• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Manga for Your Quarter-Life Crisis

October 15, 2010 by Anna N

Note: this piece originally appeared on The Bureau Chiefs as part of my Anna Reads Manga feature.

It is easy to find plenty of manga about intrepid boy ninjas or vampire boarding schools on the crowded shelves of your chain bookstore, but it is sometimes difficult to distinguish manga titles aimed at adults.  This column will provide an overview of the best manga out there featuring characters in their twenties.

Ohikkoshi by Hiroaki Samura (amazon)

ohikkoshi

This is a single volume of short stories by the creator of the sprawling samurai saga Blade of the Immortal. Samura uses the short story form to indulge in writing humor and as a result the episodes included in this book have a slightly manic edge.

Sachi is the hapless protagonist. He and his friends hang out at horrible battle of the bands shows and skip their college classes whenever possible. He’s hopelessly in love with Akagi, a woman whose boyfriend has just left to work overseas. Now is his big chance to ask her out, which he does in such an oblique stammering way it is easy to feel sorry for him. Sachi’s friends conclude “Our pale-faced friend is drunk with the turmoils of youth!”

Other stories in the collection include an epic tale of manga artist tribulation as a woman takes her editor’s advice, loses her comics gig, works in a coffee shop, becomes a kept woman, manages to attain mastery at the game of mah-jong, and ends up apprenticed to a mafia boss in a few short years only to finally become a manga master. A half-Italian half-Japanese teacher decides take revenge on Japan by sleeping with the country’s women until he meets two girls who are immune to his charms. Some of the elements in Ohikkoshi will appeal to fans of Brian Lee O’Malley’s Scott Pilgrim series. Characters break the fourth wall and comment directly at the reader. When Akagi and Sachi go on a horrific zoo date, information about the animals is listed in game stat format. Samura will often shift into alternate art styles for a panel or two. Ohikkoshi has a bit of a rough and frenetic feel, but it is hard not to be captivated by Samura’s sense of humor.

Office Ladies Need Love Too

Josei (manga aimed at adult women) is probably the scarcest manga genre translated in English, which is why I cherish any title that portrays the life of a post-college woman instead of a starry-eyed high school girl.

suppli_0

Suppli by Mari Okazaki (amazon)

Minami is 27 years old. Her relationship with her boyfriend is going nowhere. Every morning she gets dressed for work feeling as if she’s putting on battle armor. She heads into the office on a Sunday only to find all of her co-workers already there. Minimai is paralyzed by the thought of ending up like her boss – a single woman in her 40s. When her boyfriend dumps her, she throws herself into work, trying to prepare new presentations and socializing with her co-workers. She tries to avoid being alone in her trashed apartment, but she lives so much in her own head that she doesn’t pick up on the crush one of her co-workers has on her. Okazaki frequently interposes nature symbolism like water, fish, or grass with Minami’s urban office environment. Suppli has a melancholy feel that reflects the anxieties of its main character. Sometimes Minami’s only connection with another person is sitting with a co-worker in a break room at the office, watching the sun rise.


Tramps Like Us by Yayoi Ogawa

trampslikeus

This fourteen volume series is sadly out of print but it is well worth tracking down. Sumire maintains an intimidating presence at her workplace. She reacts coolly when her boyfriend breaks up with her and her co-workers are afraid to comment to her about it due to her bitchy reputation. As she returns to her apartment after a long day of work she finds an injured boy sleeping in a cardboard box. Sumire takes him into her house and feeds him. She jokingly offers him a place to stay if he’ll be her pet, which means following all her orders. He accepts. She names the boy “Momo” after her childhood dog. Having somebody else to care for eases Sumire’s tension from work.
Momo is just as ambitious as Sumire, except he’s pursuing his studies as a modern dancer. Sumire and Momo enjoy domestic life together but things may change when Sumire gets a new boyfriend who miraculously fulfills her requirements for height, salary, and education. She seesaws back and forth between portraying her idea of the perfect career woman and indulging in wrestling TV shows when she’s at home with Momo. Tramps Like Us balances a light and fluffy chicklit quality with a sensitive portrayal of an unconventional but evolving relationship.

Inio Asano

Asano comes by his emphasis on aimless twentysomething characters honestly; he was in his early 20s when he started publishing his stories.

waww

What a Wonderful World by Inio Asano (amazon)

Toga has always been “the reliable one” among her group of friends, but she drops out of school and struggles with the idea of reactivating her musical ambitions. A schoolgirl engages in a dangerous contest to win social capital. A man briefly visits his daughter and ex-wife in a park. Aimless ronin studying for their college entrance exams have a memorable encounter with a basket case they meet in the street. Some of the characters are seen again briefly in other stories, making the lives of the different people in What a Wonderful World seem interconnected.

