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Reviews

Earl and Fairy: The Changeling Princess

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

This feels like it was inevitable. Throughout the series we’ve seen our two leads struggle with everything about their love affair, mostly the fact that it exists at all, but also Edgar’s attempts to be a better person (he keeps failing, but he’s making an attempt, and makes it far more often this book) and Lydia’s self-doubt in regards to not only everything Edgar does but also his past and her own life. Her confession halfway through the book that she worries that she’s a changeling feels a bit out of nowhere at first, but gradually the reader comes to realize that it’s informed a lot of her actions in this series. If Lydia can’t trust her own self, can’t even believe that she’s human, then there’s no way she can trust Edgar, and no amount of reassurances and reenactments of the Orpheus legend are going to change that. This leads to a cliffhanger ending that sure feels like, if this series was not a runaway success (which it was), would lead to the 7th book being the last.

Some more of Edgar’s past is catching up with him – this time a pirate crew, which includes Lotte and Pino, two young people who were with him in America. They watched him toy with Betty, another young woman in their group, who apparently turned out to be a long-lost princess, but more importantly, is also missing, and allegedly kidnapped. This also ties in with a request form one of Edgar’s holdings to look into a baby kidnapping which might be down to fairies. Edgar and Lydia, with Raven and Ermine in tow, thus head off to the village, where they find that Ulysses had not only been there before, but was much better at pretending to be the heir than Edgar is – particularly when it comes to getting the village to commit atrocities in the name of “prosperity”. Now Edgar and Lydia have to rescue Betty, defeat a giant dragon wyrm, and also somehow resolve their tortured courtship. Two of those things end up happening.

I appreciated that Ermine got more to do here, and I also appreciate that she’s still not 100% trustworthy. Leaving aside Lydia’s belief that Edgar/Ermine is the real OTP, which has more to do with her own self-image than anything else, there’s the scene with her and Kelpie, shown to the reader but very pointedly not revealed to either Edgar or Lydia. There’s something else going on with her, and I hope it doesn’t lead to her dying – again. Her own fluid identity between selkie and human, and the fact that she doesn’t see herself as anything other than human unless forced, also serves as a mirror to Lydia, whose every move in this book seems to be about resolving what she believes – that she’s a fraud, a fake, and that once she returns to the fairy world everything will be fine and happily ever after. Lotte may set off the cliffhanger in this volume, but honestly I think she did both Lydia AND Edgar a great service. These two need a break.

This was one of the stronger volumes in the series, really showing off the reasoning behind both leads being basket cases. I really want to see what happens next.

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 7

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By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

The ‘horny’ parts of this series are becoming increasingly hilarious, as it has become apparent the author’s goal is to get the reader as mad as possible at everyone else who is trying to stop Yoshin and Nanami from going further. Which, my guess is, also includes editorial at Hobby Japan, who want this series to go on for a very long time and possibly get an anime while continuing to have them occasionally kiss each other and sometimes sleep next to each other. That said, even Yoshin and Nanami are starting to lose patience with the author. Nanami at one point invites Yoshin to touch her breasts, which he does not. There is a “could you put suntan lotion on me” scene that is filled with erotic tension, including moans. I appreciate that this is meant to be sweet and fluffy, and I enjoy that greatly. But please let these sweet, fluffy teenagers bang each other like drums.

Yoshin and Nanami have a lot going on. The class rep appears to be the one who left the note about the dare, and they’re trying to figure out what she actually wants. Yoshin has started a new part-time job which has a hot college-age gyaru waitress who is very extroverted and quick to get in your personal space. And the combination of both of those sets Nanami into a spiral, as she worries that if Yoshin meets any other girl who likes him, she might be dumped. This despite the fact that everyone who sees her talks about how amazingly hot she is. It just goes to show that self-image does not have to match outer appearance. Most importantly, it’s Nanami’s birthday, and she wants to spend the ENTIRE day with him, from midnight to midnight. Will they be able to resist temptation? (See first paragraph for answer.)

The afterword talks about how easily the tense drama in this series is defused, but that’s good, because you don’t want tense drama from a series like this. With the co-worker it’s a really easy defusion – she’s in college, not interested in 16-year-old Yoshin, and is mostly just bad about personal space. The class rep is harder, mostly as she’s bringing her own bad past into Yoshin and Nanami’s own relationship and laying it over, thus she can’t understand why the two of them are so happy when she’s so miserable. Yoshin lays out the theme of the books to date – we constantly communicate, and don’t let things simmer and fester. (There actually is a brief 2-day fester in this volume, which feels like a month to the two of them, but even in that period everyone around them talks about how they can’t stop flirting.) The resolution to class rep’s issues feels a tad forced for fictional purposes, but I’ll give it a pass, as long as Nanami’s worries can eventually calm down.

