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Ao Haru Ride, vol 5

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Ao Haru Ride Volume 5 by Io Sakisaka

One of the reasons why I like Ao Haru Ride is the way it effectively gets into the agonizing headspace of first love, where tiny decisions or comments made in a moment fraught with tension end up propelling a relationship forward or dooming it to the status quo. It takes some superior authorial skills to portray the inner soliloquies of teenagers as consistently sympathetic but Sakisaka has the chops to make the reader fully invested in all of these charged interactions. Futuba is still struggling with her feelings towards Kou, and it looks like things are going to go to the next level when he actually asks her out to a summer festival.

Futuba builds up the prospect of festival attendance in her mind, thinking it is a perfect time to tell him what she feels, but Kou ends up canceling and before they know it they are back in school. Kou seems more distracted than usual, spending a bunch of time texting on his phone. Ao Haru Ride is heading into familiar shoujo territory as Toma keeps popping up around Futuba, quickly realizes that she likes Kou, but still lingers around since it is clear that they haven’t started a relationship yet. While Kou isn’t asking Futuba out again, he’s clearly getting annoyed at Toma’s consistent presence. Kou’s distraction is due to his trying to help an old friend as they get adjusted at a new school, and any shoujo reader can tell that this is going to introduce a new ongoing complication to prevent Futuba and Kou getting together. Sakisaka is great at portraying the agony of the emotional calculations Futuba goes through, as she thinks if she hits on a magic moment it will be the right time to confess to Kou. Meanwhile, Toma’s keen observations of Futuba show her to be different from the tomboyish self image she’s struggled to maintain. While the plot points of summer festivals and school activities are well-worn shoujo territory, I’m captivated by these particular characters, with all their quirks and awkward moments.

Shortcake Cake, Vol 4

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Shortcake Cake Volume 4 by suu Morishita

I’m growing more and more fond of this series. I enjoy the steady, slice of life way the plot unfolds, the great sense of place that is grounded in the boardinghouse setting, and most of all the silent moments between the characters that are filled with meaning. I swear, a 4 panel layout of characters from Shortcake Cake just glancing at each other would be a long drawn out speech about feelings in a less well-executed manga.

Switching back and forth one’s object of affections isn’t really anything new, but as Ten starts to reassess her feelings for Riku, Chiaki comes down with a severe case of second male lead in a Korean drama syndrome, where he basically speaks to Ten about his feelings for her in incredibly oblique riddles that she is totally unable to pick up on. Oh, the foolishness and frustration of teenage shoujo manga love! Chiaki and Ten’s fake relationship to fake out Rei gives her an excuse to dismiss his declarations of affection, which Chiaki conveniently times for when Rei is around. Ten realizes her emotions are shifting and thinks to herself that if she was reading a story where she was the protagonist, she wouldn’t like it, because the main character contradicts herself and is selfish. She thinks of her current life being “a bad book” but it seems to more like just what anyone would expect from a teenager not very practiced at friendship. Ten’s self awareness goes a long way in making her sympathetic as she attempts to figure out her suddenly very complicated romantic life.

Chiaki and Riku also attempt to negotiate the strange new undercurrents in their friendship. Ten starts a summer job and in a fraught decision, the trio decide to go to a beach together during their vacation. This volume very much felt like summer, and as Ten goes home she starts to get more clarity over her emotions. I enjoyed the way Ten is self-reflective throughout the book, she seems to be making a decision that will carry over to the next volume, but she’s put in a lot of emotional work behind the next step on her journey.

Yona of the Dawn, Vol 18

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Yona of the Dawn Volume 18 by Mizuho Kusanagi

At long last, a Zeno volume! I’m going to attempt to talk around some major spoilers, but I found this volume both immensely satisfying and surprising. Zeno, as the smiling and enigmatic Yellow Dragon has always been a bit apart from Yona and the rest of her companions. He just pops up one day without much backstory, and his power of regeneration as a shield in battle was hidden for many volumes. Now the reader finally sees his power unleashed, and I wasn’t expecting Kusanagi to take a detour into action-centric body horror, but she certainly did. As Zeno is hurt and regenerates, he is able to tap into powers of strength that were previously undemonstrated but he does so at a great personal cost. In the hands of a lesser artist, his stand on the battlefield would be much more difficult to execute.

