuki’s lack of boundaries proved to be crippling – we saw a lot of that in the first volume, and it creeped me out. Here we see Akatsuki acknowledge she was backsliding, and she really is trying not to get so obsessed with those around her (Yume as well) but the sheer loneliness that settles in when she does this is crushing. The intervention towards the end of the book that led the two of them to break down in front of each other is good for catharsis, but I’m not sure it will lead them to grow closer again just yet. As for Hagashira, she’s pretty hilarious, but I do think her shtick only works, as she knows, because of Mizuto’s lack of interest. As for Mizuto and Yume themselves… the biggest romcom thing that happened to them takes place entirely offscreen.

The anime of this has started, and the verdict so far seems to be “OK but flatly animated”. We’ll see how it goes. Till then, this remains a decent romcom but I wish we would return to our main couple.

Ima Koi: Now I’m in Love, Vols 1 and 2

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Ima Koi: Now I’m in Love Volumes 1 and 2 by Ayuko Hatta

In today’s stressful times, reading determinedly uncomplicated romance can be quite soothing, which is why I’m enjoying the angst free and sometimes silly series Ima Koi. Satomi was too shy to confess her feelings to a crush in middle school, so she’s determined to be different in high school and seize her next chance for love. When stoic, incredibly tall Yagyu saves her from a train groper and she finds out that he goes to her school she follows through on her vow and asks him out. He says yes, and thus their romance begins.

Ima Koi

Satomi is cute, with her quick entry into dating she’s fulfilled her main goal, but she’s still figuring out what to do now that she’s in a relationship. Yagyu is a bit more enigmatic, but he’s won over by Satomi’s forthright nature and her tendency to fling herself on top of him from the subway stairs. He’s interested in getting to know her, and they soon start dating. They deal with complications that beset any new couple as Satomi has to navigate around Yagyu’s suspicious best friend and his obsessed younger sister. While this manga doesn’t reach the hilarity of My Love Story!! there are plenty of funny situations, such as when Yagyu and Satomi go on a date to the zoo and his younger sister Juri tags along. Juri becomes more and more enraged as Satomi keeps not reacting to her attempts to undermine the date, until she transforms into a menacing side character from JoJo’s Bizarre Adventure. Ima Koi is a fun escape, and the way most issues get resolved by the end of every volume makes for a relaxing shoujo series.

Pick of the Week: Ticking a Box

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SEAN: There are a lot of debuts I’m interested in this week, but I think I will go with the one with the coolest cover, the first volume of Box of Light. Spooky is hit-or-miss for me, but this looks like it just has a terrific vibe.

MICHELLE: Spooky josei sounds absolutely amazing. I’ll also check the Box of Light… box.

KATE: Michelle beat me to the punch with her pick, so I guess I’ll have to think outside the Box of Light (sorry–not sorry!) and choose something else. My vote goes to Shuji Takeya’s Hella Chill Monsters, even though it looks absolutely nothing like his gloriously weird Astral Project. I’ll be ecstatic if there’s at least one gratuitous reference to Albert Ayler.

ASH: Although I’m certainly interested in Hella Chill Monsters, mostly because of the tangential Astral Project connection that’s already been mentioned, my pick this week goes to Box of Light. I simply love to see more josei being released, and I have a particular soft spot for josei with a supernatural twist.

ANNA: Spooky josei sounds great to me, so Box of Light is my pick as well.

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 14

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

I will note that the ending to this series feels very much like you’d expect. The whole thing has involved people avoiding the subject, ducking the real issues, and trying to take care of everything without getting anyone else involved – all things that are impossible if you want to be an actual romantic couple. So somebody is going to have to take a step up here. It’s not going to be Yui, who communicates her feelings to Hachiman in the best “Hachimanese” she can, but he knows and won’t say anything. It’s also not going to be Hachiman, who will never do anything the honest, straightforward way if he can possibly duck out of it. No, it’s going to have to be Yukino, still trying to get the approval of her mother, and putting on a very nice compromise prom that has no problems… but still is not good enough. It’s going to require working together to get a happy ending… and possibly an actual confession.

So yes, they have the prom, and it goes well. Yui gets to dance with Hachiman. Yukino gets to validate herself in front of her family. Iroha gets to feel important and be really annoying. It’s good… but is it good enough? There was a bigger, cooler prom that got shot down, right? Shouldn’t they have fought harder for it? What’s more, it involved another high school, and they’re busy asking “hey, what about that joint prom?”. It’ll take a lot of work to fix this, as well as some brazen lying and bluffing. Fortunately, they have someone who is fantastic at hard work and someone who is fantastic at brazen lying and bluffing. Unfortunately, they’re both acting as if, once this is over, they’ll drift apart and never see each other again. Can Hachiman and Yukino be kicked in the ass enough to confess to each other?