While reading about the lives of people who haven’t figured out what they want to might seem like an invitation to wallow in ennui, this manga lives up to its title. Asano captures the small moments that people use to define themselves. A change in hairstyle, the realization that the reliability of a relationship can be a comfort, and the loss of an apartment each contribute to a moment of reflection that lets someone move on with their life. As I was reading the manga and enjoying the combination of the prosaic and surreal in Asano’s art I realized that I was especially struck by the pacing and paneling. There was frequently a small jolt or surprise right before I’d turn the page to read the conclusion of a story, and this lent a dynamic feel to the manga even when some of the stories were just short sketches.

solaninnew

Solanin by Inio Asano (amazon)

A later work than What a Wonderful World, Solanin shows what Asano can achieve with more maturity. Meiko works at a job she hates. She’s crushed in the subway on her way to work, and has difficulty listening when her boss yells at her because she’s distracted by his hideous nose hairs. When she goes home, she’s greeted by her boyfriend Taneda. He works part-time and aimlessly pursues his dream of music. Meiko’s horrible job pays well, and she’s saved up some money. One day she abruptly decides to quit.

She lazes around and tries being domestic, but quickly realizes that too much free time can be boring. Taneda can’t deal with the idea of being the breadwinner, and their relationship begins to suffer from the strain. Meiko encourages Taneda to pursue his dream of making music. Although Meiko is the unifying character, Solanin frequently makes narrative detours that show readers the inner worlds of other members of Taneda’s college band. The shifting point of view is a literary device that I enjoy in novels, and it definitely contributed to the depth of character development in this manga.

Small details in the way the characters’ interacted with their environment made their world seem surreal. Bunnies with Xs for faces appear on key chains and Taneda’s CD. Meiko watches a bizarre bear attack training news story on TV. Taneda has a “me summit” where all the aspects of his personality wear a different slogan on their t-shirts to comment on his life. Towards the end of Solanin Meiko begins to come into her own in an unexpected fashion. She’s still supported by her group of friends, but the conclusion is bittersweet. Solanin captures the restless feelings many people have as they move into adulthood.

Filed Under: UNSHELVED

Follow Friday: The Aggregators

October 15, 2010 by MJ 3 Comments

There are a lot of great manga bloggers and critics to follow in the manga blogosphere, but one particular type of blogging that helps to fill the empty hours comes from the aggregators, the linkbloggers, the brave souls who read everything on the internet so we don’t have to. Most manga bloggers dabble in aggregation from time to time (me included), but there are a few regular stops you can always count on to give you what you need.

We begin at MangaBlog, of course, the mother of all manga linkblogs. Though writer Brigid Alverson also brings us occasional (always insightful) commentary and reviews, the staple of her blog is the daily link roundup, making this the first stop for nearly every manga fan I know. To keep up on the latest posts (and great conversation as well) you can also follow Brigid on Twitter @BrigidAlverson.

For daily comics news (not just manga), check out Dirk Deppey’s Journalista over at The Comics Journal. You can follow Dirk on Twitter @deppey.

One of my favorite weekly features online has become Kate Dacey’s Friday Procrastination Aids at her blog, The Manga Critic. Filled with thoughtful picks from around the blogsophere, you can count on Kate’s good taste to get you through the day! Find Kate on Twitter also as @manga_critic.

Lastly, for a condensed look at the previous week’s happenings in the manga blogosphere, rely on Lori Henderson’s This Week in Manga at her blog, Manga Xanadu. Lori provides quite a bit of commentary along with her weekly links, which makes it a pretty meaty feature for your Saturday afternoon reading. Follow Lori’s Twitter feed @MangaXanadu.

Now, go forth and read!

Many thanks to Kuriousity‘s Lissa Pattillo for the idea for this feature. You should follow her too! Look for Follow Friday here on the second Friday of each month.

Filed Under: Follow Friday Tagged With: follow friday

Online Manga

October 15, 2010 by Anna N

Note: this piece originally appeared on The Bureau Chiefs as part of my Anna Reads Manga feature.

Online manga can be a little difficult to track down if you are trying to avoid the many sites that exist to host scanlations (fan translations), or in the most egregious cases, hosting scans of the American manga editions. Fortunately in recent months more American publishers are putting manga online for free sampling or to make it easy to subscribe for electronic access. I’ll give an overview of some of the places you can go to read manga online legally.

FREE ONLINE MANGA

Viz Media caused a stir when it started serializing manga chapters on its sites Shonen Sunday and Sigikki. This is the place to go if you are looking for quirky seinen manga, as the parent Japanese magazine Ikki tends to specialize in the obscure. There’s a wide variety of stories and art styles on display. Chapters gradually rotate off the site as the print volumes are published.

Here are capsule reviews of my three favorite Sigikki series:

Afterschool Charisma – This series takes place in a school filled with clones of famous people from history. Napolean seems to be in the middle of a growth spurt, Mozart is an arrogant jerk, Marie Curie wants to play the piano instead of studying radium, and Freud is a creepy teen with a pageboy haircut. The ordinary boy Shiro Kamiya, whose father is in charge of the school and the cloning project, attends school along with the clones. Shiro innocently asks his father to help Marie with her musical ambitions, but what happens to her is not what Shiro intended. Will Shiro find out the truth behind the school? The art in Afterschool Charisma looked the most shoujoish to me out of all the Siggiki series. Sometimes it was difficult to tell apart the female characters, but the male characters were a bit more individual and had more personality. Teen-clone-Freud is hilarious.

