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Manga the Week of 8/21/24

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SEAN: Next week is Anime NYC and also Yen Press week. Yikes!

ASH: Here we go!

SEAN: Several debuts for Yen On. Hell Is Dark with No Flowers (Jigoku Kura Yami Hana mo Naki), a horror title about a boy who can see monsters getting room and board in exchange for sending those possessed by yokai… to Hell!

ASH: Well, now, that sounds exactly like something I would read.

ANNA: That does sound charming.

SEAN: My First Love’s Kiss (Watashi no Hatsukoi Aite ga Kiss Shiteta) is a yuri light novel series from the creator of Adachi and Shimamura. Our heroine is annoyed when her classmate and her mother are now living with them. It doesn’t help that the classmate is so pretty. But where does she go at night?

ASH: Glad to see more yuri novels being licensed.

SEAN: Re:ZERO -Starting Life in Another World- Short Story Collection is what it sounds. This collection takes place after Vol. 3 of the main series, and also is the introduction of a character we were supposed to already know from the 5th arc. The dangers of licensing short story collections.

Sword Art Online Alternative Clover’s Regret is the second in the Alternative series, now that we’ve caught up with Gun Gale Online. This series follows the adventures of the Sleeping Knights in a Japanese-themed game.

Also from Yen On: Alya Sometimes Hides Her Feelings in Russian 5, Blade & Bastard 2 (a JN-C print release), The Ephemeral Scenes of Setsuna’s Journey 4, Hell Mode 5 (a JN-C print release), The Hero Laughs While Walking the Path of Vengeance a Second Time 7, High School DxD 14, I Kept Pressing the 100-Million-Year Button and Came Out on Top 8, Is It Wrong to Try to Pick Up Girls in a Dungeon? 19, King’s Proposal 5, Magical Girl Raising Project 18 (the final volume), The Misfit of Demon King Academy 4-1 (a J-NC print release), My Happy Marriage 7, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! 5 (a JN-C print release), Rascal Does Not Dream of Santa Claus (the 13th in the series), Riviere and the Land of Prayer 2, Sabikui Bisco 8, Sentenced to Be a Hero 3, That Time I Got Reincarnated as a Slime 19, and Your Forma 6.

ASH: So many books.

SEAN: As for Yen Press, they also have debuts. The Hachioji Specialty: Tengu’s Love (Hachiouji Meibutsu Tengu no Koi) is a shoujo title from Asuka. A young man returns to his home village… where he has to marry a tengu demon he met as a child! He doesn’t want this, but she won’t let that stop her.

ASH: Interesting, that plot is more commonly encountered the other way around.

ANNA: Hmmmm.

SEAN: In Another World, My Sister Stole My Name (Isekai de Ane ni Namae wo Ubawaremashita) is a shoujo title from Flos Comic. A girl has been communicating with a boy from another world via a magic hand mirror… then her older sister and the mirror disappear. Now her sister has stolen her life in another world?

ASH: Uh-oh!

SEAN: The Magical Girl and the Evil Lieutenant Used to Be Archenemies (Katsute Mahou Shoujo to Aku wa Tekitai Shite Ita) is an omnibus containing the entire series before the author’s unfortunate death. She also wrote Inu x Buku SS, and this is getting an anime. It ran in Gangan Joker, and is another one of those “good guy and bad guy fall in love” series.

Rejected by the Hero’s Party, a Princess Decided to Live a Quiet Life in the Countryside (Shin no Nakama ni Narenakatta Ohime-sama wa, Henkyou de Slow Life Suru Koto ni Shimashita) is a spinoff of Banished from the Hero’s Party, showing what Rit was up to between the first time she met Red/Gideon and the second. It runs in Shonen Ace Plus.

ASH: I highly recommend the quiet countryside life when dealing with rejection. Or anytime, really.

SEAN: Strategic Lovers is a shonen title from (oh dear) Dragon Age. The son of a wealthy businessman and his mistress, our hero didn’t think he was in the line of succession… but he is! Now he’s been kidnapped by young women, all of whom are after his body! This is basically softcore porn, for that sort of audience.

ASH: It does have that vibe, doesn’t it.

SEAN: Also from Yen Press: Breasts Are My Favorite Things in the World! 8 (the final volume), Bungo Stray Dogs 24, Cheeky Brat 11, Friday at the Atelier 2, I Got a Cheat Skill in Another World and Became Unrivaled in the Real World, Too 5, I Kept Pressing the 100-Million-Year Button and Came Out on Top 6, The Illustrated Guide to Monster Girls 4 (the final volume), My Youth Romantic Comedy Is Wrong, As I Expected @ comic 22 (the final volume), She Likes Gays, but Not Me 2, The Summer Hikaru Died 4, The Tiger Won’t Eat the Dragon Yet 2, and Witch Life in a Micro Room 3.

ASH: The Summer Hikaru Died is definitely the one that interests me the most out of that batch.

SEAN: Onward. Debuting from Viz this week is I Wanna Do Bad Things with You (Kimi to Warui Koto ga Shitai), a romcom from Shonen Sunday. A girl offers to help a jealous younger brother derail his perfect older brother’s student council campaign. But is he just a “villain”?

Also from Viz: Hirasuyumi 2, Jujutsu Kaisen 23, Magilumiere Magical Girls Inc. 3, Mission: Yozakura Family 12, The Way of the Househusband 12, and Zom 100: Bucket List of the Dead 15.

ASH: Oops, I’ve got some The Way of the Househusband catching up to do.

ANNA: Me too!

SEAN: Steamship has a 3rd volume of Revenge: Mrs. Wrong.

From Square Enix we get Mr. Villain’s Day Off 5 and Ragna Crimson 13.

Seven Seas has two debuts. Hate Me, but Let Me Stay (Kiraide Isasete) is a BL title from Be x Boy Omegaverse. Yes, that’s now an entire magazine. I… look, it’s A/B/O. You know what the premise will be, I don’t need to summarize it.

And Too Many Losing Heroines! (Make Heroine ga Oosugiru!) is the manga version of the light novel we’ve talked about, and runs in Ura Sunday.

Also from Seven Seas: 365 Days to the Wedding 4, Black Night Parade 4, Cat on the Hero’s Lap 3, Don’t Call it Mystery 9-10, How NOT to Summon a Demon Lord 19, My Girlfriend’s Child 5, Orb: On the Movements of the Earth 5-6, A White Rose in Bloom 3, and You Like Me, Not My Daughter?! 4.

MICHELLE: I’ll never not cheer for Yumi Tamura!

ASH: Ditto!

ANNA: Yes, although I’m so far behind!

SEAN: One Peace Books has the 5th and final volume of It Takes Two Tomorrow, Too.

KUMA gives us Even if There’s No Rainbow Tomorrow (Ashita Niji ga Denakute mo), a one-shot title from On Blue. An online romance between a drag queen and a sleepy salaryman.

MICHELLE: This looks really interesting!

ASH: I am likewise intrigued.

SEAN: The print debut from Kodansha Manga is Kusunoki’s Flunking Her High School Glow-Up (Kusunoki-san wa Koukou Debut ni Shippai shite Iru), a josei title from Comic Pool. A new high school boy is determined to be rid of his horrible middle school life and remake himself. Unfortunately, one classmate from his middle school knows the real him… and she’s trying to do the same thing! For those who enjoy seeing introverts attempt to change.

