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Pick of the Week: Off the Radar

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KATE: This week’s list is uninspiring, to say the least. My recommendation? Go pick up the first volume of Tokyo These Days and be reminded why Taiyō Matsumoto is one of the best artists working in comics, well… these days.

MICHELLE: Yeah, I am admittedly at a loss here. I’m just not the target demographic for a lot of this stuff.

ASH: Not much new is really calling to me this week, either, so maybe I’ll take the opportunity to catch up on some long overdue reading. Next up for me is probably Kafka, a collection of Nishioka Kyodai’s manga which was released by Pushkin Press back in October.

ANNA: You know what’s a good manga? Swan by Kyoko Ariyoshi. That’s my pick!

SEAN: I feel as if I owe it to the poor list of this week’s titles, beaten down by everyone else, to choose something from it. So I’ll avoid a hairy problem (sorry) by choosing the newest Cocoon Entwined.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 18

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

There’s no getting around it, this book is punishingly long. Not just because it’s 500 pages, though that is absolutely the case. It’s because it operates on the usual way that Omori writes giant action set pieces, which is to say “always darkest just before the dawn”, where the first part is the darkness, and the second part is the dawn. And because this is about 500 pages, it means we get about 175 pages of “darkest” in this book, which is a whole lot of time spent watching every likable character in the entire series getting the shit beaten out of them by Freya Familia. After a while I was tempted to do a search of the digital text I was reading for “Lyu”, because, not to spoil too much, but she is noticeably absent from the first half of this book. Which… is for the best, as apparently there was a whole Lyu side-story in this book originally, but it would have made it 650 pages, so the publisher said no.

It’s a battle royale between Freya Familiar and Hestia Familia. Unfortunately, Loki’s team has been forbidden from participating, and Ais has been forbidden from even SEEING Bell till this is over. As a result, once again, no one wants to team up with Hestia except her immediate friends and allies, even though the entire city is furious at Freya Familia for the events of the previous book but none of them are furious enough to be part of what is obviously a losing battle. The guild has basically said “this will end with Freya taking Bell, deal with it”. The battle itself is “hide and seek”, where all the involved Gods are wearing flowers and hiding, and the opposing team has to find them and remove the flowers. Of course, Freya Familia being who they are, they figure out a way to turn it into “beat the shit out of everyone” anyway.

Of course, the payoff is worth it. There are so many “punch the air triumphantly” moments in the back half of the book it’s impossible to list them all, with my favorite probably being the complete participation of the waitress staff at Fertility. We’ve been slowly getting everyone’s backstory over the last few books, so it’s wonderful to see it pay off, but the main reason that it works is because of Freya. Or rather, Syr. The issue here is not so much dissociative identity disorder but rather a milder version of what Sayo did in Umineko, and the resolution is that Freya has to accept that she and Syr are in fact both part of the same individual. No one wants to save Freya, frankly, except the misguided ones in her family. But there’s a TON of people who want to save Syr. The best moment in the book is the last scene, featuring a callback I had honestly forgotten about (I mean, it’s been 17 months since the last book) and a giant ball of heartwarming.

The idea that this is going to have a school arc fills me with dread, but at least it should be shorter. Till then, we’re done with this epic arc, and Freya is gone. Sort of. In a good way.

Neighborhood Story Vol. 1 By Ai Yazawa

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Neighborhood Story Volume 1 by Ai Yazawa

Neighborhood Story is a manga I’ve been aware of for a long time, because the characters drop in on Ai Yazawa’s Paradise Kiss, but I never thought it would actually be translated into English! I’m glad that Viz has licensed this shoujo classic. Mikako is an aspiring fashion designer who has a ton of personality packed into her tiny body. Tsutomo is the boy next door. They’ve been constant childhood companions, and many of their surrounding family and friends seem to expect that they’ll end up together.

