Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

shojo beat

Ao Haru Ride, Vol. 13

by

Ao Haru Ride Volume 13 by Io Sakisaka

I have this issue sometimes when I really like a series and the final volume comes out, I tend to procrastinate reading it a little bit just because I don’t want the series to end. So the last volume of Ao Haru Ride has been sitting in my house for a couple weeks now before I decided to read it. This was a very satisfying concluding volume that showed the main characters settled into a relationship in a very adorable way that contrasts nicely with all the sadness and difficulty that they faced along the way.

Ao Haru Ride 13

Futuba and Kou are now firmly a couple and dealing with new issues, such as her wanting more reassurance about his feelings for her, and figuring out that while he might not verbalize his feelings as much he cares for her a great deal. As a couple with an established relationship they can even help out with Kominato’s extremely transparent plan to confess to Murao by agreeing to go on a double date that just coincidentally is happening on Valentine’s Day. While Futuba and Kou are plenty adorable with each other, the pain of the past isn’t forgotten, as seen in a misunderstanding when Futuba can’t find Kou at on the first day of school and is frightened that he’s disappeared again the way he did in the past. There were enough chapters showing Kou and Futuba in their new lives as a couple that felt like they were settled down with each other but looking forward to the future in the best way possible. The volume concluded with a surprise Strobe Edge bonus story, and it was a real treat to see those characters again. Ao Haru Ride dealt with teen romance in a complex way, layered with themes of loss and nostalgia that made it much more meaningful than the typical shoujo romance.

Prince Freya, Vol 3

by

Prince Freya Volume 3 by Keiko Ishihara

In three volumes Prince Freya has evolved into an enjoyable fantasy potboiler of a manga, with plenty of cliffhangers to keep the reader’s interest as well as a tendency to kill off sympathetic supporting characters. The story ratchets up the suspense because it seems clear that no one is safe from medieval mayhem in this story of a simple girl forced to masquerade as the charismatic Prince Edvard. As the manga opens, Freya is displaying her characteristic tendency to put herself in danger in order to save anyone in her near vicinity as she tries to rally the soldiers in a small fort against an enemy invasion.

The White Knight Julius is now Freya’s main protector after the deaths of her childhood companions Alek and Aaron. Does Julius start experiencing conflicting emotions about his new charge? Does one even have to ask when this is shoujo manga that we’re talking about??? Freya’s actions show her motivating her soldiers with a different type of charisma than the late Prince Edvard as she makes a point to get to know all of the men in the fort who are trying to defend her. She’s not afraid to take part in tactical maneuvers in order to confuse the enemy, and while the extent to which she is willing to sacrifice herself might seem extreme, when balanced at all the family and friends she’s lost in her life the reader can see why she’s resistant to seeing anyone die unnecessarily. There’s medieval battle scenes galore and an enemy soldier making fun of Julius for being a pretty boy, so there’s plenty to enjoy in this volume, which ends on an incredible cliffhanger that promises plenty of angst in the next volume. This manga isn’t particularly deep, but it does serve up plenty of gender-swapped shoujo medieval action which I am finding to be delightfully distracting in these current times.

Yona of the Dawn, Vol 25

by

Yona of the Dawn Volume 25 by Mizuho Kusanagi

Every story arc in Yona of the Dawn eventually has a volume that delivers action and emotional devastation. As Yona tries to prevent Su-Won from going to war with Xing the hypocrisy of religions officials is revealed, Yona manages to sway people through sheer willpower, the damaged and imprisoned four dragons fight back, and everything is mostly terrible yet incredibly epic and emotionally satisfying!

The volume opens with an excruciatingly awkward scene as Yona confronts Su-Won in front of his men, some of whom seem a bit perplexed that the daughter of King Il is alive after all. If that wasn’t enough, Yona’s logic and arguments on behalf of the Xing people prompts Su-Won to actually modify his intentions after she promises that Xing will be content to endure as a vassal state. An evil priest shows up all of a sudden! Gobi is determined to manipulate the political upheaval in Xing to get rid of Princess Kouren and install Princess Tao in her place, but he’s sadly mistaken if he thinks his transparent ploys are going to work. While Yona of the Dawn generally presents villains with some nuance and character motivations, there’s some satisfaction for the reader in seeing that anyone who would underestimate women is beyond any hope of salvation. Kouren is the type of leader that inspires devotion in her supporters, and Yona has Hak, who does some fairly foolish things in order to protect her.