This doesn’t spoil too much (if you think it’s a spoiler Hachiman and Yukino are the final pairing, I urge you to reread Vols 1-13), but it feels absolutely right that Yukino is able, after the 2nd prom, to finally come out with a sincere “I love you”, but Hachiman’s confession to HER is about as oblique as “the moon is beautiful tonight”, basically saying that he wants to continue to get involved with her problems and be in her life. But that’s huge, for him. He wants to be close to someone. He even admits he’s going to get a job after college, rather than the bullshit “househusband” thing he’s always said before. As for Yui… I’m sorry, this is not the sort of series that was going to end with an OT3, though at least she is still trying to stay friends with them. In the end, the only one who exits the story here is Shizuka, who gets transferred to another school, but not before one last dance with her favorite student.

This is the final volume… except there’s a short story collection coming after this. It’s mostly “bundle up the short stories that came out with Blu-Ray boxes”, but has one taking place after this book. In the meantime, this feels like a very appropriate ending for the series.

My Happy Marriage, Vol. 2

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

The late lamented manga Sayonara, Zetsubou-sensei had as one of its characters a girl named Ai Kaga, whose name was a take on “guilt complex”. She constantly blamed herself for anything that happened around her, even if it had nothing to do with her. This was mined for considerable humor, as was everything in that manga, to the point where Ai’s apologies could actually be weaponized to take out soldiers. Now, take that sort of person and play it 100% seriously and tragically, and you have an idea what reading another volume inside the head of Miyo Saimori is like. Yes, the title continues to be the most ironic one ever, as just because we’ve removed Miyo from her abusive family does not mean that we’ve actually solved her problems, especially since her husband is also a past master at non-communication. The result is that this book feels a lot like the first one did: beautiful and well-written, but not something to read if you’re in the mood for a “light” novel.

Having settled in at the home of her fiance, Miyo is trying to learn the art of being a bride, complete with lessons on “how to act at parties” from Kiyoka’s bright and outgoing sister Hazuki. Unfortunately, she’s started to have horrible nightmares every night, which has made it hard for her to get any rest and has caused her mental health to once more deteriorate. This is not being helped by the fact that she has no idea how to ask for help or to say she needs to rest, and Kiyoka himself has no idea how to offer help if Miyo does not ask for it first. The result is that both of them are once again doubting their partner’s feelings. So it’s a very bad time for a man to show up and turn out to be her cousin, related to her mother’s side of the family… which has as many dark secrets as her father’s side.

As you’d expect with a book like this, once we reach the breaking point for Miyo and she is allowed to become proactive, she shows off that she can be a terrifyingly powerful and gorgeous young woman. It’s just that we kind of have to get through 150 pages, a break-up, more family abuse, and a heaping helping of despair first. I’m not surprised that Miyo’s actually not just powerful, but one of the most powerful Gift-Users around, as this was signposted in the first book. Possibly the most interesting part of the book was Miyo’s feelings towards her mother, who had deliberately suppressed Miyo’s powers in order to protect her… but this also led to Miyo’s abuse by her family for years. She finds this very difficult to simply accept with just a “she did it because she loved me”. I also really enjoyed Hazuki, a desperately needed outgoing and extroverted young who also has a sad backstory but is still strong.

I’m still looking forward to the next volume of this series, but I suspect it will once again be “no, this is still not a happy marriage”, because the plot seems to be “overcoming obstacles”. As such, let the reader beware.

Bookshelf Briefs 7/15/22

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Blue Lock, Vol. 1 | By Muneyuki Kaneshiro and Yusuke Nomura | Kodansha Comics – I had initially assumed Blue Lock would be another heartwarming story about a high school sports team striving together through rounds of tournament play. I was dead wrong—this is the absolute antithesis of that kind of manga. Yoichi Isagi is devastated when his team fails to progress to nationals, but his spirits are buoyed when the Japanese Football Union selects him for a special training program. Blue Lock is both a facility and an experiment in which 300 high school forwards live and train together under extreme conditions with the goal to be the last one standing. Because what Japanese soccer really needs, apparently, is one egotistical, world-class striker to finally lead the country to a World Cup victory. While I do adore more traditional sports manga, I also appreciate series that do something different. This was a lot of fun and I will most definitely be back for more. – Michelle Smith

Go For It Again, Nakamura! | By Syundei | Seven Seas –Go For It Again, Nakamura! is almost, but not quite, as charming as its predecessor. Since establishing that he and Hirose are friends at the end of the first book, Nakamura hasn’t managed to have a real conversation with him again and is now resorting to doing creepy things like sniffing Hirose’s gym clothes. (I’m also troubled by the amount of time Otogiri-sensei spends with Hirose and desperately hope this series doesn’t go somewhere icky in potential future installments.) The best part of the volume is when Hirose gets a girlfriend. Nakamura is upset at first, but after hearing Hirose claim him as a friend, he decides to be fiercely protective of Hirose’s happiness instead. When Hirose gets dumped, it’s Nakamura he confides in. I appreciate seeing their friendship grow at a realistic pace and hope very much that their story will continue. – Michelle Smith

My Hero Academia, Vol. 31 | By Kohei Horikoshi | Viz Media – The arc that wouldn’t end has finally ended, though not without cost. Yes, OK, only one hero that we actually cared about died, but it devastates a lot of people. Also dying is Endeavor’s reputation, although after a nice family chat he’s at least ready to get up and try to repent harder. I do appreciate that the author is not making “redemption” at all easy for him, or even likely. In the meantime, things are bad. Heroes are quitting left and right, Deku’s in a coma (which admittedly allows him to have a long chat with the vestiges), and All for One stages a massive prison breakout of a lot of crazed-looking prisoners and one sensible-looking woman who I bet will be important later. New arc next time! – Sean Gaffney

