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Infinite Stratos, Vol. 1

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By Izuru Yumizuru and CHOCO. Released in Japan by Overlap. Released in North America digitally by J-Novel Club. Translated by Holm Hinners.

I knew this one was going to be difficult, and kept repeating to myself as I read it, “Remember this came out in 2009, before all those other ones.” But it’s hard. I never saw the Infinite Stratos anime (I know, you’re shocked), which itself is almost five years old at this point. And we’ve had endless works of a similar type or variety since then, intentional or not. Guy arrives at a school, lots of girls, his relative is a higher-up, gotta pilot a giant mech… I should go re-read my review of Hybrid x Heart to see if I’m repeating myself from there. I have no doubt this series was a big influence on them. Which is fine, and I tried, but man, this feels really tired. There are too many tsunderes, the lead’s obliviousness had better be faked or else I’m going to have to rip his arms off, and the occasional interesting plot moment gets derailed at every point for harem antics.

So: in the near future, powered suits have been invented that revolutionize the world. However, only women can pilot them. As a result, men are somewhat second-class citizens now. But guess who is, for some unknown reason, the only man who can pilot an IS? That’s right, our hero Ichika, who is now going to be attending the all-female high school where he can learn how to be a fearsome mech pilot. The mechs, judging by the illustrations, are more Bubblegum Crisis-style suits than Gundams, and the documentation on them is thick and difficult to memorize, particularly if you are a dense male lead. Fortunately, Ichika will have help from his childhood friend Houki (grumpy tsundere), the British Cecilia (haughty tsundere), and his OTHER childhood friend Lingyin, aka “Rin” (standard garden-variety tsundere). Oh, and his older sister, who hits him in the head a lot, but means well. We think.

There are a few things this does well that I can appreciate. Ichika may be the only man in the world that can pilot an IS, but that doesn’t make him immediately the best pilot in the school, though a lot of that is implied to be simple ignorance of how the suits actually work. It is also refreshing, though perhaps unappreciated by me, that the book doubles down on the harem antics so quickly. Most of the stories of this sort that I’ve seen before try to balance out the plot and the harem equally, but IS doesn’t really seem that into its plot, which is a shame as it’s implied that enemies were trying to either kill or kidnap Ichika towards the end – likely related to why he’s the only man who can pilot an IS. And, it has to be said, in 2009 harems and tsunderes were HUGE. Not so much in 2018. I can easily see why this got an anime.

We’ve only had about 12 volumes of this since it began, mostly due to the author’s poor health (which he discusses in the afterword), so it’s not as big as it could be. I will say this: most of the series that have derivative plots that we’ve seen over here before are manga-only, so if you wanted to read actual harem prose, you’ve come to the right place. I’d recommend this book to those who like the anime as well.

Bookshelf Briefs 4/16/18

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Akashic Records of Bastard Magic Instructor, Vol. 2 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – Perhaps I was just in a bad mood the first two volumes, but it seems to me that this third volume of Akashic Records is much stronger than the previous ones. It’s essentially a tournament arc, and features a lot of the standard cliches that you would expect. But I’ve gotten used to the proclivities of the characters by now, and the narrative does something very good in regards to Rumia and her hidden past, showing how she clearly wants to make things better but also can’t get over exactly what was done to her. Unfortunately, she’s also accused of treason. Which kinda sucks. This has gotten good enough that I want to read more, which is impressive given its bad start. – Sean Gaffney

Baccano!, Vol. 2 | By Ryohgo Narita, Shinta Fujimoto and Katsumi Enami | Seven Seas – After a first volume that functioned as a prologue to the series, this second book begins the actual adaptation of the first novel, which means we get a whole lot of Isaac and Miria being hilarious. That said, I’d still argue that this series is meant more for the hardcore fan than a newbie wondering what the fuss is all about—several references thoughout the volume only make sense if you know what’s going to be happening down the road. But in the end, as I said when I reviewed the first novel, I think the series at this point is about Ennis, and how she grows beyond what she was created to be. The scenes with Ennis are my favorite in the book, and I can’t wait for the last volume. – Sean Gaffney

Cardcaptor Sakura: Clear Card, Vol. 3 | By CLAMP | Kodansha Comics – It feels like I spent the entirety of this volume just waiting for something to happen, already. True, Sakura collects a few new cards, but they both appear and are dealt with swiftly. She has a date with Syaoran, but we only see a couple of pages of it. Most of the volume is just mundane school stuff, particularly involving the new transfer student Akiho. For example, Akiho decides to join the choral ensemble and she and Sakura discover they both despise konnyaku. Be still my heart. It does seem like something is probably going on with Akiho—she has a plushie pal that reminds me of Kero-chan—but I guess I would’ve liked just a little more hinting that all is not as inconsequential as it seems. Oh well. I suppose I’ll keep reading for a while longer, at least. – Michelle Smith

Cardcaptor Sakura: Clear Card, Vol. 3 | By CLAMP | Kodansha Comics – We’ve introduced a new cast member, Akiho, who fits in quite nicely with the rest of the group, i.e. she’s sweet and charming and rather well-off, to the point where she has a butler, though he functions more like a guardian. I’m not sure what the relationship between those two is—you’d think after writing Rika out of the series they’d have clued in to the idea that January/December romance is bad, but I can’t quite trust it. I’m also not sure if she’s going to end up being a villain, though I highly doubt it. Other than that, this is cute and fluffy, and also exactly what the old series used to be—I sometimes wonder if it’s actually the exact same chapters with new dialogue. For hardcore fans only – Sean Gaffney

Dreamin’ Sun, Vol. 6 | By Ichigo Takano | Seven Seas – Zen makes his triumphant return in this volume, as the relationship between Shimana and Fujiwara can’t even last an entire chapter before crashing and burning. It’s not quite a train wreck, but you definitely get the sense the author was barreling towards a six-volume series and then was told to stretch it out a bit. And so there’s tears, and self-hatred, and Zen being honest and helpful and getting emotionally stomped on, which is his role in this series. I’m going to be honest, the main issue I have with this series remains the main pairing, who I still think do each other more harm than good. But in the end, I can only go where the author takes me, and I’m entertained enough to soldier on. – Sean Gaffney