These two are basically married, so the rest of the series is going to probably be high school events (Book 8 looks like it’s school festival time) and watching these sweet kids not screw each other till the cows come home. Can’t wait to be frustrated more.

I Could Never Be a Succubus!, Vol. 3

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By Nora Kohigashi and Wasabi. Released in Japan as “Watashi wa Succubus Ja Arimasen” by Hero Bunko. Released in North America by J-Novel Club. Translated by Roy Nukia.

Sometimes this series can be heartwarming, and sometimes it can be horny. But the one thing it cannot be for more than two pages is serious. The prologue to this volume suggests that the demons are ready to make their comeback, and we anticipate a serious, gripping battle. What we get it… well, it’s a battle. But this series is also dedicated to being funny as well as heartwarming and horny, and I will admit, to its credit, it did much better at cracking jokes than a lot of its light novel contemporaries. You could argue the final battle was a bit TOO ridiculous, but the basic premise of this series, as well as every single chapter that begins “Then”, is just as bad if not worse. There may very well be a serious final battle, but I doubt it will be till then end of the series. Which this isn’t. So please enjoy +20 Squeaky Mallet Of Doom.

The hero’s party are doing their best to include a rather puzzled and exasperated Liz in their party and their training, and if this means that she has to train while wearing a bunny girl outfit, well, technically that’s her own fault. One of the demon lord’s minions has started attending school, which worries her, though it’s a different transfer student who she should be concerned with. And she also goes to a drag bar which turns out to be a secret information bureau for top secret missions, which… is handled much better than I was expecting when I saw it was a drag bar. Unfortunately, the demon lord sends the hero a challenge to duel at the demon castle, and the hero’s party can’t just ignore it. That said, of course Liz is staying behind… except she’s not allowed to.

There are fewer and fewer chapters set in the past as this series goes on, mostly as we’ve now met all the main cast. But it does help to not only show off what a shameless pervert Liz was back when she had her memories, but also why she was so beloved by the party anyway, and why they’re desperate to get her healed. After the final battle in this book she gets to have her old self back for the rest of the day/evening, and while she ends up making a big thing about turning it into roleplay (helped out by Sylphie, whose masochistic depths we have not begun to plumb, though this volume helps a lot in that regard), she ends up spending the night making love to Cain, because they DO love each other, and not having her around to get exasperated by but also be at her side is killing him. The others may tease him the next day (next to a baffled, re-amnesia’d Liz) about his nighttime activities, but they’re all really happy for him. This was not just getting his rocks off, there was more to it.

If it sounds like I’m making this silly series too serious, well, probably. One of the “good” horny light novel series.

A Tale of the Secret Saint, Vol. 6

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

This is not the first time I’ve seen this happening, but I am noticing that, having established the fact that Serafina was raped for weeks before she was murdered in the past, and that this is really the main source of the PTSD she still suffers, the novels are doing their best to dial that back so that they don’t have to make the reader think of it again. It’s become a sort of general demon trauma, but it’s also become specifically “that one guy”, who we (but not Fia) already know is not the “demon lord’s right hand man” at all. The front half of this book actually deals with that trauma, giving us an actual demon, and is quite good. Unfortunately, I think we have hot a new record, as the main part of the book ends just before the halfway point. We now have more side stories than regular plot.

Fia is still on vacation with Green, Blue, and Kurtis, and, since it came up when she returned to her childhood home, she goes into greater detail with them about her fear of demons. And it’s just in time, as while they’re up on the mountain they happen to run into a young woman with black hair and black eyes, who is clearly a demon but enjoys toying with them, calling herself a poor defenseless human. Unfortunately, she *is* a demon, “The Bird Cryer”, and much as they’d like to tell a panicked Fia to stay back and let them handle it, she’s more than the three others can handle. Fortunately, this is not the one demon Fia is traumatized by, so she’s able to pitch in. The rest of the book is, well, Fia being Fia. Which let’s be fair, might be why people are reading this book more than folks who are here for the plot.

So yeah, Fia is a giant silly person, who doesn’t get that she is obvious and unsubtle and super powerful. She hands out potions that can restore someone’s health from a coma without thinking about it. She hands Blue and Green (and yes, despite them giving it away several times, she still doesn’t know they’re royalty) a curse-destroying hairband for their sister, not thinking anything of it that she’s basically given her peace of mind and stopped the trauma. She gets her commanding officer one of the most powerful griffons in the land. Accidentally. She rediscovers magical hearing restoration potions as she didn’t realize that in the 300 years since she made them, they became unknown. If she put her mind to it, she could easily take over the world. Everyone but her knows this. Fortunately, she is 100% avoiding this. She’s just a knight, after all!