House of Five Leaves – Masanosuke is a poor masterless samurai with a personality defect: He falls apart when he attracts attention. Thus he does a poor job of acting intimidating and keeps getting fired from his bodyguard jobs. Yaichi hires him for a day’ work. Masanosuke is struck by Yaichi’s confident air. But it turns out that Yaichi is a member of the criminal group the House of Five Leaves. Will Masanosuke continue to work for kidnappers in the hopes that Yaichi’s calm demeanor will wear off on him? I enjoyed the art of this series, as Ono has a loose and fluid style of drawing which serves to highlight Masanosuke’s defeated body language and his eyes, which look hollow eyes of someone who isn’t eating very well. Most samurai stories feature a main character who is more of a traditional bad-ass type, so I thought this twist on the genre was interesting.

Children of the Sea
– Children of the Sea is as beautiful, deep, and mysterious as the ocean that the characters inhabit. Ruka is a young girl who gets in trouble at school for violently retaliating against a teammate at sports practice. She decides not to go home and goes on a quest to see the ocean. She travels to Tokyo at night and reaches an ocean view. A mysterious boy makes the pronouncement “The sea in Tokyo is kinda like a broken toy” and leaps over her into the sea. Ruka runs down to rescue him. Umi was raised in the ocean along with another boy named Sora by dugongs. They maintain their connection to the sea, and their skin becomes unbearably dry if they aren’t submerged in water very long.

Mysterious ocean animal disappearances have started to plague scientists. Animals seem to become spotted with light before they vanish like ghosts. Ruka’s father works in an aquarium where Umi often hangs out. As Ruka tries to escape her troubles in school she spends more and more time in the aquarium, meeting Umi and Sora’s foster father Jim. He’s a foreigner with mystical tattoos who loves to surf. Sora is sickly and spends a lot of time in the hospital. He’s suspicious of Ruka even though Umi says that she “smells like them.” Ruka sees Umi and Sora occasionally glowing with the unearthly light that the ocean ghosts emit. Are they going to be the next to disappear?

Shonen Sunday is a companion online manga site aimed at the younger set. Viz uses it to serialize new series like Rumiko Takahashi’s Rin-Ne and Yuu Watase’s Arata, but it also serves as a way to sample some of Viz’s lesser known backlist titles like the excellent monster hunting series Kekkaishi.

Kekkaishi
– The hero of the story is Yoshimori. He’s young and weak and struggles with his training to become the successor to his family’s long-standing demon hunting tradition. His secret friend is the older girl next door Tokine, who belongs to a rival demon-hunting clan. Both Yoshimori and Tokine are aided in their demon hunts by demon dog sidekicks, who provide comic relief and guidance. Yoshimori isn’t very savvy about hunting demons. Tokine saves him and is injured in the process.

The story picks up again when Yoshimori is 14 and Tokine is 16. She criticizes his lack of refinement when demon hunting and counsels him to save his power. He doesn’t want to see anyone get hurt in front of him anymore and is determined to become a better fighter. Their school is conveniently located above a reservoir of power and at night they pursue the hunt. The manga blends action and humor as Yoshimori tries to fulfill his cherished ambition of making the perfect cake and dodges his grandfather’s training attempts. There are darker forces at work behind the sacred site that Yoshimori is sworn to protect. The story lines and character development are more complex than a typical fighting manga, which makes for a rewarding reading experience for those who like manga with a little bit of monster fighting and slapstick comedy.

Other major manga publishers like Tokyopop and CMX do tend to put up sample chapters of their manga, but I think Viz’s decision to set up separate online magazine sites with highlighted content gives their content greater prominence. I wish that in addition to the shonen and seinen sites Viz would put up an online magazine where readers could sample shoujo manga, especially after the demise of Shojo Beat magazine. Shonen Jump will soon be the only manga anthology magazine on the newsstands in the US. Yen Plus recently announced plans to discontinue their print magazine in favor of going digital instead. I think the next few years will hopefully give publishers a chance to experiment with digital manga magazines.

PAYING FOR MANGA ONLINE

This is an area where some of the smaller, more experimental publishers have more developed sites.

eManga

This is the online publishing arm of Digital Manga Publishing, which is probably best known for their yaoi titles, although back in the day they put out editions of some wonderfully weird stuff like Bambi and Her Pink Gun and Project X – Nissin Cup Noodle, a manga about the invention of noodles in a cup. While a casual reader might expect the titles on eManga to be only yaoi, there’s actually more variety there, with plenty of manga adaptations of harlequin romances and the shoujo classic Itazura Na Kiss. Reading manga there operates on a points system, where $10 will get you 1000 points, and online access to selected volumes may be priced anywhere between 200-400 points. If you follow digitalmanga on twitter, they’ll often give away free online access to selected volumes.

