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Features & Reviews

Invaders of the Rokujouma!?, Vol. 36

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

I’ve mentioned this a few times before, but Rokujouma frequently has to walk a bit of a high wire, especially in the books that take place after the “ending” we saw in Vol. 29. The author still clearly wants to write more and more stories, and does not want to wrap things up quickly. At the same time, one of the joys of this series has been seeing the characters gradually grow and mature, and as such we don’t want to see them all static either. This new volume is particularly good at keeping that balance, especially for our two resident magical girls, Maki and Yurika. Maki’s past, both as an orphan sold into slavery and as a member of Darkness Rainbow, still tends to guide her actions. Meanwhile, Yurika’s self-pity sometimes verges into self-loathing, so much so that she can’t honestly see how impressed everyone is with her. The best way to resolve both of these things is to head off to Folsaria, Maki’s homeland. And who knows, maybe we can tie into the other ongoing plot while we’re at it.

We pick up where we left off, as Ralgwin has gotten away, though he does not seem to be starting anything major from somewhere else. This allows them to focus on Maki, who has been invited to join Rainbow Heart after recommendations from both Nana and Yurika. Maki certainly has the magic for it… and she’s got the “heart” as well. But can she really become one of the good magical girls after being a literal terrorist just a year or so ago? She gets a provisional task she must complete: investigate the disappearance of several men from a part of the city. This leads her not only to the home where she was born (now a ruined building), but also to a graveyard containing something that’s a lot bigger than just missing people. Can Maki rally together with all of her friends and family and save Folsaria from a hideous disaster?

I was talking about balancing character development with a certain static point, and something in the narrative really showed that off to me: when they arrive at Rainbow Heart headquarters, Yurika is given a letter explaining that all of her debt has finally been paid. Folsaria is a magical land, and Yurika should have been getting a salary, particularly given how much nof a prodigy she was. But apparently she destroyed a factory when her magic went out of control… and it was on her own time, not during work. So her wages were garnished forever to pay for it. Yurika, however, is not delighted by this at all. She fears that if she’s no longer a freeloader Koutarou will abandon her. What surprised me is that there’s no snapback at the end of the book. I was sure Yurika would end up reincurring a large debt. But no. And she’s even able to continue living frugally (so far). It’s really impressive, both for her and the author, not to fall into old habits.

Apologies to Maki, as I spent most of her book talking about Yurika. But Maki is awesome here too, gets to resolve many conflicted feelings, and becomes a real heroine at last, with a paycheck and everything. Unfortunately… the villains kinda win here. We’ll see what happens next, I guess.

Torture Princess: Fremd Torturchen, Vol. 7

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By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by MF Bunko J. Released in North America Yen On. Translated by Nathaniel Hiroshi Thrasher.

Back in my fanfiction days, I used to have an argument with a friend of mine, who wrote some great stories but tended to end them a little too late. I used to call them the “And they all lived happily ever after till they died, and here’s how they died” stories. Now, I’m not sure I expect Torture Princess to go QUITE that far. But at the end of my last review, I mentioned that I was worried that the series would not be able to justify continuing after a very satisfying 6th book, which wrapped up Kaito’s plot beautifully. I’d say the answer is yes and no. Yes, it’s another Torture Princess book, with some of the most evocative writing in light novels, and I could have easily quoted a dozen passages. And I do enjoy Elisabeth’s character arc here quite a bit. Still… man, this is a downer, and has some of the most graphic horror descriptions since Vol. 1. It is a Dead Dove: Do Not Eat of a light novel.

The book picks up right where the previous one left off, with the introduction of our antagonists, who also grace the cover: A girl who calls herself Alice Carroll, the new Torture Princess, and her minder/father figure Lewis. They have killed off the two beast princesses who worked with Kaito in the previous book, and are basically here to destroy the world AGAIN. To be fair, they do have a pretty good reason they can use to justify it, but that’s not good enough for Elisabeth. Now she has to try to stop them, helped by Lute, whose job is to be the heart of the book; Jeanne, who is a girl in love, and Izabella, who has acknowledged this love but not responded to it; and La Cristoph, who has already been captured by the enemy. Worst of all, as everyone seems to be telling her… Elisabeth is getting SOFT.

This is not a completely grim book. There are lots of attempts at humor, some of which are admittedly as dark as the blackest night, but they’re there. One running gag with Elisabeth and La Cristoph actually made me laugh. But I won’t deny that there’s a lot of depressing goddamn shit here. Alice, like Kaito, is an abused Japanese girl, whose previous life reminded me an awful lot of Satoko from Higurashi, and it’s no surprise that her reincarnated powerful self is a very, very broken girl. And then there is the revenge that Lewis takes on behalf of the mixed-race peoples, which involves using a large number of purebreds as wombs for demon children. The description in this particular scene is so Grand Guignol that it almost crosses over into parody, but it’s also incredibly sickening to read about. There is, briefly, a nice little bit of hope towards the end of the book, but I still am not 100%… or even 50%… confident that this series won’t end with most everyone dead or wishing they were dead.

Still, I admit that’s not much of a change from the previous six books. I think the loss of Kaito’s POV affected the book more than I was expecting. It’s still a great series to read if you like good writing and horrible graphic images. But man… what a bummer.