I really wish we had more main story and less side stories, but this remains funny and cute.

RVing My Way into Exile with My Beloved Cat: This Villainess Is Trippin’, Vol. 2

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By Punichan and Canarinu. Released in Japan as “Akuyaku Reijō wa Camping Car de Tabi ni Deru: Aibyō to Mankitsu Suru Self Kokugai Tsuihō ” by DRE Novels. Released in North America by J-Novel Heart. Translated by sachi salehi.

When this series is playing to its strengths, it really works. Mizarie has a camper van, and it is basically her OP Sword or her “my magic defeats everything” item. We may one day find a monster that her camper van cannot defeat by simply running it over, but that moment dies not occur in this book. And that’s not really a spoiler, because this sort of series has no plot you have to care about. The only real dramatic thing from the last book, which is Raoul’s injured arm, is basically the “what drives me” plot here, but otherwise there’s no real danger or worry here. The camping is great. The cooking and eating is also great. The bits that are not camper van or cooking are not as great, but that’s the trouble with writing a series which revolves around one gimmick. Fortunately, there aren’t many points where that’s the case.

Mizarie wants to find an elixir that can heal Raoul’s damaged left arm, and for that they’ll have to go into a dungeon. So they head towards Labyrinth City, which is exactly what you’d expect, and we get the usual guild stuff. Mizarie also learns how to fight monsters, which worries her at first. But in this book, slimes really are ludicrously weak, so she’s fine with them. As for anything else… well, turns out the main dungeon they end up going to is, especially as they get lower down, wide enough for her camper van to pass through. So, good news: monsters are not an issue. (Admittedly, going back for drop items can be a pain.) When they finally reach the bottom of this dungeon, they’re met with a great spirit, who is pretty ticked off that they’re invading her home.

Again, the camper van remains the reason to read this, though there are many things here that will appeal to foodie isekai readers, such as Mizarie and Raoul selling filet-o-fish burgers to hungry adventurers for marked up “I’m at the airport” prices”. She levels up quite a bit in this book, mostly as, well, she runs all the monsters over. As a result, she gets things like an extra bedroom, a bathtub, a microwave and a dishwasher put into this magic storage space. Honestly, though, the best part of the van, aside from its sturdiness against orcs and goblins, its its GPS, which allows them to map the entire dungeon, locate monsters and other adventurers, and also solve the final puzzle that the Great Spirit has for them. No wonder the elf they’re traveling with decides to stay behind – she’s too jealous.

The third book is coming out in Japan in a month or so, and shows them going to the fantasy equivalent of Japan (boy, remember the villainess part of this book? The author doesn’t). To my surprise, it does not say it’s the final volume from the “three is enough” company Drecom. I’ll be reading it regardless. This remains the fluffiest sort of fun.

Like a Butterfly, Vols 1-3

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Like a Butterfly, Volumes 1-3 by Suu Morishita

Suu Morishita series are an automatic buy for me, after Shortcake Cake, I went against my self-imposed ban on buying digital first series to get A Sign of Affection (one of my favorites of all time), so I was delighted to have a chance to read an earlier series, Like a Butterfly. It deals with communication issues in a different way than Sign of Affection but is extremely compelling.

Like a Butterfly

Suiren is incredibly beautiful, but her beauty is actually a burden. People have an oversized reaction to her outward appearance, and she chose to go to an all girls middle school because of the unwanted attention. Unfortunately she received just as much attention there, but did have the benefit of some fierce female defenders who would fend off boys at the school gates. Over time, she began to develop a self-defense mechanism of speaking very little and having almost no self expression in order to not provoke any type of unwanted attention. She thus has the nickname “the mysterious flower”. Suiren’s old friend Aya is her main companion, and helpful social navigator. Suiren notices Kawasumi, a quiet boy with glasses who is consumed by karate a couple times at school. He comes to her rescue when an upperclassman takes her bag and announces that he’s going to walk her home. His method is to use some karate moves but expertly pull his punches so his opponent knows full well that Kawasumi could absolutely destroy him. With Kawasumi, Suiren has found someone that she wishes would notice her, but he’s not really able to talk to girls either, even though he notices her back.

An additional complication is introduced in the form of Koharu, a forthright girl who has developed a crush on Kwasumi and starts asking him out. She comments to Suiren that she doesn’t want to be a passive flower but a butterfly who will fly towards whatever she wants. Suiren is struck by the contrast in their personalities and also wants to go after what she wants. Like a Butterfly develops at a glacial pace, but due to the nature of Suiren and Kawasumi’s communication difficulties any interaction between them is charged with meaning. Their friends serve as both cheerleaders and sources of running commentary when they aren’t really able to express their feelings. Suiren gradually makes some overtures, but Kawasumi’s radar for dealing with attention for girls is so broken that he isn’t able to understand what’s happening very well. By the third volume, the not-quite-a-couple has been to a festival and Suiren has actually cheered Kawasumi on at a Karate tournament. The art for this series is great, I was continually amused by the many variations of Suiren’s expressionless face that end up actually telegraphing her feelings. I was predisposed to like this series and the first three volumes did not disappoint.

