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Manga minis + a lecture

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Good morning, all! I have a couple of reviews in this morning’s Manga Minis, for volume three of Hitohira (see my reviews for the first two volumes here and here), and for DMP/June’s BL one-shot, Love/Knot.

So, something that keeps coming up between me and another reviewer dear to me is a deep insecurity about our own reviews that kicks in whenever we read something written by the other. I think her reviews have an incredible clarity and power of description that immediately tells the reader whether or not a book is something they want to read–something I feel entirely helpless to achieve. She thinks my reviews are thoughtful and especially insightful into the emotional world of the characters, which she envies on some level. Basically, she thinks her reviews are missing the “big picture” and I think mine are missing the point. Most of the time, I think we just admire each other in a very constructive way that inspires us both to do our best, but sometimes we become disheartened by our perception of our own skills, and that’s when I think I have to pull out some kind of lecture on the subject for both of us to listen to. This is my attempt at that lecture. …

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You Will Drown in Love by Hinako Takanaga: B+

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Part companion volume to You Will Fall in Love and part sequel, You Will Drown in Love gives Reiichiro’s perspective of events as he reconnects with his long-lost best friend, Haru, and learns of Haru’s relationship with his younger brother, Tsukasa. After Haru rejects his confession of love, Reiichiro talks it over with his employee, Jinnai, who’s been giving him advice on a variety of topics ever since Reiichiro came on board as the manager of the fabric store where they both work. When Jinnai tells Reiichiro he loves him, both men must overcome some of their own bad habits if they’re going to be able to make a relationship work.

You Will Drown in Love is the kind of sequel that enriches rather than cheapens the original. Although Jinnai does not appear at all in You Will Fall in Love, by dovetailing the two storylines together, his friendship with Reiichiro is allowed to grow while the events of the first book play out and develop into love when Reiichiro’s involvement in the tale of Haru and Tsukasa comes to a close. As a result, he didn’t feel like an afterthought, but rather as someone whose opinions informed Reiichiro’s actions in the earlier work.

Like the first story, this is one of the more romantic boys’ love stories I’ve read, free from outside obstacles to the relationship or angst that makes no sense. The problems Reiichiro and Jinnai face arise because of their natures—Reiichiro is both naïve and sensitive while Jinnai uses humor as a defense—and are far more difficult to conquer than a mere lusty rival. My one real complaint is that Reiichiro’s naïveté is overdone to the point of unbelievability—what grown man would utter a sentence like, “Guys don’t normally kiss each other, right?” I do, however, adore his final line of the volume, which I will not spoil.

With its emphasis on communication and trust, this boys’ love romance is a cut above the rest.

Review copy provided by the publisher. Review originally published at Manga Recon.

Crimson Hero 10 by Mitsuba Takanashi: B

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The six members of the Crimson Field High School girls’ volleyball team have come a long way and are now participating in the Newcomers’ Tournament, an important stepping stone to their ultimate goal, the Spring Tournament. They win their first two rounds handily, but are faced with a tough opponent for the third round. Meanwhile, Nobara and Yushin are still keeping their feelings for each other a secret.

Even though I am far from athletic myself, there is something about sports manga that I adore. Crimson Hero does particularly well at giving each teammate a moment to shine and in recent volumes, each of the supporting girls has improved her skills in some way or another. The matches are also a lot of fun and easy to follow. Frankly, I wish there were more of them.

I’m a little frustrated on the romance front, though. Nobara has liked Yushin for a long time, and was firm about this even when she realized that another boy, Haibuki, had feelings for her. Now, when Yushin has finally reciprocated, Nobara’s suddenly starting to be affected by Haibuki, thinking things like, “These days your smile messes with my heart.” I was really hoping this series wouldn’t go down this road; the fact that it seems poised to do so is disappointing.

Review copy provided by the publisher. Review originally published at Manga Recon.

solanin

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Good morning, all! I’ve got a busy day ahead, but I wanted to point you to a review I posted last night, just barely making it in time for my self-imposed deadline (I love deadlines) in my column at Comics Should Be Good (reprinted here after the demise of CSBG), for Viz Media’s Eisner-nominated manga solanin.