Most of this volume ends up being an extended flashback where we see the original four dragons and the Crimson Dragon King. Kusanagi is so clever with character designs, body language, and expressions, we can see how traces of the original dragon warriors remain in their reincarnated versions in Yona’s present day. In the end, the reader is left feeling like Zeno is fully integrated into the group, knowing the hidden meaning behind his smiles that initially seemed too easy. The depth of story that Kusanagi has built up over 18 volumes is considerable, I’m always putting each volume of Yona of the Dawn wondering how it is going to get even better, and it never fails to deliver.

The Water Dragon’s Bride, Vol. 9

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The Water Dragon’s Bride has always explored issues of humans using religion to justify terrible actions, and this is brought home even more when a god who is actively seeking to meddle gets turned loose. The Water Dragon God’s aloof personality and general lack of interest in humanity other than Asahi was a bit of a protective factor for humans. The God of Darkness, with his damaged human sidekick Kurose has nothing holding him back from some active and severe meddling.

I appreciate the way that Toma has developed Kurose’s character. The intense trauma that he’s experienced in the past gives more context for his turn towards darkness, and although he’s an antagonist for Asahi he’s much more complex than a typical villain. The God of Darkness is portraying the other gods as weak by inventing a Sun God for the humans to worship. By covering up the sun temporarily with darkness, and then letting the sun shine again, the humans are led to dismiss the Water Dragon God as evil and ineffectual. The emperor gets dethroned and Asahi wants to aid him, but she’s again a target of hatred for the humans.

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Kogahiko shows how malicious the combination of human and an evil god can be, even more than Kurose, as he deliberately manipulates everyone around him through the God of Darkness in order to get more political power. He still sees a use for Asahi, as a way of bolstering his new position by parading her in front of his subjects. Throughout this volume the Water Dragon God’s protectiveness and attitude towards Asahi is striking. When she asks him to forgo using his powers he complies, but his affection for Asahi ensures that he’ll find a way to protect her. As always, Toma’s deceptively simple art makes the most of the symbolism in this volume, as the humans turn towards the darkness in the guise of worshiping the sun. The Water Dragon’s Bride is surely one of the most philosophical shoujo series that I’ve read, which is also why it is a series I can see returning to and rereading in future years.

Kakuriyo: Bed & Breakfast for Spirits, Vol. 3

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Kakuriyo: Bed & Breakfast for Spirits, Volume 3 by Waco Ioka and Laruha

This is one of those series that ends up getting stronger with each volume. I thought the first volume was okish, liked the way the second volume showed more character development, and appreciated the balance between backstory and new plot elements in the third volume. One thing I tend to look for in series about ayakashi is some interesting character design or art that captures my attention. While the art for this series is fine, I wasn’t getting that same sense of wonder about the spirit world that other ayakashi-centric manga titles have delivered. In this volume, I did find the portrayal of wall demons blocking Aoi’s path to be delightful, as they looked like pieces of wallboard dressed in formal kimonos.

Kakuriyo Bed and Breakfast for Spirits 3

Aoi is slowly finding more of a rhythm to her life in the spirit world with the discovery that her food is unique in bolstering the spiritual energy of the demons that surround her. She becomes more involved in the lives of the spider demon siblings, Suzuran and Akatsuki. They tie in to her own story with her grandfather, as she learns that he took them in and temporarily made them his servants when they were fleeing for their lives. Suzuran wants to go back to the human world to exist near Shiro’s grave, and Akatsuki is absolutely opposed to her dream. Aoi mediates this sibling relationship with nourishing food, and the steps in cooking her dishes are more clearly portrayed in this volume. It didn’t quite deliver the level of obsessive detail that I like to see in a food manga, but I appreciated food preparation getting more attention, since it is so central to Aoi’s identity.

One thing I really enjoy about this series now is how each volume tells a satisfying story while inspiring more questions for the reader to ponder. Shiro’s actions and motivations seem more mysterious the more Aoi learns about him. I’m also curious to find out more about Ginji after seeing him report back to the Odanna. I’m enjoying the measured pace at which this story is developing.

