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Manga the Week of 3/4/20

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SEAN: March is coming in like a lion, unless you mean March Comes in Like a Lion the manga, that’s still unlicensed. But what else do we have?

MICHELLE: I really want that manga!

SEAN: Denpa Books debuts a new series, Pleasure and Corruption (Tsumi to Kai). This is a Square Enix title from Young Gangan, and seems to be more on the “Fakku” end of the Denpa scale rather than the “Vertical” end, if you know what I mean.

ASH: Wink, wink; nudge, nudge.

SEAN: J-Novel Club has some new print releases. Crest of the Stars Books 1-3 get a deluxe hardcover release, recommended for all space opera fans.

ASH: Oooh, I might have to check that out now that it’s (back) in print.

SEAN: There’s also An Archdemon’s Dilemma 4, Infinite Dendrogram 5, and Marginal Operation (manga) 2.

On the digital side, they debut the Demon Lord, Retry! manga, based on the light novels that they are also releasing. They’ve also got Campfire Cooking in Another World 5, The Combat Baker and Automaton Waitress 4, and the third A Very Fairy Apartment manga.

Kodansha has… no print releases. But there is a digital debut, A Condition Called Love (Hananoi-kun to Koi no Yamai). It’s a Dessert title, about a girl who ends up going out with a popular guy after his messy breakup with someone else. But is she just a rebound, or something more?

MICHELLE: This is by Megumi Morino, whose Wake Up, Sleeping Beauty I liked a lot, so I’m expecting good things.

ASH: I liked that one, too.

ANNA: Sounds interesting.

MJ: Oh, count me as interested.

SEAN: There’s also All-Rounder Meguru 13, Blissful Land 5, Smile Down the Runway 7, and To Be Next To You 3.

Seven Seas… also has nothing. What an odd week.

ASH: That does feel strange!

SEAN: Tokyopop is giving us Aria: The Masterpiece 5. This should be the first of the re-releases with new to English material.

Vertical has the 3rd Bakemonogatari manga, still in the midst of Mayoi’s first arc.

Fortunately, Viz still has a ton of stuff to pad out this list. The debut is Love Me, Love Me Not (Omoi, Omoware, Furi, Furare), a Betsuma title that is the latest from Io Sakisaka, the creator of Ao Haru Ride and Strobe Edge. It’s an award-winner. Plot? High school kids in love, of course.

MICHELLE: Of course. Still, I am here for it.

ANNA: Me too, not surprisingly.

MJ: Same!

SEAN: Also out on the shoujo side, we have Daytime Shooting Star 5, The Demon Prince of Momochi House 15, Snow White with the Red Hair 6, and Vampire Knight: Memories 4.

MICHELLE: I’ll be reading 75% of those!

ASH: Haha, same!

ANNA: YES!

MJ: I’m behind on the ones I’m reading, but I need to catch up!

SEAN: The shonen end is more loaded up. The debut is Samurai 8, the new manga from the creator of Naruto (though someone else is doing the art this time). First ninjas, now samurai.

We see… wait, is that D.Gray-Man 26? I think it’s been years since the last volume of this!

ASH: It has been awhile, hasn’t it?

SEAN: And we have Black Clover 20, Demon Slayer: Kimetsu no Yaiba 11, Dr. STONE 10, Dragon Ball Super 8, Haikyu!! 37, Kaguya-sama: Love Is War 13, My Hero Academia: School Briefs 4, One-Punch Man 19, and The Promised Neverland 14.

MICHELLE: A buncha good stuff here! Last I looked, there was only a nine-chapter gap remaining in Haikyu!! chapters in VIZ’s Shonen Jump vault between collected volumes and magazine issues. Perhaps volume 37 will eradicate the gap entirely!

ASH: It very well may!

SEAN: Lastly, Yen Press has one lone straggler due out next week… and it’s a debut! A debut with a title that is… well, eye-catching, if nothing else. After School Bitchcraft (Houkago Bitch Craft) comes from my nemesis, Comic Alive, and is about a teacher who secretly practices witchcraft at school, and the student who can walk through all his defenses. It seems like one of those “for people who like boobs” titles.

MICHELLE: :\

MJ: What Michelle said.

SEAN: For those who can take or leave boobs, what are you getting this week?

Hi Score Girl, Vol. 1

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By Rensuke Oshikiri. Released in Japan by Square Enix, serialized in the magazine Big Gangan. Released in North America by Square Enix Manga. Translated by Alexander Keller-Nelson.

I admit that at first I did not get the double meaning in the title – before reading the manga, the reader might think that ‘Hi’ is a simple affectation, sort of like saying ‘U’ instead of you. But as you get to know the two leads, with each chapter beginning with Haruo running into Akira in one arcade store or another, you get the impression that it’s also meant to be “Hi, Score Girl!”. Because these two can’t get away from each other – at first by accident, and gradually as the book goes on by choice. They come from completely different backgrounds, but are united in their need to escape their daily lives, and also their skill in any number of games. What’s more, the series clearly takes place in 1991, and so this is also a massive nostalgia-fest for the games of that era – especially Street Fighter II. Those who read other manga (Hayate the Combat Butler) may be surprised that the titles and characters are uncensored. Well… there’s a lawsuit behind that. But it all worked out in the end.

Both kids are twelve years old, though the end of the volume implies there may be a small timeskip coming. Haruo is your standard loser kid with bad grades – in fact, ludicrously bad grades… given his skill at games and his excellent analysis of other people, I have to assume these zero tests are exaggerated for comic effect. Disliked by most of the class, his sole respite is the local arcade (yes, remember, it’s 1991… though he does have a small game system at home). There he plays games… mostly Street Fighter but you will see others as the volume goes on. And meets Akira, a rich girl in his class beloved by everyone. Why is she playing Street Fighter II? Why is she so GOOD at Street Fighter II? She’s not about to tell him, as she doesn’t speak. The manga is not clear about this, but I think it’s meant to be inferred that she CAN speak, but does not because that’s the way this manga rolls. That’s fine, for although she’s supposed to be a stoic little princess, Haruo brings out the worst in her… and also, eventually, the best.

The artstyle is a little odd, which lends itself well to amusing faces, especially from Haruo, who gets punched in the face, kicked in the balls, hit by a car multiple times… he’s basically there to get beat up. But he’s an understanding kid at heart, despite his jealousy about gaming scores, and rapidly understands that Akira’s intense drive to do arcade gaming masks a very lonely girl whose home life is pretty much rigid and arranged for her. The two slowly bond, as she brings him things from school when he’s home sick (and then plays on his home system) and the two are dragged with their classmates to an amusement park (and get so absorbed in games they lose everyone else… which, trust me, is a good thing). They even explore what turns out to be a haunted arcade. Sadly, by the end of the volume, just as we’re seeing burgeoning tween love, she’s moving to America, and flies away. But not before a tearful airport farewell. The end!

…OK, not the end, there are nine more volumes. The preview implies Haruo will move on to middle school (somehow… I assume you can’t get held back in elementary school) and meet a new girl who seems to really like him. That said, I assume Akira will be back. In the meantime, enjoy this sweet and funny ode to the arcade games of yore.

