my youth romantic comedy is wrong as i expected

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

Generally speaking, you can’t rely on the cover art of a light novel series to tell you who’s important in that particular volume. This especially goes for romcoms, where it tends to alternate between the heroines regardless of whether they have a presence in the book. This volume of Oregairu, though, is an exception. If you’re here for Yui, expect disappointment. If you’re here for Yukino, you’ll get one really nice scene and that’s about it. No, most of this book, as the cover indicates, is about the next generation of the series. Our heroes are in their third year, talking about preparatory schools and discussing which colleges to apply to. Their mentor has moved to a new school and isn’t even mentioned in the post-ending story. This it’s up to the new generation to decide what the service club is going to be in the future: Komachi (who is a member) and Iroha (who isn’t, but might as well be). Unfortunately, they don’t seem to care.

The book consists of five stories, but only the final one is new to Japanese readers. The first two were Blu-Ray extras, and feature Komachi trying to decide who will be the best “big sister” for her – i.e., who will Hachiman end up paired up with? This takes place before the end of the series, so as you can imagine the answers are mostly comedic. We then get an adaptation of a CD drama, as Hachiman and his sister go to a music festival and run into Iroha, Yukino, Yui, and Tobe (their gofer and bodyguard). This has the most “Hachiman” narration of the book. A fourth story (written for a collaborative project) involves Iroha’s birthday, and her odd but comfortable relationship with Hachiman. Finally, we get a story set after the events of the final book, which is mostly about Hachiman worrying over his sister’s future at school.

I’ve talked a lot before about how I think the relationship between Hachiman and Komachi is one of the best written brother-sister relationships in light novels, and that continues to be true. He has to reluctantly accept that his sister is a lot more socially adept than he is, and thus her classroom life is fine. But they all have to deal with the elephant in the room, which is that Komachi joined the service club to be with her brother, Yukino, and Yui, and they’re going to have to leave it by the summer to gear up for college exams. The one bit of Hachiman/Yukino romance we get is set in a cafe near a college he’s visiting, and is (for this series) syrupy sweet, as Yukino has learned to take Hachiman’s realistic asides and roll with them, and they both have learned to accept actual affection. Just. As for Yui, she plans to go to prep school with Hachiman, but honestly, she gets the short end of the stick here. In other words, just like the series overall.

And so this series has now come to a close. I can confidently say there was not a single time in this volume I wanted Hachiman to shut the hell up, which shows how much he’s grown as a person. Fans of the series should enjoy this slight but heartwarming epilogue.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

I will note that the ending to this series feels very much like you’d expect. The whole thing has involved people avoiding the subject, ducking the real issues, and trying to take care of everything without getting anyone else involved – all things that are impossible if you want to be an actual romantic couple. So somebody is going to have to take a step up here. It’s not going to be Yui, who communicates her feelings to Hachiman in the best “Hachimanese” she can, but he knows and won’t say anything. It’s also not going to be Hachiman, who will never do anything the honest, straightforward way if he can possibly duck out of it. No, it’s going to have to be Yukino, still trying to get the approval of her mother, and putting on a very nice compromise prom that has no problems… but still is not good enough. It’s going to require working together to get a happy ending… and possibly an actual confession.

So yes, they have the prom, and it goes well. Yui gets to dance with Hachiman. Yukino gets to validate herself in front of her family. Iroha gets to feel important and be really annoying. It’s good… but is it good enough? There was a bigger, cooler prom that got shot down, right? Shouldn’t they have fought harder for it? What’s more, it involved another high school, and they’re busy asking “hey, what about that joint prom?”. It’ll take a lot of work to fix this, as well as some brazen lying and bluffing. Fortunately, they have someone who is fantastic at hard work and someone who is fantastic at brazen lying and bluffing. Unfortunately, they’re both acting as if, once this is over, they’ll drift apart and never see each other again. Can Hachiman and Yukino be kicked in the ass enough to confess to each other?

This doesn’t spoil too much (if you think it’s a spoiler Hachiman and Yukino are the final pairing, I urge you to reread Vols 1-13), but it feels absolutely right that Yukino is able, after the 2nd prom, to finally come out with a sincere “I love you”, but Hachiman’s confession to HER is about as oblique as “the moon is beautiful tonight”, basically saying that he wants to continue to get involved with her problems and be in her life. But that’s huge, for him. He wants to be close to someone. He even admits he’s going to get a job after college, rather than the bullshit “househusband” thing he’s always said before. As for Yui… I’m sorry, this is not the sort of series that was going to end with an OT3, though at least she is still trying to stay friends with them. In the end, the only one who exits the story here is Shizuka, who gets transferred to another school, but not before one last dance with her favorite student.

