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Reviews

Fushi no Kami: Rebuilding Civilization Starts with a Village, Vol. 7

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By Mizuumi Amakawa and Mai Okuma. Released in Japan as “Fushi no Kami: Henkyou kara Hajimeru Bunmei Saiseiki” by Overlap. Released in North America by J-Novel Club. Translated by Jade Willis.

I would like to take this point to mock those reviewers who suggested that this was not going to end up with Ash having more than one wife. If I could quote one of those foolish reviews, one… let me check my notes here… Sean Gaffney, he said in the review of the sixth volume “I’m pretty sure this is not a polycule sort of book.” And yet here we are, and the outcome of the 7th book is so little in doubt that I’m even spoiling it in this opening paragraph. There are no more battles with demons or werewolves here, and the only new ridiculous tech is the finished airplane at last. No, this entire book is about politics, about the fact that Ash and the frontier territories have gotten far too powerful for the royal family’s comfort, and how they can get Alicia away from the royal family and back to her rightful place next to Ash and Maika. The cover art tells you how this turns out.

After the events of the previous book, refugees are flowing into Sacula, and everyone has their hands full trying to find ways to not have them dying in the streets or turning into bandits to stay alive. Towards that end, they have asked for help from the central territories and the royal family. Unfortunately, the king is ambivalent and also weak, and the crown prince is completely hostile. Fortunately they have Alicia, who gets the help of the Church to send much needed supplies. Unfortunately, she’s proving far too popular, so much so that even though she doesn’t want the throne, some nobles want her to take it anyway. As a result, she’s locked away in the palace. Ash is going to have to find a way to rescue her.

I find it amusing, given how Ash has gone out of his way to avoid taking credit for the many things that he’s spearheaded over the years, that the solution to his problems here is to cash in on all those things, admit they WERE all his doing, and get royal recognition (which essentially comes with an “I get whatever I ask for” coupon). As for the two wives thing, it’s pretty clear from the start that Maika is absolutely fine with this, and as a matter of fact might be more annoyed if Ash didn’t make that the solution. She and Alicia have been close ever since Alicia’s days as “Arthur”, and I can definitely see the two of them teaming up on him in the future. We don’t get a wedding, because in the end it’s the civilization that’s more important than the romance – the real climax of the book is the working plane, not Alicia declaring she loves Ash.

This is the final volume in the series, and a quick epilogue puts a definitive capper on things. It’s just about the right length, and I enjoyed this far more than I was expecting. Please enjoy this ridiculous boy becoming a ridiculous man.

Blood on the Tracks, Vols. 1-5

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One part Mommie Dearest, one part Kids, Blood on the Tracks is an unsettling depiction of the toxic parent-child relationship between Seiko, an overbearing mother, and Seiichi, her thirteen-year-old son.

The first volume is an artful tease, frankly portraying Seiko’s controlling behavior while encouraging the reader to see it through her obedient son’s eyes: as an expression of parental love. Oshimi hints that Seiko’s attachment to Seiichi goes beyond a simple desire to protect him, but it isn’t until a fateful hiking trip that Seiko’s true ability to manipulate and terrorize Seichii is revealed. In the aftermath of the trip, Seiichi begins to question his earliest childhood memories, and forms a connection with his classmate Yuko, another teen caught in a toxic parent-child relationship. The teens’ effort to break free of abuse, however, is thwarted by their age and by Seiichi’s deep-seated guilt about running away from home; the final page of volume five shows Seiichi abandoning Yuko under a highway overpass to search for his mother, rain and tears streaming down his face.

I’d be the first to admit that Blood on the Tracks is a potent reminder of just how good an artist Oshimi is. No matter what genre he’s working in, he does a superb job of creating fully embodied characters whose facial expressions, gaits, and vocal tics reflect their lived experiences; we can see how socially and emotionally stunted Seiichi is from the way he slouches and stands on the fringes of his friend group at school, and from his difficulty making eye contact with other people. Even more striking is how fluidly Oshimi segues from crisp naturalism to abstraction, using the latter as a way of representing how feelings manifest not as fully formed thoughts but as vivid, unsettling images that intrude on everyday life. Oshimi’s expressive linework and creative use of perspective give these sequences a visceral authenticity that would be almost impossible to achieve with language. 

In this scene, for example, Oshimi shows us the turning point in Seiko’s relationship with his mother. The first image in the sequence offers a fleeting glimpse of Seiko as Seiichi used to see her: as a beautiful young woman who devoted her life to protecting her son from harm. The second and third images in the sequence, however, reveal how Seiichi now sees her: as a terrifying stranger, a point reinforced by his wide-eyed stare and the faint smirk on Seiko’s lips. Oshimi sharply contrasts the beauty of the setting with the horror of what just transpired, creating a visual analog for Seiichi’s shock at learning who his mother really is.