Phantom of the Idol, Vol. 1 | By Hijiki Isoflavone | Kodansha Comics – Yuya Niyodo “has the look.” Based on hotness alone, he was scouted by a talent agency and paired up with Kazuki Yoshino as the idol duo Zings. Niyodo only signed on because he thought it would be easy money—“No one said anything about making an effort”—and doesn’t care at all about doing the job well. When he meets the ghost of former female idol Asahi Mogami, whose only wish is to still be an idol, they work out an arrangement where she possesses him and takes his place. This is a pretty wacky manga, and something about its comedic sensibilities makes me think of One-Punch Man. Niyodo is a complete oddball who happens to be gorgeous, and I especially appreciated seeing the perspective of the Zings fangirls as they try to help their beloved duo attain greater success. It’s fun and kooky and I’ll keep reading. – Michelle Smith

Snow White with the Red Hair, Vol. 19 | By Sorata Akiduki | Viz Media – While it’s up in the air whether Shirayuki, Zen and Obito are doing anything romantically together, this volume puts a definite full stop on all the Mitsuhide/Kiki shipping, as she confesses to him and he rejects her—TWICE—because, essentially, guarding Zen is more important to him. That said, honestly, I’m not sure whether Mitsuhide is definitely ace, but I’d say he’s at least ace-adjacent, and far more content to keep the relationship they have now. This is good news for that other guy, whose name I suppose I will now have to remember, as Kiki still very much needs to get married soon. This is solid shoujo, and something all fans of the genre should be reading. – Sean Gaffney

Such a Treacherous Piano Sonata, Vol. 1 | By Hal Osaka | Kodansha Manga (digital only) – This is good old meat-and-potatoes josei, a series about a young music manager who is assigned to a troublesome composer. Kanna is a virgin who’s dated men but they always break up with her as she never really feels strongly about them. Then she sees her new client play Rachmaninoff, and suddenly she’s feeling a LOT. Unfortunately, he has a similar problem—he’s losing piano work as his playing is considered too cold and unfeeling, though technically brilliant. Oh, and he upset his patron’s daughter. Can she get him work, navigate a handsome rival and a change of composer, and possibly also finally find love? This is apparently three volumes, which seems about right. Not bad. – Sean Gaffney

The Manga Review, 7/15/22

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Do you know about Azuki? This year-old company is working hard to make it easy for you to read your favorite manga on a phone, tablet, or laptop. Founded by a quartet of manga enthusiasts, Azuki currently offers a variety of titles from Kodansha as well as smaller publishers such as Glacier Bay Books, Kaiten Books, Star Fruit Books, and SOZO Comics. Best of all, it’s free to get started; all you need is a little patience with pop-up advertisements. Folks who want ad-free, unlimited access to Azuki’s growing library can sign up for a monthly membership that costs about the same as a grande Frappucino.

Wondering what to read? I highly recommend Pop Life, a short series about two single mothers who create their own blended family. In a 2020 review, Morgana Santilli praised Pop Life for being a “gentle, down-to-earth manga, happy and meandering. It takes women thrown into a difficult situation, one that is likely a blow to their self-confidence and ideas of self-sufficiency, and proves that they can overcome hardship by helping each other.” For younger readers, Hikaru in the Light! is great choice, offering tweens a first-hand look at what it takes to become an idol. The series is refreshingly honest about how cutthroat the music industry is, and how much hard, unglamorous work goes into being a popular entertainer. Hikaru is a little too tame for the 13+ set—how ya gonna keep ’em down on the farm when they’ve read Hot Gimmick?—but for kids in grades 5-7, it’s just right. (Special thanks to Azuki for sending me a review copy!)

NEWS

Love Hina creator Ken Akamatsu will be joining Japan’s House of Councillors (the upper chamber of the Japanese Diet) this summer. Akamatsu has been an outspoken critic of proposed changes to Japanese copyright law, as well as a critic of various anti-pornography measures. [Anime News Network]

ICv2 just published its quarterly list of the Top Manga Franchises. Not surprisingly, Demon Slayer, Chainsaw Man, and Spy x Family made the cut, as did perennial favorites Attack on Titan and My Hero Academia. [ICv2]

At its Anime Expo panel, Yen Press unveiled an extensive list of new acquisitions including Your Forma, Kakifly, Honey Lemon Soda, and Doomsday with My Dog. [Yen Press]

In other licensing news, Azuki announced that it would be adding three new titles to its catalog: Turning the Tables on the Seatmate Killer!, a romantic comedy; My Dear Detective: Mitsuko’s Case Files, a Taisho-era mystery; and Invisible Parade, a short-story collection by MISSISSIPPI. [Azuki]

