Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Yona of the Dawn, Vol. 8

by

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This volume of Yona can be divided into two parts. The first sees Yona finally fulfill the first part of the prophecy, gathering the last dragon, and then trying to figure out where to go from here. The second takes us back to the kingdom where we see what Su-Won is up to, and figure out that he’s a far more ambiguous figure than everyone may thing (both reader and characters within the series). Both parts work equally well, and you get the sense that the author is declaring this the “end of Part 1/start of Part 2′ for the series, as Yona gets a new purpose that will still manage to keep her wandering around from town to town, and Su-Won shows that he is not a pacifist like Yona’s father, but that doesn’t mean that he’s gearing up for blood and carnage either.

After the epic adventures to find the various Dragons in prior books, it is very much an anticlimax to have the last one, Zeno, just pop up and say “OH HAI!” to our heroes, then join them on a whim. It’s intended on the author’s part, of course, and the rest of the cast are just as thrown off their game by this guy who seems like a giant flake but can occasionally show a flair for the serious, and also does not seem to have the deep emotional bond with Yona that the others do. Honestly, it wouldn’t be too much of a surprise if he turned out to not be what he seemed later on, but for now I’m content to go along with Zeno as he’s fun. We also return to Ik-Su the priest once Yun realizes that they’ve fulfilled the prophecy but nothing has actually happened. This leads to Yona questioning what she wants to do – does she want to regain the kingdom for her father? Well, no, she wants to help other towns in need. I suspect that’s what we’ll be doing for a while.

Meanwhile, back in the kingdom, we see a rather grumpy general, Geun-Tae, who is depressed that even though there’s a new, supposedly not pacifist king, he’s STILL not fighting in great battles. This allows us to see Su-Won’s too clever by half manipulation from another point of view, and that other point of view paints Su-Won as a clueless idiot. The audience already knows that’s not true, of course, so the chapters instead show how, in a mock war game, Su-Won can win the trust of an important ally, and also how he listens and pays attention to everything and uses it to better the kingdom. Su-Won is turning out to be a really good king, and therefore Yona’s decision is going to be even more difficult. (Also, I must resist calling Su-Won Henry IV.)

As always, there’s even more that I didn’t get to talk about, like Geun-Tae’s adorable tea-loving wife, and Yona deciding to learn how to swordfight by stealing Hak’s sword in his sleep, which goes about as well as you’d expect. The series remains compulsively readable, and even though it’s on the fasttrack with a release every two months, it still feels too long between volumes. More!

Bluesteel Blasphemer, Vol. 3

by

By Ichirou Sakaki and Tera Akai. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Kevin Steinbach.

In general, authors do not read my reviews and listen to my suggestions, mostly as they’re Japanese and the book has already come out several years ago (and also because I rarely have anything constructive to recommend). But sometimes I can’t help but read a book and think to myself “wow, the author listened to me!” even if it’s not true. Such a book is this volume of Bluesteel Blasphemer, which I called ‘highly adequate’ last time. It still is, but the harem stuff I didn’t like is lessened (though watch out for the ‘tee hee everyone thinks he’s a lolicon’ scene at the start), Yukinari is getting more character development and a better class of villain going up against him, there’s some well thought out setup for the final book, and most of all, after suggesting last time that Berta needed a hobby, she gets one here. I wasn’t expecting it to be crack sniper, but hey, needs must as the devil drives.

The girl on the cover is Angela, a Holy Knight who’s there to be even more zealous and driven and to show off how much Arlen has changed, despite his still being mostly a jerk. She mostly faces off against Veronika, a former princess turned mercenary whose past… absolutely does not catch up with her in any way, so I assume that it’s being saved for Book 4. It does give her interesting backstory, though, which I suspect is its main function. Yukinari, meanwhile, is having to adjust his thinking, as he’s been solely devoted to protecting himself and Dasa and that’s about it. Now that he has to protect two villages and the denizens thereof, his fighting style has to change, and he has to rely on others far more. He seems to come to terms with this fairly quickly, though he’s of the stoic, no real personality style of Japanese light novel heroes, so heavy angst is not really going to come into it.

Berta’s development really pleased me, and is the highlight of the book. She’d been there in the first book as the sacrifice who wasn’t, and then in the second feeling rather useless and trying to offer her body to Yukinari mostly as she had no idea what to do with her life. You got the sense she was in the book to be the large-breasted option in the harem. But here Yukinari tries to make a sniper rifle, and because of its awkward design (he’s working from memories of his past in Japan, and is not as familiar with this type of gun) neither he nor Dasa are really very good with it. But Berta, who has never shot anything in her life and thus has no bad habits to overcome, turns out to be a crack shot… provided she’s shooting non-living targets. She’s just too sweet. Fortunately the threat of her friends being killed and getting shouted at by Arlen help steel her resolve, and she’s able to save part of the day. She also, after a talk with Veronika, realizes that hey, she is doing all this for Yukinari as she loves him, rather than because of a misguided sense of duty. Honestly, she should have been on the cover.

So overall, a bit better than the previous two books, and worth your time if you’re following the series. That said, I’m ready for it to come to an end in Book 4, which will feature the most obvious villain of all time – so obvious, in fact, that the author assumes in his afterword that we’ve already guessed who she is. I’ll be here to read it.

My Week in Manga: September 25-October 1, 2017

by

My News and Reviews

September has ended and October has begun, but there’s still a little time left to enter the most recent manga giveaway at Experiments in Manga! The results will be announce on Wednesday, so be sure to get your comments in for a chance to win the first volume (actually, I think it may even be the first half) of Takashi Yano and Kenji Oiwa’s Assassin’s Creed: Awakening. For this giveaway, I’m interested in learning more about everyone’s favorite pirate characters in manga. Otherwise, it was once again a fairly quiet week here at the blog. It’s been a while since I’ve last mentioned any of the Kickstarter’s that have caught my eye, but Matthew Meyer’s campaign to continue his series of illustrated yokai guides launched last week. The Book of the Hakutaku: A Bestiary of Japanese Monsters will be the third volume following The Night Parade of One Hundred Demons: A Field Guide to Japanese Yokai (which I’ve previously reviewed) and The Hour of Meeting Evil Spirits: An Encyclopedia of Mononoke and Magic. I really love these books, and the artwork is fantastic.

Quick Takes

Love and Lies, Volume 1Love & Lies, Volume 1 by Musawo. In general, I don’t tend to gravitate towards high school romances, but I am a sucker for utopian and dystopian fiction, so when those two genres mix I can’t help but want to give the resulting story a try. Love & Lies is set in Japan in the near future. In response to the crisis of an extreme decline in population, the government has implemented a program which assigns marriage partners based on their genetic makeup and social circumstances so that any children born will be healthy, skilled, contributing members of society. Once both partners have turned 16, they receive a notice from the government revealing their identities to each other for the first time. Who they may or may not truly love isn’t really taken into consideration, but it also seems that program may be susceptible to corruption. I find the premise of Love & Lies to be very interesting; it has great potential to explore the nature of love and personal relationships in a dramatic and engaging way. When the entire purpose of marriage has become a government-funded reproduction program, the impact on society and its people will be tremendous. I also especially appreciate that Love & Lies includes at least one character who isn’t heterosexual seeing as a marriage program of this type would have particularly drastic social implications for a person who is queer in some way.