Tearmoon Empire, Vol. 1

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

It’s been a while since I’ve been so entertained by a light novel debut. The premise of the story already had me half-won over, to be honest. Mia Luna Tearmoon is this world’s Marie Antoinette, a spoiled young princess who only cares about herself and thus, when the revolution comes (a revolution she unwittingly instigated), she is sent to the guillotine. But then… she wakes up ten years earlier, right as rain! Now she has a firm goal: change history! So far so normal, right? It’s a familiar plot to fanfic writers, so familiar it has a name – “Peggy Sue”, after the 1986 movie Peggy Sue Got Married. However, Mia hasn’t really changed all that much. She’s still a selfish princess who thinks only for herself… mostly. The intense desire to not get her head cut off, combined with the miserable three years in prison she spent before that, have led to several alterations in how she interacts with people. In fact… she slowly becomes terrific. Despite what she or the narrator might think.

In addition to the Peggy Sue aspect, there are other ‘genres’ of books I was reminded of. Mia is an “Otome Game Villainess” in all but name, and a lot of the interactions she has with others will make the reader think of Bakarina. I was also reminded of the old J-Novel series Me, a Genius?, in that some of the humor of the book comes from Mia misinterpreting everyone’s actions, and absolutely everyone misinterpreting hers. Her maid, Anne, becomes absolutely loyal and devoted. Her advisor, Ludwig, is convinced she’s brilliant (because she remembers all the issues that made the Empire fall in her past go-round and parrots it back to him). The exception to this is the narrator, who is very much a Lemony Snicket-style narrator, constantly reminding the reader that Mia’s motivations are focused only on herself, and that frequently she does not MEAN to do the immense good she does.

That said, one of the few drawbacks in this book is that sometimes the narration overdoes it a bit, because over the course of the book, we *do* see Mia doing a lot of good, even if her intent may be different. Though her, people’s lives get better, things are happier. What’s more, Mia is gradually getting less selfish. Part of this may be simple premonition – when she tries to ignore some noble girls bullying Tiona, who is the girl who eventually leads the revolution against Mia, she gets a chill down her spine. Is it realizing that ignoring it would be a disaster for her future? Or is it a growing conscience? I suspect the latter. She chooses to go to the rescue, and it’s great. Mia has a sharp tongue, something that does not change in either timeline, but using it for good rather than evil is a definite plus. She also flirts with a young prince, at first in order to gain his country’s help should the revolution still occur, but gradually finds him genuinely attractive and charming, and so reacts like a normal teenage girl. It’s sweet. (There’s also an amazing scene where a bitter young noble swaps out some food at a party for stale crackers she brought as a prank, and when Mia eats them she not only is nostalgically reminded of the food she was given in prison, but is clever enough to realize that the preservatives used in these THREE-YEAR-OLD crackers can help her kingdom’s food issues.)

I tend to ‘quote tweet’ parts of a book as I read them. I didn’t do that with Tearmoon Empire, but that’s simply as the quotable bits were entire paragraphs and scenes that would have been too long to tweet. This book is funny from start to finish, from the snarky narration to the hilarious misinterpretations and even to normal “just write it funny” scenes like the young noble girls trying (badly) to make a lunch for Mia’s beau, which was AMAZING. There’s also a diary extract at the end that reminds you that no one misinterprets Mia’s own actions quite like Mia herself. It’s the sort of book you want to go back and re-read the moment you finish it. (You may have to – the 2nd volume hasn’t started up on J-Novel Club’s schedule yet, though I understand it’s coming soon.) If you avoided this book because of its shoujo-style cover, you need to give it a read. I loved it.

Bookshelf Briefs 2/25/20

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DAYS, Vol. 16 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Usually with sports manga I can find some emotional beat to highlight, but this volume really is just a bunch of soccer. Not that that’s a bad thing. Seiseki has progressed to the second round of the All Japan High School Soccer Tournament and their opponent is Ichiboshi Academy, whose unpredictable playing style proves challenging. Tsukamoto takes a bit of a backseat this time as Yasuda-sensei focuses on some older players like Oshiba, whose experience gets him past Ichiboshi’s impressive defence and allows him to score the first goal of the game, and Usui, who is shockingly bested by Ichiboshi as they score a goal of their own. It may not be deep, but it is fun, and I always appreciate how clear Yasuda’s panels are, particularly in depicting pass and shot trajectory. I’ll keep reading! – Michelle Smith

Don’t Toy With Me, Miss Nagatoro, Vol. 2 | By Nanashi | Vertical Comics – When it comes to teasing titles, I like this better than Uzaki Wants to Hang Out (which I’ve dropped), but it’s still well below Teasing Master Takagi-san. Where it does succeed is in the art—Nanashi is really, really good at drawing embarrassment, and knows it, so the entire title revolves around both leads getting red-faced and twitchy. The problem continues to be that Nagatoro does not get enough scenes where she’s shown to be teasing rather than just torturing him, and the “senpai” remains a thoroughly wet protagonist. That said, the addition of her two friends did make a nice addition, as it brings out her jealousy. No one toys with my senpai but me! – Sean Gaffney

How Heavy Are the Dumbbells You Lift?, Vol. 2 | By Yabako Sandrovich and MAAM | Seven Seas – The blatant fanservice is still there, but there may be slightly less of it, or perhaps I’ve just gotten used to it, as I was not as distracted by it this time around. Instead I remain fascinated by the workout advice, as well as the wacky adventures of the girls getting the advice, primarily Hibiki, who remains the best thing about this book. We’re also introduced to a new character, Zina, a Russian girl who really wants to be true to the stereotypes that Japan has about Russians. She’s fun, losing to Hibiki in a competition and then transferring to challenge her… and ending up in a different class. Again, I’m surprised that, despite some really blatant service, this remains refreshingly non-sleazy. – Sean Gaffney

An Incurable Case of Love, Vol. 2 | By Maki Enjoji | Viz Media – Maki Enjoji’s titles always seem to have heroines that I really enjoy, even when they’re screwing up. Case in point: Sakura at a party gets drunk and basically talks FAR too much, both to the group and later on to Tendo. Despite this, it’s really rather adorable and not pathetic, which is sort of what you’d expect. The manga also gets good later in the volume, as she deals with something that nurses also have to handle: a stalker who became obsessed with her as a patient. As for Dr. Tendo, he’s dealing with a rival for Nanase’s affections… and also a rival in teaching her how to be a good nurse, as he valiantly donates his poor arm until she shows she can put in an IV properly. This is just fun. – Sean Gaffney

Kase-san and Yamada, Vol. 1 | By Hiromi Takashima | Seven Seas – This is not the first Kase-san book, but the title change signals a sea change: the girls are in college, and Kase-san and Yamada are now definitely the focus rather than flowers, pastries, etc. That said, their couple status is both the plus and the minus of this book: as Erica Friedman and others have noted, both of them are dating but decidedly in the closet. And this is a problem on both sides: Kase becomes jealous when Yamada is invited to a group date, and takes steps to intervene; likewise, Yamada realizes that Kase has a roommate, and that, when her love is sick, she cannot simply rush to her side to take care of her. Real life tends to put crimps in a relationship. Maybe next volume they can tell the roommate about it. – Sean Gaffney