Jennifer De Guzman offers an in-depth look at Tuttle Publishing’s efforts to bring Filipino komiks to American readers. Over the next four months, Tuttle will publish seven graphic novels by Filipino creators, from Arnold Arre’s The Mythology Class, “a foundational work of contemporary Filipino comics ,” to The Lost Journal of Alejandro Pardo, a collaborative work that focuses on the “dark creatures of Phillipine mythology.” [Publishers Weekly]

FEATURES AND PODCASTS

Over at The Comics Journal, readers can preview the third volume of of Glaeolia, “a curated variety of compelling, stylistically varied, and completely self-contained (at least, so far) works, many from artists that have never before had their work read or published outside of Japan and their local small press scene… Glaeolia 3 contains stories reacting to very contemporary circumstances such as the early pandemic regulations and BLM protests or unexpected pregnancy, SF-tinged comics in uncertain worlds, surreal dramas about grief, coming of age, love, and beyond.”  [The Comics Journal]

Also worth a look: Sean McTiernan’s lengthy essay on the weird beauty of Taiyo Matsumoto’s No. 5. [The Comics Journal]

Ashley and Dee discuss The Story of Saiunkoku, “a semi-supernatural, extremely feminist manga adaptation of a light novel series” set in a fictionalized version of Ming Dynasty China. [Shojo & Tell]

Elliot and Andy devote the latest episode of Screentone Club to Ciguatera and Sensei’s Pious Lie. [Screentone Club]

This week’s Mangasplaining podcast focuses on Hiroki Endo’s All-Rounder Meguru, a manga about two childhood friends who become bitter rivals in the world of mixed martial arts. [Mangasplaining]

REVIEWS

Manga Librarian Ashley Hawkins is pleasantly surprised by the first volume of Yashahime: Princess Half-Demon. “I expected this manga to be bad,” she notes. “But what this manga does is that it basically takes the character designs and essential threads of the show, and fixes a lot of the problems with the anime.” Writing for No Flying No Tights, fellow librarian Adam gives Samurai Deadpool mixed marks, observing that “this particular book makes a very odd choice: it takes an incredibly simple story that would be a great entry point for newer/younger readers and then adds just enough violent gore to make this book inaccessible to that age group.”

At Women Write About Comics, Masha Zhdanova posts brief reviews of Kaiju No. 8, My Love Mix-Up!, and Devil’s Candy, while the Beneath the Tangles crew weigh in on the latest volumes of Frieren: Beyond Journey’s End, Penguin & House, and A Silent Voice.

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 6

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By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

It’s become a commonly known thing by now that Slow Life books, for the most part, aren’t really. They’re “I started with a slow life and then” books. No one is going to read 200 pages of JUST farming beans. You need to get a wide variety of cute young women, old friends trying to drag you back into fighting, monsters threatening your peaceful farm, etc. That applies even to a seies like this, where all the hero work was at the start and now Red and Rit are just trying to run a small apothecary shop and find the time for occasional hot wolfgirl sex. But Ruti is different, and the book is continuing to let us know that her deciding not to have her entire life destroyed for the sake of her hero blessing is not something that is simply going to be accepted. The world needs a hero.

Yes, Rit can turn into a wolfgirl, though honestly that’s the least important part of this book. On the heels of the three assassins seen at the end of the previous book, a massive ship appears in the harbor, there to block all trade until they get what they want. What they want is to search the church records of everyone in the town till they find a specific blessing, something the Church finds abhorrent. Ruti and Tisse start to investigate, and find the story of a prince who is searching for his birthright, a kingdom in turmoil, and a pirate elf woman who just wants to protect what she already has. Now Ruti has to try to play detective without simply solcing everything the way the hero would, and Tisse has to go after some former assassin classmates who have gone rogue.

You may notice I did not mention Red and Rit there. They’re both very much still the stars of the book, but are content to leave the dangerous stuff to Ruti and Tisse – their own job is to try to find alternatives to the things that the town can’t import anymore, like oil. It’s refreshing and heartwarming seeing them deliberately not help out with the monstrous plot on the horizon. Now, yes, this is clearly the first of a multi-book arc, and I know they will both be dragged into it in the next volume, especially since Red seems acquainted with the current Queen of Veronia, who has all the signs of being, if not a Big Bad, at least the gateway to the Big Bad. But that’s next time. For this, it’s about finding out how to get oil from coconuts, trusting your sister and her wife and their spider to handle things, and investigating new fetishes you’ve just discovered.

The book feels a bit slight, but that’s not uncommon with the first book of an arc – or of this genre in general. The slow life may go away eventually, but it’s winning for now.

Manga the Week of 7/20/22

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SEAN: The worst thing about heat is that it’s hot. If summer was cool, it would be better. Meanwhile, manga.

Yen On debuts the Goblin Slayer Tabletop Roleplaying Game, which I imagine is much like the KonoSuba one was, but with less of the authors playing it through.

ASH: Huh! I had somehow missed Yen’s entry into TRPGs.

SEAN: Yen Press has one debut: Hi, I’m a Witch, and My Crush Wants Me to Make a Love Potion (Doumo, Suki na Hito ni Horegusuri o Irai Sareta Majo desu), a series whose light novel came out here from Cross Infinite World. This is the manga version, and runs in Kadokawa’s Flos Comic. A witch is devastated when her secret crush asks her for a love potion. But he at least goes with her as she searches for ingredients. Maybe she can just bask in his company for a while longer?

