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Discussion, Resources, Roundtables, & Reviews

Features & Reviews

A, A’ by Moto Hagio: B+

January 21, 2009 by Michelle Smith

Back in the late ’90s, Viz dabbled in this weird thing called “shojo manga” and released a few one-shot volumes. A, A’ (A, A Prime), a collection of science fiction stories, was among these, and (lamentably) represents the largest chunk of material from Moto Hagio available in this country. Hagio, along with many other women who were pioneers of shojo manga, was born in 1949. These women came to be known as the Year 24 Group, as 1949 was the 24th year of Japan’s Showa era. Exploring themes of sexuality and gender, many of their works are considered classics. Hagio’s contributions include some of the earliest boys’ love stories, like The Heart of Thomas, and Shogakukan Manga Award-winning story “They Were Eleven,” published by Viz in floppy comic format as well as in the hard-to-find Four Shojo Stories anthology.

The three stories in A, A’ also deal with themes of gender and identity, each involving a member of a genetically engineered race of people called “Unicorns.” In the title story (my favorite), a team of people is working to develop an icy planet. Because of the dangerous nature of their mission, each person’s genetic information was saved prior to their departure so that they can be cloned if they should die. Adelade Lee has just undergone that process, and has returned to her post with no memory of the past three years she spent there or the comrades who greet her so warmly. The original Adelade’s lover has a great deal of trouble adjusting to the clone, insisting that it isn’t really her, but growing confused nonetheless. I really like the resolution to this one and would’ve been happy to read more about these characters.

Instead, the other two stories feature Mori, a young man with telekinetic powers and a “kaleidoscope eye” that allows him to see the infrared spectrum, similar to what the Unicorns can see. In “4/4,” we meet Mori as a teenager who, along with other kids with special powers, is living on Io and training to control his abilities. Things aren’t going well until he meets Trill, a Unicorn who is the subject of a scientific experiment. The pair of them “resonate,” allowing Mori temporary access to more control and also eventually providing Trill with the ability to object to the experiments being performed upon her. This story is my second favorite, and I particularly like how Trill’s lack of emotional involvement is portrayed; there’s a great scene where Mori seizes and kisses her and she just sort of blankly endures it, like a doll.

Unfortunately, I didn’t like the last story, “X + Y,” very much. There’s a conference being held on Mars to discuss plans to improve its conditions, and the team sent from Earth to take part includes a male unicorn named Tacto. On Mars, he meets Mori, four years older now, who becomes obsessed with Tacto. I understand that back when this was written, it was probably a stunning thing for one guy to confess his love to another, but in “X + Y” it all seems far too rushed to me and I never understood why Mori feels that way. He also gets on my nerves by behaving very stupidly when he and Tacto are out riding a space scooter on a ring of Saturn (really!), resulting in a life-threatening accident. The Mars theories don’t make much sense, nor does a subplot about Tacto’s chromosomes. Hagio tries to interject some humor into this tale, mostly by having Tacto (who refers to himself in the third person) say random things like, “Tacto likes pudding.” It’s cute, but not enough to improve my opinion of the story.

To modern eyes, Hagio’s artwork will surely look old-fashioned. Drawn between 1981 and 1984, it features some interesting fashions (particularly for Adelade) and a male romantic lead with a flowing mane of curly hair. There’s a lot of variety in the page layouts, and more than one image of characters superimposed over moons, stars, and other celestial bodies. I may mock it a bit, but I do genuinely like it; it’s nice to read something that doesn’t look like anything else.

For the title story alone, A, A’ is worth picking up. I can’t remember how much I paid for my copy, but I don’t think it was much. There are ten copies listed on Amazon right now so it shouldn’t be hard to find.

Review originally published at Manga Recon.

Filed Under: REVIEWS Tagged With: moto hagio, VIZ

The Franchise Affair by Josephine Tey: A-

January 19, 2009 by Michelle Smith

Book description
The Franchise Affair resembles some of the best work of Poe in its introduction of an apparently inhuman evil in an otherwise sedate country setting. Robert Blair, a lawyer who prides himself on his ability to avoid work of any significance, is interrupted one evening by a phone call from Marion Sharpe. Ms. Sharpe and her mother live in a run-down estate known as the Franchise, and their lives drew little attention until Betty Kane charged them with an unthinkable crime. Ms. Kane, having disappeared for a month, now says that she was held captive in the attic of the Franchise during her entire absence.