TaprootTaproot: A Comic about a Gardener and a Ghost by Keezy Young. I first encountered Young’s work through the ongoing webcomic Yellow Hearts which joined Sparkler Monthly‘s lineup of online comics relatively recently. Part of what I love about Yellow Hearts is Young’s gorgeous illustrations and use of color as well as the natural inclusion of queer characters in the story. Taproot is Young’s debut graphic novel and it, too, has what I’ve come to love and expect from the creator’s other comics. The graphic novel has a great amount of depth to it, more than the rather simple, straightforward subtitle would seem to imply. Hamal is young man who can see ghosts, an ability which has made it difficult for him to find acceptance from others. At least from those who are living. Many of the ghosts, on the other hand, are drawn to and quite like Hamal; Blue has even fallen in love with him, although being incorporeal presents a few challenges. But there’s an even greater problem that the two of them must face–the very existence of the local ghosts is being threatened by a frighting supernatural disturbance. There is a sense of loneliness and melancholy to be found in Taproot, but the comic is also incredibly heartwarming and endearing. Taproot is a sweet and touching queer romance with beautiful artwork, making it something that’s extremely easy to recommend.

That Time I Got Reincarnated as a Slime, Volume 1That Time I Got Reincarnated as a Slime written by Fuse and illustrated by Taiki Kawakami. There seems to be a preponderance of manga series right now with the underlying conceit of a person dying and then being reincarnated in some sort of fantasy world. I have read a few of these series, so I haven’t been completely avoiding them, but I’ve not really been seeking them out, either, having experienced genre-fatigue by proxy. However, That Time I Got Reincarnated as a Slime still managed to pique my interest simply because it sounded like such a ridiculous spin on what has become such a well-worn story. And I’ll admit, the first volume of the That Time I Got Reincarnated as a Slime manga is surprisingly entertaining. The protagonist of the series also happens to be a 37-year-old man, which isn’t the most common in translated manga. Of course, as can be safely assumed from the title, he soon dies only to start life again as a slime, one of the lowliest monsters there is. Mikami accepts this turn of fate pretty quickly and focuses his attention on gaining the ability to verbally communicate with the adventurers and other creatures he encounters. What he doesn’t realize is that he’s essentially been leveling up the entire time he’s been trying to find a way to talk and has unintentionally become one of the most powerful monsters in the area, inadvertently gaining a large following in the process.

Notes of a CrocodileNotes of a Crocodile by Miaojin Qiu. So far, only two of Qiu’s long-form works have been translated into English. Last Words from Montmarte, originally published posthumously after the author’s suicide at the age of twenty-six, was released in translation in 2014 and the English-language edition of Notes of a Crocodile, described as a cult classic of queer Taiwanese literature, was more recently released in 2017. Notes of a Crocodile is also one of Qiu’s most highly acclaimed and well-known works. The novel is about a small group of lovesick and psychologically troubled queer college students coming of age in Taipei in the late 1980s. The narrative unfolds as a series of notebooks which contain a combination of diary-like entries, letters between friends and lovers, and fragments of a surreal story about crocodiles posing as humans, in part a metaphor for those who have to live hidden lives. The narrator of Notes of a Crocodile is nicknamed Lazi, a young lesbian woman with self-destructive tendencies who is struggling to come to terms with her sexuality. The women she falls obsessively in love with and their doomed romances feature prominently as do the tumultuous and fraught relationships between her and her small group of extremely close friends. Notes of a Crocodile is a beautiful work but it is also filled with pain, desperation, and longing–the novel resonated very strongly with me and I hope to read more of Qiu’s work.

Bookshelf Briefs 10/2/17

by and Leave a Comment

DAYS, Vol. 5 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Coming off the intense emotions of the fourth volume, in which Seiseki loses at the Inter-High Tournament, volume five at first feels like generic, episodic summer filler. The guys cram for finals so they can avoid remedial classes, then there’s a chapter at the beach, and one at a festival, and then it’s training camp time. But in each of these chapters, something important happens character-wise. In the beach chapter, we learn more about Kurusu and his relationship with his grandfather; at the festival we check in with Sayuri, who laments that soccer has stolen Tsukushi away from her; and at the training camp we get to know Haibara, an upperclassman whose rowdy behavior is just an act to cover his lack of self-confidence. And meanwhile, Tsukushi continues to make incremental improvement. Although not as exciting as its predecessor, this is still definitely a solid volume. – Michelle Smith

Dreamin’ Sun, Vol. 3 | By Ichigo Takano | Seven Seas Entertainment – There’s no better way to make me hate a shoujo heroine than to have her melodramatically run out of the house after an outburst (in the rain, naturally), crying over lightning and internally wailing, “Someone! Please come and get me!!” Zen’s critiques used to seem overly harsh, but I was cheering him on this time when he said, “You should be thanking me for coming after your sorry ass.” Things don’t improve much as Shimana takes forever to realize that she has feelings for Taiga the landlord, though I did like Zen’s tearful confession to her. It’s intriguing, too, that princely Asahi, originally the supposed love interest, has faded so far into the background. Some of the subplots are picking up, as well, so despite my irritation at Shimana I’ll probably be back next time. – Michelle Smith

Genshiken: Second Season, Vol. 11 | By Shimoku Kio | Kodansha Comics – Again, the best moments are when this series treats things a bit more seriously. The scenes between Madarame and Hato are excellent, as they both try to figure out what is going on here, how Hato identifies, what attracts Madarame, and can either of them even try to make this work for real? The answer is probably no, but the tension is real here, and I greatly enjoyed it. Sue’s stuff is done well too—it’s very clear that we’re stuck between Hato, Sue, or no one, and you suspect Kio will go for the easy third choice. And then there’s Hato and Yajima, which is mostly trying to get past Yajima’s self-hatred and Hato’s inability to see her a a woman. Better than it should be. – Sean Gaffney

Honey So Sweet, Vol. 8 | By Amu Meguro | Viz Media – I had actually forgotten that this was the final volume of Honey So Sweet, though the cover should have tipped me off. Much of the book is devoted to Nao’s uncle, who has been putting his life on hold until Nao grows up and is ready to take care of herself… which reminds Nao that she’s still not all that great at that sort of thing. I did appreciate that the old flame who arrived stayed mostly old, though there are hints that may eventually change. On a lighter note, I’ve liked Yashiro best in this cast, and seeing her struggle with direct communication is fun. This was a sweet and cute shoujo fluff series, and just about the right length. You’ll enjoy it. – Sean Gaffney