The stumbling block—for me, at least—is that Oshimi’s stories always veer into the uncomfortable terrain of transgressive behavior and power dynamics. His characters exhibit such destructive, sadistic tendencies that his work often leaves me feeling queasy, not least because so many of his protagonists are teenagers. Maybe that’s the point: we can’t understand what it’s like to live with a pathologically selfish person unless Oshimi uses jump scares and creepy close-ups to make us feel the same sense of apprehension that Seiichi does. Yet there’s something distressing about making entertainment out of this material, however convincing his portrayal of Seiko’s pathology may be; I couldn’t shake the feeling that watching Seiko squeeze the life out of her son was a kind of emotional torture porn. I threw in the towel with volume five, but your mileage may vary.

BLOOD ON THE TRACKS, VOLS. 1-5 • BY SHUZO OSHIMI • TRANSLATED BY DANIEL KOMEN • VERTICAL

The Abandoned Heiress Gets Rich with Alchemy and Scores an Enemy General!, Vol. 1

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By Miyako Tsukahara and Satsuki Sheena. Released in Japan as “Suterare Reijō wa Renkinjutsu-shi ni Narimashita. Kaseida Okane de moto Tekikoku no Shō o Kōnyū Shimasu” by PASH! Books. Released in North America by Cross Infinite World. Translated by piyo.

I don’t think I’ve ever seen a book try to get the reader to abandon it and walk away quite as much as the start of this book. First off, and this is less the fault of the author than the fact that English-speaking fans are VERY tired of this by now, the very first chapter is called “The Abandoned Heiress Purchases a Slave Swordsman”. Those of you following the Sugar Apple Fairy Tale anime will know how this goes, but it’s still a side-eye moment. Things are not improved by the two leads snarking at each other egregiously for the first 40 or so pages – indeed, Chloe’s banter feels very forced and unnatural. Then, as you read on, you realize that this is not a fault with the writing but a fault with Chloe, and things get a lot more interesting. It’s not a must-read, but by the end of the book I was perfectly satisfied.

Chloe is an alchemist, and she’s just purchased Julius so he can help her kill monsters, which will get her materials so that she can do more alchemy and make more money. Both have tragic pasts. Chloe was a duke’s daughter, but when her stepsister arrived she became the unfavorite, and then when her father was accused of crimes and executed, she was thrown out onto the street. Julius, meanwhile, was a general for another country, and as part of the peace agreements was sold to the enemy and forced to fight in an arena for three years. Chloe responds to all this by keeping up an optimistic, cheery front that hides a very fragile young woman, while Julius has simply given up on life altogether. Fortunately, both are very good for each other, and they’ll have to rely on each other more as it turns out that Chloe’s past is still very much in the present.

This is the first of a series of books Cross Infinite World licensed from PASH!, best known here for the Kuma Bear novels, and it’s not a bad choice. I enjoy unreliable narrators, so seeing Chloe’s chipper yet slightly fake running monologue and constant praising of herself made me look for something more, and I was rewarded. Julius, meanwhile, is a jerk to Chloe at first, in the best shoujo manga tradition, but, like the better shoujo manga with that trend, he gets better. The book is very much a ‘game’ fantasy in the way that monsters, when they die, happen to drop labeled items you can use in alchemy, but honestly, that’s par for the course now. Its biggest flaw may be that it’s a stand-alone – there’s hints of Chloe’s alchemy mentor that go nowhere, and the eventual bad guy doing all this gets away and things stay unresolved. So in terms of plot it’s not great. But in terms of romance it’s absolutely fine.

That said, there does appear to be a second book in the series due out in Japan in March. Till then, if you like disgraced heroines falling for hot guys with sharp tongues, this is a good choice.

Mixed Bathing in Another Dimension: Heavenly Bath of the Seven Goddess Sisters

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By Nagaharu Hibihana and Masakage Hagiya. Released in Japan as “Isekai Konyoku Monogatari” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Sophie Guo.

I was going to make several jokes about the lengthy wait for this final volume of Mixed Bathing in Another Dimension, but it turns out I made them all in my previous review, which also had a lengthy delay between volumes. Not nearly as long as this one, though. The last time this series came out was pre-COVID. Fortunately, this is the final volume, so we won’t have to worry about it anymore. As for the book itself, it has all the strengths and weaknesses of the rest of the series. I’ve always liked this more than it probably deserves, and that remains the case. But the book is, like its hero, just so goshdang earnest that it’s hard to dislike. There are really no surprises here, no last-minute twists. There are also (thankfully) no new women added to the bath pile, which is good, because as I noted in my previous book, I’ve long since forgotten who is who, with the exception of the tiny cast list at the start.

We pick up where we left off, which is annoying as I did not remember where we left off. But basically one of the summoned heroes, Nakahana, has turned evil and is using her gift, which is essentially “sleeplearning”, to brainwash people and have her own little army of handsome men. Fortunately, Haruno’s powers can dispel this gift, but it’s a one-by-one process, so it won’t be that easy. They’ve got to infiltrate a castle, steal the king, and then go to war with a brainwashed army. And try not to kill anyone, because most of the army is brainwashed, not evil. And then there’s the actual task that Touya has to do, which is to rebuild Hades and set up a massive temple with shrines to all six goddesses… which will allow most of them to once again reappear in this world. Fortunately, y’know, he has a bath.

