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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Manga the Week of 5/26/21

May 20, 2021 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: The end of May brings us a few more books to check out. And by a few I mean a lot.

ASH: So many books! I love it.

SEAN: Airship has an early digital debut (the print is out in July): Accomplishments of the Duke’s Daughter (Koushaku Reijou no Tashinami). We’ve already seen several volumes of the manga over here… in fact, it was one of the first “oh no, I’m reincarnated as a villainess in an otome game” titles seen here. Let’s hope folks won’t think it’s old hat by now.

ASH: While I liked the manga, I think I might enjoy the novels more.

SEAN: Also out early digitally: Classroom of the Elite 8 and Skeleton Knight in Another World 9.

In print, we see the 6th Reincarnated As a Sword.

Ghost Ship has two titles: World’s End Harem Fantasia 4 and Yuuna and the Haunted Hot Springs 14.

J-Novel Club has no debuts, but we do see By the Grace of the Gods 7, Dungeon Busters 2, Holmes of Kyoto 5, Lazy Dungeon Master 14, Monster Tamer 4, and Slayers 8. Note Slayers 8 is the final novel that Tokyopop released back in the day, so from Vol. 9 on it’s new to English.

ASH: Nice! I love seeing these license rescues making progress.

ANNA: Where’s Demon Sacred!!!!???

MICHELLE: And Silver Diamond! Now that we’ve successfully had Rose of Versailles, someone rescuing Silver Diamond is my dearest licensing wish.

SEAN: Well, Slayers is a light novel, which is more J-Novel Club’s ballpark.

Kodansha’s debut in print (and digital) is highly anticipated. Boys Run the Riot is a story about fashion and gender identity, and is a must-read for LGBTQ readers. It originally ran in Weekly Young Magazine, then moved online.

MICHELLE: I’m very excited for this one!

ASH: Absolutely! Me, too! I’ve heard very good things.

ANNA: Sounds good!

MJ: Yes, this!!

SEAN: Also in print: CITY 11, Fairy Tail’s 4th manga box, which has Vol. 34-43, and What Did You Eat Yesterday? 15.

MICHELLE: Also looking forward to this.

ASH: Any week that brings more Fumi Yoshinaga manga is a good week.

MJ: What Ash said.

SEAN: Debuting digitally is Back When You Called Us Devils (Kimi ga Bokura wo Akuma to Yonda Koro), a Magazine Pocket series about a young man who can’t remember six months of his life running into people who certainly do remember it… and say that he was a monster. More psychological thrillers, yay?

ASH: Hmmm, I am intrigued.

SEAN: Also out digitally: Am I Actually the Strongest? 4, And Yet You Are So Sweet 2, Harem Marriage 5, Saint Young Men 11, Those Snow White Notes 5 (yeah, I give up, sorry), What I Love About You 6, and When We’re in Love 8.

MICHELLE: I feel like this is my last chance to catch up on Those Snow White Notes before it completely gets away from me.

SEAN: One Peace has a 5th volume of The New Gate.

Seven Seas has one debut. Bite Maker: The King’s Omega (Bite Maker -Ousama no Omega-). Yes, A/B/O Dynamics is not just an AO3 tag anymore. Our hero is an Alpha, admired and adored by Betas, but seems unsatisfied… till he meets the Omega of his dreams. This is a Shogakukan shoujo title, running in Flowers’ online magazine &Flowers, and its author is known for pushing at boundaries.

MICHELLE: Yeah, no thanks.

ANNA: I will pass on this one.

MJ: “Pushing at boundaries.” Yeah, no.

SEAN: There’s also Berserk of Gluttony 2, GIGANT 5, Miss Kobayashi’s Dragon Maid: Elma’s Office Lady Diary 4, Saint Seiya: Saintia Sho 13, and Species Domain 10.

Square Enix has Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?! 3 and Ragna Crimson 2.

ASH: I’ve been enjoying Cherry Magic!.

SEAN: Tokyopop debuts Like Two Peas in a Pod (Nitamonodoushi no), a BL one-shot from Mag Garden. Two boys in school are very alike – they’re even both named Tanaka! But when both take an interest in the same girl, are they jealous of each other, or of the girl?

And A Gentle Noble’s Vacation Recommendation 3.

Yen On has a debut that’s actually a sequel. Durarara!! SH takes place 18 months after the end of the main series, and features three new protagonists. (The SH stands for Snake Hands. Don’t ask.)

And there is Bungo Stray Dogs 6, Date a Live 2, The Demon Sword Master of Excalibur Academy 3, Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? 9, a paperback reprint of Haruhi Suzumiya 9, My Youth Romantic Comedy Is Wrong As I Expected 11, and Wandering Witch 5.

Yen Press has one debut and one finale. The debut is Hard-Boiled Stories from the Cat Bar (Sake to Namida to Otoko to Nyanko), a one-shot from Kadokawa’s Young Ace Up. If you love dark grimy noir stories, but also love cats, this is the title for you.

MICHELLE: Hm. Maybe!

ASH: I’m looking forward to giving it a try.

ANNA: I’m curious about this.

MJ: Same here!

SEAN: Ending at 18 volumes (and honestly I forgot it was still coming out, it’s digital-only) is Crimson Prince. The author fell ill several years ago, and so 17 (which came out last month) and 18 had a long delay. It was a good shonen supernatural romance.

Any May flowers you’re picking?

Filed Under: FEATURES, manga the week of

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 3

May 20, 2021 by Sean Gaffney

By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

As far as I can tell, this entire volume had one purpose: to make me feel guilty for calling Ruti terrifying over and over in my previous review. I mean, not to say that she still isn’t a bit much – waltzing past deathtraps that would have destroyed anyone else, taking the killer drug from the previous volume and having it only affect her slightly, and of course saving people when she runs across people who need saving… whether she wants to or not. Indeed, even her companion Tisse, who starts off the book sticking with Ruti seemingly because she’s being forced to, suspects that Ruti is going to turn on her beloved pet spider and kill it, which… isn’t actually true. (The spider’s name is Mister Crawly Wawly, which probably says a lot about Tisse, but let’s move past that.) But in the end, what this book is here to remind us is that behind her hero’s blessing, Ruti is a lonely young girl who HATES being the hero.

In fact, the majority of this volume, at least until the cliffhanger ending, is meant to undercut the previous two. After seeing Ruti as the stereotypical “yandere little sister” sort, she finally is told her brother and Rit are together, and… is not all that happy about it, but does not going on any killing sprees whatsoever. She arrives in town trying to get more of the drug that can kill her blessing, though it’s working pretty slowly so far. It *is* working, though – Ruti’s emotional range widens considerably throughout the book, which also helps to sell what she’s been forced to go through. After two volumes where a “slow life” start was followed by dark content and action scenes, this volume gives us slow life right to the end, with lots of Red and Rit being lovey dovey to each other, etc. Unfortunately, there is that ending… the rest of the hero’s party arrive in town.

