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The Apothecary Diaries, Vol. 10

January 21, 2024 by Sean Gaffney

By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

It’s a very odd feeling reading this volume at the same time as the anime is adapting the second one. The setting of the first eight books (OK, minus Book 5) is entirely absent, as we’re still doing Maomao and Jinshi’s Excellent Adventure. This is not to say that there is not political wheeling and dealing – in fact, the climax of this volume depends on that fact. But this book is ten volumes in, and we’re not concerned with the ways of courtesans and court ladies anymore, but with potatoes, crops and insects. It would be the perfect book for a certain insect-loving court lady to make her triumphant return, but alas (Maomao does think of her, at least). And while we do get a bit of Maomao’s standard detective schtick, for the most part this book is a race against time against an all-powerful enemy… one that arrives near the end of the book and wipes out nearly everything. This is what Jinshi and Maomao have spent a while trying to avoid.

We’re still out in the West, where Maomao, Tianyu, and the quack doctor are theoretically there to maintain the Moon Prince’s health (because, lest we forget, he gave himself a horrific wound to show off the depth of his love), but in reality they’re there to try to figure out how to stop the impending famine. Arriving at a local village (and joined by Lahan’s older brother, who, since the quack doctor got a name in the last volume, becomes the new running gag), they find that the villagers don’t really care about the crops that much, as whether they’re good or bad the Governor will subsidize them. (Does this sound familiar?) There is one old man who is doing all the right things… because of a tragic backstory, of course. A tragic backstory that becomes very important as Maomao and company realize that the Biblical plague of locusts is coming towards them NOW.

The book is excellent, with a fantastic climax, and a nice twist showing that for all his supposed status Jinshi can still be used by others who are better at dirty politics. But you’ll pardon me if I talk about the romance in this one. For the most part, the romances in this series tend to be either “toxic but also the main draw” (Maomao/Jinshi), or are established couples. But we did see a hint of something purer in Book 6, which sadly could not really develop because Book 6 was a giant nightmare for them. Yes, Lishu is back, and she’s raising ducks in the West. And taking to them like… well, like a duck to water. Frankly, she looks far happier here than she ever was as a Consort. Her reunion with Basen, though it does not lead to an actual commitment (she claims to still be too weak for that, and she has a point), is so sugary it will give you diabetes, but that actually tastes really good next to the toxicity that is Maomao and her Moon Prince.

That said, the character I really want to see after this book is Gyoku-ou, who is being set up to be the next big antagonist. Cannot wait for Book 11.

Oh yes, and Chue is still practically perfect in every way. But you knew that, of course.

Filed Under: apothecary diaries, REVIEWS

Death’s Daughter and the Ebony Blade, Vol. 7: Exordium

January 20, 2024 by Sean Gaffney

By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

Always lovely when I have to eat my words. You may remember at the end of the last review I did, where I said that Ashton’s death likely wasn’t permanent, as this was not that kind of series. Well. Um. Guess it is now? I feel a bit guilty, given I recently dropped a series (The Mythical Hero’s Otherworld Chronicles) for getting too dark and cynical, but in this volume Death’s Daughter also doubles down on the dark. The good news is that it’s not nearly as cynical, and gives us some hope that the series will not end with everyone slaughtered (the flashforwards to how various dead commanders will be remembered helps). the bad news is that Ashton’s death does not seem to be the sort that can be undone by magical means, and also lots of other regulars die here as well. The very bad news is that the author couldn’t cram all the plot into this book, so the 2nd part of Vol. 7 is still to come.

The final battle between the Asvelt Empire and the Kingdom of Fernest ends up being completely upended by the arrival of ghouls controlled by the new emperor, who is not remotely evil at all, of course. This has always been a “war is bad” series, but the ghouls also help to remind you that even though war is bad, there are still ways that it should be fought, and these corpses do not do any of that. This is also bad news for the United City States of Sutherland, who get a “become my vassals or be destroyed” message from the empire, with one of the states serving as an example of what will happen. Even the Holy Land of Mekia can’t deal with this, and the Seraph finds that the ghouls are not a product of mage tactics. As for Fernest, well, let’s just say a lot of the cast who’ve been around since Book 1 gets one last battle. And, um… where’s Olivia, anyway?

The reason I spoil that Ashton is found dead in this volume is that it happens right at the start of this book. We then spend almost the ENTIRE book waiting for Claudia and Olivia to find out about it. We don’t even see Claudia till 4/5 of the way through the novel, and Olivia, after a brief scene showing her happily training with Z, is also absent for the bulk of it. There’s two reasons for this. First, I get the sense that if Olivia and Claudia were actually present throughout this volume, there’s no way that the series couldn’t avoid killing them off too, which would make the end a bit bleaker than I think even the author wants. The other reason is, of course, to show their devastated reactions at the book’s climax, because otherwise this would feel a bit too much like “the book was just cut in half arbitrarily”. The counterattack needs to start next time, even if the romantic resolution isn’t going to happen anymore.