Dreams of the Days | By Kyungha Yi | Netcomics – Having previously read Yi’s earlier and very aptly named series Intense, I was glad to discover that her newest boys’ love manhwa was also recently released in English. Dreams of the Days follows three young men about to graduate from high school who are having recurring dreams. Though they don’t share the intimate details with one another, Howon describes his as horror, Jihyung freely admits his is erotic, while Changwoo says his is a crime mystery. The reality is that all three dreams cause them to reexamine their sexuality. Jihyung’s reaction is the most refreshing (and amusing)–he’s an incredibly straightforward individual with no qualms about liking a guy. On the other hand, Howon struggles to accept that he could be gay largely due to societal pressures. As the most reserved of the three, Changwoo’s character arc is even more bittersweet. – Ash Brown

The Faraway Paladin, Vol. 4 | By Kanata Yanagino | J-Novel Club – As we get more and more light novel series, I am likely going to have to skip full reviews for some of them. Unlike Demon King Daimaou, though, that doesn’t mean I think anything less of Faraway Paladin, which remains one of the purest of the fantasy light novels out there. This one is a collection of three longish short stories, featuring an unlikely but cute marriage (no, it’s not William, who it’s made clear here only has eyes for his Goddess); a trip to a wizard castle to help Bee research a song (I love Bee); and a fight against an old and stubborn giant who really just wants to have friends again. The series is earnest as hell, which is actually its main selling point—if you’re tired of snarky light novel heroes, try this out. – Sean Gaffney

Haikyu!!, Vol. 22 | By Haruichi Furudate | VIZ Media – The boys from Karasuno are almost entirely absent this volume so that the story can focus on the Tokyo qualifiers, where Nekoma is striving for a spot at the Spring Tournament. They’ve reached the top four and, after being squashed by Fukurodani in straight sets, must compete for the “venue sponsor” slot against Nohebi, a team who uses taunts to goad Nekoma’s hotheads yet acts obsequiously polite to referees in order to earn their favor. It’s all appropriately slimy (“hebi” means snake, after all) and it gets even worse when Nekoma loses their excellent libero to an injury. I did appreciate the brief appearance of some Karasuno characters as Nishinoya explains just how fabulous Nekoma’s libero is, but otherwise, while this was decent enough, it’s just not the same without characters one cares about. – Michelle Smith

Love at Fourteen, Vol. 7 | By Fuka Mizutani | Yen Press – The kids are fifteen rather than fourteen, so it’s time to start thinking about high school, and the fact that you can’t just make a school choice based on what your boyfriend is doing. Or maybe you can, as the moral here actually turns out to be “talk to your partner about future plans and don’t just assume.” There is also a dream Kanata has of being a flight attendant, which is so “WTF?” given her intelligence that Yen had to include a footnote explaining how glamorous Japan finds the position, and how it’s meant to be “jetsetting.” And yes, Nagai and Hinohara and their rather tortured not-quite romance, which alters between heartwarming and disquieting. I enjoy Love at Fourteen even though it makes a lot of choices I wouldn’t. – Sean Gaffney

Waiting for Spring, Vol. 5 | By Anashin | Kodansha Comics – Given that this is a shoujo series that is not making any brave choices, it’s astonishing how much I’m still enjoying it. But, as I’ve said before, sometimes a reader wants “the exact same thing I’ve read before only with different people,” and Waiting for Spring gives us that. The cute but low-confidence female lead, the brooding male lead, the smooth-operator rival, the friends who also subdivide so nicely that I thought I was reading Kiss Him, Not Me for a moment. There’s nothing here that makes you have to read this, but there’s lots of things that make you want to read it—everyone’s likeable, the situations aren’t too forced, and you’re content to see it take its time. What more can one ask? – Sean Gaffney

Short Takes: Delicious in Dungeon and Golden Kamuy

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Today’s reviews come to you courtesy of Patriot’s Day, my second favorite Massachusetts-only holiday. (The first is Evacuation Day, a thinly-disguised attempt to give Boston’s civil servants permission to skip work on St. Paddy’s.) For your consideration are volume four of D&D cooking extravaganza Delicious in Dungeon, and volumes three and four of everyone’s favorite backwoods culinary adventure Golden Kamuy. Looking back on food manga’s early history in the US, who could have predicted that readers would be feasting on such a wide array of titles in 2018, from Sweetness and Lightning and What Did You Eat Yesterday? to Giant Spider & Me: A Post-Apocalyptic Tale, Food Wars!! Shokugeki no Soma, and Toriko. Maybe the North American market is finally ready for an Iron Wok Jan renaissance…

Delicious in Dungeon, Vol. 4
Story and Art by Ryoko Kui
Translated by Taylor Engel
Yen Press, 192 pp.
Rated T, for Teens (13+)

If the first volume of Delicious in Dungeon was about assembling a posse, and the second and third about turning monsters into meals, then the fourth is about friendship — specifically, the strong emotional bond between Laois, Marcille, and Falin — and revenge, as the gang finally comes face-to-face with the Red Dragon. The showdown takes place inside a walled city whose narrow, maze-like streets give them a strategic advantage over their Godzilla-sized foe. And as exciting as the fight is, the real payoff is what follows, as Laois and Marcille discover that bringing Falin back from the dead isn’t a simple proposition. It’s in these moments that Ryoko Kui proves a more deft storyteller than we initially realized, effortlessly shifting gears from comedy to drama without mawkishness or cheap jokes. Instead, we’re allowed to contemplate the real horror of being eaten alive — as Falin was — and the real possibility of a character dying for good.

If I’ve made volume four sound like a bummer, rest assured it isn’t. Seshi gets his turn in the spotlight with a weaponized assortment of kitchen tools, while the rest of the gang endures its share of fumbles and miscommunications on the way to catching their dragon adversary. Though I suspect the next volume of Delicious in Dungeon will revert to a monster-of-the-week formula, that’s OK; Kui has firmly established her dramatic and culinary bonafides in volume four, leaving the door open for more character development in the future. Recommended.

Golden Kamuy, Vols. 3-4
Story and Art by Satoru Noda
Translated by Eiji Yasuda
VIZ Media
Rated M, for Mature (18+)

Midway through volume four of Golden Kamuy, Asirpa builds a fox trap in the woods. “Do foxes taste good?” Sugimoto inquires. “No, not really,” Asirpa replies. “Tanuki have more fat in them and taste a lot better.” With a twinkle in her eye, she then asks, “But Sugimoto, don’t you want to try eating a fox?” A mildly exasperated Sugimoto replies, “You know, I’m not out here to try all the delicacies in Hokkaido.”

