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Reviews

Daytime Shooting Star, Vol 7

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Daytime Shooting Star Volume 7 by Mika Yamamori

This manga brings both the drama and major uneasiness as Suzume and Shishio progress a bit on their student-teacher romance and then things get curtailed, causing plenty of angst.

One of the reasons why I enjoy reading this manga so much is that it makes me feel uneasy, which is not all that typical for shoujo manga. I’m not sure if Yamamori is going to be able to pull of a happy ending out of this series, and for all the swoony feelings of first love happening, it is difficult to escape the issues with the age gap in the main relationship in the manga. Suzume asks Shishio to go to a shrine for New Year’s and shows up wearing a disguise so no would be able to identify them in public. When a snowstorm causes them to miss the last train back, they have to check into a bread and breakfast and hide where they are. Shishio straight out lies to Suzume’s uncle, which is a bit beyond the pale, even if nothing much has happened on the romance front other than some significant gazes and a couple kisses.

I really enjoyed the chapter in this volume that was presented from Nekota’s point of view. She’s rightfully cynical about her own popularity and reflects on how she’s changed since developing a genuine friendship with Suzume. This chapter gave much more insight about her character, and the shifting point of view felt refreshing.
There’s also a bonus story in this volume that didn’t make a ton of sense, since Yamamori was collaborating with another author. I’m curious to see how Suzume deals with the emotional fallout from this volume, and if she’s able to move on a little bit with her life. Mamura continues to be awesome, so I’m hoping that Suzume at least attempts to give boys her own age a chance.

An Incurable Case of Love, Vol. 4

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An Incurable Case of Love Volume 4 by Maki Enjoji

I do always wish that we got more josei from Viz, but I will take my one series at a time josei and enjoy it if I need to! Often in An Incurable Case of Love, there’s external conflict in the form of crazed stalkers or too-handsome additional doctors.

In this volume Nana and Tendo have to deal with a sudden opportunity for him to study abroad popping up, along with some memories from his past. It turns out that Nana is not the first nurse that Tendo has dated a nurse, his relationship with an extremely capable nurse with an incurable disease prompted him to specialize in pulmonology. Nana first tells Tendo not to leave but he ends up being so scattered and distracted at work that he’s not able to perform up to his usual standards. Nana points out that she’s actually capable of managing on her own and tells him to pursue his dream research opportunity.

Misunderstandings abound, but Nana and Tendo end up on the other side with a stronger relationship, although they are helped along the way by some of their interfering co-workers. Now that they’re officially dating, they need to switch up their work departments, and Nana needs to move from trainee nurse to being on her own. Her sudden business underscores just how much Tendo actually depends on having her around for emotional support, even though he’d never come out and say it. Overall, this was a solid volume, although it left me wanting a little more drama.

Prince Freya, Vol 2

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Prince Freya, Volume 2 by Keiko Ishihara

I enjoyed the premise and setting of the first volume of Prince Freya, even though I thought there were a couple pacing issues. I was curious to see if the next volume would feel a little more settled, and I’m happy to report that this volume felt much more cohesive as Freya settles into her new life as Prince Edvard, fending off evil plots and throwing herself into the action as much as possible. The volume picks up as Freya as Edvard attempts to save the royal guard Mikal from being kidnapped, only to put herself in danger in the process.

I’ll be honest, one plot point that I do enjoy about reverse harem scenarios where girls have to disguise themselves as boys is how often the boys surrounding the heroine start feeling oddly protective of their new companion and aren’t sure why their feelings have shifted. This happened multiple times in Prince Freya, so I found myself greatly enjoying the sillier aspects of the character dynamics. Mikal finds himself newly intrigued by Prince Edvard now that Edvard seems to have received an abrupt personality transplant. Freya is fiercely loyal to her friends, including people that she’s just met in her new role.
Aleksi and Julius head off to the rescue, and while they fend of danger with some help from Freya, Julius delivers a stern lecture about the responsibilities for self-protection that have to be present in royalty or someone disguising herself as royalty. Freya vows to protect everyone, including Julius, which causes him to be quite emotionally shaken.