Plum Crazy! Tales of a Tiger-Striped Cat, Vol. 2 | By Natsumi Hoshino | Seven Seas Entertainment – If you liked the first volume of Plum Crazy!, you’ll probably like this one, which is more of the same. I do wonder if readers reacted negatively to the Nakarai family not doing anything to stop new kitten Snowball from repeatedly attacking incumbent resident Plum, because there’s more emphasis on her bad behavior this time around, including a chapter in which Taku’s friend attempts to distract Snowball with other toys, only to make her aggression toward Plum worse. I can only assume we’re supposed to find these kitten antics cute (and I’m sure I’m taking this too seriously), but as a cat owner, they actually kind of stress me out. I very much look forward to Snowball growing out of this phase. Maybe then I’ll be able to relax and just enjoy the kittehs. – Michelle Smith

Skip Beat!, Vol. 39 | By Yoshiki Nakamura | Viz Media – I avoided reading this book for a while. Kyoko’s mother was the one part of her life I was dreading the confrontation with, and I had worried it would be too sympathetic. I should have trusted Nakamura more, as I think she strikes an excellent balance between explaining Saena’s behavior without downplaying the horrible abuse Kyoko suffered growing up. Kyoko can’t hate Saena, but also doesn’t quite forgive her. Instead she throws herself into a possible new role, finally working alongside Moko. That said, I have a feeling the role will prove to be a lot more trouble than it’s worth. These volumes were good, but I’ll be happy to get back to acting. – Sean Gaffney

Species Domain, Vol. 3 | By Shunsuke Noro | Seven Seas – I knew at some point we were going to see Dowa without her beard, so I wasn’t too surprised here. That said, kudos to the author for having her grow it back pretty quickly, showing that the character’s own desires are more important than looking “cute” for the audience. A more important detail here is Ohki’s “science” abilities, and how much of it is explained by genuine scientific principles. In a world like this, where there is literal magic, it’s hard to tell what is really going on—though Ohki seems very upset at the idea. There’s still lighthearted stuff, of course, with the constant fun that is Kazamori, as well as big sisters and little sisters. If you want a non-skeezy monster girls title, Species Domain is a good choice. – Sean Gaffney

Waiting for Spring, Vol. 2 | By Anashin | Kodansha Comics – The childhood friend who was thought to be a boy being a girl is fairly common in manga and anime, but seeing the reverse is a lot less common. The author sensibly keeps the attention on Mitsuki’s reaction to the whole thing, with her realization that this makes a number of childhood conversations very embarrassing. On the bright side, she’s getting closer to Towa, though he seems to be taking things a lot more seriously than she is at this stage. This is very much a ‘warmup’ volume, continuing to develop the characters and introducing a rival without moving things forward too much. It’s not fantastic, but it’s enough to make you want to read more. – Sean Gaffney

The Water Dragon’s Bride, Vol. 3 | By Rei Toma | Viz Media – This continues to be a lot darker than I was really expecting—a couple of villagers are straight up murdered in front of us, not to mention the war that ensues. It’s well done, but there’s no denying that the main reason this holds up well is because of the relationship between Asahi and the two men in her life—especially now that one of them actually IS a man. Getting her voice back is also unsurprising, as now that she’s grown up it will help the storytelling, both in terms of potential romance and in terms of Asahi’s status as a priestess. And of course she still wants to go home, even after so many years. There’s a lot going on in this series, and I’m grateful it’s so well told. – Sean Gaffney

Welcome to the Ballroom, Vol. 7 | By Tomo Takeuchi | Kodansha Comics – Tatara Fujita and his partner Chinatsu are trying to meld together as a pair, but it isn’t going very well, particularly due to Tatara’s uncommanding lead and Chinatsu’s inability to follow. They decide to get help from Hyodo Social Dance Academy, and though Tatara does learn more of the basics there than he had at Sengoku’s studio, he’s still impatient to compete, leading to a humiliating forfeit at the Grand Prix. Summer rolls around and, in true sports manga fashion, it’s time for a training camp in the mountains. This volume’s theme seems to be “strife and striving.” Until recently, this series had been on hiatus in Japan and I was worried we might not get to see the outcome to all of this, but I’m happy to see a new volume has come out since I last looked. A bit on the melodramatic side sometimes, but totally addictive.– Michelle Smith

Assassination Classroom, Vol. 18

by

By Yusei Matsui. Released in Japan by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Tetsuichiro Miyaki. Adapted by Bryant Turnage.

Jump series tend to be highly variable in how they handle romance in the titles (discarding actual romance series such as Nisekoi). Some series are happy to have romance as part of the character’s motivations, such as Naruto or Bleach. Some are proud of the fact that they eschew normal romance in their titles, such as One Piece or Gintama. A lot of series go for the in between, where romance sometimes crops up but it’s never really the focus and you aren’t really gunning for pairings. Toriko, My Hero Academia… and Assassination Classroom, where we’ve previously seen that Kayano is sort of crushing on Nagisa and that Irina has a thing for Karasuma, but that’s about it. Of course, sometimes those series will then take the opportunity to leap into the romance waters head-first… and what better opportunity than Valentine’s Day?

Before that, though, let’s wrap up the “space station” arc, one which if I recall correctly was one suspension of disbelief too many for a lot of readers. The author does try to keep things as ridiculous as the premise (I love Nagisa’s bomb with ‘BOMB’ written on it), but it is a bit anti-climactic that the whole thing is resolved in one chapter, though it’s nice to see Ritsu actually doing something again. That said, this is all a setup for the main thrust of the first half of the book, which is that these are idealistic middle schoolers, assassins or no. They think because Koro-sensei exploding is now a less than 1% chance, that those odds mean they can save him. In the real world, that’s not how things work, and it’s no surprise that the bad guys are working hard on plan B. Even Irina is concerned, thinking that someone killing Koro-sensei in front of them will ruin the kids’ innocence.

But then there’s the Valentine’s chapters. Again, the author blissfully ignores the most popular fan pairing – Nagisa and Karma – but there’s still plenty to draw on here. We see the class playboy screw things up and then try valiantly to fix them, especially as Koro-sensei says his recommendation to a high school depends on it. We see Kayano, who not only has to work up the courage to give Nagisa chocolates, but has to do it without Koro-sensei spying on her and with the “help” of Rio and Karma, who turn into literal devils in some panels as if it weren’t obvious enough. (We also see Rio quietly admitting she likes Nagisa too, but feels Kayano made the better showing here.) If it’s frustrating, that’s because this is one of those ‘middling’ Jump romance series; hence, there won’t be a pairing because Nagisa needs to focus solely on the future. And the adults also get in on this, with Irina’s worries that I mentioned above prompting Karasuma to tell her to stop being an assassin and join the defense agency. Her compassion for the students also prompts him to give in to her affections… though it’s done Karasuma-style, with a subtle, almost non-existent proposal that he refuses to repeat. Irina’s facial reaction is the best reason to buy this book.

In short this novel is a shipper’s paradise, but we’re also told we’re not going to be getting a get Koro-sensei out of jail free card. It’s becoming more and more clear that Koro-sensei being killed is the endgame. As we get to the final volumes, will the kids keep their youthful innocence? I can’t wait to find out.