There are two ways to read this exchange: as a tacit admission that the cooking elements of Golden Kamuy sometimes occupy more real estate than the battles, or a tacit admission that the series is more compelling as a study of Ainu culture than a bloody frontier adventure. I vote for the second interpretation, as the series’ frequent detours into the food, medicine, and mythology of the Ainu are fascinating, offering a window into a culture that has been largely hidden from Western view. Golden Kamuy is on weaker footing, however, when focusing on its secondary characters and subplots. None of the other gold-seekers are fleshed out as carefully as Asirpa and Sugimoto, despite Satoru Noda’s efforts to give each villain a unique motivation for wanting the treasure. The newest baddie — Kazuo Hemni — exemplifies this problem to a tee: though he’s been given a particularly grisly backstory to explain his murderous proclivities, he’s such a textbook sociopath that he barely rises above the preternaturally-calm-and-savage type.

The art, too, sometimes has a perfunctory quality; in several scenes, Noda’s use of a Photoshopped background doesn’t mesh well with the hand-drawn elements, resulting in an awkward collage. Noda’s use of perspective can also be a distraction. He has difficulty drawing bodies to scale, especially when he’s depicting Asirpa and her family, some of whom look more like Smurfs than people in their head-to-body ratio.

Still, the camaraderie between Asirpa and Sugimoto, and the well-staged action scenes more than compensate for the occasional roughness of the execution or flatness of the characterizations. Golden Kamuy continues to entertain, horrify, and educate in equal measure — something I can’t say for any other manly-man manga that’s currently being published in English. Recommended.

Arifureta Zero, Vol. 1

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

If a spinoff of Arifureta was going to be done, the Liberators were the only obvious choice. And, despite the novel starting out trying to make us think that Oscar was going to be the main character (which he is to an extent), this is all Miledi’s plan and all Miledi’s book. As such, enjoyment of this book will depend on how much you enjoyed Miledi in the second novel. She’s deliberately written to be annoying, and even though we get a tragic backstory here to explain why she does that it can still make you want to grit your teeth at times. That said, her drive to try to change the world and go up against the gods is laudatory, and her recruitment of Oscar (and later on Naiz) also allows plenty of scenes of her getting physically and emotionally abused for comedy purposes. (She reminded me of Shea a bit, to be honest, without the trolling that Miledi does all the time.)

(The author wonders if we were surprised at Miledi’s appearance, but honestly, this is pretty much exactly how I imagined her.)

As I said, Oscar is the focus at the start of the book, a synergist (much like our hero in the main series) trying to keep a low profile to avoid the Church. Said low profile falls to bits once Miledi arrives and starts harassing him, but honestly the church is so evil anyway that it was somewhat inevitable that it wouldn’t last. We also get a pile of adorable plucky orphan children, and once Oscar and Mikedi team up to find Naiz we get two more plucky adorable children, all of whom are put in deadly danger by events of the plot. And do you want tragic backstories? You’ll love Miledi’s, whose childhood was pretty crappy and then got much, much worse. There are also several very cool fights, as you’d come to expect from Arifureta, involving clever manipulation of gravity, creating impossibly hard shields via a cool umbrella (apparently a reference to Kingsman, though I kept thinking of Ryouga Hibiki), and teleportation badassery. And, as I said before, Miledi being really, really annoying.

This actually came out a mere 4 months after the Japanese release, so I would not hold your breath for the second volume right away. That said, I can’t imagine fans of Arifureta not enjoying this, even though the regular cast are nowhere to be seen. You get a good sense of the three leads and why they made the dungeons that they did. It also reminded me that Miledi’s spirit is technically still around in the main series, and I wonder if she’ll do anything else. (I also wonder if she and Oscar will ever hook up. Probably not, I suspect.) Basically, this is exactly the sort of thing you’d like a spinoff to be, and I will definitely enjoy more of it whenever it comes out.

Monster Tamer Girls, Vol. 1

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By Mujirushi Shimazaki. Released in Japan as “Kaijuu no Shiiku Iin” by Houbunsha, serialized in the magazine Manga Time Kirara Forward. Released in North America by Yen Press. Translated by Amber Tamosaitis.

When I reviewed New Game!, I went into a bit of detail regarding the classic Kirara work, i.e. “a group of girls doing but really just relaxing and chatting a lot”. It’s a shame, because it would help to pad out the word count of this review, as there’s a lot of that happening here as well. To be fair, Monster Tamer Girls does have the girls taming monsters a hell of a lot more than, say, K-On! has the girls playing concerts. This is a world where monsters are still being analyzed to a degree, and as such, even though it’s treated as a typical high school club, the need for girls like Ion and her friends is absolutely needed. Sadly, Ion is rather shy and tends to still be wary of monsters, which is why we also have Sora, who has no talent for taming but is spunky, outgoing, and really loves monsters. Stop me if you’ve heard of this type of twosome before.

As you might guess by the cover, if you were expecting cute Pokemon-style monsters you’re in for a surprise. The main monster we see here is essentially a dinosaur, and even the short cute one that follows after the girls quickly grows to enormous proportions. Joining our two main heroines are Tsukiko, an overly serious monster tamer with horrible naming sense, and Kotomi, a teen genius in the graduate program whose chief job seems to be providing yuri subtext, although honestly there’s plenty of that to go around. And then there’s Kyouko, who is not only a level above every other monster tamer girl (she’s a monster charmer), but is also the girl who saved Ion from a monster when she was just a kid. Sadly, Kyouko is straining her voice from too much abuse (as a former chorus student, I can attest to how easy it is to do that), and also worries that Ion does not have what it takes to do the job.

As a first volume, this did its job very well, and manages to be a “monster” series without the fanservice that usually goes with that sort of thing, possibly as the girls aren’t the monsters in this case. Sadly, it apparently wasn’t interesting enough for Japanese readers, as the second volume will be the last one. I think it will definitely appeal to those who like relaxing, girls-in-school type manga, and I’d argue its main audience may be the yuri fan. There’s no yuri here, but, y’know, girls hug other girls and say they missed them, so it’s not all that hard to connect the dots. This may actually be a good series to wait till summer and get both volumes as a gift for someone else. And since the fanservice is nonexistent and the yuri is all hypothetical, I wouldn’t object to younger readers looking at it either.