ASH: Hooray for josei!

ANNA: Indeed!

SEAN: Also in print: Bakemonogatari 22 (the final volume), I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 13, Ogami-san Can’t Keep It In 6, and Welcome Back, Alice 7 (the final volume).

And digitally we get Issak 9, Medalist 10, and WIND BREAKER 16.

No new volumes for J-Novel Club, as they had so many last time. But we do see The Crown of Rutile Quartz 2, Duchess in the Attic manga volume 3, The Frontier Lord Begins with Zero Subjects manga volume 5, The Invincible Little Lady manga volume 4, Private Tutor to the Duke’s Daughter 13, Sweet Reincarnation 10, Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters! 6, and VTuber Legend: How I Went Viral after Forgetting to Turn Off My Stream 7.

Ghost Ship debuts an omnibus of a previously released title with Do You Like Big Girls? 1-2. There’s also the 7th and final volume of JK Haru is a Sex Worker in Another World. And in mature Seven Seas stuff, we get The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun 6.

Apologies to Drawn & Quarterly, who I missed in last week’s list. They’ve got another Yoshihara Tsuge title, Oba Electroplating Factory (Nejishiki), a collection of short stories from Garo.

ASH: I just picked up my copy!

SEAN: Airship, in print, has Free Life Fantasy Online: Immortal Princess 7 and I’m the Evil Lord of an Intergalactic Empire! 7.

And digitally we see a one-shot debut, An Autumn in Amber, a Zero-Second Journey (Kohaku no Aki, 0-byō no Tabi), another book by Mei Hachimoku, Seven Seas’ resident “bittersweet sci-fi teen romance” author. Not sure if this is bittersweet, but there’s sci-fi and teens. A boy who hates being touched and a snarky delinquent girl find time has stopped for everyone but them.

And there’s also Kuma Kuma Kuma Bear 19.

I’m so tired. So very, very tired after writing all that.

ASH: You’ve more than earned you rest. Thank you for your service.

Let’s Get to Villainessin’: Stratagems of a Former Commoner, Vol. 1

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By Hiironoame and Misumi. Released in Japan as “Sa, Akuyaku Reijou no Oshigoto wo Hajimemashou: Moto Shomin no Watashi ga Idomu Zunousen” by PASH! Bunko. Released in North America by Cross Infinite World. Translated by Dawson Chen.

I’m not sure if we’ve reached the point in 2024 where more villainess titles are licensed than isekai titles. Possibly it just feels that way to me as I read a majority of the villainess titles, while most isekai titles are ignored by me unless there’s a good reason. But this is definitely a book that is intimately familiar with the genre – the author has written several, unlicensed villainess series already, as well as the licensed Seriously Seeking Sister! book. The protagonist says she’s a fan of light novels, and has read villainess books in the past. She’s also backed by serious money here, so you’d think that things would go swimmingly. But as ever, it’s easier to avoid your doom than cause your doom as a villainess, and I appreciate that Mio is trying really hard to be a terrible person but just comes across as a big ol’ tsundere. It turns out being a bad person isn’t easy with a conscience.

Mio is a teenage girl who is working an extra job in order to pay for her sister’s hospital care, as she is dying of a mystery disease. Then, after stopping a purse snatcher, she is introduced to the owner of the purse, who has a deal for her. Shizuki, the rich girl Mio meets, says this is the world of an otome game! (It’s similar to Modern Villainess, in that it’s in a modern Japan but one that still has zaibatsu families.) Shizuki wants Mio to play the villainess role, bullying the heroine, making sure the heroine gets with the correct capture target, and fall to ruin. This will, for reasons not revealed in this book, save the country’s economy. In return, Shizuki will help get Mio’s sister advance treatment that might save her life. Mio thus goes all in on villainessin’.

So, I know this is a “translated into English” problem more than a problem with the original work. And I think the author did it deliberately in some ways to show off the “otome game” cliches of this world. But this book has important characters named Ruki, Riku, Ruri and Rikka. (I suspect the translator added the extra ‘k’ so that I would not lose my mind.) Oh yes, and Mio’s sister is Shizuku and her new sister by adoption is Shizuki. Fortunately, once I got past the names, this was a very good read. It’s a “we have to match the game’s plot but we keep changing it” sort of book, but this time everyone’s being serious, with nary a dumbass in the cast aside from the token “those two girls” who serve as the minibosses of Book One. A lot is being kept from Mio by Shizuki, and I for one am very concerned with her true motivations. But seeing Mio desperately try to be bad and accidentally helping the heroine out… look, I love a good Maria Campbell plot, OK? It helps that the heroine isn’t evil this time, possibly as this isn’t our original villainess either.

Assuming that we’re not introduced to Kiki, Kiko and Kiku next volume, I’m definitely looking forward to it, if only to get some answers, and see if Mio really will fall in love with the guy she’s trying not to fall in love with.

Sasaki and Peeps: Fake Family Formed! ~The Youngest Daughter Dreams of a Warm Family in This Hodgepodge Household~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I do feel that this series might have a conclusion in mind, but it really is meandering towards that conclusion, to the point where I was actually a little bored somewhere in the middle of this volume. Which is surprising given it’s an isekai-lite book, and I usually tend to prefer those. For the most part, the bulk of this book is spent integrating Type Twelve into the main cast, which has Futarishizuka and Sasaki making decisions that make sense in a “we’re trying to save the world” sort of way, but narratively in a book makes them sort of terrible. It doesn’t help that the idea that all of this is secret is really being blown apart, with Neighbor Girl’s classmates all discussing whether aliens are real or not after spotting the huge obvious flying saucer. Each book tends to set up the next book, and I suppose that’s true here. And to be fair, the end of the volume definitely was excellent. But I’d like to know the author has a final volume envisioned.

Type Twelve wants to learn more about humanity from Hoshizaki, and has decided the best way to do this is to pretend to be a family. Hoshizaki is the mother, Sasaki is the father, Kurosu and Abaddon are her older siblings, Elsa (returned from isekai land) is the next door neighbor who’s always dropping in, Sasaki is the family pet, and Futarishizuka is the crotchety grandmother, a role she takes to with gusto, to be honest. They go shopping, they buy a house – well, OK, Type Twelve steals a house – and they go to the amusement park, which Futarishizuka, with the reluctant help of Sasaki, tries to depress the robot so that she’ll give up and return home. Everything changes, though, when Kurosu says there’s a new death game coming to a mysterious island, and she wants their help in going after the big prizes that come with said game. Alas, when they get there they find that things will not go that well…

As noted, the death game is the best part (the worst part may be when Kurosu, running away from interaction with her classmates, comes across her teacher screwing her bullied classmate, and she just sort of stomps away in a fit of pique that she’s not able to get that with Sasaki). They arrive assuming that everything will be much the same as the previous games, but not only is everyone on the angel AND demon teams now trying to kill her and Abaddon specifically, but there are also a lot more random elements. A psychic is killing people because he can, the magical girl rips a hole in reality to go kill psychics, and Type Twelve has to literally blow herself up 9she gets better) to save the main cast. And, oh yes, the entire death game has been co-opted by rich assholes. Because of course.

