Features & Reviews

My Week in Manga: December 12-December 18, 2016

December 19, 2016 by Ash Brown

My News and Reviews

After a slight delay, November’s Bookshelf Overload was posted last week at Experiments in Manga. Last week I also came to the sad conclusion that my feature on Ichigo Takano’s Orange simply isn’t going to happen despite the progress that I’ve made on it and all of my best efforts. I’d like to extend an apology to everyone who was looking forward to that post, myself included. Orange deeply resonated with me and my own experiences and I wanted to share that with others. Specifically, I wanted to write an essay exploring its sensitive, honest, and compassionate portrayal of the very personal challenges surrounding issues of guilt, depression, and suicide. Ironically, it’s partly due to my own mess of anxieties, et al. that I’m having so much trouble lately. Even when I have the inspiration and desire, I’m still having a terribly difficult time actually writing. So, I’m not sure when my long-form features will return–even though I miss writing and sharing them, I’m trying to be kind to myself by giving myself a bit of a break–but I hope that it is sooner rather than later. However, I can at least still commit to regularly posting My Week in Manga, Giveaways, and Bookshelf Overload features! It’s not much compared to my past output, but at least it is something. Oh, and I’ll definitely be posting my list of notable 2016 releases at the end of the month!

Quick Takes

The Boy Who Cried Wolf by Mentaiko Itto. Bruno Gmünder’s Gay Manga line began in 2013 and the publisher has been slowly but steadily releasing gay erotic manga in English translation ever since. The Boy Who Cried Wolf is the second collection of Mentaiko Itto’s erotic doujinshi to be published by Bruno Gmünder. The volume collects three of Itto’s short manga: “Hamu and the Boy Who Cried Wolf,” “Holy Night,” and “As Swift as Lightning.” As I’ve come to expect from Itto’s work, in addition to uninhibited sex scenes there is also a fair amount of humor to be found in The Boy Who Cried Wolf as well as a great deal of heart. Unlike Priapus, Itto’s previous collection in translation, The Boy Who Cried Wolf is generally more realistic and less fantastic in nature. Granted, as a historical comedy of sorts, “As Swift as the Lightning” deliberately includes its fair share of anachronisms. But Itto actually incorporates some autobiographical elements in “Hamu and the Boy Who Cried Wolf,” a manga about a young man who is initially so deeply closeted that he unintentionally hurts the person he cares most about. However, because this is Itto, the story isn’t nearly as gloomy as that description sounds. The Boy Who Cried Wolf is a great collection of highly entertaining erotic manga. I truly hope that more of Itto’s work will be translated in the future.

In/Spectre, Volume 1 by Chasiba Katase. Although In/Spectre is based on the novel Invented Inference: Steel Lady Nanase by Kyo Shirodaira, Katase seems to have been given plenty of freedom in adapting the story as a manga series. If the note from the original author is to be believed, the currently ongoing In/Spectre manga is actually the more popular of the two renditions. Unsurprisingly, I was primarily drawn to the manga because yokai play a prominent role in the series. Considering the title I thought it might also be a mystery manga which, as it turns out, in some ways it is and in some ways it isn’t. I didn’t find the first volume of In/Spectre to be as engaging as I hoped it would be–at times the pacing can be agonizingly slow–but I am still greatly intrigued by the series. Now that the setting has been established and the rather peculiar characters have been introduced, I’m hoping that future volumes have more energy to them because I really do like the basic premise of the series. In/Spectre largely follows a young woman named Kotoko Iwanaga who has become a god of wisdom to Japan’s yokai. This has its benefits, but it also cost her an eye and a leg. She is responsible for helping to mediate disputes between yokai, but also for keeping the more unruly ones in check when humans are in danger.

Persona 4, Volumes 2-5 by Shuji Sogabe. Though I suspect that I would enjoy it, I still haven’t actually played the original Persona 4 video game, so it’s difficult for me to directly compare Sogabe’s manga adaptation. However, I can say that for the most part the manga can stand alone as its own work. However occasionally it does feel as though the characters are being railroaded and the story has only one possible path to take, probably a remnant from the manga’s RPG origins. While overall the artwork is attractive and stylish, the action-oriented scenes and fight sequences can be somewhat lacking in their execution. But I love the themes that Persona 4 deals with, especially those of personal identity and self-acceptance. As the series progresses, concepts of gender and sexuality come into greater play as well which (as always) I find particularly interesting. In general like all of the characters, too. Yosuke can unfortunately be a homophobic ass from time to time, but I absolutely adore Kanji, a tough guy with a good heart who has traditionally feminine interests and hobbies. Much of the character and story development in Persona 4 is ambiguous enough that multiple and sometimes opposing readings and interpretations are possible, some of which are frankly unflattering. Personally, I prefer and am more comfortable with the more positive interpretations.

Stand Still, Stay Silent, Book 1 by Minna Sundberg. The first book of Sundberg’s ongoing Stand Still, Stay Silent collects the award-winning webcomic’s prologue, first five chapters, and additional bonus content. It’s available in both digital and physical editions, but the hardcover print volume is absolutely gorgeous. Much like Sundberg’s earlier epic A Redtail’s Dream, Nordic influences are a major part of Stand Still, Stay Silent. The comic is stunningly illustrated with beautiful, full-color artwork. Stand Still, Stay Silent is a post-apocalyptic tale of adventure and exploration with an ominous touch of horror and the unknown. At the same time, the comic manages to be lighthearted and humorous. The prologue establishes the comic’s fascinating setting–a seemingly harmless disease which turns out to be fatal quickly spreads across the globe. Ninety years later, Iceland, which was able to completely close itself off from the rest of the world, has become the center of known civilization, but a team has been assembled to see what can be found beyond the relative safety of the Nordic countries. Despite scenes of intense terror and action, the plot of Stand Still, Stay Silent is actually on the slower side; the focus is almost entirely on the characters and their interpersonal dynamics. The character writing, worldbuilding, and humor in Stand Still, Stay Silent is simply fantastic.

Magi, Vol. 21

December 19, 2016 by Sean Gaffney

By Shinobu Ohtaka. Released in Japan by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz.

I haven’t actually given Magi a full review since its first volume; I love it to bits, but for the most part I could articulate those bits into a 150-word brief pretty well. This volume of Magi, which wraps up one arc and sets the stage for the rest of the series, though, requires more verbiage. For one thing, it solidifies more than anything else who the real hero of this story is. The first volume had Aladdin on the cover, and for the most part the mangaka made a good effort to keep Aladdin, Alibaba and Morgiana as a power trio lead. But in the end, Alibaba’s journey is the most profound and important, and this volume features both his highs and lows as he discovers what’s happened to Balbadd.

