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The Trials and Tribulations of My Next Life As a Noblewoman: Ruination and Resolve, Part 1

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By Kamihara and Shiro46. Released in Japan as “Tensei Reijo to Sūki na Jinsei o” by Hayakawa Shobo. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

This review has massive spoilers, and I’m pretty sure that each review I do of this series will have to have the same thing.

When I first heard that J-Novel Club would be splitting the books in half starting from this volume, I admit I was a bit disappointed, the same way that a kid might pout when being told he can’t go on the 20-mile hike. I was looking forward to another 500+-page monster! Having finished this Part 1 volume, I admit that I’m actually grateful to them, as frankly, I’m exhausted. And so is Karen, to be fair. This series can best be described as “Everything happens at once”, and that applies even more so to this volume. The first book at least had occasional parts where a relaxed and happy Karen toured the grounds, or learned about the political landscape with her elderly husband. This volume has no time for that. It needs to run flat out to get to the cliffhanger at the end of the book. Which means resolving the cliffhanger at the end of the LAST book. Which involves… well, read on.

We open with Karen watching in horror as Sven, Nico and Doctor Emma are brutally murdered outside the mansion. Yeah, sorry, it’s that kind of book. As the rest of the cast desperately try to get to safety, it’s become clear that “bandits” are attacking and massacring everyone, and that one of the people they’ve been told to kill is Karen herself. At the end of a very long massacre, the only survivors who are able to stagger to the capital are Karen, younger son Wendell, steward Whateley… and a few townsfolk who managed to avoid being mass murdered. Karen now has to deal with trying to explain to the King how this domain got completely destroyed, try to set things up so that Wendell can inherit as her late husband wanted, and also try to secure her own future, which means NOT going back to her family. Unfortunately, it rapidly becomes clear that even staying in this country is going to be extremely unsafe…

There are some lovely pieces of prose in this series. I don’t normally read things this dark, but the writing pulls me in, which is a plus. My favorite part was probably Karen and Whateley being very angry at the Margrave for not coming back as a ghost and haunting them, so they could feel his presence still. I also like Karen trying to figure out what’s going on (which she MOSTLY does, though not in time to do much but damage control) and also figure out how to talk about what she suspects without getting straight up murdered. It helps that she and Reinald continue to be, frankly, perfect for each other. I’m half convinced that the main reason he does not have someone like her quickly taken care of is that he absolutely cannot get a bead on how she thinks – and he’s not alone. Then again, no one can get a bead on how Reinald thinks either, especially after the climax of this book.

By the “end” of this book, the nation has fallen and Reinald is greeting the invader… his younger sister. And may I remind you this was only HALFWAY through the original book. Riveting and compelling, but I believe tomorrow I will take a “no light novels today” break to rest.

The Too-Perfect Saint: Tossed Aside by My Fiancé and Sold to Another Kingdom, Vol. 2

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By Fuyutsuki Koki and Masami. Released in Japan as “Kanpeki Sugite Kawaige ga Nai to Konyaku Haki Sareta Seijo wa Ringoku ni Urareru” by Overlap Novels f. Released in North America by Airship. Translated by Tiffany Lim. Adapted by Shaenon K. Garrity.

Oh dear, and it was going so well. Too-Perfect Saint hits that difficult second album, and it’s the worst possible timing for English-speaking readers, as the anime has just begun, so we’re seeing the first book come to life while we read this second volume. The things I really liked about the first book were a) the fact that Philia really struggled with expressing herself and feeling emotions like “happiness” and “hope” after an entire lifetime of abuse, and b) the fact that we had a “my parents hated me but praised my younger sister instead” novel where the younger sister was NOT evil, but was in fact the second protagonist. Now we get Book 2, and Mia gets a much smaller role where she gets nothing to do. As for Philia, she’s dealing with the romantic subplot that I predicted would happen last time. Sure hope another cartoon villain doesn’t show up – oh dear.

Philia is preparing for a giant conference of saints from various countries, which can now happen given she’s purified the world with her giant barrier. Unfortunately, saints have been disappearing one by one, and in fact Philia and Osvalt, who are out on a not-date, almost see one happen in front of their eyes. Worse still, her ex-fiance Julius has vanished from his prison cell. Fortunately, she has some new allies coming to protect her in the form of exorcist Erza and her demon familiar Mammon, who feel like they’re crossing over from a different book (they are, but that one does not appear to have been published) Unfortunately, as the convention gets underway, it’s invaded by Asmodeus, an ancient demon who has possessed Julius. He’s here to resurrect his former love… who happens to have been reincarnated as Philia.

If that last sentence made you roll your eyes a bit, well, congratulations, you had the same reaction I did. Almost every beat of this book, unlike the first which had a few clever swerves, is straight on the beat and not a surprise at all. It’s not entirely without merit. I did like Asmodeus using Philia’s parents as “hostages”, knowing she’s spent her entire life being abused by them, and her reaction – I don’t care about them at all but I am a decent human being so I will not murder them to satisfy you – is quite good. But for the most part all the emotional bits in this book are hamstrung by Philia’s calmness, which feels less like a deliberate choice and more like flat writing in this book. Her conversation with her equally reticent real mother is a low point, and her romantic confession ends up eliciting a mild smile.

This has a third volume, where apparently villains try to make Philia into the Pope. But unfortunately, this probably should have stayed a one-shot.

Manga the Week of 4/16/25

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SEAN: Yen’s April has already started to slip into May, but fear not, there’s plenty here for your Easter week.

Yen On has three debuts. Bye Bye Earth is an old light novel series from 2000. A young woman is very powerful and has a huge sword. Unfortunately, she’s the only human in a world of anthropomorphic animals. So she sets out on a journey to find people like her.

maboroshi is a light novel based on a movie that came out two years ago, but it’s also by Mari Okada, so I may actually read this one. An explosion traps a town in what seems to be a groundhog Day loop, but the day can apparently be saved by Japanese high school students, as always. Despite my sarcasm, this is apparently excellent.