The Eminence in Shadow, Vol. 3

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By Daisuke Aizawa and Touzai. Released in Japan as “Kage no Jitsuryokusha ni Naritakute!” by Enterbrain. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

I think I am going to have to accept the fact that this is one of those series where I love everyone except the main character. This is not uncommon in Japanese anime and manga, of course. There are large numbers of people who can’t stand Naruto or Ichigo as characters, but love the series around them. Sword Art Online may be the best example of all. But at least all of those characters are actual heroes. A bit overpowered, a bit narrative-breaking, a bit dense, but heroes. Cid from The Eminence in Shadow is certainly overpowered, narrative-breaking, and dense. Though I think he’d get annoyed if called narrative-breaking, as he’s actually trying to create cool narratives for him to lurk in and be badass. There’s just one problem. He’s TOO annoying, even for a comedy. We’re meant to laugh at the dissonance between what he’s thinking/doing and what everyone else thinks of him, but I just sort of want him to go away, because honestly I quite enjoy this series otherwise.

This book is divided into two halves. In the first, Cid is led by his sister to the Lawless Sector, which has a lot of bad guys and three major powers. She’s there to try to get Cid a place in the Knights, but he quickly wanders off to go be cool and shadowey. Unfortunately, as always, his chuuni declarations designed to sound ominous are actually coming true: in this case, they’re trying to resurrect a vampire queen and turn the town into corpses. In the second half of the book, he teams up with one of the major powers from the first part, a fox woman with a tragic past, in order to destroy the economy of two major companies… one of which is the company literally run by his own minions. To do this, he has to invent another identity so he can be his own bad guy, because honestly, the idea of doing this appeals to him far more than the impact it might have on anyone who cares for him. Our hero, ladies and gentlemen.

I suppose I should be grateful for small blessings: I hear that in the original webnovel, Cid was actually far more consciously evil about doing all this, whereas in this book most of the actions he takes in the second half of the book are just him not thinking things through or genuinely being a dumbass. But anyway, let me stop talking about Cid, as the rest of the cast are a lot of fun, and the book can be quite funny when it wants to be. Delta, who Cid thinks of as a giant Golden Retriever in the form of a woman, is possibly the only character denser than he is, and yet she’s a delight, because it’s innocent denseness. There are some strong dramatic turns here as well, believe it or not, both from Alpha and from Yukime, the fox woman Cid teams up with. And OK, the final gag with Cid digging a giant hole because he thinks he’s discovered some Mysterious Last Words is pretty funny.

So yes, I’ll definitely be reading more, but I just gotta prepare myself: Cid’s probably always going to be like this.

Accel World: Sword Sage of the Blue Flower

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

Accel World in general is a classic example of a series that is a lot of fun provided you don’t think too hard about much of it. This new volume was filled with scenes and moments I felt were pretty cool, but when I tried to tie them into the ongoing plot I went “hey, um, wait…”. That said, it’s not like Sword Art Online doesn’t also have that problem. If SAO is the light novel equivalent of Shonen Jump, then Accel World is its Shonen Magazine equivalent, with nice pizzazz and lots of fanservice. (Probably for the best that Haruyuki is in pig form on the cover there.) It does not help, admittedly, that we are still in the middle of this very long arc. The author promises, in the afterword, that it will end in the next book, but admits that he’s said that before and no one believes him. Oh yes, and after raising the dead, sort of, in the last book, we follow it up by… doing it again? Wow, raising the dead is EASY.

Everyone is still discussing the big plan to take out the massive sun-like enemy that’s keeping all the kings trapped, and Haruyuki’s new sword, with its heat resistance forced by the Blacksmith of Eternal Peril, seems to be the answer. He can also get training from the mysterious presence that helped him last time… but wait. If he finds out who she is in the real world, can he do for her what was done for Orchid Oracle? We then get a training montage, which is pretty cool but is, nevertheless, a training montage, so I don’t have much to say about it. And then, finally, the big confrontation, in which Haruyuki is very cool and the day is saved… oh dear, here comes the villain for another cliffhanger.

My favorite scene in the book was the party that all the girls (and Takumu, sorry, Takumu) threw him to celebrate his being the point man on this mission… and the fact that he shows up with another new girl, who just happens to be a rival for those who’ve been in Brain Burst the longest, showing up after being gone for years. You’d think there’s be a lot of jealous stares, but the mood seems to be more “Of course he has another girl to add to his pile, it is Haruyuki after all”. Actually, the biggest danger to Kuroyukihime in this book is not Centaurea Sentry, his new mentor, but Rin Kusakabe, who has apparently been reading Devil Is a Part-Timer in her spare time because she wants him to remember she confessed, and not just let it slip his mind just because he happens to still hate himself. If I weren’t reminded occasionally that everyone in the cast is between 9 and 14 years old, this would be a great romantic harem series. Alas.

I am not expecting the bad guys to win or anything, but the main Kings are certainly in a tight spot with the cliffhanger. Indeed, cliffhanger endings has proven to be one of the stronger parts of Accel World. Might have to wait a little longer for the next volume, though, as we’ve caught up with Japan mostly.

High School DxD: Excalibur of the Moonlit Schoolyard

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I had resolved, with this third volume of High School DxD, that I was going to stop talking about the constant teenage sex fantasy talk, nudity, and general fanservice and simply focus on plot and character. Theoretically, anyone reading a review of the third volume of this series already enjoys it, and does not need me going on about how it’s all a bit much. Therefore, I would simply glide past the fanservice and discuss other things. It’s very, very hard to do that, though. This is not a book like Accel World, where if you ignore the art and the ages of the characters it’s almost a normal harem battle novel. The sex is baked DEEPLY into the very fabric of the series. I could talk about character motivation, except we now see a THIRD demon whose plan is to gather a harem (and the second one had succeeded), and Issei explicitly says that he’s fighting in the final battle because he’s going to get to suck Rias’ nipples as a reward. It is what it is.