So what’s next? There’s certainly a lot more cast we can kill off, but I suspect the last book will have a bit less of that. Till then, oof. This was a punch to the gut.

Filed Under: death's daughter and the ebony blade, REVIEWS

The Manga Review: Freeze Frame

January 19, 2024 by Katherine Dacey Leave a Comment

I usually start The Manga Review with industry news, but the announcement that Pitchfork was being folded into GQ has been on my mind this week. Whatever its faults, Pitchfork was one of the few websites still offering idiosyncratic, thought-provoking music reviews in 2023. Their critics could be gratuitously nasty—Jeremy Larson’s scathing assessment of Greta Van Fleet’s Anthem of the Peaceful Army comes to mind—but I always appreciated their efforts to promote obscure artists, hold the music industry to account, and challenge the critical consensus around established acts like Sonic Youth. (Brett DiCrescenzo predicted their 2000 album NYC Ghosts & Flowers “will be heard in the squash courts and open mic nights of deepest hell.”)

We’ve seen something similar happen in the comics sector with CBR and Comics Alliance, two once-independent sites that were acquired by big media companies. For a brief moment, it seemed as if the acquisitions were a positive development, but over time, CBR and Comics Alliance’s owners phased out the in-depth journalism and serious criticism that defined the original sites in favor of click-bait articles, press releases, and toothless reviews. There are still a handful of great sites covering manga and anime—Anime News Network, The Beat, WWAC—but there’s less meaningful criticism overall, and fewer distinctive voices writing manga reviews. We need more of those spaces; they provide a meaningful alternative to the group-think and fan orthodoxies that prevail on Twitter, TikTok, YouTube, and Reddit, and the industry-cozy reviews on platforms such as CBR. Maybe this is the year YOU start your own site.

NEWS ROUNDUP

Everybody wants to go to Anime NYC 2024 it seems, as three-day passes for the annual convention sold out less than two hours after they went on sale… Yen Press published a list of its top-selling books of 2023… Azuki just announced four new titles… Hayao Miyazaki’s The Boy and the Heron is setting box office records around the world… and the Fifth Circuit just ruled that Texas cannot require book sellers to use a rating system when selling materials to libraries and schools. Brigid Alverson has the full details on this ongoing case.

ESSAYS AND PODCASTS

Tony Yao explains why My Girlfriend’s Child is a refreshingly honest look at the challenges facing teen parents in Japan and elsewhere. [Drop-In to Manga]

Kevin Lainez lists his five favorite manga of 2023. [Comic Book Review]

And speaking of best-of lists, Jordan and David announce the winners of the Shonen Flop Awards for 2023, “the most prestigious awards in canceled manga.” [Shonen Flop]

Also looking back on 2023 are Ray and Gee, who name their five favorite debuts of 2023. [Read Right to Left]

The Manga Machinations team devote their latest podcast to a discussion of Eldo Yoshimizu’s Hen Kai Pan. [Manga Machinations]

ICYMI: Lisa De La Cruz offers five recommendations for readers who share her love of BL manhwa. [The Wonder of Anime]

REVIEWS

Adam Symchuk gives high marks to Since I Could Die Tomorrow, an all-too-rare manga about a career woman in her forties… D. Morris declares Shiro Moriya’s Soloist in a Cage a promising debut… WWAC assembles an all-star team of reviewers to recommend manga and comics worth reading… and the gang at Beneath the Tangles offers an assortment of short and sweet reviews.

  • 7Fates: Chakho, Vol. 1 (Noemi10, Anime UK News)
  • Backstage Prince, Vol. 1 (Daniel Van Gorder, The Fandom Post)
  • Bergamot & Sunny Day (Lisa De La Cruz, The Wonder of Anime)
  • Chitose Is in the Ramune Bottle, Vol. 5 (Josh Piedra, The Outerhaven)
  • Choujin X, Vol. 4 (Boston Bastard Brigade)
  • Fairy Tail: 100 Years Quest, Vols. 13-14 (Demelza, Anime UK News)
  • Fly Me to the Moon, Vol. 21 (Josh Piedra, The Outerhaven)
  • The Horizon, Vol. 1 (A Library Girl’s Familiar Diversions)
  • The Horizon, Vol. 3 (Adam Symchuk, Asian Movie Pulse)
  • I’m Quitting Heroing, Vol. 4 (Antonio Miereles, The Fandom Post)
  • Jujutsu Kaisen, Vol. 5 (Sara Smith, The Graphic Library)
  • Kaiju No. 8, Vol. 7 (Sara Smith, The Graphic Library)
  • Neighborhood Story, Vol. 1 (Boston Bastard Brigade)
  • Super Morning Star, Vol. 2 (Sarah, Anime UK News)
  • Tokyo Aliens, Vol. 5 (Demelza, Anime UK News)
  • Tokyo These Days, Vol. 1 (Tom Batten, School Library Journal)
  • Tokyo These Days, Vol. 1 (Marcus Orchard, Sequential Planet)
  • Touge Oni: Primal Gods in Ancient Times, Vol. 2 (Kate O’Neil, The Fandom Post)
  • Touring After the Apocalypse, Vols. 3-4 (Adam Symchuk, Asian Movie Pulse)
  • Virgin Love, Vol. 1 (Demelza, Anime UK News)
  • We Can’t Do Plain Love, Vols. 1-2 (Ilgin Side Soysal, The Beat)
  • Whisper Me a Love Song, Vol. 1 (Sara Smith, The Graphic Library)
  • Witch Life in a Micro Room, Vol. 1 (Adam Symchuk, Asian Movie Pulse)
  • Zom 100: Bucket List of the Dead, Vol. 12 (Boston Bastard Brigade)