Also from Yen Press: Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside 2 and Gabriel Dropout 11.

From Viz we get BEASTARS 19, Frieren: Beyond Journey’s End 5, Mashle: Magic and Muscles 7, Orochi: The Perfect Edition 2, Record of Ragnarok 3, Sleepy Princess in the Demon Castle 18 and Undead Unluck 8.

ASH: I need to catch up on most of these, but it’s looking like a good Viz week.

SEAN: Steamship has a debut: I’ll Never Be Your Crown Princess! (Outaishihi ni Nante Naritakunai!!). This josei title from Zero-Sum Online features an isekai’d daughter of a duke who is unhappy that this world is polygamous and she’s expected to be one of many wives of the Prince. So she loses her virginity with some dude… then finds out whoops, said dude is that very same prince. Aside from “lost her virginity”, this sounds like many other “villainess” titles I could mention.

ASH: Isekai really is everywhere these days, isn’t it?

SEAN: Square Enix debuts SINoALICE, a manga version of the game that runs in Manga Up!. It is, try to prepare yourself, a dark and creepy version of Alice in Wonderland. I know, never been done before…

ASH: Ha! Never!

MJ: lol

SEAN: Square Enix also has Beauty and the Feast 3, I Think Our Son Is Gay 3, and A Man and His Cat 6.

MICHELLE: Finally something for me on this list!

ASH: I’ve really been enjoying I Think Our Son Is Gay.

MJ: I need to catch up on so much!

SEAN: A few Seven Seas debuts. Box of Light (Hikari no Hako) is a josei title from Zoukan Flowers (we may never get anything from Flowers, but we can get things from its spinoff) about a convenience store that seems to be haunted. It’s award-winning.

MICHELLE: I hope I never lose that feeling of delight to see a josei title coming out here.

ASH: Oh, I like the sound of this one!

MJ: I was in as soon as it said “haunted.”

SEAN: Dungeon People (Dungeon no Naka Hito) is from Futabasha’s Web Action, and features a woman searching a dungeon for her missing father. When she gets too far inside the dungeon… she’s asked to join the employees taking care of it? This seems oddly cute.

ASH: It does.

MJ: Agreed.

SEAN: Killing Stalking: Deluxe Edition is a Korean webtoon getting, as the cover might tell you, a deluxe color hardcover treatment. It’s BL horror.

MICHELLE: Hm… Did I learn my lesson with Boys of the Dead?

ASH: There seems to be a significant fanbase for Killing Stalking (which includes a few of my friends), so I am curious.

SEAN: Seven Seas also has Made in Abyss Official Anthology 4, My Lovey-Dovey Wife is a Stone Cold Killer 3, My Senpai is Annoying 8, and This Is Screwed Up, But I Was Reincarnated as a GIRL in Another World! 2.

In print, Kodansha Manga has A Galaxy Next Door 2, Grand Blue Dreaming 16, The Hero Life of a (Self-Proclaimed) “Mediocre” Demon! 5, Island in a Puddle 2, Living-Room Matsunaga-san 11 (the final volume), Those Not-So-Sweet Boys 7 (also a final volume), and Whisper Me a Love Song 5.

ASH: Another set of series that I’ve fallen behind on.

SEAN: The digital debut is Hella Chill Monsters (Yasuraka Monsters), which ran in Weekly Morning and whose creator did the art for the manga Astral Project, for those who can dig out their old CMX titles. A skeleton detective and his equally undead friends try to solve a city’s problems… but end up creating them.

MICHELLE: Somehow this is strangely appealing.

ASH: I agree! (And I was actually thinking about Astral Project just the other day…)

MJ: Oooh I already love it.

SEAN: They also have Blue Lock 14, Golden Gold 2, Heaven’s Design Team 7, Hozuki’s Coolheadedness 9, Irresistible Mistakes 4, A Nico-Colored Canvas 2, Saint Cecilia and Pastor Lawrence 9, A Serenade for Pretend Lovers 2, and When a Cat Faces West 3 (the final volume).

J-Novel Club has a pile of print releases. We see Ascendance of a Bookworm 13, The Faraway Paladin’s 3rd manga omnibus, Full Metal Panic! Volumes 10-12 Collector’s Edition (the final volume), I Shall Survive Using Potions’s 8th manga volume, Seirei Gensouki: Spirit Chronicles Omnibus 6, Tearmoon Empire 6, The Unwanted Undead Adventurer’s 6th manga volume, and The White Cat’s Revenge as Plotted from the Dragon King’s Lap 4.

ASH: That is a pile!

SEAN: While digitally they have My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! 11, My Quiet Blacksmith Life in Another World 3, My Stepmom’s Daughter Is My Ex 3, To Another World… with Land Mines! 3, and When Supernatural Battles Became Commonplace 3.

Ghost Ship gives us The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You 3, 2.5 Dimensional Seduction 3, and Peter Grill and the Philosopher’s Time 8.

Dark Horse has an 11th hardcover of Berserk Deluxe. (It got bumped.)