ASH: I mean, it is Mari Okada; I may have to read it, too.

ANNA: Oh yeah, Okada is always worth a look.

SEAN: The Summer Hikaru Died (Hikaru ga Shinda Natsu) is a light novel adaptation of the manga series, which is a nice reversal from the usual.

ASH: Oh, how interesting! I might need to check this one out, too.

SEAN: Also from Yen On: Banished from the Hero’s Party 13, The BS Situation of Tougetsu Umidori 2, The Demon Sword Master of Excalibur Academy 11, The Detective Is Already Dead 10, I’m the Strongest in This Zombie World 2, and Sword Art Online Alternative Clover’s Regret 3 (the final volume). (Two of these got bumped.)

Most of Yen Press’s pile got delayed to next week, but there are a few books, including one debut. The Boy Who Ruled the Monsters: Before I Knew It, the Ultimate Specialized Support Skill Led to the World’s Ultimate Party! (Kaibutsu-tachi o Suberu Mono – Saikyou no Shien Tokka Nouryoku de, Kizukeba Sekai Saikyou Party ni!) is a “banished from the party” story, though at least this time two of the party join him. This is because (try to contain your shock) his ability is great after all! Now he’s going to make his own party of monsters. (Taking a wild guess that the monsters look like hot girls.) J-Novel Club has the novels, this is the manga adaptation, which runs in Isekai Comic.

And we also see April Showers Bring May Flowers 2, Rejected by the Hero’s Party, a Princess Decided to Live a Quiet Life in the Countryside 2, and A Terrified Teacher at Ghoul School! 16. (ALL of these got bumped.)

Viz Media debuts The Climber (Kokou no Hito), which has art by the creator of #drcl Midnight Children and Innocent. A young man is dared to climb to the top of the school building, and, after not falling, discovers a new passion. That’s right, this is technically a sports manga. It runs in Weekly Young Jump.

MICHELLE: Hm.

ASH: I am very interested in this one.

ANNA: A genre we haven’t seen before? I’m always interested in sports manga.

SEAN: Also from Viz: Magilumiere Magical Girls Inc. 7, Mission: Yozakura Family 16, Rainbows After Storms 3, Record of Ragnarok 14, Red River 3-in-1 3, Snowball Earth 5, Steel of the Celestial Shadows 6, Tokyo Alien Bros. 2, Undead Unluck 19, and Vagabond Definitive Edition 2.

ASH: For those who haven’t seen it yet, the deluxe edition of Vagabond looks really great.

ANNA: I really don’t need to buy it again, but I sort of want to? But maybe not in this economy!

SEAN: So last week I screwed up and put the Tokyopop titles that should have been on this list. Last week we actually had The Inconvenient Life of an Arousing Priestess 2 and Boys Gilding the Lily Shall Die!? 4.

And *this* is the week with The Little Bird Sleeps by the Sea (Hinadori wa Shiokaze ni Madoromu), a BL one-shot from Chara. A young man whose family have all recently died adopts his niece and moves to a seaside town, where he meets another young man who also has a tragic past. This is from the creator of Love Nest, Sayonara Game, etc.

MICHELLE: Still intrigued!

SEAN: And there’s a 2nd volume of The Margrave’s Daughter & the Enemy Prince.

Steamship gives us a 2nd volume of The Yakuza and His Omega: Raw Desire. (Note it’s from Steamship, BL fans. This is a rare M/F A/B/O.)

ASH: I’ll admit, I didn’t realize that those even existed.

SEAN: From Square Enix Manga we get Tokyo Aliens 8 and My Dress-Up Darling 13.

Seven Seas starts with the ominous title Gene Bride, a josei manga from Feel Young. A woman dealing with the horrible misogyny of her workplace is startled when a man shows up and declares that they were genetically matched as a perfect couple in middle school. The fact that this is in Feel Young means I won’t ignore it on sight, but that premise makes me go eeeeergh. (checks) Oh, it’s also from the creator of My Boy, no wonder I feel uncomfortable.

MICHELLE: Hm, again.

ASH: I could see this being very disconcerting but potentially intriguing.

ANNA: Yeah, I don’t know about this one.

SEAN: Mii-chan Wants to Be Kept (Mi-chan wa Kawaretai) is a seinen title from Ultra Jump. A stressed-out young man has recently lost his beloved pet cat, so is even more stressed. Then a hot girl shows up in his bed… and she seems a lot like his pet cat.

MICHELLE: Barf.

ASH: Huh.

ANNA: I’m not sure how much more uninterested in this I could possibly be.

SEAN: PUNKS TRIANGLE is a one-shot BL manga (though there’s a sequel) from the magazine Bloom. A fashion designer is town between a hot, sexy model and a dorky but adorable classmate.

And there’s a new danmei series from the creator of Legend of Exorcism and Dinghai Fusheng Records called Riverbay Road Men’s Dormitory. A movie director struggles to write believable characters, so rents out his house to a bunch of gay men to see if he can learn from their love lives.

MICHELLE: I’ve been looking forward to this one.

ANNA: Interesting research methods!

SEAN: Also from Seven Seas: 365 Days to the Wedding 7, Backstabbed in a Backwater Dungeon 8, Cat Companions Maruru and Hachi 3, Does it Count if You Lose Your Virginity to an Android? 5, Glasses with a Chance of Delinquent 2, I Get the Feeling That Nobukuni-san Likes Me 6, Kase-san and Yamada 4, Malevolent Spirits: Mononogatari 10, Miss Kobayashi’s Dragon Maid: Elma’s Office Lady Diary 9, My Cat is Such a Weirdo 6, and Mysterious Disappearances 5.

One Peace Books has I Was Sold Dirt Cheap, but My Power Level Is off the Charts 3.