Yona of the Dawn, Vol 17.

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Yona of the Dawn Volume 17 by Mizuho Kusanagi

I’m always curious when a new arc of Yona of the Dawn starts, because Kusanagi manages to create situations and plot elements that seem new and fresh in the context of a long-running series. At the same time she continues to explore themes that are present throughout the series with more depth, like Yona grappling with the legacy of her father’s lack of consideration and thought for the people who he used to rule.

Yona and her companions head towards the border of Kai, where they meet a young boy named Kalgan who proposes marriage to Yona after she shoots a bird to provide him with with some money. Kalgan wandered over from the Kai empire and is stranded, so Yona decides to escort him back to his village, a border town that has been fought over between Kai and Kohka for years. Yona’s Dragon Warriors begin to fall ill, and they need to recuperate for a time in the village where most of the residents are deeply suspicious of them. War is drawing near as well, as Su-Won and his army start to attack the Kai empire.

So far, most of the Dragon Warriors have gotten some solid character development and backstory in Yona of the Dawn, but Zeno has largely been an enigma. This volume finally showcases his unique abilities and role as Yona’s protector. For the Hak fans (and who isn’t a Hak fan!?) there are some great scenes of him taking on a wayward army, determined to take out their anger at losing a battle on innocent civilians. As Yona learns more and more about the dark side of human nature, she becomes more resolute about helping people. I’m curious to see how she manages to resolve the current crisis, I’m not sure if even she can pull of pacifying an angry army. This series is consistently rewarding to read, and one of the best fantasy shoujo series that Shojo Beat has published.

Ao Haru Ride, Vol 4

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Ao Haru Ride Volume 4 by Io Sakisaka

Oh, the agony of teenage love triangles! Ao Haru Ride explores this in the form of two best friends having crushes on the same boy, but the unique twist here is that they actually manage to remain friends as they wrestle with their emotions. The fact that one of the characters is dealing with profound loss creates a backdrop of melancholy that makes the teen romance have a timeless and nostalgic quality.

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This volume delves more into Kou’s backstory as the recently formed friend group of Futuba, Yuri, Shuko and Aya are determined not to let Kou fail out of school. Kou’s issues are not because of a lack of ability, but he has difficulty getting himself to truly try at anything. Kou is still struggling with the death of his mother, and the reader gets a flashback to see how he was put into a caregiving role during her illness at a young age. Kou’s walls of isolation from his friends don’t last forever as Futuba is determined to get through to him. There’s some great paneling and action sequences as they tumble together down a hill in a scene made for a romantic movie. As Kou embraces Futuba, she stays still so he won’t be embarrassed by her seeing him cry.

One of the earlier themes in Ao Haru Ride is Futuba’s difficulty relating to traditionally feminine behaviors, and this is brought out again when the group decides to attend a summer festival together. Yuri shows up looking strategically adorable in a yukata, and Futuba starts to feel jealous. But when Kou sees another boy talking to Futuba it is clear that he’s not as indifferent as he pretends to be. Yuri observes his reactions, but the girls continue to affirm their own friendship even while navigating their crushes. Overall, this series just continues to be wonderfully executed shoujo. Sakisaka excels at capturing quiet moments between the characters that show the glimmerings of first love.

Kakuriyo: Bed and Breakfast for Spirits, vol 2

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Kakuriyo: Bed and Breakfast for Spirits, Volume 2 by Waco Ioka, Midori Yuma and Laruha

I found the first volume of this series pleasant enough, but I wasn’t sure how well it would measure up to the heights of other Shojo Beat series like Kamisama Kiss or Demon Prince of Momochi House. Reading the second volume of Kakuriyo reminded me that it is always good to give a manga series a couple volumes to settle into itself, and I found some of the mysteries being set up in the second volume broadened the world building a bit more to capture my interest.