I suspect the long term goal for Red and Rit might be figuring out a way to get rid of blessings entirely, though they may earn the ire of the church by doing so. They’re SUCH a liability in this world, with folks who are happy with them outnumber4ed in the narrative by folks who are not. Just as Ruti’s shy, introverted side is transformed by the hero blessing into an emotionless behemoth, so Tisse is an assassin because… well, if she doesn’t kill people, bad things will happen to her, so what choice does she have? (She levels up big time in this book as well, thanks mostly to her emotional support Mister Crawly Wawly.) Everyone is starting to question whether free will is an illusion or not, and this is a fantasy world where that questio9n is very much up in the air. That said, as long as Red is on the side of good they should be fine.

This volume was mostly all slow life, but I doubt the next book will be, as it looks like Ares is going to be having a huge fight with Red. Or Ruti. Or both. Till then,l this remains an excellent example of its genre.

Filed Under: banished from the hero's party, REVIEWS

Bookshelf Briefs 5/18/21

May 18, 2021 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Doughnuts Under a Crescent Moon, Vol. 1 | By Shio Usui | Seven Seas – It’s always worth buying a new yuri volume that features two adults, and this one does not disappoint. Hinako is trying her best to live the life that everyone and everything says she should be living, but she’s still pretty unhappy with it. She also finds herself drawn to Asahi, the cool and collected (and scary to the other workers) manager at the place she works, who turns out… to be a lot cuter than she expected. Meanwhile, Asahi’s sister finds out that she’s made friends with another woman and pushes hard for them to bond some more, as Asahi’s life revolves around work and her sister and that’s about it. This has just gotten started, but I really like both heroines and hope they make it work. – Sean Gaffney

Farming Life in Another World, Vol. 2 | By Kinosuke Naito and Yasuyuki Tsurugi | One Peace Books – I may have been a bit too generous with my brief of the first volume. I think the main issue is that the series does not allow our hero to leave the “village” that he has created—he’s considered too valuable, so others act as his envoys. Which is fine, but… the series never leaves his POV, so they just fly off, then come back. I suspect the series is popular with young men because it does not shy away from talking about how he’s having sex with over 50 women… but I wonder what they get out of it, since none of this is ever shown. You’re left with a book heavy on the food and farming but light on adventure or sex, the reason you’d think folks would be reading it. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 19 | By Aka Akasaka | Viz Media – Again, a book of two halves, and it’s all about the front half, as we resolve the “Hayasaka quits” plotline. It’s very tense and dramatic at times, and I enjoyed seeing Hayasaka briefly fantasize about a more typical romantic comedy resolution to things before being confronted with the sordid reality: Kaguya is upset and feels betrayed. And, well, with good reason. That said, Kaguya clearly understands that Hayasaka was doing this under threat, so they’re able to resolve their past and start over as friends. It’s really nice. The rest of the book is more typical, though we’re definitely setting things up to resolve the Tsubame subplot—is she going to betray Ishigami? Probably not, but I would not expect her to win. – Sean Gaffney

My Hero Academia, Vol. 27 | By Kohei Horikoshi | Viz Media – This marks the start of a very long and very devastating arc, and it’s clear almost from the get-go that it’s not going to go as well as planned. It’s impressively planned too, as the heroes really do try to take everything into account… but the villains are also very, very good at being bad guys. Indeed, the end of this volume revolves around the very question of “can bad guys be redeemed?” and the answer—yes, but you’ll need to do prison time—does not appeal. So the series shows it can kill off regulars, but will it go further? Certainly Mirko facing off against the Nomus involves a painful sacrifice for her, and the students all question whether they should really be there… a question the reader might be wondering as well. – Sean Gaffney

Natsume’s Book of Friends, Vol. 25 | By Yuki Midorikawa | Viz Media – This is down to about once a year now, but I still love it whenever it comes out, whether it’s telling more light-hearted stories, like the one here about a weak yokai hitching a ride out of a dangerous area, or more serious stuff, like the story that takes up the rest of the book, one of the longest arcs to date (and it ends on a cliffhanger), involving Natsume, Natori and Matoba teaming up to take on a nasty customer who seemingly works for an even nastier one who likes to collect yokai-related items. We get lots of (seemingly) identical ceramic cat dolls that look like Nyanko-sensei, some very scary paper dolls, and a real sense of danger on all sides. This feels like the sort of shoujo title you’d read in a horror magazine. – Sean Gaffney

Remina | By Junji Ito | VIZ Media – I’m not exactly a horror manga aficionado, but the premise of Remina intrigued me. Sadly, I ultimately found it strangely unaffecting. When a scientist discovers a new planet and names it after his daughter, she becomes a celebrity. And when said planet swiftly devours the rest of our solar system and heads for Earth, public opinion suddenly shifts as people become convinced that killing Remina the girl will compel Remina the planet to disappear. It’s a neat concept, but nothing lands with any weight. The destruction of the other planets happens so fast, for one thing, and Remina is largely passive (often “rescued” by creeps who then turn on her when she rejects their advances) and frequently expressionless. There are several panels, for example, where if not for dialogue reading “sob sob sob,” I never would’ve known she was crying. For better Ito, I recommend “The Enigma of Amigara Fault.” – Michelle Smith

Sadako at the End of the World | By Koma Natsumi | Yen Press – I’ll have to admit, I’ve never actually read Koji Suzuki’s novel Ring. Even so, I’m still very familiar with the premise of a cursed video tape and the character of Sadako who emerges to kill anyone who watches it—with so many adaptations and references to it in pop culture, Ring is a touchstone of Japanese horror. Sadako at the End of the World is a somewhat unusual but surprisingly effective take on the character and curse. The conceit is that Sadako has been brought forth by two young girls in a post-apocalyptic setting. In their innocence, they don’t recognize Sadako for the vengeful spirit that she is and are instead delighted to finally have someone else around for company. Natsumi takes a humorous approach, but at heart Sadako at the End of the World is a work of horror, even if it can at times be unexpectedly charming and endearing. – Ash Brown

We’re New at This, Vol. 5 | By Ren Kawahara | Kodansha Comics (digital only) – Now that our newly married couple have managed to have their first time, they may like it a bit TOO much—it’s strictly regimented to Friday and Saturday evenings, so that they get enough rest for their jobs. As always, there is a core underneath all the comedic fanservice, which is properly communicating with your partner, and not just assuming you know what they’re thinking. Even Sumika and Ikuma are having trouble with this… the rules have been set, but that doesn’t mean that Sumika doesn’t want her husband noticing when she’s horny and ready to go anyway. This is never going to get very deep, and you’d better be OK with sex and nudity, but it’s still a favorite of mine. – Sean Gaffney