Loner Life in Another World, Vol. 9

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By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Lorin Christie.

Good news, we’re back to a normal page count for Loner Life. Which is still over 400 pages, but at least it doesn’t break the 500-page barrier like last time. As for the content, honestly, a lot of this is set up for a battle we haven’t gotten to yet. It’s clear that we will eventually be fighting the Evil Church, and the way that Haruka is stressing about it, in his own bananas way, suggests that he’s sure they have a secret weapon similar to Nefertiri. As such, everyone in the cast takes turns attempting to go and fight the battle, while keeping the others safe. Haruka wants to go alone. The girls all want to go. Angelica and Nefertiri want to protect Haruka. It’s a vicious circle of self-loathing and love. I appreciated Merielle lecturing Haruka towards the end of this book, telling him that women are stronger than he thinks, and eventually they are going to have to (as Marielle has) kill people. Stubborn Haruka still wants to avoid this.

On the cover is Arianna, the cleric who arrived at the end of the last book. She’s from an offshoot of the Church that isn’t evil, and has come to the group to ask for help. If you look at the “inner cover” all these volumes have, you’ll see her looking crazed and holding a sword, but I think that’s a deliberate deception – she’s not secretly a bad guy, she’s just being put through Haruka’s Training from Hell (the funniest part of the book, as he grabs her and the other folks in her party and literally swings them like swords (they are also holding swords) until they level up enough). And then the Church holds the royal family hostage, so something has to be done. And that something is… MORE leveling up, as Haruka is still trying to learn how to fight normally, and the girls are all still one step behind when it comes to being strong enough to go fight a major enemy on their own.

As with previous volumes in this series, it requires the reader to have a lot of recall about all the books books and who all the characters are, even when you haven’t seen them in a while. I appreciated the plot twist with the merchants (and it helps to set up future arcs), but I could have used a quick reminder about where we were with the elves, as I forgot they came back with Haruka and everyone else. I did really enjoy one moment near the end as Haruka struggles because his body is moving faster than his brain, where he appreciates how, unlike himself (who has to level up the weird way) or the nerds (who are gamers and think like gamers) and meatheads (who are strong enough to simply punch things till they win), the girls are having to deal every day with leveling up and their body being slightly different, having to learn how to move slightly differently, not being able to trust footwork… he really does see how they’re struggling and improving vastly. Even if he won’t say it to their face.

I left out all the sex stuff, but be assured it’s still there, and this book drips with horniness. As always, though, the interest lies in the other stuff. Next time, the church battle? Nope, judging by the cover, Beastmen are next.

My Magical Career at Court: Living the Dream After My Nightmare Boss Fired Me from the Mages’ Guild!, Vol. 4

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By Shusui Hazuki and necomi. Released in Japan as “Black Madōgushi Guild o Tsuihō Sareta Watashi, Ōkyū Majutsushi to Shite Hirowareru: White na Kyūtei de, Shiawase na Shinseikatsu o Hajimemasu! ” by SQEX Novels. Released in North America by J-Novel Heart. Translated by Mari Koch.

So, good news and bad news with this volume. The good news is that, mostly due to Luke being recovering in bed till the climax, there’s very little of the annoying pining going on. We get Noelle resolving the “he told me he loves me” cliffhanger at the start of this book, and she does it in the most Noelle way possible: “Oh, he totally means as a friend”. Unfortunately, in place of the tortured romance we get another one of THOSE nobles. You know, the ones that aren’t just evil but super duper evil with bells on. They murder, they blackmail, they poison, they rape, they’re pedophiles. I bet they also signed up for the Columbia House CD program without paying too. They’re so ludicrously bad it was almost distracting. But that’s the nature of these series, and no worries, once Noelle and Luke reunite, they’re basically unstoppable.

Despite what the cover shows, the subplot with Evangeline becoming Noelle’s bestest friend is only at the start of the book. It’s actually rather sweet, showing Evangeline as sort of a Yunyun type, who has no idea what friends actually do, so Noelle basically takes her out on a typical commoner day, eating, drinking, and having sleepovers. After this we get the more serious plot: the 3rd prince, who is 8 years old and has always been sickly, has been poisoned and is slowly dying. This is because the king is trying to have the nobles pay tax again, and the rich corrupt nobles object. Now Noelle, seconded to yet ANOTHER unit, must not only find a way to save the prince but also has to figure out the mole in their department who has been gathering evidence on the corrupt nobles and is trying to take matters into their own hands. Could it be the most obvious suspect?