Filed Under: FEATURES, Manga

Manga the Week of 1/24/24

January 18, 2024 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N Leave a Comment

SEAN: After waiting for Yen Press to show up this year, we are finally here.

ASH: Hold on tight, folks!

SEAN: No debuts for Yen On, but we do see Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside 10, Hazure Skill: The Guild Member with a Worthless Skill Is Actually a Legendary Assassin 7, The Irregular at Magic High School 21 (a mere 15 months after Vol. 20), Is It Wrong to Try to Pick Up Girls in a Dungeon? 18 (a mere 16 months after Vol. 17), Kunon the Sorcerer Can See 2, The Princess of Convenient Plot Devices 4, Reign of the Seven Spellblades 10, and Sentenced to Be a Hero 2.

ASH: You know, if the titles were shorter, the list wouldn’t seem nearly as long.

SEAN: Three debuts for Yen Press, but one is sort of a “next arc” debut. Bride of the Barrier Master (Kekkaishi no Ichirinka) is the manga adaptation of the light novel Yen is also releasing, and it runs in B’s-Log Comic. A young woman in the shadow of her more powerful sister finally comes into her own power, but hides it so as to avoid making waves. Good luck with that.

Higurashi When They Cry: MEGURI (Higurashi no Naku Koro ni Meguri) is the manga version of the new anime’s Answer Arc, and runs in Young Ace Up. If you love Rika and Satoko, read this. If you love Keiichi, Rena and Mion… there are other arcs.

Witch Life in a Micro Room (Rokujou Hitoma no Majo Life) is a shonen manga from Gangan Joker about two young witches living together in a small apartment, and their attempts to get more important jobs to do.

Also from Yen Press: Apparently, Disillusioned Adventurers Will Save the World 4, Bocchi the Rock! 2, Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 7, Chained Soldier 6, Cheeky Brat 9, Chitose Is in the Ramune Bottle 5, CLAMP Premium Collection Tokyo Babylon 2, Daughter of the Emperor 6, Dead Mount Death Play 11, The Deer King 2, The Executioner and Her Way of Life 4, The Girl I Saved on the Train Turned Out to Be My Childhood Friend 5, Hakumei and Mikochi: Tiny Little Life in the Woods 11, Handyman Saitou in Another World 3, The Holy Grail of Eris 6, I Don’t Know Which Is Love 2, I’m a Behemoth, an S-Ranked Monster, but Mistaken for a Cat, I Live as an Elf Girl’s Pet 8, In the Land of Leadale 5, Maiden of the Needle 2, My Dear, Curse-Casting Vampiress 3, No Longer Heroine 5, Please Put Them On, Takamine-san 7, A Reincarnated Witch Spells Doom 3, Stray Cat & Wolf 2, Sword Art Online Progressive Scherzo of Deep Night 3 (the final volume), and Words Bubble Up Like Soda Pop 3 (also a final volume).

MICHELLE: I should probably check back in with No Longer Heroine at some point.

ASH: So. Many. Things. No wonder I forgot that a new edition of Tokyo Babylon was being released.

ANNA: With each rerelease of previously published CLAMP material, my anger and sadness about X/1999 never getting a conclusion grows exponentially!

ASH: Saaaaaame.

SEAN: Viz Media gives us Boy’s Abyss 4, How Do We Relationship? 10, and JoJo’s Bizarre Adventure: Part 6–Stone Ocean 2.

ASH: I ought to catch up with How Do We Relationship?; I really liked the earlier volumes I read.

SEAN: Udon Entertainment has a 2nd volume of Team Phoenix.

There is Lullaby of the Dawn 2, Sengoku Youko 5, and UNDEAD: Finding Love in the Zombie Apocalypse 2 from Tokyopop.

Steamship debuts a done-in-one omnibus, My Boss is a Giant: He Manages My Every Need With Enormous Skill (Kowamote Joushi no XL Size ga Hairimasen!), a josei manga from LoveParfait. The copy tries to sell it as “he’s a big guy, she’s a tiny girl”, but the titles will clue you in as to what he really has that’s enormous.