I greatly enjoy this series when it’s being ridiculous, but when it’s down to earth it can sometimes lose me. The next volume… has everyone going to Kurosu’s school. Oh well, we shall see.

Observation Records of My Fiancée: The Misadventures of a Self-Proclaimed Villainess, Vol. 1

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By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Konyakusha no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

I am, frankly, a little sick of every new villainess book forcing me to say how much it reminds me of My Next Life As a Villainess. And given that this book stars a dumbass who everyone loves, that’s a trap that I want to avoid. So let’s try something else. You know the works of Sarasa Nagase? The kind where the clever heroine has to think on her feet and not let her guard down for a minute or else fate will slot everything back into place and she’ll be killed? And this is helped along by an evil but equally clever heroine? This series is the mirror opposite of that. Both the villainess and the heroine are desperately trying to NOT fight fate, for reasons that we don’t really find out in this volume, but the problem is that they are both not particularly clever, so fate is constantly changed so that things are better. Congratulations on falling face first into success.

While visiting his fiancee on her eighth birthday, the Crown Prince Cecil is rather surprised to hear her say that she’s actually a villainess, and she will do her best to grow up to be a fantastic one so that he can dump her and her family will fall into ruin. And she can go ‘GAH!”. (The “GAH!” is very important!) Cecil is baffled by all this talk of “otome games” and “routes”, but he finds Bertia amusing and interesting, which frankly almost nothing does as he’s the most jaded ten-year-old in the world. Each chapter in the book is “one year later”, and we see that Bertia’s schemes and plans do things like tell everyone where those trying to overthrow the country really are, or making sure that people get together with their true loves, or telling Cecil enough information that they can stop a deadly plague. Isn’t she actually sweet as pie? Why does she want to be a villainess? And what’s with the new girl named (sigh) Hironia?

I read the first volume of the manga when AlphaPolis put it out here, and reviewed it in a Bookshelf Brief where I mentioned Cecil was who interested me most. That goes double for this first book, though Bertia is also interesting for reasons that I don’t think we’ll get explained till the next book. Cecil regards Bertia as a fun toy when he’s a kid, but as he grows older and grows to appreciate her as a person… he’s still not quite there. It’s mentioned many times that Cecil is fundamentally broken, and that gets more clear as we get closer to the climax, when we realize that Cecil has never expressed any affection for Bertia besides “you are my fiancee”, and that he doesn’t really get that he’s fallen in love with her at ALL. We never get Bertia’s POV, for reasons that, again, I think will make more sense in Book 2, but I think she has realized her feelings, but is desperate to avoid them for the sake of the greater good.

This is a series that will end next time, though I think there’s a sequel that Hanashi Media has also licensed with their marriage. Till then, this is a fun Villainess book that starts off very wacky and gets increasingly less so as the book goes on.

The Oblivious Saint Can’t Contain Her Power: Forget My Sister! Turns Out I Was the Real Saint All Along!, Vol. 3

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By Almond and Yoshiro Ambe. Released in Japan as “Mujikaku Seijo wa Kyō mo Muishiki ni Chikara o Tare Nagasu: Imadai no Seijo wa Anede wa Naku, Imōto no Watashi Datta Mitai Desu” by Earth Star Luna. Released in North America by J-Novel Heart. Translated by Dawson Chen.

It’s never a good sign when I’m checking Amazon Japan to see how long a series has left to go. Fortunately, this series looks like it ends with the 4th volume, so I guess I’ll finish it. It’s not doing anything wrong per se, and doesn’t have random slavery or the usual light novel turnoffs, but it’s a damp wet towel of a book. Our heroes hear of a setback, think of a plan, and the plan, for the most part, goes swimmingly. The bad guys are really bad, the good guys are really good, with the exception of Teodore being a standard “glasses sadist” for laughs. There are one or two exceptions, which I’ll get to later, but if I’m being honest, the most interesting and exciting part of the book was when this volume’s antagonist snaps and decides to start choking Carolina to death in front of royalty and hundreds of people. Dumb, but exciting.

Carolina’s father arrives with bad news: Archbishop Mills is on his way to the kingdom and wants an audience with Carolina, likely to try to get her to come back to Celestia. Unfortunately, they’re not quite ready to reveal how powerful she is to the world yet. So they try several stopgap measures. She puts off her decision while she “thinks about it”, they investigate the bishop for his horrible crimes (can’t have a light novel without a Church of Evil, though in this case it’s just one Bishop of Evil), and create a Saint for their own Empire. Unfortunately, while they get enough support to do this, they can’t just make it Carolina, especially since her power is a secret. There’s going to be a magic competition. And her main opponent is Monica, the noble girl who despises her.

So there are a couple of bits that weren’t too bad, most of which revolve around accepting that sometimes people change, and sometimes kids can’t change situations because they’re kids. Marisa and Owen both had terrible childhoods that left them with many regrets, and indeed we saw Marisa’s younger sister of terrible in the last book. But they need people to vote for their new Saint idea, and that means she has to talk to her OLDER sister, who also treated her like crap. Then she finds… her sister happily married, and love has softened her, and she deeply regrets what she did and apologizes. Marisa really doesn’t know how to take this. As for Owen, it turns out that his brother’s disinterest was not that in the slightest, but just a massive miscommunication, and now the two of them are getting along again. Now, both of them credit Carolina for basically making them nice enough to reach out and make amends, but I’m used to perfectly pure heroines.

I didn’t mention Flora at all, but the final volume has basically one question: will she be saved or will she die? We’ll find out. Bet the answer is the obvious one.

The Otome Heroine’s Fight for Survival, Vol. 2

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By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

Fans of this series may be surprised that I’m reading the second volume of this book, but they’ll be even more surprised that I’m looking forward to the third. It’s rare I get a series I enjoy so much which is filled with things that normally annoy me. First of all, Villainess fans must be going nuts reading this, as there’s really very, very little of the actual otome game plot here, though we do meet another villainess (more on her later). There are stats. So many stats. I raised my endurance stat +2 just reading this volume. And of course this is an incredibly dark book in which we meet a cast of about twenty new minor characters and by the end of the book almost all of them are dead by the hands of our heroine, who perhaps does not quite deserve that moniker anymore. They even get little backstory flashes right after they’re killed to make it more tragic. So why do I like it? It’s compelling.

Having survived, barely, her life and death battle at the end of the first novel, Alia is now apprenticed to a dark elf named Cere’zhula, who was also the master of the woman who tried to kill Alicia and take her “heroine” place back at the start of the series. Alia ends up actually confessing almost off of this to her new mentor, and ends up being a much better apprentice, if somewhat… eccentric. Unfortunately, only a few months in, a nasty guy shows up and tries to blackmail Cere’zhula into doign an assassination job for him. Rather than get used as blackmail fodder, Alia offers to do the job herself… and then discovers that the Assassin’s Guild don’t trust her a lick. So, I mean, she goes through with the initial “kill these mooks’ test, and then does the actual dangerous assassination job, but she has a far greater goal in mind: killing the entire guild, who are now her enemies.