Netcomics

Netcomics is mainly a specialty publisher of Korean comics, or manhwa. They’ve used their online platform to publish American manga style comics and Japanese manga as well. Paying for manga on this site works on a chapter by chapter basis, with each chapter costing 25 cents. Single chapters from most titles are available for preview as well. Titles are sorted by genre, so it is easy to find series that might fit your mood, if you are looking for romance, comedy, or science fiction manhwa. Some of Netcomics’ titles that had print editions for the first few volumes have the later volumes only available online. I hate it when series are dropped, so while someone wanting to collect print copies of an entire series might be disappointed, it does seem like a good way of making slow-selling titles available to readers.

I can’t say that we’ve reached a level of mature development with the legal manga that’s available for readers. It would be nice if other publishers also followed Viz’s Sigikki model. But at least a handful of sites is available for fans who want to do the right thing and avoid scanlations. Hopefully the next few years will have more manga publishers experimenting with their online presence.

Filed Under: UNSHELVED

PR: Blumanga available on emanga.com

October 15, 2010 by Anna N

Gardena, CA (October 14, 2010) – Digital Manga, one of the manga industry’s most unique and creative publishers, is proud to announce an online collaboration with TOKYOPOP, a leading manga publisher and pop-culture digital entertainment company. The partnership will launch with the addition of twelve new titles from TOKYOPOP’s BLU Manga yaoi imprint to eManga’s online library.

The BLU Manga yaoi will be available for purchase through eManga’s online manga service, emanga.com, which streams content through an Adobe Flash player, allowing readers to access their library wherever they have an internet connection. Originally sold for $14.99 in print, the BLU volumes will be available on eManga.com for $5.99, making it more affordable than ever to read old and new favorites.

The first twelve BLU titles will include: Liberty Liberty! by Hinako Takanaga, Calling by Miu Otsuki, Croquis by Hinako Takanaga, Cute Devil by Hiro Madarame, Isle of Forbidden Love by Duo Brand, Blood Honey by Sakyou Yozakura, Love Knot by Lemon Ichijo, Madness volumes 1 & 2 by Kairi Shimotsuki, Scarlet by Hiro Madarame, Secretary’s Love by Tohko Akiba and Stray Cat by Halco.

For more information about our eManga system and to begin reading right away, visit www.emanga.com and click on the TOKYOPOP tab under “publishers”.

Filed Under: UNSHELVED

BLU comes to eManga

October 14, 2010 by MJ 1 Comment

Fans of boys’ love manga will be excited to know that twelve titles from BLU Manga, TOKYOPOP’s BL line, are now available at eManga.com, Digital Manga Publishing’s online portal. According to a press release sent out today by eManga, the titles will be available for $5.99 apiece, significantly cheaper than the $14.99 price of BLU print volumes.

A quick login to the eManga website proves this to be true, though it’s important to note that eManga “points” are sold in set increments, and a purchase of $10.00 worth (1000 points) is necessary to obtain the $5.99 price. Interestingly, BLU titles are available only to “keep,” the eManga equivalent of permanent ownership, and not to “read” for a one-time rental fee.

Though the press release refers to this new arrangement as a “partnership” between TOKYOPOP and Digital Manga Publishing, there is no precise mention of whether additional BLU titles may soon be available as well.

Current titles up for sale include some Manga Bookshelf favorites, such as Calling (Miu Otsuki) and Blood Honey (Sakyou Yozukura). For a full list of titles, check out the new BLU page at eManga.com!

Filed Under: NEWS Tagged With: BLU, emanga, yaoi/boys' love

Summer, Fireworks, and My Corpse

October 14, 2010 by Katherine Dacey

At some point in your travels through high school English, a teacher probably made you read Shirley Jackson’s “The Lottery,” a short story about a rural community that routinely sacrifices one its members to ensure a good harvest. I remember writing a paper about “The Lottery” my freshman year. Like many of my classmates, I critiqued the story’s dramatic aspects — the shocking twist, the ethics of the townspeople’s ritual — and neglected to say much about Jackson’s prose. Re-reading “The Lottery” as an adult, it’s obvious what I missed the first time around: Jackson’s singular ability to make the banal sinister through the selective presentation and repetition of seemingly inconsequential details.

Consider “The Summer People,” a short story from 1950. Jackson lavishes considerable attention on the title characters’ day-to-day activities such as buying groceries in town; one might reasonably infer it was a slice-of-life story about New Yorkers experiencing mild culture shock in backwoods New England. By the story’s end, however, it becomes clear why Jackson documented the Allisons’ routine in such detail; the townspeople have been observing the Allisons, viewing every gesture or action as a further violation of the unspoken agreement between residents and summer people that the out-of-towners go home by Labor Day. We don’t know what, exactly, happens to the Allisons for breaking the contract — Jackson leaves that to the readers’ imagination — but we’re left feeling deceived and unsettled, as if we ourselves had been the target of the year-rounders’ wrath.

