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Pick of the Week: First Picks of 2024

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KATE: This week, I only have eyes for one series: A Cat from Our World and the Forgotten Witch, which is giving me some serious Miyazaki vibes with its appealing artwork and its rueful premise.

SEAN: I’ve had mixed results with Shonen Jump Plus titles, but Marriage Toxin has a premise that intrigues me and a striking cover, so I’m going to make it my pick.

MICHELLE: Mostly I’m playing catch-up this week, but most look forward to doing so with Tamon’s B-side!

ASH: I’m with Sean this week; Marriage Toxin is the debut that I am most curious about. Even if the story ends up being lackluster, at least it’s got a great cover!

Revolutionary Reprise of the Blue Rose Princess, Vol. 3

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By Roku Kaname and Hazuki Futaba. Released in Japan as “Aobara-hime no Yarinaoshi Kakumeiki” by PASH! Books. Released in North America by Cross Infinite World. Translated by JC.

In my review of the first two volumes of this series, I said that my chief issue with the series was that it didn’t really have anything that made it stand out over a pack of other “redo my life” titles coming out at the same time, was overly serious, and could be a bit dull. It’s still overly serious (there’s nary a joke to be found here), but fortunately the fact that this is the final volume and has to wrap everything up solves the other issues. This is easily the best volume in the series, as Alicia has to try to balance out the fact that she needs to do what’s best for her nation with her love for Clovis, and Riddhe has to try to find the traitor behind most of the bad events in this book, and do so without getting caught and used to start a war between two countries. He achieves half of that. But it’s OK, there’s a trial to try to put things right.

The book begins with Alicia still in Erdal, meeting with the Empress to try to show why she wants their countries to reach out to each other WITHOUT needing her to get married to Fritz to do it. The Empress, after a quick “how devoted to your ideals are you?” test, is pretty much OK with this, but Fritz now basically sees Alicia as an enemy. Indeed, he sees almost everyone as an enemy, including his lover Charlotte, and is acting just the way you’d expect a bratty prince with too much power but not enough responsibility to act. And then there’s Alicia and Clovis, who are still both hung up on “he’s just her advisor, he can’t marry the future queen” to move forward, and are thus having communication issues. Things get so bad that Alicia decides the best way forward IS to marry Fritz… but before she can, chaos erupts in Erdal.

The back half of this book really sells the danger and drama, with several action sequences and threats to help overshadow the fact that we know who the bad guy is throughout. The mystery is not “whodunnit”, but “how to fix things without destabilizing multiple nations”. It helps that there’s a lot of “even if they are a bad person, I still love them like family” going around, which means this timeline has a hell of a lot less death than the last one. Actually, another great moment was the revelation about what DID happen in the previous lifetime – Alicia’s always had spotty memories, so it’s been hard to decipher beyond “Clovis killed her”, but now we see this was part of a larger scheme, which makes sense given how easily manipulable he must have been in that first timeline. As for the romance, I will admit that “it’s OK, you can marry your advisor, everyone knows you love him” doesn’t really work given this is a “political marriage is the norm” sort of world, but hey, the relationship is sort of dessert. The meal is saving the country.

So yes, always nice when a series ends with its best volume. I enjoyed this.

Young Lady Albert Is Courting Disaster, Vol. 4

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By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

I’m starting to feel really bad for Patrick. The most obvious reason being that it’s not entirely clear, at least until the end of this volume, that Alicia would actually choose him over Lady Mary. The relationship between Alicia and Mary has not been yuri per se, but certainly Mary is the most important person in her life, and she has a tendency to tackle hug, and fondle, and adore her. Meanwhile, Patrick has to actually run a country, so is not as free for snuggles. More worrying for Patrick is that he is now the only fully, 100% sensible one in the cast. He didn’t think this was the case. He was sure it was him and Adi against the eccentrics and airheads of this world. But when push comes to shove, Adi has been around Mary far too long and thinks far too much like her for this to be true. Sorry, Patrick. Everyone is bananas except you. Someone has to do the nasty work.