There’s also some romantic hints, and they may actually stick. For the most part, the first few volumes of the series didn’t really bother with romance beyond Aladdin loving the ladies in his own amusing way, and Alibaba occasionally being an idiot. The idiot part is highlighted again here, as he brags about having a girlfriend that he doesn’t have in order to make himself look impressive. Leaving aside the romance for a moment, this is exactly what makes the tension of Alibaba’s character so great. He spends much of the volume wondering why people like and respect him, thinking that he really hasn’t achieved anything, and even, yes, having people hook up in front of him, reminding him that he’s still basically a clueless virgin. Luckily, he has an even more clueless virgin with a crush on him, though Morgiana admits that she’s so not in touch with any of her emotions that she can’t really deal with it right now. This has the potential to be cute.

Less cute is Alibaba’s return to Balbadd, as we see exactly what a conquered country looks like. His visit to his former Fog Troop friends, who are getting by but suffering nonetheless, is chilling, and reminds you again of the dangers of right-wing totalitarian tactics (I wish this weren’t so relevant today). His visit to Koen and Komei Ren, who inform him that “agreements” have nothing upon power and brute force, is topped only by the fact that they want him to join them – again, it’s difficult at times to register how important Alibaba is because we always see things filtered through his poor self-image. People knows what’s up. As for what his response will be, I can guess, but that’s what the cliffhanger brings.

Of course, Aladdin is not totally forgotten here, and this brings up what may be the other major plot point to come, which is Sinbad. Sinbad so far has been portrayed as the “good guy” side of the power is everything coin, as opposed to the Koen kingdoms. That said, Aladdin has chosen Alibaba, not Sinbad. And we’re informed by Yunan that both Sinbad *and* Alibaba are classic examples of King’s Vessels – they draw people to them and history changes as a result. (In real life, this is called the “Great Man” theory, and thankfully does not have magic to back it up.) As for Sinbad, he’s the best at drawing people to him and getting what he wants – but is that really a good thing? What’s separating Sinbad from being a tyrant other than his good disposition?

There’s so much going on here, and like the best shonen series you want to read the next volume immediately. Thankfully, Magi is still bimonthly, so we only have to wait a little bit to see what happens next. Brilliant stuff.

Grimgar of Fantasy and Ash, Vol. 1

December 18, 2016 by Sean Gaffney

By Ao Jyumonji and Eiri Shirai. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

These days, if you have a genre that’s popular enough you’re going to get deconstructions of it. And the Japanese genre of ‘people sent to another world where they fight in RPG-like circumstances’ is hugely popular in Japan. We’ve seen the odd attempt at doing something different with this genre before (Re: Zero comes to mind), but Grimgar in particular seems to follow another very popular way of thinking: the “grim and gritty” school. I don’t know if the name was deliberately chosen to mirror the mood of the book (likely it’s coincidence), but this first volume is a lengthy look at a group of people who are forced to fight monsters together and find, that with a lot of training and sacrifice… they can still be pretty terrible at it.

We meet a group of 12 people who find themselves in a castle in fantasy world X. They appear to be modern Japanese people, but have lost their memories, knowing only their names and the basic “I have plot amnesia” things. They’re taken to a man (who is unfortunately written in “scary gay man” mode) who tells them to survive, they need to become volunteer soliders. For the moment, they’re trainees. One group immediately forms of what seems to be the top people in the group. This is not their story, though we see them later on and find they are indeed the top people in the group. Our group consists of our narrator, who is “generic protagonist” with an occasional line in snark and a tendency to have no self esteem; a cheerful happy girl who has a complex about her small breasts; a painfully shy girl (with large breasts); the leader, a smiling sensible type who screams “I won’t last the book” and indeed does not; a big awkward guy; and Ranta.

I signal Ranta out by name for a reason. Grimgar is a well-written book, with good fight scenes and a dark but compelling plotline. Its weakness is the characters, who are a bit more generic types than I’d really wanted. Ranta is a type as well, the irritating hot-headed loudmouth. The difficulty is that this is turned up to 11 – he’s easily the most irritating part of the entire book, and it’s more grating because you know he’s written this way on purpose. He makes the whole party dislike him, and it takes the arrival of another stock type, the cold beauty with a tragic past (she replaces the doomed guy I mentioned above), to make everyone accept him because well, they’re a team and teams have to get along no matter what.

The awkwardness of this cast is, of course, the selling point. You won’t find a Kirito here; this team is mocked for going out to smash up low-ranked goblins all day every day, and they’re not terribly good at doing that either. None of them arrive with any game-breaking powers. They do gain some powers by joining guilds (again, this is very RPG), but leveling up is tough and slow. It’s a “what would this sort of story be like in reality?” type of tale, and as such it does its job quite well. Of course, this makes it a bit of a slog at times as well. I am hoping that fortunes turn upward for this group in future books, but won’t get my hopes up – that would defeat the purpose a bit.

Spice & Wolf, Vol. 1

December 17, 2016 by Sean Gaffney

By Isuna Hasekura and Jyuu Ayakura. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Paul Starr.

All right, so I’m just a little bit late to the party here. In fact, the party has long since had everyone leave and shut the lights off, and Carol Burnett is walking around me mopping up. But when this series began here in North America, it was in the pre-Yen On days, and I wasn’t as into light novels as I am now, so I never got around to it. Then when I did show interest (particularly after seeing the author at New York Comic Con) it was more a case of “I don’t have the room for 17 volumes on my shelf”. But glory be, the whole series is due to be released digitally over the next few months, and there’s a new book coming out in May as well, so I thought “Why not?” And it’s a good thing I did, as this proved to be a very good first volume.

I knew a bit about the series before I began to read it through internet osmosis – I seem to recall the general talk about it was “come for the nekkid loli wolf girl, stay for the economic theory’. Thankfully, at least in the first volume, the nekkid loli is kept to a minimum, as after her introduction Holo finds clothes and for the most part stays in them. She is indeed a wolf girl, or to be more accurate wolf goddess of the harvest, and her ears and tail and the hiding thereof take up a bit more of the narrative’s time. The majority of the book, though, is about two things: 1) the travails of Holo and Lawrence, the merchant who picked her up at the start, trying to stop a vast economic conspiracy and also make a bit of cash doing so, and b) the banter back and forth between them as they do this. And honestly, economics is fine, but I’d say the dialogue and banter is the real win here.

The series takes place is sort of “generic middle ages X”, but thankfully is more of a genuine fantasy novel rather than all of the RPG-styled worlds we’ve seen in more recent books. I mentioned Lawrence earlier, and he’s our narrator and viewpoint character. He is seemingly rather pleasant and mild-mannered, but there is a deep awkwardness to him as well, with the odd hint of a tragic past. It’s rather cruel that the one man he looks forward to meeting at the start of the book turns out to be one of the main villains towards the end. You get the sense that Lawrence and Holo are made for each other, and there certainly seems to be a bit of ‘will they or won’t they?’ through the book. Despite being called a loli, Holo acts and speaks like you’d expect someone hundreds of years old to, and honestly looks to be about 15-16 on the cover, which for anime and manga is pretty much ‘go for it’ age.