Neighborhood Story Volume 1

Mikako is a little suspicious about Tsutomo’s inadvertent womanizing ways, as his similarity to a pop idol causes him to be fascinating to random girls. Tsutomo wonders if he and Mikako are so close that they aren’t ever really going to experience life without some time apart. They seem obviously perfect for each other and yet sometimes oblivious to their own emotions in ways that are utterly realistic for teenagers experiencing the first stirrings of something that might be love. Mikako is a force to be reckoned with, and as their extended group of friends start gathering together to pursue their creative dreams, I’m looking forward to experiencing again that combination of love story and artistic ambition that Ai Yazawa writes so well.

While the art isn’t as polished as Yazawa’s later series, her spindly characters and their fashion forward style contribute to the creative community that surrounds and supports Mikako and Tsutomo. Reading Neighborhood Story feels nostalgic in the best way, and I’m glad I finally have a chance to experience it.

The Princess of Convenient Plot Devices, Vol. 4

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By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

The plot of this book can basically be summarized as “fallout from the previous book”. Octavia wakes up to find herself back in her room at the castle, which is good… but she’s not allowed to leave the room, which is bad. What’s worse, Klifford is also being confined, and not “in his room”. Not only was Octavia wounded while he was guarding her, which is something that normally leads to being punished, but there’s a conspiracy to attack the royal family, and Octavia’s brother Sirius is convinced that Klifford is part of it. There is, to be fair, some evidence, but for the most part the main reason is just “I hate him”. Now Octavia has to talk herself out of her room, talk Klifford out of the dungeons, and go on the city tour that she was supposed to do before the party from the last book went all pear-shaped. And, oh yes, the King has revealed she discovered the True Crown.

This gives us a much closer look at Sirius and what his deal is… is what I’d like to say, but because so much of this is from Octavia’s POV, and she’s still having trouble figuring him out, it’s less than I’d like. This is not helped by the fact that she’s still trying to lay over the characters she knows from the BL series and the actual people that she has met as Octavia. One example is Hugh, Sirius’ guard, who in the series was one of Octavia’s allies in her support for her brother and Sil’s hot romance, but here is a lot more mysterious figure. In fact, he could stand to be a bit less mysterious. There’s a mystery culprit in this book that we don’t find out about, except it’s super obvious. In fact, probably deliberately obvious, given brain teaser questions like “what if your master gives you two opposing orders, which one do you follow”?

There is, of course, also the romance part of this book. We get occasional stabs at Octavia trying to find a “fake boyfriend” to save herself from a terrible life, but her lack of awareness about Klifford and his feelings is starting to seem very familiar to those readers who dread “oblivious” protagonists. I mean, they’re even sharing each other’s dreams! This actually leads to one of the scarier parts of the book, as Octavia dreams of Klifford being beaten nearly to death and then literally tossed in the water in a sack to drown, and it’s harrowing (she wakes up and can’t even hide from her maids the fact that she had a terrible nightmare). As for Klifford, he sees a young Octavia stare at this world’s equivalent of a Sakura tree – except it’s not the Sakura tree she knows, it blooms in autumn. He is despairing seeing her mourn the family that she has lost forever, even though he’s not sure why.

So yeah, still good, and the next book might wrap up this arc? Maybe?

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 10

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By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

This is one of those books where the color pages spoil… except, of course, they don’t. Anyone reading this series has been waiting for Red to propose to Rit since the first book, and the fact that it’s now happening gets a “finally!” rather that annoyance at the plot being given away. More importantly, that’s not really the focus of the book, it’s more of an epilogue. The focus of the book is wrapping up the Van plotline and going into those Elf ruins one more time. There *is* a big spoiler for that, so I’ll wait till after the cover art to discuss it. I will note that, unfortunately, the author and his Japanese audience are once again at odds with the English speakers I’ve seen. Ruti being a brocon does not interest us. We want Ruti to give up and get married to Tisse. Sadly, that won’t be happening. Expect more incest subtext in future books.

In the aftermath of the battle with Van, he’s at a loss for what to do next. And Red and company also want to investigate those Elven ruins again, though Ruti and Tisse are not allowed to come along given that last time they went there Ruti tried to kill everyone. So instead we get a team of eight: Red, Rit, Yarandrala and Danan as Party A, and Van, Lavender, Esta, and Albert as Party B. Together they will try to figure out what the hell is actually going on in those ruins, what it’s meant to do for the hero, and once again try to figure out exactly who benefits from a war between humanity and demons, and what the Blessings are supposed to do. Unfortunately, in order to do that, they may have to fight God.