While her story seems absurd, her recollection of minute details about the interior of the house sway even Scotland Yard. Blair—chosen by Ms. Sharpe for her defense because, as she says, he is “someone of my own sort”—must dust off his neurons and undertake some serious sleuthing if his client is to beat these serious charges. As with all fine mysteries, one has the sense of being in a sea of clues with a solution just out of reach.

Review:
After reading the first two Inspector Grant mysteries, I had trouble believing that the same author could produce The Daughter of Time, which I’ve heard referred to as a classic of the mystery genre. I am happy to say that The Franchise Affair has cured me of my doubts. While not perfect, it is still so much better than its predecessors that I am heartened.

Told from the point of view of humble country lawyer Robert Blair, The Franchise Affair is unusual in a couple of ways. For one, the crime in question is not murder. An innocent-looking schoolgirl accuses a couple of solitary women of holding her captive, and it’s up to Blair to investigate and help mount a defense. Also, Inspector Grant barely appears. As the book is at least nominally classed as an entry in the Inspector Grant series, I find it a bit odd that the one I like best so far features the title detective so little.

The Franchise Affair is full of likable characters. Blair has grown tired of his quiet, easy life, and is unexpectedly stimulated by the Sharpes’ case. He also grows very much to like the younger Miss Sharpe, an independent, warm, and witty woman. I am kind of a sucker for middle-aged romance, so I enjoyed how he went from thinking of her as Miss Sharpe, to Marion, and then to how he would do this or that once he had married her. Especially great are all of the qualities he likes her for, and that she isn’t forced to compromise on those qualities in the end. She also has a fun, feisty mother who proves a dab hand at giving betting tips for horse racing.

I also like the writing style. At times, it feels surprisingly modern for something written in 1948. It’s full of amusing turns of phrase and a gently ironic tone. I snickered several times, the first occasion being the third sentence, which was a good sign.

The end is not quite as good as the rest, as some improbable and very dramatic events occur. The way the trial plays out also seems a bit… unorthodox to me. It was around this point where I began to be reminded of watching an old movie, so I was compelled to look it up and, sure enough, this novel was made into a movie in 1951. Interesting factoid for Doctor Who fans: one of the workers at the garage where Blair keeps his car was played by Patrick Troughton.

On the whole, I found The Franchise Affair to be charming and enjoyable. Because of its nature, it would work quite well as a stand-alone, but has also restored my hopes for the quality of the others in the series.

Filed Under: Books Tagged With: Josephine Tey

Captive Hearts, volume 1

January 19, 2009 by MJ 9 Comments

First things first, Monday means manga minis at Manga Recon, and I have one review there, for the second volume of Lay Mitsuki’s Yggdrasil from publisher Go!Comi. It’s one of those titles that could end up being incredibly good and packed with meaning, but it’s hard to tell at this point. Now on to the main topic.

Something I chose for a quick read yesterday evening, was volume 1 of Matsuri Hino’s Captive Hearts, a collection of three manga short stories (the first of which I believe will be continued) about love, or more accurately, obsession. I dug into Captive Hearts without having read anything about it, though if I’d actually paid attention to the cover art, which features a couple donned in wedding attire and chains, I might have been less surprised about the content. …

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Filed Under: FEATURES, MANGA REVIEWS Tagged With: captive hearts

Yggdrasil, Vol. 2

January 19, 2009 by MJ Leave a Comment

By Lay Mutsuki
Go!Comi, 200 pp.
Rating: OT (16+)

Student Koki Tachibana is a high-level player in the massively popular online roleplaying game, Yggdrasil. All the game’s most popular players are permitted to create a second “avatar” with which to play the game without being bothered by fans. Having retired his original avatar, Phantom, Koki is content pursuing low-level quests with childhood friend Haruna, until someone else hacks into Phantom’s account and turns up in the game.

In the second volume, strange programming glitches are springing up game-wide. The game company challenges players to discover the origin of the bugs, and Koki logs in as Phantom to accept the challenge. As he does, he’s approached by superstar songstress avatar, Teal, who unknowingly reveals herself as the player behind Aoi, a low-level avatar who is a regular on quests with Koki and Haruna.