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The volume opens with Aoi stumbling across a Tengu in front of the abandoned cafe that she’s temporarily inhabiting in the spirit world. The elderly man reminds her of her grandfather, and she proceeds to feed him her extra food. As she introduces herself to Lord Matsuba, he realizes that she’s Shiro’s granddaughter and starts laughing with his recollections. He shares some of his memories and goes on his way. The next morning Aoi finds out that she’s stumbled into spirit world diplomatic relations, as Lord Matsuba is extremely powerful. He finds it outrageous that she’s sleeping in a storeroom and cooking, and offers to bring her to his mountain where she can be a bride for one of his sons. He also gifts her with a special fan. Aoi is determined to find her own path and declines his offer, but her worth in the spirit world has definitely increased.

The world building in this volume was also entertaining, as Aoi gets a chance to see the spirit world outside of the inn, and meets Suzuran, a geisha who is also the sister of the receptionist. It turns out that Kijin is much more protective towards the people who work for him than Aoi was assuming. She also gets a chance to win over one of her earlier enemies in this volume, again due to the power of her cooking tailored towards the individual. Seeing the world open up a little more in this second volume drew me into the story much more than the first, and I’m intrigued by the references to Aoi’s grandfather and her growing friendship with the fox spirit Ginji, who seems to remind Aoi of her grandfather in mysterious ways. Seeing Aoi’s human ways start to influence the existing relationships between the spirits is interesting, and I’m curious to see how she begins to wield more influence due to her cooking habits and approach to human-spirit world relationships.

I still wish the art for this series had a bit more of a unique twist to it, but I enjoyed seeing the airships of the spirit world, the faceless handmaidens who prepare Aoi for an outing, and the continued practices of wearing masks, as Aoi has to hide her human nature when she’s away from the relative safety of the inn. I think I’m starting to see more signs of a deeper story emerge in the second volume of Kakuriyo: Bed and Breakfast for Spirits, so I am curious to see how it unfolds.

Everyone’s Getting Married, Vol. 9

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Everyone’s Getting Married Volume 9 by Izumi Miyazono

I’m always glad when Viz puts out stealth josei under the Shojo Beat imprint, and while it might mean only one josei series from them running every year or so, I’ll take what I can get. The final volume of Everyone’s Getting Married reminded me a bunch of a last episode of a Korean drama, because Ryu and Asuka keep quasi breaking up and getting back together after long periods of time pass. Couples separating and reconciling in a dramatic fashion after many years is such a Korean drama staple!

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All along, Ryu’s fervent opposition to marriage and Asuka’s total commitment to becoming a homemaker as her ultimate goal created plenty of dramatic tension throughout the series. It was difficult to envision a happy ending where both of them would be fulfilled, but this final volume showed in an episodic fashion how their personalities shifted a bit after they paused their relationship. Asuka started finding more fulfillment and rewards at work, while Ryu realized that he can’t be solely committed to his career. It takes the wedding of an equally unlikely couple, Rio and Hiroki, to bring Asuka and Ryu back together for good. This volume was much more episodic in nature than previous volumes, with the story unfolding more like a series of vignettes. I put down this volume appreciating all the emotional depth Miyazono brought to the story. Since most of the Shojo Beat imprint focuses on high school romance, it was refreshing to have a series featuring adults dealing with relationships and commitment issues. Now I’ve just got to be patient for fall when the Maki Enjoji series An Incurable Case of Love comes out for my next mainstream josei fix from Viz.

Skip Beat! vol 42

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Skip Beat! Volume 42 by Yoshiki Nakamura

With such a long running series like Skip Beat! once it has caught up with Japan, the wait between volumes is long enough that I temporarily lose track of of the plot. But within just a few panels, my memory gets triggered and I’m back in the story again. In this case seeing Ren’s reaction to learning that Sho kissed Kyoko made the wait between volumes all worthwhile. It is always amazing how well Nakamura can portray someone attempting to be stoic when they are filled with turbulent emotions.

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Kyoko meanwhile has her own battles to fight, and Skip Beat! always excels when she has to fight for a role. She’s in the middle of a rigged contest, trying to get a role alongside her beloved Moko. Kimiko, the niece of the producer, is determined to use any advantage against Kyoko and she plays up an imaginary relationship with Ren just enough that Kyoko becomes totally distracted and forgets to focus when she’s receiving directions for the next stage of her audition. Moko ends up saving Kyoko by altering her body language just enough that Kyoko is able to intuit the rest of the scene, and she ends up turning in an impressive performance.