Well, yes, it is the most obvious suspect. This is not a mystery, it’s a romantic suspense novel with comedic undertones. As such, Letitia is clearly going to get her tragic backstory now, though that’s less interesting than the fact that the relationship between Letitia and Gawain in school mirrors almost exactly the relationship between Luke and Noelle, and it’s also pretty clear there’s a romantic thing going on as well, which both are avoiding and which likely won’t happen as long as there’s “I need to lie in order to protect them” going on on both sides. Luke and Noelle don’t have that issue, but they may have a new issue carrying into Book 6: Luke’s attempts at getting Noelle by his side for good are upset by the Prince coming in and demanding that she move to HIS side. Everyone Wants Noelle. What can she do? Honestly, possibly continue to study as hard as possible to defeat her rival!

This remains great fun, and had some nice dramatic tension near the end. Just remember the Evil Noble Who Is Really Really Evil lurks within.

Playing Death Games to Put Food on the Table, Vol. 1

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By Yushi Ukai and Nekometaru. Released in Japan as “Shibō Yūgi de Meshi o Kuu” by MF Bunko J. Released in North America by Yen On. Translated by Kevin Yuan.

It’s my own fault, really. I get lured in by people assuring me, no, this one is really good, it’s different from those other ones. And don’t get me wrong, it is! This is a good book. It’s got really nice twists, the few characters who last more than five pages are interesting, and the heroine is a fascinating headcase. I can see why fans of death game books will really enjoy this. But I don’t dislike the death game genre because they all tend to be generic and cynical, or because they’re badly written. I dislike the death game genre because it involves people playing a game where they die. And I mean, spoilers, that happens here. Not counting our heroine, there are only a few other characters who survive these games. That said, if you’re not me, this is really good, and does have enough twists and turns to make it a quite interesting book even if you’re not a death game fan.

Yuki wakes up on a bed, dressed in a maid uniform. But it’s OK. She’s done this sort of thing before. She gets up and moves to the main room, where she meets five other girls, also in maid outfits. They’re here to play a death game, which is known to some of them but a total surprise to others. Yuki has done this 27 times before this, so is an old hand at knowing what to do and how to survive, and tries to guide the others through it. Unfortunately, the game is filled with deadly traps that require deadly choices, and it won’t let them go without at least a couple of deaths. Can Yuki manage to take all the experience she has and keep the others safe?… not really. That’s not what this book is about at all. Yuki is here to survive. And to do that, well, sometimes you need to do bad things.

The book starts off saying this takes place in a “deranged world”, and it’s not wrong. This is a world where constant death games are the entertainment, with contestants coming back over and over for various reasons if they survive. Oh yes, this may change in future books, but all the guests are young women or teenage girls. I get the feeling I know the exact audience this world is aiming for. The book also does a clever thing where the first half shows us Yuki in her 28th game, blase about everything, and the second half shows us Yuki in her 9th game, still with a bit of soul left in her. Yuki is, not to put too fine a point on it, a mess. Far from being there to put food on the table, it feels like she plays death games as she’s unable to really cope with any other kind of life. That said, she’s not an actual killer, like some of the other contestants. She’s just sort of broken.

Again, this was good, and I can see why it won awards (though I can’t really see why they had the judges do two of the three afterwords). But, again. Death games. I’ll stick with Higurashi and Umineko, but leave the Dangan Ronpa generation (which gets mocked in this first book) to its own.

You Are My Regret, Vol. 2

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By Shimesaba and Ui Shigure. Released in Japan as “Kimi wa Boku no Regret” by Dash X Bunko. Released in North America by Yen On. Translated by Andria McKnight.

It’s a good thing these books are relatively short, because wow, I really cannot stay too long in the depths of the teenage drama we get with these books. When the funniest joke in the book involves taking a box cutter away from a girl clearly using it on herself, saying he’s borrowing it and to ask for it later, you know you’re not on the light and fluffy end of the romcom scale. I mean, we all knew that Kaoru was in love with Yuzuru, and that he was unaware of this, but trust me when I say that solving that little problem turns out to be the easy part of this book. Because Kaoru also has her own life to deal with, and it’s one that Yuzuru is unaware of… but that will soon change. I suppose the good thing about being a teenager is you’re allowed to make mistakes while you’re young, but man, I really wanted to punch him about 3/4 through this book.

