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The Apothecary Diaries, Vol. 3

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

One of the enjoyable things about the Apothecary Diaries is that, while it will always be about the relationship between Maomao and Jinshi to a degree, if you’re completely uninterested in that sort of thing there’s still a whole lot to get out of every volume. There are the mysteries, of course, as everyone and their brother wants Maomao to apply her cunning and figure out Who’s Killin’ Who. There is Maomao herself, who has an idea of what social niceties and graces are and has decided to tell them “no thank you”. And there’s an increasingly fun cast, including the amusingly carefree Xiaolan, who spends most of the novel learning to read – and unlike what most books of this sort would do, she proves to be pretty good at it once given proper education. And then there’s Shisui, who is my new Best Girl, and is basically to bugs what Maomao is to poisons. It’s tough to be so eccentric that Maomao is mistaken for you, but this girl can pull it off.

When Maomao is not busy snarking at Jinshi or “the quack doctor”, she is helping Jinshi to try to educate the people in the rear palace, discovers a cat that is quickly named after her (sort of), deals with a caravan that is selling all the ladies fragrant perfumes… some of which are potentially dangerous; trying to solve a recent disappearance that turns into a not-so-recent murder; figures out how a sheltered young woman snuck past her guards and got pregnant; discovers that the issues surrounding Consort Lihua, which is what started this series off, have not vanished; and ends up going on a hunting trip with a disguised Jinshi, which ends up turning far more dangerous than either of them had anticipated.

As I said last time, the series rewards close reading, and having prior volumes on hand. There are several pregnancies in this book, and several chapters dealing with people who are trying their hardest to make sure that those pregnancies are unsuccessful… or are they? It *could* just all be a coincidence. On the lighter side, for those who ARE reading the book for the relationship between Maomao and Jinshi, the last quarter of the book is pure gold. Something we had long suspected is finally straight up admitted, and you will never be able to see the words “decently sized amphibian” again without laughing. Maomao herself seems more determined than ever to avoid going anywhere near this – she’s very aware of how Jinshi feels, what it would mean for her future, and how she really does NOT want to deal with it. Even if she does go gaga when he gives her the right present.

So yes, this remains essential reading provided you don’t mind that it’s got the Emperor and his many consorts, or that the heroine (not one of the consorts) can kill a man with her sharp tongue at 500 yards.)

Magistellus Bad Trip, Vol. 1

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By Kazuma Kamachi and Mahaya. Released in Japan by DENGEKI no Shin Bungei. Released in North America by Yen On. Translated by Jake Humphrey.

This is another one of those books that starts off slow and kind of boring and only really pays off in the back half. Honestly, when I started it I kind of felt like Kamachi had gotten bored with writing A Certain Magical Index’s 245th volume and decided to transcribe his Let’s Play video and send it to Dengeki. (Honestly, given how “well” the Index books did here, it’s surprising we got this at all, though it helps that it’s finished at three volumes rather than running to an infinite number.) Taking place in a game world where anything goes as long as you make money, and starring a cool guy and his badass succubus familiar, the book oozes testosterone from every pore, and I was almost ready to give up till the interesting stuff kicked in. Fortunately, the interesting stuff IS interesting, and helps explain a lot of the plot holes that the attentive reader might have raised an eyebrow at. It makes me want to read more of the book, especially given it’s a finished series in Japan.

Kaname Suou is a player in a game called Money (Game) Master, a game with no rules or restrictions except “make money”. He is assisted by Tselika, an NPC assistant character who takes the form of a buxom succubus. When we meet then they’re pulling off a big caper that will get them a huge amount of ‘snow’, this game’s currency, which allows them access to an exclusive group trying to get a hold of a forbidden Legacy weapon, left behind by a former player who was able to make ludicrously powerful weapons. If you’re looking at this description and thinking “there’s going to be double-crossing”, you’re right, but that’s not exactly a spoiler. That said, things get more interesting when we meet Midori, the younger sister of the weapon builder, who is trying to destroy the Legacies. Oh, yes, and it turns out that this game has HUGE consequences for the real world as well – in fact, in most ways that count this game is now the economy of the real world.

So, not wanting to reveal the interesting twists too much, I will merely note that I did find them interesting, even if a few of them were a bit unsurprising. It’s not too hard to guess the identity of certain people if you know how to think like an author. Still, overall it’s a book filled with a great deal of action, which Kamachi is good at, a few stabs at humor, which he’s far less good at but at least they’re better than his attempts in Index, and a lot of thrilling intrigue, as the last part of the book involves a race against time, a big chase, and literally everyone in the world turning against our hero. Kaname is a bit generic, possibly to avoid too many people comparing him to Touma, but also because he’s playing a game character, he isn’t trapped in a game as his real self or anything. Everyone is deliberately making themselves cool and attractive in this.

So yeah, this is not New Testament, but it’s a good action thriller, and it should please fans who don’t mind a lot of cars, guns, things exploding, and questions about the nature of reality.

Prince Freya Vol. 1

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Like a well-listened to lullaby, I find myself in front of the keyboard with a manga volume beside me. And so, the song starts again. Fitting that I chose a story set in a fairy-tale world to return with.

Prince Freya is neither a Western style fable nor a Japanese high-fantasy adventure. Rather, it has elements of traditional fairy-tale stories in the Germanic-Franco style. I bet you didn’t know that in the original version, Cinderella’s sisters were beautiful but wretched and doves sent by Cinderella’s dead mother pecked their eyes out? Yeah, brutal. Well, the same kind of logic applies in Prince Freya. Freya, a young girl living with her ailing mother in a village in the Kingdom of Tyr. Nearby Sigurd is threatening to gobble up Tyr. So, secretly, her childhood adoptive brothers come back to the village to make sure a plan in Tyr’s capital doesn’t come to fruition. See, Tyr’s plan is to use Freya to sub in for Prince Edward, the ruler of Tyr. Edward is dying from poison and needs someone to pretend to be him to save the kingdom. So we’ve got elements of Prince and the Pauper, Grimm’s Fairy Tales, and a few that I’ve forgotten the name of.