On the minus side, Touya’s narration still tends to sound like he’s reading us his shopping list sometimes, and the book also can’t stop going on about “ripe melons” and “obscene tits” until your eyes get damaged from rolling them back. And everyone’s just so NICE. On the pus side, that’s because, in the end, this is a found family title rather than a harem romance. There’s no romantic resolution here, though you get the sense that eventually he’ll end up with several women. But it’s irrelevant, their bonds as family and friends are more important. Also, I appreciated how the book used its OP heroes. Touya and Haruno are both ludicrously overpowered… and so the book comes up with actual obstacles that stop them simply being OP, and forces them to strategize and think. And, as with previous books, the women all do a lot here, particularly Haruno, who gets badass interior art (unbrainwashing four knights with karate chops to the head) and comedy/sexy interior art (where she accidentally shows Touya her naked body while trying to meditate).

So yeah, still not recommending this to anyone but fans who don’t mind a breast fetish. But leaving that aside, this remains a flawed but pleasant series, with a very likeable cast, and I’m glad it finally got released.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 2

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

It has to be said here: Ehrenfest is absolutely terrifying. I mention this mostly as, to a reader, that may not be the case. We’ve been with Rozemyne since the start of the series, in her home duchy, and we know its people. We also know that she is the equivalent of a human nuclear weapon, and that they’ve been desperately trying to hold her back for the most part. But to lesser duchies (like, say, Jossbrenner, who get the bulk of the short stories here), their meteoric rise has to be explained by evil. It’s the only way the rumors make sense, because otherwise, you’d have to accept that their entire change in fortune is down to the machinations of one book gremlin… who honestly doesn’t care all that much about where her duchy ranks as long as she gets books. And then we get this volume, where she talks to the King like she talks to everyone else. And produces multiple magical sacred items. What *is* Rozemyne? They just don’t know.

As always with these huge books packed with STUFF, there’s too much to recap, and I apologize for leaving out Detlinde’s excruciating tea party. But the two important things in this book are: 1) Ehrenfest and Dunkelfelger release their joint research, showing the efficacy of prayer and belief in gaining blessings, and proceed to have a demonstration which will involve (Rozemyne thinks) two of the three princes, but actually involves ALL the princes, and the King. The other duchies are somewhat stunned, but hey, it’s for the good of the country, right? Then we get 2), where Lestilaut finally snaps and challenges Wilfried to a game of “bride-stealing ditter” for Rozemyne’s hand. Rozemyne, unable to figure out a way to get out of this, then says that if Dunkenfelger lose somehow, Hannelore has to marry into Ehrenfest’s duchy. Hannelore, who is Dunkenfelger’s archduke candidate. Clearly this will be Safe And Fun.

Much as Leslilaut is an absolute ass in this volume, and I cannot wait for his inevitable downfall next time, he has a point: Wilfried is still pretty terrible as a leader of men, and as a minder of Rozemyne he borders on pathetic. That said, he does get a moment at the end when you cheer for him, when he goes to rescue (and not to capture) Hannelore. I tend not to think about romance too much for this series, mostly as it involves admitting who Rozemyne will end up with, which I’m still trying to ignore, but Wilfried and Hannelore would make quite a cute couple. Unfortunately, given Hannelore’s exceptionally bad luck, I can’t see it happening. Oh yes, and the library now has enough mana to open up some new sections, which will no doubt end up being important down the line.

So much happened in this book that it’s difficult to accept that it’s all just setup for future books, but there we go. That said, Bookworm is great whether it’s setting up pins or knocking them over, and I always love Rozemyne’s “common sense” causing everyone around her to faint or have a migraine. Keep up with this series.

Tsubaki-chou Lonely Planet Vols 1 and 2

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Tsubaki Chou Lonely Planet Volumes 1 and 2 by Mika Yamamori

I enjoyed Yamamori’s Daytime Shooting Star, even though I spent many volumes deeply concerned about the resolution of the age-gap romance in the manga. I can experience those feelings all over again, as the heroine in Tsubaki-chou Lonely Planet seems to be headed in that direction as well. Will the charming character designs and humor in this title cause me to tamp down my uneasy feelings about power dynamics in shoujo manga? Quite possibly!

Parents in manga have a lot to answer for, what with their habits of abruptly marrying people who come burdened with incredibly cute and charismatic new step-siblings, or their tendency of suddenly abandoning their children for endless overseas trips, or manifesting total financial instability that causes their high-school age children to get a job to fend off terrible loan sharks.

Tsubaki-chou Lonely Planet

In the first few panels of Tsubaki-chou Lonely Planet thrifty and responsible Fumi Ohno learns that her father is shipping off to sea to become a fisherman in order to pay off the aforementioned loan sharks. She’s being kicked out of her apartment, right when she was on the verge of being able to buy a new vacuum with the money she’s been saving from stretching the household grocery budget! She concludes that her only option is to become a live-in housekeeper to an author. Dazzled by the thought of free room and board, Fumi shows up at her new workplace only to discover that instead of the bespectacled old man with a mustache she’s imagining, her new boss is a floppy-haired young man who seems to be in the habit of passing out in his front hallway. Akatsuki Kibikino writes historical novels and lives in an incredibly untidy house. He’s not happy that a young girl showed up to clean and make his meals (he thought only grandmas were named Fumi) but after hearing that she’s totally alone in the world, he decides that maybe having a clean house and homemade meals would be a good idea after all. Akatsuki informs her that if she’s his housekeeper, it is also his duty to protect her, and he follows up on this promise.