That cover image sort of sums up the entire book, but let me try my best anyway. Kaoru is coming to club a lot more erratically after the events of the first book, mostly as she sees that Yuzuru and Ai have made up, and clearly they’re a couple again. (That’s not quite true, something that allows the climax of this book to happen.) But Kaoru is also dealing with a lot of home trauma, some of which Yuzuru has heard about before. Her mother has had a string of bad men in the house, and apparently thinks little of having sex with them anywhere and everywhere in the house, which Kaoru has walked in on more than once. Worse, the new guy *seems* like a more respectable dude, but clearly isn’t. The stress of this combined with her first love being shattered leads her to try to push Yuzuru away as hard as possible. Unfortunately for her, he’s figured out how he screwed up with Ai, and is now over-correcting too hard in the other direction.

I am glad that Yuzuru’s mother emphasized how dumb he was when he intervened with Kaoru and her mother, as I dearly wanted to throttle him. I get it, the last time he didn’t talk things through and pulled away, it all went to shit, so there’s no way he’ll do that again. But here, not only does he get into physical danger thanks to a guy who (surprise) does turn out to be a piece of shit, he also manages to be Kaoru’s hero, which means there is absolutely no way she’s not confessing to him now. Fortunately, the girl whose problem will take up the third (and final?) volume does not appear to be in love with Yuzuru. Yet. I also felt that the resolution between Kaoru and her mother happened WAY too fast. I could say the same about Kaoru and Ai, but Ai has been presented to us as “flaky” since the start of the series, so I’ll give it a pass here.

So, if you like the Higehir author, or teen angst, this is still worth your time. Just.

Babel: A Girl Embarks on a Journey of Words

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By Kuji Furumiya and Haruyuki Morisawa. Released in Japan as “Babel I: Shoujo wa Kotoba no Tabi ni Deru” by Dengeki Bunko. Released in North America by Yen On. Translated by Amelia Imogen Mason.

I will admit this review is slightly harder now that the Spring Anime season is al;most over. “From the creator of Unnamed Memory, the hot new anime, a semi-sequel!” would be a much bigger deal if the anime had not been a lifeless mediocre adaptation determined to get through the story as fast as possible. Which is a problem when you have an author that writes books as long as Furumiya does. This one is 460 pages, a good 300 pages longer than the average KonoSuba. It doesn’t lend itself well to a speedrun. So, I will amend: if you enjoyed READING Unnamed Memory, and also enjoyed the author’s series A Pale Moon Reverie, this is more of the same, with good character writing and some exciting action scenes. And yes, it is a sequel, but it takes place 300 years after the first series, and you don’t need to have read it to get a lot out of it.

Shizuku is a young college student dealing with a massive case of middle child syndrome when one day she is confronted with a mysterious hole in space, which transports her to another world. She is lucky to survive landing in the middle of a desert, and ends up in a town that is clearly nothing like the Japan she knows. Fortunately, she comes across a stoic but kind mage, Erik, who promises to help her try to find a way back home, if she will teach him about her mystery books. As, while Shizuku can speak the same language as everyone else in this world, that does not extend to reading or writing, so she just has her college textbooks, which are in Japanese. And English, and German, which she’s also studying. Can she get home without getting involved in plot stuff? And can she learn to read and write from the handsome but remote young man with a mystery past?

Shizuku is easily my favorite part of the book, yet another heroine with massively low self-esteem who doesn’t understand how fantastic she is. Her older sister had extroversion and charm, her younger sister had focus and anger, and Shizuku seems to have seen herself as someone who wasn’t really much of anything, floating through life. That said, she’s able to stand up to a lot of situations in this book that would give most people the screaming heebie jeebies. The isekai part of this book (which was rewritten and expanded from a version that came out in 2016) is new to this author, whose Unnamed Memory was known for avoiding the standard light novel cliche. But it’s handled well here – Shizuku only has her college freshman education, which means that she struggles to explain things she learned through cultural osmosis, and she will not be inventing mayonnaise anytime soon. That said, the fact that she isn’t of this world allows her to save the day at the end of this book, and I expect this to continue.

This has already ended in Japan, and so we know there’s 3 more books, no doubt as big as this one. I’m here for them. I really love this author.

Miss Savage Fang: The Strongest Mercenary in History Is Reincarnated As an Unstoppable Noblewoman, Vol. 2

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By Kakkaku Akashi and Kayahara. Released in Japan as “Savage Fang Ojō-sama: Shijō Saikyō no Yōhei wa Shijō Saikyō no Bōgyaku Reijō to natte Futatabime no Sekai o Musō Suru” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Sarah Moon.