So, the plot, as there is one. Kiba finally gets a volume to explain his backstory, and it’s pretty wretched. It’s also pretty clear that he ids consumed by vengeance against holy swords. Thus it is an unfortunate thing that several holy swords have shown up in town, either being wielded by fallen priests, fallen angels, agents of the Church… or Issei’s childhood friend Irina, who he didn’t even realize was a girl. Needless to say, all these swords here is not a coincidence, and there’s a fallen angel at work here. Can our heroes manage to actually work together – minions of the angels and actual demons – to fight against a common enemy? Can Kiba manage to keep it together enough to get the revenge he’s sought for so long… and is revenge really the right answer? And can this series keep teasing sex while delivering precisely nothing? Signs point to yes.

I didn’t mention the other new character in this book, who seems to join the regular cast at the end. Xenovia starts off as an angel with a heaping of faith and a tendency to go off half-cocked, and ends it as a somewhat bitter demon… with the exact same tendency. She looks fun. Irina is far more pointless, and I think would have been better served being introduced in a different book. This book does, however, do something very well, which is for the climactic battle, which Kiba has far more invested in than Issei (nipples aside), it shifts to Kiba’s POV. You’d think this would be obvious, given it’s Kiba’s arc and resolution, but it can frequently be very hard to wrench the narrative away from the usual POV character, so I’m calling this a victory. Two more things: Koneko is still the minorest of the main characters, but I liked her more here. And a scene showing off how poor Irina and Xenovia really are shows the author is very good at humor when it’s not revolving around tits.

This series is pretty much review proof, but I will note: fans will enjoy it. Also, Asia looks very cute on the cover.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 6

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

This volumes shares many of the same things that I criticized the last volume for – it’s very rushed, Falanya doesn’t really appear, etc. – but I found it a much better read than Book 5. Possibly that’s because this is the first book to really feature Wein as a side character in his own series. We’ve seen Wein being an “influencer” before, and in fact it’s probably what he excels at more than anything else. But in this book we see Wein caught up in a power struggle that has nothing to do with his country – or so we think – and choosing to pick a side and help one of the contenders for the throne. This volume is Felite’s as much as Wein’s. The book shows off his own similarity to Wein in a few ways – notably their kickass bodyguard/confidante who seems to be in love with them – but thankfully is not creating a Wein clone, as he feels like his own person.

Wein now has a seaport, but unfortunately no one trusts him enough to trade with him. Fortunately, his hostage/enemy is there with an answer: she knows of a nation to the South that is amenable to trade, and she can help negotiate. So we’re off on a sea voyage… which Wein quickly regrets. And yes, part of it is that he gets seasick, but there’s also the fact that the ruler who he’s supposed to be negotiating with has been assassinated, and Wein is captured and stuffed in a jail cell. Fortunately, not only does he manage to bluff his way into having a far nicer jail cell than everyone else, but he’s also kept directly next to the OTHER big name prisoner… Felite, the second son of the former ruler. The first son is the one doing the assassinating. The winner will be the one who can claim the famed Rainbow Crown, an icon of the country.

The author said last time that this volume would be a slice-of-life, which it isn’t, and he apologizes for being totally unable to write such a thing. Still, we do get some of the cast in swimsuits… though really, Wein only has eyes for Ninym. Despite another girl telling him that they’re engaged (he never has any choice in the matter), Ninym is simply too high a bar to clear, and the first thing Tolchiela says after this is “It’s OK, I’ll allow mistresses”. That said, we also see some Flahm here who are also not roundly hated by everyone, and it’s apparent that they worship Natra for being the first country to actually not oppress then. If this series ever does end, I suspect it’s with Ninym recognized more officially. As for the rest of the book… it’s a fun little adventure, and Wein is mostly in smart bastard mode rather than whiny freakout mode. Plus, sea battles.

The next book promises to bring us back to the Empire, so I expect we’ll see more of Lowellmina than the running gag we got here. That said, we also saw that the series’ Big Bads are also still around, and determined to have everything end in chaos. Wein is their kryptonite, so dealing with him is getting more and more important. I’m looking forward to seeing what comes next.

Manga the Week of 5/5/21

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SEAN: May Comes In Like a Tiger! What manga do we have next week?

Airship has an early digital release of Hello World, a one-shot SF novel about a boy whose future self returns to help him save his future girlfriend… or so he says. This sounds like it’s for fans of I Want to Eat Your Pancreas and others in that genre.

MICHELLE: Sounds interesting!

ASH: I’m intrigued!

MJ: Same here!

SEAN: They’ve also got Monster Girl Doctor Zero (a prequel), an early digital volume of Mushoku Tensei 11, and print volumes for The Saint’s Magic Power Is Omnipotent 3 and PENGUINDRUM 3 (the final volume).

ASH: One of these days I’ll actually read PENGUINDRUM.

SEAN: Cross Infinite World has a 2nd volume of Reincarnated As the Last of My Kind.

In print, J-Novel Club has Ascendance of a Bookworm 5 (manga), I Shall Survive Using Potions 5, Infinite Dendrogram 12, and My Next Life As a Villainess 7.

Digitally, they debut a new light novel in their Heart series, Culinary Chronicles of the Court Flower (Ikka Koukyuu Ryourichou). It sounds, honestly, a lot like The Apothecary Diaries only with food replacing medicine.

ASH: That sounds like a good combination to me!

SEAN: Also digitally is Altina the Sword Princess: Loose Threads (aka Vol. 7.5) and Altina the Sword Princess 8, Ascendance of a Bookworm 12, and Cooking with Wild Game 12.

Kaiten Books has a 4th volume of the Loner Life in Another World manga.

No print debuts for Kodansha Manga, but we do get Attack on Titan 33, Boarding School Juliet 14, Eden’s Zero 11, and Weathering With You 3, a final volume.

Digitally the debut is With the Sheikh in His Harem (Sheik-sama to Harem de), a Nakayoshi title. That cover, featuring the palest sheikh ever. That synopsis (girl is proposed to by rich man, who won’t take no for an answer). Remember when Nakayoshi was far younger in focus than it seems to be now? Recommended for Harlequin fans.