This is the final volume… except there’s a short story collection coming after this. It’s mostly “bundle up the short stories that came out with Blu-Ray boxes”, but has one taking place after this book. In the meantime, this feels like a very appropriate ending for the series.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

As I mentioned last time, My Youth Romantic Comedy Is Wrong As I Expected is not a love story between the dour cynic Hachiman and the bubbly optimist Yui. You know it. I know it. Heck, even Yui knows it. But the series ends with the 14th book rather than the 13th, so this volume is devoted to giving our third protagonist as much screen time as it can get away with given that Hachiman is still its first person narrator. She’s on the cover, and she’s also helping Hachiman with his plan, which can basically be summed up as “do dumb Hachiman stuff in order to draw all the consequences to him”, only by now everyone’s savvy enough not to fall for it – not to mention it’s pretty half-assed to begin with. She and Hachiman make a very good team. Unfortunately, everything he does in this book is for Yukino’s sake. There’s a technical cliffhanger here, but no one in their right mind would believe it. Poor Yui.

Yui suffers mostly from being a bright-eyed optimist in a world of bitter cynics. This includes Haruno, who can’t even drink herself into oblivion; Hayama, who likens himself to a scratching post and has a streak of self-hatred a mile wide; Shizuka, who’s being transferred to a different school (as frequently happens in Japan) and desperately wants to see her manipulations actually pay off and not be destroyed; and even Iroha, our little agent of chaos, who spends much of this book boggling at Hachiman still trying to throw himself against the wall that is Yukino over and over again. He can’t help her with prom, mostly because of that bullshit co-dependence thing Haruno spewed out (Yui needing this explained to her was a highlight). What he can do is serve as a distraction, and honestly, that’s what most of this book is; it’s tap dancing in front of us trying to wait till the resolution in the 14th volume.

While I’m still irritated with Haruno, I will grant that her muttered aside in front of Hachiman did save the day, as he quickly realized what was going on with Yukino’s mother… well, quickly realized it after she tore apart his plan like tissue paper. The running gag in this book is that Hachiman’s plan is rather half-assed and pathetic, and no one seems to think it’s good enough – not even the business minded president of their neighboring high school, who is as annoying as ever but has also earned the punishment of having a crush on Orimoto, which I would not wish on anyone. As for Yukino, well, mostly absent, except for a few very important scenes. Words still need to be said. They aren’t. They’re implied – we have BUCKETS of implication in this book. But “a man’s pride” is not good enough.

All this and we still have enough time for the best written sibling relationship in light novels. This is a strong volume in the series, despite the fact that it feels like delaying tactics. Can’t get away with that next time.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

Let’s start with the ending, because we know how these books all go. Things look like they may finally resolve happily, and then you plummet to your death. It is a frequent fact that behind an “icy” romantic lead in a high school light novel is an even worse mother, and that proves to be the case here. We’d known before that Yukino’s mother was the sort to make her daughter feel terrible about everything, and seeing Yukino try to face her down and fail so miserably is painful to read. Then of course we have Haruno, who makes a very good point about the relationship between Hachiman, Yukino and Yui. Unfortunately, it’s not really a point I agree with, but it’s certainly a point. The argument is that the three of them are codependent on each other and therefore what they’re doing is a mistake. Which, y’know, I’ve talked before about the characters making bad decisions, but I think they HAVE to here, or Yukino’s life going forward is doomed.

That said, the first 80% of the book is fine, and can even be called fun and heartwarming. This despite the fact that we get a recap episode in text form from our three leads to start us off. Hachiman is mostly waiting on tenterhooks to find out Komachi’s test results, and this results in cute scenes like hanging around with Saki (also waiting for her brother’s exam results, and still being the worst tsundere in the world) or heartwarming scenes like every scene he has with his sister (this book is hands down one of the best non-creepy portrayal of a close bother-sister relationship, even as it also asks how it feels to be TREATED like a little sister). He and Yukino and Yui are getting along very well too, despite The Elephant In The Room. Then along comes Iroha. What follows is not technically her fault, but…

We’re only a couple of volumes from the end of the series by now, and one thing I’ve noticed is how easy it is for Hachiman to walk up and have conversations with everyone now. Sure, he still has his inner monologue of snark, but it feels disconnected with what he’s actually doing or feeling. If this *is* due to being codependent on Yukino and Yui, I can only call it a good thing. He’s also aware enough of the love triangle he’s in to CALL it that, if only when talking to Haruno, but he still can’t quite admit the real reason he wants to help Yukino with the prom. And then there’s Yui, who is the most aware of how everyone feels (especially when she gets her proof early on in the book), but is also the one who least wants to do anything, possibly as she knows that she has “romantic runner-up’ tattooed on her forehead.