Things are looking up for Mary Albert. She’s survived the first game (despite her best efforts to be exiled), and the second game has come and gone with only mild sadism and shotacon friends as the result. Unfortunately, the game also had an anime adaptation. Which introduced a friend character for Alicia, consoling her when Mary was being too much of an evil villainess. And now we get Veltina, a new arrival to Mary’s group due to a school exchange program. Veltina clearly has memories of the anime from a previous life, great hatred for Mary Albert, and a huge crush on Adi. On the bright side, she makes an absolutely terrible villainess herself, and taking care of her is ludicrously easy. On the down side, Mary is starting to get this odd heartburn when people get too close to Adi…

Everyone knows that if you write a villainess book where the heroine came from an otome game, and the plot resolves, then you need to have the otome game sequel, or spinoff media, or side story… anything to keep the series going. Here it’s the anime, but it’s amusing how little it actually matters. The author just says “oh, there was an anime, she must remember it” a few times and then proceeds to forget about it. So does Mary, who occasionally tries to find a good time to ask her but it never comes up. Which is fine, as in the end it doesn’t matter. We’re not here to see how Mary Albert can escape the terrible fate of whatever new plot hits her life – she’s not Katarina, or Aileen. We’re here for the comedy, as not only is Mary unable to tell that she’s feeling jealousy, but Adi is ALSO unable to realize this. You’d think that, having been married for some time now, the self-doubt would have disappeared, but that’s not how it works. Their resolution of it is sweet. Also, Alicia turns out to be the best gardener ever, which may be my favorite joke.

There’s four more volumes, and I’m not sure how many more antagonists we can reasonably introduce at this point. But the books remain a hoot, and always put a smile on my face.

The Manga Critic’s Year in Review: 2023

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At the beginning of 2023, I vowed to post one review or essay per month, a goal I met for the first half of the year. Then work got busy, and my husband and I did some home improvement projects we’d been putting off, both of which made it harder to find the bandwidth for reviewing. The reviews I did publish, however, seemed to have found an audience, so I’m setting the same goal for myself in 2024 with the aim of writing more in-depth essays about older titles like Furari and BL Metamorphosis, as well as more reviews of classic, indie, and overlooked series. My other major goal for 2024 is to revive The Manga Review, though the upheaval on Twitter has made me wonder whether I’d reach more people with a newsletter than a weekly column. If you’ve been a regular reader, I encourage you to offer your two cents in the comments field! (Note that comment moderation has been set to stun due to an uptick in random links, so it may take a few hours for it be approved.)

As I was compiling this post, I spent some time reviewing my WordPress data and learned that…

  • I’ve posted 332 articles and reviews at The Manga Critic since 2009.
  • My most-viewed post is a 2017 review of Naoki Urasawa and Hokusai Katsushiki’s Master Keaton. To date, more than 23,000 people have read it.
  • My second most-viewed post is a 2019 review of Ichigo Tanako’s Become You. To date, more than 22,000 people have read it.
  • My most-viewed post of the 2020s is a review of Junji Ito’s No Longer Human, which I wrote in 2020. To date, more than 10,000 people have read it.

Focusing more specifically on 2023, I wrote one article, published seven full-length and eleven capsule reviews, and rediscovered a cache of essays I wrote for PopCultureShock between 2006 and 2009, one of which I shared with readers. I also created a new page at The Manga Critic listing some of the best manga podcasts in English, with help from dozens of Twitter followers. (Feel free to suggest more in the comments below!)

Here’s to a more productive 2024!

Essays and Features

Full-Length Reviews

Capsule Reviews

* This review was originally published at Pop Culture Shock in 2007.

Loyal Soldier, Lustful Beast

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By Sumire Saiga and Saya Shirosaki. Released in Japan as “Gunjin wa Ai no Kemono” by Sonya Bunko. Released in North America by Steamship. Translated by M. Jean. Adapted by H. Qi.

(This book is meant for readers over the age of 18,. and the review uses a few words that are a bit naughty.)