Basically, “come for the economics, stay for the playful sarcastic banter” is my tag for this series. I look forward to catching up.

The Gods Lie

December 17, 2016 by Anna N

The Gods Lie by Kaori Ozaki

I waited a long time to read one of my favorite manga of the year. I bought The Gods Lie shortly after it came out, but it has been sitting on my to-read pile for months. This is a coming of age story showing the developing relationship between Natsuru, a soccer prodigy, and Rio, a girl who stands out at school for being overly tall and silent. When the story opens, it first seems like a slice of life manga, but soon the reader sees that death overshadows the lives of the characters. Natsuru lives alone with his quirky writer mom, because his father died recently. His grandfatherly soccer coach is in the hospital with cancer, and while the replacement coach actually knows how to play soccer, Natsuru doesn’t react well to his new coaching methods.

Natsuru and Rio develop a friendship when he rescues a kitten his mom is allergic to. She offers to take care of it if he’ll help pay for the cat. It is clear that Rio has a stronger sense of household budgeting than is normal for a 6th grader. Her younger brother Yuuta just sails through life cheerfully, seemingly unaffected by their run-down house and need to economize on everything. When Natsuru visits their home, Rio tells him that her father is fishing in Alaska, but will be back in time for the spring festival. Natsuru decides to secretly ditch soccer camp and stays with his new friend over the summer. As the story develops, it is clear that Rio is guarding a secret that she can’t share with her new friend.

There’s a sense of clarity and assurance in Ozaki’s art, it is expressive without being bogged down by too many details. She perfectly portrays the stuck-up and clueless attitude of the class princess, the disrepair of Rio’s house, and the freedom of unstructured summer days. It is a rare manga that is perfect in one volume but The Gods Lie has the feeling of a great short story, capturing a range of experience for the characters in just a few pages, and hinting at what they’ll become as they grow up.

Manga the Week of 12/21

December 15, 2016 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 2 Comments

SEAN: Abandon hope all ye who enter here.

ASH: Deep breaths!

SEAN: Kodansha starts things off with an 8th volume of Kiss Him, Not Me!

ASH: It has its problems, but I’m still enjoying this series.

SEAN: One Peace gives us a 2nd volume of Kuma Miko, which I hope is a bit more strange and cute and not strange and creepy.

ANNA: I have the first volume of this, I need to read it.

SEAN: Seven Seas has a 2nd volume of Lord Marksman and Vanadis, in which, hopefully, the village is saved? Or not, it could be a much darker sort of story.

At last, one year after the release of the chronological prequel Kizumonogatari comes the book that started it all. Bakemonogatari is being published by Vertical in 3 parts, fitting the Japanese re-release, and the first one contains Hitagi Crab and Mayoi Snail. If you love complicated prose, glorious dialogue, and the supernatural, you’ll love this.

MJ: I possibly should take a look at this.

SEAN: And Vertical also has the final Chi’s Sweet Home omnibus. Bye, Chi!

Viz has a 12th volume of Afterschool Charisma, reminding you that the SigIkki brand remains awesome.

MICHELLE: I believe this is the final volume, as well.

ASH: I really need to catch up!

ANNA: Me too! I need to wait for a sale or something and fill in my collection.

SEAN: Gangsta: Cursed is a prequel to the main series with the same writer but a different artist. It runs in the wonderfully named Go Go Bunch.

ASH: I’m looking forward to this.

ANNA: I am too, but I like the main series art so much!

SEAN: Viz also has a 4th omnibus of the cheerful and innocent fantasia Goodnight Punpun.

ASH: Very cheerful! Very innocent!

MICHELLE: *is not fooled*

SEAN: Master Keaton has a 9th volume, reminding me it was quite a long series.

ASH: I actually didn’t realize how long a series it was.

SEAN: And even though Amazon isn’t listing it for some odd reason, there’s a 10th Tokyo Ghoul.

The big Viz release, in more ways than one, is Tomie: The Complete Collection, a 750-page hardcover containing all of his classic horror story. If you love getting scared witless, try this book.

ASH: I love Viz’s Junji Ito releases, so I’m definitely picking this up (even though I also have the ancient Dark Horse edition).

MJ: I love getting scared witless!

SEAN: I always forget to mention Yo-kai Watch when it comes out, so this is me correcting that, as Viz has Vol. 6 of it.

And now it’s time for Yen, but stay comfortable, we’ll be here for a while. There are new digital volumes of Aoharu x Machinegun (7), Black Detective (7), Saki (7), and Corpse Princess (…8, goddamn you).

ASH: Saki!

MJ: Always love Saki!

SEAN: There are also old Yen Press releases from way in the past getting shiny new digital releases! With the Light, Yen Press’s first ever title. Dragon Girl, a fun shoujo omnibus. And Sundome, which was Flowers of Evil before it was cool. All are worth a look.

Yen On has a record number of novels out this month. Accel World’s 8th volume may finally finish this arc, perhaps? Will Takumu turn evil? Probably not.

The Asterisk War 2 continues to have magical school antics.

Baccano! Vol. 3 has the back half of the 1931 Flying Pussyfoot story, focusing on different characters as well as showing us where the heck Ladd went.

MICHELLE: Someday I really will try out this series, even though light novels are not usually my thing.

ASH: I’ve been meaning to try it out, too.

SEAN: Black Bullet 5 has the start of what I’ve heard called the “NTR” arc, a phrase that always makes me groan. We’ll see.

The Devil Is A Part-Timer! 6 apparently gets us back to the part-time work.

The debut this month is Goblin Slayer, which takes place in a fantasy world but strangely has no one come into it from another world. How weird.

The 3rd Irregular at Magic High School novel is the start of a 2-volume arc about the school Sports Festival, which uses magic. Don’t get it confused with November’s A Certain Magical Index, the start of a 2-volume arc about the school Sports Festival, which uses magic.

The 7th Is It Wrong To Try To Pick Up Girls In A Dungeon? novel is HUGE, much bigger than the other books. Set aside time for it.

After what seems like ages, the 5th No Game No Life volume is upon us. Can it live up to the wait?

Sword Art Online seemed to only two one to two arcs before this, but not anymore. The 9th book is the first in a 10-VOLUME arc. Are you prepared for this much Kirito?

And now we finally get to Yen’s manga deliveries. Akame Ga KILL! ZERO has a 4th volume, or should that be FOURTH! VOLUME.

Aoharu x Machinegun has a 2nd print volume. More fake gun battles, I assume?

The first of Yen’s debuts this month is Bungo Stray Dogs, which has supernatural powers, a detective agency, and I suspect a lot of pretty young men.

ASH: I’m actually really looking forward to this series! Supernatural, bishonen versions of some of Japan’s literary greats? Count me in.

MJ: Sounds great!