First of all, some good news: while she is still fairly worshipful towards Mylene, the character of Colette is allowed to keep a lot of her kickass attitude from the first book. In particular, while I would not call this a yuri book per se, it is very clear that a) Mylene, being a male mercenary reincarnated, is not interested in men, and b) Colette is incredibly thirsty for Mylene and will absolutely try to seduce her whenever she gets a chance, held in check only by Mylene’s grumpy attitude and realization that it would upend a lot of things Mylene does not want upended. Basically, Mylene is looking to get through the next few years without what happened in the previous world happening again. Unfortunately, that religious cult is still around, they do not like Mylene at all now that she’s not their evil queen bitch, and they are ready to assassinate her.

Sure, this may take place in a world with magic, gods, and apocalyptic prophecies, but we are still in a high school of sorts, adn that means that there’s going to be a culture festival. Or the equivalent in this universe, which basically has the students compete to see if they can be good businessmen and women. Mylene realizes that selling upscale goods that nobles can get anywhere is not going to cut it, and suggests what amounts to a maid cafe… and is somewhat horrified to find that this means she will have to wear a maid outfit as well. There’s also a student, Melissa, who is hanging around, glaring at Mylene, and then running away. She’s essentially the “heroine” of this universe, a priestess who led the charge against Mylene in the old world and died a martyr. Here Melissa is more concerned by Mylene’s current personality, which is nothing like her old one.

This had a big “difficult second album” feel to it, as I got the sense that the author had written it as a one-shot and wasn’t sure where to go from here. The fact that we haven’t had a 3rd volume in Japan in the last two years does not really help that feeling. Still, the volume’s not bad. Colette is just plain hilarious, especially when she’s trying to politely say “take me now” and getting into fierce rivalry with Prince Albert. (She also gets the blatant fanservice in the book’s color pages.) The assassin himself is also interesting, mostly as he’s not a devoted cultist like the last bad guy, but a serial killer who just delights in killing off “interesting people” for the sake of the drama. Literally – he was a playwright. The final fight between him and Mylene is excellent, though I was annoyed that Melissa is basically just there to be a plot device. Oh well, I’m sure she’ll integrate better in the next volume.

If there is one. Till then, this is decent enough villainess fare, for those who like one who swears a lot.

The Angel Next Door Spoils Me Rotten, Vol. 7

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By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

This series continues to feature more of exactly what readers want, provided what readers want is Amane having an amazingly low self-image and also being overly polite about “not going too far” to the point that it’s actually starting to annoy Mahiru a bit. More to the point, now that they are a couple, and everyone in school knows it, they’re both having to deal with jealousy. Yes, both. It’s expected from Amane, as Mahiru is the Angel of the School, and that’s the premise of the series. But Mahiru is also starting to realize that her attempts to clean up Amane’s life, give him some self-esteem, and show off what a great guy he is means that other girls are going to think the same thing. And she hates that. It all comes to a head at the culture festival, featuring maid costumes, butler costumes, and lots and lots of thirst. Well, it’s Angel Next Door. Not thirst. Mild dryness.

So yes, it’s culture festival time, though this is a milder one compared to other series – no outsiders, invited family and friends only. But there’s still maid cafes, and much to Amane’s annoyance, that’s what the class chooses, even if it means everyone will be ogling his girlfriend all day. That said, she does look REALLY good in that outfit. And he also looks really cool as a butler, though you’ll never hear him say that – all signs of him being cool come from outside his own self-hating narrative, because you can try to clear up all the past trauma but it still lingers on when the plot demands it. Can he survive a customer trying to grope Mahiru’s ass? Can he survive his parents being amazingly embarrassing? And, yes, we finally get the full story on Itsuki.

We’ve heard the story of Itsuki and Chitose in dribs and drabs, and some of it in the short story book, but here we get the actual reasons behind things. He’s from a rich family, where there’s actually a need to carry on the family name. Being a second son, this should not affect him – except the first son decided to marry the girl he liked, who was not father approved. And now that he sees Itsuki doing the same thing, he is determined to dislike Chitose, especially since she’s the sort of girl that would grate on him regardless. I like how everyone realizes and admits that there’s no way to “fix this”, and there’s nothing Chitose is doing wrong per se. It’s just that sometimes family can be difficult. And even so, Mahiru ends up being jealous, as even though Itsuki’s father is against his relationship at least he acknowledges Itsuki exists. Mahiru still has the worst parents crown.

All this plus Amane’s determination to be a gentleman, to the point where Mahiru has to almost browbeat him into using his tongue. The Slow Burn Express is not stopping at this volume, but it’s good anyway.

Demons’ Crest, Vol. 1

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By Reki Kawahara and Yukiko Horiguchi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by James balzer.