Shojo Fight, Vol. 1

by

Shojo FIGHT! Volume 1 by Yoko Nihonbashi

I’m very happy about Kodansha’s recent investment in digital manga, since it means that some titles that might be not commercial enough to get a print release are being translated. At the same time, I’ve been burned by digital manga in the past, and I only have so much budgeted for digital comics a month, so I’ve been a little picky with my purchases. I was very interested to see a girls volleyball title coming out from Kodansha, because I do enjoy a good sports manga. The first volume of Shojo FIGHT! is largely set-up for the whole series, and it packs an impressive amount of drama in one short volume.

Neri spends her time on the bench for her middle school volleyball team. She seems to be content to be incredibly unassertive and dismissed, but she has a group of friends and fans who look after her. The manga starts by showing the dynamics of Neri’s current team. Koyuki seems to be noticed as much for her looks as her volleyball talent, while Chiyo is the seemingly evil teem member who is comfortable saying horrible things to everyone. While Neri doesn’t do much in the way of athletics in the first few pages, it is clear that she has the aura of somebody special. Neri has a built in fanclub that includes Odagiri, a girl who spends her time drawing volleyball manga. There are also the brothers Shikishima. The younger blond Shikishima is a carefree volleyball player while his his older brother with the dark hair has the burden of being the heir to his family’s osteopathic clinic, having magic injury soothing fingers, and also playing volleyball.

When Neri does get off the bench, it is clear that she’s been hiding her skills as well as her single-minded intensity towards the sport of volleyball. Part of the reason why she’s been able to hide so long is because her school tends to give starting positions based on the height of the players. Neri becomes aggressive and vocal, yelling at Koyuki to get her head in the game. Neri and Koyuki end up colliding when they go after the same ball. Neri’s travails in volleyball would be enough to carry this volume, but she also has a family tragedy that she’s dealing with as well. Slowly the details are revealed as the story progresses, and while Neri’s set up for a different type of volleyball career as she enters high school, she’s still dealing with plenty of baggage. It seems like her friends are always going to be around to support her, especially Shikishima the elder.

Part of my enjoyment of Shojo FIGHT! is due to the novelty factor. Perhaps because I haven’t been able to read many female-oriented sports manga, I found Neri’s portrayal as a volleyball hero with athletic prowess and intensity that could cause situations to get out of control refreshing, just because I’m much more used to seeing this type of character as a male protagonist. If this had been the 5th female volleyball manga that I’d read instead of the 2nd, I might not find it quite as charming though. Other reviewers have noted that the art of this volume looks very similar to OEL manga, with smooth dark lines, sparse backgrounds, and lacking the delicacy that most shoujo fans might expect. I was halfway wondering if it was as I was reading it if it was OEL, but as I looked up Shojo FIGHT, it indeed came out in Japan originally in the mid 2000s. Nihonbashi’s style made me wonder if it really was that unique, or if it comes down to just the type of series that tend to get translated for a North American audience. Nihonbashi’s high contrast style gives Shojo FIGHT a more graphic, less flowery sort of look, and while she is good at facial expressions, I did find myself wondering at times if Neri had variants of her stunned and shell shocked look as she grapples with her emotions. I did enjoy all the distinctive character designs. With such a large cast, having distinct looks for the characters helps the reader greatly.

There was enough drama for two volumes in the first volume of Shojo FIGHT!, but at the same time I’m reserving judgement a bit, because I expect the narrative to settle down in the second volume. I’m hoping to see if Neri is able to fight off her inner demons a bit for the sake of volleyball.

I Saved Too Many Girls And Caused the Apocalypse, Vol. 5

by

By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

After a couple of books where I was fairly dissatisfied with the series, this is a much stronger volume of Little Apocalypse. It still has its cliches that it falls into, and has pretty much given up being a parody, but that also means the plot gets much more serious and thrilling. Rekka actually manages to achieve cool things, and his wishy-washyness about the heroines is a bit less frustrating. Also R has a lot more to do, and has become the reader stand-in, admiring the girls and tweaking Rekka. We also get a second book in a row where one of the heroines turns out to be not what they seem, but this one actually comes as a bit of a surprise, one of quite a few genuine surprises I had reading this book. There are still a few major problems with it (more on that below), but rating it against other books in the series, it’s the best since the first.

The plot kicks off when Iris invites Rekka to a water planet for the weekend to do some swimming. By now Iris has gotten used to the fact that she can’t have Rekka all to herself as much as she wants, so she even goes as far as to invite the others as well. (The revolving heroine door revolves again this time – Lea can’t make it, but instead Tetra gets a much larger role, to make up for being absent in the prior book.) Upon arrival, they find the planet, in order to survive, has basically become a resort, with the mermaid palace a glorified hotel. Unfortunately, the palace is soon attacked by pirates, whose motive is murky but who seem prepared to kill. Rekka teams up with his usual crew, along with Rain, the princess of the mermaid planet; Shirley, a scientist who seemingly was simply there on holiday as well; and Fam, one of the pirates who’s noticed that the captain has not been himself lately. Interestingly, only the last two are identified as ‘heroines’ by R; I wasn’t sure why Rain wasn’t, but in the end she ends up being one anyway.

As I said, for the most part I enjoyed this. The first at the end was quite good, and the villain’s broken motivation was treated with sensitivity by Rekka when almost any other hero would have simply taken them out. That said, I had two big problems. The first is Raul, a Lupin wannabe who seems to be there to do all the things that the author realized would be impossible for Rekka to achieve, which is nice except that seeing how Rekka achieves impossible things is the main reason to read the series. He’s a deus ex machina character. The other is the ending, which I knew was coming but still cringed at. If you’re going to have a villain threaten an entire planet with death and be well advanced in actually achieving this, even if the motivations do turn out to be “I have never had friends and am desperately lonely”, I’m pretty sure you still have to serve time. The Get Out Of Jail Free Because I’m A Heroine card works far less well here than it does for Rosalind.

But oh well. Little Apocalypse is never going to be perfect, particularly as it keeps advancing its ridiculous premise. Most of the book works pretty well, some neglected heroines get things to do (and no doubt will be neglected again while others rotate in), Rekka gets to be cool and yet still unaware that people are attracted to him, and R is snarky. We’re almost a third of the way through the series, and I’m starting to be curious as to how the author can keep this up without it collapsing.

Manga the Week of 10/4/17

by , , and 1 Comment

SEAN: Next week is October! Are you ready for your pumpkin-spiced manga?

Technically I’ve no idea when in October this will be out, but Bruno Gmuender has listed House of Brutes 1 on Amazon for ‘Oct 2017’, so let’s stick it here. If you like burly gay men getting tied up, you’ll love this.

ASH: The publisher declared bankruptcy earlier this year, so some of the releases are up in the air or have been moved around in the schedule. But should this actually exist, I’ll definitely be picking it up.

SEAN: We’ve seen a lot of male power fantasies this year, but Arifureta: From Commonplace to World’s Strongest may be the most iconic. The 3rd light novel arrives from J-Novel Club next week.