One of the most entertaining part of this volume was seeing Ren’s manager accompany Kyoko throughout the audition process. His interior thoughts as he observes Kyoko’s reactions and starts building up theories about Ren and Kyoko’s relationship are priceless. As the audition progresses, Kyoko is able to battle through her emotional turmoil and fully inhabit her character. One of the things about Skip Beat! that I enjoy so much towards the start of a story arc is being able to look forward to all the impending drama. Kimiko seems to be engaged in a strategic retreat, I’m guessing that she’ll return to cause even more chaos. Ren and Kyoko haven’t met yet since Sho kissed her, so I’m looking forward to that scene, I’m guessing in two more volumes or so? Skip Beat! always manages to draw the reader in, and even though the big confrontations and resulting emotional growth for the characters doesn’t happen right away the series always delivers.

Takane & Hana, vol. 7

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Takane and Hana Volume 7 by Yuki Shiwasu

This volume continues to explore how Takane and Hana deal with his changed circumstances as he adjusts to live as an ordinary businessman. It is a slightly more serious volume than usual, but there’s some great character development.

Takane and Hana 7

Hana continues to show up at Takane’s shabby apartment to feed him dinner, although he’s started to get a little better about fending for himself without the advantages of his former wealth. They share a genuine moment of connection when Takane says “Thank you” without his usual posturing and bizarre grimaces. Hana immediately checks to see if Takane might be coming down with a cold because she’s stunned at his behavior. One thing that this descent into poverty confirms is that Hana is indifferent to Takane’s wealth and status. She’s been commenting all along that his over the top gifts and lifestyle doesn’t impress her, and her willingness to hang out with him in poverty just reinforces everything she was saying earlier. Takane might not totally internalize this shift in their relationship, but he actually starts acting less arrogant in his job, and starts making moves to pull off some complex business deals independently. Takane and Hana eventually achieve a sort of new normal in their relationship, and the roles get reversed a little bit when she gets sick and he has to take care of her. This continues to be an entertaining series, and I’m finding this shift away from over the top wealth-related shenanigans to have more emotional depth and resonance than I was originally expecting. I’m curious to see if the series continues to have more of this emphasis on the character relationships or if it goes back to more broad comedy. Shiwasu is executing this series so well, I’d be fine with either option!

Shortcake Cake, vol. 3 and Ao Haru Ride, vol. 3

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Third volumes are when I feel longer running series start to settle in a bit. The reader knows all the main characters and the ongoing story lines have been established. In the case of most shoujo manga, it also means it is love triangle time!

Shortcake Cake Volume 3 by suu Morishita

Shortcake Cake 3 opens with a rainstorm, and the unsettling weather continues to mirror the turbulent emotions associated with teen romance throughout the volume. Ten continues to be fascinated with Chiaki, while Chiaki and Ten are pretending to date to throw off the odd obsessive impulses of Riku’s brother Sei. At the same time Chiaki is feeling guilty because he thinks that Ten should be with Riku, even though Ten already previously rejected him. This all sounds like teen-age soap opera insanity when I type out a summary, but Shortcake Cake delivers this all to the reader with a level tone, interspersed with the slice of life aspects of the characters being thrown together in the same boardinghouse and having to deal with issues like fending for themselves when their House Mom gets sick. Riku and Ten have a few moments together where it is clear that he’s not yet gotten over her, as he casually asks what she thinks of Chiaki. This encounter happens when they are crouched under a table cleaning up after a kitchen mishap, showcasing Morishita’s ability to make every day incidents seem oddly intimate.

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Rain shows up as a background image to the panels where Ran contemplates this moment, thinking “It was as if he was saying all over again that he likes me.” Chiaki keeps his feelings to himself, and keeps pushing Ten towards Riku. One of the reasons why I like Shortcake Cake so much, is that this point I’m genuinely unsure of who Ten might end up with, and she’s not portrayed as fickle or uncaring, just a girl who is uncertain of her feelings. This volume was much more somber in tone than the previous volumes of Shortcake Cake, but it explored new emotional territory for the characters. I’m continuing to be fascinated by the way they influence each other, and that makes for an intriguing series.