MICHELLE: I have cleverly deduced what that might be!

ASH: Oh, myyyyyy.

ANNA: I’m assuming like, elbows or ears?

SEAN: Square Enix has a 13rd volume of Soul Eater: The Perfect Edition.

Debuting from Seven Seas is Modern Dungeon Capture Starting with Broken Skills (Koware Skill de Hajimeru Gendai Dungeon Kouryaku), the manga adaptation of the light novels Seven Seas also releases. It runs in Comic Gardo.

They’ve also got Does it Count if You Lose Your Virginity to an Android? 3, Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound 3, Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 7, My Stepmother and Stepsisters Aren’t Wicked 3, The Summer You Were There 4, Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 9, and Who Made Me a Princess 4.

One Peace Books has a 5th volume of Usotoki Rhetoric.

MICHELLE: Oh! I really need to catch up on this!

ASH: Same! I’ve enjoyed what I’ve read.

SEAN: Kodansha Manga has no debuts, but we get print volumes for A Condition Called Love 6, The Darwin Incident 3, The Ghost in the Shell: The Human Algorithm 4, The Great Cleric 7, I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness 3, and The Iceblade Sorcerer Shall Rule the World 8.

While digitally we see Boss Bride Days 13, DAYS 39, Gamaran: Shura 16, Miraculous: Tales of Ladybug & Cat Noir 3, My Home Hero 12, Space Brothers 43, Teppu 5, and You’re My Cutie 7.

Again, no debuts for J-Novel Club. But we get new volumes: Ascendance of a Bookworm Arc 2 Volume 8 (the manga), Back to the Battlefield: The Veteran Heroes Return to the Fray! 3, D-Genesis: Three Years after the Dungeons Appeared 5, Doll-Kara 7, the 5th Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte manga volume, Gushing Over Magical Girls 9, I Shall Survive Using Potions! 9, I Surrendered My Sword for a New Life as a Mage 5, Isekai Tensei: Recruited to Another World 6, La Ragazza: Living with Francesca 3 (the final volume), and My Daughter Left the Nest and Returned an S-Rank Adventurer 11 (the final volume).

Ghost Ship has the 9th volume of Creature Girls: A Hands-On Field Journal in Another World.

Dark Horse gives us a 13th volume of Mob Psycho 100.

ASH: Yet another series I’ve been meaning to read but have fallen behind on.

SEAN: From Airship, in print, we see The Haunted Bookstore – Gateway to a Parallel Universe 7 (the final volume) and I’m the Evil Lord of an Intergalactic Empire! 6.

And there is an early digital release of Reincarnated as a Sword 14.

Not too bad. What’s on your list?

ANNA: Maybe I’ll just start to reread X/1999 and sob in a corner.

ASH: I might just join you.

Filed Under: FEATURES, manga the week of

Raven of the Inner Palace, Vol. 5

January 18, 2024 by Sean Gaffney

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

This series, while telling the story of Jusetsu and her attempts to broaden her world, find out more about the Raven Consort in general, and escape, began as an anthology series to a large degree, which each chapter featuring a ghost story of the week for her to solve. That still happens at the start of the fifth book, with a court lady whose makeup box is upsetting people in the living quarters by being haunted by a ghost. But as this book goes on we realize that we’re past the halfway point of the series, and we can’t really focus that much on Jusetsu solving ghost crimes anymore. Or rather, the ghost crimes she’s solving are ones that affect her specifically. Because we’re getting to the bottom of what the Raven Consort position really is, and what happens to those who have been Raven Consorts, and let me tell you, it might be scarier than most of the stories we’ve read in this series to date.

Jusetsu is not the only one trying to figure out how to break the barrier stopping her from leaving and free the raven, the Emperor is as well. This is despite the fact that he (consciously) and Jusetsu (unconsciously) are in love with each other, and leaving the palace will mean never being able to return. The Emperor, towards that end, has now buckled down to the position of siring an heir – two of the consorts are now pregnant. He’s even inviting back old retainers who had previously been exiled for being on the wrong side of past conflicts, mostly as he finds it a lot more preferable to have any seeds of rebellion close to him rather than far away where he can’t do much. Meanwhile, Jusetsu gets the shamans needed to help her destroy the barrier, and even knows where she should probably go, thanks to several old folk tales about an underwater volcano. Unfortunately, that pesky God is still around…

Jusetsu was told, at the start of this series, that she had to be alone, not take retainers or bodyguards, and hold herself aloof. This from the previous Raven Consort. She has not remotely done that, and for the most part the consequences have been pretty good – close friendships, respect, people who like spending time with her. Unfortunately, we’re now seeing the pendulum swing the other way. Solving the problem of the makeup box, for example, even though it saved a life, just makes people think that she was the cause of the accident. And I suspect the cliffhanger at the climax of this volume is going to make leaving the palace more of a “fleeing for her life” sort of deal. That said, anything’s better than suffering the fate of all the Raven Consorts before her, whose souls are frozen in a sort of massive grudge to prevent exactly what Jusetsu has been doing. It’s a bit scary.