ASH: That’s okay, I’ll pick it up whenever it ends up being released.

SEAN: Cross Infinite World has a 4th volume of Reincarnated as the Last of my Kind.

Lastly, Airship has the print debut of 7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! (previously discussed when the digital came out), the first volume of Classroom of the Elite: Year 2, and Mushoku Tensei: Jobless Reincarnation 17.

And in early digital we see the 2nd Classroom of the Elite: Year 2.

Has your manga melted already?

My Friend’s Little Sister Has It In for Me!, Vol. 7

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

Sometimes you can concentrate so hard on your goal that you lose sight of basic things like resting, recuperating, and daily life chores. This is the dilemma we see Akiteru facing here, as he realizes that he needs to have the game team do even more if he wants to get popular… but they’re honestly working pretty hard already. Does genius still work when it’s too tired to function? What’s more… can he really rely on just his core team of brilliant specialists? Most game studios would use more people and sacrifice a but of quality, y’know? And it does not really help that he’s having to deal with his fake girlfriend’s mom hiding out at her daughter’s home, or his friend’s little sister’s mom also moving back home for a while. they both seem very aware of the relationships between the group. In fact, honestly, I think the mothers between them have both figured out everything. Which is probably not very good news for Iroha.

So yeah, Akiteru’s got problems. Leaving aside Mom #1 and Mom #2, both of whom seem to be very suspicious of him in general, he’s running up against the fact that their game has plateaued in terms of popularity. Now he’s got to think of other ways to get around that, and do it fast, as the class trip is coming up soon. He could try getting a popular Instagram star to be seen playing their game… except she’s a incoherent mess of a girl. He could try getting his illustrator to create even more really awesome art for the series… except doing that, combined with planning for the class trip, ends up hospitalizing her. He could try doing what Iroha’s mom suggests and actually hire other people for his niche game company composed only of geniuses… but that would involve compromising his vision. What’s the best solution?

This is a solid volume. The romance, oddly, feels a bit on the back burner here, partly as there’s not much that can go on with both moms present. That said, Book 8 promises a lot of Akiteru and Mashiro, as Iroha, being a first year, cannot go on the class trip with them. (And yes, I am fully expecting the author to get around that somehow.) Most of this volume focuses on the game and Akiteru’s future plans for it. It’s not surprising to see the direction he takes, but it is rather relieving, as I was worried he was close to napping. This is not a major game for a major company – that’s his goal. It’s a indie project. And the game DOES have enough fans so he can get away with it. I was also amused at Mashiro’s mom and the revelation about what’s going on with her and her husband, which is both hilarious and also twistedly heartwarming. I am really looking forward to seeing what happens with her and Iroha, especially as the moms clearly have a bitter rivalry of their own.

So yeah, good romcom stuff. Anime coming soon, I believe.

The Drab Princess, the Black Cat, and the Satisfying Break-Up, Vol. 1

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By Rino Mayumi and Machi. Released in Japan as “Jimihime to Kuroneko no, Enman na Konyaku Haki” by M Novels F. Released in North America by Cross Infinite World. Translated by Evie Lund.

First off, this isn’t a villainess novel, and no one has any memories from Japan. That said, there is a certain sub-genre of villainess novels we’ve started to see more of recently, which is the “noblewoman breaks up with her fiance” genre. These are often a part of the villainess genre, usually with a big public break-up and possible exile/ruination in the offing, but not always. And this particular book looks as if it’s going to head in that direction. Our heroine, who the title has already conditioned us to believe is the mousy, plain one, overhears a group of teenage boys, including her fiance the prince, praising her pretty younger sister to the skies while disparaging her. We know what’s happening here. What a bastard. He doesn’t deserve someone as good as the heroine. And while that may be true… is that really what she overheard? Or did she overhear a bunch of teens who have no idea how to say they like someone?

Seren is the older sibling and has spent most of her life preparing to be the Queen, engaged to Crown Prince Helios. Sadly, she’s now heard how he really feels about her (or so she thinks). Devastated, she runs off to cry, and is discovered by the court mage Viol, who has long black hair and is gorgeous but has a reputation for being aloof and unfriendly. That’s why it’s a problem when she sees him grinning at a cupcake he’s about to eat. She ends up blackmailing him into finding her a magic teacher something she has a talent for. If she’s a court mage, she can break up with Helios, he can marry Marietta, her younger sister, and everyone will be happy. As for Viol, he decides to teach her himself, by turning into his “familiar”, a black cat. Except… she’s not just good at magic, she’s a prodigy!

So many books in this genre have a narrative trick where you see the heroine narrating something, and the next chapter is the same thing narrated by the love interest. This does that as well, though Seren and Viol alternate POV. In between those, though, we see POV of some other characters which explains things and gives them depth. Helios turns out to be an earnest young man who had never really understood what his fiance was like until recently, and he’s head over heels for her. His friends, including the son of the prime minister, ALSO love her. The fact that all that “Oh, Marietta is so great” at the start was all of them trying to push her onto another one of the boys so they could have Seren to themselves is hilarious and also really sad. Even Marietta, who seems at first to be the stock selfish and jealous younger sister, fares well here – she *is* jealous, and does want Helios for herself, but it stems from a love for her sister and a desire not to see the two of them, who have similar personalities, work themselves to death.