Filed Under: Bookshelf Briefs

Adachi and Shimamura, Vol. 5

May 14, 2021 by Sean Gaffney

By Hitoma Iruma and Non. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

o/~ Come on baby now throw me a right to the chin
Just one sign that could show me that you give a shit
But you just smile politely
And I grow weaker… o/~

–Ben Folds Five, Selfless, Cold and Composed

For a little less than half of this volume of the series, it is a very typical Adachi and Shimamura. Adachi stresses out and worries about what Shimamura is doing/thinking and whether any of it involves her. Shimamura, in contrast, barely thinks of Adachi, instead living her normal life and occasionally attempting to have a real human emotion. Tarumi, her childhood friend with a crush that is obvious to everyone but Shimamura, asks to to a fireworks festival, which she agrees to, though of course her sister and Yashiro come along as well. Adachi is also at this festival, working at a booth for her restaurant, and spots Shimamura and some other girl she doesn’t know in the distance. Oh dear, the reader thinks. Now Adachi is going to stress and stress to herself and avoid Shimamura and do all the other little coping mechanisms that she’s perfected over the last four books. Well, reader, be relieved, that does not happen. Instead, we get what must be one of the most epic meltdowns in the history of light novels.

This happens when Adachi is on the phone with Shimamura, trying not-so-subtly to find out who was that lady Shimamura was with last night. When Shimamura is her usual oblivious self not really listening to anything she’s saying, Adachi proceeds to whine. For one paragraph that goes on for almost six pages. A massive block of text. Everything that she has kept suppressed from the start of the book comes out in one long rant, showing off exactly how obsessed with Shimamura she really is, and also how much she really does feel like a child. Every time you flip a page you think it is almost over, but no, Adachi keeps shouting over the phone, forever. Eventually she runs down into hysterically sobbing Shimamura’s name… and Shimamura’s response is our response as well. “So annoying.” (click).

So, as you can imagine, I was prepared for a second half of DRAMA. This is my own fault, as I forgot a) what series I was reading, and b) what Shimamura is like. Adachi, actually showing some gumption after realizing how much she has fucked up, asks Shimamura out, and Shimamura agrees readily, and seems to have completely forgotten about Adachi’s breakdown the previous day. Actually, this is MORE annoying to Adachi, who would like something a bit more than “indifference”, but well, she fell in love with Shimamura, so she has to take what that means. That said, Shimamura does get something out of this whole debacle: Adachi needs more friends that are not her, to broaden her social life. So she tries to rehabilitate Adachi, who goes along with it for a bit, and they invite Hino and Nagafuji for karaoke, but… meh. It’s not remotely fun for Adachi. Now what?

Adachi comes to a big realization at the end of this book, which she can now admit to herself out loud (at least while no one else she knows is around). Shimamura, on the other hand, while seemingly being the mature, responsible one (something brought up here multiple times by others) continues to make me want to scream until the universe finally ends and then keep screaming after that. I worry that even if Adachi does confess, Shimamura’s reaction will be “well, okay” or something like that. Basically, I suspect these two are going to be in a relationship soon, but neither of them should be. At all. What will Volume 6 bring? Dunno, but I’ll read it, if only to scream more.

Filed Under: adachi and shimamura, REVIEWS

Altina the Sword Princess, Vol. 8

May 13, 2021 by Sean Gaffney

By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Since this volume was released on the same day as the short story compilation, you end up with two Altina reviews in a row. Fortunately, there’s a lot of ground to cover here, as we pick up right where we left off – with Latrielle having just murdered his dissolute father and consort in a fit of disgust. Naturally, this particular part is covered up, but the fact that the King is dead is absolutely not – meaning not only that Latrielle is going to be the next King, but that Altina is no longer in the line of succession. Admittedly, he’s not quite crowned yet. What’s possibly worse is that the military and the crown are finally forcing Regis to return to the capital to get his promotion and title… and no, Altina has an army, she can’t just tag along. That’s right, we’re breaking the fellowship here, and I have a suspicion it may be for multiple books. That said, those who are fond of the low-flame romantic feels in this book might be pleased.

There are, of course, other things going on besides Altina and Regis liking each other and being unable to convey it properly. Regis’ impact is felt on multiple people, especially Clarisse, who may couch it in the form of teasing but clearly likes Regis a whole lot more than she’s ever going to let on. There’s also the matter of Gilbert, the mercenary that was captured last volume, and trying to negotiate so that he’ll join them rather than simply be executed as everyone expects. Unfortunately, the news of the King’s death makes negotiations fall apart a bit. Gilbert’s three sisters are still at large, although they’re a lot less dangerous on their own. And Bastian and Eliza are returning from Britannia after events in the short story collection, meaning there’s another royal to throw into this chaos. With all this going on, there is also personal defeat – Eric’s injury has injured their hand to the point of being unable to use a sword anymore, and Eric is devastated by this.

Despite all the bad news, there is quite a bit of comedy in this book, mostly stemming from Regis’ inhuman self-deprecation, which has actually become a genuine weakness – praise seems to cause him pain. Given that he’s generally considered by everyone not named Regis to be a brilliant strategist, you can imagine how he holds up when he’s escorted by a gorgeous young woman to return to the capital to get a promotion and a title – he’d rather be doing anything else. Altina is also her usual blockheaded, mildly tsundere self – please do not pull anyone into your boobs when you are wearing armor, kid. I get the feeling she’s gonna miss Regis more than he’s gonna miss her, at least in terms of the war. What’s more, given Latrielle assigning Regis as his aid for the immediate future, their separation may be longer than expected.

The author continues to write both this and How NOT to Summon a Demon Lord at the same time, which if nothing else shows off their ability to write in different styles. For those who like a fun, action-filled fantasy with much less fanservice than the other title, Altina remains a solid bet.

Filed Under: altina the sword princess, REVIEWS

Manga the Week of 5/19/21

May 13, 2021 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: As the days get warmer, why not try some manga to cool you off?

Airship debuts a new release, out next week digitally and in print next month. I Swear I Won’t Bother You Again! (Kondo wa Zettai ni Jamashimasen!) features a somewhat familiar plot – a villainess who is in prison for the crimes she has committed ends up in her past self, and is determined to do things right this time. As with many of these stories, I suspect bothering will, in fact, occur.

ASH: Ha!

SEAN: There’s also an early digital for Kuma Kuma Kuma Bear 6.

In print, we debut I Have a Secret, from the author of I Want to Eat Your Pancreas. There’s also the 2nd volume of Trapped in a Dating Sim: The World of Otome Games Is Tough for Mobs.

MICHELLE: I still need to read my digital copy of I Have a Secret. Soon.