Freya herself is a big crybaby, borne from her constant, unstated, fear that the people she loves will be taken from her. So when Aaron and Alek, her brothers, have to go back to the castle empty handed, she overhears a plot by Sigurd’s officers to kill Aaron as payment for Tyr’s resistance. She volunteers to Edward to take his place, in one hell of a Faustian pact: she becomes the prince, even with her crippling emotional state, but even in saving those she cares for, some of her happiness is destroyed. I found the bulk of the first volume to deal with the unseen threats that she did not foresee: palace intrigue, people who follow the prince’s every orders being thrown off by “his” abrupt change of behaviour, and being a person she could never be in her old life. But underneath, she remains the person back in her home village. When she (literally) leaps into the role of the prince in front of the castle, her sense of justice is now augmented by her new-found power as the regent. So the same girl who reached out for hurt people as a child now wields incredible public power. Some people who distrust her now can be smoothed over, others must be left for another day. Give and take, political pragmatism, and discretion being the better part of valour. All these things she has to learn in hours. All the while, Ishihara keeps the darker side of the fairy tale in play because at every turn, inside and outside the castle, death lies in wait.

The two major male leads in the first volume, Alek and Aaron, are where the volume’s emotional gravity comes from. Aaron’s the older one, the one who had the Prince’s Black Knight bodyguard role, and he comes from the perspective of the practical soldier: yes, childhood was an adventure but there are evils out there, waiting to devour the unwary. He carries himself with the weight of a young man who knows the cost of friendship, family, and love. He’s prepared to pay it but can’t save those around him from heartache. Alek, on the other hand, is the prototypical foot soldier; hard-working but not made in the eyes of the court. Alek could die tomorrow and nobody in the castle will grieve. His cross to bear is that he has to rise to the challenges within and without or everyone he loves will be stolen from him. In many ways, he is his older brother but not a complete clone. Aaron seems to be certain that Freya needs to find her own way, however heart-breaking it is, whereas Alek thinks the same but yet as he sees it, who will protect Freya if they throw their lives away at the first sign of danger? Freya is not so much torn between them as she is trying to make sure they both get different levels of support from her while she battles her fear and terror at her role in this dangerous political play. Her upset is from them risking all for save her when she feels that she should do all she can to balance the scales.

The manga plays with all this and keeps the background machinations going as elements within the castle shift their weight as some know that Freya isn’t Edward and others don’t. These elements will end up colliding with Freya and the boys while she wrestles with her choices and decisions. The story hits hard in several scenes and reminded me that not all fairy tales end with the heroes making it out of every book. I liked how Freya loses more and more of who she and the boys were back in the village as they take on each terrifying moment. Ishihara has made a typical fantasy setting and made it more on what happens to Freya’s state of mind than what the world around her does. As the older stories tell us, there are worst things than death in a high fantasy.

Now, I put down this volume and reach for another. The lullaby goes on, the setting changes. See you next time, readers!

Manga the Week of 9/29/21

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SEAN: The end of September brings some nice books, but also a long-awaited new volume of a beloved series, so let’s start with that.

Yen Press has Yotsuba&! 15! Do you know when the last Yotsuba&! came out? 2018, that’s when. Rejoice!

ASH: Ah! A great series to start us off with!

ANNA: Wow!

MICHELLE: When last we left off, Yotsuba and her dad were acquiring a car, so I look forward to some fresh new adventures.

MJ: Oh!!

SEAN: Yen Press also has A Certain Magical Index 24, Combatants Will Be Dispatched! 5, In Another World with My Smartphone 3, Love and Heart 3, Magia Record: Puella Magi Madoka Magica Side Story 3, and Star Wars: Rebels 2.

Apologies to Udon, who I forgot about last week. They have already out Steins;Gate 0 Volume 1, an alternate universe manga set after a Bad End from the original game. This is an omnibus of the first two volumes.

Square Enix has By the Grace of the Gods 3.

Seven Seas has been awfully quiet all month… TILL NOW. Get ready to be buried.

ASH: I am prepared.

SEAN: We start with the Bloom Into You Anthology, a collection of manga by various artists revolving around the cast of this yuri manga.

ASH: I like seeing these anthology volumes released. Once upon a time, seeing them licensed was somewhat rare.

SEAN: Hello World, the manga, is a complete in one omnibus retelling of the light novel. It ran in Ultra Jump.

Karate Survivor in Another World (Yajin Tensei) is a Dengeki Daioh title for those who wish that more isekai titles were like old-school Shonen Champion “teens fight” manga.

ASH: I am interested in portrayals of karate in manga, but am significantly less interested in isekai these days.

SEAN: The Masterful Cat Is Depressed Again Today (Dekiru Neko wa Kyou mo Yuuutsu) is from Kodansha’s Suiyoubi no Sirius, and is about a young woman who takes in a giant cat… who’s really good at nearly everything. Better than her, at any rate. Cats and comedy, love it.

ASH: Indeed! Love a good cat manga.

ANNA: Sounds promising.

MICHELLE: Ooh.

MJ: This sounds fantastic!

SEAN: The NPCs in this Village Sim Game Must Be Real! (Murazukuri Game no NPC ga Namami no Ningen to Shika Omoenai) runs in Young Ace Up, and is based on the novel. I enjoyed the novel much more than expected, so the manga should also be fun.

Reincarnated as a Dragon Hatchling (Tensei Shitara Dragon no Tamago Datta – Saikyou Igai Mezasa Nee) runs in Comic Earth Star, and is ALSO based on the novel. I didn’t read that one, but I assume it is cute and has dragons.

That is SIX debuts. Wow. We also get BL Metamorphosis 5 (the final volume), How to Build a Dungeon: Book of the Demon King 7, Mushoku Tensei: Roxy Gets Serious 6, Pandora in the Crimson Shell: Ghost Urn 14, She Professed Herself Pupil of the Wise Man 2, and We Swore to Meet in the Next Life and That’s When Things Got Weird! 3 (the final volume).