Steamship is one of Seven Seas’ many different imprints, and specializes in what my grandmother might have called “smutty books”. Until now, they have specialized in manga titles, all under the “josei” umbrella and basically a romance-novel style manga, only with added sexual content. Now we get this stand-alone novel, which is the first light novel under the imprint. We got a sexually explicit light novel licensed a few years ago, but that one was more on the “for guys” end, and I think Amazon pulled it relatively quickly. This one is probably safe, if only as if you removed all the sex scenes from it, it would still have a coherent and interesting plotline. Well, eventually. This book is a slow starter, and does not exactly have prose that compels you to read on, so it took me a while to get into it. In addition, a word of warning, there’s as certain amount of “codependency is good if it’s romantic” here.

Giselle is a young woman of marriageable age, but unfortunately she’s seen as a bit drab, so all the potential marriage meetings she’s been to have ended in failure. Then her brother, a soldier in the royal army, brings home a colleague, who was kidnapped and enslaved as a young boy, and still has a bit of a slave mindset to him. Giselle takes pity on him and tries to teach him how to think for himself and not just do whatever anyone tells him to. In fact, she’s falling in love with him, and he with her. This is, needless to say, a bit of a problem given that he’s an ex-slave and she’s a noble. As if that weren’t enough, the King has asked for her to join his court as one of the royal concubines. This is not really an order that can be refused. What will become of her relationship with Wallace?

So, first of all, the sex is fine. There’s quite a bit of it, mostly featuring different positions and quite a bit of cunnilingus. Wallace had a tendency to put everyone before himself, so blowjobs are not really on the table, and even asking if he can do her from behind is saved till the end when they’re far more familiar with each other. The main reason to read this, though, is the intrigue. The King straight up admits that he’s using Giselle as a hostage to keep Wallace loyal to him, and the threat ends up driving the latter half of the book. As I indicated earlier, Wallace worships the ground Giselle walks on, and would happily murder anyone if she asked him to. Meanwhile, Giselle has always felt drab and unloved, except maybe by her brother, so suddenly getting someone who adores her and is also fantastic in bed is quite a cocktail. Hopefully a lack of constant danger will allow these two to mature as a couple to where they aren’t the only thing in each other’s lives.

Despite pedestrian prose (AO3 has spoiled me) and a tendency towards romance tropes (there’s a sexual assault here, though Wallace arrives in time to break it up, and he’s always a gentleman to her in bed), this got better as it went along, and I’d recommend it to those looking for a good smutty book.

My Magical Career at Court: Living the Dream After My Nightmare Boss Fired Me from the Mages’ Guild!, Vol. 2

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By Shusui Hazuki and necomi. Released in Japan as “Black Madōgushi Guild o Tsuihō Sareta Watashi, Ōkyū Majutsushi to Shite Hirowareru: White na Kyūtei de, Shiawase na Shinseikatsu o Hajimemasu! ” by SQEX Novels. Released in North America by J-Novel Heart. Translated by Mari Koch.

As with the previous volume, how much you enjoy this will depend on two things. The first is how much you care about people who are ridiculously the best at everything they do. Noelle especially, but also Luke, are both prodigies, and show it off throughout the story. This means there are multiple scenes of them being praised to the skies. I know this can annoy some readers. The bigger issue may be the romantic tension, which is using a combination of two devastating “put this off as long as possible” moves – she’s oblivious, he’s a coward. These are both also really, really emphasized throughout, and in my opinion grate far more than the OP stuff. If you can get past both of these, this remains a fun series about a woman in her dream job not realizing how incredible and loved she really is.

After the events of the last book, and after reassuring the now recovered wyvern that she doesn’t really need anything right now from him, Noelle returns to the Magical Court, where she remains busy. She gets a new teacher who everyone calls the hardest teacher they’ve ever had, and while she initially struggles, she ends up being fantastic. She is invited to the Royal Invitational Tournament to fight the World’s Greatest Swordsman, a match everyone expects her to lose instantly. And she and Luke are headed off to the worst dungeon in the world, which just had a new level open after 20 years, and they must face off against a last boss. Still, can’t be worse than Noelle’s last boss, amirite?