As the story unfolds, Freya’s open personality cause her to strike up an unlikely friendship with one of Prince Edvard’s subjects, but her good intentions end up creating even more difficulties that are only solved by some bold action. The art in Prince Freya continues to be clear and dynamic, which is essential due to how many scenes involve combat by swords. One aspect of this manga that I found both intriguing and a bit startling is the body count that is starting to build up as Freya navigates her new world. It is true that there’s an inherit danger to being faux royalty, but I’m starting to find myself a little anxious about the survival prospects for anyone close to Freya. The cliffhanger at the end ensures that I’m already impatient for the next volume.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 10

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This has been such a relaxed, somewhat sweet series that it actually can be startling when bad things happen. For the most part, the bulk of this book involves building a giant bath at Zagan’s castle, which he doesn’t really care about, but the rest of his increasingly large cast of women staying with him want very much. There’s discussion of the different kinds of baths, lots of teasing of various people who are still not quite hooked up with anyone yet, and a huge fight between Zagan and Barbatos, taking out large chunks of the forest, that basically revolves around “is it OK to peep?”. (Zagan says no.) Even when we cut to the bad guys, things are seemingly a bit more calm, with the twin assassin girls being given pocket money and sent out to the city, whereupon they buy a giant parfait. Unfortunately, horrible things do still happen here, and there is actually a real plot burbling underneath.

It can be a bit difficult to figure out who the major evil that needs to be defeated is in this series. First of all, Zagan has ended up turning a lot of former enemies into his allies. Secondly, of the current evil forces group, the twins are actually very cute when they’re in downtime mode (which makes the fate of one of them all the more tragic), Shere Khan is essentially a non-entity here, and Bifrons, the closest thing we’ve had to a big bad to date, ends up helping Zagan at the end – sort of. He’s still plenty evil, as the leading archdemon will attest, but there seems to be something even more evil behind all this – perhaps related to Azazel. Speaking of the twins, the serious part of the book has them both realizing they’d sacrifice their life to protect the other one, and then getting in situations where this is required. It’s touching and also a bit horrifying.

Then there’s the flip side of all this, which is Zagan and company. He’s still trying to figure out his own past, and there are several new revelations here about his childhood with Stella and Marc. Indeed, one of Archdemon’s Dilemma’s conceits is that everyone has connections to each other person in the series that they either don’t know or forgot about – ranging from serious (Marc’s identity in the church) to somewhat comical (where Chastille learned how to be such a good swordswoman at such a young age). Zagan and Nephy, fortunately, just get to be a cute little couple, again not actually achieving a romantic breakthrough just yet but this time around they manage to have a bath together with washing of the backs, which is nice. Certainly they’re miles ahead of the other not-quite-couples in this book.

So yes, this is mostly sweet and fun, but be warned it gets quite dark about 3/4 of the way through. Still a solid entry in the series, though.

Act-Age, Vol. 1

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By Tatsuya Matsuki and Shiro Usasaki. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Camellia Nieh.

In general, when you think of Weekly Shonen Jump, a certain type of series comes to mind. Lots of boys shouting at each other. Friendship/Training/Victory. Tons and tons of characters getting more and more powerful. Or you think of the goofy romantic comedies, usually involving a hapless guy and the bevy of girls who beat up/like him. But lately Jump has been going outside of its comfort areas quite a bit. And this new series (if you can call it new when it already has 112 chapters out in Japan) is certainly not the cliched Jump title. Indeed, the first thing a person might think, even after reading the first volume, is that someone put this on the wrong label and that it should be running in Betsuma instead. But no, this is pretty shonen. It’s just that instead of pirates, or volleyball, or superheroes, it’s acting that gets the Jump treatment. Best of all, the protagonist is a teenage girl, still a rarity in Jump titles.

The start of this series makes it seem like it’s going to be darker and more depressing than it is. Kei Yonagi is raising her twin sister and brother by herself, trying to hold down jobs, go to school, and still have time to go to acting auditions, where so far she’s had no luck. Her emotions sometimes flow out of her when she thinks of her life, so she “resets” by recalling times when she was happy and smiling. That said, her method acting has not gone as unnoticed as she expected – the main reason she wasn’t cast is that the head of the agency refuses to let her act as it would be bad for her mental health. She’s opposed in this by a young hotshot director, who feels that Kei would be strong enough to get over the issues that method acting can bring about. More importantly, he just really wants to work with her. So begins Kei’s life lessons in how to act.