ASH: BL Metamorphosis is wonderful; I’m so glad that it was translated.

MJ: I never managed to start it, but now is the time!

SEAN: One Peace has the 16th manga volume for The Rising of the Shield Hero.

Kodansha gives us the first volume of the updated Eternal Edition re-release of Codename: Sailor V.

Also in print: Eden’s Zero 12, Fairy Tail: 100 Years Quest 8, Fire Force 24, Shikimori’s Not Just a Cutie 6, To Your Eternity 15, UQ Holder 23, and Witch Hat Atelier 8, the most important of those titles. (Please buy Witch Hat Atelier.)

ASH: Yes, please do! I’m a little behind in my reading, but To Your Eternity is a favorite of mine, too.

ANNA: Witch Hat Atelier is one of the few series I’m not behind on!

MICHELLE: I totally am!

MJ: I’m… I can’t even bear to speak of it.

SEAN: Digitally, our debut is The Girl, the Shovel, and the Evil Eye (Youjo to Scoop to Magan Ou), a Shonen Sirius title whose content is not as cute as it sounds. A man dies and is reincarnated as a worker in a mining camp, without any powers, even! But when he tries to help a bullied girl, will he have powers after all?

Also out digitally: Am I Actually the Strongest? 5, Back When You Called Us Devils 5, Chihiro-kun Only Has Eyes for Me 2, Fate/Grand Order -Epic of Remnant- Pseudo-Singularity III: The Stage of Carnage, Shimousa – Seven Duels of Swordmasters 3, The Great Cleric 7, Harem Marriage 9, Mr. Bride 2, Saint Cecilia and Pastor Lawrence 4, That’s My Atypical Girl 2, and What I Love About You 7. Half that list is just the title of the Fate book.

J-Novel Club has 4 debuts, three light novels and one manga. Dahlia in Bloom: Crafting a Fresh Start with Magical Tools (Madougushi Dahliya wa Utsumukanai) is a J-Novel Heart series about a woman who was isekai’d after overworking herself to death. She’s not a villainess… but she’s still dumped by her fiancee. She’s been trying to be quiet and get on with life… well, screw that. Now she resolves to make a career for herself.

Min-Maxing My TRPG Build in Another World (TRPG Player ga Isekai de Saikyou Build wo Mezasu) is a series that features, well, an isekai’d guy using game mechanics in another world, but apparently the audience for this is more 45-year-old D&D players than teen MMO gamers.

The Reincarnated Princess Spends Another Day Skipping Story Routes (Tensei Oujo wa Kyou mo Hata o Tatakioru) is a villainess otome game series from J-Novel Heart. In this game, most fans agreed that the support guys were better than the love interest. Our villainess is going after one… but the heroine is determined to stop her. We shall see.

Also out as a light novel: Campfire Cooking in Another World with My Absurd Skill 10.

On the manga front, we get the debut of My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ—. Based on the light novel, it runs in Comic Earth Star.

We also get the 4th Record of Wortenia War.

Ghost Ship debuts Manga Diary of a Male Porn Star (AV Dan’yuu Hajimemashita), a Shinchosha title from Kurage Bunch about a young man who moves to Tokyo to enter the world of Adult Videos. It’s… harder than it looks. No pun intended.

ASH: I’ll admit to being curious.

MJ: Same.

SEAN: Cross Infinite World gives us Return from Death: I Kicked the Bucket and Now I’m Back at Square One With a Boyfriend Who Doesn’t Remember Me. As you might guess, it’s a Peggy-Sue story a la Tearmoon Empire, and the title is also the plot.

Lastly, we have Airship. In print, they debut She Professed Herself Pupil of the Wise Man, and we also get Classroom of the Elite 9 and The Hidden Dungeon Only I Can Enter 5.

And we get an early digital release of Berserk of Gluttony 4.

Ooof. The Suez is unstuck, folks, and the September of Quiet is over. What are you getting?

Bond and Book: The Devotion of “The Surgery Room”

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By Mizuki Nomura and Miho Takeoka. Released in Japan as “Musubu to Hon: “Gekashitsu” no Ichizu” by Famitsu Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

It’s good to be reading Mizuki Nomura again. Book Girl came out before the light novel boom, and as such I don’t think it ever got the attention that it deserved. This new series is not quite a sequel, and does not require having read Book Girl to enjoy it, but fans of that series will figure out fairly quickly that it’s set at the same school a generation later, and that some of the main characters are related to some of the people from Book Girl. This should not particularly be a surprise given that the premise is that a teenage boy names Musubu can “hear” the voices of books, which is not very far away from eating books. That said, while this does have serious moments, Bond and Book is a lighter series, an anthology-style tale where we see Musubu interact with someone and learn about their relationship with a book. Because trust me, books are the lovers here.

As we go through Musubu’s everyday school live, he a) tries to unite a battered copy of Pippi Longstocking with its former owner; b) helps a light novel author whose books are, um, not very good find a wider audience; c) tries to figure out which book has possessed an orchestra club member and caused him to lash out at others; d) goes with his friends to a deserted island to mimic the story of Fifteen Boys by Jules Verne (known everywhere outside Japan as Two Years’ Vacation); and e) try to help a college boy confess his love to the older librarian he adores… before she gets married and he regrets it forever. As he does this, we also hear from the books in question, who are very much characters of their own, particularly Musubu’s girlfriend, the petulant, prickly, and jealous Princess Yonoga.

This was a fun read, though I will admit that I liked some stories better than others. The light novel chapter, while an amusing look at the cliches that come from the genre these days, was not all that great; and the twist of the Fifteen Boys chapter also left a bad taste in my mouth, as it revolved around idols being despised and hated whenever they’re no longer ‘pure’. The fact that these are the two funny stories did not escape my notice – I think that Nomura is simply better at writing drama. The Pippi Longstocking chapter was an excellent look at what happens to books when you grow up or your world changes so much you can’t read what you love anymore. The story with “The Surgery Room” short story (by Kyōka Izumi, from 1895) revolves around a relationship that I suspect is not going to work out, but the whole point of the story is about passion winning out over sense, so hey.