SEAN: We also have The Case Study of Vanitas, which has – you guessed it – vampires, and is by the author of Pandora Hearts.

MJ: Okay, so I know you’re all looking at me here. I checked out the first volume and wasn’t immediately drawn in as I had hoped, but I’ll give it some time to charm me.

SEAN: Fruits Basket Collector’s Edition 8 has the comedic highlight of the entire series.

MICHELLE: These volumes multiply so quickly!

MJ: Hurray, hurray!

SEAN: GA Art Design Class has its 7th and final volume. I know most fans here preferred Shoulder-a-Coffin Kuro, but I always loved this series’ focus on art and cute girls.

He’s My Only Vampire has a 9th volume.

MICHELLE: I’m a bit bummed this has gone downhill quality-wise, but I’ll probably still finish it.

SEAN: The Honor Student at Magic High School has caught up with the novels, meaning it too is starting the Sports Festival.

Just as GA Art Design Class ends, Kiniro Mosaic begins. It’s also got cute girls, and while it may lack art school, it makes up for in yuri tease. (Which GA Art Design Class also had, to be honest.)

The 3rd My Youth Romantic Comedy Is Wrong As I Expected manga still has a long title.

There’s more Of the Red, the Light and the Ayakashi with a 5th volume. Is it halfway through adapting the game yet?

MICHELLE: I’ll be reading this one.

SEAN: Overlord also has a 3rd volume of the manga adaptation.

And Strike the Blood has a 5th manga adaptation. Expect novels from those last two in January.

Ubel Blatt’s 7th omnibus takes us to the 15th volume of the Japanese release, in case you’ve gotten lost.

Lastly, there’s a 4th omnibus of cycling manga Yowamushi Pedal.

MICHELLE: Yay! Oh sports manga, how I adore you.

ASH: Yes, yes, yes!

ANNA: I have not read this yet! Someday!!!!

SEAN: And we’re done. At last. Good God. What’re you getting from this morass?

The Seven Princes of the Thousand-Year Labyrinth, Vol. 1

December 15, 2016 by Sean Gaffney

By Atori Haruno and Aikawa Yu. Released in Japan as “Sennen Meikyuu no Nana Ouji” by Ichijinsha, serialized in the magazine Comic Zero-sum. Released in North America by Seven Seas. Translated by Beni Axia Conrad, Adapted by Ysabet MacFarlane.

As I continue to read more and more manga, I find myself becoming familiar with not only the differences between genres, but also the difference between specific Japanese publishers and how they work in those genres. A Jump manga and a Sunday manga are too very different beasts, and both are also different from Magazine. If I’m reading a shoujo manga from Hakusensha’s Hana to Yume, I expect two to three times as much dialogue as I would if the manga was in Shueisha’s Betsuma. And sometimes you can be reading a manga and without even knowing who the publisher is, you can correctly identify it based merely on the style. Such is the case with this new Seven Seas title, which may be one of the most Comic Zero-Sum things I’ve ever seen.

This is not a bad thing, to be fair. Seven Princes knows what it wants to be, and does its job very well. It wants to be Zero-Sum doing a survival game manga. Being Zero-Sum, instead of teenagers locked in a school, we get beautiful and slightly eccentric young men locked on a fantasy world castle/dungeon combo. Our hero is the only one who isn’t famous, or so it seems at first. Ewan wakes up one day to find himself trapped in a deep pit. Luckily, he’s rescued by another man who was trapped in a different part of what turns out to be a prison. Evading deathtraps and meeting up with others, they gradually realize that they are participating in a legendary ritual to determine who will be the new Emperor. Unfortunately, that ritual seems to involve a lot of deadly puzzle games – one participant is already dead when we meet him, and two more seemingly die by the end of this first book.

I say seemingly as I have experience in this genre, both good and bad, and know that fake deaths and “they never saw the body” are common occurrences. One of the fun things about this title is that it knows its cliches, and feels free to blithely abuse them when it suits. One character is introduced to us as the one female participant, something that is so unlikely in this world of “it’s not quite BL but close enough” that several of the characters immediately think “there’s something odd about her”. And sure enough! Likewise, Ewan may say that he’s just a typical young student, and not a famous thief/detective/singer/etc. like all the others, but he not only has the shiny “we can get through this if we all work together!” attitude that most survival game leads need, but he can also apparently read ancient lost scripts with ease.

I do wish there was a bit more humor – the few attempts at it mostly revolve around the thief and detective hating each other in amusing comedy ways, but for the most part this is meant to be serious business. Old-school manga fans may recognize the artist from such works as Butterfly (never completed here as the publisher stopped doing manga) and Dark Edge (different publisher, ditto). This is only four volumes, so hopefully will have a bit more luck. Recommended to those who like dark fantasy, survival games, or hot guys getting close to each other.

Haikyu!! Vol 5 and Kuroko’s Basketball 3 and 4

December 13, 2016 by Anna N

Haikyu!! Volume 5 by Haruichi Furudate

I still feel like pinching myself a little bit to remind myself that it is actually real that so much great sports manga is coming out now! I’m trying to get caught up with my manga reading after a very hectic few months at work, and there’s something very relaxing about retreating to a world where everyone’s biggest concern is sports tournaments.

One of the reasons why I like Haikyu!! so much is that the focus shifts around with every volume, so while the odd rookie couple Hinata and Kageyama are certainly progressing with each volume, the emotional core of the story changes to focus on different team members. As Karasuno heads towards a tournament with the weight of their past reputation still following them around, it becomes an opportunity for redemption. Karasuno can be recognized as a legitimate opponent again. One important theme stressed in tournament play is the need to focus on one game at a time. While the bracket facing the team is challenging, they take on their first opponent with a serious sense of purpose. The experience of the boys’ team is contrasted with the girls volleyball team, who falls to their first opponent. Furudate takes a beat to acknowledge how athletes feel when they are knocked out of a season unexpectedly early, without the opportunity to play their sport anymore.

Karasuno faces the “Iron Wall” of Date Technical High school, and here we see how Hinata’s jumping abilities and athleticism have turned him into a great decoy on the court. With the opposing team distracted by his unexpected athletic brilliance, it slowly builds into an opening for Asahi. Some of the more striking panels in the manga show Hinata in the spotlight with Asahi in the background growing more and more intense, until he’s able to prove his abilities as an ace again. Karasuno has shown all the pieces of their team though, and they won’t be able to take advantage of the element of surprise again. Haikyu!! continues to be incredibly gripping and fun.

Kuroko’s Basketball Volumes 3 and 4 by Tadatoshi Fujimaki

In contrast, while Kuroko’s Basketball sometimes feels more like a traditional shonen battle manga transported to the basketball court, with a little less focus on the emotional story associated with sports and a bit more emphasis on defeating opponents who have honed their skills at basketball in order to develop sports superpowers.