We also get the 2nd and final volume of Araki Won’t Be Tamed (whose cover I just have to link to, because YIKES), The 2nd Girlfriend, Girlfriend, My Dearest Self with Malice Aforethought 4, and My Unique Skill Makes Me OP even at Level 1 5.

ASH: That cover, my goodness!

SEAN: Seven Seas has The Dungeon of Black Company 6, Manly Appetites: Minegishi Loves Otsu 2, Skeleton Knight in Another World 6 (manga), and SUPER HxEROS 2.

ASH: I’m really looking forward to reading more of Manly Appetites; the first volume was delightful.

SEAN: Udon Entertainment has the 5th and final volume of The Rose of Versailles, including extra manga short stories Ikeda wrote in the 80s. Thank you so much for finally giving us this title in English.

ANNA: Yes. I’m still pinching myself about this.

MICHELLE: Me, too!

ASH: I continue to be absolutely thrilled we finally have this in translation.

MJ: Again, same here!

SEAN: Viz has a Shonen Jump debut, with Undead Unluck. A girl whose luck is so bad it kills people tries to kill herself, only to run into an undead man who can’t die. Together they discover they’re being hunted by a secret organization. Despite the worst possible 2-page opening spread I’ve seen in the history of Jump, I have heard this is quite good.

ASH: I have likewise heard good things.

MJ: I have heard nothing, because apparently I live under a rock, but this sounds kind of great.

SEAN: There are also three long-runners coming to a close next week. JoJo’s Bizarre Adventure has the 9th book of Arc 4, so we finish off Diamond Is Unbreakable. Worry not, Golden Wind is coming. Daytime Shooting Star and Shortcake Cake, meanwhile, both end with a 12th volume.

ANNA: I like Shortcake Cake and Daytime Shooting Star for entirely different reasons.

MICHELLE: Me too. I look forward to finishing both.

SEAN: We also get Black Cover 25, Boruto 11, Haikyu!! 44, Kaguya-sama: Love Is War 19, The King’s Beast 2, Love Me, Love Me Not 8, The Promised Neverland 19, Snow White with the Red Hair 13, and World Trigger 22.

ANNA: Looking forward to The King’s Beast and Snow White.

MICHELLE: I’m following (or attempting to follow) most of these! Penultimate volumes for Haikyu!! and The Promised Neverland, also.

ASH: Ditto all of the above!

SEAN: Yen On has a light novel debut with The King of the Dead at the Dark Palace (Kuraki Kyuuden no Shisha no Ou), a dark fantasy about a sickly boy who dies and reincarnates… as a sickly undead who must obey his master.

They’ve also got Reign of the Seven Spellblades 2, which has a lot to live up to to top its excellent first volume.

On the Yen Press tip, we get manga debuts for the two light novels that came out in April, as we see Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 1, which runs in Comp Ace, and Hazure Skill: The Guild Member with a Worthless Skill Is Actually a Legendary Assassin 1, which runs in, believe it or not, Dengeki Playstation.

Lastly, Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side: Sword Oratoria’s 15th manga volume.

Mayday! Mayday! Throw me a manga!

Baccano!: 1932 Summer: Man in the Killer

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

After a very depressing 1700s volume of Baccano!, it’s nice to be able to get a book that is back at “home base”, so to speak: the 1930s. And this book is markedly lighter in tone, despite featuring a series of murders and an examination of what sort of person you have to be in order to commit said murders. It was originally written as an extra for those who bought the Baccano! anime DVDs Vol. 1-5 in Japan, then fleshed out for this book. That said, let’s face it, the main draw is on the cover art. If you asked any Baccano! fan which two characters absolutely should not meet because the world might end if they started talking to each other, Elmer C. Albatross and Graham Specter would be right at the top. Oh, don’t get me wrong, after a brief misunderstanding they get on like a house on fire. But that is the trouble. The last thing anyone like Graham, who Shaft can barely rein in at the best of times, needs is Elmer’s philosophy of life.

This takes place about seven months after Drugs and the Dominoes and about a year or so before The Slash, and features a few of the characters from both books. It also serves as an odd epilogue to The Rolling Bootlegs. There is a serial killer in the city, Ice Pick Thompson, whose nickname comes from his murder method. We meet Lester, a reporter who’s been ordered to follow the story even though he really would rather avoid it; Mark, a young boy who has decided to kill himself… till he meets Elmer; and Graham, Shaft and company, who are just hanging around the city but keep getting dragged into the plot. Is this just a crazy serial killer, or is there a method to their madness? What does this have to do with the Gandors? What does this have to do with Szilard Quates? And can Isaac and Miria really become literal time? Or money?

The thing that interested me most in this book is the villain, which makes a refreshing change from the usual villains we’ve seen in Baccano!, who tend to be very obvious from the start – art least from the reader’s perspective. This one is meant to be more of a mystery – though really, not that much of one, as there’s something fishy from the start. Which is fitting, given they’re more on the Dallas Genoard end of the villain spectrum than the Fermet end. I also want to note how impressed I am with Graham and Shaft, who are not Japanese but nonetheless make the perfect manzai team. When Sham made Shaft one of his vessels, he basically created the perfect tsukkomi, as well as the only one capable of stopping Graham – not that he ever actually succeeds. The best thing about the book, though, is probably Mark, a quiet, tragic character walking around a sea of loudmouthed extroverts.

If you enjoyed being back in the 1930s, worry not, we’re soon going to be there on a more permanent basis. But first we have to wrap up the 1700s arc, and finally find out what happened on the Advenna Avis. Next time we go to 1711 and see how Huey’s holding up after Monica’s death.