Which I was expecting, honestly, but not this soon. Honestly, light novels that have the Church or God as the villains are as common as muck, and this series has not shied away from the concept. That said, there is a bit more nuance here, at least in regards to the Church and those in it. (The God of this book can go jump in a lake. He sucks.) We see a push and pull throughout the book of trying to work with your blessing even if it means going against what you believe, and that there has to be a balance in order to have someone be happy. Van isn’t sure what that will be, which is why he heads off at the end of this book to find out what being a hero is for him. Red and Rit’s is getting married, with children being brought up several times as the next step after that. And then there’s those who get a blessing like “Cardinal” or “Priest”. Are they required to side with God and oppose folks like Red and Ruti?

We may find that out next volume (hi, cliffhanger!). Will we get a wedding next time? Probably not. But I suspect it will be a BIT more of the “Quiet Life”.

The Manga Review: Rated Teen+

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This week’s must-read article focuses on manga rating systems. Otaku USA editor Danica Davidson sat down with Kodansha’s Ben Applegate for an in-depth comparison between Japanese and North American publishers’ approach to content warnings. “There is no industry wide standard for age ratings” here in the US, Applegate notes. “That’s not just in the manga industry, but for the publishing industry writ large. There are systems that certain publications use, and there are systems certain publishers create or adopt, but there’s no industry organization like the MPAA or RIAA for music, imposing guidelines for publishers on the outside.” That means American publishers spend a lot of time developing labels to help consumers decide if an “All Ages” title is, in fact, suitable for very young kids who may be in the earliest stages of learning how to read as well as kids in grades three, four, and five.

NEWS ROUNDUP

Did you know that Princess Mononoke is one of Leonardo DiCaprio’s favorite films? Me, neither… speaking of Miyazaki, The Boy and the Heron received an Oscar nomination for Best Animated Feature… Kodansha will publish the first volume of Initial D with two variant covers… after a five-month hiatus, Land of the Lustrous will resume in the April issue of Afternoon… Yen Press just announced nine new titles for July 2024… VIZ just added Star Wars: Visions to its May line-up… and Last Gasp will publish Keiichi Koike’s series Ultra Heaven about “a dystopian alternative present where any kind of substance able to alter the state of mind is legalized and authorized for consumption.”

ESSAYS AND PODCASTS

If you’ve been curious about The Yakuza’s Bias, let Deb Aoki and the Mangasplainers tell you why you should be reading this goofy comedy about “a stoic yakuza” who “gets sucked into the world of K-Pop.” [Mangasplaining]

The Reverse Thieves name Ai Yazawa’s Neighborhood Story their manga of the month. [Reverse Thieves]

Rob offers an in-depth reflection on a new VIZ title, Steel of the Celestial Shadows. [Dad Needs to Talk]

And speaking of samurai, The Mangaroos discuss Takehiko Inoue’s Vagabond, “an epic historical action manga” that’s “violent,” “passionate,” and “breathtaking.” [Mangaroos]

In the most recent installment of Screentone Club, Andy and Elliott review two “questionable romances” in “a very questionable setting.” [Screentone Club]

Wondering what new manhwa titles are worth a look? Rebecca Silverman offers a well-curate list of titles from Solo Levelling to Cynical Orange. [ANN]

To mark the thirtieth anniversary of Taiyō Matsumoto’s professional debut, Scott Cederlund revisits Tekkonkinkreet. [From Cover to Cover]

The headline for Tony Yao’s latest essay—Kaiju No.8: The Beauty of a 32-Year Old Hero—is music to this older manga critic’s ears. (The essay is great, too!) [Drop-In to Manga]

REVIEWS

Joe McCulloch weighs in on Taiyō Matsumoto’s latest series, Tokyo These Days… Lisa De La Cruz gives high marks to Send Them a Farewell Gift for the Lost Time and The White and Blue Between Us… Megan D. jumps in the WABAC Machine for a nostalgic look at Yuu Watase’s Arata The Legend… Masha Zhdanova rounds up the best new VIZ titles of January 2024… and the Manga Bookshelf gang offers pithy assessments of new manga.

