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Altina the Sword Princess: Loose Threads

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Yes, as you guessed from the title of the book, it’s time for a short story collection. That said, there’s only three stories in this volume, so they’re pretty long. The first of these stories is essentially an Encyclopedia Brown story with Regis as the title character and Altina as Sally, made all the more impressive by the fact that they haven’t actually met each other yet when it occurs. Altina is at her new command, but no one is taking her seriously yet. Meanwhile, Regis’ commander has just died and he’s busy waiting to be demoted/exiled. And then a crate of expensive wine goes missing in Altina’s camp, and they try to find the culprit. This shows off Regis’ ability to be “the smart one”, although frankly the solution to this problem was not all that hard. More to the point, it establishes the relationship he and Altina will have before they even see each other, and as such it’s rather sweet.

The second story is also a “how they met”, as we get a closer look at Eddie, the erstwhile knight protector and lover of Auguste… or rather of Felicia, the 5th princess who is pretending to be Auguste. There is some cute writing here, mostly in the author trying to have the reader think some sexytimes are happening and then having it be something totally innocent, but for the most part this is a serious story. Eddie is renowned for being a soldier who doesn’t kill, and as such is regarded as a coward and a failure, mostly as his detractors are a bit too rock-headed to see how strong you have to be to do the level of not-killing that Eddie does. The revelation that it was Felicia who started him on this path is a bit on the nose, but nice. I also enjoyed the multiple descriptions, both in this and the following story, of Altina as this monster who can lift cows by herself and is not someone to imitate at all.

The final story is the one specially written for this book (the other two were previously published), and continues the story of Bastian and Eliza from the fourth volume, who if you’ll recall were last seen near death and had a death warrant put on them by the usurper queen. They’ve managed to find refuge with one of the few families not willing to sell them out, but it’s still tough times. This story hammers home something we also saw in Eddie’s story, which is that the best way to have peace is not to fight. Unfortunately, that can be difficult, especially as Bastian’s family has been doing nothing but fighting for four centuries now. He also gets a crash course in democracy from a young student who is also having to lay low while the war is going on, and might be reconsidering the whole “noble/commoner” dichotomy. This is the most serious story in the book, and looks like it might serve as a way to get the third prince back into the main storyline.

Which we will see next time, as Altina the Sword Princess 8 is… already released! But definitely read this volume first. It’s a good collection.

Reign of the Seven Spellblades, Vol. 2

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By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Alex Keller-Nelson.

Much to my surprise, after a humdinger of a reveal towards the end of the first book, the second book in the series does not build on that reveal beyond a few ominous scenes. Instead, this book proves to be 100% magical academy adventures. This is not a flaw, as the author is really excellent at writing magical academy adventures. We get broom lore, epic sword and magic duels, wacky classwork, terrifying classwork, and more of The Labyrinth, which is likely going to take up more and more of the books as the series goes on. Here our group of six decides to make a home base inside it, the better to do all the little things they really don’t want others to find out about. Unfortunately, our kids are all Very Special People, and as such have attracted the attention of others. This means even more battles, more secrets revealed, and more magical sword battles. Unfortunately, it also means a nasty cliffhanger.

While Oliver and Nanao continue to be the “protagonists” part of the group of six, the others are getting development, and in this book it’;s Pete and Chela who get it. While I will try not to spoil too much, Pete’s plotline in particular is quite well done, and I liked the fact that everyone was understanding and that he was immediately introduced to a support group of people with similarities. And if it also feels like a “fuck you” to a certain other magical academy book writer, well, all for the better. As for Chela, her plot is tied into her family history and the way magical families work in particular. In my last review I compared her to Rin Tohsaka, and that comparison holds up very well here, even including a younger sister that she’s unable to publicly acknowledge. She continues to be my favorite of the six.

As for others, I am hoping Guy gets a book of his own soon, as he’s currently “the other one”. Katie builds nicely on the first book, and I appreciate her discovery that even groups that supposedly share the same belief as she does are not the sort of groups she wants to be involved with. This society is complex, and changing ingrown prejudices is not going to be as easy as a well-timed lecture to the head. The minor villains in the book include an arrogant not-Italian kid (in the same way Nanao is not-Japanese) who tries to show Oliver why learning the basics is bad, the aforementioned younger sister and her servant/best friend, and another guy who acts the part of an arrogant asshole because he was essentially traumatized into it. In this book, both good and bad guys have a rich characterization to them. Well, except Guy. Sorry, Guy.

The cliffhanger makes me want to read the next in the series right now, but we’ll have to wait a bit. In the meantime,l please read this, it’s one of the best light novel debuts from 2020, and 2021 proves it was not a fluke.

Reincarnated As the Last of My Kind, Vol. 2

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By Kiri Komori and Yamigo. Released in Japan as “Tensei Shitara Zetsumetsu Sunzen no Kishou Shuzokudeshita” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Roman Lempert.

It’s always fun to see a cute, slow life sort of tale fight against its own narrative, which is trying to make sure that the slow life speeds up in a hurry. This second volume sees Tina and her family continuing to try to make improvements to the inn, better food, and better quality potions over the course of about four years. Indeed, when the call comes to invite her to a school where she can learn to be a better alchemist… she declines, as she’d rather stay where she is right now. Unfortunately, these are Troubled Times, and it’s going to be very hard to escape the pull of the incoming war, especially when you’re a prodigy with mad skills that no one has ever seen in their life. And as if that weren’t enough, there’s also a combination religious/ecological crisis going on, which could mean the literal end of the world unless it finds a savior. Two guesses who that’s supposed to be.