ASH: I’ll probably be picking it up in print, myself.

SEAN: Dark Horse has the 3rd and final volume of Danganronpa 2: Goodbye Despair.

J-Novel Club debuts its Pulp imprint, showing us that German novels can be just as bonkers as Japanese ones. The first of these is John Sinclair: Demon Hunter (Geisterjäger John Sinclair). Scotland Yard in the 1970s hunts demons. Imagine The Sweeney but less violent.

ASH: I’m curious to see how this imprint develops!

SEAN: There’s also The Magician Who Rose from Failure 2 and Welcome to Japan, Ms. Elf! 6.

No print debuts for Kodansha, but we do see Blue Period 3, Cells at Work: CODE BLACK 7, Drifting Dragons 8, Fairy Tail: 100 Years Quest 7, Living-Room Matsunaga-san 6, A Sign of Affection 2, Something’s Wrong with Us 6, and Those Not-So-Sweet Boys 2.

MICHELLE: The shoujo titles beckon to me.

ASH: Indeed! I’ve also been enjoying Drifting Dragons.

SEAN: The digital debut is Medalist, a figure skating manga from Kodansha’s Afternoon that is much acclaimed.

MICHELLE: Sports + seinen = yes.

ANNA: Oooh, I’m intrigued.

MJ: I need it.

SEAN: Also digital: Blue Lock 3, A Girl and Her Guard Dog 4, The Honey-Blonde Beauty & Her Vampire 2, Hop Step Sing! 3 (the final volume), We’re New at This 6, and Will it Be the World or Her? 5.

Seven Seas’ debut is the comedy Dungeon Toilet (Isekai no Toire de Dai o Suru), an Akita Shoten title from Young Champion Retsu, and if, like me, you flee in terror when you see the words “Young Champion”, you may have already stopped reading. It’s about a reincarnated kid in search of the perfect toilet in a fantasy world. Laffs no doubt ensue.

ANNA: No thank you!

MJ: Oh no.

SEAN: Also from Seven Seas: Didn’t I Say to Make My Abilities Average in the Next Life?! Everyday Misadventures! 2, How NOT to Summon a Demon Lord 11, The King of Fighters: A New Beginning 5, and Wonder Cat Kyuu-chan 2.

No debuts from Viz, but we do get BEASTARS 12, Hell’s Paradise Jigokuraku 8, Levius/est 8, No Guns Life 10, Urusei Yatsura 10, The Way of the Househusband 5, and Zom 100: Bucket List of the Dead 2.

MICHELLE: I look forward to getting caught up on The Way of the Househusband!

ANNA: I’m actually not behind on that series!

ASH: It’s one of my favorites at the moment.

SEAN: Yen On has been doing so much shuffling of release dates lately that it’s hard to get a handle on what is due out next week, especially as the print and digital dates differ. We should definitely have the 3rd Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside and the 2nd Interspecies Reviewers.

Yen Press has similar release date blues, but definitely debuting next week is I’m the Hero, but the Demon Lord’s Also Me (Boku ga Yuusha de Maou mo Boku de), a title from Media Factory’s Comic Alive, my old nemesis. A young man is approached by a beautiful woman to be the Hero… and another beautiful woman to be the Demon Lord. Turns out it could go either way. Hard to get past that boob-laden cover, though.

Also debuting is Sex Ed 120% (Seikyouiku 120%), which runs on ASCII Mediaworks’ @Vitamin site. This seems to combine comedy and actual sex ed, as a teacher who thinks she can teach sex ed better than the modern sex ed texts tries to teach her class about various subjects. I’ve actually heard this is pretty good.

ASH: Same!

SEAN: Does this list cool you off or warm you up?

Filed Under: FEATURES, manga the week of

Altina the Sword Princess: Loose Threads

May 12, 2021 by Sean Gaffney

By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Yes, as you guessed from the title of the book, it’s time for a short story collection. That said, there’s only three stories in this volume, so they’re pretty long. The first of these stories is essentially an Encyclopedia Brown story with Regis as the title character and Altina as Sally, made all the more impressive by the fact that they haven’t actually met each other yet when it occurs. Altina is at her new command, but no one is taking her seriously yet. Meanwhile, Regis’ commander has just died and he’s busy waiting to be demoted/exiled. And then a crate of expensive wine goes missing in Altina’s camp, and they try to find the culprit. This shows off Regis’ ability to be “the smart one”, although frankly the solution to this problem was not all that hard. More to the point, it establishes the relationship he and Altina will have before they even see each other, and as such it’s rather sweet.

The second story is also a “how they met”, as we get a closer look at Eddie, the erstwhile knight protector and lover of Auguste… or rather of Felicia, the 5th princess who is pretending to be Auguste. There is some cute writing here, mostly in the author trying to have the reader think some sexytimes are happening and then having it be something totally innocent, but for the most part this is a serious story. Eddie is renowned for being a soldier who doesn’t kill, and as such is regarded as a coward and a failure, mostly as his detractors are a bit too rock-headed to see how strong you have to be to do the level of not-killing that Eddie does. The revelation that it was Felicia who started him on this path is a bit on the nose, but nice. I also enjoyed the multiple descriptions, both in this and the following story, of Altina as this monster who can lift cows by herself and is not someone to imitate at all.

The final story is the one specially written for this book (the other two were previously published), and continues the story of Bastian and Eliza from the fourth volume, who if you’ll recall were last seen near death and had a death warrant put on them by the usurper queen. They’ve managed to find refuge with one of the few families not willing to sell them out, but it’s still tough times. This story hammers home something we also saw in Eddie’s story, which is that the best way to have peace is not to fight. Unfortunately, that can be difficult, especially as Bastian’s family has been doing nothing but fighting for four centuries now. He also gets a crash course in democracy from a young student who is also having to lay low while the war is going on, and might be reconsidering the whole “noble/commoner” dichotomy. This is the most serious story in the book, and looks like it might serve as a way to get the third prince back into the main storyline.

Which we will see next time, as Altina the Sword Princess 8 is… already released! But definitely read this volume first. It’s a good collection.

Filed Under: altina the sword princess, REVIEWS

Reign of the Seven Spellblades, Vol. 2

May 11, 2021 by Sean Gaffney

By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Alex Keller-Nelson.

Much to my surprise, after a humdinger of a reveal towards the end of the first book, the second book in the series does not build on that reveal beyond a few ominous scenes. Instead, this book proves to be 100% magical academy adventures. This is not a flaw, as the author is really excellent at writing magical academy adventures. We get broom lore, epic sword and magic duels, wacky classwork, terrifying classwork, and more of The Labyrinth, which is likely going to take up more and more of the books as the series goes on. Here our group of six decides to make a home base inside it, the better to do all the little things they really don’t want others to find out about. Unfortunately, our kids are all Very Special People, and as such have attracted the attention of others. This means even more battles, more secrets revealed, and more magical sword battles. Unfortunately, it also means a nasty cliffhanger.