As someone who got a drama degree in college, let me be honest: I hate method acting. I would not say that it leads to mental stress the way that this manga does, but I feel that it should be used as one of many kinds of choices, not a be-all-and-end-all. Still, the manga does a pretty good job of portraying Kei’s burgeoning talent, as well as showing why she hasn’t gotten anywhere so far – she’s far too raw and has trouble with directions. What’s more, she draws the camera to her even when she’s playing an extra – which is bad. Fortunately she has director Kuroyama, who does some questionable stuff here (please do not kidnap girls off the street), but knows that Kei’s abilities can further both their careers. She’s arresting when she really tries. It’s that sort of thing that makes me want to read more.

This series struggles at times to keep its audience – Usasaki’s art in particular is highly variable throughout – But I really liked Kei’s character, and also her “character type” – stoic airheads are one of my favorite things. If you enjoy acting, or just like unusual Jump titles, this is definitely worth your time.

I Refuse to Be Your Enemy!, Vol. 2

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Tara Quinn.

In my review of the first volume I said that light novel fans would be disappointed but romance fans should be happy. This volume dials back the romance (though it’s still there), and I’d argue that it may be fans of RPGs who get the most out of the series, as it’s become a military fantasy novel, which Kiara’s choice to become a spellcaster having far more of an impact on the plot than whether she likes Reggie or Cain. (It’s Reggie, btw. Of course it’s Reggie.) The cliffhanger is resolved fairly quickly, but the overall situation is not, as the King and castle are still very much under attack. We also get a couple of good choices for ongoing villains in this book, and see quite a few people on both sides die, which impacts Kiara more than anyone would like. But most importantly, Kiara and Reggie show how incredibly similar they are to each other, and how that’s a VERY bad thing.

Last time I noted that Kiara’s life in Japan was far more vague than in most reincarnated isekai protagonists, and that’s still true, but we do see a bit more of it here, including some of her life in Japan as Chisato, when she was essentially pretty happy but also alone much of the time, having no siblings and two parents who were working much of the time. She’s determined to avoid the fate of everyone in the game, and we’re pretty sure what she’s managed to avoid turning into an evil spellcaster, at least, but saving Reggie is not as simple as stopping the soldiers from killing him that one time. This is a constant war, and Reggie is in constant danger. As is Kiara, much to Reggie’s chagrin – the woman he’s falling in love with is not one who would take kindly at all to him shutting her away to keep her safe, so he doesn’t, but boy does he hate that.

This series is a romance. And it ends with Vol. 6 in Japan. Not to spoil hideously, or anything, but the final volume has a wedding couple on the cover. That said, you might be surprised at that when you read this book, where you’re wondering if the series may actually kill Reggie off a third of the way through it, or kill off its heroine by the end of the series. It turns out that the thing that he and Kiara both share is a flagrant disregard for their own safety that verges on suicidal tendencies at times. In fact, in the dream we see Kiara have in the epilogue side-story, her reaction in the original world to being killed by Alan was essentially “oh, thank God”. In the second half of the book this turns almost comical, with both desperate to save each other at the cost of their own lives and then getting really upset when they do just that. They really are perfect for each other.

This is a smooth and easy read, with the translator change not really noticeable. If you’re here for the romance, I hope you like slow burn. If you like turn-based RPG strategy books, though, this is right up your street.

Wandering Witch: The Journey of Elaina, Vol. 2

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By Jougi Shiraishi and Azure. Released in Japan as “Majo no Tabitabi” by GA Novels. Released in North America by Yen On. Translated by Nicole Wilder.

It did not escape my notice, when reading the first volume of Wandering Witch, that the best stories in it were the ones that focused on Elaina and her past rather than the ‘Elaina arrives at a strange town’ stories. Sadly, there is no more backstory here, just the wandering witch. Which should be fine. It’s why we picked up the series, after all. Look at the over! It’s the witch, smiling, drinking a cup of tea. This should be a relaxing, slow life series with a nice mix of humorous and serious stories. Unfortunately, I seem to have caught the author on a bad day. They admit as much in the afterword, where it’s noted how dark and tragic many of the stories in this book were. Indeed, one story was cut from the book for being too dark, which boggles my mind. Now, it’s possible that the next volume may try to counterbalance that. But that still leaves Wandering Witch with a problem: the people in this book are terrible.

Most of the stories here are short, with two or three longer ones that have a bit more emotional heft. Elaina goes to a country where prejudice against non-magic users runs rampant; stops a war between two villages; tracks down a runaway princess; starts a fashion trend; deals with a beast girl with a tragic past (the best story in the book, even if it was as much fun to read as a root canal); helps a man find his father’s inheritance; goes to a country where truth is magically enforced; has interaction with a bomb manufacturer; discovers her old teacher has written a book; goes to a country where laziness seems to be the norm; goes to a fake zombie town now infested by real zombies; tries to hide the truth from some happy-go-lucky hunters; and deals with a country where you had better love cats – or else.