I have a feeling things are going to get worse before they get better, but it will be interesting to see how Hachiman takes on Yukinoshita’s mother, and for that matter tries to help recover Yukino’s self-worth, which is probably buried somewhere below the floor by now. If you were reading this to see Hachiman push back against the “normies” of the world… well, you’ve likely dropped it by now. For everyone else, still good soao opera.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

My Youth Romantic Comedy Is Wrong As I Expected may not be exactly the sort of harem manga Hachiman’s read in manga or novels, but it’s still a romantic comedy in the end. It has most of the major things that these series have – Hachiman may be far more cynical and bitter than the old-school potato harem lead, but he still has two main love interests and several others who easily could also slot into that place, such as Iroha and Saki. What’s more, Hachiman has changed, much to everyone else’s relief and Haruno’s disgust. It’s gotten to the point where, even if he can’t even narrate it out loud, he knows how Yukino and Yui feel about him. Yukino knows he knows. Yui knows he knows. All three know how this is likely going to end. And Yui desperately wants to put it off as long as possible, to keep their strong three-person club bond. But we know what happens to anime characters who say “I wish this time could last forever”.

It’s Valentine’s Day! And, naturally, the Service Club are roped into it. There are several people wanting to give chocolate to Hayama, but he refuses to accept any, so they ask our heroes to come up with a way they (Miura and Iroha, of course) can give him some. They end up sponsoring a “how to make your own homemade chocolate” event at the community center, with several boys, including Hayama, invited along as “taste testers”. This is a sensible plan that does not involve Hachiman throwing himself under a bus, so I approve. Unfortunately, someone invited Haruno, and she is absolutely the wrong person to be here, especially on a day like this. What’s worse, Yukino’s mom shows up again, and makes it pretty clear that hanging out with Hachiman and Yui is going to be coming to an end – very soon. Can Yui manage to hold things together, even to the point of taking Yukino and Hachiman out on a… date a trois?

It’s interesting seeing Haruno and Shizuka getting along fairly well in this book, as they’re both trying to drag Hachiman in different directions. Haruno is the sort of person you see talking to the former assassin/soldier talking about how they’ve gone soft and lost the edge that made them cool. Shizuka is urging Hachiman to try to actually say out loud – if only to himself – everything he’s been avoiding in his head. And, of course, Yui (and, passively, Yukino) doesn’t want to give up the wonderful bond she has with the two of them. The date at the end is achingly bittersweet, especially the ferris wheel ride. But sorry, Yui, you are not in a fantasy world where the kingdom has declared polygamy legal, and this isn’t going to end with Hachiman choosing two girls. That said, if this keeps up Yukino may lose by default – Haruno may not be as evil as she’s playing, but I bet mom is.

So yeah, another book that is happy most of the way through with a bitter end. Fortunately, there are no more .5 volumes before the climax, so we’ll be back next time to see how much more things can fall apart.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

As with the previous .5 volume in this series, this is not really a short story volume, as all three stories are interconnected and build on each other like a normal book. If I was to guess why this got a .5, I’d say it’s probably because it does not really advance any of the major plot beats, romantic or otherwise. If you skipped this and went straight to the 11th book, you would be perfectly content… unless you’re an Iroha fan. She’s all over this book, and the costar of the second story, having essentially become a member of the Service Club without ever actually doing anything or officially joining. She just sits in the room all the time. Still, the point of Iroha is that she’s a different type than both Yukino and Yui, and in this volume, despite her supposed ongoing desire for Hayama, we see that she could be a potential third love interest for Hachiman. One that will not win, of course, but hey.

The first story in the book is the one that has the best argument for being a real unconnected short story. Zaimokuza is once again having a crisis of faith about his abilities, and decides that rather than be an author, he’ll be an editor! This leads to the Service Club researching just how hard that is. Lots of funny, biting the hand humor here. The second story has Iroha going on a date with Hachiman, ostensibly to research what she plans to do with Hayama in the future. The best parts here are those where he treats Iroha pretty much the same as Komachi, which is probably the best idea. Finally, Iroha is trying to use up the rest of the student council budget (so that they don’t get a budget cut the next year) by making a magazine to give out at school… and blackmails Hachiman into providing most of the content.