I really liked this manga, but you know reading over my review again this morning… well, I think I said a lot of things I don’t actually believe. Heh. Because the truth is, I still do believe in following wild dreams. I don’t think adulthood is about accepting mediocrity and resigning yourself to a lifetime of meaningless jobs. I think maybe the only difference between me and the twenty-somethings in solanin is that I know it isn’t that simple. I know you sometimes have to endure the job you hate (or maybe find one you hate just a little less) in order to do the work and take the time required to pursue larger dreams. I know that letting go of the dreams of my youth isn’t the same thing as letting go of dreams in general–it’s just making room for new ones. I think it’s possible for dreams that appear crazy or unrealistic on the surface to actually be completely feasible as long as you’re willing to put in the work. And I don’t believe that we only have one chance in life to get things right, but that these chances turn up over and over again, ready to help us fulfill new dreams.

I guess I still believe that greatness is possible, and that I suppose I’m still clinging to my youthful notion that I was meant to contribute something meaningful to this world. I suppose that could be unrealistic, but I’ve never regretting believing it.

In any case… solanin. It is a beautiful manga with a lot to say, and I’d recommend it to pretty much anyone, and particularly to fans of western comics who I think might find it more palatable than a lot of other manga. Also, since it was just nominated for an Eisner, it’s a great time to encourage folks to pick this up! Enjoy. :)

solanin By Inio Asano Published by Viz Media

Twenty-something Meiko Inoue hates her office job, loves her underemployed boyfriend, and gets frustrated with the endless supply of vegetables her parents send her from home which just end up rotting in her fridge. After her boyfriend, Naruo, casually suggests she quit her job, she actually does (much to his surprise), though this brings her much less satisfaction than she’d hoped. Quitting provides relief but not direction, so amidst hours of mindless vegging and video games (while attempting to ignore impending financial doom), Meiko turns her focus on Naruo’s life by encouraging him to revive the rock band he left behind after college. Naruo’s child-like excitement as he finally lets himself indulge in an old dream is enough to invigorate both of them for a while, but eventually the reality of the adult world forces them to face their limitations head-on and evaluate what makes their lives worthwhile.

Solanin captures perfectly that particular time of life when each of us is first faced with the question of whether to pursue our heart’s wildest dreams or to instead seek happiness in less obvious places–that time when we determine whether we can (or must) succumb to a mediocre existence and what that even means in the first place. Is getting by day-to-day in the company of a familiar loved one enough, or must we strive for something grander–something that will outlast our meager human lifespan? These are issues that can (and do) persist throughout life, but there is something unique about those early years when it first becomes clear that it is even a question and the frequently paralyzing fear and uncertainty that goes with that.

While this could easily manifest itself in a self-indulgent angst-fest, fortunately mangaka Inio Asano addresses the subject with wry humor, simple honesty, and a real affection for his characters in their best and worst moments. He also avoids passing obvious judgement on their choices, letting their conflicted thoughts and frustrated lives stand on their own without (for the most part) inserting unnecessary drama into the mix. The downside of this is that the pacing occasionally suffers, particularly when the story shifts to focus on supporting characters, though this is a minor quibble at most. Meiko and Naruo are more than compelling enough on their own to sustain the story’s momentum, even through its slower patches. Asano’s understated sense of drama, bare-bones honesty, and thoughtful characterization take us back to a time when we all sought that intangible something–that soft, distant beacon in the murky haze of adulthood that, if only we could reach it, might somehow allow us to taste the exhilaration of freedom without leaving behind the comforts of home. He also reminds us of what most of us already know: the beacon is a mirage.

What this manga does not provide is escapism. There is no great purpose realized, no higher calling discovered, no deep secret revealed to carry the characters off into the sunset. Life’s perfect moments must inevitably pass into the mundane, and though this might suggest pessimism, that is not the tone of this comic at all, which is perhaps its greatest strength. If there is something profound to take away from solanin, it is that there is no universal measure for happiness or success, and that a life spent searching for something greater may ultimately have less meaning than one that is simply unexceptional.

One of the most striking things about this manga is the art, which is expressive, clean, and above all, distinctive. The character designs in particular display the same course honesty as the characters themselves, with realistic body-types and average looks. There is not a single overly-pretty character in solanin, which is surprisingly refreshing.

Originally published in two volumes in Japan, Viz’s release combines both into one double-length volume in the larger trim size characteristic of their Signature series, which includes two small sections of color pages, with a thick cover and high-quality paper, giving the book a nicely satisfying weight. Recently nominated for a 2009 Eisner award, this slice-of-life manga offers unique art, thoughtful characterization, and a refreshingly unromantic perspective on the transition to true adulthood.