A new transfer student shows up at Fumi’s school and makes a point of singling her out. However Isshin Imamura is harboring a decade-long grudge because Fumi beat him in a race in elementary school. Fumi begins struggling with her feelings towards her employer, and they become a bit closer just with their daily interactions. They have fateful encounters like going grocery shopping for rice. Fumi tends to be a bit naive about the world, throwing herself into some potentially unsavory situations when she hears that her father is having money troubles again, but Akatsuki has a tendency to show up just in time to rescue her. Isshin also becomes more sympathetic and has some blunt assessments about Fumi’s emotions that cause her to reflect on her feelings.

There’s plenty of humor in this series, mainly due to Fumi’s genuine skill and enthusiasm for homemaking pursuits like cooking, maintaining a coupon book, and being willing to battle it out at grocery stores for discounted vegetables. Akatsuki is grumpy and doesn’t take care of himself at all, but when he senses that something’s amiss he springs into action to help Fumi, even if it might take him a little while to realize what’s happening. Yamamori’s art is engaging, highlighting the occasional moments of emotional revelation that occur as the characters get to know each other better. After reading the first couple volumes, I’m invested in seeing how Fumi is going to make her way in the world, and I hope for the best for her. Fans of Daytime Shooting Star will find plenty to like about Tsubaki-chou Lonely Planet

A Late-Start Tamer’s Laid-Back Life, Vol. 5

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by Yuko C. Shimomoto.

It can be very difficult to write a true ‘Slow Life” light novel title. Most of the books that say they’re slow life actually have our hero doing a hell of a lot of magic battles/sword fights/adventuring, with him bemoaning the fact that he’s supposed to have a slow life. On the other hand, genuine slow life books run the risk of being punishingly boring, with our hero describing his rows of tomato plants for 45 pages. A lot of books tend to resolve this with a pile of young women and sexual situations (hi there, Farming Life in Another World), but again, that doesn’t feel like it supports the premise of “a slow life, relaxed book”. Late Start Tamer comes close, though. It’s a game, not a fantasy world, and there’s no “death game” aspect to it. What’s more, despite the presence of filthy shippers on the forums, there’s no actual romance in this series at all. It’s basically Yuto getting a series of powerful pets. It’s fun.

The bulk of the first half of the book is taken up with a Cherry Blossom Viewing party, as he has to invite some NPCs to the party to get an achievement. He also asks some players he knows, who bring other folks they know, and pretty soon the ENTIRE cast we’ve seen to date is present at this one party, stretching Yuto’s farm to the limit. What’s more, his dragon egg is hatching!… admittedly, what’s inside is a mole, not a dragon, but hey, it wouldn’t be a Japanese light novel without untranslatable kanji wordplay. After this the entire party battles a yokai that has infiltrated the party as a special event… which proceeds to unlock yokai for EVERYONE to start interacting with. Once again, hanging out with Yuto pays off.

As always, you’ll pardon me for saying the same things again, because while I enjoy this series and find it fun, it has zero character development, due to its nature as a game. I suppose you could argue that Yuto has greatly expanded his circle of friends from the start of the series, but that’s almost by accident. The mole is a fun addition, even if he looks just like the villain Mole from the Pogo comic strip. We also get a tanuki yokai which Yuto unwittingly (of course) purchases at an auction, and then happens to figure out the sequence of events to unlock them. What’s standard common sense to Yuto is mind-boggling to everyone else, and means that fans of Boruri will also end up getting a kick out of this one, even if Yuto is not quite in Maple’s league. We also get a few battles as well, though I find this the least entertaining part of the series, as the combat is nothing special.

This is not a must read per se, but if you enjoy slow life, or “overpowered by accident” books, you’ll enjoy this.

My Hero Academia: School Briefs, Vol. 6

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By Kouhei Horikoshi and Anri Yoshi. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Caleb Cook.

I’m not sure if this is the final volume of School Briefs. But it’s certainly the last one to date, coming out in Japan in October 2021. The stories take place in that nebulous period after the internship with Endeavor but before the massive war that takes up the rest of the series. If there is another volume, it may wait till after the main series has ended, as light and fluffy stories really don’t fit with the current plotline, and there’s no “gap” to put them. If this is the final volume, it has the strengths and weaknesses of most MHA spinoffs. It tries to focus on characters who get less attention but doesn’t succeed that often, it can’t really affect any of the canon plotlines or characterization so tends to be fairly pointless, and it’s still trying to get us to like Mineta, which is simply not going to happen, sorry. That sad, there are a few stories here that proved to be a decent read, and that’s all you can ask for with a spinoff.