My Friend’s Little Sister Has It In for Me!, Vol. 2

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

In my last review, I compared this book to McDonald’s fast food, and nothing here changes that opinion. I enjoyed it a great deal. It has characters who I enjoy reading, dialogue that’s a lot of fun, and clearly has a long-term goal in mind as opposed to just being written volume to volume. On the other hand, wow, the plot beats here make me cringe. “Let’s save the drama club!” is not something that a self-respecting series should be doing when it’s only the second book, and the ludicrous coincidences that lead to our leads ending up in the production are even worse. Now, I get the sense the author knows this, as the situation really is pretty ludicrous, but yeah, don’t read this for the plot. That said, it should make this pretty fun to adapt when it becomes an anime, and Iroha will no doubt please fans who are already over the moon for Uzaki and Nagatoro, though I warn you her dialogue is a bit slang-filled.

This volume picks up right where the last one left off, as Akiteru tries to figure out how to respond to Mashiro’s confession, and Iroha knows about this confession but has to pretend she doesn’t. Akiteru knows he has to respond quickly and decisively, because he’s read dumb romantic comedy light novels. Unfortunately, it turns out that while he tries his hardest to be the best Eliezer Yudkowsky he can be, he is not quite able to get past the fact that he’s really goddamn happy he got a confession -though it takes him most of the book to figure this out. As for Iroha, well, she’s dealing with jealousy as well, plus her dimwitted senpai not figuring out her feelings (which Mashiro sure can by the end of this book), and it’s even affecting her voice acting work. Hrm, this sounds complicated, maybe saving the drama club *is* what’s needed…

As I’ve said before, Akiteru interests me, mostly as I think he’s screwed up in a very different way from cynics like Kyon or nihilists with a heart of gold like Hachiman. His raw panic when Iroha points out he’s overslept by an hour, and desperation to get to school on time so it doesn’t mess up his regimented life, is very telling. There’s no denying that he’s excellent at directing, be it games or plays, and despite his own denials, he’s a pretty good actor too. But improvisation seems to be a kryptonite for him. The only reason he can do the play is he’s so familiar with the material, and the problems with Mashiro and Iroha that he “solves” here are done after thinking them out in bullet points in his head. The first epilogue suggests that he’s going to have to figure out a way to break through that soon, as he may need to improvise even more in the future.

Despite adding a new cast member to the game group (a classmate of Akiteru’s who is a genius sound designer), this still feels like only three of the cast are really important, and I’m hoping we’ll flesh out the others soon. Unfortunately, next time it looks like the one I didn’t want fleshed out will be getting the spotlight. I smell an arranged marriage… In any case, this is a lot of fun unless you take light novels too seriously.

Bleach: Can’t Fear Your Own World, Vol. 3

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By Ryohgo Narita and Tite Kubo. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Jan Mitsuko Cash.

The first half of this book is, to put it bluntly, a slog. It’s the giant fight against Tokinada that I’d been expecting, but for the most part it’s content to not be “Bleach, only well written” like the first two books but “actual Bleach”, which means that everything moves at the pace of a lethargic snail who’s having trouble getting going in the morning. Tokinada shows off his zanpakuto, whose gimmick is that it can copy the attacks of other Zanpakutos, which also means that he is Monoma from My Hero Academia and thus we can hate him even more. Fortunately, around about the halfway point, several things happen that make the book better. We get some lore we actually care about, Hisagi shows up to remind us he’s the star of these books, and we get some truly interesting characterization from one of the minor big bads I mentioned last time, who finally finds a thing to care about. That said, Nanao is still useless. It is Bleach after all, I guess.

The fights pretty much divide up how you’d expect. The super overpowered kid takes on Zaraki, and Tokinada takes on literally everyone else. Tokinada reveals his motivations for being the biggest smug asshole in all of Bleach (and given this is a series whose villains are ALL smug assholes, that’s a high bar), and these motivations will be very unsurprising to anyone who has read Baccano!, also by this author, as Tokinada and Fermet really do have an awful lot in common. Meanwhile, Hisagi has a chat with our overpowered child before all this begins, and reasons that the way that they’ve been raised means that they’re unable to decide anything on their own or have a moral center. He thus decides to make it his goal to raise this child right. And it turns out that he’s got a solid ally on that one, too. Now if only they could somehow stop Tokinada. Perhaps… if Hisagi finally figured out his bankai?

Bleach tends to run on cool moments, with everything in between just filler while you wait for the next one, so it’s good to see that there are a few here, the best of which is Hisagi stopping Zaraki from fighting Hikone – stopping Zaraki from a fight he’s pumped up for is damn near suicidal, but his reasoning is excellent, and even Zaraki has to agree, to the astonishment of everyone else. Hisagi’s fight with Hikone, using his newly discovered bankai, is also pretty damn cool. And I was pleased to see less death in this book than I expected, though given this is a book that resurrected damn near everyone killed off in the last Bleach arc to show they aren’t really dead, I should not be all that surprised. I also liked the lore that was given to us (which should have been in the actual manga, as is mentioned in the afterword) about the past of the Soul Society and what terrible things keep it going.

That said, Christ, this book is too long. It’s not as long as the 2nd book, but it’s still 285 pages when 185 could have easily sufficed. It’s essential reading for Bleach fans, but everyone else can easily skip it.

Oh yes, love to see Grimmjow shipping IchiHime.

A Mysterious Job Called Oda Nobunaga, Vol. 3

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By Kisetsu Morita and Kaito Shibano. Released in Japan as “Oda Nobunaga to Iu Nazo no Shokugyou ga Mahou Kenshi Yori Cheat Datta Node, Oukoku o Tsukuru Koto ni Shimashita” by GA Novels. Released in North America by Yen On. Translated by Noboru Akimoto.