Because most of the story’s menace exists in a world that is fictional even within the story, the “dangerous” world of Yggdrasil never feels quite real despite the characters’ devotion to the game. Yggdrasil is at its strongest when it focuses on the characters’ “real life” identities and relationships, and how those are affected by the avatars they play. Haruna’s growing crush on Koki, glimpses of the real-life girl behind Teal, and even the game company’s behind-the-scenes politicking are all more emotionally engaging than anything that happens regarding the game itself.

The art has a sketchy style that makes action sequences difficult to follow, but also lends an otherworldly quality to the characters’ online lives that is quite effective. The game’s fantasy element allows mangaka Lay Mutsuki to play with looks from multiple eras in a fun, attractive way, though the story’s “real life” sections could benefit from a simpler style.

Only in its second volume, Yggdrasil‘s potential has just begun to be tapped. It will be interesting to see where the series goes from here.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS

Food, food, delicious food

January 18, 2009 by MJ 6 Comments

So yesterday, on a bit of a whim, Paul and I decided to drive out to Cambridge (a good hour and forty minutes away) to go to the little Japan area at Porter Square, primarily to shop in the Japanese market they have there, though we ended up browsing other stores as well. I had no idea such a place existed, actually, until Paul found it online. What a lucky find!

At the market, we picked up lots of food, including snacks. My favorite find was their spicy tuna & mayo onigiri. If this is what convenience store onigiri tastes like in Japan, I can understand why everyone is always eating it. This is something I make at home a lot, but while the rice in my onigiri always gets hard and dry if I refrigerate it overnight, this onigiri’s rice remained magically perfect and moist, even after a night in my fridge. Yum, yum, yum.

While we were there, we picked up lunch at one of the many little restaurants, and I got to eat takoyaki (octopus dumplings, for those who are not obsessed with Japanese culture like I am) which was squishy and delicious!

The main reason for the trip, however, was to pick up ingredients for sukiyaki, which we had for dinner today! Paul got a portable gas stove for Christmas, just the thing for cooking food at the table, so with the perfect setup, we served up our sukiyaki (Kanto style), raw egg and all. It was extremely delicious, and will be a wonderful dish to share with family and friends!

Filed Under: REVIEWS Tagged With: food, japanese

Busy, busy, busy

January 16, 2009 by MJ Leave a Comment

The week has been a little crazy, and I haven’t managed much manga-wise, other than reading a couple more volumes of Yotsuba&! (SO CUTE) and making three trades at mangatude (YAY). I do have a couple of reviews up at Manga Recon today, though, and they are both of pretty interesting titles, so I’ll pass the links along here!

First off, I review Viz’s Heaven’s Will in today’s On The Shojo Beat column, and I must tell you that though I only graded it at a B-, I actually really liked it. It’s a complete mess, and impossible to recommend, but there is something so compelling about its quirky cast of characters, I really just wanted more. Read my review, and you’ll see what I mean. I should point out, too, Michelle’s review of Otomen vol. 1 in the same column, which made me want to run right out and buy it, though it’s obviously just for fun.

Secondly, I have a full-length review of the first volume of Nanae Chrono’s new series, Momo Tama. Writing this review was incredibly difficult for some reason, especially surprising considering that I quite liked the volume. I’ll be interested to see where this series goes, and whether it really does become a full-blown comedy as the promotional material suggests. I kind of hope it doesn’t, because it’s more interesting to me the way it is now.

Okay, that’s all for now. I look forward to the long weekend!

Filed Under: FEATURES Tagged With: heaven's will, manga, mangatude, momo tama

Momo Tama, Vol. 1

January 16, 2009 by MJ Leave a Comment

By Nanae Chrono
Published by TOKYOPOP, 192 pp.
Rating: T (13+)

Kokonose Mutsu is the “ninth successor” of a family of ogres who, according to legend, were long ago banished from their home island by a young hero named Momotaro. This tale, passed from generation to generation in the Mutsu family, describes how, with the help of his three companions (a dog, a monkey, and a pheasant), Momotaro defeated the ogres, claiming back the treasure stolen from his people. The “treasure” as Kokonose understands it is actually the island itself, and as Momo Tama begins, Kokonose is infiltrating an island-bound ship on a mission to reclaim his family’s home. The ship, as it turns out, is filled with a diverse group of “students” who have been plucked from their lives without explanation. They are being transported to the island’s military school where they will be taught by a group of eccentric instructors (including the descendants of the original Momotaro and his companions) to defeat the ogres who still remain.