So overall I am pretty pleased, and I would definitely recommend this to Book Girl lovers and book lovers.

If the RPG World Had Social Media…

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By Yusuke Nitta. LOL, and Yukinatsu Amekaze. Released in Japan as “Moshi Role Playing Game no Sekai ni SNS ga Attara” by Media Factory. Released in North America by Yen On. Translated by Daniel Luke Hutton.

I imagine many of you had the same reaction I did when Yen Press first announced this license. “Oh Jesus Christ, really?!?!” And yeah, I have to admit, this title had a lot of things stacked against it from the start. Aside from the premise, the format itself demands the “text bubble” style social media commenting throughout, with little icons to show who’s speaking, meaning that this light novel reads as a particularly wordy manga much of the time. The author is also not afraid to use every cliche at their disposal in the course of telling this story, mining standard RPG plots as well as anime and manga tropes galore. But somehow, along the way, this actually became quite a fun story, helped along by a hero and demon lord who are both very similar to each other: they have trouble communicating in anything but texts. A bad story would mock this mercilessly, but this one accepts it as a simple communication disorder.

Our “hero” has a few issues. He’s a shut-in, and as I noted above, can’t really communicate except via texting. Even to his mom. He’s also super, super weak, and can’t seem to get any stronger even when he does put in effort. Possibly because he lives in Beginnerland, where the king’s castle is called LMOA Castle. Unfortunately, the Demon Lord has kidnapped the princess! He has to rescue her!… if he could leave the castle without immediately getting killed. And if the princess weren’t far more interested in seducing the demon lord than being rescued. Fortunately, the Demon Lord is an understanding sort, and sends her minions to help him slowly (very slowly) make his way to her land to save the princess. This is all made much easier because everyone can text each other… including the Hero and the Demon Lord, who are rapidly falling in love.

As I said, there’s a lot of silly cliches here. The four Demon Generals are a catgirl, Darkness from KonoSuba (OK, a vampire masochist, but come on, it’s Darkness with the serial number removed), a tsundere fallen angel, and a strong and straightforward oni. Towards the end of the book, we also revive the Six Great Sages, who are famous in legend for fighting the demons but actually all turns out to be terrible, terrible people. The book knows its RPGs. That said, it treats everyone with respect. The Demon Lord is a shy but incredibly sweet young girl, who even trained for 8 years to lower her power level to the point where she did not kill everyone by just walking near them. Her Demon Lord Generals are all firmly in her corner. As for the hero, underneath that ‘wuss’ starter background is a young man who is willing to work hard if he has a clear goal in mind, and who can also see the goodness in the Demon Lord.

Some listings say this is a Volume 1, but I’m pretty sure the novel series ends here, even if it leaves most of its “plot” in the air. The Hero and Demon Lord don’t even meet in person. The Hero is still cursed, etc. That said, the actual plot of the book is “found families are awesome” and “texting is a valid way of communication, don’t make fun of it”, so we don’t really need to see everything after this play out. This isn’t a must-read, but it is a book that makes the best use of its gimmick premise and treats everyone with care. I enjoyed it.

The Sidekick Never Gets the Girl, Let Alone the Protag’s Sister!, Vol. 2

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By Toshizo and U35. Released in Japan as “Shinyuu Mob no Ore ni Shujinkou no Imouto ga Horeru Wake ga Nai” by PASH! Books. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

This book continues to be very good at not really doing what I would like it to do. I had expected, after the climax of the first book, that we’d be seeing a lot of fallout, or at least evidence that memory-erasing magic does not really work all that well in modern-day Japan. But no, we don’t even SEE the little sister again till the second half of the book, and while her fate is a big part of the plot, it’s somewhat secondary to the romcom antics. This is especially annoying as we get an excellent start to the book where we see, in the fantasy world Kou was sent to, exactly how he managed to get traumatized and have complete disaster befall him. It’s a bit rushed, but heartbreaking. Unfortunately, the author likes using it as flavor text for their real ambition: a standard high school harem comedy. And I have bad news for them, other authors are better at that.

After using magic that really should not be used in this world to wipe Hikari’s memories of him, Kou ends up sick as a dog, and also flashing back to the girl he fell in love with in the fantasy world, Rei… as well as her brutal murder, complete with dying in his arms. That said, he really can’t reflect too hard on that when both Kiryu AND Renge show up to care for him. This is especially bad in Renge’s case, as she’s a terrible cook! Oh no! This amazingly cliched scene is broken up by, of all things, the naked sexual assault guy from the start of Book 1, who shows up (clothed) and smashes a durian all over Kou and Kou’s room, I know, stay with me. After a chase, which ends up roping in Kazuki, his athletic kohai, he finds that this world and the fantasy world are more connected than he thought. But there’s no time to dwell on THAT – finals are coming up! Study group!

As you can see, the book is trying to hit every single groan-worthy high school romantic comedy cliche there is. They don’t do a bad job of having the characters go through the motions, but they don’t add anything interesting to the genre either. Kazuki has a mom. She’s hot, and teasing. Kou is bad at studying and on the verge of failure. Et cetera. I wouldn’t be complaining nearly as much if it weren’t taking away from the actual interesting parts of the book. Kou’s avoidance tactics and trauma are fascinating! The way that the weird pervert from the start of Book 1 ties into the fantasy world is something I really want to hear about… till it is thrown away because they can’t discuss it in front of “civilians”. It *is* made clear that Hikari is (no big spoiler here, it’s obvious) the reincarnation of his fantasy love… but then the book ends. Sigh.