There are, I believe, two more volumes in the series, and I suspect we’re not going to have too many “let’s solve a mystery” chapters anymore. Where we will go remains intriguing.

Filed Under: raven of the inner palace, REVIEWS

Bookshelf Briefs 1/16/2024

January 16, 2024 by Katherine Dacey and Sean Gaffney Leave a Comment

A Cat from Our World and the Forgotten Witch, Vol. 1 | By Hiro Kashiwaba | Seven Seas – Jeanne, an elderly witch, summons Torata, an ordinary house cat, to protect her from the local villagers who view her very existence as a threat. Through a series of flashbacks, we learn more about both characters: Jeanne has been harassed, imprisoned, or shunned for her magical powers, while Torata recently lost his kindly human owner. Can these two wounded souls forge a meaningful connection? All signs point to yes, though the maudlin plotting and cartoon bad guys dampened my enthusiasm for their friendship; both characters’ backstories are so overwrought that the reader feels more cudgeled into submission than persuaded that Jeanne and Torata deserve our sympathy. At least the cat is cute. – Katherine Dacey

Gold Kingdom and Water Kingdom | By Nao Iwamoto | Seven Seas This was a very odd series, with an art style that I’ve seen before in Japanese magazines, especially josei and seinen, but rarely licensed over here. It’s unique. As for the plot, it was a good story, but I’m also pleased it was complete in this volume. Two kingdoms, each with their own issues, arrange a truce, and a wedding between their two countries. Unfortunately, both countries sabotage said wedding. It’s up to the groom from the Water Kingdom and the bride from the Gold Kingdom to try to pretend that this was exactly as planned so that they can find a way to avoid war. There’s some nice intrigue, and an action-filled ending of sorts. It’s a series I’m happy I read, though I’m unlikely to come back to it too much. – Sean Gaffney

My Hero Academia, Vol. 36 | By Kohei Horikoshi | Viz Media – This is one of those volumes that is almost entirely drowned out by its cliffhanger ending, which shows Bakugo with a fatal injury to his heart. Now, we all read shonen manga, so we know he’s not REALLY dead, but the question is how long that will be up in the air. That said, my favorite part of this otherwise all-action volume was seeing All for One have to briefly struggle… against Jiro, riding on top of a flying Tokoyami (and apparently having too sexy an ass for him to handle). Now that most fans read the series weekly, it’s easier to have instant reactions, and I loved the one brief, shining moment when it gave the impression that All for One would be taken down by the cool rocker girl. Still, yeah, Bakugo’s dead. Totally. What now? – Sean Gaffney

Neighborhood Story, Vol. 1 | By Ai Yazawa | Viz Media This was such a deeply nostalgic experience, even though I’d never read it before. Anyone who’s read Paradise Kiss will want to get this. Taking place a generation before that story, it’s still drenched in fashion and style, and the complicated, messy shoujo art is also very indicative of the early 1990s, when it first appeared. Our heroine, Mikako, clearly has a thing for her childhood friend Tsutomu, but his own popularity with girls and her desire to be her own woman cause them to constantly push each other away. Well, OK, more like she’s doing 90% of the pushing. Mikako is an amazing ball of fun, and I love the “Waaaaarrrp!” she shouts as she runs off very fast (I think this was in ParaKiss as well). It’s not all fun and games, but this was an absolute joy to read. – Sean Gaffney

365 Days to the Wedding, Vol. 1 | By Tamiki Wakaki | Seven Seas When reading this, I remarked on Twitter that it was an Izuku Midoriya/Yui Kodai AU fanfic from AO3, and that’s not too far off. Two workers at a travel agency are horrified to find it’s opening an office in Russia, and single people are more vulnerable to being sent abroad to start it. So Rika decides that she and Takuya will pretend they’re getting married in order to avoid the issue. There’s just one slight problem, which is that they’re both deeply introverted. Takuya’s deepest relationship is with his cat. Rika tends to enjoy looking at maps more than dealing with others. But the two of them have a nice chemistry, and are slowly starting to enjoy each other’s company. This has about ten or so volumes to it, so won’t resolve immediately, but this is a good start. – Sean Gaffney

Tsugumi Project, Vols. 1-2 | By ippatu | Kodansha Comics – In this post-apocalyptic thriller, a plane full of convicts parachute into Japan in search of a secret weapon; the first to successfully retrieve it earns his freedom. What they discover is a strange wilderness populated by apemen and monsters with nary a human in sight. The hero, Leon, is a stock action type—stoic, resourceful, and determined to succeed at all costs—as is his on-again, off-again companion Doudou, a motor-mouthed bumbler with a knack for getting into trouble. The real star of the show is the artwork, as ippatu has a flair for drawing stunningly beautiful creatures and wastelands; among his most striking creations is a humanoid with the face and torso of a young girl and the body of an ostrich, an elegant gloss on the ancient Roman harpy. If only the rest of the story didn’t feel so rote. – Katherine Dacey

