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Manga the Week of 12/4

November 28, 2013 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 2 Comments

SEAN: First week of the month. You know what that means. Let’s go.

Dark Horse has the Comic Book Legal Defense Fund’s volume on Manga Challenges And Best Practices, which, given its authorship, I will merely leave here to let you all know it’s available. :)

ASH: Well, if you’re not going to say anything, then I will! I got my hands on an early copy a few months ago and thought it was great resource.

MJ: Thanks, Ash!

SEAN: Alice Love Fables: Toy Box is a Seven Seas anthology with stories from a) Alice in the Country of Hearts, as released (in part) by Seven Seas; b) Crimson Empire, as released by Seven Seas; and c) Arabians Lost, as not released by Seven Seas, mostly as it’s the only one of these otome game adaptations not to get an actual series.

ANNA: I have a fairly high tolerance of Alice in the Country of series, but stretching it to an anthology series might be a bit too much for me.

SEAN: Dance In The Vampire Bund has another new spinoff, this one called The Memories of Sledge Hammer. It does not feature David Rasche at all, so I am profoundly disinterested.

ASH: I…actually haven’t read any of the Dance in the Vampire Bund manga, yet.

MJ: I feel certain I never will.

ANNA: I doubt I will either.

SEAN: And Kanokon has an omnibus collecting two new volumes of this supernatural harem comedy (not to be confused with Seven Seas’ other supernatural harem comedies).

There’s also Vol. 3 of The Sacred Blacksmith, which hasn’t knocked me out, but has proven to be better than expected.

On the Viz front, there’s Vol. 5 of Demon Love Spell, which is a hell of a lot of fun and also sexy to boot.

MJ: I kinda can’t wait for this. I’m definitely hooked on this series.

ANNA: It is hilarious. I do wish more of Mayu Shinjo’s angsty series were published over here.

SEAN: Dengeki Daisy is coming to an end, but that end is not out here yet. Instead, we get lucky Vol. 13. If you like shoujo at all, you should be reading this.

MICHELLE: I’ve fallen behind with Dengeki Daisy but will be catching up soon!

ASH: I used consider Dengeki Daisy a guilty pleasure, but I’ve gotten over that and just enjoy the series.

MJ: I dropped Dengeki Daisy early on (not for any profound reason, just time) and I’ve begun to regret it.

ANNA: I always enjoy a new volume of Dengeki Daisy.

SEAN: The penultimate volume of A Devil and Her Love Song really needs to cut back on the angst and trauma and start wrapping things up happily. Do I expect this to happen here? No.

MJ: Heh.

ANNA: That being said, it is somehow weirdly refreshing along with all the angst and trauma, just because the heroine’s personality is so distinctive.

SEAN: The 3rd Dragon Ball omnibus, because there are always new generations of fans.

ASH: I’m glad that Viz is finding ways to keep this series in print–I’m one of those people who somehow missed it the first few times around.

SEAN: Vol. 3 of Happy Marriage?! will no doubt feature more fretting, worrying, and self-doubt, hopefully mixed with some nice romance and comedy.

MJ: No doubt. And no doubt I’ll read it.

ANNA: I’ve read it and it continues to be great!

SEAN: Hunter x Hunter 31 is out. The manga’s back on hiatus in Japan, so I’m not sure when it will dribble to a halt here. Again.

Nura: Rise of the Yokai Clan started a new arc last time, and I expect things will be quite exciting and supernatural in a “this is pretty good, but not great” way.

One Piece Vol. 69. (cough) You’d think Nami and Robin would be on the cov–(whack) Ow!

Skip Beat! is up to Vol. 32. Easily Hana to Yume’s longest running ongoing series, it may be wrapping up soon, but not yet. Still great.

MICHELLE: I’m very excited about this one!

ASH: Me, too!

ANNA: Probably my most favorite insanely long shoujo manga series.

SEAN: Slam Dunk ends with Vol. 31. A terrific sports manga, and hopefully it has whetted fans’ appetite in case Viz wants to, say, license another ongoing Jump basketball series. Hint, hint.

MICHELLE: And this one! I’ve been saving up the last five volumes to read in one big chunk. It’s gonna be awesome.

ASH: I’m behind in Slam Dunk, but it really is a great series.

ANNA: Slam Dunk is wonderful.

SEAN: Toriko is in the Meteor Garlic arc, and this is Volume 19. I like the series a lot, but it’s hard to really comment on when it comes out.

Lastly, Voice Over: Seiyuu Academy has its second volume drop. It’s classic workaday Hakusensha shoujo, with a fun if dense lead.

MJ: I’m eyeing this with a little bit of dread, but it’ll probably reel me in.

MICHELLE: It might. I definitely liked the first volume more than I expected to.

ANNA:I enjoyed the first volume much more than I expected to.

SEAN: That’s a big pile. Any choices?

Manga Giveaway: Fairy Tail Feast

November 27, 2013 by Ash Brown

For those of you in the United States, a Happy Thanksgiving! And for those of you who are not, a Happy End of November! And since it is the end of the month, that means it’s time for another giveaway here at Experiments in Manga. As is tradition, and because Thanksgiving is my favorite holiday, November’s manga giveaway will feature multiples volumes. In this case, I have a Fairy Tail feast in store for one lucky participant. This month you’ll all have a chance to win volumes thirty, thirty-one, and thirty-two of Hiro Mashima’s manga series Fairy Tail as published by Kodansha Comics. As always, the giveaway is open worldwide!

Bonus! Hungry for even more Fairy Tail? Funimation has been kind enough to provide an early copy of the movie Fairy Tail: Phoenix Priestess for this giveaway! Scheduled for release in December, you have a chance to win it now, or guarantee a copy by pre-ordering it.

Fairy Tail recently reached a milestone in its English publication. It can now claim its place among all of the series that have lasted for at least thirty volumes in English. In part because of its length, Fairy Tail is a series that I probably would have never gotten around to reading except that someone very deliberately put the manga into my hand. For me, I don’t bat an eye when a manga reaches ten or so volumes. When a series is around twenty volumes, I still consider it fairly manageable. But when a series hits thirty volumes or more, it becomes rather daunting and I start to seriously consider whether it is worth the investment of my time and money to pursue it. Sometimes the answer is yes and sometimes the answer is no. Obviously, if the series has lasted for so long it must have at least some merit to it. Either that, or an extremely devoted fanbase. There are several thirty-plus manga series that I adore and count among my favorites.

So, you may be wondering, how can you win a Fairy Tail feast?

1) In the comments below, tell me about your general feelings or opinions regarding long-running manga series.
2) For a second entry, simply name a manga ~~not mentioned by me or by someone else~~ that has at least thirty volumes published in English. (I know of at least twenty-five series.)
3) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! For this giveaway, each person can earn up to three entries. As usual, there is one week to submit comments. If you have trouble leaving comments, or if you would prefer, entries can be e-mailed to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on December 4, 2013.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Fairy Tail Feast Winner

My Week in Manga: November 18-November 24, 2013

November 25, 2013 by Ash Brown

My News and Reviews

I’ve never run a poll before, so I’m probably more excited about this than I should be, but you all currently have the opportunity to vote on my next monthly manga review project. I’ve narrowed it down to five different options–a mix of individual series and thematic collections–and am letting readers decide which manga I will be focusing on next. Check out the post for all the details. The poll will run through the end of November, so please come and vote!

Last week I posted my review of Hinoki Kino’s manga No. 6, Volume 3. I am very happy to be able to say that the series continues to improve. I’m really looking forward to the next volume. And for your reading pleasure, here are a couple of interesting articles that I happened across online last week: A Short History Of Japanese Sign Language (with a fascinating connection to manga) and Are Comics Too Hot For Apple?, about the impact of Apple’s inconsistent policies when it comes to digital comics, including manga.

Quick Takes

Darkside Blues written by Hideyuki Kikuchi and illustrated by Yuho Ashibe. I think I’ve suspected it for a while, but reading Darkside Blues seems to confirm it–Kikuchi may have some great ideas and settings for his stories, but he can’t quite seem to focus long enough to pull them all together into something coherent. Darkside Blues features many of the elements that I’ve come to expect from Kikuchi’s work: a mix of near-future technology, magic, and bizarre horror; evil organizations bent on taking over the world, crushing those that would stand in their way; a tall, dark, and handsome (well, androgynously beautiful) anti-hero. I’m fairly certain the manga is related to Kikuchi’s Demon City universe, or at least it makes reference to it. There are some great scenes here and there, but the story as a whole is a mess and doesn’t make much sense. Kikuchi claims that the story is complete, but it feels like a small part of something much larger. However, I did like Ashibe’s artwork, and so will probably look into tracking down Bride of Deimos because of that.

Fairy Tail, Volume 32 by Hiro Mashima. Now that the preliminaries are over, the Grand Magic Games proper have begun. Eight teams will be competing in the Games which consists of a mix of event challenges and battles. The teams themselves represent guilds that have been encountered in the series before as well as a few new ones. One thing that irked me a little was that there are actually two teams from Fairy Tail participating. That in itself didn’t bother me, but the fact that it was played up as a surprise (to both the readers and the characters) was unconvincing. Also, it has been established that Fairy Tail has always been one of the weakest guilds to participate in the Games, so I find it a little difficult to believe that not one but two teams made it past preliminaries this year. That annoyance aside, the event challenge in this volume was actually pretty interesting. I appreciate that the players have to put some actual thought and strategy into it instead of simply relying on who can out-magic the other. Magical skill certainly helps, but being clever is important, too.

I’ll Be Your Slave by Miki Araya. I’ll admit it. I laughed. Several times. Out loud, even. I’ll Be Your Slave is so incredibly ridiculous, and intentionally so, that I just couldn’t help it. Moriya is having a difficult time finding the perfect model for his project when he happens across Ouno, a beautiful but extraordinarily lazy teenager. Fortunately, Ouno’s job will basically amount to him sitting around and looking pretty. He’s easily tired and loses interest in things quickly, but if he doesn’t want to put the effort into doing something he simply lets someone else do it for him. (This even includes walking from place to place.) Moriya is more than willing to pamper Ouno. Mopping up sweat? Check. Foot massages? Check. Sex? Sure, why not! I’ll Be Your Slave is definitely more of a comedy than it is a romance. The humor is great and the over-the-top reaction shots–complete with dramatic poses and bursts of sparkles–are hilarious. The characters admittedly don’t have much depth to them, but that’s also part of what makes the manga so funny.

Swan, Volumes 1-3 by Kyoko Ariyoshi. While I appreciate and admire dance and dancers, and even watch dance performances from time to time, I’ve never had a particular interest in ballet. That’s probably the primary reason that it took me so long to get around to reading Swan. (It’s also out of print and some of the volumes can be a little hard to find.) But, I kept hearing how wonderful Swan was, so I finally made a point of seeking it out. I should have done it sooner, because it really is a fantastic series. I may not be a dancer but I am a trained musician; there are many parallels between the two arts seen in Swan with which I can personally identify. The importance of basics. The grueling practices that push the body, mind, and soul to their breaking points. The good-natured competition and the vicious rivalries. The passion, drama, frustration, and desire that go hand in hand with creative expression. The complete joy experienced with success and the utter despair felt at failure. Swan is incredible; I can’t wait to read more.

Manga the Week of 11/27

November 21, 2013 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N 4 Comments

SEAN: I love the end of the month. It’s so quiet and peaceful.

DMP has the 8th volume of the Ai no Kusabi novel series, which I think is the final volume of this epic sci-fi master/slave BL tale. It’s 1980s-tastic!

MICHELLE: I remember watching the OVA of this (possibly at a convention) and being THOROUGHLY confused.

ASH: It’s nice to see this series finally completed in English, especially after a nearly four-year hiatus.

MJ: If only this was a manga instead of a novel. “1980s-tastic” has a much stronger hold on me when there’s lots of artwork involved.

ANNA: I love 1980s-tastic manga art!

SEAN: Kodansha gives us Attack on Titan 9. I went on about this volume at length in my review. At great length. Seriously, I just wouldn’t shut up. Also, I can now say Ymir! Hooray!

ASH: I’ll admit it: I’ve become hooked on Attack on Titan. I’m glad the series is doing so well for Kodansha, too.

SEAN: There’s also the 2nd and final volume of Sailor Moon Short Stories, which I also reviewed. I recommend getting it for Rei Hino. Also, that wraps it up for the manga, barring any artbook releases in the future.

Seven Seas has another 2-volume omnibus of Witch Buster, which I am so unfamiliar with I can’t even muster up some witty wordplay banter.

ASH: The only thing I really know about Witch Buster is that it’s original title was Witch Hunter.

SEAN: Vertical has Pink, by Kyoko Okazaki. I’ve been waiting for this since it was first announced. It’s from an earlier period in her career than Helter Skelter, and has a crocodile. Hence, everyone should read it.

MICHELLE: I’m really looking forward to this one!

ASH: As am I! I’ve really been enjoying Vertical’s josei titles this year.

MJ: I suspect this will make a strong showing in our upcoming Pick of the Week column. It’s certainly mine!

ANNA: I am glad for the reminder that this is coming out, because I’m going to order it! Helter Skelter was one of the more distinctive manga that I’ve read recently, so I am very much looking forward to Pink.

SEAN: Yen has the 2nd volume of Judge, which is shipping this week instead of last for some reason. See, it’s missing deadlines like that that would get you killed first in a survival game manga.

Speaking of missing deadlines, I forgot to mention that last week the 10th and 11th volumes of the Haruhi Suzumiya light novels shipped as one big omnibus. This catches us up with Japan, at last novel-wise, and is one of the best yet, provided you’re used to the Japanese light novel narration style, which involves a torrent of words and introspection.

What manga are you thankful for?

My Week in Manga: November 11-November 17, 2013

November 18, 2013 by Ash Brown

My News and Reviews

Last week was apparently “Blade of the Immortal Week” here at Experiments in Manga. I finally got around to reading and reviewing Blade of the Immortal: Legend of the Sword Demon, a novel written by Junichi Ohsako with illustrations by Hiroaki Samura, which is a re-imagining of the early part of the manga series. Honestly, I was disappointed with it and would only recommend the novel to fellow Blade of the Immortal completists. I also reviewed Blade of the Immortal, Volume 27: Mist on the Spider’s Web. With that review, I have now caught up with the English released of the Blade of the Immortal manga series. And so, I wrote some random musings on Wrapping Up the Blade of the Immortal Monthly Review Project.

And now for a few interesting things found online last week. SciFi Japan has a great interview with Zack Davisson, the translator for the recently released Showa: A History of Japan by Shigeru Mizuki. The School Library Journal’s Good Comics for Kids has an interesting roundtable on Gene Luen Yang’s Boxers & Saints. Takako Shimura’s Wandering Son, Volume 4 is one of the nominees for the 2014 Rainbow Book List. (As is Julie Maroh’s Blue Is the Warmest Color, for that matter.) And finally, Kodansha Comicss participated in Reddit’s Ask Me Anything. I haven’t had the chance to read through all of the comments yet, but what I’ve read so far has been interesting.

Quick Takes

Battling Boy by Paul Pope. I have enjoyed Paul Pope’s work in the past and so I was very excited for the release of Battling Boy, his most recent graphic novel. What I didn’t realize was that it was the first volume in what will be at least a two-volume series, not including the recently announced prequel The Rise of Aurora West. It was a little frustrating to reach the end of Battling Boy just when things were really starting to pull together only to discover that it stops without any sort of conclusion and not even much of a cliffhanger. Still, Battling Boy is a tremendous amount of fun and I did enjoy it. I appreciate Pope’s offbeat humor and slightly surreal and absurd storytelling. The artwork’s pretty great, too. Following the eponymous demigod Battling Boy as he struggles to complete his coming-of-age ceremony and become a hero, the graphic novel is Pope’s original take on the superhero origin story. While he brings his own touch to the genre, there are plenty of influences from other comics (such as Batman and Thor to name two) that can be seen in the work.

Endless Rain by Yuuya. I’ve not had particularly good luck with the boys’ love that I’ve been reading recently and Endless Rain hasn’t changed that. I can’t say that I enjoyed this one-shot much at all. Despite having a happy ending (which I am not at all convinced would happen) the manga isn’t particularly pleasant and includes what basically amounts to forced prostitution. The plotting is sloppy, the narrative is difficult to follow and at times doesn’t make any sense, and the characterization is inconsistent. With Hyougami’s vendetta against the Kasuga family and the bad blood between Akira Kasuga and his father Endless Rain had some potential, but Yuuya doesn’t quite pull it off. Maybe if the manga was a little longer it wouldn’t have been such a mess. As it is, Yuuya tries to cram in too much and it ends up rushed. The only part of Endless Rain that I really liked was Iwao–a scarred and severe-looking yakuza who dotes on Akira’s younger brother. Contrary to his appearance, he’s actually a very sweet guy. Unfortunately, he only briefly shows up as a side character.

Missions of Love, Volume 5 by Ema Toyama. Although I am familiar with the basic premise of Missions of Love, I haven’t actually read any of the series until this volume. When I heard the manga described it seemed so trope-filled that I just couldn’t muster up any interest in it despite the rather provocative covers. But now I’m kind of sorry that I missed out on the earlier volumes. Yes, there are quite a few tropes being used, but the twisted romantic relationships are mesmerizing even if they aren’t particularly healthy. None of the characters are really very nice people and their interactions are a mess of lies and manipulation. Missions of Love is very suggestive and scandalous even though all that really happens in this volume (well, except for the emotional exploitation) is a bit of ear nibbling. I can see why others call Missions of Love addicting; I know that I want to read more. The only thing that really annoyed me about Missions of Love is how Yukina’s glasses are drawn (or rather how the aren’t drawn)–the lines used are so minimal that they barely seem to exist at all.

Silver Spoon directed by Tomohiko Ito. Based on the award-winning manga series Silver Spoon by Hiromu Arakawa (which was in part inspired by her experiences growing up on dairy farm), the Silver Spoon anime adaptation is quite well done. The series is very forthright and honest about where food comes from, including the raising and slaughtering of animals for meat. I know that particular subject will distrub some viewers, but I think it is something that is important for people to understand and the anime does handle it very well. Many of its characters are also conflicted over it. One of the major story lines of Silver Spoon has to do with Hachiken, the protagonist, trying to come to terms with what it is he eats. However, life and the taking of it is treated with immense respect in the series. I myself grew up in a farming community among the cows, corn, and soybeans (my neighbors actually happened to be dairy farmers), and so I could appreciate Silver Spoon‘s realistic portrayal of the challenges faced by those who make their living caring for animals and crops.

Manga the Week of 11/20

November 15, 2013 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 4 Comments

SEAN: Another one of those weeks that brings something for everyone.

It has been a year and two months since the last volume of Berserk from Dark Horse. (This is the fault of the Japanese author, let’s note, whose reputation for breaks is limitless.) Now, at last, we have the next volume.

ASH: YES! Berserk is one of my favorites. Well, early Berserk is one of my favorites. But I’m always happy to see a new volume of the series released.

MJ: I have never read Berserk, but I’ll admit that Dark Horse’s announcement about the new volume made it all sound very exciting.

SEAN: Oh My Goddess 45 contains one of the most amazing, ballsiest retcons I have seen in ages. It set fandom alight, and I look forward to reading it in this new volume, also from Dark Horse.

Fairy Tail’s speedup is nearing the end, but not quite there yet, so here’s Vol. 32, which is still at the start of the Grand Magic Games arc.

Sherlock Bones also has its 2nd volume, which will feature more from the sort-of love interest of the boy (the dog does not, as far as I know, have a love interest).

ASH: Well, there is Takeru’s sister who reminds Sherdog an awful lot of Irene Adler…

SEAN: Picturebox is having a busy month. This week we get the second in their Ten Cent Manga series, featuring a well-known name – Osamu Tezuka, with The Mysterious Underground Men, one of his very first works.

ASH: I’ll admit, I’m a little burned out on Tezuka, but the Ten Cent Manga series is pretty great.

MJ: I’m with Ash here, but I’ll still probably read it.

SEAN: The longest Alice in the Etc. series to date comes to an end with the 7th and final volume of Cheshire Cat Waltz. Will Alice and Boris live happily ever after? Is happily ever after really a desirable result here? We shall see.

ANNA: I have to say, I don’t care very much about this series, but I just started Alice in the Country of Joker. That’s one thing to be said for all the many Alice in series, something for everyone.

Sickness Unto Death wraps up with its second volume. I reviewed it here.

Hey, remember Dogs? It’s at the ever popular yearly release schedule (not due to sales – Japan has a yearly schedule as well), and is sure to be stylish.

Sunny was a nicely introspective manga when the first volume landed in the spring, so I am quite looking forward to Vol. 2.

ASH: As am I! It’s a beautiful, deluxe release, too.

MICHELLE: Me, too! I’m reviewing it for the next Bookshelf Briefs, in fact!

ANNA: I very much enjoyed the first volume of this series and the deluxe format makes a nice holiday gift!

MJ: I really can’t wait to read this. Michelle & I adored Volume 1.

SEAN: I have run out of things to say about Yen’s BTOOOOM!, so I will note that since this is Volume 4 I added an extra O to the title.

MICHELLE: *snerk* I gave up after the craptacular second volume.

SEAN: A quick detour to the manwha side, as Vol. 8 of Jack Frost is out. I lost track of this back at the start. Is the girl still getting decapitated constantly?

MJ: Probably.

SEAN: Soul Eater 17 contains one of the most popular sequences in the entire series. I won’t say anything more, other than: Rule 63.

Lastly, speaking of yearly releases, it’s Yotsuba&! time. Featuring Halloween, camping, and Asagi’s friend (and that’s all she is, despite yuri fans everywhere wishing it were otherwise) Torako. Ever volume of this series puts a smile on my face.

ASH: I can’t believe how far behind I am with Yotsuba&!. I should address this issue immediately.

MICHELLE: Yay, Yotsuba&!.

ANNA: I am terribly behind as well.

MJ: New Yotsuba&! is always a welcome sight!

SEAN: What appeals to you most?

My Week in Manga: November 4-November 10, 2013

November 11, 2013 by Ash Brown

My News and Reviews

Last week I announced the winner of the Sankarea manga giveaway. The post also includes a list of zombie manga that has been licensed in English, for those who might be interested. Considering the recent popularity of zombies, I was actually a little surprised to discover there weren’t more. I also posted two reviews last week. The first was for Makoto Kobayashi’s What’s Michael, Book Two, a fantastic cat manga sent to me by a Manga Bookshelf reader for review. My second review from last week was for Coffinman: The Journal of a Buddhist Mortician by Shinmon Aoki, which was the inspiration for Yōjirō Takita’s award-winning film Departures.

And now for a few things that I’ve come across online over the last couple of weeks. Crunchyroll Manga is now up and running. Deb Aoki wrote a good article about it for Publishers Weekly–Kodansha, Crunchyroll Talk Global ‘Simulpub’ Manga . At A Case Suitable for Treatment, Sean took a quick look at the manga series currently being offered through the platform–Kodansha and Crunchyroll Partnership: What Are We Getting?. Mostly unrelated, Kodansha posted on its Tumblr account a great summary of why some manga may never be licensed in North America, even if it’s really good. Rob Vollmar’s essay for World Literature Today “Dark Side of the Manga: Tezuka Osamu’s Dark Period” is actually from last year, but was recently brought to my attention again. And finally, the Comic Book Legal Defense Fund focused on Gene Luen Yang’s Boxers & Saints (which I think is one of the best comics to be released this year) as part of its Using Graphic Novels in Education column.

Quick Takes

Animal Land, Volumes 5-8 by Makoto Raiku. It took a few volumes for Animal Land to really grow on me, but now that it has I find that I quite like the series. The occasional focus on scatological humor feels a bit out-of-place to me, though it seems to have become less common as the series progresses. The artwork in Animal Land is a little strange–a combination of realism and anthropomorphism–but generally engaging. The characters, particularly Taroza, are very likeable. I have enjoyed watching him grow up. A newborn at the beginning of the series, by the end of the eighth volume he has become a young man who has had to face the hard truths about his idealism. Taroza wants to put an end to the cycle of killing and eating, but to do so will require him to throw all of Animal Land into turmoil. He is not the only one who has an interest in shifting the power dynamics of the world–four other humans have made themselves known and have their own ideas about how things should be. I was a little surprised to see a bit of science fiction and time travel work its way into Animal Land, but I am very curious to see how things continue to develop.

Battle Vixens, Volume 1 by Yuji Shiozaki. Supposedly, Battle Vixens (aka Ikki Tousen) is somehow based on, or at least inspired by the classic Chinese historical novel Romance of the Three Kingdoms. Had I not known this going into the series, I’m not sure I really would have picked it up from reading the first volume. As far as I can tell, the references are barely there. (Which reminds me, I really do need to get around to finishing Romance of the Three Kingdoms.) What is readily apparent from the first page of the manga is that the English title, Battle Vixens was aptly chosen. The series is all about the fights and the fan service. There might be some sort of plot, too, but after only one volume I am still incredibly confused as to what is actually supposed to be going on. Basically there’s this girl, Hakufu Sonsaku, with a sizable chest and the penchant for getting into brawls. Towards what end? I am unsure. She simply seems predisposed to violence and having her clothes ripped off of her in the process. For a series based on fights the action unfortunately tends to be somewhat difficult to follow, but some of the panels have great composition.

No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 1 by Nico Tanigawa. Okay, I’m just going to refer to this series by its Japanese abbreviation WataMote because I can never seem to remember the title in its entirety. (Plus, it’s really long.) WataMote is simultaneously one of the most funny and depressing manga that I’ve read recently. The story follows Tomoko Kuroki, an extraordinarily awkward and socially inept young woman who has just started high school. Most of her “life experience” has come from reading manga and playing video games, which may explain why she has difficulty interacting with her classmates. They mostly just ignore her or at least tolerate her existence. Occasionally she tries to be more than the weirdo in the corner, but it doesn’t often turn out well for her. I care about Tomoko and find her to be a sympathetic character which is why her trials and errors, though humorous, can also be a bit painful to watch. WataMote isn’t exactly mean-spirited, but it’s not particularly pleasant either. Her interactions with her younger brother are fantastically awkward (granted, all of Tomoko’s relationships are awkward), but there are some glimpses of familial love, too.

Flowers of Evil directed by Hiroshi Nagahama. Based on the manga series by Shuzo Oshimi, the Flowers of Evil anime series is a phenomenal adaptation. It’s one of the rare cases where I might actually prefer the anime over the original manga. That being said, the anime is definitely not a series that everyone will be able to enjoy. First of all, the pacing is excruciatingly slow. It worked for me and I think it creates marvelous tension, but someone who needs a bit more action and forward movement from their anime will be very frustrated. Not much actually happens from episode to episode; the focus is more on the inner turmoil and crises of the characters. The animation also relies heavily on rotoscoping techniques, resulting in a style that doesn’t personally bother me, but I know plenty of people who can’t stand it. I think it was suitable for Flowers of Evil, creating a slightly disconcerting and surreal mood that fits the unsettling atmosphere and darker nature of the series. The use of music and silence in the series is also quite remarkable. The twisted triangle of a relationship between Kasuga, Nakamura, and Saeki is intense. The Flowers of Evil anime captures it perfectly using art film-like sensibilities.

Manga the Week of 11/13

November 7, 2013 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 2 Comments

SEAN: This week isn’t quite as bad as the previous two, but there’s still a chunky bit of stuff coming onto the shops.

Dark Horse has the 3rd of their Lone Wolf & Cub omnibuses. That’s a chunky item hitting the shops all by itself, and very good value for money it is too.

ASH: I’m happy to see Lone Wolf & Cub being re-released. The larger format means I have a better chance of actually being able to read the text, too.

MJ: I’ve been so happy to have a fresh opportunity to fall in love with this series. And fall in love, I have!

ANNA: Nice! I need to check this out again, I think I only read the first five or so volumes of the original series but I did enjoy it.

SEAN: We have a trio of releases from DMP. Lies Are A Gentleman’s Manners certainly wins the title of the week award, but I know nothing else about it. The description seems to involve LSD and blackmail.

ASH: I don’t know much about this one, either. But, megane alert!

MJ: Thanks to David Welsh, I’m thrilled to see anything from Opera, so count me in!

Moon and Blood 4 is still doing its mini-manga thing.

And Triton of the Sea finishes up with its 2nd omnibus. Are we getting near the end of print Tezuka releases, headed for a digital-only future?

ASH: I think we’re getting close. There are only two forthcoming Tezuka print releases that I’m currently aware of: The Mysterious Undergound Men and The Crater.

SEAN: Drawn & Quarterly has been putting out a lot of Shigueru Mizuki lately, and this is one of his big magnum opus projects. Showa 1926-1939: A History of Japan seems to actually be half history book and half yokai (come on, can we really expect no yokai in a Mizuki book?), as we switch between his childhood and the events that shaped Japan. I can’t wait for this one. There’s a sequel, covering World War II, out in the spring.

MICHELLE: Oh, that *does* sound interesting.

ASH: I’m very much looking forward to this series. If the first two omnibuses do well, we should see two more.

MJ: Ditto!

ANNA: This looks cool.

SEAN: Kodansha has Cage of Eden 12, with more extinct animals, action sequences, and naked teenage girls bathing in rivers.

Another intriguing debut is Black Bard, which One Peace Books is putting out as a done-in-one omnibus. From Media Factory’s oddball shoujo magazine Comic Gene, and the plot sort of sounds like Shoulder-A-Coffin Kuro, only less depressing.

ASH: I’m definitely checking this one out. I just can’t pass up the music and magic combo.

MJ: Again, what Ash said!

ANNA: I am reserving judgement until the first reviews get posted, but it does sound interesting.

SEAN: One Peace also has the 4th of the reissue volumes of Crayon Shin-chan, which has been their main manga product to date, though with Black Bard they’re starting to expand. Shin-chan is pure kiddie fun, though be aware it’s a kid’s idea of fun, not a parent’s.

Picturebox has been known for having some old-school seinen, and this week is no different with the release of Gold Pollen and Other Stories. Actually, instead of seinen, it’s more pure alternative, and sounds quite interesting in an “indie comix” way.

ASH: I’ve already got my copy of this one! Picturebox has been doing some really interesting manga releases this year and the production quality has been top-notch. Gold Pollen is the first volume in its Masters of Alternative Manga series; I’m very curious to see what else will be picked up.

MJ: I’m pretty anxious to see this!

SEAN: SubLime has the 3rd volume of Blue Morning, which I understand has garnered some praise from other corners of the Manga Bookshelf. Anyone want to chime in?

MICHELLE: I described it as “more like a genuine period drama than BL romance with some token period frills.” The characters are well developed and complex, too, and I really couldn’t recommend it more highly.

MJ: I’m really enjoying this series, and Michelle’s recent review has made me anxious to dig into this volume!

SEAN: “I am hot.” “I am also hot.” “And naked.” “I too am naked.” “We fight crime.” “In an erotic way.” “We are… Spiritual Police.” “From SubLime Manga, November 6.” “Revel in our hot bods.” “And sultry gazes.”

MICHELLE: Bwa-ha-ha!

MJ: <3

SEAN: Vertical dips into the world of post-apocalyptic sci-fi with From the New World Vol. 1. I really didn’t like the first volume, but others may disagree with me.

ASH: I’ve been told the manga follows the novels more closely than the anime adaptation, but I’m really not sure what to think about this series yet.

SEAN: 07-Ghost Vol. 7 comes as close as it ever will to being symmetrical.

MICHELLE: Sigh. Somehow I am now really, really far behind on this.

MJ: I’m mesmerized by the near-symmetry.

ANNA: I need to get caught up! I enjoy this series.

SEAN: Fullmetal Alchemist 3-in-1 Vol. 6 introduces Olivier Armstrong, which is the best possible reason to buy it, as she is amazing.

MJ: Yes. Yes she is.

Speaking of omnibuses, Inu Yasha’s VizBIG Edition is up to Vol. 17, which I’m sure is also an exciting and thrilling part of the story, probably.

MICHELLE: I have actually never finished InuYasha. I have the last ten volumes hanging around, ready for me to read them, but I have been delaying it for years now. Kind of like how I never watched that one episode of TNG and thus it is not actually finished for me.

SEAN: Lastly, Rin-Ne ambles slowly along with lucky Vol. 13. Perhaps Sakura will show an emotion this time around… nah, never gonna happen. Still, it’s enjoyable spirit comedy.

MICHELLE: I have a warm spot in my heart for RIN-NE despite its lack of forward momentum of any kind.

SEAN: Any favorites?

BL Bookrack: Simply SuBLime

November 5, 2013 by MJ and Michelle Smith 3 Comments

Welcome to the latest installment of BL Bookrack! This time, MJand Michelle take a look at two titles from SuBLime Manga, The Man of Tango and Sleeping Moon. In Brief: Blue Morning, Vol. 3, Off*Beat, Ch. 14, and Tableau Numéro 20.

The Man of Tango | By Tetuzoh Okadaya | SuBLime Manga | Rated M (Mature) – So distant are the days when I found SuBLime’s selection of titles mostly unimpressive, that it’s a bit of a struggle to recall them. And, in face of a book like The Man of Tango, it’s hard to believe that I ever distrusted this imprint.

Though tango dancer Angie is irresistible on the dance floor (and in the bedroom), he’s never experienced any love approaching his passion for the dance until he meets Hiro, a biracial salaryman who finds himself unexpectedly drawn into Angie’s tango-focused world. Hiro is initially reluctant to become sexually involved with a man, but his growing passion for both Angie and the tango eventually wins him over, introducing him to a kind of warmth and happiness he’s never known.

On the face of it, this sounds like any average BL premise, even down to the reluctant “straight” man, but The Man of Tango is anything but average. Even its looks defy the norm, as the manga features bulky, muscular characters who skew more bara than BL, but given that the artist was influenced by bara legend Gengoroh Tagame, that’s no surprise. More unusual, perhaps, is the story’s fantastic female costar, Bene, whose dream of returning to Buenos Aires is ultimately left for Angie and Hiro to pursue. The self-made family created by the three of them is really at the heart of the story—perhaps even more than its romance—and this isn’t a negative thing by any means. Bene’s presence somehow brings more meaning to everything, including Angie and Hiro’s relationship.

That said, friendship and romance are hardly the volume’s only draw, which is to say that it’s pretty much teeming with sex—passionate, graphic, manly sex—the likes of which are seldom seen in BL, at least on these shores. You’ll find no grimacing, helpless uke here, which dramatically affects my perception of the story’s initial sex scene, in which Hiro is clearly too intoxicated to give consent. It’s a rare BL manga that can overcome my distaste for rape fantasy, but this is one of the rare few. Furthermore, I often complain that sex scenes get in the way of stories rather than genuinely enhancing them, but this could not be less the case with The Man of Tango. Not only do Okadaya’s sex scenes advance the story and the characters’ relationship, but they’re genuinely sexy, which is also surprisingly rare for BL manga.

In short, The Man of Tango is well-crafted, emotionally compelling, and downright hot. Recommended.

– Review by MJ

Sleeping Moon, Vols. 1-2 | By Kano Miyamoto | SuBLime Manga | Rated M (Mature) – I’ve read my share of Barbara Michaels novels, quite a few of which feature the heroine returning to her ancestral home to unearth family secrets. Sleeping Moon evokes that same feeling by sending its protagonist, 27-year-old graduate student Akihiko Odagawa, into the countryside to the home in which his father grew up, searching for the origins of a family curse that dooms the male descendents to die young. There, he reconnects with his younger cousin, Ren, but also takes dream journeys into the past, where he meets a scholar named Eitarou, for whom he soon develops feelings.

Sleeping Moon is complete in two volumes, which is a little bit of a disappointment, because it definitely seemed at first that there was enough meat to the premise for it to go on a little longer. That’s not to say the resolution is unsatisfying, though I do admit to being more interested in the origins of the curse itself than in Akihito and Ren’s rather rushed romance. Miyamoto-sensei sustains a nicely creepy atmosphere, and I definitely could’ve read lots more about the fox spirit attempting to protect the family.

I also really liked how Miyamoto depicted the home’s resident kitty. He just kind of wanders through scenes, stepping on people who are in the midst of having a conversation, etc. I hate, though, that his whereabouts are not accounted for at the end, and that no one, in fact, seems to care at all about whether he’s okay, given what happens. (How’s that for vague?) Do not introduce us to a cute kitty then not show him all safe and happy on the last page!
Anyway, Sleeping Moon is a solidly enjoyable supernatural yarn. The romance aspect is somewhat lacking, and it’s not exactly the most original story ever, but it’s still definitely worth reading.

– Review by Michelle Smith

In Brief:

Blue Morning, Vol. 3 | By Shoko Hidaka | SuBLime Manga | Rated M (Mature) – When I reviewed volume one, I wrote “Complex, dark, and a bit twisted, Blue Morning is the best BL I’ve read so far this year.” Happily, subsequent volumes of the series have only further cemented this impression. By volume three, Akihito and Katsuragi’s relationship has evolved as Akihito himself has matured and Katsuragi has begun to change in ways Akihito has yet to notice. Complications abound, however, and because so many of these arise due to the status-conscious society of the day, Hidaka-sensei spends a lot of time on this aspect of the story, with the result that Blue Morning feels more like a genuine period drama than BL romance with some token period frills. With characters this compelling and storytelling this nuanced and sure, there’s potential for much more riveting story to come, and I couldn’t be happier about that. This one is a keeper, for sure. – Michelle Smith

Off*Beat, Ch. 14 | By Jen Lee Quick | Chromatic Press | Rated YA – Because this series is American, it gets out of having to label itself “BL” (or not), but if there’s ever been a more gorgeously written love story between two teenaged boys, I certainly don’t know what it is. Part of what makes it work so well, of course, is that it reads as both YA and supernatural (or fringe science) mystery more than it reads as genre romance, and somehow that’s the magic formula for actual romance, at least in the hands of Jen Lee Quick. Her ability to capture her teens’ smart dialogue and awkward body language is, frankly, astounding, and volume 14 is absolutely fraught with these things, along with considerable romantic tension. Then she follows it up with a scene between Tory and his mother that had me nearly in tears. If you’re still holding out on this series… well, stop it. Dive in now. Highly recommended. – MJ

Tableau Numéro 20 | By est em | SuBLime Manga | Rated M (Mature) – Let’s be honest, this title pretty much had me at “est em,” but even among her rather generous English-translated catalogue, it ranks among my favorites, and that’s saying quite a bit. Her style here favors short manga, as is generally expected. The book’s title story, a wistful love story between a long-dead painter and his subject, is more fanciful than the author’s norm, but no less moving. Even so, it may not actually be the strongest of the bunch. I was especially fond of “Rasgueado,” a story about a young zapateado dancer who is pulled out of a rut by an older guitarist, but each of the volume’s five short stories is a splendid work of art. Like most of est em’s work, I would consider this book appropriate for any adult manga fan, regardless of his or her preferred genres. Absolutely recommended. – MJ

Other recent BL reviews from MJ & Michelle: Sleeping Moon, Vol. 2 (SuBLime), Off*Beat, Ch. 13 (Chromatic Press)

My Week in Manga: October 28-November 3, 2013

November 4, 2013 by Ash Brown

My News and Reviews

I have been so incredibly busy recently (which is why I don’t have any fun online discoveries to share with you all this week) but I was still somehow able to post a few things here at Experiments in Manga. The most recent manga giveaway is underway and there is still time to enter for a chance to win Sankarea: Undying Love, Volume 1 by Mitsuru Hattori. For those of you interested in the absurd amount of manga that make its way onto my bookshelves, October’s Bookshelf Overload was also posted. And finally, I reviewed the second edition of Hedi Varian’s The Way of Taiko. I myself am a taiko player, and there are very few books in English devoted to taiko, so I am very happy to see the volume back in print in a new edition.

Quick Takes

His Arrogance by Takashi Kanzaki. Despite being part of Digital Manga’s 801 Media imprint, His Arrogance isn’t exceptionally explicit. It’s also not very interesting and I found myself bored with both the story and the characters. Even the artwork, while fairly solid, wasn’t particularly outstanding or noteworthy. Although, occasionally Kanzaki would capture a look of utter adoration that was delightful to see. Ryou’s father established a modeling agency specifically to aid Ryou’s older brother Tomohito in his career. In addition to helping out with the company, Ryou also lives in the dorms with the models. Kazuto is one of those models, one of Ryou’s classmates, and the self-proclaimed rival of Tomohito. I think I would have enjoyed His Arrogance more if Kanzaki would have kept the manga’s focus on Ryou and Kazuto’s relationship. Instead, Ryou’s rather bizarre and vaguely incestuous bond with his brother severely encroaches upon the story. Perhaps it was supposed to be played as comedy, but it just ends up being kind of weird and awkward.

Real, Volume 12 by Takehiko Inoue. Many people assume that Inoue’s masterpiece Vagabond would be my favorite of his manga, but that honor probably goes to his series Real. I absolutely love Real, and I’m not even a huge fan of basketball. Although the sport is certainly an incredibly important part of the series, to me Real is much more about the characters themselves, their internal and external struggles, and their development as people. While the previous volume had a particular focus on Nomiya and his tryout for the Tokyo Lightnings, the twelfth volume turns its attention to Togawa and his efforts to become a better team player–something that is extremely difficult for him. Despite of or maybe because of his natural skill as an athlete, Togawa has always been very critical, harsh, and demanding of his fellow players. If there is a theme to Real, Volume 12, I would say that it is change, and specifically the need, desire, and willingness for change. Several of the manga’s characters must make important decisions about who they are and who they want to be in this volume.

Sankarea: Undying Love, Volume 3 by Mitsuru Hattori. The best thing about the third volume of Sankarea? Rea’s father isn’t in it. (That guy is an utter creep.) Hattori also introduces an important new character–Darin Arciento Kurumiya, who is very interested in zombies and therefore very interested in Rea. She also brings along with her a marvelously ridiculous zombie owl. In addition to Kurumiya’s introduction, this particular volume also focuses on Rea and her attempt to return to school after her zombification. There are some challenges, to say the least. Her body continues to decay and fall apart and since she doesn’t really feel pain anymore she has a tendency to overtax herself physically. I was a little surprised to see how toned-down the extraneous fanservice was in this volume. It’s still there, but it’s not nearly as prominent or distracting as it once was. I am honestly enjoying Sankarea much more than I ever expected that I would. It’s a very odd series with very odd characters and I can appreciate its quirkiness. Rea and Chihiro are both weirdos, but they make a cute not-quite-couple.

KajiUltimateSurvivor Kaiji: Ultimate Survivor directed by Yūzō Satō. After watching and enjoying Akagi, watching Kaji seemed to be a natural choice. It’s another anime series based on a manga Nobuyuki Fukumoto featuring some exceptionally intense and legitimately life-threatening gambles. But whereas Akagi is calm, cool, and collected, Kaiji is hot-blooded and frenetic. (The actor who voiced Akagi also voiced Kaiji; I was quite impressed by his range and how differently he was able to play the two characters.) Kaiji also has extremely bad luck. His troubles really begin when a friend defaults on a loan that Kaiji agreed to co-sign. A man comes to collect but Kaiji, himself in debt, has no way to repay the loan. But he is given an extraordinary opportunity to clear the debt by participating in a series of absurd and increasingly dangerous gambles. Kaiji is incredibly intense and occasionally disturbing with a huge focus on the psychological aspects of the story and the mental torment and despair of its characters. Even a seemingly simple game of rock-paper-scissors can be a traumatic experience.

Manga the Week of 11/6

October 31, 2013 by Sean Gaffney, Michelle Smith, Anna N and MJ 4 Comments

SEAN: Let’s just roll out, far too much to deal with this first week of November.

801 Media’s dates change on Amazon so often that I’m never quite sure whether I’ll say something is due out and then it’s changed again. But they do list Vol. 7 of Ze for this week. For those who like a bit of epic with your smut.

MICHELLE: I didn’t realize Ze was still coming out. Huh.

ASH: It is indeed! Although it has been a long while since we’ve seen a new volume in English.

MJ: I gave up this series a while back, as it had stopped intriguing me and started just making me uncomfortable (and a little bored). Did I give up too soon?

SEAN: In Kodansha land, the 2nd Air Gear omnibus catches you up a little more with this roller skating, fanservice, and gang violence manga.

Seven Seas has been expanding their reach lately, and it shows in the number of titles they’re doing per month now. We start with another Alice in the Country of Etc. spinoff, The Mad Hatter’s Late Night Tea Party. This looks more romance-oriented than mystery-oriented, and should be filled with innuendo give it’s Dupre, but I’ll give it a shot.

ANNA: I need to get caught up on some of these spinoffs. I do still like this franchise.

SEAN: Usually with Seven Seas licenses, particularly in their new fanservice-heavy phase, I tend to bat 1 out of every 3 in terms of “things Sean likes”. I have good hopes for A Centaur’s Life, though, which I hear actually tries to imagine what the world would be like in such a situations (monster high school, basically), and tones down after an ecchi first couple chapters. We’ll see how it compares to Monster Musume.

ASH: I don’t read many manga from Seven Seas outside of its yuri titles, but I’m really looking forward to giving A Centaur’s Life a try.

MJ: I can’t exactly say I’m looking forward to it, but I might give it a try anyway.

SEAN: If you’re still catching up on Seven Seas’ breakout title, Dance in the Vampire Bund, Vol. 4 covers Vols. 10-12 of the original.

There’s also Vol. 4 of Mayo Chiki.

Senran Kagura: Skirting Shadows is a manga based on a video game franchise, and apparently is about a Ninja High School, but with no input from Ben Dunn at all. It is apparently littered with fanservice. We shall see.

World War Blue continues to meld generic shonen fantasy with a history of 80s video game wars, which at least is not a commonly used plot device.

I’m not sure who Akiko Shimojima is, but she and Sean Michael Wilson are collaborating on a graphic novel about The 47 Ronin, which Shambhala Press is putting out next week. The cover makes it look like the style is Lone Wolf and Cub-by, which makes sense.

ASH: The Forty-seven Ronin are making quite a showing in the West this year with manga, comics, and film versions of the story all being released.

MJ: I could potentially get interested in this.

SEAN: Another omnibus catchup, Viz gives us the 2nd volume of D.Gray-Man, which collects Vols. 4-6.

Midnight Secretary was the more intriguing of Viz’s two new josei licenses, and I am highly looking forward to Vol. 2.

ANNA: Second volume was as good as the first, I am really enjoying this series.

MJ: What she said!

SEAN: I am about 58 volumes behind on Naruto, and given it’s at Vol. 63, unlikely to catch up anytime soon.

Speaking of catching up, if for some reason you haven’t read One Piece and want to buy 23 volumes at once, this box set takes you through to the end of the Alabasta arc.

Oresama Teacher 15 will make me very, very happy and I will laugh a whole lot. As should you all.

ANNA: Oresama Teacher is a hilarious gem of hilarity.

SEAN: Psyren 13. We should be getting near the endgame soon.

Skip Beat!’s 6th 3-in-1 is a great buy for this who missed this top-notch shoujo comedy first time.

MICHELLE: Buy eet!

ASH: Yes, do!

ANNA: Can’t go wrong with Skip Beat!

SEAN: Strobe Edge 7. Angst! Angst! We just can’t get enough! Get more here.

MICHELLE: I’ve fallen a couple of volumes behind with Strobe Edge and am really looking forward to getting caught up.

ANNA: This is one of those series that took a couple volumes to get solid, but is now consistently great.

MJ: Yeah, I’m wholeheartedly on board with this title. Bring it on!

I need some cute manga about reindeer. Sweet Rein seems like the perfect solution. Plus it’s from the author of Penguin Revolution and Land of the Blindfolded, the classic CMX titles (which need license rescuing digitally *cough*).

MICHELLE: It really is quite cute. And a good length (3 volumes) for its premise.

ANNA: It is mega adorable. Great manga for a feel-good pick me up.

MJ: Okay, I read an advance copy, like the rest of you, and I admit it lost me at “the power of Santa cures cancer” (roughly speaking). But maybe it’ll win me back over at some point?

SEAN: Tegami Bachi has reached Vol. 15, and is ‘Ant And Bee Deliver Letters’ gone horribly wrong. Or something.

Ultimo has hit Vol. 9, speaking of Jump Square titles. It’s by the creator of Shaman King, in case you’d forgotten. Oh, and Stan Lee.

Vampire Knight has now ended in Japan, so we’re ready for a big climax in the next couple of volumes. Here’s 17.

Lastly, Yu-Gi-Oh 5D’s 3. R U 3C 4 2 UGZ?

Are you going to buy any of this, or just stack it in a pile and die when it falls on you?

MICHELLE: I literally lol’d.

MJ: Same.

Manga Giveaway: Sankarea Giveaway

October 30, 2013 by Ash Brown

The end of October approaches as does Hallowe’en, so I thought it would be appropriate to feature a horror manga for this month’s giveaway. As such, this month you all will have a chance to win a copy of the first volume of Mitsuru Hattori’s Sankarea: Undying Love as published by Kodansha Comics in English, the third volume of which was just released this week. Granted, Sankarea is really more of a strange romantic comedy than straight up horror…but it has zombies, so I’m going to count it! As always, the giveaway is open worldwide.

Over the last few years, zombies have become incredibly popular in the United States. They’ve become so popular in fact, that I’ve actually become rather bored with them. (Planning for the zombie apocalypse with family and friends can still be an entertaining thought experiment, though.) With more and more zombie stories out there, it becomes more and more important that creators find a way to distinguish their work in some way. In the case of Sankarea, Hattori has not only created a rather odd sort of hydrangea zombie, but he has also made her the primary romantic interest of the series, too. It’s an unusual take on the zombie genre, and I can certainly appreciate him trying to doing something a little offbeat and different.

So, you may be wondering, how can you win a copy of Sankarea: Undying Love, Volume 1?

1) In the comments below, tell me about any run-ins you’ve had with zombies in manga. (Never encountered a manga zombie? Just mention that.)
2) For a second entry, answer the following question: Do you prefer slow-moving zombies or fast-moving zombies in your fiction?
3) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it! Each person can earn up to three entries for this giveaway and has one week to submit comments. Entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on November 6, 2013. Good luck to you all!

Contest winner announced–Manga Giveaway: Sankarea Giveaway Winner

My Week in Manga: October 21-October 27, 2013

October 28, 2013 by Ash Brown

My News and Reviews

Last week I reviewed Takako Shimura’s Wandering Son, Volume 5. The series is personally very important to me, so I’m always happy when a new volume is released. Sadly, we probably won’t see the next volume until next year. Last week I also posted Discovering Manga: Podcasts Redux. It’s a quick update on some of the podcasts that I’ve listened to and written about in the past. It also outlines my plan to write more podcast posts since my previous ones seem to have been fairly popular. If you have a manga podcast that you think I should check out, do let me know!

On to good stuff found online! A commenter on my recent post Random Musings: Queer Theory, Japanese Literature, and Translation linked to a fascinating article from earlier this year: Talking about (a)sexuality in Japanese. Over at Publishers Weekly, Deb Aoki has a great recap of Manga at New York Comic Con. Misaki C. Kido gives seven reasons Why Felipe Smith Is the Only Mangaka from America (So Far). And some of the most interesting news from last week: Crunchyroll will begin to digitally distribute Kodansha manga, providing access to new chapters the same day they are released in Japan. (Including some titles not previously available in English!) It should be interesting to see how this venture develops.

Quick Takes

Attack on Titan, Volume 8 by Hajime Isayama. The mystery of the Female Titan has been solved! Or, at least one of the mysteries–the identity of the person is who is controlling it. The reasons behind why and for what purpose are still unknown. For every question that is answered in Attack on Titan it seems as though there are even more to be asked. This particular volume includes a huge (dare I say titanic?) plot reveal which ends with a fantastic confrontation between Hanji and Minister Nick. (As an aside, I love that Hanji is a canonically gender ambiguous character.) One of the major secrets dealing with the walls is literally uncovered, but has yet to be fully explained. Attack on Titan continues to get stranger and stranger. For those who have been watching the Attack on Titan anime but who have thus far been avoiding the manga for one reason or another (I know plenty of people who can’t get past the terribly inconsistent artwork), the eighth volume is where you’ll want to pick the series up if you want to see any more of the story any time soon.

Knights of Sidonia, Volumes 4-5 by Tsutomu Nihei. I am still enjoying Knights of Sidonia, but it frequently strikes me as a peculiar mix of science fiction horror and romantic comedy. But whatever genre it falls into at any given time, I do think the manga is Nihei’s most accessible work to date. Occasionally I still miss his grittier style of illustration, but the cleaner and somewhat simpler artwork in Knights of Sidonia has really grown on me. One of the things that amuses me tremendously is that Nagate is frequently seen stuffing food into his face. This emphasizes how much of an oddity he is compared to the rest of society on the Sidonia. And he is rather odd. His social interactions can be very awkward and often he is completely oblivious to his faux pas until it’s too late. (Let’s just say that it’s fortunate that he heals quickly.) The Gauna continue to be daunting adversaries. While at first they were terrifying enigmas, over the course of the series they have adapted and evolved and have even adopted (or at least mimicked) human technology and tactics, making them even more frightening.

Monster Musume: Everyday Life with Monster Girls, Volume 1 by Okayado. Monster Musume is a harem series that attempts to distinguish itself by featuring monster girls. There is absolutely no question that Monster Musume is an ecchi manga, so unsurprisingly there are a lot of boobs and other bits. (I’m still trying to figure out how a snake can have a camel toe.) Kurusu Kimihito is an average guy who was “volunteered” for an exchange program between human and part-human species. He has become the host family for Miia, a lamia who is overly fond of him (inter-species canoodling is forbidden). Overwhelmed, he is constantly in a state of near-panic. As the first volume of Monster Musume progresses, bad puns and groan-inducing wordplay become increasingly prominent. (I’m one of those odd people who actually appreciates this sort of intentionally and ridiculously terrible dialogue, though.) It’s not at all a deep story–and I do wonder where all the monster boys are–but Monster Musume can actually be rather entertaining on occasion.

Manga the Week of 10/30

October 24, 2013 by Sean Gaffney, Ash Brown, MJ and Michelle Smith 3 Comments

SEAN: Oh. My. God. Sooooooooo much stuff. Let’s break it down.

Because the Manga Bookshelf Team demanded it, Dark Horse is bringing you Vol. 14 of Bride of the Water God. I should probably read it at some point – I wonder if there are digital plans.

ASH: I have yet to actually read this, but the artwork is lovely.

MJ: The artwork is certainly the highlight of this series, which can be a bit of a mess at times, otherwise, but I’m very happy to see that Dark Horse continues to put it out. It would, indeed, be a great candidate for digital release, especially as it’s gotten so long! I’ll be picking this up for sure.

SEAN: Also from Dark Horse is Vol. 29 of Gantz, which I’ve run out of things to say about, but apparently it sells really well to the direct market. (stares at cast in latex rubber-style combat suits) For some reason.

Speaking of things I’ve run out of words for – and indeed speaking of Volume 29s – we have Air Gear from Kodansha.

Attack on Titan 8 is where those who have only seen the anime should start off, as towards the end of the volume we start treading into unanimated waters. Also, the first spoiler that everyone knows gets revealed here. I’ve discussed it here.

ASH: I’m glad that Kodansha was able to speed up the release for this series.

MJ: After NYCC, I’m even more torn over having left this series behind after the first volume. I feel like I’ve missed hopping on the greatest bandwagon of all time.

SEAN: Fairy Tail 31 shows how much of a pain in the ass a time skip can be, and starts a tournament arc.

MICHELLE: All this stuff, and so far there’s a bunch of series I haven’t read and one that I am terribly, terribly far behind on.

SEAN: In case, for some bizarre reason, you did not buy Sailor Moon Vol. 7-12 the moment it hit bookstores and devoured every single page with your eyes, there is now a box set for you to crack open and engulf.

ASH: It also comes with stickers!

MJ: Ooooo… stickers…

SEAN: Sankarea Vol. 3 continues to walk a fine line between servicey romantic comedy and disturbing zombie manga, and to my surprise doesn’t do that bad a balancing job.

ASH: I’ve actually been pretty surprised by Sankarea as well.

I may not have really been tempted to get Wolfsmund from Vertical, but buzz from the not-mes has been excellent. They’ll appreciate that Vol. 2 is due out this week.

MICHELLE: I have volume one; I just need to find the time to actually read it.

ASH: I really enjoyed the first volume. I think it’s definitely worth checking out for people who enjoy historically inspired manga like Vinland Saga.

MJ: I never picked up the first volume, but I guess I should!

SEAN: Another of those giant done-in-one omnibuses that Yen has favored lately, here’s the complete Another manga, based on the light novels that Yen released digitally this summer. Creepy high school horror catch your eye? This is for you. Also, as a bonus, I’m pretty sure it doesn’t have any survival games.

MJ: Heh. I suppose I’ll read it, then.

SEAN: Yen has licensed some interesting stuff lately, probably thanks to the success of Black Butler, which has Vol. 15 drop this week. Is the entire cast damned yet?

Higurashi is in its final arc, but it’s the longest one yet. Vol. 2 of Festival Accompanying Arc contains Vols. 3 and 4 of the Japanese release, and also has my vote for the most horrifying scene in the entire series (it involves Rika’s mother).

Inu x Boku SS is the first of two Yen debuts this week, and has yokai demons and bodyguards, thus allowing me to add another series to my ‘look how popular yokai are in North America now’ list.

ASH: Yokai are the best!

SEAN: Is This A Zombie? 6 is coming out. So there’s that.

K-On! finally wraps up with its High School manga, hoping that fans are as interested in Azusa trying to keep the light music club alive as they were in the original cast’s college adventures.

The Melancholy of Haruhi Suzumiya’s manga adaptation finally gets to one of the most interesting novels, as Sasaki and company debut here.

MICHELLE: Another whole mess of stuff I have nothing to say about. Bad manga reviewer! Bad!

MJ: Hmmm… perhaps this is the time for me to pick this adaptation back up again.

SEAN: Oh god, don’t read the mediocre adaptation, read the original novels! Books 9-11 are this arc. 10 and 11 come out here next month.

As featured on a giant banner at New York Comic Con, Yen’s other big release this week is No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, Vol. 1. Just call it WataMote like everyone else. I discussed Vol. 1 here.

ASH: I’m looking forward to giving this series a try, even though I can never seem to remember the title.

SEAN: Pandora Hearts 18. MJ?

MICHELLE: Finally, something to go “woo” over!

MJ: Oh, Pandora Hearts, dear, heart-stomping Pandora Hearts. It just won’t be satisfied until I’ve been utterly destroyed. This, of course, is awesome.

SEAN: Puella Magi Oriko Magica wraps up, I believe, with this second volume. But don’t fear, I’m sure there are other Madoka Magica spinoffs out there to have cute girls suffering for your enjoyment.

Lastly, there is Vol. 4 of Triage X. I used up my lack of enthusiasm with Is This A Zombie?, so this can’t even get that much.

Surely with all this, there must be something you want. What is it? (And be warned, it gets no better the week after.)

My Week in Manga: October 14-October 20, 2013

October 21, 2013 by Ash Brown

My News and Reviews

It was another two-review week last week. My Blade of the Immortal review project continues with Hiroaki Samura’s Blade of the Immortal, Volume 26: Blizzard. The volume includes the conclusion to the battle between Manji and Shira and it does not disappoint. The second review posted last week was for Tomoyuki Hoshino’s novel Lonely Hearts Killer. It’s not easy reading, and I didn’t like it quite as well as Hoshino’s collection of short fiction We, the Children of Cats, but I found it to be an intriguing work.

Last week I also had the opportunity to attend a fascinating lecture on queer theory, Japanese literature, and translation. I decided to share some of my random musings on the topics. So far the post seems to have been well received, which makes me pretty happy.

There were a couple of particularly interesting posts by Erica Friedman over at Yuricon last week. Her New York Comic Con report includes more information about One Peace Books’ licensing of Takashi Ikeda’s yuri manga Whispered Words. (I’m looking forward to the release of Whispered Words a great deal.) Also interesting was her post A Very Important Thing About Licensing Manga Fans Don’t Really Understand which explains a few of the complexities involved in licensing manga for English-reading audiences.

Quick Takes

Children of the Sea, Volume 5 by Daisuke Igarashi. In Japan, the fifth and final volume of Children of the Sea was released three years after the fourth volume was published. The English-language edition of the series likewise followed suit. But the end is finally here! I was actually surprised that the fifth volume was the conclusion of the series. To me it felt as though Igarashi had much more in store for Children of the Sea. I don’t know the circumstances surrounding the series’ end, but I am a little sad that he wasn’t able to develop it further. However, almost everything is tied up satisfactorily plot-wise and the series’ sense of mystery and awe remains intact. Children of the Sea is like modern myth. There is relatively little dialogue and narration in the fifth volume; Igarashi’s artwork really carries the manga at this point. And that artwork is absolutely beautiful. The attention given to the realistic details of the water and sea-life is stunning.

Devil’s Infirmary by Aco Oumi. Asakura is a physician at an all boys’ school who is not above accepting sexual advances from the students. Things get a little more complicated when Higurashi walks in on Asakura getting a blow job, but Asakura has a few compromising photographs with which to blackmail Higurashi into keeping quiet about it. Supposedly Asakura is in love with Higurashi, but I’m really not convinced. Their relationship is a very inappropriate one and Asakura, though he has a few redeeming qualities, is actually kind of creepy. (But Higurashi’s pretty cute.) At the same time, there are some legitimately funny and occasionally even hilarious moments in Devil’s Infirmary, too. One of Higurashi’s closest friends has a “sparkle problem” that unfortunately brings him unwanted attention from a few of the other students. It’s rather entertaining to see Higurashi try to pose as his boyfriend to deflect some of that interest. And then there’s Asakura’s mother who bribes her gay son into buying her yaoi manga.

Eyeshield 21, Volumes 24-27 written by Riichiro Inagaki and illustrated by Yusuke Murata. By this point I am no longer surprised that I enjoy Eyeshield 21. I still don’t have a particular interest in American football (and I doubt I ever will even considering the number of years I spent in marching band), but the characters, comedy, and art in the series are great. These four volumes are devoted to the Kanto Tournament game between the Deimon Devil Bats and the Ojo White Knights, both teams fighting to advance one step closer to the Christmas Bowl. The Devil Bats are considered to have one of the best offenses in the tournament but the White Knights are considered to have the best defense. The White Knights also have Seijuro Shin–as perfect a player as there can be. The game ends up being very close, and therefore very exciting; Inagaki keeps the readers guessing right up to the very last second. Murata’s dynamic artwork continues to be one of the highlights of the series. His creative imagery is a little more restrained in these volumes, focusing more on the action of the game and slightly less on its psychological impact, but it’s definitely still there.

Fairy Tail, Volume 30 by Hiro Mashima. With these volumes, Fairy Tail launches into a new story arc. The technique that Mashima uses–a time skip–isn’t all that unusual for a lengthy shounen manga series. What makes it different, and something that I personally haven’t encountered before, is that only part of the cast jumps ahead while most of the main characters are stuck in time. It makes it a little more interesting when returning after seven years that they have to come to terms with the fact that so many of their friends (and enemies) have changed and grown more powerful. The time skip also serves the purpose of “resetting” the story–Fairy Tail is once again one of the weakest guilds and has to fight its way back to the top. But instead of facing off with evil wizards and guilds, this time they’ll be competing in the Grand Magic Games. Honestly, I’m not quite as interested in this particular turn of events, but at least there should be some entertaining trials and competitions as a result.

The Spectral Engine by Ray Fawkes. I am not especially familiar with Ray Fawkes–an award-winning and frequently award-nominated Canadian creator–and so I was unaware of the upcoming release of The Spectral Engine. Happily, a review copy unexpectedly showed up in the mail. Otherwise, I would probably have completely missed it and that would have been a shame. The Spectral Engine is a great graphic novel and I’m glad I had the opportunity to read it. The artwork in particular is excellent, using dark, dripping lines and ink spatter reminiscent of the smoke and grime of the titular engine to effectively create an unnerving atmosphere appropriate for the ghost stories being told. The Spectral Engine weaves together thirteen tragic historic events from many different time periods and locations across Canada. These retellings are paired with their related modern-day hauntings and reports of unexplained phenomena. In many cases the names and lives of the dead have been forgotten, but their stories and legends live on.

Akagi Akagi, Episodes 14-26 directed by Yuzo Sato. While the first half of Akagi had several different mahjong matches, the second half focuses on one: Akagi Shigeru versus Washizu Iwao. It also features a very special and slightly terrifying version of mahjong in which three-quarters of the tiles are transparent (which are beautifully animated). This reveals more of the players’ hands and greatly changing the dynamics of the game. (Though initially a fictional game, Washizu Mahjong sets now really do exist.) The game with Washizu also provides Akagi with something that he’s been looking for–a literal death match. Instead of money, he’s gambling with his blood and therefore his life. Akagi is a fearless and fearsome player and the game is ridiculously intense as a result. There’s skill, and there’s luck, but even more important are the psychological attacks used to provoke and manipulate the other players. Even when most of the tiles can been seen there’s still plenty of room for bluffing . I love mahjong and unsurprisingly I loved Akagi, too.