There is one big reason to read this new book. Just as, in the first book, the main enjoyment was the relationship between the heroine and the first “villainess”, Elena, here it’s between Alia and another villainess, Karla. And while Elena stands a chance of actually surviving the books, Karla may actually end up being the final boss. To be fair, her backstory is essentially “Sakura Matou with less rape but more torture”, but she is absolutely a hoot, absolutely a psychopath, and bonds IMMEDIATELY with Alia, who she not only sees as a kindred spirit (she’s right there, Alia is not remotely an empathic person) but also as someone who will be able to kill her – and not kill her so she dies pathetically, like her family could have done, but kill her so that her death has MEANING. She’s absolutely horrible, and I can’t take my eyes off her.

By the end of the second book, Alia seems done with Assassining, at least for now. Where she’ll end up, who knows, but the 8th in the series just came out in Japan, so it will be a bit. This is dark as pitch, but I’m sticking with it.

From Two-Bit Baddie to Total Heartthrob: This Villainess Will Cross-Dress to Impress!, Vol. 1

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By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

If I had a nickel for every villainess book that I read and thought that it was clearly influenced by My Next Life as a Villainess… well, I’d have about 50 cents or so. Which is still a lot! Fortunately, most authors know that they can’t simply straight up photocopy Katarina Claes onto the villainess of the hour, even as the whole “reverse harem starring a clueless protagonist who does not realize what she’s doing to the rest of the cast” plot is present and correct. Katarina is the cheerful, empathic oblivious type. Someone like Yumiella is the stoic, overpowered oblivious type. And now we have Elizabeth Burton (a name as subtle as you’d expect from someone with the pen name Masamune Okazaki), who is also strong, and also cheerful, but goes in a totally different direction. That’s her on the cover. In the center, between the two pretty guys. Does that means this is trans? Or yuri? Well… not really? Not yet?

So yes, as is standard for this genre, Elizabeth Burton eats a horrible bell pepper one day, which triggers memories of her past life in Japan, where she was a fan of the otome game “Royal LOVERS”… where Elizabeth Burton, the fiancee of the second prince, was a minor villain who was doomed, in the second prince’s route, to be rejected and likely live her life alone and unloved. Well, that just won’t do. Unfortunately, all the love interests in this game are bishonen, so she can’t exactly compete once the heroine inevitably arrives in ten years’ time. So Elizabeth, showing a startling, terrifying lack of common sense, decides to cut off her hair, dress in a boy’s outfit, get really buff and strong, become the perfect handsome playboy, and seduce the heroine. Oddly, her family and the kingdom put up only token resistance. That said, she has a problem: the love interests don’t care if she looks and acts like a man. They’re smitten.

Is this yuri? Not really. The heroine only shows up at the very end to be the cliffhanger. What’s more, Elizabeth has put ZERO thought into this beyond “seduce the heroine”, has no plan for what happens after that, and denies at first that she’s gay… then backs off and says she’s not sure. Is it trans? Not really that either. Elizabeth, aka Lizzie, dresses and acts like a boy but uses her real name, never denies she’s a woman, and gets annoyed when other people try to call her a man. Is this a weird little genderqueer thing? Boy howdy yes. She doesn’t fall for anyone here, thought Edward (the first prince, who is the ‘beautiful but sickly’ sort) comes close to breaking her facade, but the three male love interests (I’m ignoring her adopted younger brother) certainly fall hard for her… to the point that they all dress in women’s dresses at the big dance in the hopes of attracting her. Again, while this gets some shocked stares, there are no repercussions and no real opposition to it. It’s mentioned that men will get married but have male lovers (women with female lovers is NOT mentioned, I note). Basically, this world seems very casual about a lot of things.

I spoiled myself a bit by looking at the (still ongoing) webnovel, and the second book in the series should bring us a bit more yuri as not-Maria Campbell hits the scene. Till then, temper your expectations if you want this to be anything other than “reverse harem with clueless heroine”, but the heroine herself makes it worth the read.

Manga the Week of 8/14/24

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SEAN: Typing out Manga the Week of in the short break between killer thunderstorms.

ASH: There have been a few, haven’t there?

SEAN: Debuting in print for Airship is Too Many Losing Heroines! (Make Heroine ga Oosugiru!), whose anime is currently getting a very large animation budget. It’s a romcom about (sigh) a plain, boring guy who suddenly finds that all the hot, popular girls in his class are confessing to the guys they like… and being shot down! What’s going on here?

ASH: Only time will tell, I’m sure.

SEAN: Also in print: Reincarnated as a Dragon Hatchling 7, Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 12, and The Weakest Tamer Began a Journey to Pick Up Trash 7.

And for early digital we see 7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! 6 and There’s No Freaking Way I’ll be Your Lover! Unless… 5.

Denpa Books has a 5th omnibus of Nana & Kaoru.

From Ghost Ship, 2.5 Dimensional Seduction 11 and Inside the Tentacle Cave 3. And, in Mature Seven Seas titles, we get Killing Stalking: Deluxe Edition 7.

ASH: I really need to get around to giving Killing Stalking a try.

SEAN: There’s a GIANT PILE of J-Novel Club debuts for next week, all light novels. We’ll start with The Fake Hero Crashes the Party (Kono Hi, “Itsuwari no Yūsha” dearu Ore wa “Shin no Yūsha” dearu Kare wo Party Kara Tsuihōshita) stars two boyhood friends, one of whom is the hero… and one of whom is, unbeknownst to anyone else, “Fake Hero”. After the obligatory banishing from the hero’s party, can this “bad guy” find a way to do good?

The Hero and the Sage, Reincarnated and Engaged (Eiyū to Kenja no Tenseikon) stars two soldiers who fought for years for their respective nations, but the rivalry was never resolved as one passed away. Now they’re reincarnated, and really want to fight to resolve their rivalry! Clearly, the best way to do that is to get engaged.

The Poison King: Now that I’ve Gained Ultimate Power, the Bewitching Beauties in My Harem Can’t Get Enough of Me (Doku no Ō: Saikyō no Chikara ni Kakusei shita Ore wa Biki-tachi wo Shitagae, Hatsujō Harem no Ō to Naru). A boy inherits a curse from his late mother, which means everyone except one loyal maid despises him. When a doctor examines him and shows him how to overcome the curse, he discovers his other true power: get every woman he knows to want to have sex with him. This is one of THOSE books.

ASH: There have been a few, haven’t there?

SEAN: The Reincarnation of the Strongest Exorcist in Another World (Saikyō Onmyōji no Isekai Tenseiki) is… um,. honestly, the title should tell you exactly what’s going to happen. Reincarnated as a noble, supposedly no magic, but he has SORCERY, which is so much more powerful. I bet he goes to a magic academy too.

The Royal Hostage Has Vanished: The Black Wolf Knight Yearns for the Persecuted Princess (Hitojichi Hime ga, Shōsoku wo Tatta. Kuro Ōkami no Kishi wa Rinkoku no Shiitagerareta Hime wo Zenryoku de Aishimasu) is the one J-Novel Heart title in this list. A knight goes to retrieve a princess offered up as war reparations, only to find she’s been abused most of her life, and is also now dead. Stunned, he returns home… to find a mysterious young woman who looks a lot like this princess.

ASH: Unsurprisingly, it’s the Heart title that interests me the most out of those.

ANNA: yeah.