The Two of Them Are Pretty Much Like This, Vol. 4 | By Takashi Ikeda| Seven Seas – This is the final volume of the series, and as you’d expect, there’s no big ending climax or great revelations. Wanko gets a good role this time that looks like it might actually work out, Ellie decides to collaborate with her friend on a new project. (Said friend was in love with her as well, which seems to be news to Ellie.) Even the “drama” in this series is not all that dramatic—they deal with a potential stalker, but it’s just someone who is dealing with gender identity issues and wanted to know how Ellie made such a good “man.” Aheh. And there are any number of chapters that just open with our two ladies in bed together, sleeping peacefully and happily. A definite feel-good series; I’m so glad we got to see it. – Sean Gaffney

We Started a Threesome!!, Vol. 1 | By Katsu Aki | Seven Seas As with other briefs this week, reading this was an exercise in nostalgia, as Katsu Aki’s art style has not changed one iota since he began his career, meaning this really reads like a late ’80s/early ’90s series, even though it’s only from a few years ago. As for the plot, childhood friends Lia, Suisei, and Emito are in a polyamorous marriage. Lia has past trauma, Suisei suspects he’s only in this because he’s good in bed, and Emito is a sheltered young man who worries the others are carrying him. Honestly, given the cover, and the sheer amount of sex in this volume, it’s a lot more serious than I expected. That said, the seriousness is all “soap opera” stuff, albeit with some attention paid to poly dynamics, as well as a possible repressed attraction between the two guys. Recommended for fans of the author. – Sean Gaffney

Filed Under: Bookshelf Briefs

Pick of the Week: Samurai and Kings

January 16, 2024 by Katherine Dacey, Sean Gaffney, Michelle Smith, Anna N and Ash Brown Leave a Comment

KATE: There is SO MUCH GOOD MANGA coming out this week, y’all, I don’t know where to begin! VIZ is unveiling two new series with grown-up appeal—Steel of the Celestial Shadow and Tokyo These Days—and bringing the long-running Golden Kamuy to a bloody close. Another strong contender for Pick of the Week is King in Limbo, a new series from Ai Tanaka, the creator of Apple Children of Aeon. The cover isn’t really doing it for me—one of the characters looks like Jason Statham’s second cousin—but the premise is intriguing and the early buzz is strong.

SEAN: It wasn’t on my radar at all, but man, that cover to Steel of the Celestial Shadow is amazing enough that I’m going to check it out. That one is my pick.

MICHELLE: I’m going to throw my support behind King in Limbo. I’m totally a fan of josei romance, but *non*-romance josei is enough of a rarity that it makes me very excited we’re getting some!

ANNA: I join with Michelle on being intrigued by King in Limbo!

ASH: I’m totally on board for everything above! It’s definitely going to be a good week for reading manga, but not such a good week for my wallet…

Filed Under: PICK OF THE WEEK

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 5

January 14, 2024 by Sean Gaffney

By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

Generally speaking, I enjoy these “sweet love story” light novels, enough so that I’m reading several in the genre, but they have their flaws, and this 5th volume of An Introvert’s Hookup Hiccups shows off a big one: the lead couple is simply far too earnest. You would think that would not be an issue, especially since they’re now a genuine couple, but that’s exactly the crux of the problem. After spending the last quarter of the last book groveling and apologizing to each other for their mutual deceit, they both realize that other people were involved in this dare as well, and the other people realize it too, and (while not as bad as our leads) they are also very earnest people. And so the entire first THIRD of this book consists entirely of apologies. It is, frankly, exhausting, repetitive, and mildly annoying. Get back to being accidentally smooth with each other, please.

So yes, the book opens with Nanami’s best friends apologizing to them for the dare. Then they apologize to their families for the dare. And then Nanami’s mother apologizes to them because she knew about the dare. Then they go apologize to the guy who confessed to her while they were fake going out. Honestly, this was the most interesting apology, if only as Yoshin and Shibetsu are bonding so closely and so quickly you want to check the genre of the book you’re reading. After this, though, it’s all sweetness all the time, as they go to cheer Shibetsu on in his basketball tournament, visit a trampoline park (where Yoshin learns that sports bras exist and what they do), meet Hatsumi and Ayumi’s boyfriends, go to an indoor pool at night, and end up having a surprise wedding photo shoot, which they only put up token resistance for.