There’s so much action packed in this volume, I felt slightly exhausted at the end! Kusanagi’s capable illustrations are able to easily carry such a plot and action-scene heavy book, where a panel here and there will contain hints about the emotional impact for all the characters in such high-stakes conditions. There were some Wind Tribe antics to distract a little bit from the impending horrors of war, and the promise that Yona and Hak might actually talk about their relationship soon? As always, an excellent volume of Yona of the Dawn. I always find myself looking forward to the emotional aftermath just as much as any big battle the characters overcome.

Fushigi Yugi: Byakko Senki vol 1

by

Fushigi Yugi: Byakko Senki Volume 1 by Yuu Watase

The Fushigi Yugi universe is one I’ve been following for a long time. Many of my earliest volumes are from the initial Viz release back in the early 2000s, so I felt very nostalgic reading the first volume of the last Fushigi Yugi story 20 years later. While there have been glimpses of Suzuno before in previous series and the anime, seeing an entire series devoted to her seems like a fitting way to finish out the Universe of the Four Gods.

This first volume is structured as a prequel within a prequel, giving the reader insight into Suzuno’s character as both a child and a young adult and setting up an intriguing conflict that I expect to see explored more in future volumes. As Fushigi Yugi: Byakko Senki opens, a young Suzuno is spending time with her parents. Her father has the volume of The Universe of the Four Gods, burdened with the tragic legacy of Takiko Okuda and her professor father. As the Great Kanto earthquake strikes, Suzuno is trapped in her burning house and her father sends her into the book in order to save her life. In the Universe of the Four Gods, Suzuno is clearly unable to fend for herself, but she meets up with some people who are surely going to be pivotal figures in her life – Neiran, a psychologically damaged woman who can turn into a tiger, and the brothers Kasal and Karm. After narrowly escaping being kidnapped, Suzuno travels for a little bit with her new companions who begin to suspect that she might be the fabled priestess of Byakko.

Suzuno travels back to her own world in the aftermath of the earthquake, and the story line shifts to show her as a young woman, quiet and artistic and plagued by enduring visions and memories of what she’s lost. A shy, retiring heroine forced to adapt to a mystical new world isn’t exactly a novel plot point, but the overtones of impending tragedy and Suzuno’s resilience in difficult situations immediately make her an engaging heroine. Watase’s art is always clear and engaging, and I’m looking forward to seeing her portrayal of Suzuno’s mystical warriors and the unique world of the Universe of the Four Gods. This first volume mainly established Suzuno as a fully-fledged protagonist and I’m fairly happy with that pacing even though I put it down feeling a little impatient waiting to get started on the rest of the story. While I think is possible to enjoy this series without reading other Fushigi Yugi stories, I think at minimum someone reading Byakko Senki should be familiar with Genbu Kaiden, and hopefully the main series that started off this 20 year old saga.

Daytime Shooting Star, Vol 7

by

Daytime Shooting Star Volume 7 by Mika Yamamori

This manga brings both the drama and major uneasiness as Suzume and Shishio progress a bit on their student-teacher romance and then things get curtailed, causing plenty of angst.

One of the reasons why I enjoy reading this manga so much is that it makes me feel uneasy, which is not all that typical for shoujo manga. I’m not sure if Yamamori is going to be able to pull of a happy ending out of this series, and for all the swoony feelings of first love happening, it is difficult to escape the issues with the age gap in the main relationship in the manga. Suzume asks Shishio to go to a shrine for New Year’s and shows up wearing a disguise so no would be able to identify them in public. When a snowstorm causes them to miss the last train back, they have to check into a bread and breakfast and hide where they are. Shishio straight out lies to Suzume’s uncle, which is a bit beyond the pale, even if nothing much has happened on the romance front other than some significant gazes and a couple kisses.