It seems fitting, then, that Japanese horror novelist Otsu-ichi was nominated for the 2009 Shirley Jackson Award, as he has a similar flair for transforming ordinary situations into extraordinary ones. In “Yuko,” the second entry in Summer, Fireworks, and My Corpse, for example, a young woman takes a job working for a childless couple, one of whom is bedridden. A small but noticeable change in their nightly dinner routine arouses her suspicion that something is amiss between her employers, setting in motion a chain of events that culminate in a scene of comic horror.

The title story, too, pivots on a few carefully chosen details, as two children conspire to hide the corpse of a playmate who fell to her death. Throughout the story, Otsu-ichi describes the children eating ice cream, a simple motif that seems, at first, to be offered as evidence of the children’s struggle to conceal their guilt by engaging in normal activities. In the final pages of the story, however, that seemingly benign habit is cast in an entirely different light, forcing us to reconsider everything we’d believed about one of the story’s secondary characters.

Only the third and final story of the collection, “Black Fairy Tale,” deviates from this pattern, instead offering a mixture of urban legend and B-movie horror in book form. It’s an ambitious story, with several interlaced threads, including a dark fable about a crow who befriends a blind girl, and a teenager who loses her eye and her memory in an accident, only to have them replaced with a murder victim’s. There’s also a subplot involving a serial killer who carries out ghastly experiments on people, transforming them into monsters and holding them captive in his basement. Though Otsu-ichi skillfully maneuvers among the various storylines, maintaining sufficient suspense throughout the story, “Black Fairy Tale” is a less rewarding read than “Summer, Fireworks, and My Corpse” or “Yuko,” both of which rely more on psychological manipulation than cheap shock tactics to scare the reader; Otsu-ichi’s descriptions of the killer’s surgeries elicit a visceral, immediate response, to be sure, but prove less unsettling or memorable than the behavior of “Summer”‘s true villain.

Good horror operates on a deeper level as well, showing us how greed, hypocrisy, and conformity tear at the very fabric of society. I think that’s one of the reasons we continue to read Jackson’s work; stories like “The Lottery” and “The Summer People” offer a window into the conservative, conformist culture of the 1950s, that brief moment before the Civil Rights Movement, feminism, the Pill, and the Vietnam War radically altered the American landscape. Jackson’s characters live in terror of upsetting the status quo; their greatest fear is to be exposed as an outsider or an outlier of any kind.

The pressure to conform to parental and peer expectations — a frequent motif in contemporary Japanese comics, cinema, and literature — plays a similar role in Otsu-ichi’s “Black Fairy Tale.” Nami, its amnesiac heroine, is an obvious example. Before her accident, she was a model student, musician, and daughter, basking in others’ approbation; when a head injury robs her of the the ability to do well in school or play a Chopin ballad, her peers and parents begin to ostracize her, writing her off as a shy, inept loser. Throughout the story, she wrestles with her desire to reconcile her new and old personalities; only by embracing and acting on the memories left behind by her left eye’s previous owner — a loner and a college dropout — does she begin to appreciate the possibility of living the life she chooses, rather than the one her parents had planned for her.

Would Jackson have recognized the parallels between her work and Otsu-ichi’s? Aside from Otsu-ichi’s occasional detour into Clive Barker-esque excess, I’d say yes; Summer, Fireworks, and My Corpse is a solidly crafted collection of psychological horror stories, the best of which prove as spooky and thought-provoking as “The Lottery” and “The Summer People,” not least for the way in which Otsu-ichi finds the uncanny in the everyday.

Review copy provided by VIZ Media, LLC.

SUMMER, FIREWORKS, AND MY CORPSE • BY OTSU-ICHI, TRANSLATED BY NATHAN COLLINS • VIZ (HAIKASORU) • 300 pp.

Filed Under: Books, Manga Critic, REVIEWS Tagged With: Haikasoru, Horror/Supernatural, Otsuichi, Short Stories, VIZ

Summer, Fireworks, and My Corpse

October 14, 2010 by Katherine Dacey 6 Comments

At some point in your travels through high school English, a teacher probably made you read Shirley Jackson’s “The Lottery,” a short story about a rural community that routinely sacrifices one its members to ensure a good harvest. I remember writing a paper about “The Lottery” my freshman year. Like many of my classmates, I critiqued the story’s dramatic aspects — the shocking twist, the ethics of the townspeople’s ritual — and neglected to say much about Jackson’s prose. Re-reading “The Lottery” as an adult, it’s obvious what I missed the first time around: Jackson’s singular ability to make the banal sinister through the selective presentation and repetition of seemingly inconsequential details.

Consider “The Summer People,” a short story from 1950. Jackson lavishes considerable attention on the title characters’ day-to-day activities such as buying groceries in town; one might reasonably infer it was a slice-of-life story about New Yorkers experiencing mild culture shock in backwoods New England. By the story’s end, however, it becomes clear why Jackson documented the Allisons’ routine in such detail; the townspeople have been observing the Allisons, viewing every gesture or action as a further violation of the unspoken agreement between residents and summer people that the out-of-towners go home by Labor Day. We don’t know what, exactly, happens to the Allisons for breaking the contract — Jackson leaves that to the readers’ imagination — but we’re left feeling deceived and unsettled, as if we ourselves had been the target of the year-rounders’ wrath.