No debuts for Kodansha, but in print they have Go with the Clouds, North-by-Northwest 7, I Want to Love You Till Your Dying Day 2, Kusunoki’s Flunking Her High School Glow-Up 4, and Tying the Knot with an Amagami Sister 9.

ASH: I feel like it’s been a while since we’ve seen a new volume of Go with the Clouds, North-by-Northwest.

ANNA: Oh, I need to read this series in the first place and also pick this up for one of my kids who is collecting it.

And for digital we get Koigakubo-kun Stole My First Time 8 and Medaka Kuroiwa is Impervious to My Charms 16.

J-Novel Club has some print titles: An Archdemon’s Dilemma 17, By the Grace of the Gods 14, The Misfit of Demon King Academy 5, Tearmoon Empire 12, and the 11th manga volume of The Unwanted Undead Adventurer.

And no debuts for J-Novel Club this week, but we see, in light novels, The 100th Time’s the Charm: She Was Executed 99 Times, So How Did She Unlock “Super Love” Mode?! 3, From Two-Bit Baddie to Total Heartthrob 3, Isekai Walking 2, My Stepmom’s Daughter Is My Ex 12, and The Reincarnation of the Strongest Exorcist in Another World 4.

While for manga we get Ascendance of a Bookworm 4-2, Hell Mode 6, Isekai Tensei 10, Mercedes and the Waning Moon 2, and A Pale Moon Reverie 2.

Ghost Ship has Ero Ninja Scrolls 8.

Dark Horse has a 2nd omnibus of Drifters, with Vol. 4-6.

ASH: That seems fast for Dark Horse!

SEAN: And Airship gives us a print version for The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain 4.

And digital for Reincarnated As a Sword 16 and Sword of the Demon Hunter: Kijin Gentosho 9.

What Easter manga are you getting?

ANNA: I see that Veil has been pushed back to June, so not that!

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 16

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Tristan Hill.

I was sort of dreading this volume, to be honest. This series never has anything happen to it other than adding new cast, and at the moment the 28th volume is coming out in Japan, meaning we get further and further behind every time we see it. I’m sure Yen Press is trying to renegotiate its light novel contracts to say “surely we can cancel SOME titles, right?”. But if ever there was time for a really good volume, this is the time, as the second season of the anime debuted last week, and is promising more of the same, only in animated form. Great news, though, this is actually quite a strong volume, when compared to other volumes in this series. It’s strong because a) it’s run out of CD dramas to add, so has to include another “Laika’s Schooldays” short, which are excellent. Second, there are fewer, longer short stories within, and that means they have room to breathe for once.

The stories: 1) Pecora is holding a comedy competition, and non-demons are also invited to join. Laika and Flatorte, Flafa and Shalsha, and Rosalie all compete from Azusa’s team, and her daughters ask her to write them a script, because she’s the best at comedy (note this is Japanese comedy, meaning they’re all boke/tsukkomi routines); 2) While visiting a museum, Azusa touches an artifact that turns her into an old lady for a week, and while dealing with this, she’s asked to go to a witch convention; 3) Halkara suggests taking their pet mimic for a walk; 4) Goodly Godly Goddess has written an RPG, and the *entire* cast of the series is brought in to populate it; and in Laika’s side story series, her third year begins with dealing with some delinquents who are doing the dragon equivalent of joyriding.

There’s only one weak story here, with the mimic. The old lady one is also not great, but I was highly amused with its idea of a witch convention being much like a real work convention, with cute games and prizes for the winners. The comedy one I was expecting to be bad, but it really worked well – the routine Azusa wrote and Flafa and Shalsha refined was not only surreal and creepy but also funny, though I agree with the judges that Laika and Flatorte deserved to win, as they’re both naturals. Best of all is the final main story, a giant parody of RPGs like Dragon Quest III. This is the second time that Azusa has essentially tested a game for god (something she points out), but this one is more involved and involves everyone pointing out all the cliches and poor writing that go into these RPGs where you frequently have to smile, nod, and go get the fruit so that the boy will give you a clue. I also had fun trying to figure out who would be cast as what (as does Azusa).

This is not a good book as a book, mind you. It’s a good volume of Killing Slimes for 300 Years. There’s a difference. But if you like the series, this is solid.

Housekeeping Mage from Another World: Making Your Adventures Feel Like Home!, Vol. 9

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By You Fuguruma and Nama. Released in Japan as “Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

It’s always interesting seeing how light novels based around a typical “fantasy RPG’ setting handle monsters. Some of them tend to go in the direction of “monsters are people too”, particularly when it comes to demon lords, to the point the recent manga Frieren was written in part to push back against that. A lot more of them tend to see monsters as simply things that our heroes hit with their weapons for drop loot. Housekeeping Mage tries to sit somewhere in the middle. We already know about the slime familiars, and we get another familiar added to the extended family here as well. But we also get a dragon that is the subject of cruel experiments, and while they can sympathize with its plight and give it the best death possible, they still have to kill it, because the alternative is the loss of human settlements. On the bright side, that does lead to some really cool fight sequences.

Alec and Shiori are called back to Brovito, home of the foot baths, in order to investigate a rumor that there’s a fenrir in the woods. What they do find turns out to be not QUITE a fenrir, but certainly an intelligent wolf variant, one who immediately bonds with Alec as a soulmate, and is made into a familiar so rapidly it’s almost comical. The bulk of the book, though, it taken up with a crisis: an ice dragon, buried in a frozen lake for two hundred years, has woken up, and the knights are unable to handle it, so have called in the adventurers. This will take everyone’s skills, and there’s a big chance there will be some deaths. And to make things worse, this is the fault of the Empire, whose dying embers are still glowing, and who even know have grudges to settle.