We also get the 3rd Bluesteel Blasphemer novel, from the creator of Outbreak Company, which J-Novel Club just licensed.

And our monthly dose of Invaders of the Rokujouma!?, Vol. 7 this time.

Kodansha Digital celebrates October with a 14th Pumpkin Scissors, and also a 17th Yozakura Quartet.

ASH: There really is pumpkin manga for October!

SEAN: Speaking of license rescues, they also are releasing ALL of Rave Master digitally next week. I assume these are the Tokyopop editions with the serial numbers filed off, but it’s nice to see them available again.

As for newer digital titles, we have a 5th Ace of the Diamond and a 7th Domestic Girlfriend. No print for Kodansha next week!

MICHELLE: Yay for Ace of the Diamond!

SEAN: Seven Seas has a 6th volume of revenge comedy Masamune-kun’s Revenge, although “revenge angst” might be more appropriate at this point.

And a 2nd Tales of Zestiria, which I think I may have mentioned in a prior post – did its date slip?

Vertical, Inc. has the Anime Supremacy! novel, which I know nothing about but looks pretty cool.

ASH: I’ve heard it described as a prose version of the Shirobako anime, which I know has more than a few fans.

SEAN: And also the 9th Devil’s Line from Vertical Comics.

Viz has a pile of titles, as always. The 6th 7th Garden seems numerically off somehow.

Assassination Classroom 18 features that most popular holiday, Valentine’s Day! Will anyone hook up?

The Demon Prince of Momochi House reaches double digits with Vol. 10.

ASH: I’ve fallen a little behind in the series; it’s probably about time I catch up!

ANNA: I enjoy it a lot. It surprises me sometimes!

SEAN: And Food Wars! has gotten to Vol. 20.

Haikyu!! is at sweet sixteen – will it still be popular now that we have a woman’s volleyball title as well? (Hint: yes.)

MICHELLE: There’s definitely room in my heart for both of them.

ANNA: One day I will wrestle the volumes of this series away from my kids and get caught up.

SEAN: We have a lot of final volumes next week, starting with the 8th and final Honey So Sweet!. My guess is it will live up to its name as always.

MICHELLE: It does.

ANNA: Aww, I think Shojo Beat needs another super cute series to fill the void left by Honey So Sweet and My Love Story!!.

SEAN: Kamisama Kiss comes to an end with its 25th and final volume. There’s also a limited edition with extra content – you may want to get that.

MICHELLE: So many shoujo conclusions recently!

ANNA: Glad it is getting a nice sendoff with a special edition.

SEAN: Back to series not ending anytime soon, Kuroko’s Basketball’s 8th 2-in-1 shows the end of the big game – well, the big game of the moment.

MICHELLE: Woot. I still haven’t read the seventh omnibus, so I will have fun tackling four volumes’ worth of sportsy goodness at once.

ANNA: Will Kuroko be invisible AGAIN!?

SEAN: Naruto has a 20th 3-in-1.

More omnibuses! Rurouni Kenshin’s 4th 3-in-1.

Another series ending, with the 15th and final volume of So Cute It Hurts!!!!!!!!!!!!!!!. And my last attempt to make that lame joke as well.

Twin Star Exorcists also joins the double digits club with Vol. 10.

The Water Dragon’s Bride as a 3rd volume.

MICHELLE: This series has grown on me—not surprising since I really liked Dawn of the Arcana—and I find I’m looking forward to volume three quite a bit.

ANNA: I love this series. Everyone should be reading this!

SEAN: And we have a 17th World Trigger, which hopefully will resume in Japan soon.

Lastly, there’s an 8th Yona of the Dawn, always guaranteed to put a smile on the face of the Manga Bookshelf crowd.

MICHELLE: The closest thing to Basara coming out currently, I will always be on board for this.

ASH: Same here!

ANNA: EEEEE!!! for Yona of the Dawn!!!!

SEAN: So what’s your preferred title?

Is It Wrong To Try To Pick Up Girls In A Dungeon?, Vol. 9

by

By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On. Translated by Andrew Gaippe.

DanMachi is not a game world per se, but it runs on game mechanics. Adventurer’s levels are literally written on them, and most of the plot involves killing monsters, drinking healing potions, etc. And this means that the villains tend to be mindless, unthinking monsters. Which makes for good fight scenes – in fact, it has to. If you hesitate or lose it for a moment, you’re dead. We’ve seen Bell Cranel and his group come perilously close to this several times. Be swift, be strong, and kill the monsters. That’s how you survive. So when Bell comes across a newborn monster that not only is not trying to kill him, but is crying – and can talk! – his world is upended a bit. And so is the reader’s, as it’s made clear that this is a game-changer.

The girl on the cover is the monster in question, a vouivre, which may require a little googling – it seems to be related to wyverns. In any case, she shows consciousness, awareness, and intelligence, something previously unknown in the dungeons. Bell being Bell, he decides to take her back to the mansion with him, much to the chagrin of everyone else, who would probably protest more if it weren’t for the fact that they’ve all been rescued from bad situations by him in the exact same manner. Naming her Wiene (not sure how this is pronounced – I went with “vine-uh” while reading), she learns incredibly rapidly, and also bonds with most of the family (sorry, Lilly, you’re destined forever to be the grumpy suspicious one) very quickly. The difficulty is with what she is. If monsters have intelligence now and can be nice, will that make adventurers think twice before killing them? That will lead to a lot of dead adventurers. How do you tell a populace born and raised on ‘monsters are evil’ that some aren’t? And if you spend your life devoted to killing monsters, and now some are folks like Wiene, are you a murderer?

DanMachi 9 doesn’t focus on these questions quite as much as I’d like, but it’s also not finished – the author apologizes for this being a two-parter, and says that the next volume will resolve the subplot. It becomes clear that this is an ongoing thing, and that some of the gods are trying to advance it – using Bell’s ever-loving kindness as a catalyst – so that monsters and humans can live together. Easier said than done, though. Speaking of catalysts, Hestia serves once more as an exposition catalyst, though honestly that’s preferable to some of her former jealous antics. She learns what’s going on, and what price her family could now pay… a price that I think the next volume may deal with.

As always, DanMachi is well-written, with excellent fights, nice characterization (less fanservice than usual this time), and smooth prose, so that you don’t tend to notice how much larger these books are compared to some other light novels. Is this new development going to change the course of the series? Or will everything turn tragic in Book 10? Luckily, as Vol. 9 was pushed back a month, we only have a 3-month wait to find out. Ignore the gimmickey title – this is one of Yen On’s best series.

Manga Giveaway: Assassin’s Creed Giveaway

by

The month of September brings a number of things along with it, such as the autumnal equinox (for us in the Northern Hemisphere, at least) and yet another manga giveaway at Experiments in Manga. For some, other September delights include International Talk Like a Pirate Day. As such, a manga about pirates would seem to be thematically appropriate for a giveaway, and so this month you all have a chance to win the first trade volume of Takashi Yano and Kenji Oiwa’s Assassin’s Creed: Awakening as published in English by Titan Comics. As usual, the giveaway is open worldwide!