I’m sure you’re reading this and wondering why I’m so annoyed, rather than just mildly disappointed. m Well, it’s mostly because the novel series ends here. The webnovel apparently went to a decent conclusion, but PASH! Books has shown no signs of publishing any more in print form, which probably means Japanese readers were as frustrated as I was. There’s an interesting story here that’s struggling to get past the author shoehorning in their favorite scenes from 2006 comedy anime. But… grr.

Dragon Daddy Diaries: A Girl Grows to Greatness, Vol. 1

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By Ameko Kaeruda and Sencha. Released in Japan as “Totsuzen Papa ni Natta Saikyou Dragon no Kosodate Nikki: Kawaii Musume, Honobono to Ningenkai Saikyou ni Sodatsu ” by GC Novels. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

While reading this book, I was asked about it on Twitter, and I made the observation that it was like reading a parfait. Having now finished the book, I stand by this 100%. Everything about this is adorable and sweet, and you get the added bonus of a good example of how found families can end up being much better for someone than a birth family that resents and disparages them is. All that said, please be aware, this book is not here to be serious or to raise questions that require deep analysis. It cares not about power levels – all four leads are ludicrously more powerful than anyone else in the book. There is a bit of worldbuilding, but it’s about as important as any other ingredient you’d have in a parfait. This book is here for a dragon dad, usually in the form of a hot guy, and his adorable daughter, who he dotes on.

Our narrator is an elder dragon who has spent the last few hundred years high up a mountain. One day, a four-year-old girl shows up, calling him “Daddy”. He tries to dissuade her, but after discovering what her birth father is like, he makes the decision to raise her as a doting parent. He makes her delicious milk soup. He moves them to a large castle, perfect for a growing girl… though the Demon Lord and her partner who already live there might think differently. And he teaches her how to read, and the Demon Lord teaches her magic. By the time she’s old enough to go to school, she’s possibly the most powerful human being alive. But, I mean, that’s fine, really? As long as she can make friends, and hang out with her dragon daddy and her two lesbian aunts.

It’s a sign of Bunny Drop’s fandom presence that I feel the need to say this once more: this is not going there. Even if the daddy weren’t really a huge dragon, this is by the author of Sexiled, and we can be pretty sure that they’re not going to have this end with the girl marrying her dad. Speaking of Sexiled, in the afterword the author admits they wrote this to have fun with tropes: adorable girl who dotes on her dad, hunky dad who’s really a powerful dragon… and the Demon Lord and her partner, who (because this is entirely narrated from the POV of the dragon, who doesn’t get relationships) are clearly a couple but never explicitly called such. The Demon Lord is amusing in her own right, essentially being a shut-in with a tendency to talk big but fold like a card table, having to be bailed out by her knight/partner. The four of them end up being a wonderful and amusing family unit.

By the end of this first book Olivia (the daughter, sorry, names are hard) has already pretty much blown school out of the water… though she and her father elect to have her stay in her proper grade anyway, so she can better make friends. I expect even more ridiculous and sweet things will happen in the next book. If you love the author, or love found family, or just love sugary books, this is a winner.

Cutie and the Beast

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Coming to Yuhi Azumi’s Cutie and the Beast, I really only had a recommendation from Brigid Alverson and a description from her too. So with that, I dived in with the gusto of a wrestling star like our male lead, Kuga and tried to see if this was an entertaining first match or a one-off special.

Momoka is a high school student who watches wrestling matches on TV and follows the stars of the league, in particular a star currently portraying a heel (wrestling slang for a performer cast in the role of a villain in the league) called Kuga. Kuga is twenty nine and a committed wrestler who loves his role and his profession. One day, after interacting with Momoka online, Kuga crosses paths with her and an entirely unexpected relationship opens up for both of them.

Cutie and the Beast presents the relationship between Kuga and Momoka as pretty straightforward: Momoka has a massive crush on Kuga but Kuga is as inexperienced in love as she is. So the two of them spend the early moments of their relationship within the first volume as awkward teenagers. He’s a bit hesitant and unsure, she’s frustrated at the distance between them when she realises that he shares her affection. The issue of their age comes to the fore mid-way through and unusually, it’s Kuga’s wrestling friend who helped put them together who suggests that Kuga cools his jets. Kuga has too much to lose, Momoka still has to go to school. Their lives wouldn’t work. But like the proverbial square peg in the round hole, Koga and Momoka refuse to come unstuck. In real life, this would be very messy and I don’t know how long the story can sustain this. But the two of them are so nice both on their own and together, that I can give it a temporary pass. It’s kind of a suspension of reality where if a single person were to point it out to you while you read it, it would all be ruined. I love the framing when Kuga comes clean about why he’s been avoiding Momoka online and his distress as to their relationship. It’s neat and tidy, not going for high drama. In a way, that’s the whole manga in a nutshell: searching for places for its leads to be in but not rushing it to get there any quicker than is needed.

Azumi peppers her dish with various little things like the immediacy of Twitter and how it help Momoka connect with Kuga or how Momoka’s sister starts the story as a pest but rapidly gets in gear to get her and Kuga together. The wrestling matches and events that Momoka uses to interact with Kuga are careful, quiet, and used reservedly so it’s less like a love-sick fan who hangs on her favourite wrestlers every appearance and more about how she’s processing going from “I like this guy” to “I want this guy to give me a straight answer!” Along the way, the groundwork is laid for future volumes to either rally or lose their hard-won victories. I love how Momoka and Kuga are with each other and I can’t wait to read the next volume to see how the changes at the end of the first one set out their arcs in the future.

Manga the Week of 9/22/21

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SEAN: Even the Delta variant cannot stop the flow of manga coming through.

ASH: Which is impressive, really.

SEAN: Airship, in print, gives us the third volume of Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs.

For early digital titles, we get Mushoku Tensei 13 and Reincarnated As a Sword 9.

Ghost Ship gives us Parallel Paradise 6.

J-Novel Club has some new print titles, the biggest one of interest being the print debut of Tearmoon Empire. The story of a spoiled princess who, after being executed, finds herself in her 12-year-old self, I highly recommend it to all light novel readers.