The first chapter in this book is unique to the book, i.e. was not pat of the webnovel, as Tina and her family play host to a scholar with a preference for very hot food, which involves making udon. After this we get two larger chapters, featuring Tina at age 10 and 12 respectively. In the first, Lico and the other knights arrive at the inn searching for a group of demihumans that got lost in the forest. This is a fantasy series, so naturally you get one elf, one dwarf, and one kobold, though the angel is a surprise, to both Tina and the reader. They have to fight off a nasty monster attack that almost kills off Lico – again. The second story sees Tina and her family head into the big city to attend the funeral of Marcus’ former commanding officer. Unfortunately, on their way back they meet some twins under attack by a very nasty zombie. In fact… there have been a LOT more monsters and zombies lately…

A lot of this is very fun. I liked Shida, the elf, who is an arrogant SOB in the elf tradition but also strangely likeable, and I appreciated that he and Tina did not remotely hit it off. Marcus’ pathetic attempts at romance, combined with his daughter Nakona’s sheer obliviousness to the many men in love with her is amusing, and we, as read3ers, empathize with Tina’s frustration, especially when Marcus and Lico are trying to out-selfless each other. (Lico wins, by virtue of being near death.) That said, a lot of this book is pretty ominous and scary. Both the text description and the illustration of the zombie attacking Tina and company is harrowing, and you start to wonder if this really will be the sort of series to kill off its regulars. Then there’s the subplot regarding human religion and prayer literally killing the world, which might upset some readers, but is pretty well done in universe.

So the question at the end of this 2nd volume is, will the 3rd book involve Tina heading off to save the world, or will Tina try to save the world while still doing things like making honey and trying to create supreme potions? Regardless, if you enjoyed the first book in the series (and are perhaps not evangelical Christian), this one is definitely worth your time.

Culinary Chronicles of the Court Flower, Vol. 1

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By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by afm.

It is somewhat hard not to start reading this and not think of The Apothecary Diaries, which also features a young woman arriving at the Emperor’s palace and featuring a number of young women who are there to be his courtesans, as well as a eunuch who is rumored not to be. Oh yes, and clearly based on Chinese rather than Japanese tropes. That said, the two series end up going in a slightly different direction, as Maomao’s one smart cookie who’s there to be a Jessica Fletcher sort. Meanwhile, all poor Rimi wants is somewhere to prepare delicious food and a sense that she belongs. Unfortunately, getting either of those proves difficult. Despite almost immediately running into most of the “very handsome men” part of the inner palace, she finds her homemade fermented rice in danger, the other women of the palace bully her tremendously, and, oh yes, the Emperor takes one look at the gifts her nation sent along with her and decides to have her executed. How can she make dashi like this?

Rimi can be a hard character to get a hold of. At first I thought she was a “fluffhead” sort of character, but that’s less due to her natural state of mind and more due to her spending most of her life as an extraneous extra. For the last ten years she’s lived with only one other person, her older sister, and cooking was essentially her entire life. Most of the decisions she’s made over the course of her life have involved “I’ll do this so that they don’t worry about me”. Now she’s having severe culture shock (much of the novel is about the differences between this “not-China” that she lives in now and the “not-Japan” she was born in), can’t even really speak the language very well (the translator does a good job of showing off how her attempts to speak to the emperor or Shusei can occasionally be incredibly blunt or even coarse), and, of course, has been threatened with execution multiple times. She faints more than once here, but she certainly earns them.

As for the men, well, this is a reverse harem series, so they’re all very pretty. I’m guessing the main love interest is Shusei, the self-styled culinary scientist, whose attempts at healthy food are not well-loved. He bonds with Rimi over food, and seems pretty smitten with her by the end of the book, though of course he has no idea what that feeling is. The Emperor may threaten to cut off her head multiple times, but shows himself to be a big softie when presented with food he doesn’t hate – which is to say, food in the proper environment. As for the food itself, well, given the ingredients are clearly meant to be the fantasy equivalent of kombu and katsuobushi, we can guess why she’s so desperately pointing out that they are not “planks of wood”. There is much here to interest a foodie, especially if you like discussing the difference between Chinese and Japanese cuisine.

This is 11 volumes total in Japan, so we’ve clearly got a ways to go. but it’s a very good start, and if you like plucky heroines, handsome bishonen, and a LOT of talk about dashi, this is a winner.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 3: Adopted Daughter of an Archduke, Vol. 5

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

Word of warning: this review is filled with spoilers. If you do not want to be spoiled, you should only read everything above the cover image.

The final volume of this particular arc sees Rozemyne finally managing to achieve everything she needs in order to fix her mana and her body. Given that we’d previously seen the expedition to get the ruelle ingredient, and saw it fail, it should not be surprising that we see it succeed here. The main new plot point is the introduction of the Archduke’s daughter Charlotte, who adores Rozemyne and sees her as a big sister, something that absolutely fills Rozemyne (and, let’s be frank here, Myne) with delight. She is therefore determined to give Charlotte the best possible baptism before she takes her potion, which we are told will require her to sleep for about six months. Unfortunately, things are (again) sent into turmoil by Wilfried being unable to think politically. And then, well… everything turns terrible.

Even with the hint that Rozemyne would be out cold for six months as seen earlier in the volume, I don’t think any of us expected the time skip to actually be TWO YEARS. The fact that it doesn’t even fully heal her (though she is allegedly much healthier now) and also still looks like a seven-year-old makes it extremely easy to understand her stunned reaction at the “end” of the book. Except, given this is a Bookworm novel, we have a bunch of stories from other perspectives at the end, and this time they take up almost half the entire volume. The stories serve to tell us two things: first, that everything Rozemyne does and accomplishes is truly stunning and irreplaceable… and second, that she’;s also set everything up so well that it can run pretty well without her. Indeed, Benno states that this is a good thing in some ways, as having no new innovations for the next while will let the innovations she’s already come up with take hold.