Manga the Week of 1/31/24

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SEAN: The end of January and the start of The Worst Month ™.

ASH: And an extra long one at that!

SEAN: We start with Airship, which in print gives us Irina: The Vampire Cosmonaut 7 (the final volume) and She Professed Herself Pupil of the Wise Man 9.

And in early digital we get Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash 4 and Mushoku Tensei: Jobless Reincarnation 26 (the final volume).

No debuts for Cross Infinite World, but several ongoing series: The Abandoned Heiress Gets Rich with Alchemy and Scores an Enemy General! 2, Fluffy Paradise 3, and Making Jam in the Woods: My Relaxing Life Starts in Another World 2.

ASH: If I were to read an isekai, one dealing with food and spirits is a more likely choice than a lot of other things.

ANNA: I do like the idea of making jam in the woods.

ASH: Right??

SEAN: Hanashi Media has two light novel debuts. The Dark Guild Master’s Smile Would Fit Best (Yami Guild no Master wa Kyō mo Hohoemu) stars a normal, peace-loving guy… who happens to run the biggest Dark Guild out there, because his subordinates have decided he needs to RULE THE WORLD. This sounds interesting.

My Pet Is a Saintess (Ore no Pet wa Seijo-sama) is the story of a young man who is devastated when his pet bird dies, then is isekai’d to a world where his pet bird is now a cute young girl, and he needs to be her fiance! This sounds less interesting.

ASH: I’m going to have to agree with these assessments.

ANNA: No thank you!

SEAN: Hanashi Media also has the 8th volume of The Fruit of Evolution: Before I Knew It, My Life Had It Made!.

Debuts are thin on the ground for J-Novel Club. But we see Fake It to Break It! I Faked Amnesia to Break Off My Engagement and Now He’s All Lovey-Dovey?! 2 (the final volume), Invaders of the Rokujouma!? 43, Karate Master Isekai 4, Min-Maxing My TRPG Build in Another World 8, My Next Life as a Villainess: All Routes Lead to Doom! 12, the 4th Peddler in Another World: I Can Go Back to My World Whenever I Want manga volume, the 6th Tearmoon Empire manga volume, This Art Club Has a Problem! 2, The Wind That Reaches the Ends of the World 2, and You Like Me, Not My Daughter?! 4.

Kaiten Books has a 7th volume of The Yakuza’s Guide to Babysitting.

We continue the debutless life with Kodansha Manga. In print, they have As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 9, Cells at Work! Omnibus 2 (the final volume), Sailor Moon Naoko Takeuchi Collection 6, Seraph of the End: Guren Ichinose: Catastrophe at Sixteen 3, and Whisper Me a Love Song 7.

ASH: I really enjoyed the original Cells at Work!, so I’m glad to see it sticking around in print.

SEAN: Digitally we see A Couple of Cuckoos 15, Chihiro-kun Only Has Eyes for Me 9, Drops of God: Mariage 5, Getting Closer to You 6, The Great Cleric 12, and Yozakura Quartet 31.

Seven Seas has a debut! It’s Easygoing Territory Defense by the Optimistic Lord: Production Magic Turns a Nameless Village into the Strongest Fortified City (Okiraku Ryōshu no Tanoshii Ryōchi Bōei: Seisan-kei Majutsu de Na mo Nakimura o Saikyō no Jōsai Toshi ni), which is another one of those “reincarnated with a useless skill that’s really super awesome” books. And also had the light novel come out three weeks prior. It runs in Comic Gardo.

Also from Seven Seas: Didn’t I Say to Make My Abilities Average in the Next Life?! Everyday Misadventures! 4 (the final volume), The Hidden Dungeon Only I Can Enter 10, The Ideal Sponger Life 15, Magical Angel Creamy Mami and the Spoiled Princess 6, My Cute Little Kitten 2, My Senpai is Annoying 11, Pandora in the Crimson Shell: Ghost Urn 17, and Tokyo Revengers 17-18.