Assassin's Creed: Awakening, Volume 1

Pirates, noble or otherwise, are a fairly popular character type in all sorts of media. The presence of pirates in a story generally brings along with it a promise of action, adventure, and sometimes even a bit of romance. Often their portrayal in fiction tends to be fairly glamorized when compared with historical and modern-day realities although there are certainly some stories that favor a more gritty approach.  When it comes to manga, there’s one particularly successful series that most people probably immediately think of when considering pirates (Eiichiro Oda’s One Piece), but there are plenty of other, lesser-known manga that feature pirates of one ilk or another as well. Part of Assasin’s Creed: Awakening, for example, takes place on the high seas during the early eighteenth century and, yes, there are most certainly pirates to be found.

So, you may be wondering, how can you win a copy of Assassin’s Creed: Awakening, Volume 1?

1) In the comments below, tell me a little about your favorite pirate from a manga. (If you don’t have a favorite, or haven’t read any, simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Anyone participating in the giveaway has one week to submit comments and can earn up to two entries. Comments can also be sent to me directly at phoenixterran(at)gmail(dot)com if either needed or preferred. Those comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on October 4, 2017. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Assassin’s Creed Giveaway Winner

Shojo Fight!, Vol. 1

by

By Yoko Nihonbashi. Released in Japan by Kodansha, serialization ongoing in the magazine Evening. Released in North America digitally by Kodansha Comics. Translated by Rose Padgett.

One of the benefits of the wave of digital-only titles we’re seeing in 2017 is the glut of a genre that was almost invisible until a few years ago – sports manga. Kodansha in particular has been pouring out titles devoted to soccer, baseball, soccer, rugby, soccer… and now we have women’s volleyball, with the emotionally gripping Shojo Fight!. You’d expect, given that all the male-oriented soccer manga run in either shonen or seinen magazines, that this might be a shoujo title. The title might also make you think that. But no, this runs in Kodansha’s Evening magazine, a counterpart of the mainstream Weekly Morning and the otaku-oriented Afternoon. So Shojo Fight! is reaching an older male audience. Fortunately, this does not mean that the series is filled with cheesecake. Shojo Fight! is a sports title first and foremost.

The series seems to begin in medias res, but it turns out that the first volume is about the end of middle school, and we’re setting up for high school to be the main event. Our hero is Neri, a strong but short young woman with a natural talent for volleyball and a tragic past, which keeps her mostly benchwarming. Her teammates include Koyuki, who is the school idol but whose volleyball skills don’t measure up as much, and Chiyo, who is absolutely furious at Neri and yells at her all the time in that “I am only angry because I see you have given up” sort of way. Neri is in danger of getting cut from the team, which prioritizes tall girls, and she seems to be OK with that, despite pushback from various others. One accidental injury later, however, and Neri is playing in a real game. Can she keep her emotions under control and not let the driving need to play volleyball take over?

It seems to be a sort of cliche to mention that the art in this looks a bit like OEL, so I will say that as well. More to the point, though, the art fits the subject matter. The volleyball matches that we see are straightforward, lacking the ‘cool’ art that we see from titles such as Haikyu!, but being quite understandable and easy on the eyes. I also really liked Neri’s facial expressions, particularly when she’s traumatized in the second half of the book. That dazed, emotionally hollow look makes your heart ache, and you’re grateful for her future coach (I assume) from coming by to stop her making a choice that would be terrible. I’d mentioned the lack of cheesecake: Neri’s male friend Shigeru is a massage therapist, and when Neri strains her back he massages her – in the girl’s bathroom stall, as student’s aren’t supposed to fraternize. It’s quite innocent, but turns into a nasty rumor that gets people punished, and the art shows both the innocent act while signposting how it’s going to be viewed.

It looks like the cast is going to expand vastly in the second volume, not unusual with sports titles. There are some eccentrics in the high school team, and I have to admit the idea of a barbed-wire volleyball net made me laugh. The series isn’t perfect (some of the exposition about the tragedy was really shoehorned in), but it was highly enjoyable, and I can’t wait for future volumes to see if Neri comes into her own as a player.

A First Look at Shojo FIGHT!

by

We’re in the middle of a sports-manga renaissance in the US, with publishers offering an unprecedented range of titles from Kurokuro’s Basketball and Haikyu!! to Yowamushi Pedal and Welcome to the Ballroom. Leading the pack is Kodansha Comics, which is making an astonishing range of titles available through their digital-only and digital-first initiatives. And astonishing it is: alongside obvious choices like the baseball-centric Ace of the Diamond, you’ll also find soccer manga (Days, Giant Killing, Sayanora, Football), rugby manga (All Out!!), mixed-martial arts manga (All-Rounder Meguru), and card game manga (Chihayafuru). Kodansha’s latest acquisition is Shojo FIGHT!, a volleyball series that reads like Dynasty with knee pads.

I mean that as a compliment.

The first chapter briskly introduces us to the three principle members of the Hakuumzan Private Academy Middle School volleyball team: Neri, a talented but difficult personality who has trouble playing well with others (literally and figuratively); Koyuki, a telegenic setter who moonlights on the Junior National team; and Chiyo, a jealous teammate who slots into the Joan Collins role of Queen Bitch. As we learn in the opening pages, Neri’s temper frequently relegates her to the bench, even though her teammates firmly believe that she’s in a league of her own as both a setter and a hitter — a point that Chiyo lords over the emotionally vulnerable Koyuki. Koyuki, for her part, feels isolated from her teammates who say nice things to her face but trash her playing when she’s not around. Though Chiyo bluntly dismisses Neri as “a wolf in sheep’s clothing,” Koyuki makes a concerted effort to befriend Neri, whom she views as a peer on the court.

The dynamic between these three players would be enough for an entire series, but Yoko Nihonbashi surrounds them with a boisterous cast of supporting characters who run the gamut from Odagiri, a shy Neri fangirl, to the Shikisama brothers, two gifted volleyball players who are, of course, handsome, sharp-witted, and fiercely loyal to their childhood friend… well, I’ll let you figure out that particular triangle on your own, though it’s not hard to guess who she is. While these figures are sketched more hastily than the principle trio, Nihonbashi offers tantalizing clues about how they will figure into the conflict between Neri and her teammates.

What will make or break this series for most readers is the art. As numerous folks have observed, Nihonbashi’s thick lines, wide-eyed characters, and computer-generated fills more closely conform to Americans’ perception of what OEL manga looks like — think Peach Fuzz or Van Von Hunter — than a licensed seinen or shojo title. I think that’s a valid observation, though it’s worth noting that Nihonbashi is a Japanese artist writing for Evening magazine, not a Tokyopop Rising Star of Manga. The boldness of Nihonbashi’s linework, and her dense but well structured layouts, aren’t the least bit amateurish or unpolished. If anything, they demonstrate a good understanding of game mechanics and a flair for drawing expressive, animated faces that telegraph the characters’ emotional states; the malicious twinkle in Chiyo’s eye speaks more loudly than her poisonous words — and that’s saying something.