Honey Hunt, Vol. 1

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By Miki Aihara
Viz, 192 pp.
Rating: Older Teen

Yura Onozuka is a mousy high school student whose father is a famous film score composer and whose mother is a famous actress, leaving Yura in an awkward position at school where the other students expect her to be more of a “celebrity” type. Constantly struggling to hide her loneliness and alienation in order to maintain the “perfect” image of her family as portrayed by the media, Yura’s situation is made worse when her mother announces that she is filing for divorce, revealing to Yura the real lie behind her family’s image. With her father out of the country and her mother preparing to sell their family home, Yura is thrust out into the world on her own with no emotional support or direction. It is only when she discovers that her only friend has been carrying on an affair with her mother that Yura decides to try to “beat” her mother at her own game: acting. Taken under the wing of her father’s manager and fighting her own timid nature, Yura throws herself into the entertainment world, determined to show her mother her true worth.

With its sensational plot and romantic intrigue, Honey Hunt is pure, trashy soap opera of the very best kind. It’s impossible not to get hopelessly sucked in to shy, lonely Yura’s ugly duckling story, especially when she’s got all of the entertainment industry’s sharks circling around her. Her down-to-earth nature makes her the perfect relatable heroine and after just one volume her story is already insanely addictive. Beginning from a moment in one of the early chapters when Yura finally cracks and proclaims to a yard full of reporters the truth about her family and her parents’ treatment of her, resistance is futile.

Of course, Yura’s journey is not the only draw. The story’s supporting characters are well drawn in every sense, and perfectly suited to the petty, shallow world Yura has entered into. Yukari Shiraki, Yura’s beautiful, cold mother, is poised and graceful as she deliberately poisons her daughter’s life with a casual spite that says more about her own insecurities than Yura’s supposed deficiencies. The two characters being set up as Yura’s love interests–a pair of rival twin brothers–are delightfully attractive while displaying their self-centered motives and fatal weaknesses for all to see. Even Yura’s manager, who benevolently welcomes her into his home, is obviously using Yura to advance his own ambitions. Yet running through each of them all is just enough humanity to make their stories compelling enough to keep up with Yura’s.

The volume ends with a cliffhanger revealing that someone is already trying to sabotage Yura’s career, or at least the success of the show she is working on. It’s the kind of soap-opera ending that keeps the reader desperately longing for the next volume. With its tabloid sensibility, attractive art, and absorbing characters, Honey Hunt aims to be the ultimate teenage fantasy and its first volume gets things off to a strong start!

Review copy provided by the publisher. Review originally published at PopCultureShock.

Fushigi Yûgi: Genbu Kaiden, Vol. 8

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By Yuu Watase
Viz, 192 pp.
Rating: T+ (Older Teen)

In the wake of the previous volume‘s tragedy, Takiko and her warriors are taken in by the Odo, a diverse tribe made up of members from several smaller clans who joined together to rebel against the Rowuns and who, unlike most, believe in the legend of the Priestess of Genbu. Hidden away in the Nassal Forest, a holy refuge with power to turn away the uninvited, the Odo help prepare a ceremony for Soren which allows Uruki to find some peace and to renew his commitment to the Celestial Warriors and, more importantly, to Takiko. Takiko, more determined than ever to save Teg and bring him (along with Hagus) into the fold, camps out at the edge of the forest, waiting for Hagus to decide take a chance on her. Meanwhile, Uruki is visited by the oracle Tai Yi-Jun, who reveals to him the true fate of the Priestess of Genbu–a fate Uruki will do anything to prevent.

After giving poor Takiko a taste of some real jealousy (which of course she strives valiantly to overcome), this story’s primary romance begins to really soar, only to be struck down by Tai Yi-Jun’s revelation to Uruki. The only unfortunate thing about this volume is Uruki’s decision to reject Takiko (just after having reassured her of how much he cares) for the purpose of supposedly keeping her safe from a destiny she knows nothing about and which is absolutely hers to choose. It’s always maddening when someone takes it upon his/herself to limit another person’s choices “for their own good” and this is not made less maddening by the persons involved being fictional. While this is the kind of plot device to be expected in a shojo fantasy, honestly, Watase could have done better. Fortunately, there are enough truly lovely moments (stone warrior Namame’s faithful protection of Takiko, for instance, especially in the face of her supposed “rival,” is utterly charming) to more than make up for it.

Overall, this is another strong volume in a very engaging series that balances romance and adventure more deftly than most.

Review copy provided by the publisher. Review originally published at PopCultureShock.