While Oliver and Nanao continue to be the “protagonists” part of the group of six, the others are getting development, and in this book it’;s Pete and Chela who get it. While I will try not to spoil too much, Pete’s plotline in particular is quite well done, and I liked the fact that everyone was understanding and that he was immediately introduced to a support group of people with similarities. And if it also feels like a “fuck you” to a certain other magical academy book writer, well, all for the better. As for Chela, her plot is tied into her family history and the way magical families work in particular. In my last review I compared her to Rin Tohsaka, and that comparison holds up very well here, even including a younger sister that she’s unable to publicly acknowledge. She continues to be my favorite of the six.

As for others, I am hoping Guy gets a book of his own soon, as he’s currently “the other one”. Katie builds nicely on the first book, and I appreciate her discovery that even groups that supposedly share the same belief as she does are not the sort of groups she wants to be involved with. This society is complex, and changing ingrown prejudices is not going to be as easy as a well-timed lecture to the head. The minor villains in the book include an arrogant not-Italian kid (in the same way Nanao is not-Japanese) who tries to show Oliver why learning the basics is bad, the aforementioned younger sister and her servant/best friend, and another guy who acts the part of an arrogant asshole because he was essentially traumatized into it. In this book, both good and bad guys have a rich characterization to them. Well, except Guy. Sorry, Guy.

The cliffhanger makes me want to read the next in the series right now, but we’ll have to wait a bit. In the meantime,l please read this, it’s one of the best light novel debuts from 2020, and 2021 proves it was not a fluke.

Filed Under: reign of the seven spellblades, REVIEWS

Reincarnated As the Last of My Kind, Vol. 2

May 10, 2021 by Sean Gaffney

By Kiri Komori and Yamigo. Released in Japan as “Tensei Shitara Zetsumetsu Sunzen no Kishou Shuzokudeshita” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Roman Lempert.

It’s always fun to see a cute, slow life sort of tale fight against its own narrative, which is trying to make sure that the slow life speeds up in a hurry. This second volume sees Tina and her family continuing to try to make improvements to the inn, better food, and better quality potions over the course of about four years. Indeed, when the call comes to invite her to a school where she can learn to be a better alchemist… she declines, as she’d rather stay where she is right now. Unfortunately, these are Troubled Times, and it’s going to be very hard to escape the pull of the incoming war, especially when you’re a prodigy with mad skills that no one has ever seen in their life. And as if that weren’t enough, there’s also a combination religious/ecological crisis going on, which could mean the literal end of the world unless it finds a savior. Two guesses who that’s supposed to be.

The first chapter in this book is unique to the book, i.e. was not pat of the webnovel, as Tina and her family play host to a scholar with a preference for very hot food, which involves making udon. After this we get two larger chapters, featuring Tina at age 10 and 12 respectively. In the first, Lico and the other knights arrive at the inn searching for a group of demihumans that got lost in the forest. This is a fantasy series, so naturally you get one elf, one dwarf, and one kobold, though the angel is a surprise, to both Tina and the reader. They have to fight off a nasty monster attack that almost kills off Lico – again. The second story sees Tina and her family head into the big city to attend the funeral of Marcus’ former commanding officer. Unfortunately, on their way back they meet some twins under attack by a very nasty zombie. In fact… there have been a LOT more monsters and zombies lately…

A lot of this is very fun. I liked Shida, the elf, who is an arrogant SOB in the elf tradition but also strangely likeable, and I appreciated that he and Tina did not remotely hit it off. Marcus’ pathetic attempts at romance, combined with his daughter Nakona’s sheer obliviousness to the many men in love with her is amusing, and we, as read3ers, empathize with Tina’s frustration, especially when Marcus and Lico are trying to out-selfless each other. (Lico wins, by virtue of being near death.) That said, a lot of this book is pretty ominous and scary. Both the text description and the illustration of the zombie attacking Tina and company is harrowing, and you start to wonder if this really will be the sort of series to kill off its regulars. Then there’s the subplot regarding human religion and prayer literally killing the world, which might upset some readers, but is pretty well done in universe.

So the question at the end of this 2nd volume is, will the 3rd book involve Tina heading off to save the world, or will Tina try to save the world while still doing things like making honey and trying to create supreme potions? Regardless, if you enjoyed the first book in the series (and are perhaps not evangelical Christian), this one is definitely worth your time.

Filed Under: reincarnated as the last of my kind, REVIEWS

Culinary Chronicles of the Court Flower, Vol. 1

May 9, 2021 by Sean Gaffney

By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by afm.

It is somewhat hard not to start reading this and not think of The Apothecary Diaries, which also features a young woman arriving at the Emperor’s palace and featuring a number of young women who are there to be his courtesans, as well as a eunuch who is rumored not to be. Oh yes, and clearly based on Chinese rather than Japanese tropes. That said, the two series end up going in a slightly different direction, as Maomao’s one smart cookie who’s there to be a Jessica Fletcher sort. Meanwhile, all poor Rimi wants is somewhere to prepare delicious food and a sense that she belongs. Unfortunately, getting either of those proves difficult. Despite almost immediately running into most of the “very handsome men” part of the inner palace, she finds her homemade fermented rice in danger, the other women of the palace bully her tremendously, and, oh yes, the Emperor takes one look at the gifts her nation sent along with her and decides to have her executed. How can she make dashi like this?

Rimi can be a hard character to get a hold of. At first I thought she was a “fluffhead” sort of character, but that’s less due to her natural state of mind and more due to her spending most of her life as an extraneous extra. For the last ten years she’s lived with only one other person, her older sister, and cooking was essentially her entire life. Most of the decisions she’s made over the course of her life have involved “I’ll do this so that they don’t worry about me”. Now she’s having severe culture shock (much of the novel is about the differences between this “not-China” that she lives in now and the “not-Japan” she was born in), can’t even really speak the language very well (the translator does a good job of showing off how her attempts to speak to the emperor or Shusei can occasionally be incredibly blunt or even coarse), and, of course, has been threatened with execution multiple times. She faints more than once here, but she certainly earns them.

As for the men, well, this is a reverse harem series, so they’re all very pretty. I’m guessing the main love interest is Shusei, the self-styled culinary scientist, whose attempts at healthy food are not well-loved. He bonds with Rimi over food, and seems pretty smitten with her by the end of the book, though of course he has no idea what that feeling is. The Emperor may threaten to cut off her head multiple times, but shows himself to be a big softie when presented with food he doesn’t hate – which is to say, food in the proper environment. As for the food itself, well, given the ingredients are clearly meant to be the fantasy equivalent of kombu and katsuobushi, we can guess why she’s so desperately pointing out that they are not “planks of wood”. There is much here to interest a foodie, especially if you like discussing the difference between Chinese and Japanese cuisine.