The stories are: 1) as part of a setsubun-themed training exercise, Bakugo is ordered to make friends with Eri, which requires him to not be a constant boiling cloud of rage, something that is very difficult for him; 2) The 1-A girls are making Valentine’s Chocolate, but are waylaid by a girl who wants them to give chocolate to 1-A’s Prince Charming”… whoever that is; 3) Several of the guys decide to use some of their break to go mountain climbing, since U-A happens to have its own snowy mountain range; 4) Eri has never celebrated Shichi-go-san day, and the desire to celebrate wars with her wavering sense of self-worth. Can Shinso and a cat help? 5) the business course students are making promo videos, and 1-A and 1-B are asked to act in them… much to their horror; 6) The UA teachers have a final drinking party and the book reminds us that Midnight is about to be killed.

I despised the Mineta chapter, partly as it got in the way of some (theoretical) Valentine’s shipping, but mostly as it wants us to find Mineta being a sexist creep funny. The best chapters were the ones that were allowed to focus on character, unsurprisingly. Eri’s attempts to be useful to her new family are heartwarming but also painful to see, reminding us of the trauma she’s been through in the past. Bakugo also does very well here, finally being forced to understand that Izuku reaching out his hand to help is not meant to be some sort of pity thing, but just who he is. This is a good setup for Bakugo’s eventual apology in the main series. As for the “video” chapter, it went on far too long, and was not all that funny, but we did manage to see Kodai say more words in this book than she has in the entire series. Likely as her video had to do with a magical girl team, which is lightly related to her sentai obsessions.

As noted, the novel ends with a bittersweet chapter showing Midnight giving everyone some expensive sake she bought, and reminding the reader that this is the end of the light, fluffy stuff. It lends gravitas to an otherwise up-and-down book.

These Legs Don’t Lie! Harumi’s Legacy as the Strongest Mimic, Vol. 1

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By Tsuyoshi Fujitaka and Yuunagi. Released in Japan as “Bikyaku Mimic, Harumi-san: Tensei Monster Isekai Nariagari Densetsu” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Kevin Chen.

Sometimes a new series just doesn’t work out, OK? Leaving aside the actual content of this book, which I will get to eventually, I was informed as I began to read it that it was canceled after only one volume in Japan. Light Novel fans tend to dislike this, but after reading These Legs Don’t Lie Volume 1, I have to think, is another volume really needed? There were not really any horrible cliffhangers, there was no plot we really wanted to see resolved, the characters are not, on the whole, compelling. As a one-shot this was OK – a bit annoying at the start, very weird as it trundles along, but OK. That said, there’s no way that I would have been able to read, say, Vol. 8 of this series. I also recall the other series I read by this author, My Big Sister Lives in a Fantasy World, and how that declined as it went along too. So yeah, one volume then cancelled? Fine by me.

Our heroine is Harumi, who is a newly-born mimic (I had to look it up, as a non-gamer – think The Luggage from Discworld) being stuck at the top of a dungeon to be killed by adventurer newbies. She doesn’t want this to happen, and manages to forcibly grow legs to run away. Which does not work, but she attracts the attention of a thief with a fetish, who gives her magical high heels. As she discovers, this is a ludicrously powerful items that lets her make her opponents explode after she kicks them. She then goes on a reign of terror through the dungeon, kicking and exploding people, till the “event” has ended. Having grown far too powerful for this dungeon, she is then sent off to the place where the strongest monsters gather… if she can get there. It’s a long walk, and other folks are out for revenge against her.

Harumi is, frankly, a sociopath, who thinks very little of blowing up anyone and everyone. The way she comes across new attacks is somewhat similar to Maple, as is her somewhat ditzy narrative voice, but I’d say White from So I’m a Spider, So What? is a more apt comparison. The setting for this world is very bizarre, with humans and monsters essentially using each other to make money, and the dungeon being a kind of theme park – which means that Harumi massacring nearly everyone is a major bug in the program. Also, despite the cover art, she can’t grow an entire body by the end of this book. She can get legs/hips, legs and arms, or topless upper half, but not all three. This means there are scenes where she is running through the countryside, a treasure chest on legs, with a random urchin that she saved from bandits riding on top of her. Honestly, I wonder if the entire series was written for that image alone.

So yeah, as it turned out, after the first volume of this, My Instant Death Ability is So Overpowered really started to take off, to the point where it’s getting an anime, and so the publisher probably said “why keep up with this title which is likely unbroadcastable due to the constant exploding people?” One is enough.

Housekeeping Mage from Another World: Making Your Adventures Feel Like Home!, Vol. 4

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By You Fuguruma and Nama. Released in Japan as “Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

This series remains ongoing in Japan – both as a light novel series, which has 7 volumes to date, and as a webnovel, last updated 2 weeks ago – which makes it odd that the series really feels like it’s going to be ending in the next book. Most of the drama in this volume involves other people – first there’s the wrap-up of the Annelie and Dennis arc, and then there’s an arc that points out the somewhat rocky relationship between other adventurers and knights. It’s definitely building more of the world that Alec and Shiori are living in. That said, Alec and Shiori are still in a “honeymoon” stage of their relationship, with almost every moment between them being cute and romantic. The only exceptions are when Alec worries about Shiori’s past and sudden appearance in their country, or when Shiori worries that Alec is actually royalty. Both of those things need to be resolved before they can marry… and it’s being dragged out.