Kuroko’s invisibility continues to be an asset to Seiren High, and no surprise they are in a tournament too! They have the tough draw of having to fight two opponents in the same day. First up is Seiho, who have an intimidating center, and a brash player who starts running off his mouth about Kagami being the only good player on the Seiren team. Seiho’s team is difficult to read and defend against, because all their movements are informed by martial arts practices instead of ordinary basketball. Gradually Seiren comes up with unexpected plays that wear the other team down.

The next team contains the best shooter of Kuroko’s old team, “the Miracle Generation”. Midorima’s superstitions are funny, but his insane ability to never miss with a basketball makes him seem more like an overpowered fighting manga villain than a high school basketball player. The shots he makes are so improbable, I was worried about Seiren’s ability to come up with a strategy to defeat him. Along the way Kuroko and Kagami have some interpersonal conflict yet again as Kagami decides that he has to win the game all by himself, which is in direct opposition to Kuroko’s team-driven approach. While there’s a little bit of character development, most of these two volumes was devoted to non-stop dynamic basketball action. I appreciate the omnibus release for this manga, since the story isn’t quite as gripping as Haikyu!! for me, I’d rather read it in larger chunks. This is still an enjoyable manga, even though I don’t think it will reach the iconic status of Slam Dunk.

Bookshelf Briefs 12/12/16

December 12, 2016 by Michelle Smith and Sean Gaffney Leave a Comment

Anne Happy, Vol. 3 | By Cotoji | Yen Press – The stars of Anne Happy may be in a separate class due to their horrible luck, but they also end up getting special attention, which makes the other classmates in the school (who are also in specialized programs, so you can’t really compare it to a gifted program or somesuch) upset. That’s the focus of the new teacher introduced properly in this volume, who thinks the luckless girls are being coddled. But it’s hard to be stern when merely swimming in a school pool might cost you your life, and midterm exams dependent on improving luck have Anne in the basement. This is cute, but absolutely light as air. That said, adding more dramatic stuff wouldn’t help it one bit. It is what it is. – Sean Gaffney

Everyone’s Getting Married, Vol. 3 | By Izumi Miyazono | Viz Media – This is a josei series rather than shoujo, and it shows in the maturity of the two leads, who thankfully do not overreact to seeming disasters by running off with tears in eyes. As expected, Ryu’s married ex is back, still married, and still a giant pile of problems that Ryu can’t help but get involved in. Meanwhile, Asuka is getting a marriage proposal from a handsome, successful guy who is perfectly happy to let her achieve her dream of being a housewife. But can she still have that dream anymore without Ryu? As for Ryu, can he let go of his past… and tell Asuka about it? This is still a potboiler, but it’s a mature one, in the best sense of the word. Still totally on board. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 15 | By Yuto Tsukuda and Shun Saeki | Viz Media – I keep thinking that Soma is not like other Jump protagonists, but that’s not really true. He’s enthusiastic, stubborn, talented, and tends to fail repeatedly till he works out how to win. It’s just he’s so laid-back that he feels different in comparison to the Luffys of the world. Here the school has the typical Festival arc, except being a bunch of lunatic chefs, they all compete to see whose food sells the most. Soma makes a foolhardy bet with one of the Elite Ten, and while his thoughts on winning aren’t wrong, they aren’t enough. Luckily, he has Megumi to help, and even Erina is giving good advice. It’s hard to believe this is the series I panned so hard long ago. There aren’t even any food orgasm shots this time around. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 15 | By Yuto Tsukuda and Shun Saeki | VIZ Media – I should know better by now than to read Food Wars! while hungry, but I challenge any meat-eaters to read this volume and not salivate for the black pepper pork buns Soma creates for his booth at the School Festival! He spends most of the volume figuring out how to challenge one of the Council of Ten who’s a Chinese food expert, and all of his strategizing and flavor-testing are fun to read about, not to mention his salesmanship and the gradual improvement of his standings in the sales rankings. We’ll have to wait until the next volume for the resolution, but I’m certainly impressed how invested I am in the outcome. – Michelle Smith

Haikyu!!, Vol. 6 | By Haruichi Furudate | Viz Media – Hope you like volleyball, because it’s all tournament, all the time this arc. Sadly, that means that while it was quite good, I’m at a loss as to what to talk about. The most obvious thing is probably Kageyama, who shows that when you’re a grumpy ball of rage a lot of the time, you can be easily frustrated. Particularly when the opposing team works out your super secret signals to show what you’re going to do. On the bright side, it was nice to see Asahi get past his previous year and kick ass, as they managed to defeat Date Tech’s Iron Wall. The cliffhanger was excellent too, as the best sports manga always take pains to remind you it’s a team sport, no matter how many prodigies may be starring. – Sean Gaffney

Kuroko’s Basketball, Vols. 5-6 | By Tadatoshi Fujimaki | VIZ Media – After Kuroko prevents a buzzer-beater shot by Midorima, Seirin moves on to the finals league of the Tokyo Inter-High qualifiers. Their first game is against yet another of Kuroko’s middle-school teammates, Daiki Aomine, an incredible player (and awful person) with an unpredictable playing style. As a long-time fan of sports manga, I was chastising myself somewhat for buying into the idea that Seirin might lose. Then I thought, well, perhaps they might lose this game, thus making their ultimate perseverance that much more poignant. I was not prepared for what happened or for the desolate sentiment, “We were fooling ourselves.” I’ve enjoyed Kuroko’s Basketball up until this point, but this volume surprised me. Now I’m even more eager to see where the story goes from here. – Michelle Smith

My Week in Manga: December 5-December 11, 2016

December 12, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I announced the winner of the Kodansha Comics Collection manga giveaway. The post also includes a list of Kodansha Comics’ 2016 print debuts, the variety of which quite impressed me. I’ve made a little more progress on my Orange feature, but not as much as I originally intended as I found myself working on a job application instead (which is greatly stressing out my current supervisor).

Anyway! There were a few things that caught my attention online last week: Manga translator Jenny McKeon was interviewed for Forbes. Sally Ito, one of the translators of the marvelous Are You an Echo?: The Lost Poetry of Misuzu Kaneko, was interviewed over at Tofugu. In licensing news, Kodansha Comics recently announced the acquisition of the anthology Otomo: A Tribute to the Mind Behind Akira, which sounds like it should be fantastic, and Haruko Kumota’s Descending Stories: Showa Genroku Rakugo Shinju, which I am extremely excited about. (I’ve actually known about the licenses for a while now, but I didn’t want to say anything until the official announcement was made.)