This is 11 volumes total in Japan, so we’ve clearly got a ways to go. but it’s a very good start, and if you like plucky heroines, handsome bishonen, and a LOT of talk about dashi, this is a winner.

Filed Under: culinary chronicles of the court flower, REVIEWS

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 3: Adopted Daughter of an Archduke, Vol. 5

May 8, 2021 by Sean Gaffney

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

Word of warning: this review is filled with spoilers. If you do not want to be spoiled, you should only read everything above the cover image.

The final volume of this particular arc sees Rozemyne finally managing to achieve everything she needs in order to fix her mana and her body. Given that we’d previously seen the expedition to get the ruelle ingredient, and saw it fail, it should not be surprising that we see it succeed here. The main new plot point is the introduction of the Archduke’s daughter Charlotte, who adores Rozemyne and sees her as a big sister, something that absolutely fills Rozemyne (and, let’s be frank here, Myne) with delight. She is therefore determined to give Charlotte the best possible baptism before she takes her potion, which we are told will require her to sleep for about six months. Unfortunately, things are (again) sent into turmoil by Wilfried being unable to think politically. And then, well… everything turns terrible.

Even with the hint that Rozemyne would be out cold for six months as seen earlier in the volume, I don’t think any of us expected the time skip to actually be TWO YEARS. The fact that it doesn’t even fully heal her (though she is allegedly much healthier now) and also still looks like a seven-year-old makes it extremely easy to understand her stunned reaction at the “end” of the book. Except, given this is a Bookworm novel, we have a bunch of stories from other perspectives at the end, and this time they take up almost half the entire volume. The stories serve to tell us two things: first, that everything Rozemyne does and accomplishes is truly stunning and irreplaceable… and second, that she’;s also set everything up so well that it can run pretty well without her. Indeed, Benno states that this is a good thing in some ways, as having no new innovations for the next while will let the innovations she’s already come up with take hold.

While this book revolves around a serious event, it is not without its humor. Angelica manages to even inject the best joke in the volume into the middle of the tense midair rescue of Charlotte. It is also not without its romance, though surprisingly – though it shouldn’t be – the pairing its’ been teasing for the last few books is the one that doesn’t work out. Bookworm is walking a fine balancing act between showing off the problems with a very class-based system while also showing that this is not something that can be changed overnight by one girl and her books, and The non-marriage of Damuel and Brigitte is an excellent example of this, as it forces them to think harder in order to give the reader more immersion into this very political, very difficult country. On the lighter side, Tulli is suddenly becoming a hot commodity… am I the only one seeing her and Lutz as a pairing? If only as Lutz and Myne was pretty thoroughly torpedoed several books ago.

The next arc has the exhausting subtitle “Founder of the Royal Academy’s So-Called Library Committee”, and is apparently “The Great Brain at the Academy – The Rozemyne Variations”. We’ll see how she copes with her miniature Rip Van Winkle timeskip next time. Till then, this is another volume that reminds you why this series is one of the most popular light novels of the last few years.

Filed Under: ascendance of a bookworm, REVIEWS

My Alcoholic Escape from Reality

May 7, 2021 by Sean Gaffney

By Nagata Kabi. Released in Japan as “Genjitsu Touhi Shitetara Boroboro ni Natta Hanashi ” by East Press, serialized in Matogrosso. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Lianne Sentar.

If you have read the previous volumes of Nagata Kabi’s biographical examination of her past struggles, seeing the title and the cover art for this new book probably makes you think “Oh no.” But yes, once again life is not as simple as it seems, and recovery can be a path you walk on that might just lead you to a different wrong path. After dealing with mental and emotional struggles in My Lesbian Experience with Loneliness and My Solo Exchange Diary, and resolving to stop writing memoir-style manga (as she worries it makes her family and friends upset, which it does to an extent), a combination of adjusting to a lot of new medication and a lack of inspiration for fictional manga ideas have led her to stop by the ten bars that are between her house and the nearest station. The result? After intense stomach pain, she goes to the hospital to find she has acute pancreatitis – her reading is TEN TIMES what it should be. And so… she’s admitted to the hospital.

This takes place over a more compressed period of time than the previous volumes, focused very specifically on this point in her life. As you can imagine, a lot of it makes for uncomfortable reading, and going cold turkey on alcohol and fatty foods proves to be far more challenging than anyone can imagine. There’s also some excellent examination of medications and painkillers – the side effects that they can cause, the differences between them, and the depressing realization that some of these may need to be taken for the rest of her life. The hospital staff are very nice, but also seem to be nice in that “I am not personally involved with you” way, so it can come across ass a bit callous at times. There’s also a great discussion of alcoholism just before she’s discharged, as the doctor talking to her notes “Japanese people see alcohol as alcohol” – in other words, not as a drug, or something that could lead to alcoholism.

The other great part of this book is showing us Nagata Kabi’s determination to create new work, and how this can get so frustrating that, well, she can end up drinking herself into the hospital. Good things are happening to her – while there, she finds out that My Lesbian Experience with Loneliness won the Harvey Award – but this does not necessarily translate into ongoing creativity, as she has four partially completed projects with four different publishers, none of which are nearing completion. She’s also feeling tremendous guilt over how others are seeing her memoirs – not just her family, but a manga that she enjoys reading where the protagonist is told “don’t write about our life”. The trouble is… that’s what she excels at. A manga friend of hers urges her to stop pushing her brain to do things it doesn’t want to do and continue writing autobiographical memoirs. Even if it can be painful for all involved.

This is hopefully not the last we see from the author – a new memoir was just published in Japan three months ago. As with other books by this author, it can be difficult to read. But I enjoyed its look at struggling to accept that the body can crumble just as much as the mind can, and that recovery can be just as hard.

Filed Under: my alcoholic escape from reality, my lesbian experience with loneliness, REVIEWS

Manga the Week of 5/12/21

May 6, 2021 by Sean Gaffney, Anna N, Michelle Smith, Ash Brown and MJ Leave a Comment

SEAN: Happy Mother’s Day! Let’s look for some manga that you can safely show to Mom.

Airship has two early digital releases, Adachi & Shimamura 5 and Failure Frame 2.

Debuting in print is Drugstore in Another World: The Slow Life of a Cheat Pharmacist. And we get the 2nd Muscles Are Better Than Magic as well.

ASH: I didn’t pick it up digitally, but am still vaguely intrigued by Drugstore in Another World.

MJ: I’m intrigued by the title alone.

SEAN: Dark Horse has a 6th omnibus volume for Gantz.