As with the previous volume, Hachiman is still in a pretty mellow mood here. The romance is also on the back-burner, except when Iroha is trying to manipulate Hachiman or get Yukino and Yui pissed off. The best parts of the book show off the contrast between cynical Hachiman and helpful Hachiman, which means the date with Iroha is the best story in the book. They may not make a good romantic pair, but they make for a good faux brother-sister dynamic. The chapter also had some great laughs, such as Hachiman deciding, on a date with another girl, that they should go to separate movies. The most interesting parts of the book, however, come near the end, as Yukino and Yui quietly, in murmured asides that only Hachiman hears, set up the remaining books in the series. The two of them are nearing a crisis point.

So yes, it’s inessential, but it’s still good. Those who enjoy the series’ razor wit will like the first story, those who enjoy Iroha the second, and those who enjoy the main trio will find the third most appealing. This is the last .5 volume, so from here on it’s onward to the end.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

This may be a first for this series. For the first time, I got through an entire volume without wanting to throw Hachiman out a window. This isn’t to say that he’s all smiles and warm fuzzies, but his cynical “this is what teenage life is really ,like it’s a jungle out there man” monologues are kept to a minimum and his attempts to solve the problem of the book involve actually talking with people about the problem rather than, say, throwing himself under the bus again. This volume was adapted into the final chunk of Season 2, so also is probably the calm before the storm that will be the final arc of the series. Things are moving pretty slowly – you can tell the author wants to wrap this up before they become third years – but we are starting to think about the future, which in Japan means what “track” will the kids be taking, arts or sciences?

Haruno is on the cover, and actually has a significant presence in the book as the “not quite evil but close” antagonist. The main focus of the book, though, is Hayama, who is the perfect boy that everyone wants to hang out with/date, but he’s refusing to say whether he’s taking the arts or sciences track, which has thrown his group into turmoil. Particularly Miura, who has a crush on him but is also concerned for his well-being – nearly everyone by now can see that Hayama is wearing a mask to hide his real self. She asks our heroes to find out what his choice is, which proves to be a very tough nut to crack, and mostly involves Hachiman doing a lot of detective work. In the interim, though, there is an ominous cloud on the horizon, and we see part of that cloud here, as we meet Yukino and Haruno’s mother, who is exactly what you’d expect she would be like. Oh yes, and there’s a rumor that Hayama and Yukino are going out which has spread like wildfire.

It’s pretty clear that Yukino’s family issues are gonna be the series’ endgame (which is bad news for Yui, and indeed she once again doesn’t have much of a role here – this love triangle is a bit imbalanced). For the moment, though, we’re dealing with Hayama, whose feelings for Hachiman are very conflicted – at one point he holds out hope that Hachiman is concerned about him as a friend, only to realize that it’s for his Service Club after all. It comes to a head in the school’s marathon, where Hayama bluntly talks about how he hates Hachiman, who may be Hayama’s opposite but also has managed to draw people to his actual self, crappy though that self may be. I was also very amused at the discussion of arts vs. sciences, some of which is “what am I best at” but a lot of which is also “how can I improve my social image?”.

So yes, this was a strong volume in the series, and I also really love the brother/sister relationship between Hachiman and Komachi, which is realistic and sweet. I am totally ready for Book 11. Sadly, the author is not, so get ready for 10.5, more short stories, next time.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

The origins of this volume are rather tortured. Around the time that Season 1 of the anime was coming out, they had the author do an episode about the athletics festival, that was not in the novels. This was Episode 13 of Season 1. At the same time, he was asked to do exclusive stories for the BD/DVD releases, and decided to greatly expand this episode into one big novel (yes, despite the .5 in the title, this is NOT a short story volume). The story came out cut into thirds, one per release. It’s now being collected as this volume, which takes place between Vol. 6 and 7 (hence the numbering)… except for the bonus story, based on a CD drama, which takes place right after Volume 9. What does this all add up to? Well, a mixed bag, primarily because (as the author admits in the afterword) he really wanted to bring back a character that no one else really wanted back. (The anime was fine with having her disappear.)

No, I’m not talking about Kawasaki – she gets the cover, but is a minor presence in the book. The “star” of this book is Sagami, the sort-of villain from the 6th novel, who is still dealing with the fallout from the cultural festival. Miura is annoyed that Sagami’s drama is ruining the atmosphere of the classroom. Meanwhile, student council president Megumi wants someone (meaning our trio of heroes) to help her on the Athletic Festival Committee. Combining the two problems, they decide to have Sagami chair the committee, giving her a chance to get things right this time. Unfortunately, things do not go as well as hoped, this time due to two of Sagami’s friends, who are making it clear they are unhappy that the clubs are having to be part of this. Can Hachiman and company find a way to resolve this without sacrificing Sagami entirely? And can they find a way to make the athletics festival fun and interesting?