Yoshin spends a good deal of this book wondering if he’s really doing enough for his relationship, or thinking about his future and how to be a breadwinner, etc. The irony, of course, is that he’s way ahead of most of the cast when it comes to honest love and communication, and lacks the “this is too embarrassing” gene that most light novel guys tend to have. I think he’s probably going to be good no matter what he chooses to do. We also get a better look at the two boyfriends, as I said. I mentioned in an earlier review they both sound like they’re starring in light novels of their own. It’s still not wrong. The book lightly glides over the “stepbrother/stepsister” one, and the other one has a big age difference. There’s parental pushback, but not for the reason you might think. Basically, they’ve got a few more problems than the sickly sweet Yoshin and Nanami, who (it is literally pointed out) will be married the day they graduate high school and likely having their first child nine months later. The book is sweet and not sleazy, but these kids are quite horny for each other.

So yeah, the series could have ended fine as of Book 4, and I could have done without Apology Tour 2023, but this gives readers what they want. That cliffhanger suggests that the initial premise is not entirely gone, however…

Filed Under: an introvert's hookup hiccups, REVIEWS

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 8

January 13, 2024 by Sean Gaffney

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

Most of the time, summarizing each plot of a typical volume of Bookworm can be difficult, and I inevitably leave things out, because these are chunky books and a ton keeps happening. That’s true here as well, but it’s a lot easier to summarize: War. We saw the start of it at the end of the previous book, but this one sees the full consequences: Rozemyne, with the help of Dunkenfelger’s battle-happy soldiers, invades Ahrensbach in order to save Ferdinand, while Ehrenfest prepares for Ahrensbach, or rather the more easily manipulated bits of Ahrensbach, to invade them, while Georgine herself goes incognito in order to assassinate Sylvester. Hell, even Hannelore, normally the scared fluffy bunny of this series, is in armor, ready for battle, and controlling a group of nasty looking fantasy Dobermans. As for Rozemyne herself, she’s going to basically do anything to get her “family” back together, even if that means becoming the Aub of her greatest enemy’s territory.

I hate to be a broken record, but Bookworm really does alternate viewpoints well. It’s a common feature in Japanese light novels, but usually the way that it’s done as like My Next Life As a Villainess does it: we get a scene from our heroine’s perspective, and then we see the same scene from the perspective of someone else who was in the scene, showing what they felt about everything. With Bookworm, the POV switches really are necessary, because Rozemyne’s lack of common sense (both because she’s used to the ethics, morals and customs of 21st century Japan and also, let’s face it, because she’s bonkers in general) really does need to be underlined… and Rozemyne’s POV is just as important, because sometimes she’s really in over her head. Everyone in this world is a lot more used to death and bloodshed than she is, and the dismay and nausea she feels when seeing stabbing victims is only going to increase as the series goes on.

And then there’s Ferdinand. There is a thing that happens a lot in series, where we have a heroine who is very obviously coded as asexual and everyone loves the fact that we finally have an asexual heroine… until the author ends up hitting the romance switch, at which point the asexuality slowly recedes. Bloom Into You is an obvious example, as is (sorry, anime onlies) The Apothecary Diaries. Bookworm may actually be one of the few to pull that trigger, though, as even though Ferdinand is clearly in love with Rozemyne, and everyone else in the land is horrified and appalled at the shameless way they’re all over each other, Rozemyne keeps emphasizing the fact that Ferdinand is family and of course that’s why she’s overthrowing a country for him. It’s mind-boggling, at least until you see Ferdinand going “welp, OK, in that case let me take all my limiters off” and you remember that he’s just as eccentric, perhaps even more, than she is. Towards the end, Rozemyne whines that Ferdinand never taught her about courtship or love or anything, and her attendants point out that’s because he’s a man, and this is a thing women tell to other women. Alas, Rozemyne was a book gremlin who looked 8 years old and spent years inside a magical cocoon. And now there’s war, and I get the sense it’s probably too late.

There are a number of scenes after the main action, which ends about 2/3 of the way through the book. We get an extended flashback dealing with our main villain, Georgine, who is treated far more sympathetically than Detlinde ever was. You can see why she’s doing this, though it does not extend into sympathy. We also get scenes from other territories showing us how the war is going in their area, meaning we get to see Brigitte again. We get to see Philine and everyone else at the temple and orphanage hunker down in what has essentially become a bomb shelter. We see Effa and the rest of Myne’s family taken to her library to shelter, and get Effa’s conflicted feelings on her birth daughter and how far she’s gone compared to their normal commoner life. And we see Gunther defending the borders, and just generally being a good soldier and dad. Both to his family and his troops. These stories were all very welcome and helped flesh out what is otherwise a “run at full speed” storyline.

The war’s not over yet, and I suspect the next book will show us Sylvester vs. Georgine. You won’t regret reading this. (Well, unless Rozemyne/Ferdinand bothers you, but if that’s the case I assume you dropped this already.)

