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Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 4

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By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by sachi salehi.

The anime is currently airing as I type this up, and it’s quite enjoyable, if very low budget. It’s also doing something very sensible, which a lot of series are doing lately: it’s adapting the manga, not the light novel. This is obvious if you watch any scene with Alicia, who is simply far more sympathetic and nice in the manga than she ever was in the LN. I’m not sure how the manga resolves the Alicia plotline, if it’s even gotten to that point yet, But I remember how the light novel did, with Alicia essentially under house arrest, and still traumatized by the finale of the first book. And, as it turns out, the author was rather jealous of how Alicia was handled in the manga. And so, after taking a couple of books off, Alicia returns for this new book. Unfortunately, this is still the light novel version of Alicia, which means that the reunion is more pathetic than anything else.

After resolving issues with her alternate universe self, there’s not really much standing between Yumiella and Patrick’s wedding… except for Yumiella, who suddenly realizes that a large wedding is exactly the sort of thing she doesn’t want. Given this, she naturally decides to fly to the moon. This doesn’t work out, so instead she plummets into the neighboring country of Lemlaesta… which you may recall is the country that Patrick’s mother despises. There she meets a man named Gilbert, who looks a lot like Patrick. And he has the same name as Patrick’s brother, something which Patrick just told Yumiella before all of this insanity happened. Naturally, she doesn’t recognize him. Incredibly, she also manages to fool (?) him into thinking she’s not Yumiella. Can the two densest people alive possibly manage to stop a war?

How much you enjoy this book may depend on how much you can tolerate Yumiella being even more of an airhead than usual. The anime reminds me just how far off the rails she’s gotten since the first volume, and she now rarely if ever manages to descend to anything resembling reality. There are a few times when I just wanted to throttle her, particularly when she tried to jump to the moon to run away from her problems. On the bright side, sometimes Yumiella being this dense really is very funny, and once you get behind the idea that she and Gilbert don’t know who the other one is, despite the 87 billion clues each one has, you just roll with it and laugh. And yes, Alicia comes back. More interesting than her actions in this book (which are predictable as hell) is the fact that she’s being trained to be a weapon that will be deployed in case the country’s bomb (Yumiella) goes off. I’d feel bad for her if it weren’t for, well… (waves hand at everything Alicia does in this book).

I didn’t even mention Yumiella measuring her new level, which leads to some of the best jokes but also sets up the final confrontation. Oh yes, and Yumiella sprouting wings like an Evangelion shout out. In any case, despite Yumiella starting to get a bit *too* dense, this is still a series I enjoy.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 1

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

As I was reading this volume, I thought about the simple fact that there are too many villainess books at the moment. It’s inevitable, of course, just as there are too many isekai books (though that’s slowing down a bit), and that we briefly had too many high school romance books before that bubble quickly burst. And so I start to drill this new series down into subcategories. There’s no Japan or otome games involved, which is nice. Aside from the time travel, there’s no magic here. It’s one of those “person goes back in time” series like Tearmoon Empire, though this series is far more serious than Tearmoon. As expected, “becoming the ultimate villain” mostly involves things like trying to be a good person and avoid making the same mistakes, rather than “getting revenge” or anything. And, unfortunately, its biggest weakness is one that many other villainess books possess: there’s a “heroine” as well, and in order to balance against our clever villainess, the heroine is an amazingly annoying dipshit. Anti-Maria Campbell Syndrome.

Unlike a lot of other villainesses in this genre, Claudia Lindsey really was an annoying, petty villainess who tried to sabotage her half-sister Fermina, and is somewhat poleaxed to find that everyone hates her and she is not only not engaged to the Prince, but she’s being sent to a nunnery. Things do not improve when, on the way to the nunnery, her carriage is beset by bandits and she’s kidnapped and sold into a brothel. She spends the next few years there. maturing and realizing how shallow and selfish she had been. She also becomes a top-notch sex worker. Unfortunately, her one main ally dies from disease, and a couple of years later Claudia also passes away… and wakes up ten years earlier, in her 14-year-old body, on the day of her mother’s funeral. After realizing what’s happened, she takes advantage of “grieving” for her mother to completely redo her personalty, gain actual allies, and avoid the fate which Fermina manipulated her into last time. Because oh yes, Fermina is not a nice person, regardless of the timeline.