Lastly (yep – 5th week of the month, don’tcha know) we have Yen’s runoff from last week. Yen On has The Angel Next Door Spoils Me Rotten 6, Goblin Slayer Side Story II: Dai Katana 3 (the final volume), I May Be a Guild Receptionist, but I’ll Solo Any Boss to Clock Out on Time 2, and Looks Are All You Need 2. And they have Hell Mode: The Hardcore Gamer Dominates in Another World with Garbage Balancing 3 in the “J-Novel Club print” imprint.

While Yen Press has Cocoon Entwined 5, Goblin Slayer Side Story: Year One 10, The Princess of Convenient Plot Devices 4, The Red Thread 2, and Unnamed Memory 4.

MICHELLE: Nice to see another volume of Cocoon Entwined!

ASH: Yes, indeed!

SEAN: Small but tasty! Any titles catch your eye?

Reign of the Seven Spellblades, Vol. 10

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By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Longer than usual content warning here: with this volume, the rating for these novels rises from Teen to Older Teen, and the content bears that out. There’s sexual references, discussion of a horrific sexual assault, discussion of a graphic and horrific torture and murder, a graphic amputation scene, use of a swear word that is far less problematic in the UK than in the US, and, worst of all, I’m going to have to discuss that series about the boy at the wizarding school with the scar again. Reader discretion is highly advised.

When I was about halfway through this volume, I pretty much knew what I was going to be talking about. There would still be a content warning, of course. After all, there’s not only a relatively explicit sex scene between Oliver and Nanao here, but also Leoncio is in this, so there’s a lot of talk of big dicks here. Oh yes, and Miligan is called a cunt. To be fair, she absolutely deserves that one, especially because I’m sure it’s in the British English sense. But yeah, the front half was filled with things to talk about. The “polycule” that our heroes have become, and how much I love it. Katie’s backstory was jaw-dropping, and really deserved me talking about it, as well as the fact that almost everyone has written her off as next to snap. The fights were all awesome, the election results were terrific. Teresa is growing up, and she hates it. That was great. . And I saw that the last half of the book was ALL battle against one of Oliver’s targets. Meh. A lot of fighting. Won’t have much to say.

Kee-rist.

I do appreciate that the series does give a real backstory and sympathy to some of its antagonists. We get Demetrio Aristedes’ backstory here, and like a lot of this series, it involves idealistic attempts to make things better turning into something horrific and tragic. That said, his backstory is dwarfed by what we finally get in this book: Oliver’s life to date. We get some adorable and heartwarming scenes with him and his parents, because gut punches don’t work if everything has been bad from the start. We get the brutal, graphic death of his mother, and see how she was betrayed by one of her closest friends (and oh boy, that’s a can of worms I can’t even get into in this review, it will have to wait.) We get his adoption by the Sherwoods, which unfortunately is because their patriarch sees him as an experiment rather than as a person. We see that, on the cover with Oliver and Demetrio, is Shannon Sherwood, and possibly wonder why she’s give n such an important placing. And then we find out why. Of all the horrific scenes in this volume, the flashback of Oliver being drugged and mind controlled to rape and impregnate Shannon is the worst, and it really throws their relationship into sharp relief. Oh yes, and there is, of course, Yuri. Whose story ends here, but at least the way he goes out is one of the few triumphant moments in this pummeling book.

Sigh. So OK, let’s talk Harry Potter. This series has been compared to those books from the very start, but we’re now ten volumes in, and “oh gee Guy and Katie sort of have a Ron and Hermione vibe” is not only the least of the comparisons, but also mostly wrong. It’s at its most obvious in this book in the flashback to the torture scene, when Darius, Oliver’s first victim from Book One, takes point to be the first to torture Chloe to death, and he revels in it in a way that HAS to remind people of Severus Snape. There’s also a definite James and Lily vibe to Edgar and Chloe, though (because this series glories in subverting Potter as much as it pastiches it) what the two of them do for Oliver is far darker and more interesting. I’m not sure where this series if going to end up, but there is absolutely no way it’s ending up with the next generation of the cast going off to school 15 years later.