We pick up where we left off, with our merry band having resolved Annelie and Dennis’ love life… well, at least their feelings for each other… and now it’s time to head back. On the way they find the annoying nobles from the Empire have opened the massive door that screamed “do not open”, and now the worst of them is dead, and the other two are ill. Fortunately for them, our heroes are all nice, so they drag them back home, despite the dangers on the way back, including mythical beasts. Once home, Annelie and Dennis have Mrs. Tragic Backstory arrive to explain what ACTUALLY happened in Dennis’ past, and why their family has not spoken with the adventurer’s guild in ten years. Finally, in a side story, Alec, Shiori, Zack and Linus are called to a village with an infestation of monster bugs and find the knights and the village folks are not getting on.

This is one of those books where the reader has to be careful not to be disappointed by the story that isn’t being told. Everything about the past of Dennis’ father and what turns out to be his MALE partner reads like it’s going to say everyone lied to cover up a gay relationship. That’s not what happens here, and the explanation of Dennis’ grandfather, the actual villain of the piece, is far less interesting. I wonder if this may have been changed for the light novel – everything about the death is framed as “they were lovers”, even the final image of their dead bodies holding hands. It’s weird. As for Alec and Shiori, now that she’s more relaxed around everyone she’s letting more things slip, and Alec and the others are starting to realize that she’s probably not from “the Eastern lands” at all. Unfortunately, she and Alec are still too afraid of ruining their burgeoning love to confess their backstories to each other.

This is well-written enough, and I’ll definitely keep going, but I found this book a bit more frustrating than the previous ones, and hope the next book takes a few definitive steps forward.

Formerly, the Fallen Daughter of the Duke, Vol. 3

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By Ichibu Saki, Nemusuke, and Ushio Shirotori. Released in Japan as “Moto, Ochikobore Koushaku Reijou desu” by Mag Garden Novels. Released in North America by J-Novel Heart. Translated by Andrew Schubauer.

When an author has a favorite character to write for, and you love that character, it’s always a treat whenever they show up. Unfortunately, when they are NOT your favorite character, it cam prove excruciating. This book’s antagonist, Charlotte, has been difficult to read since the start of the series. Clearly she’s also reincarnated from Japan, but we get no details about that except her utter rage at the fact that the route is not going her way. Worst of all, this book features a lot more Charlotte than the first two, and her scenes are a lot harder to simply try to skip over. That said, I will admit the payoff to this is really, really good – more on that later. Alas, a cliffhanger shows that we’ll get more Charlotte in the fourth book. Which admittedly may be because without her around, there’s no real conflict or problems – it’s just Claire having a wonderful time with her fiance. Nice, but dull.

Claire is not quite at the point where she has to do anything from the last timeline yet. The magical tornado is still in the future, and they’re working hard to make sure that when she goes back home for the event that destroyed her last time, she’ll have better magical protection. Fortunately, several clues fall into her lap: her mother’s bracelet turns out to be a powerful magical tool provided they figure out how to activate it. And a series of fairy stories, shown to them by Claire’s former charge from her previous life, Isabella, tell you exactly what to do to activate it. What’s more, Nicola is now in Claire’s domain and is doing quite well for herself… though she seems to spend most of the time exasperated at Claire’s former fiance, Asgard. Everything is perfect… till Charlotte steals the bracelet.

There is one scene that made me cheer in this book, which unfortunately is balanced out by the scenes that made me rub my temples. As noted above, almost everything that drives the plot forward in this book occurs due to either a happy coincidence (the bracelet stuff) or brain-boggling stupidity (Claire leaving the bracelet in an easy place for Charlotte to steal it). Even the cliffhanger ending, which introduces a new antagonist, feels tacked on for the sake of a cliffhanger ending. HOWEVER, this is all offset by the villainess scene. After 87 million books where our heroine, as the villainess or a noble girl, is disgraced and shunned in public in a way that makes us sympathize with her, it’s a delight to see the same thing happen to Charlotte, who deserves every minute of it. I cheered.

Sadly, this is still something I would call a very “mid” series. If you’re still reading it, you can probably get the fourth volume, which I hope is the final one. But it’s not remotely essential.

Private Tutor to the Duke’s Daughter: The Lady of the Sword’s Lament and the War in the South

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

As the author has noted in previous books, Lydia has by far the biggest advantage among the other girls who are in love with Allen, and judging by comments I’ve seen on the original webnovel site (the webnovel is still ongoing, by the way), fans seem to prefer Lydia as well. Our author said that he’d try writing Lydia out of the plot for a bit, but that didn’t even last one book. Now we have this solution, which is to make the reader feel that having Allen and Lydia end up together would be bad for her. The front half of this book has Lydia and her family being told that he’s presumed dead, and she completely falls to bits. It’s almost comical, as everyone writes her off as being useless without Allen. By the last quarter of the book she’s recovered, cut her hair, and is ready to join in the battle… and becomes so terrifying that by the end of the book no one dares go near her for fear of accidentally being murdered.