I really enjoyed the chapter in this volume that was presented from Nekota’s point of view. She’s rightfully cynical about her own popularity and reflects on how she’s changed since developing a genuine friendship with Suzume. This chapter gave much more insight about her character, and the shifting point of view felt refreshing.
There’s also a bonus story in this volume that didn’t make a ton of sense, since Yamamori was collaborating with another author. I’m curious to see how Suzume deals with the emotional fallout from this volume, and if she’s able to move on a little bit with her life. Mamura continues to be awesome, so I’m hoping that Suzume at least attempts to give boys her own age a chance.

Prince Freya, Vol 2

by

Prince Freya, Volume 2 by Keiko Ishihara

I enjoyed the premise and setting of the first volume of Prince Freya, even though I thought there were a couple pacing issues. I was curious to see if the next volume would feel a little more settled, and I’m happy to report that this volume felt much more cohesive as Freya settles into her new life as Prince Edvard, fending off evil plots and throwing herself into the action as much as possible. The volume picks up as Freya as Edvard attempts to save the royal guard Mikal from being kidnapped, only to put herself in danger in the process.

I’ll be honest, one plot point that I do enjoy about reverse harem scenarios where girls have to disguise themselves as boys is how often the boys surrounding the heroine start feeling oddly protective of their new companion and aren’t sure why their feelings have shifted. This happened multiple times in Prince Freya, so I found myself greatly enjoying the sillier aspects of the character dynamics. Mikal finds himself newly intrigued by Prince Edvard now that Edvard seems to have received an abrupt personality transplant. Freya is fiercely loyal to her friends, including people that she’s just met in her new role.
Aleksi and Julius head off to the rescue, and while they fend of danger with some help from Freya, Julius delivers a stern lecture about the responsibilities for self-protection that have to be present in royalty or someone disguising herself as royalty. Freya vows to protect everyone, including Julius, which causes him to be quite emotionally shaken.

As the story unfolds, Freya’s open personality cause her to strike up an unlikely friendship with one of Prince Edvard’s subjects, but her good intentions end up creating even more difficulties that are only solved by some bold action. The art in Prince Freya continues to be clear and dynamic, which is essential due to how many scenes involve combat by swords. One aspect of this manga that I found both intriguing and a bit startling is the body count that is starting to build up as Freya navigates her new world. It is true that there’s an inherit danger to being faux royalty, but I’m starting to find myself a little anxious about the survival prospects for anyone close to Freya. The cliffhanger at the end ensures that I’m already impatient for the next volume.

Ao Haru Ride, Vol 11

by

Ao Haru Ride Volume 11 by Io Sakisaka

Throughout this series, nostalgia and feelings of being haunted by the past have come up in a variety of ways, and this volume shows a bit of movement forward on Kou’s part as he goes to visit various sites from his past. He ditches during a school trip where he used to live and induces Futuba to come along with him “as friends.” She comes along, knowing in the back of her mind that she’s lying to herself.

Together they visit Kou’s old apartment, middle school, and his mother’s grave. Kou seems much more emotionally resilient, coming out of this nostalgic trip with a greater sense of certainty about what he wants to do and who he wants to spend time with (spoiler alert, it is Futuba!). There are also some nice side stories with the larger friend group interspersed as Futuba and Kou wander around with each other. Futuba ends up being stricken with guilt that she was hanging out with Kou without telling Toma what was going on, and ends up going to angsty extremes in dealing with her emotions. Toma’s on the cover of this volume, and he definitely deserves it, as his steadfast approach to romance with a girl who is fairly honest about her wavering feelings makes him a stabilizing presence. While Kou might finally know what he wants, and I’m team Kou all the way, Sakisaka infuses scenes of Futuba and Toma talking to each other with so much joy that I felt myself wavering a bit! There’s always plenty of drama in each volume of Ao Haru Ride, but it never seems to be over-the-top or unearned, because so much of it is drawn from the characters’ internal motivations and the changes to their personalities as they are gradually growing up. This was yet another solid volume in a very good shoujo series.