While this book revolves around a serious event, it is not without its humor. Angelica manages to even inject the best joke in the volume into the middle of the tense midair rescue of Charlotte. It is also not without its romance, though surprisingly – though it shouldn’t be – the pairing its’ been teasing for the last few books is the one that doesn’t work out. Bookworm is walking a fine balancing act between showing off the problems with a very class-based system while also showing that this is not something that can be changed overnight by one girl and her books, and The non-marriage of Damuel and Brigitte is an excellent example of this, as it forces them to think harder in order to give the reader more immersion into this very political, very difficult country. On the lighter side, Tulli is suddenly becoming a hot commodity… am I the only one seeing her and Lutz as a pairing? If only as Lutz and Myne was pretty thoroughly torpedoed several books ago.

The next arc has the exhausting subtitle “Founder of the Royal Academy’s So-Called Library Committee”, and is apparently “The Great Brain at the Academy – The Rozemyne Variations”. We’ll see how she copes with her miniature Rip Van Winkle timeskip next time. Till then, this is another volume that reminds you why this series is one of the most popular light novels of the last few years.

My Alcoholic Escape from Reality

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By Nagata Kabi. Released in Japan as “Genjitsu Touhi Shitetara Boroboro ni Natta Hanashi ” by East Press, serialized in Matogrosso. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Lianne Sentar.

If you have read the previous volumes of Nagata Kabi’s biographical examination of her past struggles, seeing the title and the cover art for this new book probably makes you think “Oh no.” But yes, once again life is not as simple as it seems, and recovery can be a path you walk on that might just lead you to a different wrong path. After dealing with mental and emotional struggles in My Lesbian Experience with Loneliness and My Solo Exchange Diary, and resolving to stop writing memoir-style manga (as she worries it makes her family and friends upset, which it does to an extent), a combination of adjusting to a lot of new medication and a lack of inspiration for fictional manga ideas have led her to stop by the ten bars that are between her house and the nearest station. The result? After intense stomach pain, she goes to the hospital to find she has acute pancreatitis – her reading is TEN TIMES what it should be. And so… she’s admitted to the hospital.

This takes place over a more compressed period of time than the previous volumes, focused very specifically on this point in her life. As you can imagine, a lot of it makes for uncomfortable reading, and going cold turkey on alcohol and fatty foods proves to be far more challenging than anyone can imagine. There’s also some excellent examination of medications and painkillers – the side effects that they can cause, the differences between them, and the depressing realization that some of these may need to be taken for the rest of her life. The hospital staff are very nice, but also seem to be nice in that “I am not personally involved with you” way, so it can come across ass a bit callous at times. There’s also a great discussion of alcoholism just before she’s discharged, as the doctor talking to her notes “Japanese people see alcohol as alcohol” – in other words, not as a drug, or something that could lead to alcoholism.

The other great part of this book is showing us Nagata Kabi’s determination to create new work, and how this can get so frustrating that, well, she can end up drinking herself into the hospital. Good things are happening to her – while there, she finds out that My Lesbian Experience with Loneliness won the Harvey Award – but this does not necessarily translate into ongoing creativity, as she has four partially completed projects with four different publishers, none of which are nearing completion. She’s also feeling tremendous guilt over how others are seeing her memoirs – not just her family, but a manga that she enjoys reading where the protagonist is told “don’t write about our life”. The trouble is… that’s what she excels at. A manga friend of hers urges her to stop pushing her brain to do things it doesn’t want to do and continue writing autobiographical memoirs. Even if it can be painful for all involved.

This is hopefully not the last we see from the author – a new memoir was just published in Japan three months ago. As with other books by this author, it can be difficult to read. But I enjoyed its look at struggling to accept that the body can crumble just as much as the mind can, and that recovery can be just as hard.

Manga the Week of 5/12/21

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SEAN: Happy Mother’s Day! Let’s look for some manga that you can safely show to Mom.

Airship has two early digital releases, Adachi & Shimamura 5 and Failure Frame 2.

Debuting in print is Drugstore in Another World: The Slow Life of a Cheat Pharmacist. And we get the 2nd Muscles Are Better Than Magic as well.

ASH: I didn’t pick it up digitally, but am still vaguely intrigued by Drugstore in Another World.

MJ: I’m intrigued by the title alone.

SEAN: Dark Horse has a 6th omnibus volume for Gantz.

J-Novel Club has a few digital manga titles that I missed last time that are out this week. Apologies to An Archdemon’s Dilemma 5, Bibliophile Princess 2, and Record of Wortenia War 2. This is the danger of not adding “LLC” to your searches.

ASH: It can make a difference.

SEAN: As for this week, in terms of manga we have Ascendance of a Bookworm 7 and Mapping 2.

In terms of digital light novels, we get The Greatest Magicmaster’s Retirement Plan 9 and In Another World with My Smartphone 22.

Kodansha has a few print volumes next week. We get Don’t Toy with me, Miss Nagatoro 7, Sachi’s Monstrous Appetite 2, and Yuzu the Pet Vet 5.

MICHELLE: I still need to check out Yuzu.

ASH: I’ll have to admit the same.

MJ: And I.