As with Eighty-Six I am very concerned, and half convinced, this will end with nearly the entire cast dead. Hell, a lot of them will deserve it. With Eighty-Six I’m hoping that the main couple will make it out OK, but Seven Spellblades has a much higher bar to clear. I’ve joked before about the main six being a polycule, but it’s made explicit here. They’re family. They’re probably all going to be lovers soon (Oliver and Nanao are mostly there, only held back by his past trauma). They have a bond that deserves to live on. I desperately want them all to survive and make the worst a nice place. A swell place. A place where magic kids can play stickball in the street with their athames without fear of being consumed by anything. It’s not going to happen, I am aware. But God, it’s a great dream. Let these kids stop suffering.

Bibliophile Princess, Vol. 7

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By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Tara Quinn.

I suppose this was inevitable. Bibliophile Princess is coming off its strongest arc, one that had lots of action, drama, tragedy (that wasn’t actually tragedy, but let’s leave that aside for now), and romance. It came to a thrilling conclusion last time… and now we get the comedown the next day. Elianna has been overworking herself for the last couple of months, and tries to do so again to help Chris after she returns, and it all just catches up with her and she collapses. Unfortunately, this means that a good 3/4 of this volume is told from the POV of people other than Elianna, and that’s not really what I’m here for. I don’t really object to it, and we get some decent short stories here. But that’s what this feels like, a short story volume, interspersed with dollops of plot. Fortunately, unlike the third volume, this doesn’t feel like something we’ve read over and over again. Well, except for one thing, which I’ll get to below.

After the events of the last three books, Chris has a lot on his plate. What’s worse, the person behind all of this was the Queen’s brother, meaning she’s basically going to have to retire to avoid further trouble. As such, he needs to get married to Elianna even faster than he’d planned… and she’s been taken away to the Bernstein estates by her father and brother, who (of course) blame Chris for her being in this state at all. Fortunately, proposing to Elianna properly is the ONLY thing that goes well for him in this book. Elsewhere, we get a flashback where we learn Alan’s past as a plucky young orphan, Elianna catches up with family and reads a ton of books while her friend Anna reminds us of the romance she was plotted into a few books back. Oh yes, and there’s a library ghost (no, not Elianna) and a Halloween candy contest.

So I am starting to grow a bit weary of the Bernstein’s overprotectiveness towards their pride and joy. I mean, I absolutely get it. Elianna almost died several times in the last few books, all of it stemming from her position as Chris’ betrothed. And she did indeed desperately need to rest as she was nearing the verge of collapse. That said, this isn’t really framed as that. The writing still kind of frames it like “we’ll never let you marry our little girl!”, which feels more like a hoary old cliche, especially as it does not take Elianna’s own feelings into account. I hope she tells them what for at some point. As for the rest of the book that is not fluff, there’s Alan’s subplot, which… well, it very cliched, right down to the three people who secretly run the town, and the “I want to rape you because you are an androgynous hot teenage boy” threat. It wasn’t bad. I missed Elianna.

So this tides me over, yes, but I really hope we get a good, meaty plot again soon. Or a wedding. One of those.

Pick of the Week: Last Chances and Old Friends

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SEAN: Sometimes I’m surprised how much I enjoy a series, and that’s certainly been the case with the My Daughter Left the Nest and Returned an S-Rank Adventurer light novels. The 11th book is the final one, so that’s my pick this week. Enjoy a daddy & daughter series that was (for once) wholesome!

MICHELLE: There’s not a whole lot that appeals to me this week, but I really enjoy what I’ve read of Usotoki Rhetoric so far and look forward to catching up on the series.

KATE: Party like it’s 1990! The second volume of Tokyo Bablyon arrives in stores with a new minimalist cover but the same old story that Tokyopop and Dark Horse have offered North American readers before. I have a feeling this series hasn’t aged well, but I may still buy a copy out of sheer nostalgia: Tokyo Babylon was one of the first manga I ever read.

ASH: None of the debut releases this week have managed to capture my attention, but if My Daughter Left the Nest and Returned an S-Rank Adventurer managed to remain wholesome to the end, I really might need to give it a look!

ANNA: Not much appeals to me either, I’m going to take a moment of silence for the ending of X/1999 that no one will ever see.