Yona of the Dawn, Vol 24

by

Yona of the Dawn Volume 24 by Mizuho Kusanagi

This was yet another excellent volume of Yona of the Dawn, this time featuring high-stakes diplomacy, surprising smooches, feline nicknames, and strategic partying. One of the nice things about long-running series is when characters from the past suddenly pop up, prompting some moments of reflection about just how far everyone has come as the story has progressed. In this volume, in response to Yona’s political overtures Su-Won sends Min-Su, the young man who allowed Yona and Hak to escape from the castle right after Su-Won murdered King Il. Min-Su brings a letter that states that Su-Won will not delay going to war and Yona quickly develops an alternate strategy that involves delaying the involvement of the Wind Tribe and spreading rumors in an attempt to get Su-Won to divide his forces. She uses her treasured hairpin to bribe Su-Won’s old informer and sends Hak off to meet with the Wind Tribe.

While the stakes of averting war makes this volume fairly serious, the Wind Tribe can always be relied on for some humor, in particular the way all the young people glom on to Hak. This has a physical manifestation as his people literally drape themselves over him because they are so delighted that he’s returned. Hak tells them to get along with the people of Xing, and in true Wind Tribe fashion they decide to start throwing a party along the battle lines. Min-Su tags along as Yona goes to visit Kang Tae-June for another favor, and he reflects on Yona’s influence. Min-Su reflects that Yona’s attitude of doing her best to help others ends up being so influential to those around her that it inspires everyone to want to act like her, which is “…a terrifying ability.” Yona’s captured friends have to fend off Mizari who is both evil and insane, and his behavior begins to reflect badly on Xing in general, further destabilizing the region. Kusanagi continues to pack so much story and character development into each volume of Yona of the Dawn, I feel like she manages to accomplish in one volume what would take other authors a minimum of two to three volumes to accomplish. Yet another thoroughly satisfying volume and I’m already impatiently waiting to see if Yona actually does manage to avert war in volume 25.

Love Me, Love Me Not, Vol. 2

by

Love Me, Love Me Not, Volume 2 by Io Sakisaka

At two volumes in, I’m not feeling quite as connected to the characters in Love Me, Love Me Not as compared to Strobe Edge, but Sakisaka is still doing a great job setting up a complicated and thoughtful teen romance drama. Yuna is still processing her feelings about the complex relationship between step-siblings Akari and Rio as she also deals with her own attraction to Rio. Yuna’s hesitation and introspection is prompted by the fact that she’s never experienced love outside of books. Rio also seems more attuned to Yuna than he is for girls who he has a more superficial relationship. He notices her being less shy around him, and figures out a way to set up their study group so she doesn’t feel hesitation about asking him questions. All along, Rio has encouraged Yuna to pursue a relationship with the boy she has a crush on, not knowing that she’s talking about him. Yuna’s love confession is unconventional, as she tells Rio about her feelings and says “Now, reject me.”

Rio reacts with a lot more compassion than he usually does with the girls who are attracted to him only for his looks, and Yuna deals with the aftermath. Both Akari and Kazu are impressed with Yuna’s emotional growth and general levelheadedness. While it is fairly easy for the reader to understand Rio, Akari, and Yuna, Kazu remains a perpetually cool enigma. Akari is fascinated by him, but he’s still a bit of a blank slate, defined only by his occasional blunt and insightful statements. I’m hoping that in the next few volumes his character becomes as well defined as the other series leads. This was a strong second volume, and I’m looking forward to seeing how the series develops. Sakisaka is great at capturing all the subtleties of emotion in her drawings, and even though much of this manga is people simply talking to each other in a variety of settings, her paneling and the emotional stakes involve keeps everything dynamic.