When I reviewed the first volume in this series, I mentioned that it was by the same author of I’ve Been Killing Slimes for 300 Years, but was its polar opposite. After finishing the series, I’ve realized that may not be entirely true. The books are both written for male audiences, but very different kinds of audience. One emphasizes masculinity, the glory of battle and the constant conquest of women. The other barely has any men in it at all, is relaxed and laid-back, and very deliberately has its heroine trying not to work hard at anything. But they are both, in the end, stories about ridiculously powerful people, who we do not really see lose a fight over the course of their series, amassing a string of young women who adore them. They’re found family in the case of Azusa, and concubines/wives/lovers in the case of Alsrod, but really, all Azusa needs now is a massive fortress to defend.

If you are here for surprising twists late in the narrative, I advise you to find some other series, as you could have predicted every single plot beat in this book before you picked it up. Alsrod puts down a rebellion against him – composed of his brother in law and his father in law – and rewards them as traitors deserve. He then pauses, as the king has decided that it’s now time for him to do the fighting, and spends time on his own demesne waiting for the inevitable failure of the royal army to do anything and their pathetic call for help. When this occurs, he is quick to fight, breezing along towards the enemy and having so few issues that his fellow soldiers remark on how easy this is. Inevitably, the king grows terrified of his power and brands him a traitor. But that’s OK, because he has a badass group of women he’s bedded, who are ready to fight wars, argue politics, and even become queen for him. (And then abdicate, because let’s face it, one can only go so far.)

I will mention to horny readers looking for sex that, while there are at least a dozen if not more scenes mentioning Alsrod getting it on with his many women, there are precisely zero that go into the act beyond “and then we did it. Afterwards, in bed, we discussed…” etc. This book is not here to arouse it is here to show you what an awesome, virile man Alsrod is. And oh yes, there’s also Oda Nobunaga. He still offers the occasional bit of advice, mostly on how to build a really good castle. But, as Nobunaga himself admits, he was murdered before he could get to the “conquer the kingdom” part, so Alsrod has gone further than him. Indeed, that might be the purpose of this book. Look, here’s our hero, and he did what Oda Nobunaga could not. And they all lived happily ever after.

The author admits that, while there might be more tales to tell, he’s not going to be doing it, so this is the last book. Which is a very good thing, as I think the book wears out its welcome exactly at this point. It is absolutely the perfect length for what it is. I recommend it to fans of Oda Nobunaga… well, OK, maybe for those who play the Nobunaga’s Ambition game.

The Invincible Shovel, Vol. 4

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By Yasohachi Tsuchise and Hagure Yuuki. Released in Japan as “Scoop Musou: “Scoop Hadouhou!” (｀・ω・´)♂〓〓〓〓★(゜Д゜ ;;) .:∴DOGOoo” by MF Bunko J. Released in North America by Seven Seas. Translated by Elliot Ryoga.

This was, to be a shovel, a much shovelier shovel than the previous shov… urgh. Sorry. But frankly, after reading the latest volume of this series you just start to do it naturally. This 4th volume has over 1000 uses of the word shovel in some way, shape or form. It begins with a half-failed attempt to make an anti-shovel device, and towards the end ends in a world that is literally made up of millions of shovels, representing Lithisia’s somewhat misguided desires. That said… and despite the continued threat of tentacle shovels molesting the female cast… this was a much better volume than the previous one. For one thing, it actually now seems to be headed for its endgame, and admitting that it has to have Alan and Lithisia talk to each other in a way that does not involve talking past each other. Secondly, the book admits that Catria is the best heroine we’ve got, and that we have the most laughs when watching her suffer.

We begin with our heroes having derailed most of the villain’s plans. They’ve already collected all the necessary orbs. The four deadly mini-bosses have all been either killed or made into Lithisia’s toy shovels. That said, there are still a few problems. The first is Catria’s continued attempts to remain vaguely normal, despite her ability to use Alan’s shovel powers getting better and better. With the help of a hellish artifact (literally), she now has to keep her shovel and anti-shovel thoughts balanced, or else had things will happen. That said, things may be worse for Lithisia, who has already noticed that Alan and Catria are bonding, and is basically a bundle of jealous insecurities. This ends up becoming a disaster of monumental proportions when the orbs grant Lithisia’s wish of a shovel world… one where even the sun itself is forced to have a shovel in it. Is this truly the end?

Lithisia has been the broadest of broad characters since about halfway through Vol. 1, and recently had been verging into actual mental disorders. At heart, though, she remains a maiden in love, and the core conflict of this series, beyond even the need to rescue her kingdom from evil, is her and Alan misunderstanding each other’s wishes. He wants an apprentice in regards to his mining. She wants love… and, perhaps even more importantly, a child. She ends up getting the first, amazingly, as Alan is able to come down from obliviousland in order to admit that he would be perfectly happy to spend the rest of his life with her. That said… this does lead to a very funny situation, as after 4 volumes of Lithisia using the word ‘shovel’ to mean sex, the idea of making a baby the normal way never even occurs to Alan. And that’s not even getting into the last-minute swerve that makes your jaw drop and also your forehead get smacked by your hand.

Despite my thinking that it was leading to an ending, this is not apparently the final book in the series. That said, it is the most recent to date, with Vol. 5 not out in Japan yet. If, like me, you were hoping to temper the shovel humor with actual character development, this is a good one to pick up. And it’s still pretty shovelly fun too.