Komi Can’t Communicate, Vol. 5 | By Tomohito Oda | Viz Media – The majority of this volume is devoted to a culture festival, where our class has decided to do a maid cafe, mostly as Komi wants to do one. She may have trouble communicating, but she’s still the princess of the school, and a lot rides on her opinions. Of course, there are challenges. Tadano ends up being forced into a maid costume as well, Najimi’s attempts at making money break school rules and come close to violating actual laws, and Yamai exists. We also meet one or two new characters, including a sempai type and an “easygoing” type who tends to wander off, get lost, etc. Komi-san runs on cliches—deliberately so—but it remains at its heart sweet and heartwarming, especially when the two leads are interacting. – Sean Gaffney

Let’s Kiss in Secret Tomorrow, Vol. 1 | By Uri Sugata | Kodansha Comics (digital only) – Saya Kanra and Yuto Kozaki have been friends since elementary school and chastely dating since junior high. Yuto gets a makeover prior to starting high school, wanting to look cool and gain some confidence. The makeover proves too successful, alas, and now he has so many fangirls that Saya, fearing ostracism, has pretended not to know him and adopted the guise of someone disinterested in love. Now they’re trying to keep their relationship secret, occasionally aided by nerdy junior high classmate Amabiki, and talking mostly over voice chat, where things have started to get steamy in the tamest possible sense of the word. This may not be the most robust premise for a series, but I did like that the situation causes Saya to question both her own identity and her past assumptions about Amabiki’s quality of life. This series is complete in three volumes, which feels about right. – Michelle Smith

Living-Room Matsunaga-san, Vol. 1 | By Keiko Iwashita | Kodansha Comics – Originally a digital-only title, Living-Room Matsunaga-san has now achieved a print release! Due to family circumstances that aren’t fully explained, second-year high school student Miko Sonoda is shunted off to live not with her uncle but at her uncle’s boarding house with a bunch of strangers. Miko’s mother seems utterly unconcerned about this, and expects Miko to handle things herself. Thankfully, Miko is pretty capable for a teenager, with occasional lapses, and though she’s initially intimidated by her new housemate Jun Matsunaga, who comes across as belligerent and domineering, she soon realizes that he’s kind, caring, and passionate about his work as a graphic designer. Various situations ensue and Miko finds herself falling for him. While I’m not enthusiastic about a teen/adult romance, I do like these characters, the art style, and the kitty, so I’ll be proceeding on to volume two! – Michelle Smith

The Man Without Talent | By Yoshiharu Tsuge | New York Review Comics – While several of Tsuge’s shorter manga have previously made their way into translation, The Man Without Talent is his first long-form work to be released in English. In the accompanying essay, translator and historian Ryan Holmberg describes it as “Tsuge’s most popular and accessible work.” Originally serialized between 1985 and 1986, The Man Without Talent incorporates semi-autobiographical elements into its narrative. The story follows a cartoonist who seems to have largely given up on cartooning despite the pleas of his wife. Instead, he tries, struggles, and ultimately fails to make ends meet by selling stones he finds along the river near his home. The manga is an occasionally surreal but compellingly honest work, in part an examination of poverty, creativity, society, and self-determination. Readers rightfully intrigued by The Man Without Talent will soon have more of Tsuge’s manga to look forward to—Drawn & Quarterly has a seven-volume series of collected works planned. – Ash Brown

My Androgynous Boyfriend, Vol. 1 | By Tamekou | Seven Seas – Hooray for more josei! Souma Meguru is a beautiful guy who gets profiled in magazines and has many followers on Instagram. He’s been dating Machida Wako, busy editor, for seven years (ever since high school). This slice-of-life series depicts their domestic bliss as well as some of the challenges they face, like rumors that Meguru is actually dating a fellow male model or Wako’s coworker’s assumption that Meguru is female. I particularly enjoyed the chapter in which they go to “Ikeya” and Wako invents backstories for Meguru as he sits in various display rooms. It’s nice to read about a couple that has been together for so long; their relationship exudes trust and devotion. That said, it’s a bit weird that Meguru looks about twelve throughout, when he’s supposed to be so hot. Overall, this was pleasant and I’ll most likely check out volume two. – Michelle Smith

Our Dining Table | By Mita Ori | Seven Seas – I have read thousands of volumes of manga at this point but seldom have I encountered one as intensely charming as Our Dining Table. Yutaka Hozumi is a lonely salaryman who lost his parents at a young age and was never accepted by his adoptive siblings. When a pair of brothers comes into his life, exuberant four-year-old Tane Ueda and harried college student Minoru, Yutaka finds a family that will not only accept him but actively desires he be present as much as possible. I loved the slow progression of Yutaka and Minoru’s relationship; it’s one of those where it’s absolutely clear how they are healing each other of their trauma and what each finds appealing in the other. Also, Tane is incredibly adorable and it’s obvious how much fun Ori-sensei had when drawing him. I loved this without reservation. – Michelle Smith

Daytime Shooting Star, Vol 5

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Daytime Shooting Star, Volume 5 by Mika Yamamori

As the student/teacher romance in Daytime Shooting Star progresses I find myself thinking, “Oh, that’s cute” and “Stop being so inappropriate Shishio!” very often and simultaneously. Most of this volume is taken up with the old shoujo staple of a school festival. It is the perfect opportunity to shake things up as teens run cafes, put on plays, and engage in high stakes emotions. Mamura in particular is popular as a mostly silent butler at the cafe. Suzume does her best to serve coffee but she’s flustered when Mr. Shishio shows up and sits in her section, accompanied by her uncle. Mamura is in full protective mode, making a comment to Shishio that “A teacher has no business seducing his students” before being distracted by his own family showing up at school. Mr. Shishio confronts Mamura later on, and when Mamura acts cold to Suzume afterwards, she gets annoyed. While all the drama is happening in the cafe, Nekota has to pull herself together to be Juliet after being rejected by Mamura. Her Romeo is the popular and seemingly superficial Togyu, but he’s actually surprisingly insightful.

Suzume is somewhat oblivious to all the drama surrounding her, but she’s feeling awkward about going to see Nekota’s play solo. Shishio shows up in a mascot costume so he can take her to watch the play which is somewhat endearing but also a little creepy. After putting on the brakes for so long, Shishio admits that he has feelings for Suzume, and she’s absolutely stunned. The rest of the volume deals with the aftermath of the emotional revelations from the school festival, as Nekota tries to move on and Suzume decides to work part time in her uncle’s cafe in order to save up to buy Shishio a birthday present. Showing characters navigating through daily life while dealing with plenty of emotions is one of the things that Daytime Shooting Star is good at, along with the consistently stylish art. We aren’t quite halfway through the series yet, but I’m firmly on team Mamura now. Go Mamura! I’m still enjoying this series, mainly because Suzume and Nekota are so oddly sympathetic, but reading it is also balanced out with the tension that comes with reading a romance manga that is going all in on an inappropriate relationship, making me wonder when all the quasi-romance is going to cause some severe negative consequences for all the characters.