Daytime Shooting Star, Vol 6

by

Daytime Shooting Star Volume 6 by Mika Yamamori

As this series continues, I grow more and more conflicted because heroine Suzume is such a sweet girl, I want her to get everything she wants. Unfortunately the main thing she wants is her teacher Shishio, and as he progresses in dropping some boundaries he was not even all that great at maintaining before, I find him more and more unappealing as a romantic prospect for Suzume. As I tend to do in k-dramas, I’m now firmly rooting for the second lead guy, Suzume’s classmate Mamura. I’m still drawn in by Daytime Shooting Star’s combination of stylish art and teen soap opera plot. As a bonus, Mamura is on the cover of this volume.

In this volume, Suzume and Shishio continue to capture some stolen moments here and there, but she’s often frustrated that she can’t deepen her relationship with him, and she’s continually reminded of the need for distance. She gives him a birthday present that she earned the money for with her part-time job. She attempts to make him a lunch, but sees him turning down food from another student. Throughout all of these interactions Mamura hovers in the background either quietly observing or forcing himself to eat some of Suzume’s first attempts at rice balls. Mamura continues to be a good friend, even when Suzume finds herself stood up by Shishio when he’s tied up with work on Christmas. A little bit of awareness seems to be settling in with Suzume as she realizes that she can be herself around Mamura after spending more time with him. Shishio seems to be losing his grip on his professional ethics, so I’m growing concerned about that, and the fact that Suzume’s uncle is extremely clueless about this developing situation between one of his best friends and his niece.

I have to admit I’m impatient to see how all the slowly building romance in Daytime Shooting Star will pan out. There’s a bit of a train wreck quality to this manga, seeing a young girl invest in the possibility of a romantic relationship that doesn’t seem like it will work, but I’m hoping that Mamura’s flashes of insight and his evolution from a boy who could barely talk to a girl to a young man who will gallantly bestow a scarf on a girl when she’s cold will pan out somehow. Go Mamura!

Prince Freya, Vol 1

by

Prince Freya, Volume 1 by Keiko Ishihara

I really liked Ishihara’s other series The Heiress and the Chauffeur, which was only two volumes but left me wishing I could read a longer series by the author. I’m always up for shoujo fantasy, and “girl who must disguise herself as a boy” is one of my favorite plot elements so I have been eagerly waiting to read Prince Freya.

prince freya

Freya lives in the quasi-medieval setting that is very familiar to fantasy fans. She likes to casually jump off cliffs and is a well-beloved figure in her village, as she heads to town to fetch items for her ailing mother. Her adopted older brothers Aaron and Aleksi return home for a visit. Aaron is the famous Black Knight who guards the Prince and Aleksi seems mostly content to remain in his older brother’s shadow. There’s a bit of a budding romance between Aaron and Freya, but Freya quickly gets caught up in court intrigue though. Due to her habit of hanging out in high trees she overhears a plot to attack Aaron and the palace. She sneaks in and discovers that the prince ailing, and Freya is his exact duplicate. Far too quickly, she assumes his identity and manages to pull off a stupendous impersonation as the prince. This comes out of nowhere, I would have appreciated a brief 2 page prince training montage to at least address how on earth this happens. Freya’s Prince Edvard is both arrogant and charming, which contrasts with her more naturally retiring personality, putting aside the cliff-jumping and tree climbing.

There’s a terrible tragedy, but Freya is drawn even more into her deception after the prince dies and she has to make sense of what the small circle of courtiers around her is telling her to do as she continues to play along with hiding the prince’s death so the enemies of her country don’t catch on. The art is clear and expressive, and Freya and her quasi-adopted siblings are sympathetic characters. I’m hoping that the second volume has some time to slow down a little bit and let the story unfold a little more gradually. I’m very much looking forward to the second volume.