SEAN: There’s also a pile of ongoing titles. We see Butareba -The Story of a Man Turned into a Pig- manga volume 3, DUNGEON DIVE: Aim for the Deepest Level 8, Enough with This Slow Life! I Was Reincarnated as a High Elf and Now I’m Bored 7, The Faraway Paladin manga volume 12, Goodbye, Overtime! This Reincarnated Villainess Is Living for Her New Big Brother manga volume 2, Holmes of Kyoto 19, The Invincible Summoner Who Crawled Up from Level 1: Wrecking Reincarnators with My Hidden Dungeon 2, Management of a Novice Alchemist 2, Now I’m a Demon Lord! Happily Ever After with Monster Girls in My Dungeon manga volume 7, Peddler in Another World: I Can Go Back to My World Whenever I Want! 8, and A Surprisingly Happy Engagement for the Slime Duke and the Fallen Noble Lady 2 (the final volume).

ASH: That list really does keep going.

SEAN: Kodansha has no print debuts, but we do see The Fable Omnibus 3, Gazing at the Star Next Door 3, The Iceblade Sorcerer Shall Rule the World 10, Medaka Kuroiwa is Impervious to My Charms 8, Pass the Monster Meat, Milady! 5, Quality Assurance in Another World 9, Saving 80,000 Gold in Another World for My Retirement 8, The Seven Deadly Sins: Four Knights of the Apocalypse 13, Sketchy 3, Wandance 10, Welcome to Demon School! Iruma-kun 9, and Wistoria: Wand and Sword 8.

MICHELLE: Insert obligatory remorse for not yet having read Iruma-kun.

ASH: It feels like it’s been a while since we’ve seen so much print from Kodansha all at once.

SEAN: The digital debut is That Beauty Is a Tramp (Sono Bijin (Otoko) Fushidara ni Tsuki), a josei title from Comic Tint. A woman traumatized by a past incident wants a boyfriend, but any man who touches her causes her to reject them. Then she meets an androgynous model. Can he help her out? This is from the author of Such a Treacherous Piano Sonata.

Also digital: Gang King 20, Giant Killing 44, I Have a Crush at Work 5, Medaka Kuroiwa is Impervious to My Charms 13, and Tokyo Tarareba Girls Returns 2 2.

One Peace Books has Usotoki Rhetoric 8.

MICHELLE: I need to get back on this series.

ASH: I’ve been enjoying it!

SEAN: Seven Seas has, in their danmei line, the 3rd and final volume of Guardian: Zhen Hun. There’s also a special edition with posters, stickers, etc.

MICHELLE: Over already?! Waah.

SEAN: Two debuts from Seven Seas. The Concierge at Hokkyoku Department Store (Hokkyoku Hyakkaten no Concierge-san), a seinen manga from Bic Comic Zoukan. A new employee finds that her department store caters to talking animals!

ASH: This looks like it could be fun.

ANNA: Sounds amusing!

SEAN: Killer Shark in Another World (Isekai Kuimetsu no Same) is a seinen title from Comic Valkyrie. A young girl is a terrible summoner who everyone mocks… till she summons a monster that can transform into B-movie sharks. This is one of THOSE books, though in a different way than The Poison King.

Also from Seven Seas: CANDY AND CIGARETTES 9, Classroom of the Elite 11, Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 8, How Heavy are the Dumbbells You Lift? 15, Life with an Ordinary Guy Who Reincarnated into a Total Fantasy Knockout 4, Mushoku Tensei: Jobless Reincarnation 19, My Cat is Such a Weirdo 4, and Yokai Cats 8.

Square Enix Books has The Girl I Like Forgot Her Glasses 11, The Ice Guy and the Cool Girl 6, and My Isekai Life: I Gained a Second Character Class and Became the Strongest Sage in the World! 14.

ANNA: I need to read more Ice Guy and Cool Girl.

SEAN: Steamship has a manga debut. Alpha Wolfgirl x Omega Wolfboy (Oukami α-san to Oukami Ω-kun) is a josei title from Jour that asks “what if A/B/O but het?”.

ASH: Hmmm.

ANNA: I dunno.

SEAN: SuBLime has Don’t Be Cruel: plus+ 3 and Given 9 (the final volume).

ASH: Given is another one I’ve been enjoying but need to catch up on.

ANNA: Same!

SEAN: Udon Entertainment has a debut. More than a Married Couple, but Not Lovers (Fuufu Ijou, Koibito Miman) is a seinen series in Young Ace. A school forces its students to do mandatory couples training, where they have to prove – under surveillance – they can live with another person. But our hero’s other person… is a gyaru! Horrors! This is an omnibus of the first 2 volumes.

ASH: Oh, my!

SEAN: Debuting from Viz is Deadpool: Samurai—The Official Coloring Book. It is what it says.

They’ve also got Akane-banashi 7, Demon Slayer: Kimetsu Academy 3, I Want to End This Love Game 3, Kaze Hikaru 32, My Hero Academia: Team-Up Missions 5, Pokémon: Sword & Shield 10, Sakura, Saku 4, Sleepy Princess in the Demon Castle 25, Splatoon 3: Splatlands 2, and Star Wars: The High Republic: Edge of Balance 3.

MICHELLE: It’s time for the annual rejoicing about Kaze Hikaru!

ASH: Huzzah!

ANNA: Yay!!!!

SEAN: And Yen Press has three J-Novel Club titles for print. We get Ascendance of a Bookworm Part 3 Volume 2 (that’s the manga), By the Grace of the Gods 11, and Seirei Gensouki: Spirit Chronicles 11.

So it turns out the cat titles are here, not in the last Manga the Week of. Rejoice!

ASH: Woo!

Young Lady Albert Is Courting Disaster, Vol. 7

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By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

Sometimes tropes are so omnipresent that I automatically assume they’ll be there, and I get tripped up when they don’t actually happen. This volume kicks off its plot when a young girl shows up, with red hair the color of Adi’s, and says that he’s her father. Naturally, my first thought was: girl from the future. This is despite the fact that she clearly doesn’t recognize Mary, Alicia, o the rest of the cast. But no, there is no time travel here. Instead we are once again dealing with a more common light novel subtrope, which is the idea that if you’re going to be a noble, you’d damn well better be a GOOD noble who cares about others. The actual backstory for this girl is more down to earth – she’s from a country that doesn’t give a crap about its poor, and it broke her family apart. This infuriates Mary and Alicia, who by their nature are shiny, honest people and can’t stand the idea of abusing power. Even if it’s justified in their head.

The other major plotline in this volume is that Mary Albert is pregnant. This is a happy surprise for her and Adi, but it’s also something they want to keep under wraps for the time being, as there are certain people who will make far too big a deal out of it. Like, new national holiday big. Fortunately, this strange little girl arrives and proceeds to distract everyone as they try to figure out whose child she is (I appreciate the fact that everyone knows Adi is so in love with mary that there’s no way it’s his secret child). Unfortunately, when they find out her exact circumstances, a field trip is in order. Which also consists of her brothers. And Patrick and Alicia. And Parfette and Gainas. And they all converge on one unfortunate lord who believes wholeheartedly that breeding is everything and poor people deserve to be abused. The odd thing is that he believes it to an extreme degree, rather than just being plain old evil about everything.