The series has gradually been getting more optimistic and less bleak with each book, so I was not too surprised that after the great battle, the casualty count was low. Honestly, it’s more interested in romance, now that Alec and Shiori are lovers and ready to get married as soon as he can sort out his family issues. (His brother always seems to be on the verge of visiting but never quite makes it by the end of each book.) We also get another inevitable proposal here, as Clemens and Nadia finally make things official after he takes an arrow for Alec and almost dies. Speaking of which, the reason he doesn’t die, doctor Ellen says, is because she’s been studying harder and learning more thanks to Shiori’s example. For all that Japan loves to write about folks dying from heart attacks from working too hard, most of these books agree that if it’s a job they love which is rewarding, they want to work ALL the overtime and do ALL the things.

We’ve caught up with Japan, so I’m not sure when we’ll get the next book, but the author says it should wrap up in 2-3 more arcs. I’m still enjoying it.

Kuma Kuma Kuma Bear, Vol. 20.5

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by RFD.

I have frequently whined about having to review a lot of these .5 short story collections, mostly as they tend to feature things like bookstore exclusives that out of necessity cannot have any effect on the plot. But in something like Kuma Bear, a series that is so dependent on Yuna’s POV that any scrap we get from other characters is most welcome. If there’s one thing that we’ve learned about Yuna throughout this series, it’s that she – still! – hates herself. Every time she talks about her physical appearance it’s to talk about how short, flat, and plain she is, and every time she does anything for others she plays it off as being self-serving or nothing special. But when you see Yuna in the eyes of other characters, she’s described as “slim, pretty and feminine”, and everyone and their brother talks about how kind and nice she is. Honestly, this world warps to that kindness – which is why the darkness of the past is – mostly – not seen anymore.

I say mostly because this volume, for the first two-third or so, adapts the bookstore-exclusive stories from Vol. 10-16, which means it has the beach trip to Mileela, including in the party the women from Mileela who were abducted by bandits. Neaf in particular was raped and had her family murdered, and they HAVE to discuss it here, but it’s elided to “something terrible happened”, as they’re always talking about it to kids. After these stories we get five more written just for the volume, which honestly have the same feel as the stories we’d just read. The last quarter of the book is the most unique, as it has Yuna, Fina and Noa watching the first season of the Kuma Kuma Kuma Bear anime.

Believe it or not, the last section is by far the most interesting and rewarding. If you’ve ever been to the Archive Of Our Own fanfiction site, you may be familiar with a genre called “Reaction Fic” or “Characters Watch the Show”, and this is essentially an official version of that. That said, the best of those fanfics analyze the source and are able to give new fresh takes, and that’s what we see here. I’m sure it’s not canon, but here we see Yuna’s past in Japan and her isekai’d status revealed to Fina and Noa, and Yuna narrating that she regards having to learn to cook and clean for herself because her parents were never around as “cherished memories”, as they let her live on her own here. That’s horrible! She also sees Noa’s optimism and positiveness about herself and thinks that she should learn from Noa as she’s so negative. I agree so much. Lastly, they also watch the anime original parts, including the final episode, which Yuna herself describes as “like a yuri anime”. They’re not beating the allegations.

So this was more rewarding than I expected, and at 400 pages or so it’s good bang for your buck. It’s not all moe cuteness. Just… mostly.

The Hero-Killing Bride: The Blind-Eyed Saint

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By Aoikou and Enji. Released in Japan as “Yuusha-goroshi no Hanayome” by HJ Bunko. Released in North America by J-Novel Club. Translated by Faye Duxovni.

I think by now most people know that I’m relatively easy to please, and it shows at times in these reviews. And sometimes I can overly gush about things, only to look back later and say “boy, that’s kind of embarrassing now”. I really enjoyed the first volume of this series, and said the best thing about it was the main protagonist. And, on various other social medias, I got pushback from people who were expecting something better, and she really didn’t vibe with her the way that she vibed with me. Honestly, I was actually feeling a bit guilty. So I went into this volume determined to keep a clearer head. And, well, my review is going to be exactly the same. This series has a lot of flaws. But I really, REALLY like the main character. She saves this series in many ways. Despite being driven by a repressed grief into some very ugly choices. Because behind all that cynical narration is someone who cares far too much about people.

Alicia and Cion, having managed to defeat General Heavenfang, are being dispatched to The Holy City, which is currently empty of the biggest holiness, the Pope, as well as most of its knights (guarding the pope). They’re being sent there because someone keeps killing cardinals, and they’re both very strong. When they arrive, they go to great the Saint who is the highest authority there who isn’t the pope. She seems perfect… honestly, a bit too perfect. She gives Alicia the creeps, for some unknown reason. Unfortunately, Alicia also runs into an assassin who has the power of shadows, and who has a resolve to kill anything related to demons – and says that the Saint is a demon. Fortunately, Alicia has her old father figure and mentor there to talk to. Surely he won’t be viciously murdered or anything. that would be terrible! (Sorry for the spoiler, but the guy did all but say “I’m retiring in three days and buying a boat”.)

The best part of this remains Alicia. I’m sorry if other folks don’t like her, but I 100% vibe with someone who things that this is a horrible world and God can’t save you and has stained her hands with blood but still tries to do the right thing and help save people even when it defies all sense. The middle section of the book, after the death of her mentor, is absolute dynamite, as we see her completely snap and almost turn evil, but it remains framed through her bitter, matter-of-fact narration – I was reminded a bit of Sorawo from Otherside Picnic. Unfortunately, the rest of the book struggles to live up to its heroine. Cion remains a cipher, and spends a lot of the climax of the book mind-controlled, which is never great. Lastly, everything that involves sex in this book is awful and pointless, and I hate all of it. It was totally unnecessary.

But I’m still going to read the third book, as I like Alicia, and I want to see if she survives the series. For those who like The Executioner and Her Way of Life and wish there were more series in that vein.