I’m gonna be honest here: a lot of this book is a retread of the sixth volume. This is deliberate, but that doesn’t mean I have to like it. Some might say that Oregairu is at its best when wallowing in teenagers being painfully abrasive at each other, and if so, they’ll love the first half of this book, which feels like fingernails on a blackboard. The payoff (Sagami finally doing her job and standing up against her friends) is not really worth the long painful slog we had to read to get there. Unsurprisingly, the best part of that section is the part that was animated – the festival itself. Fortunately, the adaptation of the CD drama works much better, and features Hachiman, Yukino and Yui at their closest. It’s a Christmas party that manages to be free of drama, and I will even forgive its heaping helping of “ha ha, our teacher is old and desperate” jokes because the ending was really sweet.

I guess I’m happy this is a .5 volume – if it had come right after Book 6 I might have thrown it against a wall. This series continues to have rewarding climaxes to excruciating journeys.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

The first half of this book is rough going, as it continues to mine the trough of awkward despair that our heroes are going through. Hachiman is still dealing with the unspoken fact that he screwed up the Student Council Election for Yukino, though honestly the bigger problem is that it IS unspoken. Isshiki is now student council president, but is having trouble dealing with the rest of the council and also out of her depth. So when she has to come up with a Christmas event with the help of another school, she naturally comes running to the Service Club. Unfortunately, Hachiman’s guilt makes him take on helping her on his own, and he has to confront not only the most irritating character in the entire series to date, but also Orimoto, that girl from middle school, who goes to the other school. And, as a result of his doing this secretly, the Service Club is falling apart. It’s all very depressing.

Thank God for Hiratsuka, then. Acting a bit more proactively than she usually does, the teacher is there to give Hachiman the push he needs to finally confront the club and show actual emotions. This is very much the best scene in the book, and a real emotional breakthrough, at least for him. Yukino is a bit of a tougher nut to crack (as always), but a trip to an amusement part even allows her to open up about her rivalry relationship with her sister… and with Hachiman. Yui doesn’t feature as heavily, basically reduced to her role as the emotional center. That said, solving the situation requires all three of them – Hachiman plans, Yui bonds with everyone, and Yukino takes a firm hand in telling people when to shut the hell up and decide. Which is desperately needed.

As I indicated above, I don’t think I’ve ever found a character quite as punchable as I did Tamanawa, the student council president from the rival school. Honestly, I’d almost have liked it better if he were evil, or at least doing this on purpose for some petty reason. But no, this just seems to be how he deals with things, with the rest of the council (sans Orimoto, who like Hachiman is a dragooned helper) joining in on his business-talk doublespeak. This is hilarious at first, with even Hachiman having trouble following the plethora of buzzwords, but gradually the reader gets as exhausted as he does, and by the end of the book you just want a steamroller to run over Tamanawa (this does not happen). It was also odd seeing the return of Rumi, the young girl Hachiman tried to help in a previous book, though it goes along with the theme of this book and the last one: Hachiman’s help doesn’t always really work. Rumi is still having troubles. Maybe the play will help.

This book is about as well written as the previous one, but the fact that it ends on a big, positive note makes all the difference, and makes it feel much better overall. Not having a sour taste in your mouth is key. Next time, we get another book of short stories as we leap back in time with Vol. 6.5 (which, in Japan, did indeed come out after Vol. 9).

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

I have to hand it to the author, they are very very good at making me, as a reader, feel thrilling highs and desperate lows. Unfortunately, due to the nature of this series as a whole, each book always seems to end on a low, and so I often end up being depressed after a new volume of it. That said, I do still want to learn what happens next, even if I suspect it will once again be a journey where I grind my teeth and yell at everyone to actually have a decent talk with each other. But the nature of our three protagonists is such that that’s not going to happen – if they did, the series would have ended back at Vol. 3. Instead, buckle up for another adventure with Hachiman, whose cynical and roundabout narrative voice make me want him to meet Zaregoto’s Ii-chan someday. On the bright side, when he suggests his one solution to any problem, people are finally there to tell him to take his idea and shove it.