One thing I really appreciate about Mary Albert is that, despite being reincarnated in an otome game, etcetc., and being generally a very nice person, she is allowed to *behave* like an arrogant villainess, snikping and grumbling at people and acting like she’s going to let out with an OHOHOHOHOHO any moment – though she never does so. In a world with ditzy villainesses, acting villainesses, villainesses with PTSD, it’s nice to see one who doesn’t have a complete personality change even as she plots her doom. Actually, the plotting her doom thing seems to have gone well and truly tits up in this book, as her brothers renounce their claim to the head of the family, leaving it for her. This is unsurprising, but I think she’ll do a good job. I do appreciate how, even now that we’re close to the end, she still cares a lot about what happens to her fantasy fried chicken restaurants, and worries now that she’s given it to twisted friend 31 and twisted friend #2. (I worry as well.)

The next book is the last. I’ll miss this series, one of the first villainess books to come out in Japan. It was overshadowed by Bakarina, but Mary Albert accomplished a lot more. I wish her and her husband and her second and third wives well. What, they’re not her wives? I feel evidence suggests otherwise.

The Evil Queen’s Beautiful Principles, Vol. 2

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By Reia and Haduki Futaba. Released in Japan as “Akutoku Joo no Kokoroe” by Kadokawa Books. Released in North America by Airship. Translated by Faye Cozy. Adapted by Abigail Clark.

I will admit, the direction of this second volume surprised me. I was expecting there to be a lot more struggle against the evil families who were behind her parents’ death. I was expecting at least one betrayal from a close ally I got none of that. If anything, her revenge was nearly pitch-perfect. But what I’d forgotten is that this second volume is also the final volume, which means that the revenge can’t be the point. The point is Luxeria’s own character growth, and also whether this book turns out to be a tragedy or not. It’s touch and go for a while, and you can argue that the resolution is a bit out of nowhere. But I think it’s thematically appropriate. A queen who has been unable to trust anyone, whose only friend was damaged because of her, whose true love she had to (supposedly) kill. The big question is here not will she get her revenge, the big question is whether she’ll survive it.

After the shocking coronation events, Luxeria is determined to continue investigating the other marquess houses to find out what skeletons they have in their closet, and also to prove what she already knows – that they killed her parents. That said, there are also more dangerous things going on. Children are getting kidnapped all over the land, and it might have something to do with the mysterious circus that’s always in town when it happens. Some of the marquesses are garden-variety assholes, one of whom is so banally evil that his own wife, on finding he’s been arrested, gives all the evidence they need to execute him, then drinks poison so she can end her terrible life. Worst of all,. there’s still the fact that Luxeria’s magic is slowly killing her, and all the allies that she has around her can’t save her because she’s mind controlling them into forgetting she has symptoms at all.

The title is not just for show here. The queen absolutely goes to town on everyone who was plotting against the royal family, be it actual assassination, or merely garden-variety apathy. The heads of family, and all their relatives, are executed. One or two folks turn evidence against their families, so she lets them live, but they have their identities magically changed, and they can’t even reveal their new self to their best friends. And this all weights heavily on her. Even as she is surrounded by people who are helping her, who share her hopes and dreams, who love her, she cannot help but see herself as walking a path to damnation. There are odd moments in this book where she just starts laughing maniacally out of nowhere, like a stereotypical “villainess”. But that’s what she thinks she is. She wants to feel exultation that she’s managed to avenge her parents, but she just feels empty. It’s all performative. Fortunately, thanks to the two people closest to her (and oh my GOD I wish we had an OT3 here, but alas), the worst case is avoided, but this book gets pretty dark.

It ends happily, though. Probably a little TOO happily. But hey, I’ll forgive it, since it’s the last book. Short and not-so-sweet.

Saving 80,000 Gold in Another World for My Retirement, Vol. 5

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By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 5 is the equivalent of the Japanese Vol. 6.)

I feel at this point that I need to apologize to Mile and Kaoru. I’ve talked before about how all three FUNA heroines are basically agents of chaos who have large body counts to their names, which is true on the face of it. However, Mile (very much so) and Kaoru (somewhat) have people who are around them most of the time, who are there to hear the worst of their atrocities and talk them down. Mitsuha, on the other hand, spends a great deal of these books by herself, wandering all over the land with her teleport powers and with no one to stop her but a tween girl who usually would rather be joining her in the chaos instead. Mitsuha may whine about looking perpetually twelve, but she’s by far the least mature of the FUNA three, and will happily throw intruders on her property onto a remote island for the rest of their lives just because. She’s fricking terrifying.

There’s a new artist, though one that may be familiar – it’s the manga artist, now pulling double duty. As for the “plot”, as usual with this author it’s essentially whatever they feel like doing. Mitsuha manages to get herself a ship to repair/study by posing as a goddess and rescuing sailors from a wrecked ship… which she then has “ascend to heaven”. She gets another teenager to run another company selling luxury goods for her, though at least this one is not an orphan. And she continues to avoid the king and prince on this new nation, who are by now desperate to meet her, and continue to use their secret identities to try to corner her. This goes about as well as you’d expect. People that try to force Mitsuha to do what they want end up longing for a quick and painless death.

There’s minimal gunplay in this book, despite the cover art. But that’s fine, as Mitsuha has shown that she can completely upend all of society without needing to bother with guns. There are so many scenes in this book that come down to “roaring rampage of revenge”, and while with Mile, and especially Kaoru, such displays only really get out of hand when they’re upset or emotionally compromised, Mitsuha doesn’t really have that. Mitsuha spends most of the book happy, making jokes and puns, and laying economic waste to everything around her. She cares about some of the people around her, mostly Colette, but she’s also very casual about “if things go south I’ll just abandon them” when she makes new alliances. I don’t think this is intentional, but I think that the death of Mitsuha’s family has arrested her development and also her moral sense (her brother’s teachings didn’t help). If this was a different series, I’d say it’s a setup for a massive amount of hubris and karma bringing Mitsuha down. But this is not that kind of series. She’s just like that.

This is light, frothy fun provided you don’t take it remotely seriously. As always.

Agents of the Four Seasons, Vol. 3

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By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.

Boy, the world that this takes place in really sucks, doesn’t it? This is an alternate Japan where the world relies on people with special powers chosen by the Gods (supposedly) to bring about the seasons, and in this book we also find out that there are archers whose arrows bring about day and night every day. When the Agents can’t or don’t do their duty, the area suffers. If the archers miss a day or miss a shot, the area really suffers. Those responsible are chosen right after the previous one dies, get no choice in the matter, and are, as we see in this volume, blamed for almost everything wrong with the entire country. Oh, and because this book loves to pile on, almost all of them have some sort of tragedy and/or abuse in their life, or are currently having it. The premise of this series is being able to overcome that and live happily, but man, it does occasionally make for depressing reading.

After the events of the last two books, everything is… not back to normal. For one thing, there are now TWO agents of summer, something that makes the conservatives in charge of the town of summer furious. There are, in fact, rumors going around that every single bad thing that has happened recently has been because God is angry at the current agents, and they should all be replaced for the greater good. Unfortunately, “replaced” means “murdered”. What’s worse, Ruri and Ayame both have their engagements broken, which completely traumatizes Ayame, who was secretly in love with her fiance (who loved her back, but both are so repressed neither one noticed). Meanwhile, in case you thought we wouldn’t be seeing Hinagiku in this book, no worries. Unfortunately, she too is dealing with the rumors, which state that the two years she spent recovering from trauma are why all this happened at all. Scapegoats for all!