The book is not perfect. Seren’s low opinion of herself may be textually justified, but that does not make it less irritating to read, as she gives herself no credit at all for nearly 300 pages. The other problem is that this is Volume 1, and we’re just setting everything up. We haven’t even had the break-up – she’s said she will, but hasn’t done it (and good thing too, as the King and Queen love her and have planned everything out 4expecting her to be royalty). So the narrative car crash I expected didn’t happen. Still, I enjoyed this well enough to get another volume.

Pick of the Week: No Backtalk This Week

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MICHELLE: A bittersweet novel featuring time travel sounds so appealing that this week I’ll choose Wait For Me Yesterday in Spring.

SEAN: There are some Vol. 2s I’m definitely interested in, such as Hiraeth and Hello Melancholic. That said, I’m also going to pick prose, as my pick is the 14th My Youth Romantic Comedy Is Wrong As I Expected. There’s an after story volume if Yen wants to nab it, but this final volume resolves everything and finishes Hachiman’s painful journey towards becoming someone who does not solve every problem by throwing himself on the grenade.

KATE: I’m not always excited about Serious Manga™, but Ash’s thoughtful review of Yamada Murasaki’s Talk to My Back convinced me that she’s the kind of historically important author whose work deserves a wider audience.

ASH: Thanks for the kind words, Kate! I’m glad to know that others are interested in Talk to My Back. It’s a great release of a great series and certainly my pick this week, too. Classic alternative manga is always something that intrigues me, but doubly so when the creator is a woman.

MJ: There’s a lot of interesting stuff in this week’s lineup, but I think I’m the most drawn to Moon & Sun, coming out from SuBLime. The cover and concept are very compelling to me, and though I could find myself disappointed, I think it’s worth the risk!

I’m the Villainess, So I’m Taming the Final Boss, Vol. 3

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By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

One of the conceits of many villainess novels is that the heroine is not aware that she’s already achieved the goal almost from the start. The love interests in the game who shun her are besotted with her, the commoners and servants all adore her, and she’s got this in the bag, even though she insists that one false step and she’s toast. That is not a problem that Aileen has to worry about here. She is reminded over and over that one false step and she is indeed toast. The threat of execution hangs over her head for this entire volume, her demonic allies are on the run and trying to avoid the kingdom performing a mass murder, and the Queen Mother is literally plotting against her. But that’s OK, because she has Claude and his incredible powers, not to mention his love for her. Except… Claude’s lost his memories. And his powers. Um… uh-oh?

The book starts in medias res, with Aileen and her allies trying to infiltrate a secret high society auction of Bad Things… where she’s surprised to see Serena, the villainess of the second game. She also meets Elefas, one of the love interests from the Fan Disc (which means Aileen barely knows him, as she skipped things that weren’t the main route), who asks her to ask Claude if he can ally himself with the demons, as his village of mages is being persecuted. Unfortunately, that night Claude is stabbed, and ends up as I said above. Now Aileen is in trouble – the crown does not want him remembering his Demon Lord powers, so wants her away from him even if they have to kill her – and they’ll find any excuse to do so, because they also have Lilia, the “heroine” of the games, in their corner.

Probably the most interesting part of this volume is what it does with Cedric. He’s not remorseful over the end of his relationship with Aileen, who he knows very well but does not seem to actually like,l and the feeling is mutual. But he’s come to realize that Lilia, who he DOES love, sees him as… well, as a character rather than a person. And that bothers him a lot. To the point where, throughout the book, he winds up helping Aileen surreptitiously, much to her annoyance. Aileen herself is emotionally all over the map here, at first headstrong and brash, then sulking and trying to forget about Claude (which doesn’t work for even five seconds), then cheerfully sadistic, which is our favorite side of her. the actual fear she’s truly feeling throughout the book only comes out near the end.

The book ends with a wedding, and it would make a very good ending to the series itself if I didn’t know there were 5+ more volumes. And once again, the illustrator has failed us in terms of duck drawings. That said, this is in my Top 5 Villainess series, and I can’t recommend it enough. The anime is coming soon as well.

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 4

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Tom Harris.

It could just be that I’ve grown so used to it that I’m actually starting not to notice it, but this volume seemed a bit less creepy about most of the cast being in love with Rosemary. And that’s despite the fact that a chunk of the book revolves around one of the cast kidnapping her to be his bride. (It turns out to be a lot more complicated than that.) But for the most part there’s less leering and more worshipping, as we get another of the classic reincarnated villainess tropes in force here, that of the villainess as messiah. Rosemary’s can-do attitude, combined with her knowledge from Japan and minimalist knowledge of the plot of the game (which is getting increasingly unreliable) has led to her winning over everyone around her (shades of Katarina Claes) and inspiring them to also be the best person they can possibly be (also shades of Katarina Claes). She’s savvy, too. (Sorry, Katarina.)