The strengths and weaknesses of this book are similar to other “serious” villainess books. The weakness is Fermina, who despises Claudia for having the life she feels she deserves, but without Claudia being shallow and vapid, Fermina can’t achieve anything she did in the past timeline, and is reduced to a one-note character we’re happy to see the back of at the end of the book. The strength is Claudia, who I greatly enjoyed. I liked that she is 10 years older in mind but still has room to mature, and in fact a lot of her actions are driven by her terror of Fermina somehow gaining the upper hand on her again. I also appreciate that this is a heroine who is allowed to have a libido: we don’t see her sex work, but she’s certainly more experienced in flirting than a woman of her age and noble status should be, and her growing horror as she realizes that teenage hormones means that she’s not able to put a lid on things as much as she’d like to is amusing. I also enjoyed her casual bisexuality, as she admits she finds one of the prince’s bridal candidates to be just as enticing as the prince.

The rest of the cast are good but stereotypical: the sadistic prince who loves Claudia because he can’t tell what she’s thinking; the beleaguered aide, the doting older brother, and the ludicrously loyal maid (who is her former mentor at the brothel in her former life, because nobles rescuing women from terrible fates and making them household workers is another villainess cliche). If you’re looking for something new, look elsewhere. If you’re happy with more of the same, this is quite good. It also feels like it ended with this volume, but there’s 4+ more out in Japan, so…

You Are My Regret, Vol. 1

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By Shimesaba and Ui Shigure. Released in Japan as “Kimi wa Boku no Regret” by Dash X Bunko. Released in North America by Yen On. Translated by Andria McKnight.

As with the author’s previous series, I wasn’t going to originally be reading this at all. Mostly that’s because the author’s previous series was Higehiro, and the first volume of that annoyed me in about 8,000 different ways. The other reason is that it has a title and cover art that made me think it was another of Yen’s many “license the novel based on a new animated Japanese movie starring a young teenage couple whose love is perfect and yet also tragic”, and I’ve kind of gone off those. But then I saw it was none of those, that’s it’s a romantic drama which tries to dig into the concept of “free spirits”, being selfish about being selfless, and how middle school students are dumbasses who can’t talk to each other. Honestly, the same holds true in high school, which is why this is a romantic drama and not a comedy. Everyone is in love and it’s killing them inside.

Back in middle school, Yuzuru and Ai dated. She had confessed to him, and he loved being around her. They walked around, did couple-y things, etc. But eventually the pressure of thinking that Ai was the sort who shouldn’t be tied down to anyone and should live her life freely got to be too much for Yuzuru, and he broke up with her while badly communicating this. Shortly afterwards, her family moved away,. and he now contents himself with sitting in the literature club classroom, reading, and being completely oblivious to the feelings of angry tsundere Kaoru. Unfortunately for him, Ai has moved back and is transferring into their school. Even worse, she’s still in love with him. Can they manage to recover their relationship and figure out what went wrong in the first place?

This was a bit of a mixed bag for me. That’s actually a plus, because it means that it rises ahead of Higehiro. Unfortunately, it does that by actually taking place in high school and featuring kids the same age, meaning it doesn’t have 90% of what made Higehiro annoying. It does have the remaining 10%, which is Yuzuru, the male love interest. I want to push him into a canal. That said, I get it. He’s a high school kid. He’s also one of those “cool intellectuals” who really isn’t, and fails to understand how women think or even that they do. I really pity poor Kaoru, who not only is clearly in love with this schmuck but also has to take him by the hand and lead him to the actual clue, that clue being that when you break up with someone because you feel dating them is too selfish, you need to ask yourself what it means to be dating, AND talk to the other person. As for Ai, I am honestly not sure it’s healthy for her to BE dating him at this point, but I suppose that’s what fiction is for. She is a ball of energy and angst, and I hope we get more depth about her in the next two books (a 2nd book from her perspective would help, but I’m not expecting that.)