The soccer club manager we met in the short story volume has been nominated for Student Council President. She doesn’t want to do it, but also doesn’t want to deal with fallout of her dropping out or sabotaging herself. So she asks the club to help out. Hachiman suggests writing a bad speech so that everyone blames the speechwriter (him). This goes over like a lead balloon. Instead, first Yukino and then Yui decide to run against her, which will solve the problem, but also mean they likely would not be in the club any more. This also leaves Hachiman with nothing to do. After the middle of the book, which I will get to in a bit, he bands together with the rest of the main cast and comes up with a third option: convince Iroha that she really WOULD be a good Student Council President, thus removing the original request. Sadly, he does this without thinking of Yukino or Yui, particularly Yukino, and the result is the worst victory ever.

That said, the best reason to get the book are two scenes in the middle of it. The first has Hachiman and Hayama on the double date from hell, as his old classmate from middle school, Orimoto (the one he confessed to) and her friend want to get in with Hayama and he begs Hachiman to come along as he clearly doesn’t want to deal with this. After spending most of said date listening to Orimoto mocking and belittling Hachiman, Hayama snaps and tears them apart, pointing out the close relationships Hachiman has gained in high school. Tellingly, Hachiman is more upset by this than anything else. The second scene, my favorite, has Hachiman, at his lowest ebb, returning home and coming across Komachi, who he’d had a fight with at the start of the book. They make up quickly, and the ensuing conversation that follows is possibly the warmest, most heartwarming scene he’s had in the whole series to date, as he asks Komachi for her help and she talks about how worried she really is for him.

So the middle will make your heart grow three sizes, and the ending will make your face turn pale. But that’s typical of this series, which might better be called My Youth Romantic Soap Opera Is Wrong As I Expected. Like most soap operas, it makes you want to read the next book.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

There are quite a few .5 volumes in Japan, but whether they get licensed or not is another issue. They’re almost always short story collections, meant to be read but not affect the overall storyline (hence the .5), though this is not always the case (Rokujouma’s .5s are not skippable.) There are a lot of DVD/Blu-Ray sets in Japan that come with extra stories or novellas by the author that are lately published by the original publisher (see Devil Is a Part-Timer or this series) and some are expanded and turn into genuine later volumes (Baccano!). Sometimes the rights (given they were written for the anime production company) may make it harder to bring out over here… and short story collections also might not sell as well to begin with. To sum up, sometimes you’ll see these licensed and sometimes you won’t, but we can be grateful to have this collection, which takes place at various points between Vols. 1-7 and (mostly) has Hachiman behaving himself.

Miura’s on the cover, but does not really feature in the story, except to get really jealous of an underclassman who seems to be in Hayama’s club and is also cute. I suspect we’ll see more of her later. In the meantime, the wraparound stories involve the club answering Dear Abby-style questions, all of which are from “anonymous” people whose identities are nevertheless very obvious. The larger short stories involve the club having to do a magazine special on weddings, which ends up having Komachi run a bride competition among Yukino, Yui, and Shizuka. (By the way, if “I am an unmarried teacher” jokes are not your thing, feel free to skip this entire volume, as they’re omnipresent.) We then get an adaptation of a Drama CD story that continues after Vol. 3, showing the cast partying at an arcade. The longest story involves the cast helping the Judo Club, whose have a now graduated member returning and abusing the team. As often happens, Hachiman immediately sees the solution. As always happens, Hachiman makes sure everyone hates him in solving it.

There’s a lot of Komachi and her Komachi Points in this, and it’s clear that she’s shipping Hachiman with Yui – not that this is really going anywhere. Honestly, Yui and Yukino is the ship which gains the most ground in these short stories, but the author’s not going in that direction either. Instead this seems to be a pretty leisurely look at the character tics we know and love. Hachiman is cynical, Yukino is… well, also cynical, Yui is shiny. The drama CD one may be the weakest, partly as adaptations always tend to suffer a bit like this, and partly as I don’t care about Chiba Prefecture. The Judo story reads most like the novels, and is the best, though also relied a bit too much on “Zaimokuza is gross” for my tastes. Hachiman[‘s solution is excellent, and his implementation is equally awful. It’s the series in a nutshell, really.

The 7th volume ended on a cliffhanger, and it’s annoying that we aren’t getting that resolved. But I’m happy to read about these characters, and as I said, till the very end Hachiman seems to actually be fairly tolerable. A good read.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

After the bleakness of the last volume, it’s good to see that this one is at least slightly more light-hearted, though as always the author can’t seem to resist ending on a downhearted note. That said, things are a lot warmer here, and the extra side-story that adapts a drama CD even tries to retcon the last book by showing that Hachiman was eventually roped into an after party anyway. This brings together most of the main protagonists, and features what may be the funniest part of the book, where Hachiman’s “hobbies” are found to be wanting (people watching doesn’t count) and they try to find him some new ones. It does reinforce a running theme of this series, though, which is that as much as Hachiman wants to push everyone as far away from him as possible, there is a growing core of people who worry and care about him. The trouble is, some are also falling for him, and at this point, that’s not a good thing.