Quick Takes

Gate: Where the JSDF Fought, Volume 1 written by Takumi Yanai and illustrated by Satoru Sao. Sekai Project primarily localizes visual novels and video games but has very recently expanded its catalog to include manga. Gate is Sekai Project’s first manga publication. The Gate manga is based on an ongoing series of light novels by Yanai. After a gate to another world opens up in Ginza, the Japanese Self-Defense Forces successfully fights off an invasion of knights and dragons and establishes a base on the other side. What I especially liked about Gate is that it addresses the real-world politics and implications of the gate alongside those encountered in the fantasy-like environment. Japan obviously wants to maintain control of the gate and the resources to which it can provide access, but the United States (supposedly Japan’s ally) and China are both preparing to leverage their weight, too. On the other side of the gate, the standing empire is using some less-than-ethical tactics as it struggles to maintain its power and control after such a tremendous defeat. Despite some peculiar name choices (the princess Piña Co Lada, for one), so far the setting and culture clashes of Gate are interesting. It’s also really nice to see so many competent female characters in prominent roles.

Intense, Volumes 2-4 by Kyungha Yi. The first volume of Yi’s boys’ love manhwa Intense was, well, intense. The rest of the series continues to be psychologically and emotionally heavy and at times is outright bleak. However, it is beautifully drawn. The second and third volumes of Intense aren’t quite as compelling as the first–though necessary and important to the story, I didn’t find the temporary focus on the political dynamics of organized crime to be especially engaging–but the fourth volume more than makes up for that. Overall, Intense was a very satisfying series. Jiwoon and Soohan’s happy ending does not come easily. (Honestly, I was afraid they wouldn’t get one at all and was steeling myself for the tragedy that I hoped wouldn’t come.) Even after they are able to extricate themselves from the crime syndicate that more or less owned Jiwoon, things do not go well. Though they deal with them in vastly different ways, both Jiwoon and Soohan struggle with abandonment issues. Soohan is surprisingly controlling and overbearing, desperate to be indispensable, while Jiwoon hasn’t yet developed a sense of self-worth or the ability to stand up for himself. This combination of traits is devastating and heartbreaking. They both care tremendously for the other, but initially neither of them are in a healthy enough place to make the relationship work.

Kuroko’s Basketball, Omnibus 1 (equivalent to Volumes 1-2) by Tadatoshi Fujimaki. In Japan, Kuroko’s Basketball has been hugely successful. English-reading fans have been clamoring for the series to be licensed for years, but it was only picked up relatively recently. There has been something of a renaissance when it comes to sports manga in translation, and Kuroko’s Basketball is one of the major series to usher in that trend. However, while I did enjoy the first omnibus a great deal, so far I’m not quite as enamored with it as I am with some of the other leading sports manga, namely Haikyu!! and Yowamushi Pedal. Still, Kuroko’s Basketball has quite a few things going for it and even turns a few well-worn tropes on their heads. Rather than being overly realistic, Kuroko’s Basketball takes a more fantastic approach–the abilities of the highly-skilled players and coaches are almost supernatural. Kuroko, the lead, is deliberately one of the most nondescript and unassuming characters in the series, but he is able to use this to his a team’s advantage on the court. Kuroko’s Basketball can actually be quite clever and entertaining. I was also absolutely delighted to discover that instead of having an attractive young woman as its manager (which is fairly standard for a sports manga), Kuroko’s team has an attractive young woman as its coach. I hope that remains the case as the series progresses.

Yona of the Dawn, Volumes 2-3 by Mizuho Kusanagi. I enjoy epic fantasies and seem to have a particular proclivity for epic shoujo fantasies specifically, so reading Yona of the Dawn was an obvious choice. While the first volume did an excellent job of setting the stage for the unfolding drama, Yona herself spent much of it in shock and barely functioning. Fortunately, although she is still devastated by her father’s death and the betrayal of her cousin Su-won, Yona recovers in the second volume and by the third she begins to show her mettle by actively taking control of her life and destiny. These couple of volumes also expand on the series’ worldbuilding, introducing myths, legends, and prophecies that will have a direct impact on the story. Seeking a way not only to protect herself but also the people she cares about and those who are doing all that they can to keep her safe, Yona sets off on a quest to secure the help of the descendants of the four dragons who aided the country’s first king. Yona’s close friend and bodyguard Hak continues to accompany her but others begin to join them on their journey as well–Yona is proving to be a leader worth following. No longer the sheltered and naive girl she once was at the palace, Yona is working to improve and strengthen herself in addition to making an effort to learn more about her country and its people.

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Yona of the Dawn, Vol. 3

December 9, 2016 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

Yona of the Dawn has clearly been a fantasy series from the get go, but with this volume we also see it starting to take on the quality of myth. Or rather, of creating a myth, as it turns out that Yona’s red hair (something she’s always disliked) is part of a prophecy that has been bandied about. Not to mention that the priest we meet at the end of Vol. 2 turns out to be able to literally communicate with God, and also mentions a “red dragon” who will unite the land. So good thing Yona is the protagonist, then, as she certainly has her work cut out for her. Luckily, she manages to gain a few more allies than just Hak in this book.

First off, we have Yun, who I suspect was brought in by the author to fill the ‘tsukkomi’ role, but in non-meta terms, he’s got a destiny that’s bigger than just taking care of an absent-minded priest, and Yona is where he can find it. His backstory once again reminds us that this land is filled with strife, politics, and suffering, something that Yona too is gradually discovering as she realizes how much she really wasn’t aware of as the pretty princess. The other new ally is Gija (please, no romanization arguments, Japan asked for the G), who is one of the Four Dragon Warriors who wield tremendous power (as seen by his reptilian right arm), and whose ancestors have been waiting an awfully long time for Yona to show up. Being a blond second love interest sort, he and Hak naturally don’t get along, and I suspect this will be a source of amusement in the future.

This is Yona’s volume, though, and she’s really fantastic in it. She’s determined to not be useless if they get attacked by enemies again, but saying you want to learn to use a sword and bow and actually having the nerve to take a life are too very different things. Yona clearly has some skill (used, in best romantic comedy fashion, when Hak provokes her), but she’s a princess who was raised by a pacifist. Hak explicitly says that by teaching her to fight, he’s defying her late father’s order to never let her touch a weapon. Violence and strife will come to Yona, but facing them head on will not be easy. Something that she realizes as we move on.

Note that this story is not all serious murmurs about fighting and destiny. Yona and Hak may or may not be the main “will they get together” couple, but they are hilarious together, with Yona’s faces when she’s aggravated with him being particularly funny. (The start of Chapter 15 verges on magical.) And Yun, as I noted before, has a nice ability to be a grumpy snarker, having absolutely no time for Hak and Gija trying to figure out who is the best man to protect Yona. No doubt all of them will try, but I’m hoping that as the series goes on, Yona will learn more and more to protect herself. Can’t wait for the next volume.

Manga the Week of 12/14

December 8, 2016 by Anna N, Ash Brown, Michelle Smith and Sean Gaffney Leave a Comment

SEAN: Another week before Christmas, another 15-odd titles due out. Let’s break it down.

Dark Horse has an 11th New Lone Wolf and Cub. Will it one day pass its predecessor? Actually no, as this is the final volume.