ASH: I’ve been looking forward to giving this one a try now that it’ll be available in print!

SEAN: Also debuting is the manga version of The Unwanted Undead Adventurer.

They’ve also got Ascendance of a Bookworm’s 7th manga, Infinite Dendrogram Omnibus 3, and Marginal Operation 7.

In digital, we get the manga debut of The Emperor’s Lady-in-Waiting Is Wanted as a Bride. Also out in manga form: Black Summoner 4, Cooking with Wild Game 5, and The Master of Ragnarok & Blesser of Einherjar 6.

Light novels out next week include The Master of Ragnarok & Blesser of Einherjar 17, Seirei Gensouki 16, and Slayers 10.

Kodansha’s print debut is When Will Ayumu Make His Move? (Soredemo Ayumu wa Yosetekuru), from the author of Teasing Master Takagi-san. This is a Weekly Shonen Magazine title about a girl who is trying to get a guy to confess to her, and a guy who only wants to confess after he’s beaten her in shogi. As you guessed, he’s terrible at shogi. This seems fun.

ASH: That does sound like it could be fun.

MJ: Sounds fun indeed!

SEAN: In print, Kodansha has Bakemonogatari 10, The Daily Lives of High School Boys 7, Don’t Toy with Me, Miss Nagatoro 8, Drifting Dragons 9, Heaven’s Design Team 6, Living-Room Matsunaga-san 7, Peach Boy Riverside 2, Rent-a-Girlfriend 8, Sachi’s Monstrous Appetite 4, Star⇄Crossed!! 3, Sweat and Soap 9, and Those Not-So-Sweet Boys 4. Printer finally delivered the books, huh?

MICHELLE: Definitely looking to the shoujo offerings in that lot.

ASH: Ditto! I’m glad to see more Drifting Dragons in there, too.

SEAN: Digitally our debut is You’re My Cutie (Kawaii Nante Kiitenai!!), a new Betsufure series about a girl who loves manga about cute kohais falling for cool sempais. Then she meets her own kohai… and reality is not like the manga.

MICHELLE: Hm. Maybe.

MJ: What Michelle said.

SEAN: Also: Blue Lock 7, The Decagon House Murders 2, Dr. Ramune -Mysterious Disease Specialist- 5, In the Clear Moonlit Dusk 2, Living-Room Matsunaga-san 10, My Darling Next Door 3, Our Fake Marriage 7, Ran the Peerless Beauty 10 (the final volume), Will It Be the World or Her? 9 (also a final volume), and You Got Me, Sempai! 10 (also also a final volume).

MICHELLE: Must finish Ran the Peerless Beauty!

SEAN: Seven Seas debuts My Wife Has No Emotion (Boku no Tsuma wa Kanjou ga nai), a Comic Flapper title about a salaryman and his robot, and their growing closeness. Um…? Robot?

ASH: I will admit to being intrigued.

SEAN: Seven Seas also has The Dangers in My Heart 2.

Square Enix has The Apothecary Diaries 3 and The Strongest Sage with the Weakest Crest 5.

Tokyopop has Would You Like to be a Family? (Kazoku ni Nattemimasen ka?), a BL title from Gush about a soft-spoken man drawn into his loud co-worker’s life… complete with loud co-worker’s child. This looks sweet.

MICHELLE: Ooh.

SEAN: Viz gives us BEASTARS 14, Dead Dead Demon’s Dededede Destruction 10, Fist of the North Star 2, Hell’s Paradise: Jigokuraku 10, Maison Ikkoku Collector’s Edition 5, and The Way of the Househusband 6.

ANNA: Always glad for more Househusband.

ASH: Same! And I’m still super excited we’re getting Fist of the North Star, too.

SEAN: Actually, come to think of it, this IS less than usual. Manga, are you OK?

ANNA: I am concerned!

ASH: Supply chain disruptions are real!

Der Werwolf: The Annals of Veight, Vol. 12

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By Hyougetsu and Nari Teshima. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

It is a question often asked by authors, and even more often by publishers: when it the right time to end a series? It can depend very much on what kind of series it is, but for a series like Der Werwolf, the last volume certainly felt like an ending. Veight and Airia were together, she’d had their child, and he was busily uniting the entire kingdom and bringing a new era of peace to all. Medetashi, medetashi. Except frequently if you try to keep doing stories after “and everyone lived happily ever after”, it tends towards “until they died and here’s how”. Fortunately, Der Werwolf may be moving on to the Next generation, but it’s not quite ready to give up on Veight, or more accurately to give up on Veight being a living legend whose only fault is his absolutely crippling humility. Something that, fortunately, does not seem to have transferred over to his daughter, though she certainly seems to have inherited his ability to find trouble.

The book takes place, with many timeskips, around the first ten years of the life of Friede, Veight and Airia’s daughter. That said, most of it is still the usual setup for this series: Veight’s POV, and then an alternate POV from another character that expounds on Veight’s greatness. (I will assume that if this sort of thing bothers you,. you dropped the series ages ago.) Veight is filled with parental love and also Japanese ideas on how to raise children, which differ a bit from “give them to childcare people and see them once a year” that this world’s nobles tend to do. Friede is also not your typical child – while she can’t transform into a werewolf, she has all of Veight’s other abilities, enough mana to level a warship, and by the end of the book is learning swordfighting, martial arts, and diplomacy. Which may be needed, as she’s packed off to the Rolmund Empire at the end of the book, as Eleora wants to meet her.

Again, the biggest flaw in this book is is irrelevance: it’s After Stories, so if you wanted to drop the series neatly, doing so just before this book starts is a perfectly good response. That said, it doesn’t really do anything wrong, and gives us more of Veight being Alexander the Great as a wolf, only with more sense. He’s still resolving disputes, still occasionally being forced to fight 20-against-1 battles, and still insisting that he’s just a humble vice-commander. In addition, as much as Veight is hoping to usher in a time of peace, there are always going to be bad guys – someone in this book is kidnapping girls from other kingdoms and has them all holed up in a house in Meraldia… which Freide promptly finds in about two seconds, which bodes well for her. She’s a fun kid, who was raised thinking her dad was a normal goofy dad, and only now finding out that everyone reveres him. Which means she’s now in the “dad is so cool!” phase of her life.