Accel World: Signal Fire at the Water’s Edge

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

A lot of what I’ve seen in Accel World has been the author recognizing, lampshading, and attempting to either fix or downplay the faults that we’ve seen in his previous series, Sword Art Online. The lead here, Haruyuki, is if anything even more powerful than Kirito, but while Kirito does have inner turmoil (something the anime was not that great in bringing out), Haruyuki is all inner turmoil. Kirito spends most of his time in SAO either solo playing or reluctantly partnering up; Haruyuki cherishes working with people and forming friendships. Also, while Kirito may be your typical light novel hero and amass a harem of girls who like him, Haruyuki is short, stout, and has twice the number of girls after him. And what’s more, with the exception of the current Alicization arc, Kirito’s problems tend to be easy to solve, while the Accel World narrative never quite wraps anything up, and things just continue to snowball forward in one broad narrative.

Niko is on the cover, and it has been a while since we’ve seen her, even though the book is filled with reminders that the last several books or so have only happened over a period of a few days. She shows up as some other Brain Burst user, who seemed very similar to Kuroyukihime, was being evil, and thus some of her legion took it upon themselves to challenge Nega Nebulus (which now has a new addition as another old face we’re already familiar with returns to the fold). It’s all a misunderstanding, but reminds us that the Acceleration Research Society is still trying to get their way, which involves parasitizing as many users as possible with ISS kits, including sadly a very familiar face. Niko shows up in order to apologize for the rash actions of her legion and also add some muscle in their fight, along with Pard. And they’ll need the help, as they decide they can’t afford to wait any longer, they have to attack Metatron NOW.

The book, as always, is well written, with lots of funny moments, good fights, and emotional scenes. My favorite scene was probably the most chilling, though, which is where Niko notes how safe they feel around Haruyuki. She’s quite to point out that it’s not that he’s a “nice guy” per se, it’s just all female-type avatar users have a certain fear of being found in the real world, and Haruyuki, who knows a ton of them, doesn’t trigger that fear. He cares about what they think, and listens to what they say. For an author who I have yelled at for going to the “rape as drama” well far too many times, this is a surprisingly nuanced take – and all the more chilling for it, as all these girls are 15 years old or less by definition. It’s something that girls have to deal with every day in our real world, and it’s sad and yet very realistic that even in the future, female gamers still risk getting attacked.

The author lets us know this is going to be another multi-book arc, though honestly, as I noted above, this book feels far more like one long narrative than SAO ever did. I really want to find out what happens next. The 14th book better arrive soon.

Takane & Hana, Vol. 2

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Takane & Hana Volume 2 by Yuki Shiwasu

I enjoyed the first volume of this series, but it is always good to see how a new manga series will settle in after the author has gotten through introducing the characters and plot points in the first five chapters or so. It was interesting to see this odd couple continue to navigate situations that are out of their respective comfort zones. Hana attends an important work social event with Takane, made up to resemble her older sister. Hana then concludes (sensibly) that the age difference between them is too great and attempts to push Takane away, but that doesn’t go well. Hana then takes Takane out to cherry blossom viewing where he has to deal with being around throngs of people. One of the nice things about this series is seeing how this couple tends to push each other to experience new things, and then be very supportive of each other. One of Takane’s playboy friends shows up and awakens all of his protective instincts towards Hana. Shiwasu makes a comment in this volume about how much she enjoys drawing funny facial expressions and it really shows in the artwork for this series. I feel like even if there was very little character development or dialogue I would almost buy this series just to see Takane’s perplexed and incredulous facial expressions as he attempts to deal with Hana shoving a sea cucumber into his mouth. At two volumes in, Takane & Hana is still a fun, breezy read, and a welcome dose of shoujo comedy.


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Moteki: Love Strikes!, Vol. 1

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By Mitsurou Kubo | Published by Vertical Comics

Although I was originally quite keen to read Moteki, it took me nearly a week to finish this volume. That isn’t due to its length (Vertical is publishing the entire series in two hefty volumes) but to the fact that the protagonist, self-proclaimed loser Yukiyo Fujimoto, is really hard to take in large doses.

The story begins in the summer of Yukiyo’s 29th year, when he experiences a brief flurry of contact from women in his past. Desperate for love and sex, he reconnects with each of them and botches each attempt in one way or another. With Aki Doi, the former coworker who held hands with him at a rock festival until her boyfriend showed up, he’s too passive. With Natsuki, a girl he bombarded with “please fall in love with me” vibes for a year before finally losing his virginity to her older sister, he very nearly scores but can’t perform. It’s with his friend Itsuka, however, that his behavior is the most troubling.

In their first meeting two years ago, their mutual friend Shimada tries to pair them off. Yukiyo is all for this, but Itsuka balks. (We later learn it’s because she was in love with Shimada.) Yukiyo erupts. “Are you one of those girls who acts like a cocktease then plays dumb out of spite, or maybe you act like you’re being generous when you give a guy who just saved you a kiss on the cheek instead of putting out for him?! You are one nasty chick!!” Despite this, they become friends and, in the present day, she invites him on a trip to eat a local delicacy. In their hotel room, they almost have sex before she finds out he’s not a virgin and kicks him out of bed. She promptly falls asleep and his first thought is, “If you don’t resist, that means you want it, right?” Then he realizes that he doesn’t have any condoms. Only after that does it occur to him that she trusts him not to do anything to her. Later, he’s super persistent to the point that Itsuka blocks him from contacting her and calls off the friendship.

Previously, Itsuka had said that she wishes she could find someone to love, and Yukiyo is baffled as to why she wouldn’t consider him. “Could she still not forget about Shimada?” It’s at this point that I desperately wished for some hallucinatory foodstuffs to appear. Like so:

Thankfully, in the second half Yukiyo seemingly begins to change. Despite getting terrible advice from a girl in his hometown, urging even more persistence (and I do worry what kind of message this manga is sending in that respect), when he meets Itsuka again he manages to actually listen to her romantic woes with empathy, realizing they share problems with low self-esteem, and even be just assertive enough to help her get closure regarding her unrequited feelings for now-married Shimada. He’s serious enough to say “I’m interested in you” without going overboard and insincerely declaring his love, and he isn’t pushy about getting in her pants. Just when you think they might finally make things work, however, he ends up hanging around Aki Doi again and getting jealous when a slovenly, struggling manga artist seems interested in her. Make up your mind, dude!

Ultimately, I just don’t know. I’ll read the second (and final) volume, but I worry I’ll end up grumpy and frustrated once again.

Moteki is complete in Japan with 4.5 volumes. Vertical will release the omnibus containing the second half of the series in July.

Review copy provided by the publisher.