SEAN: Digitally the debut is The Springtime of My Life Began with You (Kimi to Aoi Haru no Hajimari), a shoujo title from Dessert. The author’s had a lot of titles out over here, some from Kodansha (The Dorm of Love and Secrets, The Prince’s Romance Gambit) and some via Media Do’s many and varied company names (Heart Break Club). A popular guy is forced, as a punishment game, to ask out the quiet, shy girl in front of the whole class. The trouble is… he insists he really likes her!

ANNA: Those popular guys and their shenanigans!

MICHELLE: I know this concept is not the greatest, but I think the cover is pretty and enjoyed The Dorm of Love and Secrets, so I’ll be giving this a shot.

SEAN: We also get Ace of the Diamond 32, My Roomie Is a Dino 5, Nina the Starry Bride 2, Peach Boy Riverside 7, Saint Young Men 12, and Those Snow White Notes 4, voted “series most likely to get behind on” by Manga Bookshelf.

ANNA: I haven’t read the first volume so I’m sure I’m behind.

MICHELLE: Gah, so behind. It’s coming out especially quickly for some reason! I’m also in need of a mini-marathon on Ace of the Diamond.

SEAN: One Peace has the 2nd volume of isekai harem title Farming Life in Another World.

Seven Seas has FOUR debuts next week. We’ll start with My Alcoholic Escape from Reality (Genjitsu Touhi Shitetara Boroboro ni Natta Hanashi), the latest biographical manga from the creator of My Lesbian Experience with Loneliness, which promises to be as riveting as the previous book’s she’s given us. It ran in Matogrosso, put out by small publisher East Press.

ANNA: Oh wow.

ASH: They’re good but hard-hitting manga.

SEAN: Ride Your Wave (Kimi to, Nami ni Noretara) is a one-volume manga adaptation of the movie of the same name, and ran in Shogakukan’s Deluxe Betsucomi.

MICHELLE: Hm. It’s sports-adjacent, seems like.

SEAN: School Zone Girls is a title from Mag Garden’s MagComi about two troublemaking girls who’ve been together forever, but are they more than just friends? This seems to emphasize the comedy over the yuri.

Lastly, we get Thigh High: Reiwa Hanamaru Academy (Reiwa Hanamaru Gakuen), a Kodansha title from good! Afternoon, and is about an all-girls school… populated entirely by gorgeous crossdressing men. This one also seems to emphasize the comedy.

ASH: This could be hilariously good or hilariously bad – I’m not sure that I can resist finding out which.

MJ: I really don’t know what to expect from this.

SEAN: Also out: Dungeon Builder 4 and Uzaki-chan Wants to Hang Out! 5.

Square Enix debuts I Think Our Son Is Gay (Uchi no Musuko wa Tabun Gay), a Gangan Pixiv title about a mom who has realized that her son is keeping a secret. This is supposed to be very good.

ANNA: I’m curious.

MICHELLE: Same.

ASH: Really looking forward to this one.

MJ: I’m excited to read this one!

SEAN: They also have By the Grace of the Gods’ 2nd manga volume.

SuBLime wins the title of the week competition with the debut of Dick Fight Island (8nin no Senshi), a long-running title from Libre Shuppan’s Be x Boy Gold. The synopsis… is pretty much not work safe, but can probably be guessed from the title.

ANNA: I don’t think anyone could buy that manga and be confused about what they’re getting.

MICHELLE: Snerk.

ASH: I likewise suspect that it is unlikely.

MJ: I mean. Well.

SEAN: They also have Vol. 2 of Don’t Be Cruel: plus+.

Speaking of BL, Tokyopop has a one-shot title, The Treasure of the King and the Cat (Ou to Neko no Himitsu), about a king investigating a series of disappearances who gets caught up in magic.

They also have Ossan Idol 3.

No debuts for Viz, but we get Fly Me to the Moon 5, Fullmetal Alchemist: Fullmetal Edition 13, Pokemon Sun & Moon 10, Rin-Ne 39, Splatoon 12, A Tropical Fish Yearns for Snow 7, and Yo-Kai Watch 17.

ASH: Some great ongoing series in that list!

SEAN: That’s it. See anything maternal? I Think Our Son Is Gay looks like the best choice. I’d avoid Dick Fight Island. Unless your mom loves BL.

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Vol. 3

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By kiki and kinta. Released in Japan as “Omae Gotoki ga Maou ni Kateru to Omou na to Gachizei ni Yuusha Party wo Tsuihou Sareta node, Outo de Kimama ni Kurashitai” by GC Novels. Released in North America by Seven Seas. Translated by Jason Muell. Adapted by Brock Wassman.

If anyone had “zombie apocalypse” on your Roll Over and Die bingo card, well, congratulations. I can’t really be surprised, as not only is this series far more comfortable with being a horror book than a yuri book, but it’s several different types of horror book as well. That said, the undercurrent of the entire series is “we need to fix all this so we can live a peaceful happy life”, and, especially here, we are told that getting a peaceful and happy life does not mean sticking your head in the sand. Milkit has a quote that sums it up: “This world has no shortage of people willing to drag others down to make themselves feel superior and in control,” said Milkit. “The moment you accept that you can’t get away, you let them win.” This book is about not letting them win. Not that it’s a total victory, though…

Pictured on the cover are Gadhio, formerly of the Hero’s party, and his wife Tia. If he seems a bit less than happy, it’s because Tia’s been dead for the last six years. After Milkit gets kidnapped AGAIN, Flum discovers that the culprit is Milkit’s old master, the one who damaged her face and is in general one of the worst people in this book (and that’s saying something). Unfortunately, after Flum gets her brutal revenge and takes Milkit back, they discover that the dead are returning to life. Not just Milkit’s old master, either, but Gadhio’s wife and even Eterna’s adopted family have returned from the dead. They seem real… mostly? They’re being very friendly? But how much can this be trusted, especially since it seems to be part of a plot by the Church?