As you can see, these sound exactly like the peaceful, slow life sort of stories you’d expect here. The trouble is the characterization. The people in these stories are bigots, shallow, greedy, slothful, and sometimes genuinely evil. Even the nicest stories deal with what might best be described as misguided fools. If Kino’s Journey has a running theme of ‘war is horrible’, Wandering Witch’s might be ‘people are awful’. Sometimes there’s karmic fate, but more often than not nothing really happens except Elaina leaves and goes to the next town. The very first story upset me in particular as Elaina sees that the non-magic using people in this town are being persecuted and literally called animals, but merely disapproves of this and leaves. She’s meant to be rather emotionally deadened, but it just ends up seeming incredibly callous. This also makes it harder with stories like the beast girl one, where Elaina is supposed to be genuinely moved and upset – it seems fake because of how we’ve seen her before. Also, her “that girl – it was me” narrative joke isn’t funny and makes her sound smug.

I’d heard that future volumes of this leaned on the yuri a bit, but I’m not sure how good it’s going to be. Saya, the girl from the first story of the first volume, shows up again and clearly has a massive crush on Elaina, but it’s unreciprocated. Moreover, one of the stories involves a romance between two women, but it ends up being treated like more of a punchline than anything else. More to the point, after this second volume, I simply don’t want to read anything more about this witch and her journeys. Which is fine. I’m sure if told that I was dropping her series, she’d simply shrug and move on to the next town filled with selfish, irritating people.

Last Round Arthurs, Vol. 2: Saint Arthur and the Red Girl Knight

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By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I’m not sure why it took almost a year between the first and second volumes of this series to come out, but fortunately it doesn’t really matter much. Even if you’ve forgotten what happened in the first book, the protagonists quickly steamroller over your doubts and get around to what Last Round Arthurs wants to be: Fate/Stay Night with Haruhi Suzumiya as Saber. I know I said this last time, but it bears repeating: this series is so unoriginal that it beggars belief. In the first volume, the author basically admitted that he was asked to make a Fate ripoff, and getting the guy who does the art for Index and DanMachi Sword Oratoria to draw it just means that half the characters remind you of those two series. I joked on Twitter that it was the Black Clover of light novels, meaning that it is a series that will unashamedly steal any hot new trend, but somehow manages to work anyway. There’s nothing really annoying or boring about its unoriginality. It’s fun. Provided you can stand Luna.

On the cover are the newest competition in the battle to be King: Emma, a girl who has been brainwashed/tortured by a bunch of French religious folks to be the perfect candidate (with a little help from Rintarou, who had no idea what was actually going on but knew they were abusing a girl) for King, and Sir Lamorak, who may be one of the more obscure Knights to casual readers but is well known to Arthurian fans as one of the strongest knights of all. This being a Fate ripoff, she looks like a 10-year-old girl. Emma wants to be King for supposedly noble reasons; Lamorak is super strong and tough. What can stop them? Rintarou, who seems perfectly content to switch sides? Luna, who is busy buying a mansion with all their funds and continuing to insist that she wants to be King for the fame and the money? Certainly not Sir Kay, who had better be the final Last Boss of this series or I’m going to be cross. We’re in for an epic battle.

This volume has a bit of a point it’s trying to make, which is “you don’t have to do what your abusive family tells you to do if it doesn’t fit you, find another path”. Sadly, this ends up being “you are a weak little girl who is not fit to be king, perhaps an attempted rape and being made literally into a maid by the final pages will make things better”, which left a very bad taste in my mouth. Other than that, this book is Big Dumb Fun, much like its heroine. As with the first volume, Luna is obnoxious and awful until things get serious, and is shown once more to be a better king deep down, even if on the surface everything about her is terrible. She’s hardly the sort to be a tsundere, so we get two other options for that here with Felecia (the standard example) and our hero, Rintarou (the distaff example). And the action scenes, attempted rape aside, are very well handled.

So this won’t change your life or make you want to write fanfiction. But if you’re sad Fate/Zero’s novels aren’t licensed and want something with as much fun but 80% less tragedy, Last Round Arthurs is just the right sort of book. And I think the third volume is due out in the fall, so there will be less of a wait.