The romance here is frustrating but understandable. Noelle is firmly in “I am a commoner” mode, helped along at times by various jerkass nobles, and never even considers a romance with Luke as she knows it’s impossible. Luke has been in love with her almost since they met, but a) has the same problem in reverse, and b) worries that he will ruin their friendship forever if he confesses and it goes wrong. and, to be fair to Luke, we even see that a bit here – after being forced by his superiors to take Noelle on a date to the theater, it turns out it’s a theater where an underground drug ring is operating, and he and Noelle are forced to step in and stop the bad guys. As a result, the present he got her joins the dozens of other presents he’s bought her over the years in a room that is basically a shrine to his failure. The only way he can really make this work is for Noelle to get so insanely powerful so fast she gets a title… but before that, she may end up being poached by the Royal Family for their guard. So yes, Luke’s a coward, but I get it.

This has 5 volumes in Japan, so don’t expect it to end soon. Next time we’ll get a tournament arc and an elf queen, so also don’t expect it to be original. But it’s fun, provided you remember my caveats.

Manga the Week of 1/3/24

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SEAN: It’s a new year, and this is the year we surely keep up with all the manga… right?

MICHELLE: Suuuuuuure.

ASH: Uh, yeah! No problem!

SEAN: We start with Viz, who have a new debut. Marriage Toxin is from ShonenJump+. An assassin has vowed to never settle down and get married. Then his clan declares his sister will marry a man and carry on the dynasty. But his sister is already in a happy relationship… with another woman. Now, to save her, he resolves to find a wife, even if it means dealing with a marriage swindler.

ASH: Interesting.

SEAN: Also from Viz: Blue Box 8, Kaiju No. 8 9, Kubo Won’t Let Me Be Invisible 11, Like a Butterfly 4, Moriarty the Patriot 14, Tamon’s B-Side 2, and Wolf Girl and Black Prince 5.

MICHELLE: I should really try to read Like a Butterfly and Tamon’s B-Side.

SEAN: Udon Entertainment has the 2nd volume of Robotics;Notes.

Steamship has a 2nd volume of I Can’t Refuse S.

Seven Seas has one debut, A Cat from Our World and the Forgotten Witch (Isekai Neko to Fukigen na Majo). Running in the seinen magazine Yawaraka Spirits, it stars an old witch, once powerful but now forgotten. She summons a cat from our world to hers… and in her world, the cat is HUGE! Can they bond with each other?

ASH: Certainly a type of cat manga we’ve not seen previously.

SEAN: Also from Seven Seas: Cinderella Closet 4, The Duke of Death and His Maid 10, Kemono Jihen 9, Malevolent Spirits: Monogatari 5, MoMo -the blood taker- 7, My Room is a Dungeon Rest Stop 7 (the final volume), and This Is Screwed Up, but I Was Reincarnated as a GIRL in Another World! 10.

And they have a new danmei novel, Thousand Autumns: Qian Qiu 3.

ASH: I have so much danmei to catch up on! Which is not a bad problem to have.

SEAN: One Peace Books gives us the 19th and final volume of Hinamatsuri.

Just one print volume for Kodansha Manga: Shonen Note: Boy Soprano 6.

ASH: I’ve been making a point to pick up this series as it’s been released.

SEAN: And for digital titles we get Blue Lock 23, How to Grill Our Love 6, Life 11, My Unique Skill Makes Me OP Even at Level 1 12, My Wife is a Little Intimidating 6, Our Fake Marriage: Rosé 3, and Shangri-La Frontier 14.

MICHELLE: I liked what I read of Blue Lock. I should get back to it.

SEAN: Kaiten Books has a 4th print volume for Gacha Girls Corps.

J-Novel Club has new volumes for the 11th manga volume of The Faraway Paladin, Knight’s & Magic 2, Sweet Reincarnation 9, The Tales of Marielle Clarac 10, Tearmoon Empire 11, and the 8th Welcome to Japan, Ms. Elf! manga volume.

From Ghost Ship we see Ayakashi Triangle 7 and Please Go Home, Miss Akutsu! 4.

And from Airship, in print (and same-day digital, must be contractual), we get Didn’t I Say to Make My Abilities Average in the Next Life?! 17.

And for early digital we have Sword of the Demon Hunter: Kijin Gentōshō 4.