I Refuse to Be Your Enemy!, Vol. 1

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Molly Lee.

Despite the fact that, if you look at forums and message boards, you’d think “otome game villainess” novels were the new vampire or Alice trend, we haven’t actually had too many legally licensed over here yet. My Next Life As a Villainess, aka Bakarina, it a very broad comedy, almost a parody, of the genre. Accomplishments of the Duke’s Daughter just has the manga so far, and seems more interested in the politics and worldbuilding than it does in anything else. This new series, though, may be the purest form of the genre I’ve heard of. It’s not subverting anything – in fact, the opposite, it’s almost painfully earnest throughout. Our heroine knows she’s going to be a villainess (actually, not even that – a mid-boss) and get killed by the hero, and does her damndest to avoid that in every possible way. All this while falling in love. Light novel fans might be a little disappointed. Romance fans should be quite happy – it’s right up their street.

Kiara has had a rough life. The daughter of a Baronet (the lowest rung of nobility), her mother died early, and her father sold her off to the family of a count. There she was fed odd potions, trained in poisons and knifework (for some odd reason) and shipped off to boarding school. What’s more, she’s been having these odd dreams where she lives in a different world as a schoolgirl playing an RPG… whose plot sounds a lot like the world she lives in! What’s more, she remembers from the dream that she (with a different, married name) is not only a spellcaster, but is brutally murdered by the heroes. So when a letter comes from the count telling her to come home and marry the guy whose last name she now recognizes, she very quickly runs away. Fortunately, she ends up hiding in the wagons of a group of young men who are sympathetic to her story… and one of them is more than he seems. Now she has to find a way to stop the fate she’s familiar with from the game from happening.

As you might guess, this is an isekai of sorts, but it’s handled in an interesting way. Kiara never loses her sense of “self” to whoever the Japanese girl whose memories she has, which the memories remaining “dreamlike”. As such, it feels a lot more realistic, even when she brings up RPG terms. On the down side, her character can be highly variable depending on the nature of the plot – she was bad at school, so has to have a few things explained to her (and the reader), but by the end of the book she’s putting her RPG memories to use as a real-time strategist, and seems to get far too good at spellcasting far too quickly. The better parts of the book are her interactions with Reggie, her love interest (yes, besides the presence of two other obvious candidates, there seems to only be one love interest here), and her “I must be mistaken no one could be interested in me” thought process is both frustrating and adorable.

The book ends on a cliffhanger, which is a bit annoying as it felt like if it had gone 10 pages more, we could have ended the series with the first volume. But there are five more. In the meantime, this is pretty solid, if a bit humorless. It’s serious romantic fantasy, with everyone acting the roles as straight as they can.

Hayate the Combat Butler, Vol. 35

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

The revelation that Viz Media has licensed the newest manga by Kenjiro Hata, Tonikaku Kawaii (aka Fly Me to the Moon) for release this fall came as a big surprise to the huge number of Hayate the Combat Butler fans… OK, really, there’s just two of us now, but we were surprised! After all, Hata’s Hayate the Combat Butler still has about fifteen volumes left to release, but continues to come out at the “we won’t cancel it, but we hate you” two-volumes-per-year schedule. Fly Me to the Moon may begin and end while Hayate still coming out. Still, for those who do enjoy a new Hayate volume every spring and fall, this should give you something to sink your teeth into. It has a minimal amount of Nagi, which, let’s face it, is always a plus, and one we’ll get less and less of as Hayate barrels towards its conclusion. (I don’t hate Nagi, but she suffers from being less appealing than half the cast). Instead, Ruka is still ascendant.

I don’t think this is deliberate on Hata’s part, but as Hayate the Combat Butler rolled along, it ended up showing off a new “favorite girl” who everyone loved and was much better than Nagi… and then gradually forgetting about them till they became irrelevant. Hinagiku is the most obvious example – she may be on the cover here, but her days as lead girl are long gone, and Athena came along, stomped all over everyone else… and then became Alice, who is also barely in the plot. And now there’s Ruka, who was not as warmly welcomed by fans (who have long memories and probably guessed what would happen), but she gets the back half of this book as pure, almost serious romantic tension with Hayate, and does a very good job of it. Hinagiku does get a chapter or two here, but it’s in support of her sister Yukiji, who used to not only be cool, but play the guitar! Hinagiku is upset Yukiji abandoned her dream, Yukiji is there to remind readers dreams are not abandoned, just deferred. She promises to shape up. It likely won’t last, but is sweet to see.

Part of the problem of taking this seriously, of course, is that Hayate the Combat Butler is always first and foremost a fourth-wall breaking gag manga. Before it’s a romantic harem comedy. Before it’s a serious examination of childhood abuse and abandonment. Before it’s a supernatural action series. And the cast know it. One chapter in this volume has Risa being annoyed by the fact that she’s not “spoiled” by Hayate, and this leads into a discussion of Izumi, and the fact that her character type is inherently more popular (with both Hayate and, it’s inferred, readers). Despite what they say, it’s not just the panty flashes – it’s that Izumi blushing and helpless is funny Izumi. Also, frankly, Risa is a boke, and thus, like many of Hayate’s love interests, she’s been eclipsed by a new and better boke – Fumi, who gets her own completely ridiculous chapter. (Miki works best around Hinagiku, but since her sapphic side was revealed, has been around her less – not sure how deliberate that is).

In the end, Hata is happy to point out all the flaws in Hayate the Combat Butler directly in the text. This can be funny… and also intensely frustrating. Welcome to the experience of being a Hayate fan.

Neon Genesis Evangelion: Anima, Vol. 2

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By Ikuto Yamashita. Released in Japan as “Shin Seiki Evangelion Anima” by Kadokawa Shoten, serialized in the magazine Dengeki Hobby. Released in North America by Seven Seas. Translated by Nathan Collins. Adapted by Peter Adrian Behravesh.

It occurred to me as I was reading this second volume, and glancing at most of the color pages, that this was written to be serialized in Dengeki Hobby, a (now defunct) magazine devoted to fans of the plastic model kit. It therefore should come as no surprise to me that the book is a lot more concerned with the Evas and how they function than the inner workings of the actual cast. There are some moments where that’s not the case – Misato’s grief at Kaji’s fate here is well handled, as is her quick recovery, and Shinji’s raging grief in his attack near the end also rings true. But as I watched everything get worse and worse and worse, it occurred to me that the problem with this continuing on from the end of the original TV series is that there’s no way to back up and get much of what the start of the TV series had – fun. It’s a very interesting continuation, but it lacks joy.