Ao Haru Ride Volume 3 by Io Sakisaka

In contrast with Shortcake Cake, I am firmly convinced that Futaba and Kou are going to end up together, but seeing how this unfolds with the pressures of teenage friendship and Kou’s newly acerbic personality is what makes Ao Haru Ride interesting. The volume opens with Futuba dealing with the fact that her new friend Yuri also has a crush on Kou. Futuba cycles through a variety of feelings, as she wants to be supportive to one of her first real friends, but she can’t escape her attachment to Kou. First, Futuba vows to like other boys, but this resolution does not last long. I’ve mentioned before that one of the things I enjoy about Ao Haru Ride is the characters’ tendency to get things out into the open fairly rapidly, so it doesn’t seem like there will be multi volume story lines revolving around people not talking to each other.

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Futaba isn’t really able to deal with her feelings honestly, and attempts to come up with arbitrary tests like “if Kou follows me off the train, I’ll keep loving him.” Sakisaka’s excellent paneling makes a conversation near a subway platform look filled with dramatic emotion. Futuba and Kou keep getting thrown together, which doesn’t do much for Futuba’s impulse to bury her feelings to maintain her friendship with Yuri. One of the things I liked most about this volume was seeing Futuba, Yuri, and Murao bond over their romantic tribulations. Futuba is starting to piece together what type of person she wants to be and pondering how to be a good friend. This volume finishes on a bit of an emotional cliffhanger, so I’m curious to see what happens next.

Yona of the Dawn, Vol. 16

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Yona of the Dawn Volume 16 by Mizuho Kusanagi

I often put down a new volume of Yona of the Dawn thinking “this was my favorite volume”, which is a testament to Kuanagi’s storytelling abilities. I’m willing to go on the record now and forever (or at least until volume 17) that 16 is my favorite volume of Yona of the Dawn. I had high hopes when I saw that the cover featured an extremely angry looking Hak.

This is the concluding volume of the Water Tribe story arc, and things have been headed towards a major confrontation, what with all the terrible drugrunning, Riri’s seizing her father’s power of hereditary rule, Su-Won and his minions appearing and hanging out near Riri, Yona getting herself injured, and people in general being repressed. As the story opens, Yona and her companions are determined to attack the fleet of the enemy and crush the drug traffickers. Jaeha has managed to secure a mini-army of attractive female divers due to his habitual flirtatious charm to aid in the attack.

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Even though it is painfully obvious from the beginning of the series that Hak and Yona are in love, there’s so much going against their romance that Hak is an incredibly sympathetic character and somewhat in the position of the underdog. He’s not acting very much on his feelings for Yona since he’s in the position of being her protector and he’s not nobility. While Hak has some great martial arts abilities, he’s not supernaturally gifted like the Dragon Warriors, and he doesn’t share the emotional/psychic bond that binds Yona and the Dragons together. All along Kusanagi shows Hak and Yona sharing a quiet moment here or there set against the backdrop of the great adventure that they’re on, but the reader hasn’t seen multiple panels showing what Hak is actually feeling before.

Most of the action external to Hak’s journey is handled fairly quickly. Riri has found her strength thanks to Yona’s friendship, and it feels like this series has to feature a pirate ship battle every seven volumes or so. As Yona, Riri, Su-Won, and their companions are standing in town and about to be pinned down by archers sniping at them, Su-Won stands in front of Yona to protect her and cautions her not to reinjure her back by firing arrows at her would-be assassins. Yona doesn’t back down from a fight though, and she has a brief reunion with Ju-Do that causes him to reflect on his own choices in staying to support Su-Won. As the local drug kingpen tries to do away with Yona once and for all, Hak comes out of nowhere to protect her from a dagger strike. He then turns incandescent with rage when he sees Su-Won.

What follows are several nearly wordless panels that dramatically portray Hak’s rage and desire for vengeance. Hak’s pupils contract, and Kusanagi switches over to using dramatic black tone and cross-hatching as Hak goes after Su-won. Hak has to go through Ju-Do first, and Jaeha tries to stop him from continuing to fight. As expected, Hak only stops when Yona steps in front of him. The rest of the volume deals with the fall-out of the incident, as Yona’s companions heal their wounds and Su-Won returns to his palace. Kusanagi has paced the story of Yona of the Dawn so well, every few volumes an event will happen that will dial up the emotional intensity and affect the relationships between the main characters even more. Seeing the rage that Hak has masked inside for so long makes the reader contemplate how controlled he’s been up to this point. Yona of the Dawn is embarking on a new story arc as Yona and her companions say farewell to the Water Tribe and I’m eager to see what happens next.