An Incurable Case of Love, Vol 3

by

An Incurable Case of Love Volume 3 by Maki Enjoji

I’ve found it difficult to concentrate on reading much in the past few weeks. That being said, I thought that the workplace romance of An Incurable Case of Love was the best series to try to get back into my somewhat irregular rhythms of manga reading. This volume immediately picks up with the scary situation of Nanase being menaced by a stalker. When Dr. Tendo attempts to protect her, she immediately puts her self between Dr. Tendo and danger. She ends up getting knocked to the ground in a pool of blood and rushed to the hospital in an ambulance. What follows is Nana’s elaborate love confession that manages to capture the combination of sweetness and absurdity that makes this manga such an enjoyable read. She announces that she’s happy because she got to kiss Tendo one time and she has no regrets except “I wanted to be your girlfriend…I wanted to kiss and cuddle you…” Alarmed, Tendo grips her hand and says that if she pulls through “I’ll be your boyfriend or whatever you want.” Nana promptly falls asleep saying “Don’t forget about me…”

An Incurable Case of Love

She wakes up to Tendo’s glare, because she fell asleep as opposed to fainting, and while she was injured her head wound wasn’t life threatening. They quickly get back into the regular rhythms of work, except they are officially dating. Dating means not actually going out on any dates due to their hectic schedules. They fall back into the usual rythms of this series, briefly dealing with distractions in the form of a super cute but not very compassionate new trainee nurse who has her own crush on Dr. Tendo, traveling to an educational seminar, and cooking lessons from the too handsome Kisugi. Tendo gradually is starting to show some genuine emotion and concern despite his extremely dispassionate demeanor. Nana’s relentless devotion and affection despite her general lack of encouragement will have readers agree that her workplace nickname of “Valiant One” is fairly earned. I definitely recommend picking up the three volumes of this series if you are looking for a fun josei escape.

Love Me, Love Me Not, Vol 1

by

Love Me, Love Me Not, Volume 1 by Io Sakisaka

Strobe Edge was good, and Ao Haru Ride is a special series, so I was very excited when I saw that another Io Sakisaka series was going to be put out under the Shojo Beat imprint. Sakisaka changes things up a little bit by focusing just as much on female friendship as romance. Yuna is a girl who loves reading shoujo manga. She’s a bit shy and not very confident, but she’s quietly very nice. She meets the more outspoken Akari when she asks Yuna for train fare. Yuna also encounters a mysterious, but somewhat crass boy who resembles her long-dreamed of storybook prince. Akari and Yuna bond when they realize that they are both living in the same apartment building and attending the same high school. Yuna shares her romantic dreams, and Akari counters with her much more pragmatic approach of going out and meeting people instead of quietly waiting for a destined love to show up. Akari is surprised when Kazuomi drops by – he’s Yuna’s childhood friend and Yuna’s shyness disappears when she talks to him because she thinks of him like a brother.

Love Me Love Me Not

The characters are all introduced in a series of slice of live scenes that feel very naturalistic. They run into each other on the sidewalk, in convenience stores, walking to and from school, and visiting outside their part-time jobs. As Yuna gets to know Akari better she discovers that her fabled prince is named Rio, and he’s actually Akari’s brother! Akari is concerned about what would happen if Yuna gives in to her crush, because Rio is a bit of a player and is constantly turning down confessions of love from girls. Akari concludes that Yuna should get together with Kazuomi, but she also finds his forthright ways attractive. There’s a not super surprising twist at the end that sends Love Me, Love Me Not firmly into Marmalade Boy territory. This first volume does a great job setting up four sympathetic characters who are all equally engaging despite having very different personalities. Yuna might spend a great deal of time averting her eyes and blushing, but she is willing to push herself to stand up for Akari when some false rumors start going around. Akari is outspoken and always strategizing about what to do when it comes to her friends, but not always great at sharing her own feelings. While Rio is treated in a certain way due to his looks, it is easy to see from his body language and facial expressions, that he’s also burdened by girls developing crushes on him without even taking the time to talk to him. Kazuomi has an open personality, combined with the ability to occasionally come out with pronouncements about life and relationships that make him seem irresistibly cool.

Sakisaka does a great job setting up a new series in the first volume of Love Me, Love Me Not. I like the idea of a shoujo series that will focus just as much on female friendship as it does on romance, and will be eagerly waiting to see how this tangled web of potential teen romance develops in future volumes.