Der Werwolf: The Annals of Veight, Vol. 11

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

The last couple of books have been trying to explain why Veight is as successful and beloved as he is, and that it’s not simply “he is an incredibly strong and powerful werewolf”. As Veight notes in this volume, he could immediately solve the problem in the kingdom of Kuwol if he simply killed Zagar. He’d be justified in doing so. Zagar killed the king and framed Veight for it. But doing that would plunge the country into chaos, which is absolutely not what Veight wants. Zagar is certainly strong, and can kill anyone who is suddenly no longer useful to him. But all he wants is combat, which means he’ll never be satisfied. Veight, on the other hand, has spent the last ten books making the kingdom safe for both humans and other races, and all he wants to do is settle down with his wife and child. He investigates thoroughly. He takes the opinions of commoners into advisement, but also thinks of the nobles and their pride. He’s just really good at this.

No, don’t worry, that’s not Veight’s unborn child on the cover, but the late king’s, who it turned out had a favorite consort. This volume picks up where the last left off, as Veight tries to figure out how best to unite the nobles, stop Zagar, and not have everything explore into war. He’s helped by the return of Parker, who may have gone missing but was never really in danger, and who is perhaps at his least silly in this book. With the help of a mountain tribe and a cleverly placed fake… as well as, admittedly, the power of modern laser guns… Veight is able to win the day. This allows him to hurry home, as he’s gotten an unfortunate prophecy about Airia, who it turns out needs to have a cesarean section (completely unknown in this world) or else the touch of death may strike her and their child. Can Veight and company save the day? And will the prophecy come true anyway?

This is not the final book in the series – J-Novel Club has licensed at least through Vol. 13, and the rights to the novels were just sold to Square Enix, who will be releasing more. But it’s the end of the “main story”, and the author says that the rest of the books are essentially going to be side stories. (They’re even changing the illustrator to reflect the books “lighter feel” starting next time.) Certainly this seems like the “end of one age, stat of a new one” sort of book, especially with the last few pages of the main story showing off Veight and Airia’s child as well as the return (sort of) of a very old friend. This is why Veight is not Zagar. Zagar cannot be satisfied unless he’s fighting an enemy. Veight, though, once he’s managed to protect what he wants to, and helped others to thrive as a nation… he’s ready to relax and be a husband and father. In fact, he looks forward to it. Well, and a simple vice-commander, of course. He’ll always be that.

I have perhaps enjoyed this series a bit more than it really deserves (it might be the medium – J-NC has licensed the manga and I find it near unreadable), but I do think it rewards readers who like this kind of thing. I look forward to a more relaxed tale going forward.

Manga the Week of 4/28/21

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SEAN: The end of April and there’s still so much going on.

Airship has two digital-early debuts. I Have a Secret (Kakushigoto) is the latest one-shot by the author of I Want to Eat Your Pancreas, and is not related to the manga and anime series Kakushigoto. It’s all about unspoken feelings in high school.

MICHELLE: Ooh. This sounds my speed.

ASH: I’ve enjoyed the manga adaptations of this author’s works; I really need to make a point to read some of the originals.

SEAN: The Strange Adventure of a Broke Mercenary (Kuitsume Youhei no Gensou Kitan) is a fantasy series about a man, the sole survivor of a battle that killed off all those important to him, who hires himself out as a merc. Sadly, most people just want to use him. Can he find an ally? This is a long-running LN series in Japan, with 15 volumes to date.

We also get the last of the deluge of Alice in the Country of digital editions, the light novel Alice in the Country of Diamonds: Bet On My Heart. Lastly, there’s a 3rd volume of Roll Over and Die out early digitally.

Denpa Books’ website says they have the debut of Shino Can’t Say Her Name (Shino-chan wa Jibun no Namae ga Ienai), a one-shot from the creator of Flowers of Evil, Happiness, etc. that promises to be a bit lighter in tone than those titles. It ran in Ohta Shuppan’s Pocopoco, and is about a girl with severe social anxiety. This seems to take a less comedic take than Komi Can’t Communicate.

MICHELLE: I will likely check this one out.

ASH: Same!

SEAN: Ghost Ship has Destiny Lovers 6, Parallel Paradise 5, World’s End Harem 10, and Yokai Girls 13.

J-Novel Club has a quartet of titles, as we get Invaders of the Rokujouma!? 36, Record of Wortenia War 10, Seirei Gensouki: Spirit Chronicles 14, and Sorcerous Stabber Orphen: The Reckless Journey 3 (manga).

Debuting in print for Kodansha is Chasing After Aoi Koshiba (Kyou, Koshiba Aoi ni Aetara), a yuri manga from Ichijinsha’s Comic REX. It’s got the writer of Masamune-kun’s Revenge (ehh…) and the artist of Bottom-Tier Character Tomozaki (yay!). A girl hopes to meet up with her first love at a reunion. (Yes. Yes, I know. It got bumped at the last minute.)

ASH: I thought that sounded familiar!

SEAN: They’ve also got the 8th Bakemonogatari manga and the 8th Kino’s Journey manga, which is also the final volume in the adaptation.

The digital debut is And Yet, You Are So Sweet (Na no ni, Chigira-kun ga Amasugiru), a Dessert title about a girl who just got rejected and the popular guy who hears about this and offers to help with her problem. But will she fall for him?

MICHELLE: Sounds a bit like Say I Love You., but I’m totally down for it.

ANNA: Me too, if only it wasn’t a digital only title because I will likely forget that it exists.

SEAN: We also get The Dawn of the Witch 2, DAYS 23, Harem Marriage 4, Those Snow White Notes 3, What I Love About You 5, and When We’re in Love 7.

MICHELLE: Yay for more DAYS! Also, how am I this far behind on Those Snow White Notes already?!

ASH: It does seem to be on a quick release schedule!

SEAN: One Peace Books has The Rising of the Shield Hero 19.

Seven Seas’ debut is Dai Dark, the latest series from the creator of Dorohedoro. It runs in Shogakukan’s Monthly Shonen Sunday, and should appeal to all fans of her previous work, and likely will be just as violent as her previous work.