My Boy, Vol. 1

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By Hitomi Takano. Released in Japan as “Watashi no Shounen” by Futabasha, serialization ongoing in the magazine Monthly Action. Released in North America by Vertical Comics. Translated by Kumar Sivasubramanian.

When this title was announced by Vertical, I raised an eyebrow. The concept seemed a bit… dangerous? That said, I probably should have trusted them. My Boy is an award-nominated work in Japan. And, much as it might look at it at times, it is most definitely not about the love story between an adult office lady and a 12-year-old boy. Instead it seems to be about found families, about how much you can support someone when technically you aren’t responsible for their upbringing, and the difficulties of child abuse, particularly “is this abusive enough to actually do anything about?”. And it’s also about how abuse can affect your basic mindset, to the point where you see acts of kindness as huge, impactful things that you need to repay rather than just everyday niceness. It is a good, meaningful work, told with a deft hand.

Satoko is an office worker dealing with an ex-boyfriend being a colleague at her job (and also showing off his new girlfriend), who takes her temperature every morning even though she can no longer seem to recall why. She runs into Mashuu, a pretty long-haired boy who is lurking at the local park and trying to play soccer by himself – badly. She gives him a few pointers and moves on, but he’s there again the next day (and easy prey for potential molesters), so she gradually learns more about his life. It’s not a pretty life – his dad works late and doesn’t seem to care enough to even make sure he’s changed clothes. His younger brother is named Ryouichi (ichi means “first” in Japan, and is not usually a name you give a second child). Little acts of kindness and caring make him cry. He’s a product of a neglectful home. As the days go by, Satoko gets more and more involved in his life, taking him to soccer games and a sushi restaurant. Is this what she wants in her life? And what *is* this?

The book is self-aware enough to know what some readers might be thinking. There are news reports at the start about abduction and molestation of children, and a creeper attempts to do the same to Mashuu until Satoko intervenes. Satoko and Mashuu’s relationship feels more familial, and the title “My Boy” suggests a parental substitute might be what’s going on here. Mashuu is a sweet kid, even at school, when he’s talking to the shy classmate who realizes there’s something going on, but he desperately needs basic affection and care, and right now only Satoko is the one that can give it to him. But of course she isn’t his mother. It’s implied, though I’m not sure if this is the case, that he’s from a previous marriage or similar. In fact, we never even see his family – the book, with the exception of the scenes at Mashuu’s school, is focused on the relationship between Satoko and Mashuu, and how it’s changing both of them.

Now, it’s possible this could develop in a different direction, and I’ve been wrong before – hi, Bunny Drop. But this doesn’t feel like a romance. It feels like a family story, about about how sometimes the family you make is better and more loving than the family you have. That said, I’m pretty sure there will be more drama in future volumes. I also recommend skipping the author’s notes at the end, which do play up the “older woman/young boy” fetish, to my annoyance. But definitely read My Boy. It’s a touching, heartaching story.

Manga the Week of 4/18/18

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SEAN: April continues, as does the inundation of manga. Let’s get down to business.

Ghost Ship debuts World’s End Harem. It’s about a post-apocalyptic future that’s killed nearly all the men in the world, and about a man who thus needs to impregnate as many women as he can. Needless to say, this being a mature manga and not a hentai manga, he stays true to his (missing) love and tries to find a cure rather than, say, having tons of sex. I suspect the main audience of this title will be annoyed by this, but hey.

Haikasoru has a 6th Legend of the Galactic Heroes novel.

MICHELLE: Woot. I noticed that the release schedule for these seems to have sped up a bit (unless I am imagining things). We’ll also be getting volumes seven and eight this year.

ASH: That does seem to be the plan!

SEAN: J-Novel Club gives us a 3rd volume of Outbreak Company.

They also have two debuts. Infinite Stratos is a series that most folks assumed would have been licensed years ago – in fact, most of its innovations have been done to death by other series. We’ll see if it can succeed after all this time.

There’s also The Magic in This Other World Is Too Far Behind!, an isekai where an already practicing magician gets summoned to a world… and decides not to bother saving it just yet.

Kodansha gives us a slate of digital-only titles. Cosplay Animal 5, DAYS 8, Elegant Yokai Apartment Life 6, Giant Killing 12, and The Prince’s Black Poison 4.

MICHELLE: My sports-manga-loving heart is appeased.

SEAN: They also debut Peach Mermaid (Momoiro Ningyo), a Dessert title that makes me wonder if mermaids are the next hot new trend.

MICHELLE: Could be!

ANNA: OK!

ASH: Merfolk do seem to have become increasingly popular/common over the last few years.

SEAN: On the print side, we’ve got a 2nd Again!!, a 6th Descending Stories, the 2nd and final Fairy Tail S, and the 5th That Time I Got Reincarnated As a Slime manga adaptation.

MICHELLE: I’m definitely looking forward to the first two.

ASH: Yes, definitely!! I was also amused by the beginning of That Time I Got Reincarnated As a Slime, though I’ve certainly fallen behind with that series.

SEAN: The print debut (it’s also digital) is Wotakoi: Love Is Hard for Otaku (Wotaku ni Koi wa Muzukashii), notable (at least to me) for being the first non-Kodansha title released by Kodansha Comics. It’s an Ichijinsha series that runs in the little known Comic Pool, and has an otaku and a fujoshi meet up again years after they knew each other in school. Looking forward to this shoujo/josei-ish title.

MICHELLE: Me, too!

ANNA: Interesting…

ASH: I am also intrigued!

SEAN: One Peace has everyone’s favorite bear manga, Kuma Miko 8.

Seven Seas has a 2nd volume of the Magical Girl Doctor light novel, and a 3rd Spirit Circle.

ASH: Spirit Circle has been great, so far; looking forward to more.

SEAN: Vertical has the 3rd and final volume of Nisioisin’s weird psychological drama Imperfect Girl.

Viz has a 2nd Fire Punch, which will have to try hard to top the jaw-dropping atrocities of the first volume. They also give us a 4th Tokyo Ghoul: re.

Viz also debuts another Inio Asano title, one of the weirder ones even for an artist known for his eccentric titles. Dead Dead Demon’s Dededede Destruction asks what happens when you combine aliens, political warfare, slice-of-life schoolgirls, and Asano. The answer is fascinating.

ANNA: Hmmm. Well I’m guessing weird Asano is always worth checking out.

ASH: Definitely! (And for those who may not already be aware, Asano will be visiting North America next month for the Toronto Comic Arts Festival.)

MJ: Hm, might check this out.