This volume can be divided into thirds. The first third has Tina, Ellie and Stella back home, dealing with an invasion from the North in addition to the noble’s rebellion. The last third has the Leinsters dealing with an invasion from the South in addition to the noble’s rebellion. And in the middle portion we get a flashback showing Allen’s “final” moments, as well as the reaction of Caren and his parents to this. We get introduced to the “Hero”, Alice, who has a past with Allen and Lydia, and who seems to suspect that Lydia is going to snap and have to be assassinated before she turns evil. And we discover that it’s not just Lydia, all the Leinsters are absolute monsters who will destroy you if you get in their way. We also get more tantalizing hints of backstory about Allen and Lydia’s time at the academy… but no flashbacks, dammit.

So yes, of course Lydia doesn’t actually kill the opposing Army, it’s made very clear that they’re all burned but alive. Still, the implication is that this is Not Okay, and Lydia knows this but can’t help herself. The feelings of despair have to go SOMEWHERE. Meanwhile, it’s pretty hilarious that Allen is *still* doing the “I can’t believe you’ve heard of me” given that he’s clearly known to everyone in the Kingdom as a legend and the most important man to kill when the rebellion starts. Certainly Richard tells him point blank, “Look, either marry Lydia or have us take you into the family anyway”. Everyone desperately wants Allen to be credited for SOMETHING, and his last stand in this war may be the answer. He is, of course, not dead, and appears to be trapped in the evil magic dungeon of bad things. I expect, since Book 6 had lots of Lydia, that the 7th book will shift towards Tina, but no doubt we’ll also see Allen do amazing things that he insists are just things that anyone can do.

As you all have no doubt noted, I’m on Team Lydia as well, mostly because of a reason that is very important to me: she’s not 13 years old. This continues to be a much better series than it has any right to be, and the battle scenes were excellent.

I Swear I Won’t Bother You Again!, Vol. 3

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By Reina Soratani and Haru Harukawa. Released in Japan as “Kondo wa Zettai ni Jama Shimasen!” by Gentosha Comics. Released in North America by Seven Seas. Translated by Molly Lee. Adapted by T. Anne.

I remember when I read the first volume of this series, I was impressed at its ability to take a stock plot, “villainess goes back in time to try to avoid her fate”, and seriously examine what traumas they might actually carry back by doing so. In the second volume, I was impressed (but also a bit wary, as it’s clearly the end pairing) at showing how disturbing and obsessive Yulan’s love for Violette is, and also at how the series shows that even if you do have a “safe haven” at school, and make new friends, there’s still the abusive family at home. And now we have the third volume, and by the end of it I am reduced to begging the author to please make it stop. This is still an excellent, compelling read, provided you can get past, well, the entire plot. But let’s face it, at this point we’ve switched genres. It’s not a villainess book. It’s a horror novel.

In the first two-thirds of this book, things are looking relatively good for Violette. She manages to apologize to Claudia for her previous behavior, closing the book on that chapter in her life. She’s managed to make a good friend in Rosette, another noble who hides her true self behind a facade. Sure, Yulan tells her that he can’t study with her this round of exams because he has to study with Maryjune, but that’s… she can deal with that. She may not like it, but she can deal with it. Heck, she’s even having Marin come up with new hairstyles for her, which is a big, big change, because her hair is one of her triggers from her childhood abuse by her mother. Then even more good news: her abusive father is called away to her grandfather’s place for the week! Now mealtime will be peaceful… OR WILL IT?

There’s no sugarcoating this, the last third of this volume is straight up terrifying. We haven’t really seen much at all of Lady Elfa, Violette’s stepmother, in this book, and given how absolutely terrible Violette’s father was, and how innocently terrible her sister is, I wasn’t sure we needed another terrible person. Sadly, I proved to be incorrect. (Indeed, the author states that the head chef, named in this volume, is literally the only non-terrible adult in the series.) Elfa feels like a horror parody of all the smiling, “ara ara” moms that you see in anime, and her words and actions towards Violette come uncomfortably close to a line I really really do not want this series to cross. That said, the most terrifying parts of the book involve Marin, Violette’s maid. She’s not the heroine, so does not have plot immunity, and I am very, very worried that she will not live to the end of the series.

I can’t recommend this series for everyone anymore, as it’s just become far too harrowing. If you don’t care for emotional torment as a plot device, Tearmoon Empire would be a better “villainess goes back in time” book. But for those who love a good soap opera that’s not afraid to get dark as pitch, this is a nightmarish yet thrilling ride.

Bride of the Barrier Master, Vol. 1

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By Kureha and Bodax. Released in Japan as “Kekkaishi no Ichirinka” by Kadokawa Bunko. Released in North America by Yen On. Translated by Linda Liu.