So yes, if you really do like Der Werwolf, this is a fun read, and has a nice side story about Woroy trying to start his own city and realizing that the best way to do it is by inventing rollerball. Certainly the series was popular enough to be grabbed by a larger publisher… but we don’t have to worry about that till after Vol. 13.

A Tale of the Secret Saint, Vol. 1

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

It has to be said, I have a type. They don’t necessarily have to be the heroine (though they certainly are here), but if you get a really strong woman, usually holding a sword, who’s also kind and brave and cheerful… and a bit dumb? Let me tell you, that is my meat and potatoes. So as you can imagine, I was delighted to find that Secret saint offered me a full-course mean of ditzy strong girl. Now, this doesn’t mean the book is excellent. Like a lot of light novels of this sort, if you try to examine the actual plot it ends up having a lot of holes to poke through. But if you don’t, you get the story of a young girl who, near death, ends up getting memories of her past life as a powerful Saint, and her attempts to secretly use that power to help herself while also keeping it a secret from everyone else. Except… she’s terrible at this.

Fia, the youngest daughter in a family of knights, has not had a very good life so far. She’s trying to follow in her siblings’ footsteps, but despite training constantly, she’s not a great knight. Her father ignores her, her brothers disparage her. Then when she goes on her coming-of-age ceremony, she ends up accidentally healing a monster… who then tears a big hole in her. She then remembers her past as a Saint… and now knows how far Saints have fallen in the last three hundred years. Fortunately, with the knowledge from her past, she not only passes her ceremony with flying colors, but also ends up as a knight guarding the royal family! With her ability to make extra strength healing potions, keen instinct for both monsters and humans, and complete lack of common sense, can she keep everyone from knowing who she is now?

As noted above, the fun part of the book is Fia’s increasingly hilarious attempt to pretend that everything she’s doing is perfectly normal and not suspicious at all. No one really buys it… but she never QUITE lies, and they aren’t really able to read her enough to get a bead on her. Her personality made me happy. That said… first of all, her backstory, both as Fia and in her past life, seems far too brutal for a light, fluffy story like this one. “I can put up with an abusive knight captain because it’s nowhere near the abuse I got from my brothers” is not a good punchline, and it occasionally jars. There’s also the fact that the narrative is not good at telling us how much of this is Fia herself and how much is Fia’s past memories. The implication is that her observational talents and sudden tactical genius is all because of her past, but you could also argue that it merely unlocked something in her all along. It’s confusing and I wish it was delineated better.

But honestly, if you don’t think too hard about it, this is a winner. Fans of My Next Life As a Villainess who wonder what Katarina in an RPG would be like can read this and see: she’s be much the same.

Bookshelf Briefs 9/13/21

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A Certain Scientific Railgun: Astral Buddy, Vol. 4 | By Kazuma Kamachi and Yasuhito Nogi |Seven Seas – Despite the cliffhanger from the last book, Junko and Gunha are too similar to really be enemies, and are both quite happy to resolve things via punching and GUTS!. Other than that, this is a good final volume to this unlikely spinoff, hitting on the best moral lessons from Railgun. (Everyone on the science side is terrible, but no one is truly irredeemable, especially the kids.) There’s also a PILE of yuri here, between Misaki and Junko, of course, but also Misaki and Kuroko, of all people, who is reminded that, at the end of the day, she will never be able to do anything but watch Mikoto’s back. Well worth the time for any fan of Railgun and its ilk. – Sean Gaffney

The Girl Without a Face | By tearontaron | Yen Press – I’m always interested in manga that feature yokai, so naturally I was intrigued by The Girl Without a Face, one of the most wholesome examples that I’ve read so far. The volume collects a series of short manga originally released by the creator on Twitter which focus on an extremely lovely-dovey couple living together as boyfriend and girlfriend. He’s a human while she’s a noppera-bo, a yokai that looks human except for the lack of facial features. (Granted, it appears as though the boyfriend’s the only human resident in a town full of yokai, so he’s arguably the stranger one of the two.) Most of the short vignettes follow very similar patterns and beats, the stories focusing on the power of the couple’s love and devotion to see them through any sort of communication challenge. The Girl Without a Face is admittedly repetitive, but it’s also very cute and sweet. – Ash Brown

Skip and Loafer, Vol. 1 | By Misaki Takamatsu | Seven Seas – This story about a girl from way out in the country and her adventures in the city shouldn’t work as well as it does, but it DOES work very well, being an incredibly strong debut. Mitsumi may have a lot of Manic Pixie Dream Girl to her, but instead of just one guy (Sousuke, who is clearly the Cheerful Guy With A Bittersweet Past), it’s an entire group from her school—the desperate social climber, the easygoing popular girl, and the shy nerdy girl. All of them are trying hard to deal with the ins and outs of high school cliques and pressures, only to watch Mitsumi sail right over it all. All this plus some excellent subtle trans representation make this a definite one to buy. – Sean Gaffney

Snow White with the Red Hair, Vol. 14 | By Sorata Akiduki | Viz Media – I have expressed my displeasure before with Hakusensha shoujo seies padding out a volume by only having the main title for 2/3 of it and then putting in older, one-shots by the same artist to pad things out. We get that again here, and it’s still annoying. Especially because I’m really enjoying the actual story we get here. Despite the threat of Shirayuki and Zen being separated for a long stretch, they reunite here, if only temporarily. The bond between them reminds me that Obi fans really have a long way to go to convince the author. I also really appreciate the attention paid to medical research, how hard it is, and how often it doesn’t work. It gives this series a depth beyond the romance. – Sean Gaffney