J-Novel Club has a few digital manga titles that I missed last time that are out this week. Apologies to An Archdemon’s Dilemma 5, Bibliophile Princess 2, and Record of Wortenia War 2. This is the danger of not adding “LLC” to your searches.

ASH: It can make a difference.

SEAN: As for this week, in terms of manga we have Ascendance of a Bookworm 7 and Mapping 2.

In terms of digital light novels, we get The Greatest Magicmaster’s Retirement Plan 9 and In Another World with My Smartphone 22.

Kodansha has a few print volumes next week. We get Don’t Toy with me, Miss Nagatoro 7, Sachi’s Monstrous Appetite 2, and Yuzu the Pet Vet 5.

MICHELLE: I still need to check out Yuzu.

ASH: I’ll have to admit the same.

MJ: And I.

SEAN: Digitally the debut is The Springtime of My Life Began with You (Kimi to Aoi Haru no Hajimari), a shoujo title from Dessert. The author’s had a lot of titles out over here, some from Kodansha (The Dorm of Love and Secrets, The Prince’s Romance Gambit) and some via Media Do’s many and varied company names (Heart Break Club). A popular guy is forced, as a punishment game, to ask out the quiet, shy girl in front of the whole class. The trouble is… he insists he really likes her!

ANNA: Those popular guys and their shenanigans!

MICHELLE: I know this concept is not the greatest, but I think the cover is pretty and enjoyed The Dorm of Love and Secrets, so I’ll be giving this a shot.

SEAN: We also get Ace of the Diamond 32, My Roomie Is a Dino 5, Nina the Starry Bride 2, Peach Boy Riverside 7, Saint Young Men 12, and Those Snow White Notes 4, voted “series most likely to get behind on” by Manga Bookshelf.

ANNA: I haven’t read the first volume so I’m sure I’m behind.

MICHELLE: Gah, so behind. It’s coming out especially quickly for some reason! I’m also in need of a mini-marathon on Ace of the Diamond.

SEAN: One Peace has the 2nd volume of isekai harem title Farming Life in Another World.

Seven Seas has FOUR debuts next week. We’ll start with My Alcoholic Escape from Reality (Genjitsu Touhi Shitetara Boroboro ni Natta Hanashi), the latest biographical manga from the creator of My Lesbian Experience with Loneliness, which promises to be as riveting as the previous book’s she’s given us. It ran in Matogrosso, put out by small publisher East Press.

ANNA: Oh wow.

ASH: They’re good but hard-hitting manga.

SEAN: Ride Your Wave (Kimi to, Nami ni Noretara) is a one-volume manga adaptation of the movie of the same name, and ran in Shogakukan’s Deluxe Betsucomi.

MICHELLE: Hm. It’s sports-adjacent, seems like.

SEAN: School Zone Girls is a title from Mag Garden’s MagComi about two troublemaking girls who’ve been together forever, but are they more than just friends? This seems to emphasize the comedy over the yuri.

Lastly, we get Thigh High: Reiwa Hanamaru Academy (Reiwa Hanamaru Gakuen), a Kodansha title from good! Afternoon, and is about an all-girls school… populated entirely by gorgeous crossdressing men. This one also seems to emphasize the comedy.

ASH: This could be hilariously good or hilariously bad – I’m not sure that I can resist finding out which.

MJ: I really don’t know what to expect from this.

SEAN: Also out: Dungeon Builder 4 and Uzaki-chan Wants to Hang Out! 5.

Square Enix debuts I Think Our Son Is Gay (Uchi no Musuko wa Tabun Gay), a Gangan Pixiv title about a mom who has realized that her son is keeping a secret. This is supposed to be very good.

ANNA: I’m curious.

MICHELLE: Same.

ASH: Really looking forward to this one.

MJ: I’m excited to read this one!

SEAN: They also have By the Grace of the Gods’ 2nd manga volume.

SuBLime wins the title of the week competition with the debut of Dick Fight Island (8nin no Senshi), a long-running title from Libre Shuppan’s Be x Boy Gold. The synopsis… is pretty much not work safe, but can probably be guessed from the title.

ANNA: I don’t think anyone could buy that manga and be confused about what they’re getting.

MICHELLE: Snerk.

ASH: I likewise suspect that it is unlikely.

MJ: I mean. Well.

SEAN: They also have Vol. 2 of Don’t Be Cruel: plus+.

Speaking of BL, Tokyopop has a one-shot title, The Treasure of the King and the Cat (Ou to Neko no Himitsu), about a king investigating a series of disappearances who gets caught up in magic.

They also have Ossan Idol 3.

No debuts for Viz, but we get Fly Me to the Moon 5, Fullmetal Alchemist: Fullmetal Edition 13, Pokemon Sun & Moon 10, Rin-Ne 39, Splatoon 12, A Tropical Fish Yearns for Snow 7, and Yo-Kai Watch 17.

ASH: Some great ongoing series in that list!

SEAN: That’s it. See anything maternal? I Think Our Son Is Gay looks like the best choice. I’d avoid Dick Fight Island. Unless your mom loves BL.

Filed Under: FEATURES, manga the week of

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Vol. 3

May 6, 2021 by Sean Gaffney

By kiki and kinta. Released in Japan as “Omae Gotoki ga Maou ni Kateru to Omou na to Gachizei ni Yuusha Party wo Tsuihou Sareta node, Outo de Kimama ni Kurashitai” by GC Novels. Released in North America by Seven Seas. Translated by Jason Muell. Adapted by Brock Wassman.

If anyone had “zombie apocalypse” on your Roll Over and Die bingo card, well, congratulations. I can’t really be surprised, as not only is this series far more comfortable with being a horror book than a yuri book, but it’s several different types of horror book as well. That said, the undercurrent of the entire series is “we need to fix all this so we can live a peaceful happy life”, and, especially here, we are told that getting a peaceful and happy life does not mean sticking your head in the sand. Milkit has a quote that sums it up: “This world has no shortage of people willing to drag others down to make themselves feel superior and in control,” said Milkit. “The moment you accept that you can’t get away, you let them win.” This book is about not letting them win. Not that it’s a total victory, though…

Pictured on the cover are Gadhio, formerly of the Hero’s party, and his wife Tia. If he seems a bit less than happy, it’s because Tia’s been dead for the last six years. After Milkit gets kidnapped AGAIN, Flum discovers that the culprit is Milkit’s old master, the one who damaged her face and is in general one of the worst people in this book (and that’s saying something). Unfortunately, after Flum gets her brutal revenge and takes Milkit back, they discover that the dead are returning to life. Not just Milkit’s old master, either, but Gadhio’s wife and even Eterna’s adopted family have returned from the dead. They seem real… mostly? They’re being very friendly? But how much can this be trusted, especially since it seems to be part of a plot by the Church?