This is another two-parter, and focuses far more heavily on the twin sisters Ayame and Ruri. We get flashbacks to their childhoods, and see exactly how being chosen as an Agent can be completely traumatizing, and can also damage a family – the twins’ parents are on their side, but there’s still a lot of friction, mostly as Ruri is acting like a 10-year-old who is being torn away from her twin and being forced to be an agent of God. Ruri does not at all fit the bill for the ideal agent… but neither does Ayame, who is so stressed and guilty over all of this that at one point she attempts to run away from home. In the present, the scene with the Town of Summer yelling at Ayame for causing all this by not letting Ruri die, and telling Ruri “the dead don’t get to speak here”, is jaw-droppingly horrifying, especially as it hits on Ruri’s own trauma specifically (she uses asterisks for the word “died” at the start of the volume, a common Japanese trope for a person avoiding thinking of trauma). By the end of the volume they’re being manipulated by unseen forces, but frankly, if it makes them more proactive, I’m OK with it.

All this and I didn’t even mention their actual fiances (another abuse survivor, and a man who we know little about but seems to be “likeable sociopath”). The next volume will be highly anticipated. Though also dreaded a little, perhaps.

Bookshelf Briefs 8/3/24

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Adults’ Picture Book: New Edition, Vol. 2 | By Kei Itoi | Yen Press – This continues to be really well-written provided that you can deal with awkward introverts who don’t like talking trying to raise a ball of fun who is nevertheless far more clever than her father wants her to be. Now married, Fusako is trying to figure out what that means… though before she does that, she might want to invest in a GPS so she doesn’t walk over an hour to get home after work. Meanwhile, Kudou’s colleagues bring him gifts (that he doesn’t want) and also muse on his sexuality, which is still very ambiguous. He states he’s not gay, but it’s pretty clear he was in love with Jinno. The premise of this manga seems to be defining “normal”… or more accurately, asking why people have to try really hard to be normal at all. Fascinating. – Sean Gaffney

Bocchi the Rock!, Vol. 3 | By Aki Hamazi | Yen Press – Make no mistake, Bocchi is the main reason to read this series, but I do appreciate that the other three girls in the main cast are not just there to react to her. They’ve each got their own issues. Kita worries her voice isn’t conveying the song as well as it could, worries that don’t go away when the singer from a rival band confirms it for her. Nijika is the leader of the band, so of course wants it to go far, even if that means playing at bad venues and having to face up to the fact that she’s a drummer and can’t do a cool pose. Even Ryo gets stuff to do, though I admit of the four leads hers is the one that most often comes down to “the stoic but weird one” most often. As for Bocchi herself, she’s still a mess, but far less than volume one. She’s coming along. – Sean Gaffney

Captain Momo’s Secret Base, Vol. 1 | By Kenji Tsuruta | Dark Horse – It’s 3019 CE and Captain Momo and her first officer, a tuxedo cat named Grandpa John, are escorting a space freighter on a years-long journey. This manga chronicles their daily adventures, by which I mean the distinct lack of same. These include using the meal replicator to create a toy mouse for Grandpa John, napping, and dealing with massive piles of stuff everywhere. She’s also naked the whole time. It’s not salacious, unless you count the time she flashes her coworker, but it’s definitely inescapable. Towards the end, somewhat of a plot develops, in that Momo currently doesn’t have enough energy reserves to complete her journey successfully, and must find a way to make up the deficit. I’m just not sure I’m interested enough to see how that turns out for her. – Michelle Smith

Chasing Spica, Vol. 1 | By Chihiro Orihi | Seven Seas – I was looking at comments about this manga, and I saw someone asking whether it was really OK to be rooting for the blackmailer in this series? Well, are we supposed to? Honestly, both leads are damaged in some way, shape or form. The blackmailer, Serika, is the “protagonist” mostly as the story comes from her perspective in this book, and it’s her own struggles that kickstart the plot. That said, I can’t deny that I’m more interested in Reiko, who is seemingly the prim and proper opposite to Serika but in reality is something much more complex, and grounded in apparent past family trauma. Plus we get “I’m good at something too. Sex.”, which is one of those over-the-top lines that makes me hope this eventually sees an anime. I was intrigued. I’ll read more. – Sean Gaffney

I Can’t Say No to the Lonely Girl, Vol. 2 | By Kashikaze| Kodansha Manga – It’s always tricky when two girls are in love but one of them isn’t quite aware that’s what this is. Sora definitely knows what this is—she’s been in love with Ayaka from the moment she first saw her. Unfortunately, not only does Ayaka not remember that, but she’s also perhaps unaware of her own feelings—since she sees her relationship with Sora as being based around the request from the teacher (and explaining about her perfect older brother helps explain more why she took it), the burgeoning feelings inside her can’t be romantic—they’ve got to be the TRUE friendship that exists beyond the commodity that they had before! If this seems frustrating, welcome to yuri manga, but it’s cute and they’re great kids. They’ll work it out. – Sean Gaffney

My Hero Academia, Vol. 38 | By Kohei Horikoshi | Viz Media – A definite step up from the last volume, here we see the heroes starting to have a comeback. There is a bit of shonen eye-rolling to get through, as EVERYONE has to come back for one last appearance to help out. This includes Lady Nagant, whom we last saw exploded but with her death unconfirmed, sniping All for One despite her massive wounds. It also includes the cast of Shiketesu, leading to the best callback of the series, where Camie does her “shojo manga” duplicate of Hawks, which manages to fool AFO enough for the real, injured Hawks to get away. And yes, that means it’s also the chapter with the translated footnotes that a very annoying fandom thought were made up by the translator. No, you missed the joke. Try again, folks. – Sean Gaffney

Queen’s Quality, Vol. 19 | By Kyousuke Motomi | Viz Media – The danger of long-running suspense series, especially ones with a supernatural bent like QueQua, is that there needs to be escalation to keep the reader interested. Shonen does this too, of course, but there it’s bigger and stronger villains, whereas here it’s bigger and more personal villains. Fumi has struggled with past memories for the entirety of the series, even back when it was QQ Sweeper, and the revelations that come up here are less “oh my God, we had no idea” and more “oh my God, she’s going to be depressed even more now.” But Fumi is made of sterner stuff (well, she is in the hospital—again—in this book) and is prepared, if necessary, to make this fight even more personal than it’s already been. Good stuff. – Sean Gaffney

Sister and Giant: A Young Lady Is Reborn in Another World, Vol. 1 | By Be-Con | Yen Press – “Sister” is used here in the Maria-sama Ga Miteru vein—indeed, they seem to explicitly have the same uniforms. Sadly, the sisterly relationship we see seems to have gone sour, in a lethal way—not a truck, but a train. The “Giant,” however, is very real, a young woman who is belittled and abandoned by everyone else in her tribe, but finds this isekai’d girl with no powers (she explicitly rejected them) is her savior. Together the two of them struggle to do adventuring jobs, fight off evil rapists from (of course) the Church, and look for those who abandoned them. Unfortunately, the other girl who got hit by the train was not proud enough to reject cool powers, and I think that might come back to bite her. A good take on isekai. – Sean Gaffney