Though he initially represents himself as just another of the group, Kokonose does not attempt to keep his mission secret for long, and his identity is revealed in spectacular fashion at a dinner held to greet new students. Surprisingly, he is permitted to remain as a student at the school despite the fact that he has openly declared his intention to overthrow the current Momotaro. As Kokonose and the other students prepare to begin their training and the volume winds to a close, it becomes increasingly clear that both the island and its inhabitants are hiding some very dangerous and powerful secrets.

In typical manga fashion, Momo Tama hits the ground running, but the minimal exposition is not quite enough to carry it, and it takes quite a while for things to solidify enough to make sense. The second half of the book is much easier to follow, however, and though the end of the volume leaves a great deal unexplained, the stage is effectively set to draw readers into the next installment.

Interestingly, the promotional material for the volume highlights the series’ comedy, describing it as, “…the hilarious adventures of a boy who just might make you die laughing!” While there is plenty of humor to be found in Momo Tama, what has been presented so far suggests that it has much more to offer than laughs. The first volume introduces an intriguing mix of fantasy, action, suspense, and genuine whimsy that is really quite delightful once it finally begins to come together.

The legend passed down by both the Mutsu clan and Momotaro’s menagerie is notably short on detail, but what is there is tantalizingly odd. Besides the fact that Momotaro’s “army” apparently consisted of three fairly small animals (whose descendants, by the way, are inexplicably human), the story also tells us that Momotaro was a foundling born from a peach, and that he recruited his tiny army by offering them sweet dumplings cooked up by his adoptive mother.

The present-day story is not any less idiosyncratic, but quite a bit more sinister. Alongside the goofy premise (and a predilection for bunnies) exists a steady sense of true danger. For example, there is a moment tucked into the middle of a silly dorm scene near the end of the volume in which a second-year student confides that the island is “serious trouble” and that some of the new students will undoubtedly be killed. This short scene is actually quite chilling and there are moments like that throughout the volume, ensuring that the story never falls too far into pure fancy.

This is not to suggest that TOKYOPOP’s promotional material is wrong. Kokonose, though only nine years old, speaks in a pompous, excessively cerebral manner reminiscent of Brain, the lab mouse bent on world domination in Warner Brothers’ Animaniacs cartoons. Both his self-important behavior and his absurdly oversized clothing are obviously meant to provide humor (and they do), yet he is presented so honestly in all his ridiculousness that he somehow manages to exude a kind of dignity. He is arrogant, manipulative, kind when it is least expected, and occasionally struck with a childlike wonder that belies his grown-up rhetoric.

What promises to be the real charm of Momo Tama, however, is its supporting characters, particularly the “dog,” Kouichirou Yamato, whose exuberant sincerity fills the page with sunshine, and the likable nerd, Mamoru Kashii, whom Kokonose latches on to early on in the story. With so much going on, these characters’ stories have barely begun, but mangaka Nanae Chrono defines them masterfully from the start, surrounding the over-the-top Kokonose with a rich set of more nuanced players to interact with.

Chrono’s art is crisp and attractive with just the right amount of detail, able to portray both the real and the ridiculous with ease. Here, too, the characters are particularly well-defined, which is a great asset in a story with as many characters as this one has.

Despite a somewhat confusing start, Momo Tama‘s first volume ends strong, and with its fun cast of characters and intriguing setup, it looks to be a series worth following.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS

Otomen 1 by Aya Kanno: B+

January 16, 2009 by Michelle Smith

High school student Asuka Masamune has a reputation as a cool and stoic guy. He’s ranked number one in the country for kendo, and has black belts in both judo and karate. His name alone inspires fear in the hearts of his would-be opponents. But Asuka has a secret. Beneath this carefully-crafted masculine exterior, he yearns to read shojo manga, make plushies, and fall in love. When he meets tomboyish Ryo Miyakozuka, his veneer begins to crack. He finds himself wanting to do things to help her, like finish a home ec sewing project, make tasty bento lunches, and teach her to make the perfect birthday cake for her father. After Ryo mentions that she prefers masculine guys, Asuka tries to be her ideal, but with some encouragement from frenemy Juta, eventually realizes that he wants to be his real self with the person he cares for.