Sweat and Soap, Vol. 7 | By Kintetsu Yamada | Kodansha Comics – Asako may sweat a lot naturally, but she also tends to sweat a lot because of her tendency to get stressed out. Thus the idea of finally meeting Kotaro’s parents has her wiping herself down multiple times a day. That said, this is not really a manga for extended drama, so no surprises to hear that the visit goes pretty well. The surprise is that Kotaro’s mother is blind, having gradually lost her site after she got married, but this is handled subtly and without calling too much attention to it. Kotaro also runs into the guy who hit on Asako earlier, but even then they end up bonding and discussing the importance of floral arrangements at a convention dedicated to scented products. This runs on pure sweetness. – Sean Gaffney

Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons, Vol. 2

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By 616th Special Information Battalion and Wuhuo. Released in Japan as “Doushitemo Hametsushitakunai Akuyaku Reijou ga Gendai Heiki wo Te ni Shita Kekka ga Kore desu” by K Lanove Books. Released in North America by J-Novel Club. Translated by Shaun Cook.

Fans of genres that have twenty billion books in said genre tend to fall into two distinct types: those who don’t just want to read the same old plotline and characters, and those who do, because it’s their comfort food. In most ways, Villainess Reloaded falls into Category Two. This is a magical academy series with villainess overtones, and so we get a lot of the usual staples: heroine tries to avoid her fate but doesn’t realize everyone loves her; lots of magic discussion and magic experimentation; a beach episode; and yes, for a brief moment, we meet the game’s heroine, who Astrid proceeds to try to avoid. There’s even a maid who seems cool and frosty but secretly cares about her charge! That said, there is one teeny, weeny problem with this being a comfort novel that’s more of the same: Astrid has no morals or ethics, and is turning more evil by the day as we read about her antics.

The book covers Astrid’s final year in elementary school and first year in middle school. She’s experimenting with new ways to fire guns, including howitzers, but is running into an issue: a lack of electricity won’t let her make the truly big guns. That said, she also has other things to worry about. Her father is against her doing much of anything. She meets Adolf’s younger brother, who immediately becomes infatuated with her. (He’s 6, she’s 10.) The Magic Research Club that already exists on campus is an excuse to hang out and eat cookies. And worst of all, she needs money to fund her magic experiments. This means sneaking out on weekends to become an adventurer, going on dragon-slaying quests, and meeting with a cabal of Witches who are holders of the lost magic… which was lost because it’s pretty much “magic you can use to torture or kill people”. Will Astrid join them?

She absolutely will. This should not surprise me, given that I dropped Her Majesty’s Swarm, by the same author, for having similar issues, but the heroine of this tale is morally bankrupt. That said, I will give it major points for thinking of “what if a villainess tried to avoid her fate by becoming MORE EVIL”, which is certainly *not* more of the same old stuff. Seeing Astrid experimenting with blood magic, first on animals and then on herself, to try to remove her conscience is creepy as hell, and the fact that it’s clearly the author’s intention to creep us out doesn’t really help. We do occasionally see her backing away from the darkness – she thinks about killing someone as part of an experiment but doesn’t because she’s not “quite that heartless”. Oh yes, and there’s also the fact that, like Katarina, she thinks of her fate as something that is inevitable unless she puts up a constant struggle… which also makes her a warmonger in terms of her politics.

I’m not sure I could describe this series as enjoyable. Fascinating, perhaps. I’ll be reading the next volume in the series. That said, if you enjoy villainess books in general, there are others that can scratch your itch far more than Little Miss Sociopath and Her Armory.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 1

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

There is a certain disconnect in this novel which threw me off for a time till I realized what it was doing. The daughter leaving the nest happens right at the start of the book, and returning an S-Ranked adventurer right at the end, and so there’s a lot of middle to fill. Some of it can be frustrating at first glance, such as the running gag of Angeline starting off on a vacation to see her dad again at long last only to have it cut short because other issues take priority or because she’s the only really strong adventurer in the area. As it turns out, though, it’s more than a running gag, it’s a part of a greater problem that needs fixing. That said, we do get a reunion at the end, and there’s plenty of what I would call the meat of this book: Angeline praising her father to a ridiculous degree, and Belgrieve proving that it’s not just rose-tinted glasses, he really is that good.

Belgrieve left his village to be a top adventurer… but a bit later lost a leg. While still an E-rank. So he went back to the village, put up with the ridicule, and set out to do whatever else he could. In fact, despite his prosthetic leg, he’s managed to become quite strong simply by constant monster hunting and gathering supplies. Then one day he finds an abandoned child in the forest, and raises her as his own. Twelve years later, inspired by the stories her father told her, Angeline goes out to the big city to become an adventurer herself. She has a lot more success than her father did, and five years later is the top adventurer in the city, and possibly even in the top adventurers in the country. Unfortunately, there’s also a larger amount of fiends lately, meaning she has no time at all to return home and see her dad. What can she do to fix this?

As noted when this title was licensed, this is NOT going to be a Bunny Drop or If It’s for My Daughter, I’d Even Defeat the Demon Lord series. All 10 volumes of S-Ranked Daughter are out in Japan, and from what I hear the relationship remains a normal dad and daughter relationship. This doesn’t mean that she’s not obsessed with her dad – a lot of the comedy comes from hearing just HOW obsessed with her dad she is. But knowing it won’t go “there” means we’re able to enjoy it as a typical spoiled daughter behavior. Plus, honestly, he deserves most of it. Turns out, prosthetic or no, Belgrieve is able to take on C-class monsters with ease, and makes friends with the local gods to boot. Which might come in handy in future books, as we get hints that someone is trying to raise a lot of demons for some sinister purpose.

The cast is more than the two of them, of course. I particularly like the family of nobles we meet, three daughters who can be summed up as “sensible”, “airhead”, and “named after a font”. Still, it’s dad and daughter you’re hear to read about, and I will be looking forward to Book 2.