Sometimes you get the feeling that you’re reading something in the wrong medium. Bride of the Barrier Master is a shoujo manga. Everything about it screams shoujo manga, and the personalities of the two leads are designed so that we can watch the expressions on their faces as they react to each other. Unfortunately, while there *is* a manga adaptation of this light novel, this isn’t it. I mean, I get it. Sometimes the written word is all a creator has. It’s fine. The problem here is that without visuals, everything just feels a bit too harsh. We’re supposed to admire the perseverance of the heroine and laugh at her biting cynicism, but I found her a bit too mean. Likewise, the main guy has a bit of that “I can be an asshole to you because I’m hot” vibe that really doesn’t work when you can’t see him being hot, so it just makes him seem controlling. This isn’t a bad book, it’s perfectly readable. It just feels off.

We are, for once, in modern Japan, but it is a supernatural-tinged Japan in danger of being overrun by Shades. To combat this, five huge pillars are set up as a barrier, each pillar controlled by one of five families – who are very rich and powerful as a result. A family in the biggest clan has twins, Hana and Hazuki. They’re delighted with both of them… till Hazuki shows off impressive supernatural power, and Hana shows off bupkus. Hana is immediately shunned by her parents, who don’t physically abuse her but certainly there’s plenty of mental and emotional abuse. Over the years even her sister, sympathetic at first, grows to look down on her. Then, when she turns 15, Hana suddenly comes into a huge amount of power. Sadly, she’s far too worldwise and cynical at this point, and does not desire any sycophants saying they always knew she was wonderful, so she hides it. But can she hide it from the head of the family, who is looking for a bride?

This is something like the 4th title in a few days I’ve read featuring an abusive family and their daughter, and that might be tainting my viewpoint a bit. Hana’s bitter wit can occasionally be amusing, and I do like the genuinely loving relationship she has with the three shikigami she has created. You certainly sympathize with her desire to simply forget about the supernatural altogether and become an OL. As for Saku, well, we’ve seen his type in shoujo manga before. He’s attractive, powerful, and smart. Women throw themselves at him, and he’s totally uninterested in them. Hana, on the other hand, is rude and dismissive towards him. It’s almost love at first sight. That said, I’m nev3er fond of the “I will manipulate you into loving me by this written contract” as a plot device, and I don’t like it here. He’d be better off being sincere… except I’m not sure Hana can even accept sincerity at this point in her life.

Again, this isn’t bad, it just feels a bit sour and fatalistic. I’m sure if the manga is licensed (only one volume is out in Japan to date), it will be more pleasant to read.

Sasaki and Peeps: Psychic Battles, Magical Girls, and Death Games Can’t Contend with Otherworldly Fantasy ~Or So I Thought, but Now a Storm Is Brewing~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

It’s getting better. There are still a few times where I wince while reading the series, mainly whenever the neighbor girl is trying to manipulate Sasaki into sexually assaulting her (he doesn’t), but for the most part the series is doing what it does best: mashing up genre after genre and watching our deadpan salaryman crush all of them as he flies past. Sasaki may be a bit of a stoic sad sack, but the series wouldn’t work at all if the protagonist were, say, Kazuma from KonoSuba. It not only requires his experience as a Japanese salaryman to drive a lot of the plot, but also his reserve helps the reader glide through the plot without taking anything too seriously. Which is good, because this series is still mostly a comedy, but also bad, because there are a lot of things I think could do with being taken more seriously, such as getting the neighbor girl some therapy.

Sasaki continues to juggle the various light novel plots he finds himself in. In the fantasy world, the count’s daughter Elsa is being taken as a “concubine” by an evil Duke, so Sasaki agrees to help fake Elsa’s death and take her with him to Japan, where she can hide out in a hotel. In the “psychic” world, he continues to investigate mysterious happenings (most of which have to do with one of the other genres he’s in) while trying to get enough blackmail material on his suspicious boss. In the “magical girl” part of the book, he finds her trying to murder another psychic. Sadly, before that gets anywhere, he’s dragged into the “angels vs. demons death game” genre we started to see last time, and finally discovers what the neighbor girl has been up to. Unfortunately, everything completely is blown to hell and back due to one fatal mistake: he lets Peeps get drunk.

I do suspect a lot of the salaryman humor in this lands better in Japan than it does here – he’s constantly apologizing to the girls around him, and thanking them for their support of him, in a way that is meant to evoke the office even as it happens while they’re watching demons blow teenage girls’ heads off. The best part of the book was seeing the neighbor finally get drawn into the main plotline as opposed to being a very uncomfortable side story. She’s still very uncomfortable – I hate using the word yandere, but it does apply here, and her rape/suicide fantasies are deliberately disturbing – but now that she’s involved with everyone else, hopefully she can get a little help? Maybe? The book ends in a four-way Mexican standoff between all of the various underage girls Sasaki has pulled into his orbit – none of whom he’s remotely romantically interested in, but I see what you’re doing there. And that doesn’t even count the traditional “looks nine but is decades older” girl. Which, again, light novel trope.

It appears we’re adding aliens to the stack of plots if the cliffhanger is to be believed, though if I were Sasaki I’d worry more about calming down his not-harem first. This series is absolutely not for everyone, but if you have drenched yourself in light novel plots over the years, it can be a lot of fun.