Seems like everyone’s in holiday mode still. What are you reading?

Spy x Family: Family Portrait

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By Aya Yajima, based on the series by Tatsuya Endo. Released in Japan as “SPY×FAMILY: Kazoku no Shōzō” by Jump Books. Released in North America by Viz Media. Translated by Casey Loe.

It’s always difficult to review these spinoff/tie-in novels. By their very definition, they cannot affect the main series in any way. There can’t be plot progression, or significant character development. Usually, there also can’t be a dramatic plotline or cool action scenes either. The novel is not here to provide anything that can’t be done better in the parent manga. Instead, it’s here to give us fun stories using the series’ sandbox to play around in. The author thinks of cute ideas, gets approval from the creator and the Jump editorial staff, and then writes them down. Then Tatsuya Endo reads the stories and gives us an illustration for each of them. If you want to call it a success or failure, then as a product it’s a definite success. This feels very Spy x Family-esque. As something a fan of the series can read and think “I think the world of the manga is better for these short stories”, it’s probably a failure. These are very basic.

The book consists of four “main” stories and one very short story. In the first story, Anya, Damian, and the class go on a “Nature’s Classroom” expedition, and an overconfident Anya causes her and Damian to get lost in the woods. In the rain. In the second story, Yuri is asked to babysit Anya, and ends up taking her to a children’s career fair, where kids can pretend to be any number of things, from a police officer to a jewelry maker. In the third short story, Franky meets a blind singer in the hospital when recovering from an injury, and consoles her about an upcoming operation, while also bemoaning his appearance. The fourth story is the “title” story, as our family, on an outing, is seen by a painter, who wants to paint them. Unfortunately, he’s incredibly famous, and Yor is worried that if her portrait is seen everywhere, it will jeopardize her assassin job. In the final short, two waitresses moan about the lack of good men and gush over regular patrons the Forgers being the “perfect” loving family.

The best story in the book is easily the one with Yuri and Anya, and Endo agrees with me. It’s a clever idea, makes good use of the characters, and is funny. Its only problem is it stars Yuri, and I hate Yuri, so I did not enjoy it. But that’s on me. Aside from that, the stories suffer from having the most obvious resolution there is. Anya and Damian find a cave, and both get closer when the rainstorm brings lightning. Franky’s story would be touching if it had not already been done eighty times before, and the family portrait story, while fun, also has a punchline that I predicted the moment the painter said “can I paint you?”. In addition, Loid and Yor really don’t get much to do here except in that one story, and the book feels a bit empty without them – Anya can’t carry everything on her own, much less Yuri or Frankly.

This is, as I said, perfectly good product, but it’s also the definition of inessential.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 8

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by Osman Wong.

It’s bad enough when Dahlia deliberately invents something that will revolutionize the world (no, not like that), but it’s even worse when Dahlia does it accidentally. The theme to this book is “Dahlia invents ______ but doesn’t immediately see the commercial application for it”, and while we’ve seen that plot before it’s never been hammered home quite as much as it is here. Dahlia invents memory foam. Dahlia invents beanbag chairs. Dahlia invents better breast pads. Dahlia invents… well, no one is quite sure what it’s good for, but we’ll think of something later. It’s that last one that gets her in trouble, as “what it’s good for” is magical fodder for magical horses, meaning that expeditions need far less room for hay/etc. Dahlia and Volf both think this is really cool. Guido thinks this is really terrifying, as the nation next door who hates them has a LOT of magical horses, and would kill to have this new invention. Or, more accurately, kidnap. Dahlia needs better protection.

I pretty much summed up the bulk of the plot above, though we do get one other major arc. Dahlia goes on an expedition with Volf and company to watch them take down Giant Monster Crabs (they hit its weak point for massive damage, trust me), and while there she meets the old vice-captain of the group, now retired. Bernigi is rather grumpy at first, as he’s unsatisfied with how “soft” the unit is with all Dahlia’s new inventions. As we learn more about him we see that he’s also still grieving for his son, who had the standard “I will get into a fight with my dad and then go fight monsters and get killed and so leave everything unresolved” plot. He also has a wooden prosthesis as he lost a leg in battle, and it’s not a great one. Fortunately, it breaks in front of Dahlia, and she (for once) deliberately invents something fantastic. Oh yes, and it turns out Bernigi’s got a grandson who’s very familiar to the readers.