Of course, there are very good reasons why fun is in short supply. This is an apocalypse narrative, continuing straight on from the first book, and there’s simply no time to settle down and have a penguin raiding your fridge. Shinji and Super Eva (I will never get used to that name) are trying to fight against a mind-controlled Hikari and her German Evangelion; Misato and Toji are trying to hold down the fort back at base, despite her getting kidnapped midway and his worrying about Hikari; the Reis are all dealing with the death of Cinq in various healthy and unhealthy ways, and Quatre is still a very troubled soul; Kaji stops Kensuke from putting on a possessed mask and losing his identity by… doing it first (yeah, I dunno either); we get the fabulous and somewhat bonkers adventures of Asuka… ON THE MOOOOOON!; and there are far, far more people turned into pillars of salt, to the point where you will get sick of the phrase.

Of these subplots, Asuka had my favorite, showing off a lot of smarts, gumption, and pure survival tactics. Despite this, she loses most of her hair and almost her existence; it takes Hikari and Shinji calling out to her to give her an identity again, and even then she’s… well, let’s leave that as a spoiler. Shinji, aside from his RAGE near the end, does not really get time to do much soul-searching as he’s constantly on the run and fighting; at one point he has Maya in his cockpit, and later on Rei Trois, but this Shinji is made of sterner stuff. Of course, he may have a few issues continuing on after the events in this book as well. And there is a LOT of apocalypse imagery – in addition to the pillars of salt, there’s ancient animals coming back to life and killing people, natural disasters killing people, the Lance of Longinus killing people… if you’re a resident of Earth in this book and aren’t part of the main cast, it doesn’t look good for you.

As I said, this book is quite interesting, and I do want to see what happens next – especially as they’re running out of disasters and we have three more books to go. But, as someone who never really cared about the giant robot battles in Evangelion, it can be a bit of a slog.

Manga the Week of 2/26/20

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SEAN: It’s the end of February at last, and we celebrate with a huge pile of stuff. Are you ready?

ASH: Always!

SEAN: Cross Infinite World has a 2nd volume of light novel The Eccentric Master and the Fake Lover.

Dark Horse has a 4th deluxe hardcover for Berserk.

ASH: The hardcover edition really is impressive — I’m slowly replacing my paperback copies.

SEAN: A couple of Volume 2s from Ghost Ship: Destiny Lovers 2 and World’s End Harem: Fantasia 2.

J-Novel Club has another shoujo light novel out next week: Tearmoon Empire (Tearmoon Teikoku Monogatari). This is from TO Books, and stars a selfish princess who is about to be guillotined by an angry populace when suddenly she wakes up in the past! It’s time to change the future so she doesn’t die! But… that’s so much hard work… can’t she just get others to do it for her? This seems like fun.

ASH: I appreciate this foray into shoujo fantasy works.

SEAN: There’s also a 9th Lazy Dungeon Master and a 3rd Welcome to Japan, Ms. Elf!.

Kodansha has three debuts, two print and one digital. The print is Sweat and Soap (Ase to Sekken), a seinen title from Weekly Morning. A woman who works in a toiletry company is ashamed of the way she smells, and very grateful for her company’s products. Then she meets the company’s lead brand developer, who is fascinated by her natural scent. Romance ensues. Despite sounding like it does for sweat what Mysterious Girlfriend X did for drool, I’ll give this a try.

ASH: I’m cautious, but intrigued?

MJ: This could either be amazing… or really not.

SEAN: The other debut is a license rescue, coming out in deluxe omnibuses: Saiyuki! And yes, this is the original 1990s Saiyuki, not any of the modern remixes and spinoffs. A GFantasy title, it originally came out via Tokyopop. Now Kodansha is re-releasing it. Hope you like journeys to the west.

MICHELLE: I read a little of this ten years ago but never continued, so I’m looking forward to having another chance.

ANNA: I love journeys to the west! I have the old volumes but I’m seriously considering double dipping and I almost never double dip.

ASH: Nice to see this series back in print!

MJ: I’m so happy to see this again! It won’t get me over my eternal longing for Wild Adapter, but I’ll take it.

SEAN: Kodansha also has, in print, In/Spectre 11, Land of the Lustrous 10, and Magus of the Library 3.

ASH: I’ve fallen behind and need to catch up with In/Spectre, but I’m definitely ready for more of Land of the Lustrous and Magus of the Library!

SEAN: Digitally the debut is I Fell in Love After School (Houkago, Koishita), another Dessert title. A shy girl who lacks presence and a volleyball club she’s managing. This looks very fluffy.

ANNA: Aww, this sounds cute if only I were capable of keeping up on all these digital releases.

SEAN: Also out digitally next week: Altair: A Record of Battles 15, Drowning Love 17, Guilty 5, Hotaru’s Way 12, Kounodori: Dr. Stork 13, and Watari’s ******* Is About to Collapse 3.

KUMA has a one-volume title called Can an Otaku Like Me really Be an Idol? (Doruota no Bokudesuga Shinken ni Aidoru Mezashimasu!?). It’s a BL title about cross-dressing idols, and ran in Takeshobo’s Qpa. It was also on the Renta! site.

MICHELLE: My friend assures me it is very cute.

ASH: I’ve likewise heard good things.

SEAN: One Peace has a 7th Hinamatsuri.

Seven Seas has a pile, as is becoming traditional for the last week of the month. There’s another ‘early digital’ novel release, again by the author of I Want to Eat Your Pancreas. This is I Had That Same Dream Again (Mata, Onaji Yume wo Miteita), and is another coming-of-age story.

We also get The Ancient Magus’ Bride 12, The Brave-Tuber 2, Classroom of the Elite’s 4th light novel (in print), How Heavy Are the Dumbbells You Lift? 2, Mushoku Tensei’s 10th manga volume, Reincarnated As a Sword’s 4th light novel in print, Skeleton Knight in Another World 4 (print) and 5 (digital), and Ultra Kaiju Humanization Project 4.

MICHELLE: Hooray for more of The Ancient Magus’ Bride!

ASH: Yes, indeed!

SEAN: Square Enix has the debut of Hi-Score Girl, a Big Gangan series with a quirky art style and a love of retro gaming. Two otherwise dissimilar kids share a bond over games.

ASH: I like quirky.

MJ: I’m up for whatever Square Enix throws at us, so count me in.

SEAN: Udon has the 3rd and final Stravaganza omnibus, as well as a 6th Otherworldly Izakaya Nobu.

Vertical debuts Blood on the Tracks (Chi no Wadachi), another psychological drama from Shuzo Oshimi. This ran in Big Comic Superior, and is about a boy who realizes that his doting, over-affectionate mother may NOT be as normal as he’d though. If you’ve read Oshimi you know what to expect.

MICHELLE: Hm, potentially interesting.

ANNA: I’m gonna wait for a review, but I am also intrigued.

MJ: I’m with Anna on this.

SEAN: Yen On technically has a debut, but really it’s just more KH, as we get Kingdom Hearts III: The Novel 1.

They’ve also got Is It Wrong to try to Pick Up Girls in a Dungeon? Sword Oratoria 11, KonoSuba EXPLOSION! 2, My Youth Romantic Comedy Is Wrong As I Expected 9, Re: ZERO 12, Sword Art Online Alternative: Gun Gale Online 6, and World’s Strongest Rearguard 2. Lots of heavy hitters in that lineup.