As with previous books in the series, this volume features a lot of body horror, brutal killings, and bad things happening to both good and bad people. There’s graphic descriptions of torture, and while there are fewer main characters dead than I had expected when I started, in the end surviving is about all our heroes really achieved. At the same time, of course, there are a few really sugary sweet yuri scenes sprinkled throughout (primarily Flum and Milkit, though there’s also some suggestive stuff between Ink and Eterna which I am far less comfortable with.) Milkit here decides that what she’s feeling for Flum is definitely love. Flum likely feels the same, but both of them are too shy, and possibly a bit too broken, to have it be much more than “we just want to be at each other’s side”. That said, I am appreciative of these scenes, as without them this book would be too dark to even read at all.

The Hero’s Party was also in this book, and things appear to be going very badly for them, as two are evil and two are likely going to be forced into evil. The next book in the series has Cyril on the cover, so I suspect we may see even more of them next time. Till then, this is still well-written and compelling, but save it for when you have a strong stomach.

Bookshelf Briefs 5/4/21

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Days on Fes, Vol. 1 | By Kanato Oka | Yen Press A manga about the joys of music festivals is something we’ve seen before, but usually it’s from the perspective of the band playing onstage. This new title is devoted to the happiness found in being a concertgoer at these festivals, told from the perspective of two high school girls—one a festival veteran, the other a newbie—and the veteran’s older brother, who runs a cafe, and his friend/employee, who is… Eeyore, frankly. Aside from the fun festival stuff, including an impromptu fashion show the girls give us, I was left wondering if this is a BL or yuri manga—the two guys, especially, given off a very couple vibe without actually being one. I’ll definitely be reading the next volume. – Sean Gaffney

Haikyu!!, Vol. 43 | By Haruichi Furudate | VIZ Media – I originally thought I wanted to see Haikyu!! end with Karasuno triumphing at the National Tournament. Furudate-sensei doesn’t go that route, though, and this volume in particular proves why that was absolutely the right choice. After two years in Brazil honing his skills playing beach volleyball, Hinata returns to Japan and joins a pro team (alongside some familiar faces) in the top tier of Japan’s volleyball league. This volume finds him facing off against Kageyama (and some familiar faces) for the first time since middle school, with even more familiar faces among the spectators. We needed this final arc to see how good Hinata has become, how it’s become clear even to those who once doubted him that he is a very valuable player even without Kageyama by his side. The best part, though, is the obvious respect Kageyama has for Hinata. They’ve grown in so many ways. Sniff. – Michelle Smith

Komi Can’t Communicate, Vol. 12 | By Tomohito Oda | Viz Media – The majority of this book is about the summer break from school, and attempts of the group to go to the beach as a fun activity. The difficulty is that Najimi ends up not going, so the rest of the cast, who rely on Najimi to be so over-the-top extroverted that they drag everyone else with them, is feeling awkwardly quiet. But once we get there we get a lot of fun in the sun. That said, we may be setting up an important plot point ahead, as in order to get rid of some unwanted guys hitting on her, Tadano says that he’s Manbagi’s boyfriend… something that afterwards she does not entirely seem to be opposed to. Are we headed for a love triangle? Still one of my favorite school comedies running right now. – Sean Gaffney

Satoko and Nada, Vol. 4 | By Yupechika | Seven Seas – The final volume of this story is mostly happy and heartwarming, though it can also be quite realistic—when their time together is up, Satoko and Nada go on to have separate lives, though the epilogue does show them meeting up again years later. Still, the impact they had on each other’s lives is astounding. As for the manga itself, it’s still showing off the differences between not only Japan and Saudi Arabia, but also both nations and America. Both women end up living strong, fulfilling lives, and you will be very happy to have watched part of it. This is one of my favorite pickups of the last few years, and at only four volumes it also would make a great gift set. – Sean Gaffney

Skip Beat!, Vol. 45 | By Yoshiki Nakamura | Viz Media – It feels like a dam has burst, reading this volume. The back half of the book contains some of the most amazing art in the entire series, with Kyoko literally running away from everything as fast as she can only to find Ren proving that he can run faster and confront her harder. That said, the front half of the book is also excellent—this series is now 45 volumes long, and has come a long way from a girl and her rage gremlins that surround her trying to get revenge, but it’s nice to know that whenever there’s a real problem, Ren can always turn to a giant chicken for advice. That said, she’s not a man, she’s a Kyoko Boo, so I’m on tenterhooks waiting for her response. Which, erm, is not scheduled by Viz yet, alas. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 14 | By Kagiji Kumanomata | Viz Media Throughout this series we’ve been wondering exactly why the human world is relying on doofuses like Braver to try to save the princess from her presumably horrible fate. OK, let’s be fair—no, we haven’t. We’ve been watching Syalis be a combination of evil gremlin, naive doofus, and teenager growing up. But it comes to mind in this new volume as her mother the Queen, running away from home after an argument with her husband, stays over for a bit with Syalis. We’ve met the Queen before, but it’s no surprise to find that she and her daughter are quite similar… or that the King is likely to be far less accommodating. Also, there’s that pesky human/demon war. Can these problems be solved? – Sean Gaffney