As with previous books in the series, this volume features a lot of body horror, brutal killings, and bad things happening to both good and bad people. There’s graphic descriptions of torture, and while there are fewer main characters dead than I had expected when I started, in the end surviving is about all our heroes really achieved. At the same time, of course, there are a few really sugary sweet yuri scenes sprinkled throughout (primarily Flum and Milkit, though there’s also some suggestive stuff between Ink and Eterna which I am far less comfortable with.) Milkit here decides that what she’s feeling for Flum is definitely love. Flum likely feels the same, but both of them are too shy, and possibly a bit too broken, to have it be much more than “we just want to be at each other’s side”. That said, I am appreciative of these scenes, as without them this book would be too dark to even read at all.

The Hero’s Party was also in this book, and things appear to be going very badly for them, as two are evil and two are likely going to be forced into evil. The next book in the series has Cyril on the cover, so I suspect we may see even more of them next time. Till then, this is still well-written and compelling, but save it for when you have a strong stomach.

Filed Under: REVIEWS, roll over and die

Bookshelf Briefs 5/4/21

May 4, 2021 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Days on Fes, Vol. 1 | By Kanato Oka | Yen Press A manga about the joys of music festivals is something we’ve seen before, but usually it’s from the perspective of the band playing onstage. This new title is devoted to the happiness found in being a concertgoer at these festivals, told from the perspective of two high school girls—one a festival veteran, the other a newbie—and the veteran’s older brother, who runs a cafe, and his friend/employee, who is… Eeyore, frankly. Aside from the fun festival stuff, including an impromptu fashion show the girls give us, I was left wondering if this is a BL or yuri manga—the two guys, especially, given off a very couple vibe without actually being one. I’ll definitely be reading the next volume. – Sean Gaffney

Haikyu!!, Vol. 43 | By Haruichi Furudate | VIZ Media – I originally thought I wanted to see Haikyu!! end with Karasuno triumphing at the National Tournament. Furudate-sensei doesn’t go that route, though, and this volume in particular proves why that was absolutely the right choice. After two years in Brazil honing his skills playing beach volleyball, Hinata returns to Japan and joins a pro team (alongside some familiar faces) in the top tier of Japan’s volleyball league. This volume finds him facing off against Kageyama (and some familiar faces) for the first time since middle school, with even more familiar faces among the spectators. We needed this final arc to see how good Hinata has become, how it’s become clear even to those who once doubted him that he is a very valuable player even without Kageyama by his side. The best part, though, is the obvious respect Kageyama has for Hinata. They’ve grown in so many ways. Sniff. – Michelle Smith

Komi Can’t Communicate, Vol. 12 | By Tomohito Oda | Viz Media – The majority of this book is about the summer break from school, and attempts of the group to go to the beach as a fun activity. The difficulty is that Najimi ends up not going, so the rest of the cast, who rely on Najimi to be so over-the-top extroverted that they drag everyone else with them, is feeling awkwardly quiet. But once we get there we get a lot of fun in the sun. That said, we may be setting up an important plot point ahead, as in order to get rid of some unwanted guys hitting on her, Tadano says that he’s Manbagi’s boyfriend… something that afterwards she does not entirely seem to be opposed to. Are we headed for a love triangle? Still one of my favorite school comedies running right now. – Sean Gaffney

Satoko and Nada, Vol. 4 | By Yupechika | Seven Seas – The final volume of this story is mostly happy and heartwarming, though it can also be quite realistic—when their time together is up, Satoko and Nada go on to have separate lives, though the epilogue does show them meeting up again years later. Still, the impact they had on each other’s lives is astounding. As for the manga itself, it’s still showing off the differences between not only Japan and Saudi Arabia, but also both nations and America. Both women end up living strong, fulfilling lives, and you will be very happy to have watched part of it. This is one of my favorite pickups of the last few years, and at only four volumes it also would make a great gift set. – Sean Gaffney

Skip Beat!, Vol. 45 | By Yoshiki Nakamura | Viz Media – It feels like a dam has burst, reading this volume. The back half of the book contains some of the most amazing art in the entire series, with Kyoko literally running away from everything as fast as she can only to find Ren proving that he can run faster and confront her harder. That said, the front half of the book is also excellent—this series is now 45 volumes long, and has come a long way from a girl and her rage gremlins that surround her trying to get revenge, but it’s nice to know that whenever there’s a real problem, Ren can always turn to a giant chicken for advice. That said, she’s not a man, she’s a Kyoko Boo, so I’m on tenterhooks waiting for her response. Which, erm, is not scheduled by Viz yet, alas. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 14 | By Kagiji Kumanomata | Viz Media Throughout this series we’ve been wondering exactly why the human world is relying on doofuses like Braver to try to save the princess from her presumably horrible fate. OK, let’s be fair—no, we haven’t. We’ve been watching Syalis be a combination of evil gremlin, naive doofus, and teenager growing up. But it comes to mind in this new volume as her mother the Queen, running away from home after an argument with her husband, stays over for a bit with Syalis. We’ve met the Queen before, but it’s no surprise to find that she and her daughter are quite similar… or that the King is likely to be far less accommodating. Also, there’s that pesky human/demon war. Can these problems be solved? – Sean Gaffney

Snow White with the Red Hair, Vol. 12 | By Sorata Akiduki | Viz Media – Well, so much for moving in together. After the last volume saw Zen and Shirayuki finally be able to be in the same building with each other, this new one sees Shirayuki being reassigned, meaning a long time away from Zen. Yes, Snow White with the Red Hair appears to be turning into a long-distance dedication. (Can we get fantasy Casey Kasem?) Oh yes, and the Queen, who apparently is allergic to being in the castle, has decided to abdicate in favor of the eldest son, which leads to a big ol’ ceremony and also the reintroduction of characters we thought might be gone, like Kiki’s wannabe fiancee. In any event, it appears we’re definitely headed for a new arc in the next book. – Sean Gaffney

What the Font?!: A Manga Guide to Western Typeface | By Kuniichi Ashiya | Seven Seas – While there doesn’t seem to be any shortage of manga with anthropomorphic characters, I can safely say that What the Font?! is the first I’ve come across featuring fonts personified, putting a literal face to typeface. Ostensibly, the story is about Marusu, a salesperson who has been put in charge of a proposal layout despite having no formal background in design or typography. But What the Font?! isn’t really about telling a story; it’s about providing Marusu (and by proxy the readers) a crash course in Western typefaces, their history, aesthetics, and uses. Most of the volume is presented as four-panel manga accompanied by informational tidbits. The humor isn’t always particularly funny or invigorating, but some of the jokes are quite memorable as Ashiya finds ways to successfully convey the characteristics of fonts through human personalities and behavior. What the Font?! is an accessible and frequently entertaining introduction to typography. – Ash Brown

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