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 6.5

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

The origins of this volume are rather tortured. Around the time that Season 1 of the anime was coming out, they had the author do an episode about the athletics festival, that was not in the novels. This was Episode 13 of Season 1. At the same time, he was asked to do exclusive stories for the BD/DVD releases, and decided to greatly expand this episode into one big novel (yes, despite the .5 in the title, this is NOT a short story volume). The story came out cut into thirds, one per release. It’s now being collected as this volume, which takes place between Vol. 6 and 7 (hence the numbering)… except for the bonus story, based on a CD drama, which takes place right after Volume 9. What does this all add up to? Well, a mixed bag, primarily because (as the author admits in the afterword) he really wanted to bring back a character that no one else really wanted back. (The anime was fine with having her disappear.)

No, I’m not talking about Kawasaki – she gets the cover, but is a minor presence in the book. The “star” of this book is Sagami, the sort-of villain from the 6th novel, who is still dealing with the fallout from the cultural festival. Miura is annoyed that Sagami’s drama is ruining the atmosphere of the classroom. Meanwhile, student council president Megumi wants someone (meaning our trio of heroes) to help her on the Athletic Festival Committee. Combining the two problems, they decide to have Sagami chair the committee, giving her a chance to get things right this time. Unfortunately, things do not go as well as hoped, this time due to two of Sagami’s friends, who are making it clear they are unhappy that the clubs are having to be part of this. Can Hachiman and company find a way to resolve this without sacrificing Sagami entirely? And can they find a way to make the athletics festival fun and interesting?

I’m gonna be honest here: a lot of this book is a retread of the sixth volume. This is deliberate, but that doesn’t mean I have to like it. Some might say that Oregairu is at its best when wallowing in teenagers being painfully abrasive at each other, and if so, they’ll love the first half of this book, which feels like fingernails on a blackboard. The payoff (Sagami finally doing her job and standing up against her friends) is not really worth the long painful slog we had to read to get there. Unsurprisingly, the best part of that section is the part that was animated – the festival itself. Fortunately, the adaptation of the CD drama works much better, and features Hachiman, Yukino and Yui at their closest. It’s a Christmas party that manages to be free of drama, and I will even forgive its heaping helping of “ha ha, our teacher is old and desperate” jokes because the ending was really sweet.

I guess I’m happy this is a .5 volume – if it had come right after Book 6 I might have thrown it against a wall. This series continues to have rewarding climaxes to excruciating journeys.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 7

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Jasmine Bernhardt.

I’ve gradually gotten used to this being the isekai version of K-On! (the illustrations helping along, as they get more and more ‘moe’ with every volume), and this volume in particular reminds me that Azusa’s laid-back style works so well here because the entire world is laid-back. The idea of someone being killed off or an evil villain trying to take over the world feels so foreign to everything we’ve read here to date, and the result is that you have a reader who is completely relaxed in reading this book. There’s never any serious conflict, and that’s good! The characters are all various varieties of “cute girls doing cute things’, and that’s good too! There are no stories in this series that run longer than about a quarter of the book, so you don’t have to pay too much attention, and if a character returns, you’re helpfully reminded where they showed up before. On the downside, reading this may make you fall asleep.

Things that happen in this book: At Pecora’s birthday party, she changes Azusa into a fox girl, which ends up backfiring when Azusa starts beating up everyone in the demon kingdom in an effort to eat abura-age, which reminds you how Japanese this series is and also likely makes you turn to Google. Azusa and company then go to see one of the goddesses in this world speaking at what amounts to a business convention, and she is startled to find this is the goddess who first sent her to this world… who has since been demoted, as she refused to deal with anything but cute girls. There’s a battle to see who the next Dragon Lord is, which turns out to be a typical beauty contest. We get Around the World in 80 Days, Killing Slimes style, which is to say it’s pretty boring. And in the longest story in the book, the cast discover an ancient civilization, now inhabited by stuffy ghosts and a very unstuffy ruler who is annoyed no tsukkomis exist here.

This is fun and insubstantial as always. The ancient ghost queen is amusing as she talks in a broad accent, and also seems content to treat her temple like it’s a dungeon raid. Azusa is less grumpy than usual here, having fully accepted everyone’s eccentricities. That may, in fact, be the biggest negative in the book – everyone’s gotten too used to each other. No one fights anymore, no one gets upset. Conflicts are resolved almost immediately. It’s definitely a series that you should read after you’ve read a volume of something serious, bulky and filled with plot – it acts as a dessert or a palette cleanser. That said, this is absolutely the worst kind of series to marathon. If you read all seven books at once, you’ll give up. One book every few months is just the right pace.