My suggestion: try before you buy! The first 50 pages of Shojo FIGHT! can be viewed for free at the Kodansha Comics website. There’s enough drama packed into that opening chapter to hook any soap opera fan or sports enthusiast, and if the sudsy plotting isn’t enough to pique your interest, Neri will be: she’s prickly and complicated but appealing, not least because she seems like a real teenage athlete struggling to reconcile her desire to dominate the court with her desire to be part of the team.

The entire first volume goes on sale today (September 26th) via Amazon, B&N, ComiXology, and other digital book platforms.

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 3

by

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

In many ways this third volume of OreGairu actually moves backwards: having seen Hachiman seemingly blow up his burgeoning friendship with Yui in the second book, much of this third one consists of he and Yukino trying to get Yui to return to the Service Club, if only as the teacher demands a certain number of people in the club. They are impeded by Yui’s hurt awkwardness, Yukino’s inability to really interact with people normally, and above all Hachiman being who he is. The point of this series to a degree is amusing the reader with Hachiman’s narration and analysis of himself and others, and I am frequently amused. But I do hope that eventually we get some sort of deconstruction of this mindset or attempt to take it apart, because it also reminds you how incredibly annoying this kind of guy really is. For someone in their late teens, Hachiman must seem awesome. He frequently exhausts me.

Yukino, on the other hand, does get quite a bit of attention devoted to her as well, and we start to see a few reasons why she is the way she is, first and foremost being the appearance of her older sister. Haruno is bright, vivacious, communicative, and seemingly nothing whatsoever like Yukino… except Hachiman, who is quite clever in ways that don’t involve himself, realizes is a false front. I’m not sure if Haruno is meant to be a villainous character here – she doesn’t actually seem to be secretly needling Yukino as you’d expect if she were, and the delight over Yukino having a boyfriend seems genuine, false front or no. Yukino is also more apparently making an effort to get closer to Hachiman, though because of who he is and who she is, this doesn’t go far at all, even with Hachiman’s sister trying to set them up.

The book ends with a “bonus chapter” that is the novelization of a drama CD included with the volume, but you get the sense that if it hadn’t come with a drama CD the author would have included it anyway, as it’s in no way irrelevant. By the end of the story Hachiman and Yui have made up and gone back to baseline, they’ve all had a cute birthday party at a karaoke place, and Hachiman has had romantic thoughts about his cute male friend Saika about 80,000 times, which has gotten less amusing as the book go on, and I wasn’t all that amused by it to start with. That said, there are also some very funny jokes here as well – I loved Yui completely misreading Hachiman’s present to her, as well as the brief narrative from Shizuka’s POV, showing that the teacher is every bit as bad as the students who she’s trying to rehabilitate.

The main reason to read this is still Hachiman’s first person snark and the jokes. But so far if I wanted to read a series about a quirky cynical narrator and a frosty socially awkward brunette beauty, I have the Monogatari Series. I’m hoping that in the next book we try to do a bit more with these people than just circling each other warily and grudgingly getting along.

Bookshelf Briefs 9/25/17

by and Leave a Comment

Arpeggio of Blue Steel, Vol. 11 | By Ark Performance | Seven Seas – One of the good things about this series is the way that not all of the ‘traitor’ mental models are changing sides due to love on Gunzou—in fact, almost none of them are. We’re gradually seeing that the mental models, as they gain more experience, are becoming more and more like humans. Which means they can screw up—I laughed out loud at Haruna’s “fake name.” But it also means they can bond with other humans, like Iona and her crew, or save other humans when it doesn’t gain them anything, like the two chibis who help Iori to not die in the engine room. As you can see, I may be very bad at names in this series, but that doesn’t mean I don’t enjoy it every time. – Sean Gaffney

Barakamon, Vol. 14 | By Satsuki Yoshino | Yen Press – We’re back on the island for this volume, as Handa goes forward with his decision to start a calligraphy school rather than try to follow in his father’s footsteps. That said, trying to make a real living at a school on an island where no one wants to pay that much money is going to be tough. Meanwhile, Miwa’s family is also having issues with finances, as her father decides to close the liquor store as he’s losing to the larger chain. Miwa’s frustration and indecisiveness is quite realistically shown—she doesn’t just go “I’ll take over for you, Dad” but has to be led there slowly because her future hasn’t really occurred to her. And the best news of all, Kanzaki goes back to Tokyo, and will not hopefully irritate future volumes with his presence. – Sean Gaffney

Dreamin’ Sun, Vol. 3 | By Ichigo Takano | Seven Seas – After Zen infuriating me in the second volume, I’m pleased to state that he’s much more tolerable here, possibly as I’m now sure that he’s not going to be endgame. That said, I do now suspect that endgame is going to be her landlord, which… well, on the bright side, he’s not her teacher. Much of this volume follows a theme of ‘dramatic shoujo,’ with the desire to chase your dreams warring with the reality of needing to actually deal with life crises, which may mean abandoning those dreams. Zen works much better in this plot than he did getting really angry at Shimana because he had no idea how to deal with love. This isn’t my favorite series by this author (I prefer orange), but it’s nice and solid shoujo. – Sean Gaffney

Everyone’s Getting Married, Vol. 6 | By Izumi Miyazono | Viz Media – While I’d appreciate this even more if Kamiya weren’t a creep and stalker, I do like the fact that the author is well aware of it and not really playing it as oh-so-sexy. In fact, sometimes it manages to be funny. A large part of this book involves Asuka and Ryu, still not getting married, deciding to get an apartment together—and naturally guess who their neighbor is. I also really enjoyed Asuka’s family, as her mom explains the reasoning behind why she got married, and her brother manages to be protective but not a brat. More to the point, I just really love Asuka and Ryu as a couple, married or not. The cliffhanger implies fresh disasters, but that’s OK. This series has really leveled up. – Sean Gaffney

Honey So Sweet, Vol. 8 | By Amu Meguro | VIZ Media – It feels like so many shoujo series have ended recently, and here’s one more. It doesn’t quite take the pair-the-spares approach, as one guy in the group remains single, but I do admit the sudden love interest for Sou is out of left field. However, seeing Yashiro and Misaki finally get together was freakin’ adorable, as is Onise’s crying when he realizes how much Sou loves Nao, followed by Sou actually laughing at Onise’s blinding honestly. A brief glimpse at the future six years hence is followed by the original short story that was the basis for the series. It’s cute, it’s frothy, and I’m totally okay with that. – Michelle Smith

Kiss Him, Not Me!, Vol. 12 | By Junko | Kodansha Comics – On the bright side, the couple I wanted to get together actually got together, and the author’s notes implied this was something she actually planned in advance (never a guarantee with this series). On the other hand, I’m always wary in a reverse harem (or indeed a regular harem) when the couple gets together and the series is still ongoing. Is this really going to last? It also doesn’t help that we get a lot of backstory of how they got to know each other in a flashback after the fact. Still, it’s sweet enough, The comedy comes from them behaving like a newlywed couple in class, much to the frustration of nearly everyone. As for the drama, god help us, we have another pissed off third party breaking things up. Variable even when it’s good. – Sean Gaffney