For the most part, Amazon dates on DMP have been so inaccurate lately I haven’t bothered to mention them, which is likely how I missed that the 4th Border volume came out.

MICHELLE: I have the first couple of volumes of this, but never got around to actually reading them.

SEAN: J-Novel Club has two new releases. The first is actually highly anticipated, as I assumed that Yen would be picking it up (they got the manga instead). Grimgar of Fantasy and Ash is one of those “transported to another world” books, but is quite popular and has an anime already, so I’ll give it a shot.

The other new series is My Little Sister Can Read Kanji, apparently a broad comedic take on the moe-ing of Japan, which is a surprising license simply due to the fact that the premise revolves around kanji. Interested in how this is adapted more than anything else.

ASH: Kanji, huh? That could be interesting.

SEAN: Kodansha has a 9th volume of what is easily the most popular of its Attack on Titan spinoffs, Before the Fall.

ASH: Currently my personal favorite is Lost Girls, but Before the Fall has its moments.

SEAN: Complex Age continues to balance fun cosplay and anime references with a more serious take on “being an adult”, and I can’t wait for its third volume.

MICHELLE: Ooh, yay!

ASH: Complex Age is a great series.

ANNA: I need to get caught up with Volume 2!

SEAN: And Fairy Tail gets a 3rd giant Master’s Edition mega-omnibus.

Spoof on Titan – famous for being the less insane of the two parody spinoffs – comes to an end with its 2nd volume, which feels about right.

ASH: I found it to be a surprisingly fun series, but I agree that two volumes seems about the right length.

SEAN: Seven Seas has some new stuff as well, starting with a 4th volume of 12 Beast.

NTR – Netsuzou Trap has enough of an audience that it’s getting an anime. I suspect it is 99% male, though, and I’d put quote marks around “yuri” for its 2nd volume.

And there’s an 8th volume of Servamp. (Please insert vampire joke here – The Management)

SuBLime has a 6th volume of Love Stage!!.

ASH: I’ve been meaning to give Love Stage!! a try. Guess I have some catching up to do!

SEAN: Vertical’s re-release of BLAME! is not only handsome but also HUGE. Leave space on the shelf for it.

MICHELLE: I should probably get these.

ANNA: I am pondering this.

SEAN: Viz gives us a 19th Itsuwaribito, which I wish I had anything to say about give it’s run so long.

And a 21st Magi, which I will always have things to say about, as it’s fantastic.

MICHELLE: Also, yay!

ASH: I’ve finally picked up a few volumes of Magi! (I still need to actually read them, though…)

ANNA: Me too. My winter vacation reading goals revolve around Magi and some other languishing series.

MICHELLE: Same here. You might be happy to hear, Anna, that this includes One-Punch Man!

ANNA: I have a mini stack of One-Punch Man too! Looking forward to all the punching!

SEAN: There’s also a 5th Monster Hunter: Flash Hunter.

ASH: I actually completely forgot about the Monster Hunter manga, but I did enjoy some of the original games.

SEAN: Lastly, an old release now available for the first time digitally, as Yen On is putting out Spice & Wolf’s light novels, starting with Vol. 1 this week.

Is this enough? Do you need more? (Don’t worry, the week after next has you covered.)

Occultic;Nine, Vol. 1

December 7, 2016 by Sean Gaffney

By Chiyomaru Shikura and pako. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

Of the three initial licenses by the fledgling J-Novel Club, this was the one that people had heard of. The creators are responsible for such titles as Chaos;Head, Steins;Gate, Robotics;Notes, and other series with highly eccentric casts that abuse the common semicolon. Now we have Occultic;Nine, which is not connected to the other series that I know of (aside from the punctuation), but does have the advantage of an anime currently airing, as well as a visual novel coming next year. The plot of this book is not quite certain yet, except that it deals with a large group of people who are somehow interested or connected to the occult. The narrative viewpoint bounces back and forth between them (with one notable exception). And as a light novel, it’s not too bad.

Our hero, if such a word can be applied to an ensemble cast, is Yuta Gamon, a teen loser who spends most of his time running a blog devoted to mocking the occult with the help of his mysterious, airheaded, and large-breasted friend Ryoka, who is not quite Mayuri from Steins;Gate but seems to fulfill much the same function. (She is the only character without a narrative viewpoint, which unfortunately makes it look like she was added simply for people to talk about her boobs.) Yuta is teeth-gratingly irritating in a way that most people who have been teenagers will likely be very familiar with, but ultimately harmless, and also seems to be getting mysterious messages on his ham radio setup. As the book goes on, we also meet a girl who tells people’s fortunes, someone who curses people via black magic, an occult reporter, a seeming detective (though honestly he could easily be faking), etc. Interspersed randomly throughout this (very randomly – the author admits in the afterword he added it after the book had been written) are the actions of a vast conspiracy doing… something.

This is very much a Volume One, promising a lot of cool things but not really delivering until the last few pages, which are easily the best part of the book, as Yuta discovers a corpse and unfortunately makes himself the prime suspect. But for the most part it’s there to show us the world these characters live in and slowly start to bring them together. I understand the anime compressed this entire first novel into one episode, which doesn’t surprise me. The characters are interesting, though. I particularly liked Miyuu, who despite her fortune telling powers is easily the most normal character in the book, and her determination is admirable. The whole thing reminds me a lot of the Durarara!! series, where you get a bunch of things thrown at you that won’t make sense till about Books 3 or 4.

The book’s main flaw, of course, is that at times it’s a bit TOO disparate, and can read sort of like waiting 200 pages for anything to actually happen. But if you enjoy a book based around mood, with a bunch of eccentric, annoying, yet ultimately sympathetic characters and an ominous undertone (what’s with the bodies in the lake?), Occultic;Nine is a good read worth your time. Though it will put Gloomy Sunday in your head (I like to think they heard the Billie Holiday version).

Brave Chronicle: The Ruinmaker

December 6, 2016 by Sean Gaffney

By Kenya Atsui and Saori Toyota. Released in Japan as “Kimi Kara Uketsugu Brave Chronicle” by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Dan Luffey.

As regular readers of my site may have noticed, I tend mostly to review things that I enjoy in some way. It’s easier to write about things I like for the most part, and with titles that I don’t like I have a tendency not to finish them, which makes things easier. But I do tend to give a lot of first volumes a try, which inevitably means running into some clinkers. And this is a new publisher, so I wanted to give them an honest shot. And I did positively review one of their other titles, so don’t have to feel too guilty. All this is a preamble for what you’ve likely suspected: Brave Chronicle is terrible.

With a title like Brave Chronicle, I was expecting something a bit more fantasy oriented, but it actually takes place at a school for students adept at magic. Our heroine is the top student at the Academy and one of the most magically gifted students in the world, to the point where she’s not only a student, she’s also the headmaster. Our hero is her childhood friend and the number two in the school, who has minimal magic power but manages to kick ass in almost every fight anyway – except, of course, for her, who he has never beaten in 999 tries. Our hero is also a pervert who enjoys going on about his little sister, who has large breasts and a petite body, something he will remind you about endlessly. That said, his little sister is also a massive superweapon that can decide wars – and now an opposing world has come to take it.