High School Prodigies Have It Easy Even in Another World!, Vol. 1

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By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

There are series where you want to concentrate hard on the worldbuilding, characterization, and moral quandaries. And then there are series that you want to read like popcorn, where you are not in the mood to think hard about anything. If you want one of the latter, then this new LN series is right up your alley. Thinking too hard about anything going on in this first volume, from its questionable “heroes” to its tendency, as with so many other light novels, to have its villains be the worst of the worst in so many ways, to its annoying White Man’s Burden viewpoint of isekai, you will probably end up finding this series quite annoying, especially as I don’t think it’s doing anything interesting with any of those issues. If you just sit back and enjoy the isekai candy and cool fights/schemes, then it’s a hell of a lot of fun. Check your brain at the door.

The gimmick here is that it’s an isekai times seven. Seven of Japan’s most powerful people, who are all teenagers and all friends, are swept away while on a plane trip to another world. We meet stereotypical samurai Aoi, morally terrifying doctor Keine, cowardly magician Prince, introverted inventor Ringo, arrogant businessman Masato, Prime Minister of Japan (in high school) Tsukasa, and “journalist” Shinobu, whose specialty is really being a ninja. Some of these are, obviously, more important than others in this first book, which focuses on Masato (in this volume) and Tsukasa (likely for all of them, he seems the “primary hero” sort). We also get Lyrule, who is the elf who is on the cover. She’s sweet, has a mysterious past, has a great figure, and she and Tsukasa bond almost immediately. In any case, this book focuses on them settling in with the village that rescued them and saving it from the local nobles, who are Very Bad Guys.

The author is also the writer of Chivalry of a Failed Knight, which is for magic academies what this is for overpowered isekai. Which is to say, the author wants to play in a fantasy world playground. There’s lots of ridiculous fun in this, from Ringo being able to build a nuclear power plant from scratch in about three months to Masato taking down the monopolistic trade company in the space of ONE DAY, to basically everything Shinobu says or does. (Who are secret ninja always named Shinobu?) We get a sense that each of the prodigies has their own tragic past – Tsukasa revealing his own father’s embezzlement leads to abandonment by his mother, and Masato’s father killed himself due to lack of money. I’m sure more will come in later volumes. And there’s also a lot of fun action sequences here as well, mostly due to Aoi, who is so terrifying bears run away from her, but also Tsukasa, who turns out to be well-protected against assassin’s bullets no matter what the world.

This series will, I anticipate, always be ethically suspect and have a tendency to fall apart if you look at it closely. But I had fun reading it, and will definitely get the 2nd book.

May These Leaden Battlegrounds Leave No Trace: Bullet Magic and Ghost Programs, Vol. 1

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By Kei Uekawa and TEDDY. Released in Japan as “Uchinukareta Senjou wa, Soko de Kieteiro” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Roman Lampert.

It’s hard not to think about 86 when reading this new Yen On series, and I do wonder if war-torn teens fighting hopeless battles and getting blown to bits’ is a new light novel trend like villainess otomes. That said, if it’s trying to be another 86 it’s not too bad, getting a majority of the parts right. The main plot itself runs on a plot device I personally dislike, and there some tonal dissonance about a third of the way through, but when the book is being serious it’s very good at ramping up the tension and showing us a young, driven man who wants to end war and the white-haired, mysterious girl who is here to help him do so – and also tease and mock him, because it’s still a light novel. We even have an unlucky childhood friend of sorts. And while it doesn’t hit on ‘war is hell’ quite as much as 86, certainly war is not portrayed in a positive light here at all.

We open with Rain, a military academy soldier who manages to escape certain death by way of mysterious silver bullets he finds on the ground. Indeed, this war is run on ‘magic bullets’, each of which have a different function. The bullets Rain finds, when they kill a person, erases them and everything they achieved from existence. Later he discovers the owner, a young girl named Air, who arrives at the Military Academy where he normally is when war is not omnipresent and proceeds to explain that she is a ghost that is being forced to return whenever war is at its worst. She wants to use Rain to stop this endless cycle. Unfortunately, his partner and not-quite-girlfriend Athly is not happy with this, and what’s more, just eliminating the right people from history does not always solve the problem.