Daytime Shooting Star, Vol 5

by

Daytime Shooting Star, Volume 5 by Mika Yamamori

As the student/teacher romance in Daytime Shooting Star progresses I find myself thinking, “Oh, that’s cute” and “Stop being so inappropriate Shishio!” very often and simultaneously. Most of this volume is taken up with the old shoujo staple of a school festival. It is the perfect opportunity to shake things up as teens run cafes, put on plays, and engage in high stakes emotions. Mamura in particular is popular as a mostly silent butler at the cafe. Suzume does her best to serve coffee but she’s flustered when Mr. Shishio shows up and sits in her section, accompanied by her uncle. Mamura is in full protective mode, making a comment to Shishio that “A teacher has no business seducing his students” before being distracted by his own family showing up at school. Mr. Shishio confronts Mamura later on, and when Mamura acts cold to Suzume afterwards, she gets annoyed. While all the drama is happening in the cafe, Nekota has to pull herself together to be Juliet after being rejected by Mamura. Her Romeo is the popular and seemingly superficial Togyu, but he’s actually surprisingly insightful.

Suzume is somewhat oblivious to all the drama surrounding her, but she’s feeling awkward about going to see Nekota’s play solo. Shishio shows up in a mascot costume so he can take her to watch the play which is somewhat endearing but also a little creepy. After putting on the brakes for so long, Shishio admits that he has feelings for Suzume, and she’s absolutely stunned. The rest of the volume deals with the aftermath of the emotional revelations from the school festival, as Nekota tries to move on and Suzume decides to work part time in her uncle’s cafe in order to save up to buy Shishio a birthday present. Showing characters navigating through daily life while dealing with plenty of emotions is one of the things that Daytime Shooting Star is good at, along with the consistently stylish art. We aren’t quite halfway through the series yet, but I’m firmly on team Mamura now. Go Mamura! I’m still enjoying this series, mainly because Suzume and Nekota are so oddly sympathetic, but reading it is also balanced out with the tension that comes with reading a romance manga that is going all in on an inappropriate relationship, making me wonder when all the quasi-romance is going to cause some severe negative consequences for all the characters.

Yona of the Dawn, Vol. 22

by

Yona of the Dawn Volume 22 by Mizuho Kusanagi

Volume 22 of Yona of the Dawn follows the tried and true formula of contrasting a hilarious chapter with a deep dive into introspection. The volume opens as Riri is recovering from her and Yona’s latest adventure. Su-Won goes to visit her and it is clear that some of the people that surround them are interested in pushing them together for various geopolitical reasons. However, Riri’s a bit dispassionate at being told to act dignified in front of the king, and Su-Won continues to find her frank mannerisms amusing. I hope for better for Riri than Su-Won though! In a hilarious scene Riri reveals the depth of her crush as General Geum-Tae enters her room. She immediately starts blushing and acting like a shy maiden. In the aftermath, plenty of people inform Riri that Geum-Tae is happily marries, and she’s very well aware, she’s just happy to enjoy her crush. Seeing Riri freak out about how cool Geum-Tae is in front of Su-Won was hilarious.

Yona of the Dawn

The reader gets a rare look into Hak’s mind as he struggles with the idea of returning Yona’s misplaced belongings to her, including the hairpin that Su-Won gave her right before he murdered her father. Hak reflects on their past friendship, and Su-Won’s betrayal. He thinks about his own emotions and how Su-Won didn’t seem to care about the pain he was inflicting on other people. The bulk of this volume deals with an adventure to a new land, as people from Xing pop up to ask if Yona and her companions are the “monsters from Kokha.” Yona meets another new female friend when she spends time with Tao, the younger princess of Xing, but she also learns about the extent of political destabilization that is following from Su-Won’s wars, as Xing might be split between two factions. Tao asks Yona’s advice about what to do with Su-Won, and Yona remains awkwardly silent, realizing that bringing her own feelings and opinions into someone else’s political calculations might not be in the best interest of Xing. This volume bridges two story arcs very effectively, with a little bit of comic relief, a glimpse of the emotional toll the journey has taken on Hak, and the introduction of a new land that hopefully Yona will be able to help.