Snow White with the Red Hair, Vol. 12 | By Sorata Akiduki | Viz Media – Well, so much for moving in together. After the last volume saw Zen and Shirayuki finally be able to be in the same building with each other, this new one sees Shirayuki being reassigned, meaning a long time away from Zen. Yes, Snow White with the Red Hair appears to be turning into a long-distance dedication. (Can we get fantasy Casey Kasem?) Oh yes, and the Queen, who apparently is allergic to being in the castle, has decided to abdicate in favor of the eldest son, which leads to a big ol’ ceremony and also the reintroduction of characters we thought might be gone, like Kiki’s wannabe fiancee. In any event, it appears we’re definitely headed for a new arc in the next book. – Sean Gaffney

What the Font?!: A Manga Guide to Western Typeface | By Kuniichi Ashiya | Seven Seas – While there doesn’t seem to be any shortage of manga with anthropomorphic characters, I can safely say that What the Font?! is the first I’ve come across featuring fonts personified, putting a literal face to typeface. Ostensibly, the story is about Marusu, a salesperson who has been put in charge of a proposal layout despite having no formal background in design or typography. But What the Font?! isn’t really about telling a story; it’s about providing Marusu (and by proxy the readers) a crash course in Western typefaces, their history, aesthetics, and uses. Most of the volume is presented as four-panel manga accompanied by informational tidbits. The humor isn’t always particularly funny or invigorating, but some of the jokes are quite memorable as Ashiya finds ways to successfully convey the characteristics of fonts through human personalities and behavior. What the Font?! is an accessible and frequently entertaining introduction to typography. – Ash Brown

Invaders of the Rokujouma!?, Vol. 36

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

I’ve mentioned this a few times before, but Rokujouma frequently has to walk a bit of a high wire, especially in the books that take place after the “ending” we saw in Vol. 29. The author still clearly wants to write more and more stories, and does not want to wrap things up quickly. At the same time, one of the joys of this series has been seeing the characters gradually grow and mature, and as such we don’t want to see them all static either. This new volume is particularly good at keeping that balance, especially for our two resident magical girls, Maki and Yurika. Maki’s past, both as an orphan sold into slavery and as a member of Darkness Rainbow, still tends to guide her actions. Meanwhile, Yurika’s self-pity sometimes verges into self-loathing, so much so that she can’t honestly see how impressed everyone is with her. The best way to resolve both of these things is to head off to Folsaria, Maki’s homeland. And who knows, maybe we can tie into the other ongoing plot while we’re at it.

We pick up where we left off, as Ralgwin has gotten away, though he does not seem to be starting anything major from somewhere else. This allows them to focus on Maki, who has been invited to join Rainbow Heart after recommendations from both Nana and Yurika. Maki certainly has the magic for it… and she’s got the “heart” as well. But can she really become one of the good magical girls after being a literal terrorist just a year or so ago? She gets a provisional task she must complete: investigate the disappearance of several men from a part of the city. This leads her not only to the home where she was born (now a ruined building), but also to a graveyard containing something that’s a lot bigger than just missing people. Can Maki rally together with all of her friends and family and save Folsaria from a hideous disaster?

I was talking about balancing character development with a certain static point, and something in the narrative really showed that off to me: when they arrive at Rainbow Heart headquarters, Yurika is given a letter explaining that all of her debt has finally been paid. Folsaria is a magical land, and Yurika should have been getting a salary, particularly given how much nof a prodigy she was. But apparently she destroyed a factory when her magic went out of control… and it was on her own time, not during work. So her wages were garnished forever to pay for it. Yurika, however, is not delighted by this at all. She fears that if she’s no longer a freeloader Koutarou will abandon her. What surprised me is that there’s no snapback at the end of the book. I was sure Yurika would end up reincurring a large debt. But no. And she’s even able to continue living frugally (so far). It’s really impressive, both for her and the author, not to fall into old habits.

Apologies to Maki, as I spent most of her book talking about Yurika. But Maki is awesome here too, gets to resolve many conflicted feelings, and becomes a real heroine at last, with a paycheck and everything. Unfortunately… the villains kinda win here. We’ll see what happens next, I guess.

Torture Princess: Fremd Torturchen, Vol. 7

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By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by MF Bunko J. Released in North America Yen On. Translated by Nathaniel Hiroshi Thrasher.

Back in my fanfiction days, I used to have an argument with a friend of mine, who wrote some great stories but tended to end them a little too late. I used to call them the “And they all lived happily ever after till they died, and here’s how they died” stories. Now, I’m not sure I expect Torture Princess to go QUITE that far. But at the end of my last review, I mentioned that I was worried that the series would not be able to justify continuing after a very satisfying 6th book, which wrapped up Kaito’s plot beautifully. I’d say the answer is yes and no. Yes, it’s another Torture Princess book, with some of the most evocative writing in light novels, and I could have easily quoted a dozen passages. And I do enjoy Elisabeth’s character arc here quite a bit. Still… man, this is a downer, and has some of the most graphic horror descriptions since Vol. 1. It is a Dead Dove: Do Not Eat of a light novel.

The book picks up right where the previous one left off, with the introduction of our antagonists, who also grace the cover: A girl who calls herself Alice Carroll, the new Torture Princess, and her minder/father figure Lewis. They have killed off the two beast princesses who worked with Kaito in the previous book, and are basically here to destroy the world AGAIN. To be fair, they do have a pretty good reason they can use to justify it, but that’s not good enough for Elisabeth. Now she has to try to stop them, helped by Lute, whose job is to be the heart of the book; Jeanne, who is a girl in love, and Izabella, who has acknowledged this love but not responded to it; and La Cristoph, who has already been captured by the enemy. Worst of all, as everyone seems to be telling her… Elisabeth is getting SOFT.