The first third of this book is the worst, as it tries to do a daily slice-of-life, which means that we get the hero going on and on about his sister’s breasts, sometimes for pages at a time – note to authors, you’re only allowed to do that if you write as well as Nisioisin, and this guy does not. Despite all the seeming incest fetishism, it is never not clear that he’s in love with the heroine (whose name is Yukihime, just in case you wanted to see something else completely unoriginal. Did I mentioned she uses ice powers? Oh, you guessed, huh?). After a while, the book settles into serious mode and we are treated to a series of endless fights, which is actually a step up as I was merely bored and not disgusted. Oh yes, and I should mention that, unlike most light novels these days, this is complete in one volume. That did allow it to pull off an ending that I can honestly say I wasn’t expecting, which should technically be praised if it didn’t leave such a bad taste in my mouth due to being carried out in the most cliched manner possible – I was genuinely disappointed the hero did not scream “NOOOOOOOOOOO!” at the sky, which would have completed the bingo card.

I try to be nice to cliched series, and I do enjoy quite a few of them. But this series was so derivative, and offered so few genuine good points, that it was a struggle to get through it, and the reward at the end was bittersweet. J-Novel Club does have some other interesting series on their site for you to try, so try them, and don’t feel too bad by giving this a miss. Absolutely dire.

My Week in Manga: November 28-December 4, 2016

December 5, 2016 by Ash Brown

My News and Reviews

November may have come and gone, but there’s still time to enter November’s manga giveaway for a chance to win the first volumes of Shuzo Oshimi’s Happiness, Hiroyuki Takei’s Nekogahara: Stray Cat Samurai, Hico Yamanaka’s The Prince in His Dark Days, and Tomo Takeuchi’s Welcome to the Ballroom. The winner will be announced on Wednesday, so get those entries in! Other than the monthly giveaway, last week continued to be rather quiet at Experiments in Manga. Happily though, I was able to make some progress on my feature for Ichigo Takano’s Orange.

In case you’re looking for more giveaways, Manga Test Drive’s annual holiday giveaway is currently underway. (Also, if you’re looking for some great manga reviews, Manga Test Drive is well-worth checking out.) As for other interesting things online: Vertical has posted its novel survey which includes the opportunity to make a license request; Justin at The OASG has compiled a list of Princess Jellyfish‘s chapter title pop culture references; and the final part of The Sparkling World of 1970s Shojo Manga has been posted at The Lobster Dance.

Quick Takes

Interviews with Monster Girls, Volume 1 by Petos. I’ve come to associate monster girl manga with Seven Seas and so initially I was a little surprised to learn that Interviews with Monster Girls was actually being released by Kodansha Comics. Of course, there’s nothing wrong with another publisher giving a recently but immensely popular niche some attention! Tetsuo Takahashi, a high school biology teacher, has both a personal and professional interest in demi-humans. He has always wanted to meet one but has never had the opportunity until he suddenly and unexpectedly encounters not one but four demi at his school. Three are students–an energetic vampire, a lonely dullahan, and a meek yuki onna–while the fourth is both a succubus and one of the school’s math teachers. One thing that’s different in Interviews with Monster Girls from many of the other monster girl manga that I’ve read is that the demi don’t seem to be a separate species from humans but are instead a sort of spontaneous, rare genetic mutation. So far, Interviews with Monster Girls is fairly innocuous. The story tends to be fairly quiet and even introspective with touches of humor, focusing on the daily lives, troubles, and worries of the young demi women.

Magia the Ninth, Volume 1 by Ichiya Sazanami. I had previously read and enjoyed Sazanami’s earlier series Black Bard which would have been enough to interest me in Magia the Ninth but when I heard that the series was about magic-wielding, demon-hunting, bishonen composers I knew that I wouldn’t be able to resist it. The manga follows Takeru, a young man whose parents were killed by demons. He wants revenge and so seeks the aid of the magia, a group of people imbued with the souls of classical composers who use musical masterpieces as exorcism tools. Specifically, he tries to convince Beethoven to make him his apprentice. Honestly, at times Magia the Ninth is barely coherent. The worldbuilding is a mess and the story nearly nonexistent. The manga is a spectacle without being spectacular but even so, I absolutely loved the first volume. It’s an absurd but highly entertaining and energizing manga. And due to my classical training, I’m in a position to appreciate Sazanami’s nods to the personal quirks and histories of the original composers. Apparently Magia the Ninth is actually only two volumes long. I don’t know if Sazanami planned it to be that short or if the series was canceled early (which wouldn’t surprise me), but I definitely plan on reading the second half.

Prison School, Omnibus 3-5 (equivalent to Volumes 5-10) by Akira Hiramoto. I’m not sure if Prison School could be any more different than Me and the Devil Blues, currently the only other manga by Hiramoto to have been licensed in English. The only immediate similarity between the two series is Hiramoto’s exceptional artwork. Many people will find Prison School appalling and rightly or at least understandably so, especially if they’re expecting something more akin to Hiramoto’s earlier work. Prison School is blatant in its highly sexualized and fetishized characterizations, story, and illustrations. The fanservice is frequently so extreme as to be grotesque. But it’s all done deliberately–Prison School is so absolutely ridiculous and over-the-top that it’s impossible to take seriously. While it’s not exactly a parody, it is a romantic comedy of sorts. Assuming someone isn’t simply outright offended by the manga, Prison School is legitimately funny and at time even hilarious. It’s definitely not for everyone, but I’ll admit to enjoying the series. These particular omnibuses conclude the first major story arc and begin the second which delves more deeply into the pasts of several characters.

Sweetness and Lightning, Volume 2 by Gido Amagakure. I really enjoyed the mix of food and family present in the first volume of Sweetness and Lightning and so was looking forward to reading more of the series. The second volume continues in very much the same vein with perhaps just a little less melancholy. Granted, there are still a few heartwrenching moments, it’s just that there are plenty of heartwarming moments to go along with them. Inuzuka’s skills as a single dad and as a cook continue to slowly grow as the series progresses. One of his most recent stumbling blocks is trying to find a way to incorporate green peppers and other bitter vegetables into meals and have them be acceptable to his young daughter Tsugumi. The father-daughter relationship between Inuzuka and Tsugumi is one of my favorite relationships in Sweetness and Lightning and is one of the main reasons I enjoy the series so much. The dynamic is very sweet in addition to being portrayed very realistically–sometimes there are smiles and sometimes there are tears, sometimes there is laughter and joy and sometime there is yelling and frustration, but most importantly there’s always love. All of the good food doesn’t hurt things, either.

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