ASH: I am so looking forward to this one!

SEAN: Also out: Alice & Zoroku 8, The Ancient Magus’ Bride 14, The Demon Girl Next Door 2, The Legend of Dororo and Hyakkimaru 3, Miss Kobayashi’s Dragon Maid: Kanna’s Daily Life 8, My Room Is a Dungeon Rest Stop 4, and Syrup: A Yuri Anthology 3.

MICHELLE: I look forward to getting caught up on The Ancient Magus’ Bride!

ASH: I’ve some catching up to do, too, but I really do enjoy the series.

SEAN: Square Enix has the 6th Hi Score Girl.

Yen On’s debut next week is a two-fer light novel adaptation of a Makoto Shinkai work: 5 Centimeters per Second + Children Who Chase Lost Voices. Now you can be depressed but also moved in prose!

ASH: I somehow missed that there were two 5 Centimeters per Second novels – Vertical released another one a couple years ago, too.

SEAN: Also out: Accel World 24, The Alchemist Who Survived Now Dreams of a Quiet City Life 6, Baccano! 16, The Eminence in Shadow 3, The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 6, High School DxD 3, The Irregular at Magic High School 16, King of the Labyrinth 2, Torture Princess 7, Wolf and Parchment: New Theory Spice & Wolf 5, Woof Woof Story 6, The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat 2, and You Call That Service? 3. Some long awaited titles there: Irregular at Magic High School and You Call That Service haven’t had a volume out in over a year.


Four Yen Press debuts. After School Hanako-kun (Houkago Shounen Hanako-kun) is a comedy spinoff of Toilet-Bound Hanako-kun. It runs in PFantasy, which I can only assume is like a spinoff of Shonen Panpan? No, that just sounds like a dirty Japanese schoolboy. Anyway, it’s probably an online spinoff of the main magazine.

ASH: I like the main series, so will likely give this one a try, too.

SEAN: I Was a Bottom-Tier Bureaucrat for 1,500 Years, and the Demon King Made Me a Minister (Hira Yakunin Yatte 1500-nen, Maou no Chikara de Daijin ni Sare Chaimashita) is the manga adaptation of the light novel we saw last month. It ran in Gangan Online.

I’m the Catlords’ Manservant (Boku wa Oneko-sama no Geboku desu) is about, as many manga are, a child having to pay off their parents’ massive debt. This one does so by serving shapeshifting cats. This runs in GFantasy, which means it’ll interest MJ, probably.

ANNA: I am just amused by the description of this manga.

ASH: New cat manga!

MJ: I HAVE BEEN SUMMONED. Also, yes. Yes. BRING IT TO ME.

SEAN: Your Turn to Die: Majority Vote Death Game (Kimi ga Shine -Tasuuketsu Death Game-) reminds us that death game manga are still apparently a thing. It’s based on a game, runs in Shonen Ace, and… well, it’s a death game manga. Come on.

Also coming out next week: Golden Japanesque: A Splendid Yokohama Romance 2.

MICHELLE: Yay!

ANNA: I was slightly underwhelmed by the first volume but maybe the second volume will sell me on the series.

SEAN: That ended up being quite a bit. Anything you’re picking up?

Slayers: Gaav’s Challenge

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

Slayers is Lina Inverse’s series, and that goes doubly for the original novels. The story is told from her first-person perspective, and while we’ve had a supporting cast around her for most of the books, I’d argue only Gourry is the one that can’t be replaced… as we’ll find out in a couple book’s time. Thus, it should not particularly be a surprise to find that this one sorcerer is actually on the mind of almost all the demons in the world, being it wanting to kill her as part of some as yet unknown plan, wanting to kill her because the plan is unknown, wanting to kill her because she killed some of their friends earlier, etc., Lina’s got a lot on her plate right now, to the point where “find out why everyone is trying to kill me” is number one on her bucket list. And yet, I’ve got to say, it’s STILL a shocking moment when an elder dragon casually asks Lina if she’s a fragment of the Biggest of Bads in the series, even Lina is shocked. (Note we never find out if this is the truth.)

This may be the most hilariously inappropriate cover art ever. First of all, Slayers does not have a lot of romance in it. Second, almost all the romance it DOES have, including any crushes Amelia might have on Zelgadis, stem from the anime – the author has stated he avoids romance as he’s bad at it. Thirdly, Amelia is actually pretty badass in this book, punching a demon till it explodes, so I’m not sure why we get the “fair maiden” shot here. (Any Amelia fans who were always grumpy about how she was overused for comedy in the anime should definitely check out the novels.) Likewise, Zelgadis does occasionally get angry in this book, particularly when he discovers Xellos’ actual identity and the fact that Lina knew about it, but I can’t see him making this face in the novels ever – like Amelia, he’s simply far more sedate and put together.

The Slayers novels are not exactly what I would call fluffy, but this one in particular is pretty grim, with the city Lina and company are in getting devastated. Early on Lina is hunting down rumors and meets a little thief kid, who lays out some bits of plot for her. He even gets interior art, and I was wondering how he’d show up later on. Then, while fleeing the burning city, she comes across the boy’s body – he’s dead. It’s the sort of thing you rarely see this blatantly in Slayers, but it helps to show off one of the book’s main points – in a battle between demons, humans are irrelevant. When an elder dragon protects Lina from being killed, the demons trying to do it are stunned that he would bother, as humans are there to be meat shields, allies or no. This is a very dangerous world to live in – particularly if you’re Lina.

The next volume wraps up the first major arc in this series, and should be a lot of fun, as our crew tries to defeat Gaav – who I didn’t even mention in my review, despite his being in the title. Plus we’re almost at the books that never came out in English before!