This is not a completely grim book. There are lots of attempts at humor, some of which are admittedly as dark as the blackest night, but they’re there. One running gag with Elisabeth and La Cristoph actually made me laugh. But I won’t deny that there’s a lot of depressing goddamn shit here. Alice, like Kaito, is an abused Japanese girl, whose previous life reminded me an awful lot of Satoko from Higurashi, and it’s no surprise that her reincarnated powerful self is a very, very broken girl. And then there is the revenge that Lewis takes on behalf of the mixed-race peoples, which involves using a large number of purebreds as wombs for demon children. The description in this particular scene is so Grand Guignol that it almost crosses over into parody, but it’s also incredibly sickening to read about. There is, briefly, a nice little bit of hope towards the end of the book, but I still am not 100%… or even 50%… confident that this series won’t end with most everyone dead or wishing they were dead.

Still, I admit that’s not much of a change from the previous six books. I think the loss of Kaito’s POV affected the book more than I was expecting. It’s still a great series to read if you like good writing and horrible graphic images. But man… what a bummer.

The Eminence in Shadow, Vol. 3

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By Daisuke Aizawa and Touzai. Released in Japan as “Kage no Jitsuryokusha ni Naritakute!” by Enterbrain. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

I think I am going to have to accept the fact that this is one of those series where I love everyone except the main character. This is not uncommon in Japanese anime and manga, of course. There are large numbers of people who can’t stand Naruto or Ichigo as characters, but love the series around them. Sword Art Online may be the best example of all. But at least all of those characters are actual heroes. A bit overpowered, a bit narrative-breaking, a bit dense, but heroes. Cid from The Eminence in Shadow is certainly overpowered, narrative-breaking, and dense. Though I think he’d get annoyed if called narrative-breaking, as he’s actually trying to create cool narratives for him to lurk in and be badass. There’s just one problem. He’s TOO annoying, even for a comedy. We’re meant to laugh at the dissonance between what he’s thinking/doing and what everyone else thinks of him, but I just sort of want him to go away, because honestly I quite enjoy this series otherwise.

This book is divided into two halves. In the first, Cid is led by his sister to the Lawless Sector, which has a lot of bad guys and three major powers. She’s there to try to get Cid a place in the Knights, but he quickly wanders off to go be cool and shadowey. Unfortunately, as always, his chuuni declarations designed to sound ominous are actually coming true: in this case, they’re trying to resurrect a vampire queen and turn the town into corpses. In the second half of the book, he teams up with one of the major powers from the first part, a fox woman with a tragic past, in order to destroy the economy of two major companies… one of which is the company literally run by his own minions. To do this, he has to invent another identity so he can be his own bad guy, because honestly, the idea of doing this appeals to him far more than the impact it might have on anyone who cares for him. Our hero, ladies and gentlemen.

I suppose I should be grateful for small blessings: I hear that in the original webnovel, Cid was actually far more consciously evil about doing all this, whereas in this book most of the actions he takes in the second half of the book are just him not thinking things through or genuinely being a dumbass. But anyway, let me stop talking about Cid, as the rest of the cast are a lot of fun, and the book can be quite funny when it wants to be. Delta, who Cid thinks of as a giant Golden Retriever in the form of a woman, is possibly the only character denser than he is, and yet she’s a delight, because it’s innocent denseness. There are some strong dramatic turns here as well, believe it or not, both from Alpha and from Yukime, the fox woman Cid teams up with. And OK, the final gag with Cid digging a giant hole because he thinks he’s discovered some Mysterious Last Words is pretty funny.

So yes, I’ll definitely be reading more, but I just gotta prepare myself: Cid’s probably always going to be like this.

Accel World: Sword Sage of the Blue Flower

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

Accel World in general is a classic example of a series that is a lot of fun provided you don’t think too hard about much of it. This new volume was filled with scenes and moments I felt were pretty cool, but when I tried to tie them into the ongoing plot I went “hey, um, wait…”. That said, it’s not like Sword Art Online doesn’t also have that problem. If SAO is the light novel equivalent of Shonen Jump, then Accel World is its Shonen Magazine equivalent, with nice pizzazz and lots of fanservice. (Probably for the best that Haruyuki is in pig form on the cover there.) It does not help, admittedly, that we are still in the middle of this very long arc. The author promises, in the afterword, that it will end in the next book, but admits that he’s said that before and no one believes him. Oh yes, and after raising the dead, sort of, in the last book, we follow it up by… doing it again? Wow, raising the dead is EASY.

Everyone is still discussing the big plan to take out the massive sun-like enemy that’s keeping all the kings trapped, and Haruyuki’s new sword, with its heat resistance forced by the Blacksmith of Eternal Peril, seems to be the answer. He can also get training from the mysterious presence that helped him last time… but wait. If he finds out who she is in the real world, can he do for her what was done for Orchid Oracle? We then get a training montage, which is pretty cool but is, nevertheless, a training montage, so I don’t have much to say about it. And then, finally, the big confrontation, in which Haruyuki is very cool and the day is saved… oh dear, here comes the villain for another cliffhanger.

My favorite scene in the book was the party that all the girls (and Takumu, sorry, Takumu) threw him to celebrate his being the point man on this mission… and the fact that he shows up with another new girl, who just happens to be a rival for those who’ve been in Brain Burst the longest, showing up after being gone for years. You’d think there’s be a lot of jealous stares, but the mood seems to be more “Of course he has another girl to add to his pile, it is Haruyuki after all”. Actually, the biggest danger to Kuroyukihime in this book is not Centaurea Sentry, his new mentor, but Rin Kusakabe, who has apparently been reading Devil Is a Part-Timer in her spare time because she wants him to remember she confessed, and not just let it slip his mind just because he happens to still hate himself. If I weren’t reminded occasionally that everyone in the cast is between 9 and 14 years old, this would be a great romantic harem series. Alas.