Fans of the Dahlia/Volf relationship will once again be pleased but also frustrated. Dahlia is told that loved ones frequently embroider designs onto a man’s undershirt to give some blessing and protection. She decides to do this for Volf, and ends up embroidering a design that is a flower (dahlia) and a wolf (Volf) intertwined. It’s so good she ends up using it as the Emblem of her company. But she remains 100% oblivious to the meaning of this, even when told point blank. They’re pals! As for Volf, Guido tells him point blank to marry Dahlia in order to protect her from foreign infiltrators kidnapping her and forcing her to invent, and his first thought is “what else could we do?”. They’re buddies! Volf remains SLIGHTLY ahead of Dahlia in terms of self-awareness, as when Guido suggests adopting Dahlia instead, making her and Volf siblings, he feels vaguely uncomfortable but is not sure why. They’re so cute. I want to strangle them.

The 9th volume just came out in Japan (with a new artist), so we should see that soon. I’m 100% sure it won’t end with Dahlia and Volf hooking up, though,. The slowest of slow burns.

I Could Never Be a Succubus!, Vol. 1

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By Nora Kohigashi and Wasabi. Released in Japan as “Watashi wa Succubus Ja Arimasen” by Hero Bunko. Released in North America by J-Novel Club. Translated by Roy Nukia.

Sure, it’s always nice when a book that you have high expectations for manages to justify them, but I’ve always been even more fond of books I expected to be utter trash being… well, slightly better than utter trash. I’m not about to say that I Could Never Be a Succubus! should take its place alongside Ascendance of a Bookworm or The Apothecary Diaries. It has consent issues and sometimes suspends disbelief more than I’d like. But I mean, the premise of this series, so I’d heard, was that a noble girl, on seeing the hero who is supposed to defeat the demon lord, arrive at her academy, asks if she can have his underpants. My expectations were THROUGH THE FLOOR. I only read this as I thought it would be amusingly bad. Instead I found it amusing but very readable, and it even has a bit of depth to it. And a great deal of this is due to my completely misreading how this premise was going to go.

A year before the main events in this book, the hero’s party battled the demon lord, and only survived due to the sacrifice of one of their members. A year later, Lisalinde is a student at the national academy. Gorgeous, polite, with great academics and strong magical powers, she’s loved by (almost) all of the student body. Then the hero’s party arrives. They’re still recovering from the battle, so are temporarily enrolling as students. And yes, as I stated above, Lisalinde, on seeing the hero, impulsively asks for his underpants. She’s appalled at herself. She has no idea why it happened. And what’s more, the more she gets to know the hero and his party members, the more perverse thoughts she starts to have. Has she REALLY not met them before? What’s going on?

So, sorry to spoil (it’s on Page 3), but Liselinde, aka Liz, is the party member who sacrificed herself to save the hero and the others. As a result, she’s lost her last two years of memories. Which means she has no idea that she is, in fact, a succubus. Who has already seduced the hero. And the lady knight who is his fiancee. And the adorable cleric who is his other fiance. This book goes back and forth between the present and the past, and that’s why it’s so funny, because Liz in the present is a seemingly normal girl struggling with terrifying impulses, while the Liz of the past, well aware she’s a succubus, will seduce anything that moves, and does so. (There’s no explicit sex in this, but there is a giant pile of IMPLICIT sex.) Liz can be a lot – she’s been known to drug food and drink with aphrodisiacs – but she clearly loves her fellow party members, and it’s obvious that they all miss her and want to get her memories back. I am assuming that there is a very good reason they can’t just tell her – but we don’t get it in this book.

There are six volumes of this to date in Japan, and I’m not sure how long it can sustain its premise. But if you enjoy ecchi comedies with a lovable sex maniac girl doing the cast… or if you love ecchi comedies with a pure young maiden horrified at her dirty mind… well, Liz gives you both.