Nisekoi: False Love, Vol. 23 | By Naoshi Komi | Viz Media – Well, it’s finally become clear what the endgame is, as Raku realizes what his feelings really are. That said, we’ve got two more volumes after this, and he isn’t sure if his love for Chitoge is greater than his love for Onodera, even if the audience is. And so all the heroines who are still in Japan get one last lap around the track so show off why they would also be an awesome choice for any guy reading this series. What interested me most was 1) Fu-chan, Haru’s friend, who is as close to a girl in love with her female best friend as you can get in a Jump series, and 2) the ongoing beta pairing, which seems to get closer and closer to reality the more violent Ruri gets. (She’s not a lead girl, so isn’t attacked for violence, I guess.) Good but dragging on. – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 8 | By nanao and HaccaWorks* | Yen Press – I’ve grown increasingly frustrated with the euphemisms “eating” and “taking a meal” in this series, so it’s nice to see that it’s made more explicit here—no, they don’t say “kill,” but you literally see the endgame happening on a pile of corpses that are the previous “meals.” We also see Tougo getting guilt-tripped into accepting his own sacrifice, showing him flashbacks that give us a lot more context regarding Akane’s disappearance. Combine that with the role his younger sister played now being complete, and what can he do except be eaten? That said, we have two more volumes to go after this, so I’m fairly confident that this isn’t the endgame. How do we avoid the meal, though? – Sean Gaffney

Sweetness & Lightning, Vol. 8 | By Gido Amagakure | Kodansha Comics – Tsumugi has started elementary school, which means tasty school lunches that she and her father replicate at home and a field day for which Tsumugi powers up by eating tonkatsu (lucky!) the night before and during which she runs with such determination that it actually made me cry. Meanwhile, Kotori has managed to convince her parents that she’s serious about taking over the restaurant. It looks like the series might be doing something new going forward—now that Inuzuka has enough skill to tackle new things on his own, he might be doing that while Kotori trains with her mother. That’d be interesting, too! Also, I am seriously considering attempting to make my own tonkatsu! – Michelle Smith

My Week in Manga: September 18-September 24, 2017

by

My News and Reviews

I was running a little behind my intended schedule last week (and today for that matter–this seems to be somewhat par for the course lately), but over the weekend I was finally able to post my review of the ninth omnibus of Vinland Saga, an award-winning historical manga by Makoto Yukimura which has become one of my favorite series currently being released in English. Last week I also attend a talk by Hiroshi Yoshioka, a professor at Kyoto University’s Kokoro Research Center, called Hiroshima, Fukushima, and Beyond: Borders and Transgressions in Nuclear Imagination. Yoshioka’s research addresses the portrayal of nuclear power within popular culture, whether that be manga like Keiji Nakazawa’s Barefoot Gen, Sunao Katabuchi’s In This Corner of the World anime adaptation, other visual arts, or even Giant Baba’s “atomic drop” in professional wrestling. I won’t be doing a full write-up of the talk (although perhaps I should), but I did find it to be fascinating. A couple of other interesting things that I’ve come across recently include Ryan Holmberg’s two part article “Yokoyama Yuichi and Audiovisual Abstraction in Comics” as well as an edited version of a talk by Tyran Grillo, the translator working on the Legend of the Galactic Heroes novels, about the series and its author Yoshiki Tanaka.

Quick Takes

Frau Faust, Volume 1Frau Faust, Volume 1 by Kore Yamazaki. The German legend of Faust, a scholar who sells his soul to the Devil in order to gain great knowledge and worldly delights, has had numerous interpretations over the centuries. (Considering my background in music, I’m personally most familiar with the various operatic and symphonic renditions of the tale.) Faust being the subject of a manga would be enough for me to take an immediate interest, but the fact that Frau Faust is by Yamazaki, the creator of The Ancient Magus’ Bride which I greatly enjoy, made it a series that I absolutely knew I needed to read. One volume in, not only am I intrigued, I am completely on board with Yamazaki’s reimagining of the classic tale. As can be gathered from the title, Faust in this case is a woman. Johanna is strikingly enigmatic, the complexity of her true nature slowly revealed over the course of the first volume of the manga. The pacing of Frau Faust is excellent. Plenty of mystery remains by the first volume’s end, but rather than the story feeling like it’s being unnecessarily drawn out, it simply makes me want to read more. The only real complaint I have about the manga, and it’s a relatively minor one at that, is Johanna’s eyeglasses which tend to inexplicably appear and disappear from one panel to the next and I can’t tell if it’s meant to be intentional or not.

Kiss of the Rose Princess, Volume 1Kiss of the Rose Princess, Volumes 1-2 by Aya Shouoto. Since I’ve been enjoying The Demon Prince of Momochi House I’ve been making a point to try some of the other manga by Shouoto available in English. Sadly, I haven’t been nearly as taken with Kiss of the Rose Princess, one of Shouoto’s earlier series. I think that part of my lack of interest in the series stems from the fact that there’s not much of a plot even hinted at until the second volume. It’s almost as if the first volume, and much of the second, is devoted to a side quest before really getting to the meat of the story. Anise is a high school student who quite unexpectedly finds herself in command of a quartet of knights (who are also her classmates) that she can magically summon, a situation that hasn’t been fully explained. More than anything else, the setup comes across as a convenient excuse for the series’ heroine have a number of young men who are in some way bound to her if not vying for her attention. There’s nothing inherently wrong with that, but at this point most of the characters come across as “types” and any convincing romantic tension is nearly nonexistent. Everyone is very prettily drawn, however. Shouoto seems to be favoring silliness over seriousness in Kiss of the Rose Princess, which again isn’t necessarily bad, but a satisfying balance between the tones hasn’t been reached yet.

Queen Emeraldas, Volume 2Queen Emeraldas, Volume 2 by Leiji Matsumoto. In addition to being a classic manga, which I’m always happy to see more of in translation, I found the first half of Queen Emeraldas to be wonderfully engrossing, so I was looking forward to reading the conclusion of the series. One of the things that particularly appeals to me about the Queen Emeraldas is the mood that Matsumoto is able to create–the melancholic atmosphere of the manga as well as the portrayal of the great expanse and loneliness of the universe. (I also adore Matsumoto’s illustrations of space.) Emeraldas is a woman traveling the stars, her ship her only constant companion. However, her destiny still frequently crosses paths with those of others. Hiroshi Umino repeatedly finds himself drawn into her orbit as he tries to establish a life of freedom in space. The chapters of Queen Emeraldas are loosely-connected stories with the presence of Emeraldas as the uniting factor. She herself is frequently the narrator of the tales, but the focus is often on the follies and arrogance of the men she meets. I was actually hoping to learn more about Emeraldas and her personal story, but by the end of the series very little has been explicitly stated about her past. Even so, Emeraldas is a marvelously charismatic character, capable of great empathy and compassion but dedicated to justice.