It’s difficult to see exactly why Asuka falls in love with Ryo in the first place, but once they start hanging out together, her personality begins to come through. They’re joined by classmate Juta, whose playboy ways tick Asuka off, but whom he gradually accepts because Juta’s friendship is also important to Ryo. They develop a kind of xxxHOLiC dynamic, with Asuka preparing lunch for the three of them while muttering things like “why am I always making enough for this guy as well?” Unbeknownst to Asuka, Juta has another reason for hanging around. He’s actually Jewel Sachihana, the mangaka behind Asuka’s favorite shojo manga series, Love Chick, and Asuka is the model for his heroine, as no one else embodies true femininity so well.

One of best things about this subplot is that pages from Love Chick work their way into the story, and you can see how well Kanno emulates that generic shojo art style. Also, as events unfold, it becomes clear that Juta is using incidents from Asuka’s life in his manga, even nudging him into action a few times in order to get new material, and that the male love interest looks exactly like a boy version of Ryo. Asuka remains clueless so far, only mentioning that he “surprisingly identifies with it a lot.”

In addition to the glimpses of Love Chick, there are plenty of other amusing things in Otomen. My favorites include the panel where Asuka, after binging on girly items, thinks “I’ve got to control myself” then looks down to see he has unconsciously completed a teddy bear; the scenes in which Asuka and Ryo both declare their intentions to protect the other, complete with flowery background (an image later replicated in Love Chick); and the part where Asuka purposefully leaves a volume of Love Chick lying around in the path of a heartbroken guy, who proceeds to go all sparkly over it.

Lastly, I’m really enjoying the male perspective. While a male protagonist is by no means rare in shojo, you’ll usually find them in science fiction or fantasy works and not in a high school romance. Asuka’s not your average guy, of course, but neither is he simply a typical shojo heroine in male disguise.

With its quirky characters and comedic approach, Otomen promises to be a lot of fun.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: REVIEWS Tagged With: Aya Kanno, shojo beat, VIZ

Heaven’s Will

January 16, 2009 by MJ 1 Comment

By Satoru Takamiya
Viz, 200 pp.
Rating: Teen

The only things that terrify schoolgirl Mikuzu Sudou more than boys are ghosts and monsters (also known as oni). This is an unfortunate fact, since they are especially drawn to her and, unlike most humans, she can see them. Fortunately, she meets up with Seto, a cross-dressing exorcist with a deep appreciation for cake, and his companion, Kagari, a vampire who can transform into a wolf. Seto provides protection from the monsters, Mikuzu provides the cake, and a winning team is born! Things are never as simple as that, of course, and as the three work together as exorcists-for-hire, we learn more about the individual challenges and frailties that complicate the relationships between them.

The first chapter of the volume was intended as a stand-alone piece, and trips along quite lightly for a story about monsters. As the volume continues, however, things get serious fast. As it turns out, Seto dresses like a girl in memory of his sister, who was the real exorcist of the family. She died saving him from oni, and it is Seto’s intention to earn enough money to have a sex-change operation, after which he will find a way to transfer her soul into his living body, resurrecting her and ending his own existence. Kagari, who has been too long miserable in the loneliness of immortality, is devoted to Seto because he has promised to exorcize Kagari’s soul (effectively killing him) before he kills himself. Mikuzu, who is terrified of men, is able to work comfortably alongside Seto because he has the non-threatening appearance of a cute girl. She even falls in love with him, so of course she wants to keep him in this world as long as possible, which means she must work against his plans. All of this is complicated by the fact that Mikuzu is the only one who is able to communicate with the spirit of Seto’s dead sister.

The tale Satoru Takamiya has woven is complex, very poignant, and has no hope whatsoever of working successfully as a single volume. The plot as it stands makes very little sense. There are interesting (if not wholly original) ideas, but without exception, the execution is rushed, clumsy, and generally muddled. Nothing is resolved in a satisfying way, and everyone’s stories are left woefully unfinished. Yet despite the clunky storytelling, the characters’ personal journeys and their relationships with each other are maddeningly compelling. Takamiya’s ideas are far too ambitious for the time and space alloted (possibly also for her current level of skill), and she frequently loses the thread while trying to pull it together, but at the core of it all there is that deep, shining honesty that is the seed of all powerful fiction.