SEAN: And Yen Press has some more titles creeping into stores. We get the 2nd Baccano! manga adaptation, the 3rd volume of The Isolator manga adaptation, a 9th Kagerou Daze (yup, adaptation of novel), the second Goblin Slayer manga adaptation, and the 10th Strike the Blood manga adaptation. Somehow, in among all these light novel spinoffs, we also get a 6th volume of The Royal Tutor, which is NOT based on a light novel.

So? What are you getting? Huh? Huh?

Me, a Genius? I Was Reborn into Another World and I Think They’ve Got the Wrong Idea!, Vol. 1

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By Nyun and Sakana. Released in Japan as “Isekai ni Tensei Shitandakedo Ore, Tensai tte Kanchigai Saretenai?” by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Shaun Cook.

When I first saw that this title was licensed, I noted the lengthy title, the fact that it was an isekai that WASN’T a dungeon crawl or similar, and that it was a comedy and got a certain idea in my head of what it would be like. I though it would be ordinary boy in ordinary family, but reincarnated, coming up with common sense ideas from his old world that no one in this new one had heard of, and thus being mistaken for brilliant. Laffs follow. Now… to a certain extent, I’m not wrong? Well, except for the ordinary. The ordinary in that last sentence is so wrong I’m surprised I wasn’t arrested when I wrote it. But, as the author says, he enjoys writing stories based on everyone misunderstanding everyone else. And that includes the reader. I misunderstood Me, a Genius, which is one of the loopiest light novels I have ever read in my life.

Kouki is a former researcher who dies and is reincarnated in another world, certainly. He actually has his full memories from even before he’s born, which is unusual in this genre, mostly because even the most isekai of authors would try to work that one our realistically and go “ummmmm”. He’s born in a world with its share of problems – World War II started early, a plague devastated Europe, etc. It’s now 2091, and Kouki is an ordinary boy in a… OK, look, his mom is a former quantum mathematician turned housewife, and his dad is in a secret UN special ops unit. In Kouki’s mind, he’s doodling as a child, trying to research the history of this world, and occasionally do normal things like weed the lawn in his mobile suit. To his mom, he’s a terrifying prodigy who solved quantum equations, created devastating pesticides in his spare time, and is HER LITTLE BOY WHO MUST BE PROTECTED. Luckily, there is a school for the incredibly brilliant that he can be sent to when he hits 16.

A word of warning: this book requires you to throw out the window any consistency of character, particularly Kouki’s character. Sometimes he’s a normal schlub you’d see in a harem romcom. Sometimes he does feel like a guy who did research a lot of complex things in his former life. And sometimes he feels like what everyone thinks he is, the product of a marriage between two clearly brilliant people who is even more insanely brilliant. For all that the series is supposed to be about “misunderstandings”, sometimes Kouki’s “common sense” makes you want to beat your head against the wall. The book’s tone is also occasionally inconsistent – when it’s being gonzo it’s fine, but sometimes it takes a breather and does things like investigating the school’s seven mysteries and turns deadly boring. Fortunately, mostly it’s gonzo.

Everyone in this book leaps to the silliest possible conclusion not only about what Kouki is thinking, but about what everyone else in the world is thinking as well. I’ve seen light novels where the protagonist is normal and everyone else is eccentric. I’ve seen books where the leads are eccentric but there’s one normal person. But here everyone is, in their own way, amazingly bonkers. The mom is threatening the United States president with war should her son be in danger, and he can only cower. Kouki’s friend (and later girlfriend) Alice has a gobstopping plot revelation dropped about 3/4 of the way in… and then nothing ever really comes of it, nor does Kouki discover it. There are cockroaches who do work nanomachine style. Heck, at one point Kouki really does end up in a fantasy world and defeats the demons, picking up a pet dragon as a reward.

This book series is only three volumes long, and thank God. This is not the type of series that could sustain itself over the long run. It also has hideous plot and character flaws – anyone who takes light novels seriously might get an allergic reaction to it. But I was laughing throughout, and kept thinking “Damn, this is fun. Ridiculous, but fun.” Please enjoy this story of a boy and the world he’s reincarnated into, where every human alive just talks past one another.

Mermaid Boys, Vol. 1

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By Yomi Sarachi. Released in Japan by Kodansha, serialization ongoing in the magazine Aria. Released in North America by Yen Press. Translated by Christine Dashiell.

I admit that it’s been years since I last read Andersen’s The Little Mermaid, and I don’t think I ever did get around to seeing the Disney version beyond clips of “Under the Sea”. But that’s OK, because the new shoujo title Mermaid Boys owes a lot more to standard shoujo manga than it does to the classic fairy tail. The initial plot beats are sort of there, but gender reversed. Boy mermaid meets girl, falls for her, goes to the upper world to be with her. But honestly, if he’d been a sudden transfer student who met the girl when she was on vacation and then ended up at her school, much of the story would be the same. But that’s OK, the story is still a lot of fun. What the book really ends up being about is preconceptions of love, learning not to put your crush on a pedestal, and (of course) growing up.

Naru is the hunky mermaid on the cover. He’s actually a Mermaid PRINCE, and has a bevy of gorgeous young suitors to choose from. He’s not interested in them, however; he’s obsessed with the human world, and has various trinkets of human life that he’s scavenged and whose purpose he’s gotten completely wrong. Then one day he sees a cute young schoolgirl on the surface, and rescues her when she almost drowns. Determined to be with her, and despite his mother locking him up for interacting with the humans (his aunt apparently died this way), he makes a deal to be able to go to the surface as a human in exchange for “his beauty”. It’s a pretty good exchange, as it seems to mostly involve him getting his hair cut so he looks “cute” rather than “hot”. Unfortunately for him, if he goes back in the water he’ll transform back. Also unfortunately, the sweet young girl he fell in love with turns out to think he’s a pervert (mostly as he has no clue how humanity works), and he now has to deal with who she really is, a young woman dealing with the death of her father and the financial instability of their family inn.

Naru’s over the top reactions are the best reason to read this so far. He’s so overexcited about humanity, but at the same time he’s unprepared for things like personal space, thinking about others, and wearing pants. You can tell that his journey is going to be leading him to mature. He’s getting there slowly, and would have looked pretty cool defending Nami from a bunch of jerks who are bitching about her inn if he weren’t standing there bottomless. Nami too is interesting, as her father’s death (he died in the water) has led her to have a fear of swimming, which she used to love. This, of course, allows her to contrast well with our hero, a literal mermaid. (I wonder if her dad’s death has something to do with Naru’s aunt’s death?) And of course there’s the obligatory rival, as well as the semi-villain, a sneering young man who finds out Naru’s secret and forces him to be a lackey.