The Manga Review: Princess Memeonoke

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If you’ve been on the internet anytime since ChatGPT 4.0 debuted, you’ve probably seen images that look suspiciously like stills from Spirited Away or My Neighbor Totoro. ChatGPT’s newest version—which arrived on March 26th—allows paid subscribers to create pictures from text prompts. Within twenty four hours of the new feature going live, users across the internet were directing ChatGPT to turn their pets, friends, and family members into Studio Ghibli memes. The irony? Hayao Miyazaki is on the record as describing AI-generated art as “an insult to life,” joining a long list of artists, musicians, and writers who feel violated by OpenAI’s training methods. OpenAI, for its part, claims that it’s making fair use of other people’s copyright-protected material. Until there is a definitive ruling on the legality of OpenAI’s methods, artists may need to use different legal strategies to prevail in court. One potential remedy, legal expert Rob Rosenberg suggests, is suing for OpenAI for trademark infringement instead: “Ghibli could argue that by converting user photos to ‘Ghibli-style,’ OpenAI is trading off the goodwill of Ghibli’s trademarks, using Ghibli’s identifiable style and leading to a likelihood of confusion among consumers that this function is endorsed or licensed by Studio Ghibli.” You’ll find more of his commentary here.

NEWS AND VIEWS

Katy Castillo runs down all of April’s new manga and light novels. [Yatta-Tachi]

MyAnimeList just posted its annual You Should Read This Manga list. Though some of the titles aren’t available in English yet, there are plenty of great recommendations that are, from Hirayasumi to The Guy She Was Interested In Wasn’t a Guy At All! [My AnimeList]

If you’re currently watching Rock Is a Lady’s Modesty, I have good news for you: Yen Press will be publishing the manga this fall, alongside five other new titles. [The Outerhaven]

And speaking of rock ‘n’ roll, Titan Manga announced that it will be releasing Isekai Metaller, the saga of a “a die-hard metalhead who, after getting electrocuted during his band’s farewell gig, wakes up in a world full of dragons, werewolves, and monsters that are just begging for a guitar solo.” Sold! [Behind the Manga]

Netflix just unveiled the trailer for The Rose of Versailles, which will begin streaming April 30th. [Otaku USA]

Trump’s new tariffs mean you’ll be paying more to import your favorite Japanese video games, manga, and merch. [Otaku USA]

This week’s must-hear podcast is an in-depth discussion of Moyocco Anno’s work hosted by Gee and Ray. [Read Right to Left]

Helen, Apryll, and Kory convene a roundtable on The Trials and Tribulations of My Next Life as a Noblewoman. [Manga in Your Ears]

How does the original Mixx edition of Parasyte compare with Del Ray’s? Tim and Patrick have the answer on the latest installment of Full Manga Alchemists. [Full Manga Alchemists]

REVIEWS

Over at Anime Nation, John explores disability representation in You Talk Too Much, So Just Shut It Already!… the latest Reader’s Corner offers pithy reviews of Pink Candy Kiss, Friday at the Atelier, and Dandadan… and I finally got around to reviewing Confession, a twisty thriller that gets the job done in a single volume.

New and Noteworthy

Complete and Ongoing Series

A Tale of the Secret Saint ZERO, Vol. 2

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Kim Morrissy. Adapted by Melanie Kardas.

One thing I’ve noticed about several light novels series that feature things that are supposed to be cute is that they can get surprisingly dark, at least at the start. I’ve talked before about Kuma Bear and its tendency towards horrific backstories filled with rape and murder for some characters, which we basically never get anymore. And, in the main series that this is a spinoff of, we get how Serafina died, and it also features rape and torture. That too, as the books went on, has been, if not removed, at least rarely mentioned unless it’s very plot-relevant. And the first novel in this spinoff was firmly on the site of cute and adorable, so I was expecting the same thing here. Imagine my surprise when I got another character with a tragic backstory that reads very much like a horror novel. Monsters exist here, and it turns out that they can lead to fates much worse than death.

Serafina is out and about now that she can see, and she’s shown off her cook saint powers to Sirius. So it’s time for her to work with him in earnest, and that also means she needs a cohort of knights to guard her. What’s surprising to everyone but the reader, who knows that Sirius is absolutely obsessed with Serafina, is that the knights chosen are the best of the best, cream of the crop… and they’re wondering why the second princess needs so much more protection than, say, the FIRST princess. That said, she is pretty freaking adorable… and the “special medicine” she makes to cure Canopus’ fever works a bit TOO well. Clearly there’s only one thing left to do: go the the beach. Which, to be fair, also involves a bit of investigation, as this beachside community has been in an economic slump recently. It’s almost as if the spirit who blessed them is dying…

This is, out of necessity, a series where our heroine is six years old, so it lacks any of the romance that the main series hints at. Sure, Sirius is obsessed with Serafina, but that’s meant to be more of a dad/older brother thing, and honestly, she’s more his emotional crutch than he is hers. I did briefly wonder, though, if one of the guards was going to have a childhood friend romance with one of the saints, who turns out to be from his own hometown. Unfortunately, this isn’t a romance, and the guards only get to be as obsessed with Serafina as a powerful saint as Sirius is. Instead, the childhood friend’s plotline is a reminder of the dangers of feeling responsible for things you do as a kid that aren’t really your fault – easy enough to do here, when it turns out the things are so horrifying. (I was honestly a bit annoyed at the girl here. “I know you feel bad about your whole family being murdered, but did you know their souls may also be trapped in torment?”)

So overall, this was quite good, concentrating on the cuteness while also leaving in some darkness for those who like the contrast. It does have a dangling plotline, though, I hope that gets resolved whenever the third volume is out. We’ll get the main series first, though.

Manga the Week of 4/9/25

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SEAN: The Easter Rabbit is busy hiding manga all around the area for children to find. Let’s see what they might be…

Seven Seas is having a quiet week, and Airship has no print titles out. They do have early digital for Modern Villainess 6 and The Too-Perfect Saint 2.

Ghost Ship has World’s End Harem: Fantasia 14.

J-Novel Club also has a quiet week, with no debuts. But for light novels we see Chivalry of a Failed Knight 5, Disowned But Not Disheartened 2, and The Trials and Tribulations of My Next Life As a Noblewoman 2, Part 1.

While for manga, we get Black Summoner 19, Housekeeping Mage from Another World 7, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ— 10, The Water Magician 4, and Welcome to Japan, Ms. Elf! 10.

Kodansha, try to contain your shock, has a quiet week with no debuts. In print, we see Blue Lock: Episode Nagi 3, Fall In Love, You False Angels 2, I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness 8, and Shikimori’s Not Just a Cutie 20 (the final volume).

ASH: A quiet week with no debuts… when does the other shoe drop?

SEAN: And in digital we have A Condition Called Love 16, Gang King 28, Giant Killing 48, and I Have a Crush at Work 9.

MICHELLE: Insert obligatory Giant Killing appreciation noises.

SEAN: Seven Seas debuts Tokyo Revengers Series Guide: REMEMBER YOU!, a reference guide to the series with character profiles, designs, etc.

Also from Seven Seas: 100 Ghost Stories That Will Lead to My Own Death 2, The Case Files of Jeweler Richard 6, How NOT to Summon a Demon Lord 21, Level 1 Demon Lord and One Room Hero 8, No Love Zone 3, The Strange House 3, and Tomo-chan is a Girl! Omnibus 4 (the final volume).

A debut at last! From Square Enix we get The God-Slaying Demon King (Kamigoroshi no Maou Saijyaku Shuzoku ni Tensei shi Shijyou Saikyou ni naru), a Manga Up! series about a man who reincarnated after almost defeating the demon king. Now it’s 500 years later, his adopted daughter is missing, and he has to do it all over again.

ASH: A dad’s gotta do what a dad’s gotta do.

ANNA: Those demon kings can be tricky.

SEAN: Also from Square Enix: A Man and His Cat 13 and My Isekai Life 18.

MICHELLE: I should read more A Man and His Cat.

ASH: I haven’t read much of the series, but I enjoyed what I did.

SEAN: Steamship debuts Seduced by the Demon King: A Sensual Rebirth (Tensei Shitara Maou-sama ni Dekiai Saremashita), a josei title from Otomitsu Mangosteen. A woman has been having a bad few weeks. Her real estate job is going badly, the guy she had a crush on at work got married… sigh. Then one day a demon lord smashes into her window and says she used to be the saint and they’re enemies. Except… he vows to make her the happiest woman in the world BEFORE he destroys her, to make the destruction sweeter. Honestly, reverse isekai smut is really rare, so I’ll take a look.

ASH: I’ve certainly encountered worse premises!

ANNA: It could be so much worse.

SEAN: SuBLime debuts Ask and You Will Receive (Sonna ni Iu Nara Daiteyaru), which runs in moment. (Too many BL magazines have ee cummings capitalization, it gets confusing.) A playboy who has a normal “daytime” life as a dull office worker is annoyed that his straight narcissist co-worker is now showing up at his favorite gay bar! Time to get out the hot seduction skills.

ASH: I can’t imagine anything going wrong with that scenario.

SEAN: Worst Soulmate Ever: Proposal (Unmei no Tsugai ni Kyuukon (Propose) da Nante) is the one-shot sequel to the one-shot we saw last December. Marriage comes up.

Tokyopop has The Little Bird Sleeps by the Sea (Hinadori wa Shiokaze ni Madoromu), a BL one-shot from Chara. A young man whose family have all recently died adopts his niece and moves to a seaside town, where he meets another young man who also has a tragic past. This is from the creator of Love Nest, Sayonara Game, etc.

MICHELLE: Hm, this looks pretty cute!

SEAN: And there’s a 2nd volume of The Margrave’s Daughter & the Enemy Prince.

Udon Entertainment has, according to retailers (sorry, Udon, you’re going in the same box as Denpa/KUMA), Veil, a josei manga from Comic Ruelle. A policeman meets a runaway heiress, and he gets her a job. This will be in full color!

ASH: I am really looking forward to this one, whenever it releases.

ANNA: I WANT TO BELIEVE!!!!!

SEAN: Viz has a couple of kinda-sorta first volumes. Disney Twisted-Wonderland: The Manga – Book of Savanaclaw is another in the franchise, and runs in GFantasy. It’s a magical academy with a fighting tournament. Be still my heart.

Also from Viz, Kaiju No. 8: B-Side, the manga adaptation of the light novel spinoff.

And we see Akane-banashi 11, Beyblade X 2, Case Closed 94, Demon Slayer: Kimetsu no Yaiba: The Official Coloring Book 3, Destroy All Humans. They Can’t Be Regenerated. A Magic: The Gathering Manga 3, I Wanna Do Bad Things with You 5, Pokémon: Sword & Shield 12, Splatoon 3: Splatlands 4, and Star Wars: The High Republic: The Edge of Balance—Premonition (the final volume).

And we still have some March runoff from Yen, and what’s worse, they haven’t updated their website calendar. This is based off their page. Yen On has Apparently, Disillusioned Adventurers Will Save the World 6 (the final volume?), Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside 13, The Demon Sword Master of Excalibur Academy 11, The Ephemeral Scenes of Setsuna’s Journey 5, and Magical Explorer 9.

And for Yen Press, we get April Showers Bring May Flowers 2, Excellent Property, Rejects for Residents 3, Rejected by the Hero’s Party, a Princess Decided to Live a Quiet Life in the Countryside 2, and A Terrified Teacher at Ghoul School! 16.

That started slow but picked up about halfway through. What did you find?

ASH: A relatively small shoe.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 6

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By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

This is getting an anime pretty soon (in two days, in fact), so it’s interesting to see this volume coming out right before it, as it’s essentially starting a new arc for the series. The last volume brought to a close a lot of Beryl’s issues with his dad, and he’s now come to the conclusion that hey, maybe he *is* pretty strong after all. That said, baby steps. He still struggles with his self-deprecation coming to him automatically through this book. And in regards to his quest for a wife, he’s going to have to get past the “no one could possibly find an old geezer like me attractive” stage to get anywhere. He also straight up says that he’s not going to have any of his former students as bridal candidates, which is essentially EVERYONE to date. So it’s unsurprising that we get a new girl introduced here to offer an alternative.

After dropping by the magical academy to see how the sword magic classes are going, Beryl is called into Allucia’s office. They have to go to the estate of Margrave Flumvelk, who is holding a gathering to celebrate Beryl’s accomplishments to date. Beryl is understandably his usual self about this, but he also knows he can’t refuse a request for a noble, so he, Allucia, and a bunch of knights spend a couple weeks traveling out there. When he arrives, he finds that the margrave is one of his old students, and Allucia’s classmate. He also has a younger sister, Shueste, who he wants to have at Beryl’s side in order to fend off nobility who have designs on Beryl, is gorgeous and clever, and pairs really nicely with Beryl… much to the annoyance of Allucia.

This book is OK, but I have some issues. All the action and drama is backloaded into the last 4th, making it feel like the author had a different ending and was told to change it. We’re introduced to two knights to guard Beryl and Allucia, and one is almost killed, but they both have zero personality between the two of them. They cried out for a side story. More to the point, they do address the elephant in the room here, which is Beryl marrying someone. Warren, the margrave, admits to Allucia that he’d be happy with Beryl marrying his sister… but would also be fine with Beryl marrying Allucia. The key is that Beryl is getting older, and they want someone to carry on the line. I’m not fond of “my awesome sword abilities are genetic” stories, even though, in a world with magic like this, it may be entirely possible. Then again, merely getting Beryl to have sexual desires may be too big a hurdle.

So now we have a whole new subplot with new villains to dig into. The next book promises to finally bring back the adventurer who was one of the harem in Book 1 and then vanished. We’ll see if the anime can bump it up a bit as well.

Victoria of Many Faces, Vol. 2

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By Syuu and Nanna Fujimi. Released in Japan as “Tefuda ga Ōme no Victoria” by MF Books. Released in North America by Yen On. Translated by Andria McKnight.

The first volume of this series felt very self-contained, but left open the possibility of a sequel hook for the second book. A sequel hook that remains open, because it’s not used here. Instead, this book takes place five years later, with Victoria, Jeffrey and Nonna returning from fantasy China, and is content to do much the same thing the first one did. It divides its time nicely between Victoria having slice-of-live vignettes around the city, reconnecting with the cast of the first book, and raising her daughter to be a wonderful noble girl. This is contrasted with the other half of the book, which is Victoria as spy: she can’t help but decode an ancient book, which reveals the location of a hidden secret, and she’s attacked about five different times in this book, all of the attacks very unsuccessful – she’s not even injured. But the most important part of this book is seeing how Victoria has raised her daughter to be a lovely bundle of terror.

As noted above, Victoria and her family are back in Ashbury, five years after the first book. Nonna is now twelve years old, and has spent the last five years learning Shenese martial arts, which now take up most of her time – when she hears she’s going to be reuniting with Clark, she’s far more interested in showing off her cool kung-fu moves than to talk to a boy who has now grown into a man (with a clear crush on a twelve-year-old – I’ll ignore that for the moment given that in Book 1 he was 12 and she was 6 and it was more cute). She also meets back up with Mr. Bernard, who shows her a rare copy of The Lost Crown a famous adventurer story. This one seems to have some odd typography, and Victoria and Bernard wonder if it’s actually a cipher. This mystery leads to further mysteries which take up the back half of the book.

The best selling point of the book is how matter of fact it is – both Victoria and Nonna are absolutely deadly in a fight, and neither of them are remotely challenged by any of the thugs who attack them in this volume. What’s more, the only real criticism of her daughter following her into a deadly situation and taking out all the thugs with her mother is that she was acting a little too chuuni when she did it. Honestly, the matter of factness even extends to one of the subplots, where the reader (and Nonna to, to be fair) keeps expecting Victoria or her family to win over the heart of the plucky foreign teen they rescued from her country’s outskirts, but we find that in fact the plucky foreign teen is in fact a crook who falls in with a bad crowd and is not in fact redeemed by the power of good thoughts. Sometimes you can’t really do anything about that.

As with the first book, this one ends feeling like it’s the end of the series, but there’s a third in the series out in Japan, so we/’ll see if someone can actually break through the defensive badassery of mother and daughter. This is still a great series.

Confession

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Confession is a tight, twisty thriller that reads like an episode of The Twilight Zone or Alfred Hitchcock Presents. Author Fukumoto Nobuyuki establishes the premise in a few quick strokes: two hikers—one gravely injured—huddle on a mountainside pummeled by a fierce winter storm. As they debate the best course of action, Ishikura—who is bleeding profusely—confesses to murdering a mutual acquaintance, telling Asai, “I killed Sayuri… with my own two hands.” Asai, however, refuses to abandon Ishikura, dragging his wounded friend to the safety of an abandoned cabin. As the two wait for a rescue team to arrive, it finally dawns on Asai that Ishikura might regret what he said.

For a two-hander like this to work, it’s not enough to know what Asai is thinking; we need to feel his growing sense of desperation. Kaiji Kawaguchi’s art is up to the task, creating a spare, claustrophobic environment that’s almost as hostile as the barren slopes that surround the cabin. The cabin itself is rendered in just enough detail for the reader to grasp the layout and size, as well as the lack of good hiding places. Equally important, Kawaguchi’s character designs emphasize the wide social gap between the conventionally handsome Asai and the squat, dour Ishikura, encouraging the reader to question how these two people ever travelled in the same circles.

The artwork is so effective, in fact, that some of Asai’s internal monologue feels superfluous, especially when he states the obvious: “If my suspicions are right, are you and I going to fight to the death?” (Signs point to yes!) Aside from a few clumsy monologues, however, the story never sags under the weight of too much exposition; Nobuyuki carefully doles out information about Asai and Ishikura’s past to reveal how fraught their relationship was before they went climbing, hinting at a long-simmering conflict between them. The final scene is a shocker in the best sense, challenging the reader’s perception of both characters without cheating or taking any narrative shortcuts to get there. Hitchcock, I think, would approve. Recommended.

CONFESSION • STORY BY NOBUYUKI FUKUMOTO • ART BY KAIJI KAWAGUCHI • TRANSLATION BY EMILY BALISTERI • PRODUCTION BY TOMOE TSUTSUMI, PEI ANN YEAP, AND HIROKO MIZUNO • KODANSHA USA • RATED 16+ (VIOLENCE) • 314 pp.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 9

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

It’s been a while since we saw the last volume of Dahlia, long enough for me to think that Lucia was the real protagonist and Dahlia was a mysterious side character. But there’s a big difference between Lucia and Dahlia. Lucia may be self-effacing, but she recognizes her own talent and can take an actual compliment. Whereas to Dahlia, taking credit for anything is like being asked to walk over hot coals. We’ve joked about the slow burn between Dahlia and Volf, which at this point may be less slow burn and more a fire that has had water poured over it, but frankly, there’s no way it can go anywhere right now. Not because Dahlia is a commoner – that’s taken care of here – but because Dahlia has no sense of her own worth at all. Which may be partly Tobias’ fault, yes, but could also be due to Carlo, as his desire to protect his daughter seems to have left his daughter thinking she’s TOO ordinary.

As I hinted above, Dahlia’s commoner days will soon be over – she’s getting a barony. As is Jonas, who is equally surprised. This means that she’ll also need to make her noble debut, which will mean… shudder… conversing with others. And dancing. She’d much rather work on magical tools, thanks you, or at least spend her evenings eating delicious food and getting drunk with her bestie Volf, who is so gorgeous but doesn’t see her in a romantic light at all. Right. Dahlia’s lack of perception has never been more annoying. She also gets a tour of the magical tool facility, where she would likely be working if she had enough magic… and the residents of said facility quickly realize that ‘a lot of magic’ is not the be-all and end-all of being brilliant. She’s also helping to bring together different guilds to make better products… really, is there anything Dahlia can’t do? Other than understand her own heart?

There is a genre of Japanese novels where an overworked office worker in a horrible environment dies and ends up in a fantasy world, usually while bemoaning the horrible work standards they have to deal with in modern-day Japan. It’s a typical type of escape. This is its counterpart, where you invent a world where everyone wants to work, work, WORK SO HARD. The heads of the company have to tell their employees to work less. There are literal hypnotic machines designed to force people who have been staying up too much to sleep. What’s more, when you see people that are working incorrectly, or being uncaring or callous, there’s an easy solution. Just add Dahlia, who with a few words and frantic hand waving that it wasn’t anything she did really denials, you can move mountains and get the lions to lie down with the lambs. Or the shoemakers to lie down with the magical tool makers. Honestly, dying and reincarnating as a villainess may be a lot more realistic.

That said, as the “extra” story shows this time around, we may have to do more than just get Dahlia to be noble and somehow hook her up with Volf. She’s special, and it’s only a matter of time before her specialness impacts the plot a lot more than it is now. But till then, please have some nice food, some wonderful alcohol, and for dessert, modesty that is so ridiculous it’s become a literal Tragic Flaw.

This Alluring Dark Elf Has the Heart of a Middle-Aged Man!, Vol. 1

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By Yuhi Shimano and NAJI Yanagida. Released in Japan as “Watashi no Kokoro wa Oji-san de Aru” by PASH! Books. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

It feels like it’s been forever since I last picked up a Volume 1 of something that was just plain “isekai fantasy”. I suppose there was Land Mines, but that was after I got it recommended to me, and I was a couple years later on it. This one, however, came out today. I wasn’t going to look at it at all, but I saw it had won a few awards, including the “best for middle-aged men” category. How apropos. Given I’m in that demographic as well, I figured I would take a flyer on another isekai, despite the fact that it looked worriedly like one of those “I was a schlub in Japan, but now I’m a hot elf babe” books. Which, to be fair, it is, but that’s not what it’s actually about. This is a “can I regain the sense of justice and righteousness that my life in Japan ground out of me?”. The answer to that is, so far, a work in progress.

Haruka, a middle-aged middle manager who used to be a cute kid till he discovered that being the nail that sticks up and is not hammered down is a bad idea, is startled to find himself in the middle of the woods, and also he’s not in the body of a gorgeous young dark elf. She has no idea what happened, if she was transported or died or what, and no goddess gave her instructions. Fortunately, she meets a passing adventurer, who takes her to the standard adventuring city you get in these sorts of books, and discovers how to make a living in a fantasy world that turns out to be, to no one’s surprise except perhaps her own, a lot more dangerous to someone like her than you’d expect. Fortunately, she seems to have skill at magic. A LOT of skill at magic.

This isn’t terrific, but it’s solid. Haruka is an introvert who has also been somewhat crushed by life, and she’s very god at reading emotions of others but very bad at caring about her own self. (Despite Haruka being a man who ends up in a woman’s body, there’s not too much of a trans narrative here, beyond one interlude which ends by telling us we’ll be using she/her from now on.) The author states that they tried to write some bad guys, but kept thinking of all the characters as “cute”, so it didn’t quite work out. That’s for the better – there’s not many paragons here, and we only see true villains near the end. for the most part her world consists of teenage hotheads, lotharios who are trying to explain it’s different this time, creepy lesbian stalkers who have her best interests at heart but also her worst interests, etc. One of the stronger scenes is done from the POV of the teenage hothead, who yells at her and then, when he goes to apologize, suddenly realizes that she’s completely devastated and near tears from “her own failings”. A lot of this book is Haruka putting herself back together.

The second book should see more of that journey. This is a decent isekai, with only light novel cliche I hate (dwelling far too long on someone peeing themselves in fear). I’ll read more.