I am not expecting the bad guys to win or anything, but the main Kings are certainly in a tight spot with the cliffhanger. Indeed, cliffhanger endings has proven to be one of the stronger parts of Accel World. Might have to wait a little longer for the next volume, though, as we’ve caught up with Japan mostly.

High School DxD: Excalibur of the Moonlit Schoolyard

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I had resolved, with this third volume of High School DxD, that I was going to stop talking about the constant teenage sex fantasy talk, nudity, and general fanservice and simply focus on plot and character. Theoretically, anyone reading a review of the third volume of this series already enjoys it, and does not need me going on about how it’s all a bit much. Therefore, I would simply glide past the fanservice and discuss other things. It’s very, very hard to do that, though. This is not a book like Accel World, where if you ignore the art and the ages of the characters it’s almost a normal harem battle novel. The sex is baked DEEPLY into the very fabric of the series. I could talk about character motivation, except we now see a THIRD demon whose plan is to gather a harem (and the second one had succeeded), and Issei explicitly says that he’s fighting in the final battle because he’s going to get to suck Rias’ nipples as a reward. It is what it is.

So, the plot, as there is one. Kiba finally gets a volume to explain his backstory, and it’s pretty wretched. It’s also pretty clear that he ids consumed by vengeance against holy swords. Thus it is an unfortunate thing that several holy swords have shown up in town, either being wielded by fallen priests, fallen angels, agents of the Church… or Issei’s childhood friend Irina, who he didn’t even realize was a girl. Needless to say, all these swords here is not a coincidence, and there’s a fallen angel at work here. Can our heroes manage to actually work together – minions of the angels and actual demons – to fight against a common enemy? Can Kiba manage to keep it together enough to get the revenge he’s sought for so long… and is revenge really the right answer? And can this series keep teasing sex while delivering precisely nothing? Signs point to yes.

I didn’t mention the other new character in this book, who seems to join the regular cast at the end. Xenovia starts off as an angel with a heaping of faith and a tendency to go off half-cocked, and ends it as a somewhat bitter demon… with the exact same tendency. She looks fun. Irina is far more pointless, and I think would have been better served being introduced in a different book. This book does, however, do something very well, which is for the climactic battle, which Kiba has far more invested in than Issei (nipples aside), it shifts to Kiba’s POV. You’d think this would be obvious, given it’s Kiba’s arc and resolution, but it can frequently be very hard to wrench the narrative away from the usual POV character, so I’m calling this a victory. Two more things: Koneko is still the minorest of the main characters, but I liked her more here. And a scene showing off how poor Irina and Xenovia really are shows the author is very good at humor when it’s not revolving around tits.

This series is pretty much review proof, but I will note: fans will enjoy it. Also, Asia looks very cute on the cover.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 6

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

This volumes shares many of the same things that I criticized the last volume for – it’s very rushed, Falanya doesn’t really appear, etc. – but I found it a much better read than Book 5. Possibly that’s because this is the first book to really feature Wein as a side character in his own series. We’ve seen Wein being an “influencer” before, and in fact it’s probably what he excels at more than anything else. But in this book we see Wein caught up in a power struggle that has nothing to do with his country – or so we think – and choosing to pick a side and help one of the contenders for the throne. This volume is Felite’s as much as Wein’s. The book shows off his own similarity to Wein in a few ways – notably their kickass bodyguard/confidante who seems to be in love with them – but thankfully is not creating a Wein clone, as he feels like his own person.

Wein now has a seaport, but unfortunately no one trusts him enough to trade with him. Fortunately, his hostage/enemy is there with an answer: she knows of a nation to the South that is amenable to trade, and she can help negotiate. So we’re off on a sea voyage… which Wein quickly regrets. And yes, part of it is that he gets seasick, but there’s also the fact that the ruler who he’s supposed to be negotiating with has been assassinated, and Wein is captured and stuffed in a jail cell. Fortunately, not only does he manage to bluff his way into having a far nicer jail cell than everyone else, but he’s also kept directly next to the OTHER big name prisoner… Felite, the second son of the former ruler. The first son is the one doing the assassinating. The winner will be the one who can claim the famed Rainbow Crown, an icon of the country.

The author said last time that this volume would be a slice-of-life, which it isn’t, and he apologizes for being totally unable to write such a thing. Still, we do get some of the cast in swimsuits… though really, Wein only has eyes for Ninym. Despite another girl telling him that they’re engaged (he never has any choice in the matter), Ninym is simply too high a bar to clear, and the first thing Tolchiela says after this is “It’s OK, I’ll allow mistresses”. That said, we also see some Flahm here who are also not roundly hated by everyone, and it’s apparent that they worship Natra for being the first country to actually not oppress then. If this series ever does end, I suspect it’s with Ninym recognized more officially. As for the rest of the book… it’s a fun little adventure, and Wein is mostly in smart bastard mode rather than whiny freakout mode. Plus, sea battles.

The next book promises to bring us back to the Empire, so I expect we’ll see more of Lowellmina than the running gag we got here. That said, we also saw that the series’ Big Bads are also still around, and determined to have everything end in chaos. Wein is their kryptonite, so dealing with him is getting more and more important. I’m looking forward to seeing what comes next.