The art in Heaven’s Will is simple, yet expressive. The character’s facial expressions are extremely nuanced, allowing them to move from emotion to emotion with an unexpected genuineness and fluidity, the result of which can be quite moving. Seto’s look of embarrassment when he admits he likes cake, for example, provides a surprising glimpse of vulnerability in his character early on, without being at all melodramatic or cloying.

Although Heaven’s Will is deeply flawed, and not something that can be wholeheartedly recommended, there is much promise there of better things to come.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS

Find of the day!

January 13, 2009 by MJ 8 Comments

Thanks to Lori Henderson at Manga Xanadu, I have discovered the wonderful world of Mangatude, where people swap volumes of manga they don’t want for volumes that they do. With my tight budget these days this is a godsend, and I’m sure I’m not the only one in that boat right now. I’ve signed up, and already have a trade in the works!

Of course, as wonderful a find as this is, I’m thinking about how it affects the industry for us to be trading books instead of buying new ones on our own. Right now, I’ve justified it in that my budget is pretty inflexible, and I wasn’t going to be spending more anyway, so better to be maintaining my interest in series that I eventually *will* buy more volumes of. Better, too, that books I don’t need (like our accidental duplicate copy of Fullmetal Alchemist vol. 8) will find their way into grateful hands. It’s made me think a lot also about what series I *really* want, and what I’d be willing to give up in order to get something I want more.

I don’t have a lot for trade right now (and half of what I did have is already gone), but I’m sure that will grow as time goes on. In any case, I’m passing the info along in the event that I’m not actually the last person to know about this. :)

Filed Under: FEATURES Tagged With: manga, mangatude

Princess Ai: The Prism of Midnight Dawn, Vol. 1

January 12, 2009 by MJ Leave a Comment

Princess Ai: The Prism of Midnight Dawn, Vol. 1
Created by Courtney Love & Stuart “D.J. Milky” Levy
Story by Stuart “D.J. Milky” Levy
Written by Christine Boylan, Art by Misaho Kujiradou
TOKYOPOP, 192 pp.
Rating: OT (16+)

Set after the original Princess Ai series, this story begins back in Ai-land, where Princess Ai is performing in a “prism-cast” concert, simulcast to both Ai-land and Earth, thanks to the power of the magical and mysterious “Prism of Midnight Dawn.” Unfortunately, as the concert begins, the prism (along with prophet Sir Edwin See) is stolen away from Ai-land by a huge vulture, presumably taken to the other side. Princess Ai uses a second prism to transport herself and her bodyguards, the three Furies, back to Earth to rescue Sir Edwin and return the Prism of Midnight Dawn to Ai-land. All is not well on Earth, and Ai soon discovers that much of the population has become addicted to a substance called “Tank,” including her old flame, Kent Kawa Scott.

Like many sequels, Princess Ai: The Prism of Midnight Dawn feels more like merchandising than fiction. The plot and dialogue move along predictably in this first volume. There are a few moments that could be dramatic, if only they were a bit more hard-won. Kent too easily throws aside his Tank addiction in order to make a televised plea to recapture Ai’s heart, and Ai is quickly lured into a trap, leaving her captive at the end of the volume.

The volume contains onstage performances by both Ai and Kent’s band, The Rebel Paupers, but unlike in Ai Yazawa’s NANA, where music provides the soul of the story, here it works as a clunky plot device, with too much time being spent on watery lyrics like, “How far away is never, How soon yesterday. Tomorrow waits forever, And ever three more days.” That said, probably the most enjoyable piece of this volume is the attached Ai-Tunes CD, which offers up songs from various artists such as Skye (who provided the voice of Ai on TOKYOPOP’s Princess Ai Soundtrack) and California bands Divine Madness and Intercept.

Princess Ai: The Prism of Midnight Dawn‘s first volume is prettily packaged and presented, with attractive art and fashions, and may offer fans of the original series more of what drew them there in the first place. On its own, however, it lacks any real drama or substance to bring in new readers.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS

Monday morning links!

January 12, 2009 by MJ Leave a Comment

First of all, for anyone who may have missed it, last night saw the first post here by guest blogger, Deanna Gauthier! As I mentioned around the New Year, she’s going to be turning up here on a regular basis to share with us all her wonderful enthusiasm for manga! Please read her self-introduction here, and take a moment to say hello! Deanna’s posts, by the way, will not appear on my livejournal, so keep your eyes open for them here at the main blog!