This isn’t lights out shoujo, but it’s a very good start, and there’s a lot to develop for future volumes. I’m not sure how long it will run (Aria Magazine just folded), but the start of Mermaid Boys is certainly worth your time.

Invaders of the Rokujouma!?, Vol. 11

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

Sanae has always had the most difficulty as part of the Koutarou harem. First of all, as the author notes, it’s been about 10 books since she last got any real plot focus. More importantly, she’s a ghost, which is a heck of a larger bar to clear than “alien”, “magical girl”, or “underground dweller”. And so a plot like this one, in which we find that Sanae is both dead and not dead, a ghost and not a ghost, was somewhat inevitable. Its resolution is handled pretty well. It’s not surprising in the least (Rokujouma is frequently anti-surprising, but that’s because it’s trying for Warm and Fuzzy Feelings, which of necessity involves the comfortable and familiar plot twist), but it fits well with what has gone before, only uses Deus ex Machine once or twice, and ties in neatly to the previous book right at the end. Also wow, Sanae’s rich.

Sanae’s plot is not the highlight of this book, though, which excels at the girls analyzing Koutarou and why he keeps a wall up in front of most everyone he knows. This comes up because Yurika is an exception, and they reason out what’s so different about her compared to the others. The difference is, of course, Koutarou thinks of her as a “normal girl” – indeed, that may be a big reason he’s in denial about the magical girl thing – and thus their life together is unlikely to change. The others, though, he’s put in a “eventually they will leave me so I’d better not get too close” bucket, which as Kiriha says may be related to his mother’s death as a child. It feels a bit awkward to have all this character analysis dumped onto the page like this, but it does make for fascinating reading, especially when we see him treating the now-alive Sanae (who has temporarily lost her memories) as a past chapter of his life.

The book is not without its issues. Much as I’m fond of talking about how much the characters have grown since the start of the series, I don’t want the author to talk about it in the actual text – it feels a bit too much like patting oneself on the back. Likewise, The Sanae plot steams over any subplots that might have been happening, including Harumi, who gets a scene at the start implying that something is going to happen when they do club recruiting but then vanishes from the rest of the book. And, in terms of problems actually lampshaded by the character in question, why is Shizuka such a part of the harem group now? I like Shizuka, don’t get me wrong, but she doesn’t seem to be in love with Koutarou (Yurika hasn’t admitted this either, but at least she’s in denial about it). I get the feeling the narrative is edging towards that, but until it gets there, Shizuka feels a bit like an optional extra. So does Harumi, come to that.

In any case, this is another solid volume of the series, which I still enjoy a great deal. Next time looks to be heavy on the magical girl side, so let’s look forward to that.

The Ancient Magus’ Bride, Vols. 1-8

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By Kore Yamazaki | Published by Seven Seas

I’d heard good things about The Ancient Magus’ Bride from my Manga Bookshelf compatriots, but I had also heard about a sad fate befalling some cats, so I steered clear. After reading and really enjoying Kore Yamazaki’s Frau Faust, however, I decided to give AMB a try. I’m glad I did, because it turns out the cat stuff wasn’t a deal breaker (it all happened long ago and present-day kitties emerge unscathed) and the series is excellent.

In the opening chapter, fifteen-year-old Japanese teenager Chise Hatori is on sale at a British auction house. She is apparently “the most wondrous tool an alchemist can hope for—a sleigh beggy,” though she knows not what a sleigh beggy is. She only knows that she’s been attracting weird creatures all her life, that her father left with her younger brother, that her mother committed suicide, that her other relatives wouldn’t take her, and that she just wants a place to call home. She doesn’t care whether she lives or dies, but thought that if she could be useful to someone, that would be okay.

She’s purchased by a mage named Elias Ainsworth, who takes her as his apprentice. Elias is not entirely human and not entirely fae, either. Most of the time he assumes the form of a tall human with a head somewhat like a cow’s skull, but his real form is something far stranger. Despite his scary looks, he’s kind to Chise, insisting that she be neither passive nor servile, and she’s soon comfortable in his home in the countryside west of London. Eventually, he tells her that because of her ability to absorb and generate mass quantities of magic, her lifespan is destined to be brief. Part of the reason he bought her was to try to help overcome this while also learning more about humans. And to be his bride, of course.

Here’s a particularly revealing passage from volume two:

”I bought you because you met my requirements. With nothing of your own, you’d have little reason to leave me. I gave you food and shelter, and said things I expected you wished to hear. I thought that raising you myself might enable me to better understand your kind. I’d planned to tell you these things after I was confident you’d never leave.”

For Chise, someone not wanting her to leave is a novel experience, so she stays. Most of the time, anything romantic happening between them is downplayed. Instead, they take on a variety of tasks like investigating the black dog haunting a churchyard (who ultimately becomes Chise’s very, very lovable familiar), or helping a muse-like fae communicate with the man she’s loved for decades, or helping a girl find the brother her parents have inexplicably forgotten. Meanwhile, Chise learns more about magic (and how it differs from alchemy) and becomes passionate about helping others, often to her detriment. While she’s become more attached to the idea of living, she’s also reckless, culminating in an incident at the end of volume seven where, in an attempt to calm a rampaging dragon, she ends up absorbing so much of its magic that she curses herself. A despairing and desperate Elias attempts something awful to cure her, driving her away in the process (and potentially into an alliance with evil alchemist Josef, though I fail to see how Chise could rationalize doing such a thing).

What I’m getting at here is that this is a series rich in story. The plot is interesting, but the real story is Chise and Elias, what they mean to each other and how they might be incompatible despite all that binds them together. Besides the fact that her life was already going to be brief, now Chise has this dragon’s curse to contend with, and it’s really not looking good for her. Sometimes, too, Chise gets warned about Elias’ interest in her, like when his master Lindel says, “It looks as if he’s trying to tame you… and you are allowing him to do it. But you mustn’t.” Even if she were to return to him after what he did, would that be the healthy choice? I’m not sure this is going to have a happy ending, but it’s certain to have a fascinating one. I can’t wait for volume nine!

The Ancient Magus’ Bride is ongoing in Japan, where the ninth volume has just been released. It’ll come out in English in September.