Snow White with the Red Hair, Vol. 26 | By Sorata Akiduki | Viz Media – It’s been a YEAR since the last volume, and I have, of course, forgotten everything. My last review notes Ryu’s character growth, and now we see why—he’s staying behind while Shirayuki moves on, and the new arc, whatever it may be, begins in earnest. At least she has Zen with her for now. We also get to see more of Kiki and Hisame, and I think the reader may finally be coming to terms with the fact that, now that they’ve both grown up a lot, they’re a very good couple. So are Shirayuki and Zen, but that has to advance at a snail’s pace due to the nature of this manga, and it doesn’t help that it’s on a yearly schedule in Japan now as well, so we’re going to wait just as long for the next book. I’ll always be buying it, though. – Sean Gaffney

Teasing Master Takagi-san, Vol. 19 | By Soichiro Yamamoto | Yen Press – The only teasing going on here is teasing the reader, as we get a chapter where newlyweds Takagi and Nishikata (yes, another flashforward) resolve to use each other’s first names… but WE don’t hear what they are. Other than that, this is the penultimate volume of the series, so it’s setting up for the ending… except I suspect the ending will be pretty vague, so instead it’s sort of meandering along with more heartwarming than funny, including the scene where Takagi gets sick and he visits her home, and more scenes showing that Nishikata and Takagi are basically dating, and would be making out every day if he could work up the nerve. (He can’t even touch her back without having a breakdown.) The next one’s the last, should be fun. – Sean Gaffney

This Monster Wants to Eat Me, Vol. 1 | By Sai Naekawa | Yen Press – I read this suspecting it would be a bit depressing, and it is a bit, but the overly of mystery and horror helps to distract you. Hinako lives alone in a seaside town, and dwells on her parents and brother, who were killed at some point in the past. As a word of warning, she pretty much as suicidal thoughts throughout this volume, and I don’t see that changing. She ends up meeting a girl who turns out to be a mermaid, who wants to eat Hinako… but not yet, as she’s not tasty enough. The implication seems to be Hinako is too depressed to taste good, so as metaphors go it’s not bad. I’m most intrigued by Hinako’s friend Miko, who is her bestest bestest friend and does not like this new girl (the mermaid transfers in) at all. This is a riveting title. – Sean Gaffney

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 15

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

There is not a single thing that happens in this book that the reader could not have predicted. If you finished Vol. 14 and someone asked “so how will it end”, you would probably say “well, Eve will try to break everything and go home, Lloyd will stop her by being Lloyd, and we’ll get a flashforward showing that everyone is older but otherwise resolving next to nothing”, you’d be absolutely correct. That said… is that really a bad thing? This is a wacky, goofy comedy with a bit of heart. If you were asked what you WANTED from the ending of this series, unless you’re a rabid shipper (and I assume any of those dropped this a while back), you’d probably say exactly what I just did above. It’s a chaotic action-packed fight against Eva, followed by Lloyd showing off how much he’s grown and also showing off that no one has gotten (or will ever get) in his pants.

Things aren’t looking good. Eve has a new body, and what’s more, she has access to the powers and attacks of ALL the demon lords. Everyone who tries to stop her is either distracted by her releasing a horde of monsters, beaten into a coma, or mind-controlled into obeying her will (yeah, sorry, Anzu, you’re mostly a comedy patsy this volume. It happens in this series). Rinko has an idea that might be able to take her down, but Eve has about 87 clever plans, and she does not seem in danger of running out anytime soon. Worst of all, Eve has a special spray bottle and, when hit with the contents, the residents of Kunlun become weak and unable to fight back. With all these advantages, even Lloyd won’t be able to stop her!…. right? Right?

So yeah, the “action climax” of this book happens a little over halfway through, and even Eve’s fate is not all that surprising given the type of series this is. The last chapter takes place a few years later, and is from the POV of Asako, who finally gets to be an actual character in this series now that she’s no longer being possessed by Eve. Fortunately she’s no longer dying, and she has cool teleportation powers. Unfortunately, she’s in love with Lloyd, which merely adds her to the pile. It turns out that the entire series has been written by her to tell Lloyd’s true story, a conceit I quite like. As for the others, well, they’ve all got jobs now, but everyone is reasonably happy, except for Marie, who is miserable and who no one can stand. I can’t believe Marie became the most annoying character in a series where Selen exists, but there it is.

This was never going to be a top-rated light novel series, but for something trying for the vibe of Urusei Yatsura (complete with one of those “chaos ensues” endings Takahashi loved to do), it was good. It always made me laugh, which is more than I can say for a lot of light novel authors.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 7

by

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

In the previous volume of MagiRevo, we saw Anis reject the “perfect world” offered to her, as it would render everything that she’s struggled to achieve meaningless. Now it’s one year later (the biggest time jump we’ve seen in this series so far), and she’s finally getting the chance to achieve her dreams… and is still feeling a bit guilty about it. Is it all right for her to do this? To go off and be a weirdo magical researcher coming up with gonzo ideas that will revolutionize the world? Shouldn’t she grow up and be mature, like Euphie is? Leaving aside Euphie’s maturity, which turns out to not be quite as strong as imagined, this makes sense. Anis spent years being the eccentric princess who rebelled, because if she stopped to face reality it would crush her. Now she’s given the opportunity to do the same thing without the same risk. Just one catch: Anis going it alone is a thing of the past.

Anis starts this book, having finally recovered from the events of Book 6, with a startling proposal. Since her magical research and inventions tend to, shall we say, annoy the aristocracy in the capital… why not just build a whole new city and make it a magical Alexandria? As noted above, Anis has to be talked into this, but eventually throws herself wholeheartedly into things, especially since she shocks people with the idea of building the city with both magical and… non-magical means! Me not use magic? That’s unpossible! Moreover, in the massive research that is the back half of this book (it’s OK, it’s interesting for once), we learn that not only might everyone have been learning magic incorrectly, but that there may be more than one KIND of magic. All this means that Anis has a LOT more to do, and is unfortunately going to have to learn to delegate and lead from behind… well, mostly.

Anis is not the only one undergoing crises in this book. Gark is struggling with the fact that everyone around him is a genius of some sort, and he’s just a guy who’s dependent on magic weapons to get anywhere. Tilty is a bit disturbed by Anis going in on making these magic weapons, and serves as her conscience reminding her of the dangers of putting weapons that anyone can use into a world where commoners have massive grudges against the nobility. And we get a new maid in this book, Priscilla, who is also the victim of a noble being terrible – her father – and wonders why Anis, with all the power that she has at her discretion, especially now that she’s a dragon hybrid, not take revenge on everyone who wronged her? The answer Anis has is not what Priscilla really wants, but it works. Anis grew up loved. And she has a wonderful partner. I like Anis sort of acknowledging her privilege here which allows her to be able to take the high road. It’s not as easy for others.

All this plus Anis and Euphie having such a wonderful night (offscreen, of course) that Anis has a hoarse throat the next day. This is the second book in a row with not quite as much Euphie, so the author promises Book 8 will focus more on her. Till then, this was one of the stronger books in the series, setting up the new arc and allowing Anis to feel confident once more in being the little freak we know and love.