I had heard, for some reason, that this was Reki Kawahara wanting to do something different, and if you look at this book superficially, you might laugh. It’s about a bunch of folks who get trapped in a gaming environment where they can actually be killed, and most of the battles and technical talk is straight from the gamer handbook. And we also have eye/ear tech that bonds with your body and is used by absolutely everyone in the real world, as this takes place about 10 years in the future. Fans of SAO and Accel World must be going hrm. And yes, it does feel sort of like an author of romance fics featuring the same couple deciding to do something different by doing a Pirate AU of that exact couple, but I do think this has a few things that really do make it different. First of all, these are 11 and 12-year-olds, meaning for once being immature jerks is actually not only tolerable but expected. Secondly, it’s clear that what Kawahara REALLY wanted to write is a Death Game. (Yes, yes, SAO, but…)

The kids of Yukihana Elementary School are excited. They get to try out a brand new, still in testing virtual reality game that feels just like real life!… well, mostly. They’re still working on smell and taste. We follow Yuuma Ashihara and his twin Sawa, as well as their childhood friend Nagi and Yuum’s best friend Kenji as they try to capture monsters, card-captor style, and defeat dungeon bosses. Then suddenly Yuuma finds himself back in the VR capsule… and when he gets out of it, he finds the class idol, Sumika, stumbling towards him, with her face blank except for a row of ravenous teeth and holding a severed arm, presumably of a classmate. Now he has to join up with his sister and best friend (childhood friend is missing) to try to figure out what’s going on and survive.

This does do some things well. The romance is kept to a 12-year-old level, which is a bit of a relief, frankly, especially as the body count starts to get higher. The action scenes are as good as you’d expect for this author. I admit I was a little annoyed with Sawa clearly putting off telling her twin brother (and the reader) what really happeneed till the cliffhanger ending, as it felt forced. There’s also a guy in here… I forget what his name in the book is, because I just called him “Monoma Neito” as soon as I read him, and anyone who’s read My Hero Academia will do the same. Only, unlike Monoma, this guy looks to be actually evil. Lastly, I did enjoy the fact that folks think about what will happen if they do escape this. The monsters are not all game-only, some are classmates or adults turned into monsters, and I don’t think “I killed them because it was a death game” will fly if they get back to reality and have to explain things.

Still, reality looks a long way away. Fortunately, there is a 2nd volume coming soon, which hopefully features Sawa actually talking. Till then, for fans of ‘trapped in a game’, death games, or this author.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 17

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

This series started off with very powerful characters, and it’s only been adding more and more of them as it goes on. Even the comedy relief crybaby girl is an incredibly powerful archangel, and there are all new archdemons, each of which are, when viewed apart from the story itself, utterly terrifying. As such, it’s rather refreshing that we spend a chunk of this story with Micca, the lowest-ranked archangel, who is on the team merely because the swords choose their owner, and thus still feels like a teenage boy struggling to provide for his lower-class family. He’s a nice kid, and will happily help the mysterious, robotic-sounding maid girl try to find her master despite being obviously suspicious. So of course this guy finds himself, at the climax of the book, to be the fifth person in a battle to the death between four of the most powerful people in the world. Some days you really should stay in bed.

All Zagan and Nephy want to do is have a cute ice cream sundae date, but things keep getting in the way. Well, mostly it’s Asmodeus, who wants to try to make a deal with a somewhat irritated Zagan because she knows that “throw demons at Zagan till he’s overrun” is indeed a strategy that could work. She’s also, like many villains in this series, slowly turning out to be not so bad after all. The same cannot be said for Glaysa-Labolas, who is definitely the villain this time around, as he finds the location of Forneus, an archdemon who might be able to help Zagan, as well as Shax and Kuroka, who are supposedly on their “honeymoon” but in reality are trying to gain his support. Unfortunately, Forneus also turns out to be the owner of the maid girl I mentioned above, so when she and the teenage archangel all arrive at the same tavern, everything gets very messy.

This series tends to run on “very powerful people who can destroy the world are useless dorks when it comes to love”, and no one has been a bigger dork in the past than Shax, who the reader has wanted to throttle many times. But eventually (I assume, the anime only adapted two volumes, meaning it could theoretically come back for 8 more cour) this series is going to have to end, meaning that some of these people are going to have to get their shit together at some point. And Shax and Kuroka look to be the closest to doing so, as Chastille and Barbatos are stuck in comedy relief land (I love that her “curse” is “no, you’re just that clumsy”) and Zagan and Nephy are stuck in Archie Comics-style romance. They both get several chances to be cool here, and there’s even some accidental kinky ear biting, showing, as with every other catgirl in Japan, the ears are an erogenous zone to Kuroka.

One complaint: if the text is going to describe a dead person as “diced”, don’t draw interior art showing them with a bit of blood loss. Beyond that, this was a decent Archdemon’s Dilemma, a series that really should wrap up soon, please.