Bookshelf Briefs 4/9/18

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Ace of the Diamond, Vol. 10 | By Yuji Terajima | Kodansha Comics (digital only) – It’s the fourth round of Koshien and, for the first time, Seido is facing some stiff competition. Akikawa is a college preparatory school that nobody really expected to get this far, except that they now have Shunchen Yang, an exchange student from Taiwan and Japanese baseball enthusiast, for a pitcher. Unlike Seido’s young pitchers, Yang has precise control, which he uses to secure an early lead for his team. Despite the punishing heat, Furuya manages to limit them to those first two runs, and it was neat to see him actually get pissed when Coach eventually decides to bring Sawamura in to relieve him. Too, it was neat to see how Sawamura’s audacity and tenacity revitalizes Seido—the volume ends with the teams tied as they enter the second half. Real-life baseball isn’t half so riveting as this! – Michelle Smith

Assassination Classroom, Vol. 21 | By Yusei Matsui | Viz Media – What remains of the main series here is fantastic, an excellent conclusion showing us the immediate aftermath of Koro-sensei’s death, the class grieving and coping, and a flashforward showing us everyone doing well (though bizarrely Kayano is implied both to be pregnant and not to be seeing Nagisa). Unfortunately, the series was finished with a large chunk of volume to go, and so we get a long 4-chapter side-story with Koro-sensei outside the classroom, and a “pilot” chapter for another series that just shows why it was rejected. But the main series was an amazing ride, and I’m pleased that Viz gave it to us. These were great kids, and a great teacher. – Sean Gaffney

Haikyu!!, Vol. 22 | By Haruichi Furudate | Viz Media – Interestingly, this is an entire volume spent away from our heroes, as it focuses on the games of Nekoma. I’d mentioned last time that Kageyama’s ominous pronouncement wasn’t good news for the team, and the volleyball that ensues is awesome, tense, and shows I was absolutely right. Still, all is not lost. We also get introduced to two young girls who get to fulfill the ‘exposition’ role in the absence of our regular commentators. One is a younger sister with princess curls, the other a somewhat airheaded older sister. A lot of the game’s events are filtered through their perspective, possibly so as to keep the readers interested despite the lack of Karasuno High. Still quite engaging. – Sean Gaffney

Kiss Me at the Stroke of Midnight, Vol. 4 | By Rin Mikimoto | Kodansha Comics – There are some more A+ silly super-deformed faces in this volume, which are not my only reason for reading the series but are right in the top five. My personal favorite is Hinana’s gradual reaction to Kaede’s attempts at playing the piano, which show off a repressed musician trying to get out. (There’s some implied backstory I want to see more of.) Apart from that, I will admit that this is a bit shoujo-by-numbers, particularly in regards to the ex-girlfriend who’s back and wants to get back together. It’s still a pleasant read, though, and hasn’t hit any of the shoujo tropes I really dislike yet. I think it’s worth keeping up with. – Sean Gaffney

My Monster Secret, Vol. 10 | By Eiji Masuda | Seven Seas – Shiragami is back on the cover of this new volume, which should give clever readers the idea that something is afoot. And yes, indeed, we have definitive forward motion here, first brought to us by Aizawa, who confesses in the most ridiculous way possible, and then by Shirigami, who misunderstands in a painful and dispiriting way. Fortunately, Asahi mans up and is able to do what he’s wanted to for so long. There’s lots of amusing humor here as well, along with some “LOL gay” stuff that I could have done without. The reason that folks will remember this volume, though, is the denouement, and to see where we go from here. Fun romantic comedy. Also, extra points for “wild monkey sex.” – Sean Gaffney

Princess Jellyfish, Vol. 8 | By Akiko Higashimura | Kodansha Comics – Well, that didn’t last long. I thought Tsukimi would potentially balk at being rescued by Kuranosuke, but nope. Their getaway is assisted by Fayong, who lets Kuranosuke in on some dirty secrets of the Avidy business before tendering her resignation. Mostly, this volume is about characters coming to realizations. Independently but simultaneously, Tsukimi and Kuranosuke hit upon the brand concept for Jelly Fish as a result of considering what a fashion-inept modern-day woman might desire most from her clothes. Even Jiji hasn’t given up, and it’s good to see her taking some initiative. Also, I didn’t think I would rejoice when Tsukimi turns down Shu’s proposal, because I really do like him, but to see her do so with a clear-eyed sense of purpose was really great. Only one volume left! – Michelle Smith

The Promised Neverland, Vol. 3 | By Kaiu Shirai and Posuka Demizu | VIZ Media – The cliffhanger with Don and Gilda learning that the other kids were lying to them is actually swiftly defused, and I think that lulled me into a false sense of security in the early chapters of this volume. Escape plans proceed, Krone offers an alliance with valuable information and seems willing to conspire against Isabella (it’s very interesting watching the kids try to learn what they can without incriminating themselves), and then…. things go in a direction I did not expect. I really loved the glimpses of Krone’s past and the insight into the power structure of the “higher-ups,” including some hints about William Minerva, who left messages for the kids in donated books. Too, the volume’s conclusion really reinforced the ominous fate awaiting them, especially the character who learns their shipment date is now at hand. I desperately need volume four! – Michelle Smith

To-Love-Ru, Vols. 5-6 | By Saki Hasemi and Kentaro Yabuki | Seven Seas – We’re dealing once again with a very predictable harem comedy, which means that the quality is going to be highly variable. I find, oddly, it works best when taking itself the most seriously (well, relatively)—the scenes with Golden Darkness trying to assassinate Rito, and the response to it, actually works as an action sequence and character-building moment. On the other hand, the scenes where Rito swaps personalities with a dog is so cringeworthy I actively had to skip chunks of it. This is never going to be a good series, or even a good romantic comedy. But as I said last time, it gives teenage boys what they want, and is less shameful about it than most other titles. – Sean Gaffney

The Water Dragon’s Bride, Vol. 5 | By Rei Toma | Viz Media – First of all, let’s be honest, those attendants really should have realized that Asahi did not know what a fertility festival really was about, and while the reaction of “oh, everyone is having “fun” in the forest” is briefly amusing, it rapidly becomes less so. It does underline the fact that Asahi really cannot rely on the protection of a small village, even if she does have the mercurial water god with her. Speaking of which, his character development is a highlight. My favorite scene is when he asks Asahi why he would be angry, and she replies that HE’S the one who needs to figure that out. This remains a reliably solid shoujo title, and I want to see where it goes next. – Sean Gaffney