It seems fitting, then, that Japanese horror novelist Otsu-ichi was nominated for the 2009 Shirley Jackson Award, as he has a similar flair for transforming ordinary situations into extraordinary ones. In “Yuko,” the second entry in Summer, Fireworks, and My Corpse, for example, a young woman takes a job working for a childless couple, one of whom is bedridden. A small but noticeable change in their nightly dinner routine arouses her suspicion that something is amiss between her employers, setting in motion a chain of events that culminate in a scene of comic horror.

The title story, too, pivots on a few carefully chosen details, as two children conspire to hide the corpse of a playmate who fell to her death. Throughout the story, Otsu-ichi describes the children eating ice cream, a simple motif that seems, at first, to be offered as evidence of the children’s struggle to conceal their guilt by engaging in normal activities. In the final pages of the story, however, that seemingly benign habit is cast in an entirely different light, forcing us to reconsider everything we’d believed about one of the story’s secondary characters.

Only the third and final story of the collection, “Black Fairy Tale,” deviates from this pattern, instead offering a mixture of urban legend and B-movie horror in book form. It’s an ambitious story, with several interlaced threads, including a dark fable about a crow who befriends a blind girl, and a teenager who loses her eye and her memory in an accident, only to have them replaced with a murder victim’s. There’s also a subplot involving a serial killer who carries out ghastly experiments on people, transforming them into monsters and holding them captive in his basement. Though Otsu-ichi skillfully maneuvers among the various storylines, maintaining sufficient suspense throughout the story, “Black Fairy Tale” is a less rewarding read than “Summer, Fireworks, and My Corpse” or “Yuko,” both of which rely more on psychological manipulation than cheap shock tactics to scare the reader; Otsu-ichi’s descriptions of the killer’s surgeries elicit a visceral, immediate response, to be sure, but prove less unsettling or memorable than the behavior of “Summer”‘s true villain.

Good horror operates on a deeper level as well, showing us how greed, hypocrisy, and conformity tear at the very fabric of society. I think that’s one of the reasons we continue to read Jackson’s work; stories like “The Lottery” and “The Summer People” offer a window into the conservative, conformist culture of the 1950s, that brief moment before the Civil Rights Movement, feminism, the Pill, and the Vietnam War radically altered the American landscape. Jackson’s characters live in terror of upsetting the status quo; their greatest fear is to be exposed as an outsider or an outlier of any kind.

The pressure to conform to parental and peer expectations — a frequent motif in contemporary Japanese comics, cinema, and literature — plays a similar role in Otsu-ichi’s “Black Fairy Tale.” Nami, its amnesiac heroine, is an obvious example. Before her accident, she was a model student, musician, and daughter, basking in others’ approbation; when a head injury robs her of the the ability to do well in school or play a Chopin ballad, her peers and parents begin to ostracize her, writing her off as a shy, inept loser. Throughout the story, she wrestles with her desire to reconcile her new and old personalities; only by embracing and acting on the memories left behind by her left eye’s previous owner — a loner and a college dropout — does she begin to appreciate the possibility of living the life she chooses, rather than the one her parents had planned for her.

Would Jackson have recognized the parallels between her work and Otsu-ichi’s? Aside from Otsu-ichi’s occasional detour into Clive Barker-esque excess, I’d say yes; Summer, Fireworks, and My Corpse is a solidly crafted collection of psychological horror stories, the best of which prove as spooky and thought-provoking as “The Lottery” and “The Summer People,” not least for the way in which Otsu-ichi finds the uncanny in the everyday.

Review copy provided by VIZ Media, LLC.

SUMMER, FIREWORKS, AND MY CORPSE • BY OTSU-ICHI, TRANSLATED BY NATHAN COLLINS • VIZ (HAIKASORU) • 300 pp.

Filed Under: Manga Critic Tagged With: Haikasoru, Otsuichi, VIZ

3 Things Thursday: Shojo Manga

October 14, 2010 by MJ 59 Comments

Welcome to a brand new weekly blog feature at Manga Bookshelf, 3 Things Thursday! For the inaugural edition, I’m going to begin by breaking the rules straight off.

In a recent Manga Out Loud podcast, one of my favorite manga critics, Ed Sizemore, mentioned casually that he hadn’t read much good shojo. While the definition of “good” is likely to vary greatly from critic-to-critic on a topic so subjective, I figured I’d start my 3 Things off by listing three currently running shojo manga I think are especially worthwhile. And since so many of my favorites are older manga, I’ll cheat a bit by also listing three “classic” manga I recommend as well. These are not to be taken as my “TOP ThrEE FAVORITES OF ALL TIME” by any means, but rather three of each that simply spring to mind. I do think it’s interesting to note that every single one of them is/was published by Viz Media. So here goes!