Secondly, a couple of Manga Recon links: Michelle posted her Picks of the Week over the weekend, including NANA volume 14 (*heart*) and a whole slew of other fantastic shojo titles. Go check it out! Also, in today’s Manga Minis, I review Tokoyopop’s Princess Ai: The Prism of Midnight Dawn.

Lastly, Matt (see, I can do it, really) at Rocket Bomber made a fairly lengthy post that was partly spurred on by my questions regarding age portrayals in Lucky Star and Shugo Chara! (which had been, in turn, inspired by a previous post of his). Matt’s whole post is worth reading, but I wanted to address one point in particular, because it is near and dear to my heart. …

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Filed Under: FEATURES Tagged With: deanna, manga

Red Blinds the Foolish by est em: A-

January 11, 2009 by Michelle Smith

From the back cover:
Rafita is the young, rising star of the bullfighting world known as “The Red Matador.” He has never feared facing a bull since his first kill at the age of twelve. But when he falls in love with Mauro, a butcher who rends the bulls that Rafita kills, his confidence begins to waver. In the matador’s dreams, Mauro (who, like a bull, is colorblind) is, alternately, the bull he faces in the ring and the butcher who carves up his own skewered corpse. Beautifully observed and drawn by est em, the author of Seduce Me After the Show, with a depth of style and passion, Red Blinds the Foolish depicts a complex relationship, and a cultural form, in a place where the sublime and the savage meet.

Review:
Red Blinds the Foolish includes the title story, told in three chapters, and four additional stories, one of which deals with one of the characters from “Red Blinds the Foolish” as a younger man.

The title story is definitely my favorite of the volume. I like the languid mood, the unique setting of Madrid, and the incorporation of some Spanish bullfighting terms. There are some things that transpire between them that I don’t really get, like some things Mauro says to Rafita that apparently drive away his bad dreams and enable him to be a success in the ring again, but on the whole I really like this story. One of the things est em does best is show the guys having intelligent conversations that don’t in any way revolve around romance or their relationship. Like with Seduce Me After the Show, these are grown, professional men with ambitions and skills, and I enjoy when they talk about such things with their lovers.

Three of the remaining short stories are good, but not great. “Corpse of the Round Table” explains the origin of a scar Mauro has as well as how he ended up a butcher. “Baby, Stamp Your Foot” is about a shoemaker who gets aroused when his lovers wear shoes he has made for them. “Tiempos Extra” is about a rabid soccer fan and the stadium security guard who fancies him.

The last story, “Lumiere,” is another that I liked a lot. An old, bedridden man is dictating a story to a younger man. The story is about a choreographer who encounters a phenomenal male dancer, which resonates with the younger man because he, too, is in love with a dancer. Not a lot happens in this story, but it, too, has the languid mood that seems to be what all my favorite est em stories have in common.

Ultimately, I liked Seduce Me After the Show a little more, but this is a very close second.

Filed Under: REVIEWS Tagged With: Aurora Publishing, Deux, est em

Hi. My name is Deanna and I’m a mangaholic.

January 11, 2009 by Deanna Gauthier 33 Comments

It is an honor beyond measure to be invited by MJto be a guest blogger. I have such a deep respect and admiration for MJ’s thoughtful reviews and insightful analysis of manga. Honestly after my initial excitement over the invitation abated a little, I froze for several days in a fit of self-consciousness. But manga means too much to me to pass up this wonderful opportunity to share my love of it with more people.

I cannot promise the eloquence and insight that you have come to expect from MJ, but as so many of my favorite characters say, I will do my best.

…

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Filed Under: FEATURES Tagged With: introduction, manga, xxxholic

NANA volume 14

January 10, 2009 by MJ 3 Comments

There is little that fills my heart with such joy as a new volume of NANA, though the story itself has gotten pretty troubling. From the back cover:

As Blast gears up for their major label debut, their fan club starts mobilizing. Led by the chic Shion, these ladies are serious fans who won’t let anyone mess with their band. But the fan club has it out for Misato, a maverick fan who has gotten too close to Nana. What will they say when they find out Misato is applying for a job with Blast?!

I find it hilarious that this is what they’ve chosen to talk about on the back cover of this volume, for though this certainly something that happens (sort of) in volume 14, it is so far from being the real drama, it’s almost funny. Real spoilers after the jump. …

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Filed Under: FEATURES, MANGA REVIEWS Tagged With: manga, nana

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