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Manga the Week of 11/12

November 6, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 2 Comments

SEAN: After the deluge of the last two weeks, I am relieved to say that next week is at least a LITTLE quieter. Unless you’re Kodansha.

Speaking of which, apologies to Kodansha and Viz– I missed two of their titles that are out this week. The 2nd Heroic Legend of Arslan is already out! Go get it, it’s good! And Viz has All You Need Is Kill, the manga based off of the novel (as opposed to the earlier comic based off the novel).

ASH: I really enjoyed the original All You Need Is Kill novel, so I was happy to get my hands on the manga omnibus. I haven’t finished reading it yet, but am already very confident in recommending it over the graphic novel adaptation.

MJ: I can’t believe I haven’t picked this up yet, considering the artist. What have I been doing with my time??

ANNA: I feel guilty I haven’t started reading the Heroic Legend of Arslan yet.

SEAN: On to next week. Dark Horse has its second omnibus of Samurai Executioner, which pretty much lives up to its name.

Drawn & Quarterly has the 3rd big volume of Shigeru Mizuki’s Showa, this one covering the years 1944-1953. It is an absolute must read.

ASH: Agreed.

MJ: Oh, yes.

SEAN: Kodansha time, and they have a lot. Air Gear does not have QUITE the same gravitas as Showa, but at Vol. 32 I don’t think it has anything to prove, really.

And there’s also the 4th Air Gear omnibus.

Cage of Eden is down to its final quarter, and I suspect we will start getting answers soon, or at least fewer baffling questions. And more naked bathing as well, of course.

After reading Ubel Blatt, seeing the more mild and cute fanservice from The Seven Deadly Sins seems like a relief. The 5th volume arrives next week.

Tsubasa Reservoir Chronicle has a 2nd omnibus. Will you be caught up in time for its new sequel starting up next year?

MICHELLE: Eh? I was totally ignorant of that. I never did finish the first one!

MJ: Hurray!

SEAN: UQ Holder offers more Akamatsu goodness. Will there be more Negima teases in Vol. 3?

SubLime gives us the 2nd volume of False Memories, which would appear to involve a Burger King crown of some sort.

Viz has 07-GHOST 13. Buy it or it will be unlucky! You don’t want bad luck, do you?

MICHELLE: I believe Anna vowed to get caught up with this series last time there was a new volume. Did you fulfill your pledge, Anna?

ANNA: I’m also feeling guilty for not fulfilling my pledge! But I did buy the missing volume 5 that was preventing me from getting caught up, and I started reading it only to get distracted (as usual) by shoujo manga from Viz. Maybe I will fulfill my pledge this month. It could happen!

SEAN: I believe that the 9th volume of the Fullmetal Alchemist omnibus is the final one, in which case it contains one of the best endings in shonen manga. But you should know this already.

MICHELLE: Yep.

ASH: Such a great series.

MJ: I can’t believe just how happy it makes me to consider new readers finishing this series for the first time.

SEAN: Lastly, Rin-Ne keeps chugging along with its 16th volume.

MICHELLE: I wish I could be excited about RIN-NE, but it’s always pleasant, at least.

SEAN: Which manga cries out for you to buy it?

My Week in Manga: October 27-November 2, 2014

November 3, 2014 by Ash Brown

My News and Reviews

October is finally over, and I somehow managed to survive! I’ve been extremely busy at work which bled over into the rest of my life and has interfered with a lot of things that I would otherwise rather be doing. I’m really hoping that my stress levels and schedule settle down a bit in November, but my immediate supervisor is retiring in December and I’ll be taking on some more responsibilities in my unit (at least temporarily), so we’ll see how that goes! Anyway, I was somehow able to keep on top of my posts here at Experiments in Manga. The most recent manga giveaway is currently in progress and there’s still time to enter for a chance to win Sherlock Bones, Volume 1. Since this past Friday was Hallowe’en, I decided it would be appropriate to review Junji Ito’s manga Uzumaki: Spiral into Horror. It’s been deservedly called a masterpiece, and the deluxe omnibus edition is especially nice. And over the weekend, I posted October’s Bookshelf Overload for those of you interested in what made it onto my bookshelves last month. I’m sure there was plenty of interesting reading to be found online, but I’m afraid I’ve been so busy I haven’t been able to pay much attention recently. Let me know if I missed something particularly good!

Quick Takes

Angel Sanctuary, Volumes 1-5 by Kaori Yuki. It’s pretty clear after reading the first few volumes of Angel Sanctuary that this manga is going to be epic, for better or for worse. Angel Sanctuary has a huge cast (most with multiple names and multiple identities) and easily enough material for several completely different and unrelated series. So much is crammed into the early volumes that I’m afraid that Yuki might be trying to do too much at once with the manga. Though he is initially unaware of it, Setsuna is the reincarnation of the angel Alexiel, fated to suffer for her past deeds life after life. This causes significant problems for him–other angels and demons are searching for Alexiel, some to reawaken her soul and some to completely destroy her. But even more problematic is Setsuna’s incestuous love for his younger sister Sara. So far the story is somewhat confusing and difficult to follow, albeit with moments of brilliance. However, I do consistently enjoy Yuki’s gothic artwork, tragic melodrama, and gender play. Many of Yuki’s angels also happen to be sexist assholes, completely capable of murder, deception, and greed, which is certainly an interesting take on the celestial beings.

The Flowers of Evil, Volumes 10-11 by Shuzo Oshimi. Several years have passed since the incident in Kasuga’s hometown and his tumultuous relationship with Nakamura. The time has now come for him to face everything that he has done in his past and to confront how his actions have affected the people in his life–his family, his former classmates, his girlfriend, and most importantly himself. Up until now, he has been unable to move on with his life. His past, though he tries to hide it or run away from it, still defines who he is. The finale of The Flowers of Evil is a very effective exploration of personal identity and responsibility. Oshimi’s artwork, while never awful, has improved tremendously since the beginning of the series. This is particularly important for the last two volumes of The Flowers of Evil since large portions of the manga are completely without dialogue or narration; the art must be strong enough to carry the story entirely on its own, and it succeeds in that. The Flowers of Evil is a surprising series, ending with a very different tone and in a very different place than where it first began. It was quite a journey and it was worth every page.

Free!: Eternal Summer directed by Hiroko Utsumi. I rather enjoyed the first season of Free! and was pleasantly surprised to discover that in addition to its goofiness the anime series actually had some substance to it. And so I was looking forward to watching its second season, Eternal Summer. A lot of the humor and drama in the second season comes from the introduction of several new characters. It was a little strange to have best friends suddenly appear when I’m pretty sure they weren’t even hinted at in the first season, but I ended up really liking the additions to the cast. Although most of the characters see some development, most striking is how much Rin has changed from the first season. His anger and angst is mostly gone and he’s become fairly chill, although he’s still very passionate about swimming. It’s a passion that he shares with the other swimmers in the anime, but each has his own approach and way of expressing it. They really don’t always make the best, wisest, or most mature decisions, though. (Not that I would expect that teenagers would.) Driving the narrative of Eternal Summer is the characters’ struggles and searches for their dreams and futures. The season provided a very satisfying conclusion to Free!.

Manga the Week of 11/5

October 30, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 6 Comments

SEAN: November does not have quite as many books as October, but that’s only due to Thanksgiving week providing a minor break. The other three weeks try harder to drown us in books.

Dark Horse finishes off its Trigun re-release with the 5th Trigun Maximum omnibus, depriving me of additional attempts to mock Nightow’s art style, at least until the next Blood Blockade Battlefront comes along.

Attack on Titan 14 focuses more on Levi and Hange, for fans of those two (no, it doesn’t have any shipping fuel).

ASH: I found the thirteenth volume of Attack on Titan to be particularly good, so I’m looking forward to reading the fourteenth.

SEAN: The third and final volume of Alice in the Country of Clover: Knight’s Knowledge will no doubt see if Alice and Ace can resolve their respective psychoses and find peaceful happiness. God, I hope not. They’re far less interesting that way.

Seven Seas has been hyping their print release of Lucifer and the Biscuit Hammer, and with good reason: it’s an excellent series, with a nice take on ‘what if the superheroes who had to save the world wanted to destroy it instead?’ It’s come out digitally twice, but get it in print, it’s worth it.

ASH: I plan on checking this series out!

ANNA: Huh, this wasn’t on my radar before, but this sounds interesting!

MJ: What Anna said!

SEAN: The Sacred Blacksmith lost me with Vol. 5, so I have no further jokes to spend on Vol. 6.

And the penultimate volume of Zero’s Familiar Chevalier, which will hopefully be able to wrap things up nicely by the final volume, as the author has passed away, making more series unlikely.

Vertical has the 5th volume of seinen foodie manga What Did You Eat Yesterday?.

MICHELLE: Yay!

ASH: Yay, indeed!

ANNA: Triple yay!

MJ: There cannot possibly be enough YAY!

SEAN: The rest is all Viz. Black Rose Alice was pretty dark in its first volume. Will this second one lighten things up a bit, or continue on its gothic pace?

MICHELLE: I found this quite a unique take on vampire mythology, so I’m looking forward to volume two.

ASH: Although I was sad to see the story leave Vienna so soon, I loved the first volume of Black Rose Alice and am very curious to see how it continues to develop.

ANNA: I enjoyed the first volume too. It has an interesting take on vampires, which is quite tricky to pull off. Also the thematic tone of this series sets it apart from other supernatural manga.

MJ: I’m so happy to be reading this series, and I can’t wait to dig into the second volume!

SEAN: Bleach hits Vol. 62, and I think a person is fighting with another person somewhere in it. At points they brag about how they can’t be defeated, I’m guessing.

MICHELLE: Ha!

SEAN: Blue Exorcist looks like it was getting ready to head into a darker arc last time, and I think that’s what we’ll get here. Can’t wait, this is always good.

There’s also a 5th D.Gray-Man 3-in-1, speaking of shonen series with a high female readership. In fact, in North America I’d argue D.Gray-Man has an almost exclusively female readership…

Dengeki Daisy is almost over! Waaaah! Here’s the 15th, penultimate volume.

MICHELLE: I haven’t always loved this one, but I’ll miss it when it’s gone.

ASH: I’ll miss it, too.

ANNA: I love this series. This is one of those manga that’s going to have a permanent place on my bookshelves.

SEAN: High School Debut has its 4th 3-in-1 as well.

MICHELLE: Getting closer to the one with new material!

ANNA: There’s a volume coming out with new material? I am excited!

MJ: Wait, what? New material? Ooh.

MICHELLE: Yep! The fifth omnibus will contain volumes 14 and 15, which I believe will contain short stories published after the series officially ended.

SEAN: Kiss of the Rose Princess is this month’s new series, from Shojo Beat. It’s an Asuka series, so I expect it’s most likely fantasy, and also probably reverse harem. Am I right?

MICHELLE: I don’t know yet, but I’ll check it out.

ANNA: Surprising no one, so will I.

MJ: Surprising… also no one. Me too.

SEAN: And for non-reversed harems, here’s the 6th volume of romantic comedy Nisekoi.

Did you not pick up One Piece? Shame on you. Here’s a 2nd giant Box Set so you can catch up all at once. Now. I’ll wait here all night if necessary.

The 5th and final volume of Phantom Thief Jeanne should wrap everything up, though I’m not sure if it will be happy or bittersweet.

ANNA: The ending of Phantom Thief Jeanne is bonkers in the best possible way.

SEAN: The 5th Ranma 1/2 omnibus introduces Ukyou Kuonji, who is another character who invites controversy. Well, they all do, really. It’s that kind of fandom.

Have you had enough 3-in-1 omnibuses yet? No? Good, here’s Skip Beat! with its 9th.

Spell of Desire’s first volume was solid but didn’t wow me. I’m hoping for more wow in this second one.

MICHELLE: And more kittens!

ANNA: I’ve read this already and I continue to enjoy this series.

MJ: I talked about this a bit in Monday’s Off the Shelf. I’m not exactly *wowed*, but optimistic about this series.

SEAN: Tegami Bachi, you’ve hit Volume 17. As ever, I have no idea what to say about you. You seem to have caught up with Japan now.

Ultimo hits double digits even as it’s been announced it’s ending soon.

Lastly, if the One Piece box set wasn’t enough for you, here’s one for Vampire Knight.

If you were expecting the manga deluge to end, more fool you. What suits you from this tsunami of manga?

3 Things Thursday: Pretty Pictures

October 30, 2014 by MJ 4 Comments

Wow, this has been a weird week. I mean, really, seriously weird. Weird on levels I can’t quite talk about here. But whatever the weirdness, it is in times like these that I really just want to look at something pretty. No, seriously. That’s the only thing to be done. So today, that’s what we’re going to do. It’s Thursday. And these are…

3 manga spreads that are just freaking beautiful:

You’ve seen them here before… you’ll see them again.

1. The Heart of Thomas | by Moto Hagio | Fantagraphics

2. Please Save My Earth | By Saki Hiwatari | Viz Media

3. xxxHolic | By CLAMP | Del Rey Manga

I have more. So many more. But this will do for now. Got favorites of your own? Gimme!

Manga Giveaway: Sherlock Bones Giveaway

October 29, 2014 by Ash Brown

The end of October is fast approaching, which means it’s time for another manga giveaway at Experiments in Manga! I’m not entirely sure why, but my review of the first volume of Yuma Ando and Yuki Sato’s manga series Sherlock Bones is by far one of the most frequently visited posts at Experiments in Manga. It’s been more than a year since Kodansha Comics published the volume in English, but the review still gets plenty of page hits. And so, for this month’s giveaway, I decided that I would give people the chance to read the actual manga. As always, the giveaway is open worldwide!

I was honestly surprised by how much I enjoyed Sherlock Bones. The premise is inherently silly–Sherlock Holmes reincarnated as a puppy–but perhaps in part because of that, the series can be a lot of fun. Sherdog is tremendously smart, despite occasionally being distracted by his more canine tendencies, and he’s cute, too. But probably most important for a detective and mystery series like Sherlock Bones, the crimes and how they are solved are consistently interesting. Additionally, readers who want to have a more interactive reading experience can actually search for and find the clues needed to solve the crimes within the pages of the manga.

So, you may be wondering, how can you win a copy of Sherlock Bones, Volume 1?

1) In the comments below, tell me a little about your favorite or the most unusual detective/crime-solver that you’ve encountered reading manga. (If you don’t have one, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There it is! Each person can earn up to two entries and has one week to submit comments for this giveaway. If preferred, entries can also be sent via e-mail to phoenixterran(at)gmail(dot)com. Your comments will then be posted in your name. The giveaway winner will be randomly selected and announced on November 5, 2014. Best of luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Sherlock Bones Giveaway Winner

My Week in Manga: October 20-October 26, 2014

October 27, 2014 by Ash Brown

My News and Reviews

I posted two reviews at Experiments in Manga last week. First up was my review of Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods, Volume 4. It’s the penultimate volume in one of my favorite manga series. It was also a particularly intense volume. The fifth and final book should be available sometime next year; I’m really looking forward to it. My second review last week was of Boogiepop Returns: VS Imaginator, Part 1, the second volume in Kouhei Kadono’s Boogiepop light novel series. I didn’t find it to be quite as dark as the first novel, but it still had an interesting mix of science fiction, horror, mystery, and even a bit of romance. I discovered Boogiepop late (the four novels and the four volumes of manga that were translated into English are now out of print) but I’m really enjoying the franchise so far. At this point I definitely plan on checking out the rest of the Boogiepop novels, manga, music, anime series, and live-action film.

On to other things online! Digital Manga has launched its most recent Tezuka Kickstarter project and it is…ambitious. At Manga Comics Manga, Deb Aoki has a nice roundup of some the concerns and criticisms fans have been expressing about the project. Justin has been busy posting more New York Comic Con content at Organization Anti-Social Geniuses, including interviews with Viz Media’s Andy Nakatani (editor-in-chief of Weekly Shonen Jump) and Leyla Aker (Vice President of Publishing). Also, in case you missed it (like I did), Brigid Alverson posted her NYCC interview of Takeshi Obata at Comic Book Resources a couple Fridays back. Ryan Holmberg’s most recent What Was Alternative Manga? column focuses on the proto-gekiga work of Masahiko Matsumoto. The post has great (and probably deliberate) timing–Matsumoto’s The Man Next Door is now available to order from Breakdown Press. Over at Manga Connection, Manjiorin is embarking on a new review project focusing on Crunchyroll’s digital manga. And speaking of manga reviews, Manga Blog’s inagural Bookmarked! feature was posted. I’m very happy to see Manga Blog so active again. Be sure to check it out for its link-blogging, too!

Quick Takes

The Dawn of Love by Kazuho Hirokawa. Masahiro is infatuated with his fellow law student Takane and so is very happy to discover that Takane, like him, is also gay. Takane has multiple partners which doesn’t bother Masahiro at first, but eventually he decides that he wants Takane to exclusively date him. My biggest issue with The Dawn of Love is that Masahiro uses sex to manipulate Takane, basically forcing Takane to choose monogamy regardless of his own feelings about the matter; it’s really not a good basis for a healthy, long-lasting relationship. I think Hirokawa was trying to going for a sort of “true love conquers all” take with the manga, but The Dawn of Love isn’t successful in achieving that, mostly because I was never convinced that Masahiro and Takane were actually in love to begin with. Even Masahiro doesn’t bother to ask himself why he loves Takane until well into the story, and he never really answers that question. It’s obvious that the two of them enjoy having sex with each other (and there’s a lot of sex in The Dawn of Love), but sexual desire isn’t the same thing as romantic love. The Dawn of Love had great potential and was even rather funny in places, but overall I didn’t end up enjoying it much at all.

Magical Girl Apocalypse, Volume 1 by Kentaro Sato. I can’t tell for certain yet, but by the end of the first volume of Magical Girl Apocalypse it seems as though the series might actually be a parody. If that’s true, it makes the manga a little more interesting to me. If not, Sato is going to need to do something else to keep my attention. I’m more frightened that Yoruka will have a horrifying back injury due to her ridiculously large breasts than I am of the series’ “zombies.” Despite the inclusion of the creepy-cute magical girls instead of more traditional zombie-like monsters, the manga doesn’t really set itself apart yet. At this point, it somehow feels like a pretty generic zombie story. There’s plenty of disturbing scenes and well-drawn gore, and I appreciate that Sato isn’t afraid to kill off characters who in other series would actually manage to live for more than one chapter, but otherwise I found Magical Girl Apocalypse to be a fairly typical zombie survival manga. The series should be an entertaining read for those fond of the subgenre, and there’s nothing wrong with that, but personally I find myself a little zombied-out these days and prefer my horror to have a little more substance.

Say I Love You, Volume 3 by Kanae Hazuki. One of the things that really impresses me about Say I Love You is Hazuki’s forthright portrayal of teenage sexuality. The characters exhibit both maturity and immaturity in their relationships; they can be surprisingly levelheaded, but they can also let their feelings get the best of them. There’s conflict and selfishness in addition to the beginnings of new love and developing respect for others. The characters and their relationships are believable and have depth to them. The more I read of Say I Love You the more and more like Mei. She, like so many of the other characters, has been hurt in the past, but despite her nervousness and anxiety she’s at a point in her life that she’s able to stand up for herself and for others. (Bullying and dealing with bullies is a recurring theme in Say I Love You.) Though Mei tends not to take crap from other people, she is still vulnerable and she still experiences pain, especially now that she is beginning to open herself up to others again. She’s learning to trust, but it doesn’t always come easily for her. It’s this sort of realistic and layered characterization that Say I Love You does particularly well.

YU+ME: Dream, Omnibuses 1-2 by Megan Rose Gedris. I only recently discovered YU+ME, a webcomic that was originally released online between 2004 and 2010. The comic is still freely available to read online, but the series has also now been collected into two omnibuses which include additional content. The first part of YU+ME comes across as a fairly standard girl-meets-girl high school love story. It’s certainly enjoyable, but not an exceptional story on its own. (Although it is noteworthy that the series may have been one of the earliest queer-focused webcomics.) What really makes the YU+ME outstanding is its second part, which places the first half within an entirely new context. Gedris wanted to turn the “but it was all a dream” trope on its head and she does so magnificently. Both the artwork and the storytelling are a bit rough in the beginning, but Gedris steadily improves and by the end the series has turned into something truly spectacular. The first part of YU+ME primarily uses a single art style while the second half explodes into a brilliant variety of design, color, and texture. YU+ME is an epic and surreal lesbian love story with a grand mythos to go along with it and a plot that is much more complex than it first appears.

Manga the Week of 10/29

October 24, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 2 Comments

SEAN: I think Yen Press has set a record for most volumes released in a single week. (At least for that publisher… I suspect Viz has it beat overall there.) Let’s start with what isn’t Yen, though.

Blade of the Immortal is perilously close to finishing, and it also hits its 30th volume this week from Dark Horse. Wasn’t it the last series still published in 32-page floppies to give in and go volume-only?

ASH: I’m not certain, but I think that’s true. Either way, I’m very happy that Dark Horse continued to release the series. Nearly two decades later, this is the penultimate volume in English!

ANNA: That’s pretty epic! I loved the artwork in the first few volumes of this series, but I didn’t really stick with it for the long haul. No question that this is a big achievement.

SEAN: Attack on Titan: No Regrets has its 2nd and final volume, in which Levi’s two childhood friends survive and go set up a nice house somewhere, no doubt. Wait, no, this is Attack on Titan.

ASH: I rather enjoyed the first volume of this spinoff, so I’ll be picking up the second volume, too.

SEAN: I’ve gotten too far behind on Fairy Tail to make jokes about its plot, so hey! Fairy Tail 43!

There’s a double dose of Alice this week, from two different publishers. Seven Seas gives us the 6th volume of my favorite spinoff of the series, Alice in the Country of Joker: Circus and Liar’s Game.

Vertical has The Garden of Words, one of the more optimistic works by Makoto Shinkai. That’s not saying much, of course. I reviewed it here.

MJ: As a Shinkai fan, I’m a pretty interested in this. I’ve enjoyed manga adaptations of his films in the past, including 5 Centimeters Per Second. So, yeah. I’m on board.

ASH: Me, too! (Though, I’ll admit I haven’t actually gotten around to watching the anime, yet…)

SEAN: In case you missed the digital release of Another, the horror novel Yen put out last year, we now have an omnibus print edition under the Yen On label.

MJ: This looks interesting to me as well!

SEAN: Alice in the Country of Diamonds ~Wonderful Wonder World~ is part artbook, part guide to the PSP game, and part fan thing, with interviews, manga, etc. If you like Alice, it’s all here.

Barakamon is an anticipated new series from Yen, about a calligrapher who is sent to a remote island after losing his temper; the plot is basically “fish out of water”, but it’s apparently quite well done.

MJ: Again, I’m interested. This actually is turning out to be a pretty intriguing week!

MICHELLE: I was just reading the description for this on Yen’s site the other day. It definitely looks appealing!

ASH: This is one of the series from Yen that I’ve been most looking forward to reading.

ANNA: This does sound really intriguing.

SEAN: Black Butler hits its 18th volume, and I’ll bet you two to one that Ciel and Sebastian are investigating something-or-other.

Bloody Brat gives us a 2nd volume of wacky antics with the cast of Blood Lad, to contrast with the wacky antics already present in the main series.

MJ: Always up for more wacky antics in this universe.

MICHELLE: Me, too. It just suits my humor. I actually found that the main series is funnier than the spinoff, at least in the first volume, but I’ll actually be reading volume two this evening for… reasons.

SEAN: A Bride’s Story is now an annual release, but that’s more ‘caught up with Japan’ than anything else. It’s still a terrific title everyone should read.

MJ: It’s been a while, indeed. This can’t come too soon.

ASH: Anything by Kaoru Mori is always a must for me. (Also, Yen is bringing back Emma!)

ANNA: I need to get caught up on this series. I agree that anything by Kaoru Mori is a must have.

SEAN: Doujinshi Anthologies (non-porn) are a staple of popular Japanese franchises, but we rarely see them over here. Yen has made a few exceptions, and after seeing The Misfortune of Kyon and Koizumi a while back, we now have The Celebration of Haruhi Suzumiya, which binds together three similar volumes into one big omnibus.

Inu x Boku SS had quite a plot twist last time, one that leaves the series seemingly with no one left to carry on. Where it goes from here will be the big reason to read this 5th volume.

Given the author drew the Time-Killing Arc, one of my favorite Higurashi arcs, I wish I liked Judge better than I do. Survival Game is just not my favorite genre. Here’s the penultimate volume.

Kingdom Hearts 358/2 Days has its fourth volume, and yeah, I got nothing.

I’ve said it before and I’ll say it again – the gag manga The Melancholy of Suzumiya Haruhi-chan, whose 8th volume ships this week, is a better adaptation of the source than the main manga. Not more accurate. But better.

No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular! has its 5th volume ship, and the only thing that makes me more uncomfortable than reading it is having to type out its full title. Still good, just cringe inducing.

ASH: Yeah, it can be a bit hard to read, but it is a good series.

SEAN: Hey, remember Oninagi? Had 3 volumes out about 5 years ago from Yen? Not very good? Ever wonder where that final fourth volume ever got to? Well, wonder no more. Here ‘tis.

ASH: Oh, wow, I’m not familiar with this series at all! It’s still great to see it being completed in English, though.

ANNA: I’m going to sit in the corner and whimper for all the unfinished series I’d like to see completed in English.

SEAN: Another Madoka Magica tie-in also wraps up, this being A Different Story.

I was surprised to see the dark fantasy series Ubel Blatt licensed, but unsurprised to hear it will be coming out in omnibus form, given its length. This first one collects Vol. 0 (a special prologue) and 1, but is labeled 0 to confuse everyone.

MJ: I’m cautiously interested. “Dark fantasy” can go either way for me.

MICHELLE: Same here. I must say, too, I’m kind of relieved that series I don’t follow about are wrapping up; I always feel guilty when I’ve nothing to say about them.

SEAN: Lastly (at long last), there the 2nd omnibus of Umineko When They Cry: Alliance of the Golden Witch. We’re getting closer than ever to defining what magic is, which in turn will help us to understand Beatrice. And by we, I mean the reader. Not Battler, he’s still useless.

Despite all these titles, is there nothing here that can satisfy you? And if so, why? Look at them all.

3 Things Thursday: It’s Problematic

October 23, 2014 by MJ 10 Comments

As we near the end of my first full year at my new job, I’ve once again been finding more time to read and talk about manga (and hurray for that, I’d like to say). As a side-effect of that, my once music-centric Tumblr has seen an increase in manga-related posts and reblogs. This is mostly a perfectly fine thing, but given Tumblr’s fandom-heavy vibe, I think it’s safe to say that I must have experienced some kind of temporary loss of wits a week or so ago when I chose that as my venue for a brief rant on a popular(ish) manga ‘ship. Fortunately, Tumblr fans were fairly kind to me over the incident, but really, what was I thinking?

If you dared to click, you’ll know by now that my rant centered on a particularly destructive and tragic canon relationship between the two male leads of CLAMP’s Tokyo Babylon, and my lack of ability to understand why or how fans could actively ‘ship a pairing that was born pretty blatantly out of deception, cruelty, and (at best) sick curiosity. And I’ll admit that, though I now have a deeper understanding of their devotion to the ‘ship, I simply can’t get on board. As much as I love Tokyo Babylon (and I really, really love Tokyo Babylon), I’ll never be able to view Seishirou’s carefully calculated seduction of Subaru (and its significant collateral damage) as anything but horrible.

“Well, that’s just fine,” you say, “Judge McJudgy-pants.” And okay, I see your point. And before you add “hypocrite” under your breath, I’ll be the first to admit… YES. I have some pretty problematic ‘ships in my own catalogue. And even if maybe no part of them ever murdered anyone’s sister (ahem) I can’t deny that there are… issues. Really serious issues. Sometimes. Okay. Whatever. *sigh*

3 Problematic Relationships I Accidentally Love (or something like that):

1. Hachi/Nobu (NANA) – She’s a married lady (*@#!@^&#*^@&* Takumi grrrrrrr) whose poor judgement and inability to deal with romantic confrontation completely destroyed him and he’s a sweet but kind of codependent musician whose weakness and privileged upbringing will almost assuredly cause him to lose his current girlfriend (like it did with Hachi, whether he knew it or not). But even after all this time, and increasing unlikelihood that we’ll ever find out what really happens in this series, I CAN’T LET IT GO. Like Nobu, I’m always going to be hanging on to that tiny piece of hope, even when it’s obviously, irretrievably gone. And like Nobu, I’ll probably hate Takumi forever. Screw Hachi’s legal and emotional commitments. And… her children? GAH. Um. She belongs with Nobu. Damnit. Sorry, that’s just the way things are. Also, along these totally destructive and morally questionable lines? Shin/Reira. I ‘ship it. Sorry, I just do. Here, have some pictures:

(click image to enlarge – read right-to-left)

2. Seth/Shonach (Moon Child) – This one is really tough for me, but there’s a part of me that can’t let it go. So. Seth is a genderless fish alien who has yet to mature into female mermaid form (yes, seriously, this is a thing), and Shonach is a freaking human jerk who fails to recognize the awesomeness he has at hand. It’s hard for me to admit that I ‘ship this pairing at all, because, well… from our discussion of the series: “… it really bothers me that his [Shonach’s] obsession with Benjamin’s [Seth’s sister] beauty (her beauty only—he doesn’t care about her as a person at all, really) keeps him from being able to appreciate the best parts of Seth, to the point that even at the end, when Seth has matured into a female, he can only see her as Benjamin. That the only expression of true affection Seth ever really gets from Shonach is when he believes she is Benjamin really breaks my heart.” Also, that my personal justification for the ‘ship (“because Seth wants it”) is pretty much exactly the same as one fan’s justification of her Subaru/Seishirou ‘shipping (“because Subaru wants it”) has not escaped my notice.

(read right-to-left)

3. Ritsuka/Soubi (Loveless) – I can’t even really believe I’m putting this on the list, because not only is it just wrong on so many levels, but I don’t even want it as a romantic or sexual relationship. But the difference between this age-inappropriate ‘ship (Ritsuka: twelve; Soubi: … not twelve) and a few others I notably enjoy (Amu/Ikuto in Shugo Chara!, Alice/Rin in Please Save My Earth) is that, though it is the only one that is not explicitly romantic, it is by far the most sexualized, and there’s no getting around that. Yun Kouga does not let us get around that, as I’ve lamented many times. So I feel that to not include it on this list would be pretty dishonest. No, I don’t want to see Ritsuka and Soubi’s relationship become more romantic/sexual than it currently is. No, I am not even comfortable with what it currently is. Yes, I want them to be able to be together and stay together, whatever that means, because Soubi (especially) needs it—you know what, they both need it, and I’m sort of willing to accept that that’s probably awful. And. Yeah.

(read right-to-left)

So there’s my own sort-of ‘shipping shame. What about you?

My Week in Manga: October 13-October 19, 2014

October 20, 2014 by Ash Brown

My News and Reviews

Only somewhat unintentionally, last week ended up being a yuri-filled week here at Experiments in Manga. My friend Jocilyn was inspired to write a guest review of Takako Shimura’s Sweet Blue Flowers, Volume 1 by Takako Shimura, which is currently only available digitally. (I’m hoping that one day the series will be available in print, but as Jocilyn points out, a few fixes may be needed for that to happen.) As for the manga review that I posted last week, I took a look at Chiho Saito’s Revolutionary Girl Utena: The Adolescence of Utena for my Year of Yuri monthly review project. Revolutionary Girl Utena is one of my absolute favorite anime series and I was quite pleased with Saito’s The Adolescence of Utena, finding it to be an incredibly compelling work in its own right. And speaking of my Year of Yuri project, I only have one more review to go! I haven’t quite decided which manga (or comic) my final review will tackle, so if you have any requests or would like to see something in particular, let me know! I also posted one other (non-yuri) review last week: Monkey Business: New Writing from Japan, Volume 4. Monkey Business is a literary journal featuring a mix of fiction, nonfiction, poetry, and even a bit of manga. The stories tend to be a little strange, but that also tends to be something that I enjoy.

Elsewhere online, New York Comic Con articles are still being posted. At Publishers Weekly, Deb Aoki has a general roundup of the manga industry’s presence at NYCC. Justin of Organization Anti-Social Geniuses has a few interesting things from his time at NYCC, including why publishers and fans think it’s worth it to buy manga and an interview with Gen Manga’s Robert McGuire. Vertical also posted a bit more information about the Vertical Comics imprint. Unrelated to NYCC but still interesting reading, at Contemporary Japanese Literature Kathryn Hemmann has an excellent critique of Helen McCarthy’s A Brief History of Manga, specifically addressing the male-centric focus of the work. (I’ve had the volume on my “to be read” pile since its release; I should really get around to actually reading it one of these days) Also, Frederick L. Schodt wrote a bit about the history of his groundbreaking work Manga! Manga!. (Exceptionally good timing, as I am just about to start reading it.) And last but not least, Digital Manga has licensed ninth and final volume of Hinako Takanaga’s The Tyrant Falls in Love! (I mistakenly thought the eighth volume was the series’ end, so I’m doubly happy for this license.)

Quick Takes

Attack on Titan, Volume 13 by Hajime Isayama. Although I have largely been enjoying Attack on Titan since the beginning of the series, the thirteenth volume is a particularly good installment of the manga. As the series has progressed, mystery on top of mystery and twist on top of twist has been added, which is something that can only be sustained for so long. But with the thirteenth volume it feels as though some progress has actually been made with the plot and some answers are finally being given–or at least some convincing and appropriately disconcerting theories are being offered. The thirteenth volume begins with the aftermath of the Survey Corps’ rescue of Eren. The number of deaths and casualties incurred by the group is severe. Eren must come to terms with just how much ensuring his safety costs and just how much depends on him in the battles to come. The focus of Attack on Titan has shifted from confronting the Titans themselves to confronting the corruption within the government while trying to discover who or what is even behind the existence of the Titans. It’s a particularly effective development–the prospect of fighting Titans has a significantly different psychological impact than that of fighting, and even killing, humans.

A Love Song for the Miserable by Yukimura. Many of the boys’ love manga released in English are about high school or middle school students, so it’s always a refreshing to encounter a story about adults. A Love Song for the Miserable is one of those stories. Asada is hoping to work in events planning while Nao is studying to become a patissier. After a chance meeting, the two of them become friends and Asada ends up acting as Nao’s taste tester, developing feelings for the other man in the process. Sadly, Asada would much rather completely ruin any chance of a relationship with Nao than risk the possibility of being rejected after opening up. Their friendship ends badly which puts them both in an awkward position three years later when Asada meets Nao again while on the job. A Love Song for the Miserable captures Asada’s personality and insecurities extremely well and the complexities of his feelings are very realistic. It’s understandable that Asada’s lack of confidence in himself and his jealousy over Nao’s success when his own career is going nowhere would interfere with him developing a stable relationship. Asada has very good reasons for being miserable, and Nao has very good reasons for being upset with him, but they might just be able to make something work.

World Trigger, Volumes 1-2 by Daisuke Ashihara. In an interesting move, Viz decided to simultaneously release two volumes of World Trigger. It certainly caught my attention, so I guess the gambit was a successful one. There were several things that I liked about World Trigger. For example, I particularly appreciate that strategy and tactics come into play in the fights and that the battles aren’t all about who happens to have the greatest brute strength or power. I also liked Yuma–since he is a Neighbor his perspective is very different from that of the other characters and it shows–although I can easily see how he might get on some readers’ nerves. Other aspects of the manga didn’t work quite as well for me. Right off the bat Border is described as a mysterious organization; the general population seems oddly accepting of its presence and seems to require no further explanation as long as Border continues to fight against the Neighbors, which I found a little difficult to believe. I assume this is probably something the series will explore in the future, but as it is the lack of information is frustrating, especially when other things are over-explained. For the most part I did enjoy the first volume, but the second didn’t do much to retain my attention. Though it has its good points, World Trigger hasn’t quite managed to set itself apart from other series yet and seems a little generic so far.

Sweet Blue Flowers, Vol. 1

October 17, 2014 by Jocilyn Wagner

Earlier this year my good friend Jocilyn Wagner contributed a review of Hiroki Ugawa’s Shrine of the Morning Mist, Volume 1 to Experiments in Manga. She was recently inspired to do so more manga blogging and to write another review, and so I’m happy to welcome Jocilyn back to Experiments in Manga! This time she’ll be taking a look at the Digital Manga Guild edition of Sweet Blue Flowers, Volume 1 by Takako Shimura.

* * *

Easily Shimura Takako’s most well-known manga endeavour, Sweet Blue Flowers is an unforgettable bildungsroman of the classic Japanese girl’s school (minus the dorm boarding). The story focuses on two heroines: Manjoume Fumi and Okudaira Akira. Childhood friends who were separated for elementary and junior high and by coincidence have moved into the same neighborhood together for high school. The girls, who don’t at first recognize each other, are reintroduced when Akira (called “Aki” in this version) saves the timid Fumi from train molestation. Although the two attend different schools, their close friendship and shared interest in acting cause Fumi to find excuses to attend theatre club at Aki’s much more wealthy/prestigious school.

The setting of two close-knit girls’ schools often lends itself to a Yuri manga and Sweet Blue Flowers positively embraces the plot line. As the story opens, Fumi (tall and bashful) is recovering from her separation with Chizu, Fumi’s first love, a cousin who’s getting married. Enter in the dashing heartbreaker Sugimoto Yasuko who’s been recently cast against her will as the swoon-worthy Heathcliff. Yasuko is immediately smitten of Fumi and Fumi is quick to return her feelings (…perhaps too quick?). Despite being easily embarrassed and a worrier, Fumi manages to confide the relationship and her sexuality in Aki. The level-headed Aki doesn’t really understand why this would be a problem but ponders the issue while Fumi, who’s assumed it will come between them slips into fear-induced avoidance of her. When Aki’s finally able to snag Fumi aside she asks her, “What can I do to support you?”

Sweet Blue Flowers is as wonderful and poignant in English as it is in Japanese. The story is moving and rapturous. I’m really hopeful DMP can publish Sweet Blue Flowers in print…

But now I think I have a better understanding of why they might not. Compared to Fantagraphics’ Wandering Son, this version of Aoihana is frankly an embarrassment that in no way lives up to the beauty of the original and really shouldn’t be printed as is. It’s in desperate need of an English adapter and some real copy editing. As a Shimura fangirl, I really want to see Aoihana in print, so just in case the project leader is listening, the following is a substantial critique. The optimist should stop reading here. :)

The biggest problem in my mind is that bizarrely, instead of how it’s always been rendered “Ah-chan” in both the original manga AND the anime near and dear by now to the hearts of North Americans, this version replaces all the Ah-chans with “Aki.” To be fair, Aki is more of a fleshed out name than Ah-chan, but it’s really a boy’s name and it doesn’t suit Akira’s character, besides which it’s not a name Shimura-sensei chose. Part of what makes Aoihana so cute is that the Okudaira siblings have their names reversed: that is to say, Akira is usually though not always a boy’s name and Shinobu is similarly a girl’s name occasionally used for boys. Perhaps the idea here with “Aki” was to emphasize that her name doesn’t fit the image? Yet I think Shimura-sensei would argue that’s exactly why she’s always been called Ah-chan (to make up for/ignore the more masculine Akira). Put simply, Akira is always called Ah-chan because she’s ridiculously cute and her role in the story is to be the best friend and onee-chan from Fumi’s childhood, thus someone you’d want to give a cute nickname to like “Ah-chan.” Perhaps because she’s given a bit more wisdom than other characters or because of her future role in the story, the DMG team chose to call her Aki. At any rate, it feels like an awkward and unnecessary change that will stick out painfully to most fans of the work.

Additionally, there’s just too much left untranslated in terms of signage with parenthetical notes given instead that really detract from the flow of the reading. As far as I can tell, all the signs and documents are left untranslated (even ones that couldn’t possibly be hurt by replacement with English such as the heading card in the photo album scrapbook that reads “Christmas Party” or the words on the cake for Chizu’s party) which comes off looking like the typesetter just couldn’t be bothered/too inexperienced to handle the job. For the none-Japanese reader it’s too much work to constantly be hunting for marginalia. Shimura’s penmanship isn’t all that legible anyway (most were drawn with marker), so if you can read Japanese, leaving the signs as is doesn’t necessarily help things–except in the case of one of her school gateway engravings, it doesn’t exactly have a “Shoudo” quality. Perhaps the concept here is to give the English reader a sense that they’re really in Kamakura, but that’s actually doing Shimura-sensei a disservice as the gorgeous well-researched setting she’s drawn is more stark and striking than most mangaka can muster.

sweet blue flowers snippita

Add to this a lot of really tiring typographical errors such as “Pap” for “Pat” and “Beautiful is Youth” “Hasegawwa” and “Fajisawa”, really detract from the reading experience. The emanga version of Sweet Blue Flowers is very welcome and we love you for it, but please consider further editing before sending it to the printer.

In terms of the digital file, it’s definitely topknotch. Emanga allows you to choose from among seven or eight major formats as well as offering you the option of reading your books through their proprietary online reader. I was really happy to be able to get Sweet Blue Flowers in PDF since it looks and functions the best on the iPad. It’s not always the most annotation friendly, but since manga is an artistic medium it makes sense to use an Adobe format to access it. Unfortunately, once you’ve chosen to download the file in one format, you’re stuck with only that single file type and you’d need to repurchase it from emanga to get it in a different format (DRM is kinda evil like that). I had no trouble downloading the file and it opens great on all my devices. Given their many options for downloading, their pricing system that’s free from points and rentals and their interface with Amazon, I’d highly recommend emanga over some other digital manga sites I’ve tried (except when it comes to editing).

Manga the Week of 10/22

October 16, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: Another week, another pile. Here we go.

I may not really enjoy Gantz, but it certainly sells in comic shops, and is popular enough that the author’s new title was just announced at NYCC. We’re still a few volumes from the end over here.

Animal Land, an underrated Kodansha title, has reached Vol. 10. I always mean to go back and check this out, but never do.

MICHELLE: I honestly had no idea this was still going.

SEAN: If you still haven’t gotten the first four Attack on Titan volumes, Kodansha has a nice box set of them for you.

No. 6 has hit Vol. 9, and there are many Manga Bookshelf peeps excited about that.

ASH: I’m looking forward to it! (I just hope the manga’s ending is handled better than the anime adaptation’s was.)

SEAN: Sankarea has also hit Volume 9, and has pretty much ceased to be a fanservice-filled romantic comedy entirely. At this point you wonder who will remain alive at the end.

In case manga was not enough Alice for you, Seven Seas has the light novel Alice in the Country of Diamonds: Bet on My Heart. Blood is the love interest du jour, I believe.

ANNA: I wonder if this series will ever run out of card suits and have to incorporate an additional organizational system drawn from other games like Jenga or Yatzee.

Arpeggio of Blue Steel impressed me more than I expected, and I am eager to see if the second volume can keep it up.

Thought you’d read all of Dance in the Vampire Bund, had you? Never! There are still the… Secret Chronicles. (makes scary woooo gestures with fingers)

Haganai 9 won’t get you many friends, but it should still provide a lot of laughs and some heart as well.

Seven Seas debuts the manga version of No Game, No Life. With the light novel out next year, this series is getting a lot of push. It looks pretty fanservice-heavy, but hey.

Vertical also has a new debut with Vol. 1 of Witchcraft Works. I reviewed it over here.

ASH: I’m rather curious about Witchcraft Works.

SEAN: Viz is releasing an 18-volume Black Bird Box Set, which… why? I thought we were done! (weeps)

MJ: NO… no… nooooooo…

MICHELLE: I know what I’m getting MJfor Christmas!

MJ: *stare of death*

MICHELLE: Dude. That’s harsh.

MJ: It was the mildest response I could come up with.

ANNA: Not a fan of Black Bird but hey, at least we have a series to point people to if they really enjoy wound licking.

SEAN: And Monster gets a 2nd omnibus Perfect Edition.

MICHELLE: I have fond memories of Monster

ANNA: I might buy these omnibus editions for myself as a holiday present!

SEAN: For Hayao Miyazaki fans, Princess Mononoke: The First Story is a must buy, being the original early 80s idea he had for the eventual movie to come.

And for alt-manga fans, you can’t go wrong with a new volume of Sunny.

ASH: That’s true!

MJ: Finally, something for me to get excited about this week!

MICHELLE: Same here! I was beginning to despair.

ANNA: Alt-manga isn’t my favorite thing, but Sunny is great.

SEAN: Lastly, there’s a new Vagabond, still trundling along even after 3 dozen books.

ASH: I’ve really been meaning to catch up with Vagabond; Inoue does some fantastic work.

ANNA: I love the 3 in 1 Vagabond editions.

SEAN: Is there a book here that’s right for you?

MICHELLE: Just one, apparently!

3 Things Thursday: NETCOMICS

October 16, 2014 by MJ 3 Comments

It’s been over three years since Michelle and I published an Off the Shelf column entitled, “NETCOMICS Lives!” A year later, it seemed that our excitement was perhaps premature, as new chapter releases dwindled and the company’s social media accounts went dark. But this year, once again, we’ve seen signs of life! I’m a bit late realizing it, myself. When, just yesterday, the NETCOMICS Twitter account suddenly favorited two old tweets of mine from 2012, I headed over to the website, only to find that not only had NETCOMICS attended Anime Expo this year, but they were also releasing a new print series, Give to the Heart, the first volume of which was just released this week!

Give to the Heart is written by Wann, an artist I’ve had mixed experiences with (see 100% Perfect Girl), but her series So I Married an Anti-Fan was one of the charming new series Michelle and I got so excited about back in 2011, so I can’t help but feel optimistic. Most notably, as I mentioned, Give to the Heart is being released in print which I admit I far prefer over the company’s only other current method of distribution—its chapter-by-chapter, short-term rentals.

I still deeply regret not picking up all my favorite NETCOMICS series in print when they were available. In fact, one of my tweets that NETCOMICS recently favorited was this from February 9th, 2012: “Random wish–I read all 15 volumes of Let Dai digitally at @NETCOMICS… kinda wish I owned the complete print run. Volumes very $ now, tho.” Honestly, this is still true, perhaps even more now than it was in 2012. The longer I’m a fan, the more careful I am about keeping my personal print collection relevant and manageable, but it is series like Let Dai—epic fantasies (romantic or otherwise) with memorable characters and lovely artwork—that I most long to keep around.

Not only that, it’s exactly the kind of series I’d be pleased to share with my teen students, as it’s both the strengths and flaws of a series like this that make it something I’d have enjoyed most when I was a teen. If I enjoy it as an adult despite its excessively violent and melodramatic nature, I’d have loved it for exactly those things when I was twelve or thirteen. For this reason, I’ll likely pick up the print volumes of Give to the Heart as they become available, just in case it might become a source of later regret.

So what am I getting at here? What are my 3 things? Okay, here we go:

3 NETCOMICS series I wish I owned in print:

1. Do Whatever You Want | Yeri Na Oh, English-language publishing has been so cruel to Yeri Na. While I’m happy to have been able to read this series in its entirety on NETCOMICS’ site (a fate much kinder than that of Drama Queen’s ill-fated license for Peter Panda), a short-term rental just really can’t do this series justice. Like Let Dai, it’s a series that deserves a long shelf life, being re-read and shared and discussed in squeeful hushed tones between teens (or adults who still remember being teens). This is a terrific title that ends up being both deeper and larger in scope than it might initially appear. I own the first three published volumes, and they do sit happily on my shelf. I would dearly love to be able to add the remaining four. Pipe dreams… pipe dreams. Note: This same, unfinished fate also applies to Roureville.

2. Full House | Sooyeon Won – From the same gloriously over-the-top mind that brought us Let Dai, Full House was rescued from its original doomed publication by the defunct Central Park Media, and thankfully brought to us in its entirety to us via NETCOMICS’ digital platform. Unfortunately it remains in that format only. From my review of the second volume: “Though this series is, frankly, stunningly predictable, to leave it at that would be a grave oversimplification. Manhwa-ga Sooyeon Won has an extraordinary talent for turning romantic cliché into storytelling gold … Her secret to this is brazen excess, which in this case applies to the series’ endless stream of classic screwball comedy banter—precisely the thing that makes the story so much fun in the first place.” We wants it, precious… ON OUR SHELVES. *weep*

3. Small-Minded Schoolgirls | Toma – This three-volume series is the only one on this list that has never enjoyed a print run, and while I certainly understand the (apparent) difficulty in marketing comics for adult women, this truly is a shame. This unsentimental comic was one of my favorites in 2009, and remained so through the end of its run on NETCOMICS. Its idiosyncratic art style and fantastic female characters belong on my shelf next to Moyoco Anno, Natsume Ono, and Fumi Yoshinaga. What a wonderful collection that would be! Out of all the titles on this list, Small-Minded Schoolgirls is also the one I’d recommend most fervently to new readers. Its length makes it a low-cost, low-committment option at twenty cents a chapter (you can read the entire thing for under $3). It’s really a crime *not* to read it!

Of course, while I can avoid blame for not owning these non-existent volumes in print, will I ever recover from my lack of foresight in failing to buy Let Dai? Probably not. How about you? What NETCOMICS series do you wish you owned in print?

My Week in Manga: October 6-October 12, 2014

October 13, 2014 by Ash Brown

My News and Reviews

Last week Experiments in Manga saw the introduction of a new feature–Adaptation Adventures. Basically, the feature is intended to explore and compare different versions of the same story, which I think should be an interesting approach. I specifically had things in mind like the Parasyte anime adaptation that recently began airing (readers of Experiments in Manga have expressed interest in some sort of Parasyte comparison in the past), but I quickly realized that the feature provides nearly endless options. For the first Adaptation Adventures column, I took a look at Udon Entertainment’s Manga Classics, a line of manga-style graphic novel adaptations of classic literature. I was pleasantly surprised by the Manga Classics editions of Pride & Prejudice and Les Misérables and look forward to seeing future releases. I also posted an in-depth manga review last week of Yaya Sakuragi’s Bond of Dreams, Bond of Love, Volume 4, the last volume in the series. Sakuragi was my introduction to boys’ love manga and I’m always happy to see more of her work available in English. Bond of Dreams, Bond of Love isn’t my favorite Sakuragi manga, but I did enjoy its goofiness.

Elsewhere online, I was extremely happy to see that the one and only Manga Critic (Katherine Dacey) has come out of “retirement” and joined forces with Brigid Alverson at MangaBlog. Kate was one of my major inspirations for starting Experiments in Manga, so I’m very happy to see her return and look forward to reading her commentary. This also means that MangaBlog will be updated more regularly again, which will be great. In other news: Sean Gaffney at A Case Suitable for Treatment has a roundup of Seven Seas recent license announcements. Over at Comics Forum, the most recent Manga Studies column has been posted–Takeuchi Osamu and Manga Expression pt. 1: Tezuka Osamu as Manga Locus by Nicholas Theisen. Also, October’s issue of Sparkler Monthly is now available. It includes the launch of the third and final volume of Tokyo Demons as well as some additional bonus stories for the series. (Since I love Tokyo Demons, I’m particularly excited for and dreading the beginning of the end.)

The New York Comic Con took place over the weekend, and there was plenty of excitement to come out of that. Sean was there this year and has written up some notes on the panels he was able to attend. Vertical is spinning off Vertical Comics as a separate imprint to focus on manga and related material while Vertical continues to release prose and nonfiction. Vertical also licensed more Attack on Titan light novels, which will probably do pretty well. Viz Media also had a few new licenses to announce, as did Kodansha Comics. In addition to several other licenses, Yen Press has rescued Kaoru Mori’s Emma for a deluxe hardcover omnibus release! I only discovered Emma after CMX’s edition went out of print (and became extremely expensive), so I’m thrilled that I’ll finally be able to own the series in such a lovely format. (If you’re curious about Emma, I recommend checking out the archives for the Emma Manga Moveable Feast.)

Quick Takes

Attack on Titan: Before the Fall, Volume 2 written by Ryo Suzukaze and illustrated by Satoshi Shiki. I have largely been enjoying Attack on Titan‘s prequel manga Before the Fall, but I think I like it even more now that I have read the first Before the Fall novel that was recently released by Vertical. (My review of that volume can be found here.) Other than both being prequels to Attack on Titan, the stories of the novel and the manga aren’t directly related, but small references are made to the novel’s plot and characters in the manga. Which makes a fair amount of sense since the Before the Fall manga series is based on the second and third Attack on Titan light novels written by Suzukaze. In the second volume of the Before the Fall manga, Kuklo and Sharle have made their escape–Kuklo from the dungeons and Sharle from her overbearing father–but they are now faced with surviving among the common people. They actually make a pretty good life for themselves at first, but then Kuklo becomes obsessed with wanting to see a Titan for himself which, as anyone who is familiar with Attack on Titan will know, is an absolutely terrible idea that probably won’t end well for anyone involved.

My Love Story!!, Volume 2 written by Kazune Kawahara and illustrated by Aruko. I absolutely adored the first volume of My Love Story!!, so much so that I was actually a little afraid to read the second volume since my expectations had been set so high. However, I am very pleased to report that I also loved My Love Story!!, Volume 2. The entire series just makes me so extremely happy to read. Takeo and Yamato’s love is incredibly pure and sweet and the two of them are utterly endearing and charming together. Misunderstandings do happen on occasion, but forgiveness is quick in coming and no harm is done. My Love Story!! has the potential to be sickeningly sweet, but the romance and characters are handled with such humor and lightheartedness that, at least for me, the manga hasn’t reached that point. There isn’t much nuance or subtlety to the characters–Takeo is a manly many with a sensitive heart, Yamato is adorable and earnest, Suna is cool and aloof–but I like them all so much that I don’t mind. My Love Story!! is ridiculous and over-the-top and I love it. I’m still not sure how the story will be able to be sustained for an entire series now that the basic conceit has been so well-established, but I look forward to finding out.

A New Season of Young Leaves written by Venio Tachibana and illustrated by Akeno Kitahata. Ever since reading the two-volume boys’ love manga series Seven Days (which I loved) I have made a point to seek out more of Tachibana’s work available in English. And so I was very excited when A New Season of Young Leaves was licensed. I’ll admit, at first I was actually a little disappointed with A New Season for Young Leaves. I simply didn’t understand the relationship and odd power dynamics between the super popular Mariya and the socially awkward Nachi. But then about halfway through the volume, during an extensive flashback that explores the evolution of their strange friendship, the manga finally clicked for me. I found it to be incredibly compelling and I immediately wanted to read it again, which I take as a very good sign. I didn’t realize it when I initially began reading A New Season for Young Leaves, but it’s actually the first manga in a series that is at least three volumes long. While there were definitely a few plot lines introduced that were left unresolved, for the most part A New Season of Young Leaves does tell a complete story. But I really do hope more of the series is licensed; I am very curious to see how things continue to develop between Mariya and Nachi and the rest of their classmates.

Manga the Week of 10/15

October 9, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N Leave a Comment

SEAN: With only ten new volumes, this is the lightest week of the month. Let’s all enjoy it.

First off, one I missed from last week, mostly as Amazon just announced they were shipping it early a few days ago. The second Whispered Words omnibus, containing Vols. 4-6, is out this week. If you like a well-written yuri story with lots of fun and angst and romance, this is the book for you.

ASH: The story is great! And it has karate, too! (I just hope the copy editing has improved with this volume…)

MICHELLE: Me, too. It was seriously bad.

SEAN: Now for next week. We’ll start with Dark Horse, who have the 16th Bride of the Water God volume, which is on my list of “I always forget this exists” titles.

MICHELLE: I actually forgot Whispered Words existed, so don’t feel bad.

MJ: I’d almost forgotten both, and that makes me sad!

ANNA: I didn’t know anything about Whispered Words, but if more high quality yuri is being translated into English, that can only be a good thing.

SEAN: Kodansha releases the quotation mark challenged Say “I Love You”, so I will put them back in. This is Volume 4.

ANNA: I really enjoyed the first two volumes of this. Time to get caught up!

ASH: I’m enjoying this series as well.

SEAN: SubLime has a new Blue Morning volume, a series that I believe our Manga Bookshelf team has enjoyed in the past.

MICHELLE: I really enjoy both of these series, and will be reviewing both of these in brief form in the coming weeks.

MJ: Blue Morning is definitely on my list for the week.

SEAN: Vertical has a new series debut with Volume 1 of Ajin. You can also see this on Crunchyroll’s manga site. It’s from Kodansha’s good! Afternoon magazine, and seems to be quite dark. I suspect this is more in the Wolfsmund vein than the Chi’s Sweet Home one. One of the creators also has High-Rise Invasion coming out via Manga Box.

MJ: Interesting!

ASH: I’m very curious about Ajin and am looking forward to giving it a try.

SEAN: And we also have the 11th and final Flowers of Evil, which proved to be a lot more popular than anyone had expected, I think, though never an easy, friendly read.

MJ: I fell out of this a while back, but I kind of miss it.

ASH: I’ve been saving up all of the volumes of the final arc to read all at once, and here it is, the series end. I’m preparing to be devastated in one way or another.

SEAN: With the 52nd volume of Case Closed, you now have one volume for each week of the year if you want to do a reread.

Deadman Wonderland has a 5th volume, and I suspect the plot has really begun to pick up by now. (Look, sometimes these are generic. I can’t read everything.)

I do read Magi though, and love it to bits. Buy Volume 8. If not for me, then for Viz, who needs another big Shonen Sunday title.