Let’s start with the issues I had. First of all, the ‘if you kill the man who invented cars there won’t be cars’ rule of time travel is very, very dumb. To be fair, near the end of the book we see that her analogy is not all it’s cracked up to be, but it’s still bad. Secondly, the section of academy life about 1/3 of the way through the book, which is meant to be a light-hearted bit of breathing space in an otherwise grim book, feels like it belongs in a different novel entirely. That said, setting up Athly as the cute normal girl with a crush on our hero does end up paying off later on down the line. As for Rain and Air, I am hoping, based on plot spoilers that I won’t get into, that they avoid their own romantic relationship. Honestly, romance seems secondary here to warfare, and that’s fine.

To sum up: this is a decent, solid debut for those who like grim war stories and fantasy/magic-based soldiering. I’ll be getting the next book.

Tearmoon Empire, Vol. 2

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

A majority of the fun in Tearmoon Empire 1 was the dissonance between Mia’s actions, Mia’s reasons for those actions, and the narrator caustically calling her out for the reasons for those actions. That’s still very much present in the second volume – in fact, if anything the narrator’s malice is even more prominent. But something strange happened, because suddenly I ended up being less interested in Mia’s headspace and the silly misconceptions of the people around her and more interested in the world that’s been created here and what’s going on with it. And with good reason, too: here we find that Mia may have jumped back in time to try to make it so she isn’t executed, but that doesn’t mean that the forces behind the scenes are not still gunning for her, or that they don’t still need revolution to happen. Mia, after all, was not the Big Bad in the old world, just a selfish Royal. So can she not only save herself, but the future of multiple countries?

Mia has a lot to do here. It may be summer vacation, but she has to stop arrogant counts from destroying the forest of the tribe that ends up fighting against her in the future; deal with the man who personally executed her; and worst of all, her not-quite-boyfriend Abel’s country is undergoing a very familiar revolution. Fortunately, she still has the magic ability to have her every word and deed misunderstood in the best possible way, and it’s still just as funny. That said, as with the first book, sometimes the misunderstandings have a serious core, as we see her avert a genocide and, yes, stop a revolution, but also force the future rulers of these kingdoms to change the way that they think, and not be so quick to turn to execution and unforgivable actions. That said, don’t worry, the narrator is here to remind us that Mia is shallow and only thinks of herself.

(My pet theory is that these are books commissioned by a future Mia to counteract the slavish hagiographies that are being written about her.)

The narrator, as ever, is sometimes correct but also sometimes full of it, and even they have to occasionally stop and say “OK, Mia was being genuinely good here”. (For a great analysis of the narrator in this book, see this Beneath the Tangles article.) Actually, my favorite scene in the entire book shows us the bad future that Mia originally came from, where a desperate Ludwig is trying in vain to stop her execution, and he points out that Mia, once actually taken in hand and shown she’s being vain or arrogant, is taking pains to actually learn from her mistakes. (It also contrasts with King Sion, who in this bad future did not have Mia’s words to misunderstand and take as well-meant advice.) That said, as I indicated, the plot is the best part herre, with a lot of tension, some good action scenes, and a terrific denouement where Mia takes out the villain as only Mia can.

As with My Next Life As a Villainess, this book feels complete at two volumes, with the main future having definitely been changed and everyone being quite happy. Also as with My Next Life As a Villainess, there’s more books to come, and next volume may see Mia having to face an even more startling future. Till then, this remains an absolutely terrific series. The author recommends in the afterword it be used for book reports. Sounds good to me.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 3

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

Calling your main character a “genius prince” can be a bit of a two-edged sword, as you need to have him continuing to be reasonable clever while not killing the audience’s disbelief. So far these books do a good job in holding to that balance. Sometime it leans straight up in Wein’s direction, such as when he describes having a book ghostwritten that will give bad advice to nobility and make it easier for him to eventually take them down. And sometimes it has Wein straight up flummoxed or panicking, which is just plain fun (as the illustrator of the book will tell you). And then there are the moment when you realize that Wein has a steel core that lives for one person alone, and threatening that person can cause things to get very dark very fast. All this comes together in this book, where Wein has to deal with possibly becoming one of a group of noble elites… all of whom seem to be extremely broken.