3 favorite current shojo series:

We Were There | Yuki Obata | Viz Media – Few manga out there have affected me on a personal level as deeply as this one has. From my review of volume one:

“What’s nice about this manga is its simplicity and quiet honesty … The characters’ greatest obstacles are themselves, just like in real life … To achieve this, We Were There takes popular manga stereotypes and turns them into real people. In place of the clumsy, helpless shojo heroine, we have Nana, who is exactly as awkward as any average girl entering a new school, no more, no less … In place of the brooding, dangerous love interest (or its inverse–the shining, popular prince), we have Yano, who is often thoughtless, occasionally kind, and though he is definitely hiding some real pain behind his carefree image, is mostly just confused about his feelings, much like most teenaged boys.”

More reviews here.

Crown of Love | Yun Kouga | Viz Media – This dark, complicated tale of ambition and obsession will be complete in four volumes as of November 2nd. From my review of volume one:

“Crown of Love is the retelling of an older series by mangaka Yun Kouga, originally serialized in 1988. That series was only two volumes long, with an ending described by the artist as “abrupt.” … where Kouga succeeds, and stunningly so, is in her characterization. There are no shojo stereotypes here, despite appearances … The fact that the characters seem to know just how screwed up they are is what rescues them from being too disturbing to bear … As always, Kouga’s art is a highlight of her work. There’s something essentially cheerful and straightforward about her layout and designs that gives a story like this an even darker tone than it might have with a more overtly sinister look. Also, though the story is far from light-hearted, there is a clarity to Kouga’s visual storytelling that keeps it from becoming mired in its own weight.”

More reviews here.

The Story of Saiunkoku | Sai Yukino, Kairi Yura | Viz Media – A brand new favorite, this series got my attention immediately with its complicated characterization and strong female lead. From my discussion of volume one:

“Despite the fact that I’d heard positive buzz about this series … I admit I was more than skeptical. The manga’s opening chapter didn’t do much to sway me, either, with its gag sensibility and creepy romantic overtones … Fortunately, it quickly became clear that my first impressions were just wrong … though the story first seems to be crafted out of the same, tired tropes … each of these standard elements–the happy-go-lucky heroine, the over-the-top humor, the contrived matchmaking–becomes fresh and even insightful in Sai Yukino’s hands … Like all of us, the roles they each play with each other are the result of everything they’ve had to do to survive their lives so far. Nobody is perfect (or even perfectly evil, at least from what we’ve seen), and since flawed characters are generally the most compelling in any story, this makes for a very rich experience overall.”

Full discussion here.


3 favorite “classic” shojo series:

Basara | Yumi Tamura | Viz Media – This multi-volume epic is a must-read for any fantasy/adventure fan. It also features a fantastic female lead who manages to be both vulnerable and kick-ass throughout. From Michelle Smith’s review of volume 25:

“I admit it: I cried. At things happy, sad, and both at once. I’ve invested three years in this series and can happily say that it was worth it. I’m not going to give any details on how things go down, so suffice it to say that the ending is very satisfying. I must’ve reread the last few pages three times to savor all that Sarasa had accomplished … Basara is probably the best manga I have ever read. Thanks, Viz, for taking a chance on it.”

Does any more need to be said?

Expect a full-out ode to this series here sometime in the near future.

Banana Fish | Akimi Yoshida | Viz Media – I probably have written more about Banana Fish than anyone ever should, but this story of gang wars, organized crime, drug trafficking, and government intrigue actually is one of my favorite series of all time. From Making the case for Banana Fish:

“Sure, this story is about street gangs, organized crime, blah blah blah, but what it is really about is this relationship between Ash and Eiji, and how it changes them both throughout the course of the series … I finished volume 19 (and the post-series one-shot, Garden of Light) months ago, and it still sticks with me, the story of these two, haunting the back of my mind in some way all the time … My husband once asked me, “Is Banana Fish yaoi?” and my immediate response was, “I wish”. . . What I meant was that I wish I’d ever read a boys’ love manga as interesting and well-plotted as Banana Fish. I’ll take that a step further. I wish I’d read more manga in general as interesting and well-plotted as Banana Fish, and I read a lot of manga.”

More posts here.

Please Save My Earth | Saki Hiwatari | Viz Media – Everything I need to say about this series I’ve said before. “A group of teenagers who share collective memory through their dreams about their former lives as alien scientists observing earth from the moon?? You could not possibly come up with something more appealing to the twelve-year-old me.” From History of a Daydreamer:

“Four volumes in, I said to friends, “It’s like they removed my teenaged brain and stuck it on paper for all of Japan to read.” This only became more true as I continued through the series. The plot is dense and complicated, mostly revolving around the tangled relationships and jealous rivalries that extend far beyond the characters’ past lives and in to the present … What’s really stunning about this story is how well and how believably the young characters carry their adult past-selves. As far-fetched as some of the plot manages to get, I absolutely believed every word and look from these characters…”

Read it all here.

Readers: What are three of your favorite shojo series? Tell me in comments or in your own blog!