From the manga end, Yen debuts RaW Hero, which is from the creator of Prison School, and also appears to be for fans of Prison School. It runs in Kodansha’s Evening Magazine, and is about heroes, villains, and fetishes, not in that order.

ASH: That’s… the general impression that I’ve gotten, too.

SEAN: We also get Combatants Will Be Dispatched! 2 (manga), The Devil Is a Part-Timer! 15 (manga), Goblin Slayer: Brand New Day 2 (manga), Happy Sugar Life 4 (also a manga, but not a light novel as well like those others), Kemono Friends a la Carte 2, Phantom Tales of the Night 3, and Trinity Seven 19.

ASH: Oh, Phantom Tales of the Night! If nothing else, it’s very pretty (and creepy); I’m interested in how the series continues to develop.

SEAN: A lot of, shall we say, saucy manga out next week. Are you getting any?

No Game No Life, Vol. 10

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By Yuu Kamiya. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Daniel Komen.

This volume begins with our heroes, [ ], having abdicated the throne (the country is now ruled by the business class, with Steph reduced to talking to potted plants – and Plum, who is about as helpful as one) and living life as sellers of medicine. In particular, their breast enhancer, although temporary, is quite popular. It also attracts the attention of the Dwarves, one of the few races we haven’t really dealt with yet, and they summon Sora and Shiro to their underground city to throw down. Fortunately, our heroes have a new dwarf ally, Tilvilg. Unfortunately, she lacks the natural genius ability that all dwarves have, and is somewhat beaten down that their answer to that seems to be “well, just keep trying anyway while we pity and belittle you”. Can Sora and Shiro show that her desire to see the sky is not merely a baseless fantasy? And, more importantly for the author, can they do it while throwing in so many references to boobs that the reader might throw up?

I will admit, when it comes to having your cake and eating it too, no one does it quite as well as Yuu Kamiya. This entire volume seems to be boob-obsessed, with both Chlammy (she and Fi are genuine allies in this book for once) and the dwarven leader Veig being particularly bad. And yet at the same time it goes out of its way to mock and belittle anyone who might have similar thoughts – Veig in particular dreams of the sort of pneumatic fantasy girl that only exists inside the head of virgins, something viciously pointed out by Sora. What’s more, his perverse behavior towards Tilvilg, which he brushes off as “I was drunk, it was a joke”, is noted to be “the top two excuses of male scum”. Kamiya fills his books with ludicrous and somewhat sickening fanservice… but also knows that’s all it is, and does not mistake it for anything else.

Steph does not have a large role in this book, but she is there, and her parts (as always) interested me the most. Once again, when asked to be a political thinker, she’s head and shoulders above the rest of the cast, and her confrontation with Emir-Einz, where she blackmails her into taking her to Sora and Shiro by threatening to disrupt the book’s fragile status quo, is brilliant. (It also shows that Steph is not as oblivious to her own feelings as it appears.) And, getting back to the book’s obsession with boobs once more, there’s a nice scene where Steph gets upset at the fact that Sora groped her when they first met, only for Jibril and Emir-Einz to call that “humblebragging”, pointing out to Steph that so far, of all the women in the entire series, Sora has only groped one by his own choice – her. The jealousy is searing.

In the end, of course, no one should be reading No Game No Life who is not already able to deal with its proclivities, and I’m not trying to say that they’re lessening – in fact, there was even more in this book. But the author is better at showing us the man behind the curtain, as we see that none of it really makes much of a difference in the end. This volume is about accepting your weaknesses, accepting that everyone is different, and going beyond the impossible. It’s also (not counting the unlicensed “Practical War Game” spinoff) the last book in the series to date, so we may have a while till we see Book 11.

Silver Spoon, Vol. 13

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialized in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

There’s always a careful balancing act that an author has to keep up when writing a character whose failures are hilarious. On the one hand, you can’t overegg the pudding – you need to contrast this hilarity with moments where they actually succeed. If done right, this can be extremely heartwarming. The first half of the manga deals with the equestrian competition, with Hachiken actually competing this time, and his “slow, steady and have fun” approach actually does pretty well, especially as it allows Mikage to dazzle. And of course the beauty of it is that it sets things up for the much larger stage where Hachiken again competes… and fails so badly that it turns into 20 pages of “lol”. You feel bad for him, but thinking as an author, the reason for this is obvious: Hachiken when he’s suffering is very, very funny. What’s more, there’s been less and less of that as he’s matured, so it’s nice to see he can still be a national laughingstock when appropriate.

Speaking of which, Hachiken, in his despair after doing so badly, wonders if Mikage won’t love him as he’s bad at horse racing. This is a callback to earlier in the book, when Mikage smiles as she recalls him saying he’ll ask her out after she passes her exams… then realizes that might mean if she fails, he won’t ask her out! Does he hate “stupid” girls? Now that the two of them have made it clear how they feel about each other, all that’s left is to actually get together. But it’s not as simple as that – they have goals to achieve first, Mikage’s father is watching Hachiken like a hawk, and his own father just seems to get in the way of any romantic resolution. What’s more, as the above jokes indicate, the two of them are still too insecure for a strong romantic relationship to happen. Mikage doesn’t need to pass her exams to date Hachiken – but it certainly would help her see herself as a success.

Elsewhere in the book, it’s pigs and pizza once again. I like the idea that the head of the school is willing to go the extra mile for these kids provided they can actually justify it as learning things and being educational. As a result – more pizza ovens! Which leads to a good competition where they try out various kinds of three-cheese pizza to see which one proves the most popular. Likewise, even in the midst of despair at his equestrian performance, he’s still able to do some pig research while in a different area of Japan (sadly, he finds that the pigs raised there would not do well in the northern climes of his school.) And, for once, there’s not even any long series of chapters devoted to butchering and slaughtering animals, so even the squeamish can enjoy this one.

We’re nearing the finish line for Silver Spoon, and I expect the next volume to mostly be about Mikage passing (or not) her exams. Will that also lead to romance? God, I hope so. I feel like Sakae – Just do it already!

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 9

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

As this series has gone on and become a reasonable success, the author has sensibly decided to widen its brief. As such, the “will they actually do anything?” parts get smaller and less relevant as time goes on. This is not to say that they’re absent, however, and we do get possibly the funniest moment in this volume when Zagan thinks that he and Nephy are literally cursed to never get closer to each other rather than, as everyone else around them can see, just being two socially awkward dorks in love. Still, at least the two of them share a honeymoon suite. That’s progress? And they sleep in each other’s arms, and call each other (as they are under cover) as “honey” and “dear”. But yeah, that’s all you’re going to get. Honestly, even Chastille and Barbatos make more progress in this book than Zagan and Nephy, who are adorable but really should grow up the teensiest bit. That said, they’re ahead of Shax, Mr. “I had your underwear in my pocket for a reason”.

The main thrust of the plot sees everyone converging on the Holy City for various reasons. That’s where Azazel’s Staff is, which is highly important to every single faction in the series. So we get the Angelic Knights, who don’t know much about it but know it should not fall into the wrong hands; Bifrons and Shere Khan, who have sent two minions to destroy the holy treasure room to get it; and Zagan and Nephy, who are actually there to try to find Orias, who might be able to help her cure Kuroka’s blindness, but end up looking for the staff as well. As you might imagine, there’s a lot of fighting towards the end of the book, mostly involving everyone attacking Zagan and his mopping the floor with them. That said, in the final battle against one of the stronger Angelic Knights, he has to use martial arts, rather than sorcery, to win. He regards this as a loss. Everyone else thinks he’s simply ridiculously overpowered.

It is amusing to see how many of the characters are leading double lives. There’s a traitor among the Angelic Knights, and you might briefly be worried for Chastille, but everyone agrees her alliance with Zagan is far too open and honest; she’s not tricky enough to be the real traitor. Then there’s Michael, who is secretly an Archdemon, but is also not the actual traitor. We also continue to get more insight on Alshiera, who continues to stay true to the course of “blond underage vampire mistress” in modern Japanese works, i.e. she’s pretending to be an irredeemable bad guy but really fits the caring mentor role better. And props to Foll, who is growing powerful enough to take on Bifrons and deal him actual damage. Our little dragon girl is growing up.

We’ve now caught up with Japan, as the 10th volume came out there two weeks ago, so it might be a bit till we get it here. Till then, though, this is a good, solid entry in the series, provided you don’t care that Zagan and Nephy are the most awkward couple ever – still.

Yona of the Dawn, Vol. 22

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Yona of the Dawn Volume 22 by Mizuho Kusanagi

Volume 22 of Yona of the Dawn follows the tried and true formula of contrasting a hilarious chapter with a deep dive into introspection. The volume opens as Riri is recovering from her and Yona’s latest adventure. Su-Won goes to visit her and it is clear that some of the people that surround them are interested in pushing them together for various geopolitical reasons. However, Riri’s a bit dispassionate at being told to act dignified in front of the king, and Su-Won continues to find her frank mannerisms amusing. I hope for better for Riri than Su-Won though! In a hilarious scene Riri reveals the depth of her crush as General Geum-Tae enters her room. She immediately starts blushing and acting like a shy maiden. In the aftermath, plenty of people inform Riri that Geum-Tae is happily marries, and she’s very well aware, she’s just happy to enjoy her crush. Seeing Riri freak out about how cool Geum-Tae is in front of Su-Won was hilarious.

Yona of the Dawn

The reader gets a rare look into Hak’s mind as he struggles with the idea of returning Yona’s misplaced belongings to her, including the hairpin that Su-Won gave her right before he murdered her father. Hak reflects on their past friendship, and Su-Won’s betrayal. He thinks about his own emotions and how Su-Won didn’t seem to care about the pain he was inflicting on other people. The bulk of this volume deals with an adventure to a new land, as people from Xing pop up to ask if Yona and her companions are the “monsters from Kokha.” Yona meets another new female friend when she spends time with Tao, the younger princess of Xing, but she also learns about the extent of political destabilization that is following from Su-Won’s wars, as Xing might be split between two factions. Tao asks Yona’s advice about what to do with Su-Won, and Yona remains awkwardly silent, realizing that bringing her own feelings and opinions into someone else’s political calculations might not be in the best interest of Xing. This volume bridges two story arcs very effectively, with a little bit of comic relief, a glimpse of the emotional toll the journey has taken on Hak, and the introduction of a new land that hopefully Yona will be able to help.

Bookshelf Briefs 2/16/20

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Black Clover, Vol. 19 | By Yuki Tabata | Viz Media – The nature of these volumes is they tend to be between 9-11 chapters no matter what, and while some thought is always given for an appropriate “cliffhanger” (and there’s a good one here), it does sometimes mean that the emotional beat can happen earlier than the author might like. That’s definitely the case here—this book is front-loaded as hell, with the absolute highlight being Noelle reuniting with her family, kicking ass, and her older brother apologizing for the constant abuse he hurled at her. It’s really fantastic. The rest of the book can’t help but feel like an anticlimax, though there is a nice bit at the end where Asta and company make a chaotic entrance to join in the fight. Which isn’t over yet, so next time? – Sean Gaffney

Horimiya, Vol. 13 | By Hero and Daisuke Hagiwara | Yen Press – This manga has too many cast members in it we have to remember, especially given that it only comes out now about once every six months or so. We see Iura dealing with his younger sister, who is having exam worries, and it’s meant to contrast to his “the guy nobody likes” persona at school, but I can’t really retain enough about what he was like for it to really impact. One good thing about this volume is that Hori is relatively behaved, so there’s a lot less of the “wacky” consent issues we saw in prior volumes. When she acts relatively normal, she and Miyamura remind you why we loved this manga in the first place. That said, it really does not appear to be headed towards any specific conclusion. How long will it go on? – Sean Gaffney

Levius/est, Vol. 1 | By Haruhisa Nakata | Viz Media – I probably should have read the Levius omnibus before picking up Levius/est. As far as I can tell, the first volume is mostly a recap of the original series told at an astonishingly breakneck speed. (Levius ended prematurely when Ikki ceased publication; Nakahata essentially had to restart the series in a new magazine, Ultra Jump.) It’s admittedly impressive how much ground Nakata manages to cover in such a short span, but I’m hoping that Levius/est finds a more sustainable and enjoyable pace soon. I want to see the mixed martial arts matches between cyborgs that will either save or destroy the world. I want a chance to actually get to know the characters beyond a surface-level lightning overview of their tragic backstories. I want the worldbuilding to not need to rely on heavy-handed exposition. Right now, Levius/est‘s greatest strength is Nakata’s stylish artwork, but something more would be welcomed. – Ash Brown

Magus of the Library, Vol. 2 | By Mitsu Izumi | Kodansha Comics – Having enjoyed the first volume of Magus of the Library, I was looking forward to the second, even if the series is not always the most subtle of works narratively speaking. But I can’t help but love the underlying message of libraries (reading in generally, really) as a method of gaining knowledge, expanding one’s horizons, and developing empathy for others. At the same time, the work acknowledges the potential harm the written word can cause depending on its use. As a librarian, I can especially appreciate Izumi incorporating real-world social, economic, and political concerns surrounding libraries (fairly accurately, actually, although with simplification) into the fantasy setting of Magus of the Library. Other related areas the second volume of the series specifically addresses include bookselling and bookbinding. The volume also serves as something like a travelogue and introduces new characters destined, I’m sure, to become Theo’s cohorts in training at the Central Library. – Ash Brown

Murcielago, Vol. 13 | By Yoshimurakana | Yen Press – OK, the master swordsman arc did not finish off quite as fast as I’d hoped, but that’s fine, as it gives us a chance to see Kuroko in action some more (and still really struggling, which is cool), as well as Himiko’s dynamic entrance in her car, always a treat. After that’s resolved, we start a sequel arc, as Goldmarie’s body is not lying mouldering in the grave as it should be, but has gone missing. And now there’s a bunch of murders happening in and around the sewers, which gives the artist another chance to lovingly depict a lot of corpses and gore. Murcielago is never going to be children’s entertainment, but it’s a lot of fun provided ultraviolent lesbians are your bag. – Sean Gaffney

My Hero Academia, Vol. 23 | By Kohei Horikoshi | Viz Media – So Izuku has multiple powers now. That said, he’s still having trouble learning about them at all, so has to finish the fight quirkless. Honestly, Uraraka is the MVP of this battle, and there’s some nice ship tease with her and Izuku as my reward. After that, we switch over to the dark side of the cast—it even gets pointed out, with one chapter being called “My Villain Academia,” and a heavier focus on the League of Villains, who are falling on hard times at the moment. Things are not helped by a new, more corporate set of villains trying to get their foot in the door, and the volume ends with a confrontation. This has become one of the biggest Jump series, and it’s well deserved. – Sean Gaffney

My Hero Academia, Vol. 23 | By Kohei Horikoshi | VIZ Media – There is so much going on in this volume. As the battle training with class B comes to a close, Midoriya learns that he will eventually inherit six additional quirks from past wielders of One for All and Shinso gets to use his power to save someone and earns admission into the hero course. Mina gets a couple of badass panels while Uraraka gets several (as well as a rare smile from Aizawa). I love how much Aizawa has taken Shinso under his wing and that we get a glimpse of and a reference to someone he and Mic knew when they were students, a boy called Shirakumo. We also meet the Meta Liberation Army, who are determined to take down the League of Villains. Todoroki and Bakugo get their provisional hero licenses and we learn a little of Shigaraki’s backstory. Phew! I love this series so much. – Michelle Smith

My Hero Academia: Smash!!, Vol. 3 | By Hirofumi Neda| Viz Media – Again, I like how this gag series is handled. It’s character-based exaggeration, but it also follows the main storyline for the most part, so it can use multiple modes of humor. It’s also not above pointing out its own flaws—when Momo is lacking confidence, Eraserhead tells her to spend a week living with Uraraka, and the latter is quick to point out that “my poverty being of service to you” is offensive. Of course, the series is also not above mocking her love of rich person’s food over and over again, so. We even get a good look at the league of villains here, and they’re just as goofy. This is still a lot of fun. – Sean Gaffney

The Quintessential Quintuplets, Vol. 7 | By Negi Haruba | Kodansha Comics – Somehow I missed reviewing the sixth volume of this series, and it’s a shame, as the seventh book is fantastic, possibly the highlight of the series in general. After spending about half of it leading up to the exams, and reminding us what’s at stake, we see the girls taking them one by one, each flashing back to their own issues and challenges—the biggest of which may be Yotsuba’s, as she reveals she’s the one who failed the makeup exam at their old school, and the others left with her in solidarity. The results are brought off perfectly, but Nino is saved for last, and she’s the one who gets the best part, right at the end. Still one of the best romantic comedy manga we’ve seen in some time. – Sean Gaffney

The Way of the Househusband, Vol. 2 | By Kousuke Oono | Viz Media – There’s not really much here in plot or characterization beyond the surface. But when the surface is this, you absolutely don’t care. Househusband is all about style, and in that the book succeeds dramatically. I liked that it featured his wife a bit more in the various chapters, and you can see why he loves her. Everyone keeps mistaking him for doing horrible yakuza deals, even when he’s pushing spices for birthday parties. That said, you really can’t blame them given he’s also pushing his yakuza thoughts into his everyday life, such as the yoga poses, which was absolutely hilarious. We also meet his wife’s family, and their desperate attempts at bonding, which they do after a fashion. This is a whole lot of fun. – Sean Gaffney

Yona of the Dawn, Vol. 22 | By Mizuho Kusanagi | VIZ Media – This volume begins with the aftermath of the adventure in Sei, with Lady Riri dealing with the gratitude of her people, which she doesn’t feel she’s earned; Hak reflecting on adolescent memories of Su-Won, whose ability to see the world impartially means he has no special attachment to anyone; and the Four Dragons working to get back a hairpin for Yona that Su-Won gave her. Then we’re off to another adventure in a foreign land. One of the princesses of Xing is sure they’re Kohka’s next target for expansion and proposes war while her younger sister proposes preemptive surrender in order to save lives. Would-be assassins raid the latter’s compound, where there are a couple of badass fighters and lots of kitties. It’s very much a transitional volume, but still quite good. I’m always bummed whenever I run out of Yona to read. – Michelle Smith

Toradora!, Vol. 9

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By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

The character arc of Toradora! as a whole has generally been each of the characters trying to save each other from jumping off a cliff by jumping off the same cliff first, and that reaches a crescendo here, in a volume that might as well be called “Toradora!: Everyone Hates Themselves SO MUCH”. Ryuuji is the poster child here, of course, shouting into the void that no one will let him sacrifice his life and future. To be fair, he has very real concerns. His family are indeed poor, and his mother, despite being a comedy character for almost the entire series to date, is working herself sick so that he can have a better life. But his solution in the course of “realistic ideas” is stubborn, petulant and bad, and you want to strangle him. Things are not helped by Taiga being absent from the first part of the book, dealing with her own drama, which doesn’t become apparent till the climax. Hell, even Ami is super angsty here. Everyone wants to run away.

We’re back at school after the events of the last volume, but everything is not back to normal, no matter how much Ryuuji tries to make it happen. He’s having nightmares about Taiga dying at the ski slopes… while in class. The class is sympathetic, but this is a far cry from the Ryuuji of the start of the series. His main concern is the career survey he hasn’t turned in, though: he’s determined to get a job so that his mother can take it easy, and he might do college later. His mother is adamant that no, he will be doing college, even if she has to work a second job to earn more money. Taiga does eventually show up, having recovered from a head wound she got from her fall, but she too is reluctant to complete the career survey, and, when it’s eventually revealed that it was Ryuuji who saved her and heard her confession, shows she’s just as unable to deal with the fallout. The book ends with the two, confronted by their mothers, literally running away from everything.

As for the supporting cast, aside from one of Those Two Guys showing off he’s had a girlfriend all this time (which reads as somewhat out of nowhere), it’s all about Ami and Minori. Ami is almost as bad as our two leads in the “why am I so terrible?” sweepstakes, bemoaning that she let things like friendship stop her from transferring out like she planned to earlier in the year… and is now planning to do again, without confessing to Ryuuji or patching things up with Minori. As for Minori, she admits (in an extended rant while chasing Taiga) that she’s loved Ryuuji all this time, but that’s no excuse for Taiga to sacrifice everything for her. In fact, that’s the theme of the whole book: Self-sacrifice for the sake of others is painful and dumb.

The next book is the last in the main series (there are three side-story novels as well, but I wouldn’t hold my breath), and I’ve no doubt things will eventually work out. For now, though, enjoy everyone being very, very sad and flagellating themselves.