On The Shojo Beat

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I have a couple of reviews in today’s On The Shojo Beat column at Manga Recon, for volume 8 of Yuu Watase’s Fushigi Yugi Genbu Kaiden (you can read my review of the previous volume here), and for the first volume of Honey Hunt, a new series by Hot Gimmick creator, Miki Aihara. It’s probably too early to really say, but Honey Hunt could potentially make its way on to my list of addictively readable shojo (thanks, David Welsh). It’s not of the same quality as something like NANA, but it is pure, trashy fun.

Expect a few more additions to my recent shojo review binge on this blog over the next couple of weeks, as well as a nice new burst of shonen (beginning with last night’s review of Hikaru no Go, vol. 15). Later!

Battlestar Galactica: Echoes of New Caprica by Emily Salzfass et al.: C+

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The beginning of Battlestar Galactica’s third season found the majority of what’s left of humanity living on New Caprica, a planet that had seemed like their salvation until the Cylons arrived and the occupation began. Some people joined resistance groups while others collaborated with the enemy to protect themselves and their families. Eventually, they were rescued, though no one lived happily ever after. With the exception of one story taking place during the occupation, the focus of Battlestar Galactica: Echoes of New Caprica is the effect the experiences of New Caprica have upon the survivors even after the planet is left behind.

“Teacher’s Pet,” story by Emily Salzfass and art by Chrissy Delk, takes place during the occupation. Former president Laura Roslin is working as a teacher and many of her lessons serve as a celebration of the history and culture of the now-destroyed colonies. The Cylons get wind of her curriculum and aren’t at all happy, but Roslin refuses to back down, even as she confronts the possibility that one of her students may be the informant.

Though the climactic moments are a little muddled, “Teacher’s Pet” is the best in the volume. Its tone is appropriately grim and there are moments where character voices seem spot on. One line from Roslin, “I’m a big girl; I can handle risk,” perfectly evokes her calm yet steely resolve. The art is not as successful as the writing, however. Characters are usually recognizable even though they don’t look like much like the actors that portray them (the Eights bear no resemblance to Grace Park, for example) but there was one random schlubby guy that I kept seeing in the resistance meetings that I couldn’t identify. I kept wondering who he was until he finally made an expression I recognized. Who was this mystery man? Chief Tyrol. Hardly a minor character.

“Shelf Life,” story by Richard Hatch (the actor who plays the story’s protagonist) and art by Christopher Schons, is set immediately after the colonists have been rescued from New Caprica. Vice President Tom Zarek is temporarily in control of the government and seeks to exact punishment on collaborators by creating small cells of trusted individuals who will try and execute them. These events do play out in the television series, but here we see more of Zarek’s perspective as well as how his decisions impact his oldest friend.

Some of the dialogue is a little cheesy (“When will we humans ever grow up?”) but the story isn’t bad. I appreciate that some small details from the show are included, such as Chief Tyrol’s tendency to be the last to cast his vote during the trials. Like “Teacher’s Pet,” however, the artist fails to capture many of the actors’ likenesses. For some time I thought they’d got the members of Galactica’s cell (The Circle) wrong because I couldn’t tell two female characters apart. Too, every scene has the same sort of dingy grey look to it, even those taking place on Colonial One (the President’s ship), which has a cleaner and brighter interior than a battlestar.

I found “Visitation,” story by Mike Wellman and art by Anthony Wu, to be the weakest of the three stories. While on New Caprica, Kara “Starbuck” Thrace was held captive by a Cylon and made to believe that her ovaries had been used to create a daughter. She becomes attached to the girl only to run into her actual mother after the evacuation from the planet. Now she encounters the girl again, living in unsavory conditions, and absconds with her.

My objection to the story isn’t that the events are implausible—the show certainly went to the “Starbuck is mentally unstable, does something crazy, and treats those who care about her like crap” well often enough—but because it’s simply a retread of the kind of thing we’ve seen before on the show quite a few times already. “Visitation” also had the strangest art of the lot. I understand an artist wanting to pursue their individual style and all that, but when I’m staring in puzzlement at an unidentifiable, weird-looking, block-headed dude who is then addressed as Helo, played by the undeniably hunky Tahmoh Penikett, then there is a problem.

The bottom line: If you’re a BSG fan who’s missing the show already, you could do worse. I found it kind of nice to revisit these characters at an arguably simpler time.

Review copy provided by the publisher. Review originally published at Manga Recon.