MICHELLE: Magi is excellent, with capable storytelling and character development. I think MJ, in particular, should read this one! :)

ANNA: I have a couple stray volumes of this sitting around my house, and need to fill in a bit before starting to read this series. I’ve only heard good things though, and I look forward to reading it!

SEAN: Lastly, we have another big series ending, as the 19th volume of Vampire Knight is so important that Viz released it apart from the other Shojo Beat titles. It also comes in regular and deluxe versions, with a mini-artbook for the latter. I enjoyed this a lot more than I expected to, but I’m glad it’s ending, as it was running out of plot.

MICHELLE: I think the last volume I read was 13, but I think I’ll make a push and finally finish this one up. For the sake of completeness, if nothing else.

ANNA: It might seem odd to people who are familiar with my love of vampire-based shoujo manga, but I haven’t read this complete series. I started reading it, got about 5 volumes in, stopped, and have been piling up sporadic volumes here and there with the intention of doing a big series read at some point. One day, this will happen!

SEAN: Anything strike your fancy here?

Adaptation Adventures: Udon Entertainment’s Manga Classics

October 8, 2014 by Ash Brown

One day long ago when I was still very small my parents brought home for me a box filled with Great Illustrated Classics–small, compact adaptations of classic literature with illustrations on almost every other page intended to introduce younger readers to some of the great, influential stories of the Western canon. I devoured them. It’s largely thanks to that series that I became so well versed in the classics. When I was older I would go on to read the originals of some of my favorites. And even those that I never got around to, I became familiar enough with their stories that I could hold my own in conversation and understand references made to them.

Literacy is something that I care very deeply about. Closely related to that, I also feel that exposure to the classic stories that have gone on to become such an integral and influential part of Western culture and world literature is important. However, I realize how intimidating those classics can be, especially for those who are reluctant readers to being with, or who simply don’t enjoy the authors’ styles of writing or find the length of some of the originals to be formidable. Because of that, I believe that efforts to adapt these stories in a way that is more approachable and appealing to a larger audience can be extremely valuable, which brings me to Manga Classics.

Manga Classics is a line of graphic novel adaptations jointly released by Udon Entertainment and Morpheus Publishing. Their aim is to present faithful, high-quality adaptations of classic stories in a format intended to be especially appealing to young adults–that is, full-length, manga-style graphic novels. Udon isn’t the only publisher to attempt something similar to this. Recently I’ve seen other comics, graphic novel, and manga adaptations of classics released by publishers like Marvel and One Peace Books (to provide just two examples) with varying levels of success.

Strong adaptations can be notoriously difficult to achieve. Purists will often outright shun adaptations as they almost never carry the same nuance and complexity found in the source material or because they may stray too far from the original. Adaptations are especially challenging when trying to present a story in an entirely different medium, such as adapting prose into comics or film. For me, I consider an adaptation to be a great one if it is entertaining and engaging in its own right while at the same time inspiring readers (or viewers) to seek out the original stories. I feel that Manga Classics’ first two adaptations have accomplished this.

The Manga Classics series debuted in 2014 with adaptations of Jane Austen’s Pride & Prejudice and Victor Hugo’s Les Misérables. Out of the two, I am most familiar with Pride & Prejudice. I’ve read the original, I’ve seen many of its film and television adaptations (if you’ve not already discovered the recent webseries The Lizzie Bennet Diaries, I highly recommend it), and back in high school I was actually even a main cast member in a Pride & Prejudice stage production.

The original Pride & Prejudice was first published in England in 1813. The story follows Elizabeth Bennet, the second-oldest daughter of an English family with a country estate outside of London. Elizabeth’s mother is determined to see her five daughters married, and married well, so when the wealthy (and young) bachelor Mr. Bingley moves into the neighborhood, her scheming immediately begins. Fortunately, Bingley and Jane, the eldest Bennet daughter, hit it off. Unfortunately, due to some misunderstandings and interference from Bingley’s best friend Mr. Darcy, their romance is cut short. And because of that, Elizabeth’s opinion of Darcy suffers greatly, not that she held him in very high regard to begin with. To add to the awkwardness, Darcy, to his dismay, seems to have developed feelings for Elizabeth. Things get even more complicated from there as manners, social standing, morals, and some very strong personalities come into play before the Bennet daughters find their way in life and love.

Elizabeth Bennet and (blushing!) Mr. Darcy

Reading the Manga Classics version of Pride & Prejudice reminded me how much I enjoy the original novel, its story, and its characters. I was also struck by how perfectly Austen’s work is suited for shoujo. The story has been adapted by Stacy King and illustrated by Po Tse. The narrative has been slimmed down and largely focuses on Elizabeth and the ups and downs of her delightfully antagonistic relationship with Darcy. All of the major plot points are still there although some of the other characters (such as Elizabeth’s younger sisters) aren’t as fully developed. But the story still works and works quite well. The only thing I didn’t really like about Manga Classics’ Pride & Prejudice was the portrayal of Mr. Collins, the heir to the Bennet estate. To some extent he serves as the story’s comic relief, but he comes across as too much of a caricature in the graphic novel (visually and narratively) which clashes in style from the rest of the comic. Generally though, Po Tse’s artwork is quite lovely and occasionally even stunning. Elizabeth and Jane’s hair is gorgeously drawn and particular attention has been given to Regency period clothing and architecture as well. (A preview of the first chapter is available here!)

I am much less familiar with Les Misérables. Although I know the basic story of the novel, I’ve never actually read the original. Nor have I seen any of its direct adaptations. However, I have listened to multiple sound recordings of the musical many, many times. I’ve seen the recent 2012 film adaptation of the musical as well, but that’s a couple steps removed from Hugo’s original.

Les Misérables was first published in France in 1862. The novel (one of the longest ever written) is an epic work of historical fiction set in the first half of the 19th-century, a rather tumultuous time in France. The novel begins in 1815 after the defeat of Napoleon Bonaparte and, following a large cast of characters, digressions, and subplots, climaxes with the June 1832 uprising in Paris. The most well-known story out of Les Misérables is that of the ex-convict Jean Valjean, the officer Javert whose goal is to recapture Valjean, and a young orphan girl named Cosette who becomes Valjean’s charge. Those three individuals and their relationships and connections to one another and the rest of the characters form the core of Les Misérables. Politics, religion, economic and social conditions, philosophy, morality, redemption, and love all have an important role to play in the novel as well.

Cosette and Jean Valjean

Because I’m not as familiar with the original Les Misérables it’s difficult for me definitively say how the Manga Classics’ adaptation directly compares. However, I can say that it reads very well. Most of the subplots have been dropped in favor of the main storyline following the Valjean and Cosette and those who are directly involved with them. The adapter, Crystal Silvermoon, has taken great care to consider other adaptations of Les Misérables in addition to the original in the creation of the graphic novel. Because Les Misérables is so lengthy and complex there would be no possible way to include everything, but the most iconic scenes are all present in the Manga Classics adaptation. Stacy King provided additional assistance with the scripting and SunNeko Lee served as the volume’s illustrator. Stylistically, the art is a little simpler than that found in the Pride & Prejudice adaptation. However, it is more even in tone which suits the story’s serious and dramatic nature. Once again, particular attention has been given to the setting. I found the Les Misérables graphic novel to be engaging and, perhaps more importantly, it’s the first adaptation that has really made me interested in picking up the original.

Because it is so easy to create an unsatisfying adaptation of any work, let alone a work that is well-loved or held in high esteem, and after seeing so many poor adaptations, I’ll admit that I approached Manga Classics with some apprehension. However, I was very happy to discover that the line’s first two adaptations were very well done. Though I might have a small nitpick here or there, I sincerely enjoyed both volumes. I could easily see Manga Classics being used in a classroom setting, but I think the graphic novels will appeal to readers outside of that context as well. I am very pleased that new audiences will have the opportunity to be introduced to some of the classic works of literature in such an approachable format. Hopefully, like Great Illustrated Classics did for me, Manga Classics will inspire new generations to seek out those original stories.

Spring 2015 will bring three more adaptations to the Manga Classics line, graphic novel versions of Jane Austen’s Emma, Charles Dickens’ Great Expectations, and Nathaniel Hawthorne’s The Scarlet Letter. So far, Manga Classics has approached the source material of its adaptations with care and respect; I can honestly say that I’m looking forward to seeing future Manga Classics releases.

Thank you to Udon Entertainment for providing copies of Pride & Prejudice and Les Misérables for review.