Wein and Ninym (who are on the cover again – these covers are very Strike the Blood in their choice of subjects) have just returned from touring the country in the middle of winter, but have to head right back out again when Win is invited to the country of Vavarin for a conference and also a religious festival. It smells like a trap. It is a trap, but that’s not going to stop Wein. That said, he also has to deal with the Remnant Army, the remains of Marden, which was torn apart in a previous book. After getting separated from his guard by bandits, he ends up taking in a representative from the army, Zeno, who is a) a girl dressed as a boy, and b) probably even more than that. (It’s not much of a surprise, trust me.) Zeno is filled with thoughts of revenge, but is also fascinated by Wein, who is doing his best to keep several balls in the air… and then trying to move as quickly as he can when all the balls drop.

There is one really terrific scene in this book, which I will try not to spoil much but involves a murder. These books can get a bit too intellectual for their own good at times, so it is good to remind us that Wein is a royal prince who can get away with a lot of things that other people cannot. It also reminds us that insulting Ninym is bad enough, but threatening to kill her means your life is forfeit. Speaking of Ninym, I wish she had more to do in these books – she gets some good scenes, but this is a series about Wein first and foremost. I wish there could be more balance in their relationship which is imbalanced by definition. I also enjoyed the rebellion by home by the traitorous general, which again did not surprise me in its twists and turns but was very satisfying narratively. As was the twist ending, showing how much Zeno really learned from Wein.

These are great books, especially if you like political intrigue. I’m anxious to read the next one.

Umineko: When They Cry, Vol. 21

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Story by Ryukishi07; Art by Kei Natsumi. Released in Japan in three separate volumes as “Umineko no Naku Koro ni: Twilight of the Golden Witch” by Square Enix, serialized in the magazine Gangan Joker. Released in North America by Yen Press. Translated by Stephen Paul.

This is the final volume of Umineko: When They Cry, unless Yen licenses Tsubasa, which I suspect is about as likely as Hinamizawa Bus Stop. It’s a very good climax, essentially divided into two parts. the first is the “action finale”, showing off Ange and Battler doing battle with Erika and Bernkastel, with everyone getting a chance to kick some ass (even Krauss, in one of the funnier bits) and with Lambdadelta going above and beyond the call of duty, essentially sacrificing herself to save the siblings. Now, given we’re in the meta world, sacrificing yourself is not as permanent as it sounds, but it’s still quite heartfelt. From the sdtart, Lambda has been more interested in fun than Bernkastel, who just wants pain and suffering. (Of course, if the pain and suffering was fun, Lambda was all in.) We see another Higurashi flashback that reminds you of Lambda’s origins as Miyo Takano, though honestly there’s a lot of Satoko in her as well.

(It’s also my last chance to complain about Squeenix insisting on using “the first cover” every single omnibus, as it means we don’t get the awesome BeaBato final cover on the outside.)

The second half of the book is the aftermath, which faces up to the fact that most of the cast is dead, and that if Ange wants to have a future she’s going to have to “die” as well. Fortunately, if there’s one thing we’ve learned from Ryukishi07 it’s how words can be manipulated to mean multiple things. Ange erases her identity and lives on as a famous children’s author, who writes books essentially starring Maria and Sakutarou. (Well, mostly. This was based on a game, as you know, and the manga did include the game’s “bad end”, where Ange decides magic is a lie and kills everyone around her, earning praise from Erika. I appreciate the need for completeness, but it feels really out of place in the manga itself.) As a Higurashi fan, I must admit it’s very odd to see a nice, friendly Okonogi here. But then again he’s getting everything he wants. Certainly I’m sure he prefers dealing with Ange to dealing with Takano.

The other reveal is what we’d seen hints of this entire arc: Battler survived the tragedy as well. Well… sort of. One one last twist that combines the real life and the meta world, Touya (his new name) has a sort of amnesia – he recalls Battler’s life but doesn’t think of it as his own memories. This is why Ikuko’s books were so accurate. After a number of years (both are in middle age), Ange is finally invited to meet Touya and get the explanation, and Battler’s spirit is able to find peace (and separate itself from Touya). That said, the REAL ending of the book feels like the one with Battler and Beatrice, showing what really happened as they escape the mansion’s tragedy. Unfortunately, as we already know, this ends badly, as Beatrice/Sayo still can’t imagine Battler accepting her body and can’t forgive herself for coming up with a mass murder plan, even if she wasn’t the one doing the murders. It a gorgously bittersweet tragedy, that ends happily only provided you believe in magic.

So I think in the end Uminako manga readers will be very happy with this. Umineko visual novel fans may be slightly less happy, but this ended up being a story that needed to be told more tha a mystery that needed to be solved. Don’t be a goat. Enjoy Umineko.