It’s time for the traditional trip to Kyoto, with temple visits galore, something that has most people excited, even Yukino, who seems to be far more into the trip than she pretends. That said, the Service Club also has a new request, and it puts the “romantic comedy” back in the spotlight. Tobe, best known so far as “Hayama’s #2”, is in love with Ebina, best known so far as “that BL fangirl”, and wants to ask her out, but is nervous, so wants to enlist the help of Hachiman’s group. Needless to say, given this group, this involves 2/3 crushing verbal abuse and 1/3 sympathy, and even Yui is finding it hard to bring the sympathy. The trouble is, as it becomes apparent, Ebina does not want that sort of relationship – not now, and not with Tobe. And that makes everyone nervous, because the way Hayama and Miura’s cliques are set up, if a confession results in awkwardness and pulling away, it will destroy both groups.

If you guessed the solution to this was “Hachiman taking things on himself so as to deflect everything to him”, then congratulations, you are familiar with how this series works. That said, much as it was interesting to see a more serious and even poignant side to Ebina, the “main” romance is mostly there to highlight the main love triangle of Hachiman, Yukino and Yui. There’s plenty of ship tease between him and both girls here, as he holds Yui’s hand as they go through a dark and creepy temple set, and sneaks out for ramen with Yukino and Shizuka (a chapter that features Yukino at easily her cutest and most vulnerable in the series to date). But, just as everyone knows with Ebina and Tobe, the reader is aware that if the love story advances further, the core friendship of these three is going to be broken. Especially if Hachiman keeps up his “please crucify me” solutions to everyone’s problems.

So the question is, what’s next? Can the Service Club maintain its status quo? Well, my guess is yes, as the next volume is “7.5”, and is a collection of short stories. (Note that unlike, say, Devil Is a Part-Timer, these .5 volumes were not released as DVD extras, and are therefore able to be licensed here.) That said, this seventh volume of OreGairu is a bit less bleak, but you’re starting to see that the train is rushing forward towards a final destination that may simply be “crash”.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

This volume was pushed back a month or two, and when it finally did come out I didn’t have the time to read it except in short chunks. This is probably one of the reasons that I feel so exhausted after reading it, but the other is the subject matter. For a book that’s supposed to be a “romantic comedy”, which does have a generous helping of humor, it can be extremely depressing. It doesn’t help that this is exactly what the author is going for – after yet another problem is solved by Hachiman getting everyone to unite in hating him (and thus supporting the girl with the problem), his teacher reminds him that while Hachiman may not care about everyone’s bad feelings, there are others that worry about him. This includes her, as well as Yukino and Yui, but learning this lesson is, I think, going to take a few more volumes. Meaning that I may still be glum about this humorous series.

The subject of the book is the school’s Cultural Festival. Hachiman’s class is putting on a production of The Little Prince, which is not BL despite the best efforts of its adapter. Hachiman himself is on the festival committee, despite his best efforts, in the “Records and Miscellaneous” department, which rapidly becomes “defer everything we don’t want to do to here”. The supposed Festival Chairman is Sagami, a young woman with confidence issues who tries to get herself back in the “cool kids” group by taking this on, but in reality everything is being done by the vice-chairman, Yukino, almost to her physical and mental detriment, because since the chairman is flaking on things, everyone else decides to flake as well. And there’s also Yukino’s older sister lurking around the festival, making things worse in the way that only family can. Is this festival really going to be OK?

Well, yes, it pretty much is. There are no major festival disasters on this watch, mostly as Yukino is very good at organization (delegation, not so much). We are gradually seeing her warm up to a few people, particularly Yui, who remains the bright ball of sunshine in this series despite not having all that much to do in this book. The trouble, of course, is Hachiman, who once again narrates the book in a jaded, cynical and otaku-ish tone that serves to belie the fact that he really does care about these people and, when push comes to shove, wants to help them. But because of his self-image, he feels that it’s fine to solve a problem by throwing himself under the bus. Which is ironic, given how our three leads’ lives interacted at the start of the series. Despite being reminded that there are people who value him, the book ends with Yui taking a reluctant Yukino to the after party, while Hachiman resolutely doesn’t go.