Filed Under: 3 Things Thursday Tagged With: banana fish, basara, crown of love, please save my earth, the story of saiunkoku, we were there

Off the Shelf: All About the Hair

October 13, 2010 by MJ and Michelle Smith 13 Comments

Welcome to another edition of Off the Shelf with MJ & Michelle! I’m joined, once again, by Soliloquy in Blue‘s Michelle Smith.

Back from our pre-NYCC break, Michelle and I take some time to discuss recent releases from Viz Media, and Vertical, Inc, and Digital Manga Publishing.


MJ: So, after a weekend at New York Comic Con, where I enjoyed the opportunity to discuss manga with a bunch of smart fans and critics, I have returned home to this column… where I enjoy the opportunity to discuss manga with a smart fan and critic.

I spend money on cons why?

MICHELLE: Actually, I’m kind of relieved I didn’t spend a bunch of money to go, given the paucity of new manga licenses, although I admit not getting to meet people as a result is a serious drawback.

MJ: Well, I think the company right here is pretty good. Though, as I gaze at my dinner of frozen pizza, I’ll admit that the food in New York was better.

In any case, with or without new manga licenses, we have plenty of current titles to discuss right here. Why don’t you start us off?

MICHELLE: Alrighty.

This week I got caught up with Rumiko Takahashi’s latest series, RIN-NE. I used to read each new chapter of this series online, but fell out of the habit, and had volumes three and four here demanding my attention. RIN-NE is an episodic supernatural comedy from the pages of Shonen Sunday and features Rinne Rokudo, a “sort of” shinigami whose chief character trait appears to be stinginess, and Sakura Mamiya, a human girl who can see spirits and who helps Rinne bring closure to those hanging around their school and send them off to the wheel of reincarnation.

Volume three introduces a new character, Tsubasa Jumonji. He’s an exorcist, though he seems to think all ghosts are evil, and immediately asks Sakura to go out with him. She’s not enthusiastic but doesn’t exactly reject him, either, which troubles Rinne. Even though he tells Sakura he has no interest in going out with anyone, he’s beginning to ponder what she means to him. For her part, Sakura is incredibly level-headed and calm, to the point where neither boy has any inkling what’s really going on in her head.

Still, Tsubasa becomes a part of the gang and the trio contends with the ghost of a boy who would like one fun date with the girl he liked before passing on, a toilet-haunting spirit, evil mechanical pencils, and Rinne’s mooching dad, who is the president of a damashigami (a corrupt shinigami who harvests the souls of those not yet destined to die) company and intends for Rinne to inherit. An incredibly over-the-top fight ensues, which I can’t fully describe except to say that it features a giant slab of wagyu beef and a mysterious stranger in a seal costume.

To look at RIN-NE objectively, I admit that this is quite a lot of wacky hijinks with very little payoff in terms of plot or character relationships. Still, it’s kind of… homey and pleasant, which is just what one needs sometimes. Plus, the tiny dribbles of romantic angst ensure that I’ll be coming back for more….

Read More

Filed Under: OFF THE SHELF Tagged With: rin-ne, the story of saiunkoku, twin spica, yokan

Pick of the Week: Full House

October 12, 2010 by MJ 6 Comments

With little to excite me in this week’s comics shipment, and with so many publishers at New York Comic Con turning their focus to digital comics, I’ve decided this week to highlight a manhwa title that can currently be read in English only in digital form. That title is Sooyeon Won’s romantic comedy Full House, available online from NETCOMICS.

Though the Full House‘s early volumes were published by now-defunct Central Park Media, they are obviously now out of print. Thankfully, NETCOMICS rebooted the series from the beginning, providing fresh translations and regular chapter updates at their online store. And though many of us may far prefer to read our comics in print, without the pressure of generating print sales, it seems more likely that NETCOMICS will stick out this 16-volume series over the long haul.

Though NETCOMICS’ updates have been increasingly slow for all their series over the past few months, Full House, at least, is getting some attention from its publisher, with its most recent update just a few weeks old. I’ve reviewed both of the first two volumes here at Manga Bookshelf (one | two) and after my weekend at NYCC, I feel quite inspired to dig into later chapters, so look for more on this series (and others) over the next few weeks.

Here’s an excerpt from my review of the series’ second volume:

Though this series is, frankly, stunningly predictable, to leave it at that would be a grave oversimplification. Manhwa-ga Sooyeon Won has an extraordinary talent for turning romantic cliché into storytelling gold, a skill she would later refine to perfection in her outrageously poetic boys’ love epic, Let Dai. Her secret to this is brazen excess, which in this case applies to the series’ endless stream of classic screwball comedy banter—precisely the thing that makes the story so much fun in the first place. Will Ellie and Ryder get together? Of course. Will they face numerous rivals, career obstacles, and ridiculous misunderstandings along the way? Sure! Frankly, none of it matters as long as they keep talking … and talking and talking.

So head on over to NETCOMICS and check out the series’ first chapter for free!

Filed Under: PICK OF THE WEEK Tagged With: full house, manhwa

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 910
  • Page 911
  • Page 912
  • Page 913
  • Page 914
  • Interim pages omitted …
  • Page 1047
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework