I received an e-mail this morning to let me know about an event I very much wish I could attend– an exhibition entitled “Manhwa 100: Centenary of Korean Comics” presented by London’s Korean Cultural Centre from May 21st through June 24th. If you’re reading this blog from across the pond, take note! From their press release:
Manhwa: A Language of Unlimited Imaginations
Manhwa celebrates its 100th anniversary in 2009. This popular art form holds a long and cherished history that began with the first publication of Doyoung Lee’s political cartoons in “Daehanminbo.” This print newspaper was founded on June 2, 1909, and manhwa was born along with it. Manhwa is an art form used to comment on a wide variety of topics. It can often spotlight societal injustices. Sometimes, manhwa tells marvelous tales of dreamy romance. Other times, the art form simply uses its simplified figures and their exaggerated gestures to provide amusement and entertainment. To this day, manhwa continues to evolve and hold a special place within the hearts and minds of Korean society.
We can examine the history of manhwa by identifying unique traits within each distinct era and observe how the beloved authors of each generation interacted with the public. Following its birth, manhwa had to endure Korea’s tumultuous history under Japanese colonial rule. Manhwa survived the time periods of national liberation, the dark years of the Korean War, and through the dismal military dictatorship. The 80’s and 90’s of the 20th century marked the renaissance of manhwa. Manhwa published during these bygone eras help us reflect on our nation’s past.
On the other hand, the new work from the year 2000 and onwards employs digital media technology. These works allow us to interpret present-day Korean comics in a new light and maybe even predict the industry’s future.
Art Toon Art:
Art Toon Art brings together the work of twelve artists including Dong-Hwa Kim and Young-Ok Kim, whose work pushes the boundaries of conventional comic book art humorously by reinterpreting famous masterpieces. This small display is derived from the exhibition Masterpieces Meet Comics which is held annually in Korea and is based on the theme of convergence between comics and art.
A small collection of work by famous graphic illustrators including Min-Woo Hyung and Kwang-Mook Lim is shown together for the first time.
Meet Korean Manhwa Artist Chul-Ho Park
Wednesday 20 May 6.30-7pm
Live Drawing Performance & Workshop with Manhwa Artist Chul-Ho Park
Thursday 21 May 2-3.30pm
Manhwa artist Chul–Ho Park leads a live drawing workshop with London based journalist and leading authority on Asian comics Paul Gravett.
Bang is the Korean word for room. It’s a social space where you can hang out with friends and read a wide variety of Korean Manhwa.
Admission to the films is free but tickets must be booked in advance with the Korean Cultural Centre. Tel: 020 7004 2600
Thursday 21 May 6pm
Venue: Multi-Purpose Hall, Korean Cultural Centre UK
Two civil workers at the local district office find love but in distinctly different directions. Written by famous Korean comic artist Pool Kang, featuring Ji-Tae Yu (Oldboy) and K-pop singer turned actor Kang (Attack on the Pin-up Boys).
South Korea 2008 Dir. Jang-Ha Ryu (English Subtitles) 113 min
The War of Flower
Friday 22 May 4pm
Venue: Cinema Hall, Korean Cultural Centre UK
Go-Ni loses his entire savings and the money that he stole from his sister in the high stakes card game known as “Hwatu.” Go-Ni figures out shortly after the game that he was swindled and he spends the next 6 months tracking down the person that robbed him of his money. Starring Seung-Woo Cho, Hye-Su Kim, Yun-Shik Baek.
South Korea 2006 Dir. Dong-Hun Choi (English Subtitles) 139 min
For more information, check out the Korean Cultural Centre website.
[…] Beasi has the scoop on the exhibit Manhwa 100: Centenary of Korean Comics, which opens on Thursday in London’s Korean Cultural […]
[…] help push forward the publication of more and varied manhwa in English. Despite the medium’s 100 year history we still see so little of it here and I, for one, want much, much more! Bookmark/Share […]