Filed Under: ascendance of a bookworm, REVIEWS

The Manga Review: Out With the Old, In With the New

January 12, 2024 by Katherine Dacey 2 Comments

Between the bad weather and the bad news from all over the globe, the first twelve days of January have felt more like the End Times than a fresh start. One thing that’s helped lift my spirits: browsing the best-of-2023 lists at Anime News Network, Anime UK News, Asian Movie Pulse, The Beat, The Comics Journal, From Cover to Cover, Okazu, and The School Library Journal. Though a few manga appeared on multiple lists, there was no real consensus among critics about the year’s best—a refreshing development, as best-of lists can sometimes feel more like an echo chamber than an expression of individuals’ own taste. Go, read!

NEWS ROUNDUP

Brigid Alverson pores over the December 2023 Circana Bookscan data for insight into end-of-year manga sales. Not surprisingly, Chainsaw Man, Jujutsu Kaisen, and Spy X Family all posted strong numbers, as did Demon Slayer and One Piece… Beckett Collectibles announced that it will rate, bag, and board manga, just as it does for floppies and trading cards… The Simpsons won an Emmy for poking fun at Death Note…  Makoto Ojiro, author of Insomniacs After School, will unveil a new series on February 5th… and Kia Asamiya is also launching a new series which, true to form, he describes as “retro future sci-fi action” and features the “Symphonica Waffe,” some sort of intergalactic weapon.

ESSAYS AND PODCASTS

Erica Friedman explains why she loves doujinshi, comparing it to a “schmaltzy mid-20th century American movie in which, oh, I don’t know, Rosemary Clooney or Donald O’Connor says, ‘Hey kids, let’s put on a show!'” She elaborates: “The appeal of that idea is the youthful energy of a bunch of enthusiasts who get together and make a thing. Well…in many ways, doujinshi is a different example of that ideal.” [Okazu]

In their first new episode of 2024, the Mangasplainers discuss one of last year’s best new titles: Kyoko Okazaki’s River’s Edge. (N.B. The podcast and the book itself contain some NSFW material.) [Mangasplaining]

Ed Pisko, Jim Rugg, and Geof Darrow explore the work of Taiyō Matsumoto. [Cartoonist Kayfabe]

Should ANN have pulled its controversial review of My Pancreas Broke, But My Life Got Better? Tony Yao weighs in. [Drop-In to Manga]

Over at Women Write About Comics, Kayleigh Hearn, Masha Zhdanova, and Carrie McClain dish the dirt on Asa Mitaka, “the HBIC” of Chainsaw Man‘s current story arc. [WWAC]

ICYMI: That Manga Hunter explores the complicated, frustrating discourse around “good enough shoujo.” As they explain, this term applies to “a series that’s not technically” shoujo or josei “but shares enough traits that it gets a pass. It’s well… good enough except in the only way that matters: targeting a female audience.” [That Manga Hunter]

REVIEWS

Before we get too deep into 2024, I wanted to highlight two recent reviews that you might have missed. The first is Tegan O’Neil’s in-depth essay about Osamu Tezuka’s One Hundred Tales and the second is Helen Chazan’s thoughtful critique of Shin’ichi Sakamoto’s Innocent. Both reviews demonstrate why they are two of the smartest, sharpest voices in comics criticism right now. If they haven’t been on your radar, both essays are an excellent introduction to their writing. Go, read!

Here are this week’s new review links:

  • The Apothecary Diaries, Vols. 1-4 (Liz, No Flying No Tights)
  • Akane-banashi, Vol. 3 (King Baby Duck, Boston Bastard Brigade)
  • Bungo Stray Dogs, Vol. 23 (Antonio Miereles, The Fandom Post)
  • Chainsaw Man, Vol. 13 (King Baby duck, Boston Bastard Brigade)
  • Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!, Vol. 9 (Sarah, Anime UK News)
  • Dark Moon: The Blood Altar, Vol. 1 (Yazmin Garcia, The Beat)
  • Daughter of the Emperor, Vols. 4-5 (Noemi10, Anime UK News)
  • Demon Slayer, Vol. 18 (Sara Smith, The Graphic Library)
  • Kaiju No. 8, Vol. 9 (Michael Guerrero, AiPT!)
  • Kubo Won’t Let Me Be Invisible, Vol. 11 (Josh Piedra, The Outerhaven)
  • Marriage Toxin, Vol. 1 (King Baby Duck, Boston Bastard Brigade)
  • My Ultramarine Sky (Sarah, Anime UK News)
  • Nina the Starry Bride, Vol. 1 (Demelza, Anime UK News)
  • Not-Sew-Wicked Stepmom, Vol. 2 (Adam Symchuk, Asian Movie Pulse)
  • One Piece, Vol. 3 (Sara Smith, The Graphic Library)
  • Otherside Picnic, Vol. 6 (Onosume, Anime UK News)
  • The Shadow Over Innsmouth (Richard Serrano Denis, The Beat)
  • Tsubaki-chou Lonely Planet, Vol. 5 (Demelza, Anime UK News)

Filed Under: FEATURES, Manga Tagged With: The Manga Review

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