We pick up where we left off last time, with Rosemary being kidnapped. The book is about 60% her narration as we follow her… and she ends up in the village that she’s been looking or anyway, which is having trouble surviving (fewer children are living past infancy) for unknown reasons (Rosemary figures out pretty fast that it’s inbreeding). Now she has to win over the village, explain why she’s there, and get them to help her. And she has a time limit, as the other half of the plot involves her brother Johan, as well as Princes Nacht and Licht of Vint, discovering that the disease Rosemary has been trying to head off at the past has already ravaged this area of the kingdom… and is being covered up by a desperate noble. Will Rosemary make it in time to save everyone?

The best scene in the book is the one where the village chief convinces Rosemary to act the part of the Goddess from their past, using some stuff she has that can pass as “magic”… and she simply cannot do it, admitting she’s just a princess and winning them over with her earnest pleading instead. Over and over again we see that what matters most about Rosemary is not her past knowledge, but her ability to plead her case and get across how much she cares. She struggles at the daily physical tasks of the village, but she does them anyway, rather than complaining or half-assing it like a princess normally would. To be fair, this is not unique to her, and a lot of villainess books are like this, but it works quite well. It works for other characters as well – Nacht is beloved by his people, even though he’s a pessimistic grouch, because he clearly cares a great deal about everyone and everything. Deception does not win anyone’s heart here.

Fortunately, we don’t get a cliffhanger of “will the doctors arrive in the nick of time”, as Rosemary manages to gather everyone around her and get to where Johan is… even if that requires fudging how time works in a very Shakespearean way. That said, I won’t complain. I like Rosemary as well, and want to read more about her.

The Manga Review, 7/8/22

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By now, if you’ve been on Twitter or Facebook, you’ve undoubtedly learned that Kazuki Takahashi died on Wednesday. Media outlets from National Public Radio to the New York Times, the Los Angeles Times, and Anime News Network have been covering the story, reporting the probable cause of death as a diving accident. Takahashi was a major force in the manga industry; his Yu-Gi-Oh! (1996-2004) spawned a veritable empire of television shows, movies, games, sequels, and merchandise, and remained popular with readers more than eighteen years after the original series ended. More recently, Takahashi published The ComiQ (2018), a supernatural mystery series, and Marvel’s Secret Reverse (2021), an original Iron Man/Spiderman story.

Since news of Takahashi’s death was first reported, there’s been an outpouring of tributes from fans, journalists, and critics. At Anime UK News, for example, Josh Stevens characterized the series as an important cultural touchstone “for children who grew up in the early 2000s.” He noted that “Sky One’s weekly double-bills of Pokémon and Yu-Gi-Oh! were a highly anticipated reward for making it through the school week, and making sure that you had packed your Yu-Gi-Oh! deck was just as important as textbooks and lunch money.” Over at The Gamer, Jade King fondly remembered collecting and trading Yu-Gi-Oh! cards with classmates: “Yu-Gi-Oh! is really fucking cool. It’s always been that simple. Your social worth was dictated by what cards you were bringing into school and whether you had a deck featuring some of the show’s most iconic creatures.” And comicbook.com’s Megan Peters rounded up fan reactions on social media.

FEATURES AND PODCASTS

The latest installment of Mangasplaining looks at two very manly manga: Kazuo Koike’s classic revenge story Lone Wolf and Cub and MASSIVE: Gay Erotic Manga and the Men Who Make It. [Mangsplaining]

The Manga Machinations gang is also on the Gengoroh Tagame bandwagon this week with a thoughtful discussion of Our Colors. [Manga Machinations]

Walt Richardson, Emily Myers, and Zack Wilkerson do a cover-to-cover review of the June 2022 issue of Shonen Jump. [Multiversity Manga Club Podcast]

Are you a regular reader of Yatta-Tachi? Do you find their monthly listing of light novel and manga releases useful? If so, they could use your support! Click on the link to find out how you can help. [Yatta-Tachi]

Jocelyne Allen takes a closer look at Itoi Nozo’s Boku wa Make Shite Miru Koto ni Shita, an as-yet untranslated manga about a salaryman who discovers the transformative power of serums, skin creams, and make-up. “This is absolutely a makeup-for-men explainer manga, but Itoi manages to imbue it with deeper meaning by adding commentary and a subplot on toxic masculinity and breaking free of that nightmare,” Allen observes. “Ichiro has internalized the message that makeup is only for women, but is trying to push past that. Meanwhile, his best friend is so completely unable to express emotion or see outside of his rigid framework of performative masculinity that he nearly destroys his relationships with the people closest to him. For a book that’s just trying to sell some men some makeup, it does a good job at confronting societal issues.” [Brain vs. Book]

REVIEWS

This week’s must-read review is Erica Friedman’s glowing assessment of Doughnuts Under a Crescent Moon. “Because this is a quiet, ever-so-gentle and tentative, slice-of-life story about emotional bonds and love, it’s easy to be fooled into thinking that nothing of consequence happens,” she notes. “But you’d be wrong. What I see here is some of the most profound manga about re-evaluating one’s entire life that I have ever read.” Also of note is Chris Ready’s brief but thoughtful critique of Witches: The Complete Collection, an anthology of short stories written by Daisuke Igarashi (Children of the Sea).