Young Master’s Revenge, Vol. 4

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Young Master’s Revenge Volume 4 by Meca Tanaka

Young Master’s Revenge has been a such a fun short series! I just finished reading the last and final volume this week and I found that it had much more of an emotional payoff than I was expecting from a manga with its main plot centering on turtle-inflicted butt scars. There’s never any doubt that Leo and Tenma are going to end up together, but seeing how they finally both grappled with their feelings made the ending of this series rewarding.

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Tenma and Leo are living separately, and she’s actually able to take care of herself finally now that she’s endured life as Leo’s maid. She’s moved on from being oblivious about romance to trying to figure out how to deal with her newly realized crush on Leo, which results in a bunch of protestations and slightly emotional outbursts. Leo’s secret scars are almost exposed, and Hana goes to whatever lengths she can in order to protect him. The confusing feelings of teen romance are amped up even further when Tenma reluctantly agrees to go on a date with “Rose King” Barazono, while Leo and Togo pretend to go on their own date in order to act as silent observers. Tenma finds herself unable to control her crying when she sees Leo and Tojo together, and Leo confesses his true feelings but doesn’t let Tenma say anything in return.

Tenma decides to take on the emotional labor of fixing everything herself and while she previously was more self-contained due to her upbringing and unfamiliarity with basic teen socialization, she stands up for herself and her feelings in quite a spectacular fashion. She demonstrates quite a few over the top angry faces along the way. Seeing Tenma and Leo finally get together without the specter of revenge that’s been hovering over the series brings everything to an extremely satisfying conclusion. Young Master’s Revenge might seem a little superficial and silly, but at four volumes it doesn’t feel like the plot was stretched out just for the sake of extra drama. It is a great series to use as a mini-vacation if you’ve been bogged down by reading too many angst-ridden manga.

I was able to talk about Young Master’s Revenge on the Shojo & Tell Manga Podcast recently, I’ll update this post when the episode is available!

Takane & Hana, Vol. 6

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Takane & Hana Volume 6 by Yuki Shiwasu

I should have read this volume earlier this winter, because it had a great Christmas story in it! But Takane & Hana can always be counted on for some breezy shoujo antics as it explores the potentially problematic relationship between a high school student and an heir to industry who become friends after Hana subs in for her sister at an arranged marriage meeting with Takane.

The volume opens with Takane standing Hana up for a date due to his workload, so she goes out with friends instead. It turns out that he was actually planning on surprising her with a Christmas date. Takane is incapable of doing anything less than a grand gesture, so he appears before Hana in a custom designed cashmere Santa Suit. Hana realizes that he planned the whole thing after she made a random comment about how normal people celebrate Christmas, and she’s touched by the gesture.

The major storyline in this volume centers on Takane suffering a reversal of fortunes when his grandfather takes away his access to all his bank accounts, his high-powered job, and his apartment, telling him that he has to prove himself by working his way up to the top. Takane’s occasional glimpses through Hana of how common people live do not prepare him at all for being cut off from his credit card. As he slowly starts to adjust to the horror of cheap suits, convenience store lunches, and public transportation, he cuts off contact with Hana, not sure what to do if he can’t appear before her with elaborately expensive presents. Hana is mystified and confused because while he certainly is in the habit of being busy with work, he’s never cut off contact with her for such a long time before. As always, Shiwasu is a master of exaggerated facial expressions, and seeing Takane react to his changed circumstances is both sad and hilarious.

One of the things that has me rooting for this relationship between a forthright high schooler and an emotionally stunted captain of industry is Hana’s habit of confronting Takane and pointing out when he’s being an idiot. Takane rejects her offers of help, but she’s not going to back down. A rich person learning who they are after a reversal of fortune is a very common plot trope, but seeing how these particular characters take on this challenge makes it interesting in Takane & Hana.