I realize that once Hachiman learns from his past mistakes, we’re reaching the end of the series. And this is still very well written with interesting characters I want to see succeed. But man, it’s a slog, and right now I don’t really want either Yukino *or* Yui to end up with Hachiman. (There is a yuri fandom for it, right?) Definitely recommended for fans of the series, however.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

If I said that the pacing of the series had become glacial by the last volume, here it comes to a complete stop, as this is a selection of short stories designed to show off the cast and pad out the time before the new semester begins in Book 6 and the author is forced to actually advance the plot. From what I understand, the majority of this book was jettisoned from the first anime season except for the longest, most plot-relevant story, whi9ch makes sense. These are good character portraits, and show off Hachiman’s cynical yet on point analysis very well, but they aren’t really essential. They’re a meandering tale of a hot summer break. That said, we do finally have Hachiman connect the dots upon seeing the Yukinoshita limousine once more, so now all the participants know about his accident at the start of school. Getting Yukino to open up, though, will likely be another story.

Saika is featured on the cover as if he’s a heroine, which makes sense given that his short story basically involves asking Hachiman on a date. This allows the author do do his usual schtick, though fortunately Hachiman is not quite as bad as usual this time around. We also see Hachiman and his sister agree to babysit Yui’s dog while she’s on vacation, which allows us to see that Hachiman is actually quite a pet person. In fact, a lot of the se stories are good at pointing out that Hachiman has the ability to be kind and considerate, he just constantly undercuts it with everything he says. Indeed, Yui spells his personality right out to us, in another scene that makes the reader realize that she’s totally fallen for him, and is absolutely going to get her heart broken.

The story that did get adapted for the anime involves Yui inviting Hachiman to a fireworks festival (Komachi tricks him into accepting), and the evening that follows, which alternates between cute and awkward as Hachiman is constantly thinking of what normal people would do in a situation like this. I think it’s important to Hachiman that he disconnect himself from others like this – the ongoing use of (LOL) every time he says “normies” reads more like a verbal tic than a conscious choice. That said, the meat of this book is the scene at the fireworks with Yukino’s sister, who is in VIP seats, of course. Her scathing chat with Hachiman and Yui reminds us that Yukino was dragged home at the end of the previous book, and is almost completely absent from this one. The whole novel feels like it’s setting things up for an explosion once school starts.

Which is fine, though if the 6th book turns out to be marking time as well, I may throw my hands in the air. Sometimes you really do need forward development. It doesn’t help that the next book is not out till November, meaning a longer wait to find out if anything blows up. Still, fans of the series will want to get this to see what parts the anime left out, and as always reading Hachiman’s narration is an experience.

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

I think I have to come to terms with the fact that the pacing of this series is going to be glacial at best. Much as I have been clamoring for a bit less isekai and a bit more real world in my light novels, I’m pretty sure that other slice of life books must have plots that move faster than the main one in OreGairu. That said, the author is clearly settling in for the long haul, and I’m not sure if I’m just used to him or if he was less appalling, but Hachiman was not nearly as punchable this time around. He’s still a cynic and misanthrope of the worst order, but his analysis of group dynamics, once unpacked from his own mindset, is very clever and not entirely wrong. He works best when paired off with Yukino, who is very similar to him though I think they’d both rather not admit that. As for Yui… I want to give her a hug and send her to a different series.

Despite Komachi starring on the cover, she’s more of a supporting character this time around. The premise, which is actually quite a good one, is that over summer break the teacher gets the Service Club and its auxiliaries, as well as the Cool Kids group, to help supervise an elementary school camping trip. While they’re there, they notice, as often happens with a class of students, that one girl is being shunned by all the others. Hachiman sees her attempts to power through it and be cool and uncaring as Yukino; Yukino sees her desire to be one of the gang but awkward failures as Yui; Yui just sees a sad young girl she wants to help. That said, the attempts to try to fix the group dynamics are somewhat terrible, and it’s only after Hachiman comes up with a clever but incredibly cruel plan that things are even vaguely helped. And even then you aren’t sure if it did any good.

We get a bit more development of Hayama and his group here, and see he has a past with Yukino that I think makes him a bit jealous of Hachiman. And yes, Saika is here as well and we get endless accounts of how attracted to him Hachiman is, which I’ve come to accept is simply never going to go away. But as always, the best reasons to read the book are the prose, particularly Hachiman’s twisted narration, which can be utterly hilarious, brutally on point, or just plain pathetic – sometimes all three at once. In particular, his strange desire to tell stories of his incredibly pathetic childhood, with only the occasional “this happened to someone else” attempt at a cover up, borders on the needy. But it’s what makes this series compulsively readable, and it’s another good, solid volume for this series. That said, the only major plot development happens on the last two pages. Perhaps that bodes well for the next book.