This is a compact three volumes in Japan, so it should resolve things fairly quickly. I wasn’t wild about it, but I’ll try another volume. Just remember that teenagers are idiots.

The Kept Man of the Princess Knight, Vol. 1

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By Toru Shirogane and Saki Mashima. Released in Japan as “Himekishi-sama no Himo” by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This book has one big, big thing going for it, which is that I finished it. More than that, I plan to read the next book. That’s a big deal, because this book is dark as fuck. It starts off really bleak, but at about the two-thirds mark I said “ah, good, it’s bleak, but it’s not 100% bleak”. NOPE. It is indeed 100% bleak, and I regretted even thinking it would be otherwise. This is a book filled with violent death, and not just of evil bad guys. The protagonist is an incredible asshole, and does things throughout the volume that are beyond the pale. The Princess Knight who is in the title is somewhat out of focus, mostly as she has to be off in the dungeons for most of the book, but she also has many issues. I have no illusions that this will have any ending other than “everyone dies, but at least they get to choose the manner of their death”. And yet… this was an award winner, and I can see why. You can’t put it down.

Matthew is the Kept Man of the title, and the Princess Knight is Arwin. Her country has been destroyed, fallen to monsters, and the only way she can save it is with a legendary treasure located at the bottom of one of the world’s only remaining dungeons. Matthew is a lecherous layabout who is as weak as a kitten but hella tough, and who, it is said by everyone, sleeps with the princess and is paid by her to do so. As the book goes on, we get to find out Matthew’s actual past, see how he goes about his day when Arwin is in the dungeon, and see him gradually get embroiled in various plots in the dark side of this town – which is, to be honest, the entire town – as he tries to hide the real reason that the princess is so dependent on him.

Translator Stephen Paul, who must have been over the moon to work on this anti-Kirito title after so much Sword Art Online, described this as being “raunchy and funny”, and I’ll agree with him on the first, but I’m not really sure where all the laughs are in this book. Matthew’s comebacks end up being more “yo mama” jokes than anything else, and the best joke in the book is one I won’t spoil, but involves some brothers. It’s definitely raunchy, though I note that the author, who knows his audience will only put up with so much in regards to their heroines, obfuscates about whether Matthew and Arwin are in fact lovers. But the main reason to read this is the sheer jaw-dropping awfulness of everything going on. Matthew’s past and present are awful, Arwin’s past and present are awful, Matthew kills about a dozen people throughout this book, and even those who try to escape the book’s world can’t make it out. It’s a compelling, nasty world.

Again, I hate reading dark stories where everyone dies, but I still finished this and want more. That’s a big selling point. That said, buyer beware.

Manga the Week of 2/28/24

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SEAN: Please close the door behind February as you exit.

ASH: How is the shortest month not already over?

SEAN: Airship starts us off with a print version of Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash 4.

The early digital debut is Reincarnated Into a Game as the Hero’s Friend: Running the Kingdom Behind the Scenes (Maou to Yuusha no Tatakai no Ura de), which had its manga come out literally last week, and now here’s the novel that was based on.

And we also get the 8th volume of Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship!.

No debuts for Cross Infinite World (actually, they seem to be concentrating on ongoing series for the next few months, possibly as they got so many in 2023), but we do see Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound 4, Expedition Cooking with the Enoch Royal Knights 4, and Onmyoji and Tengu Eyes 3.

ASH: I really should give Onmyoji and Tengu Eyes a look at some point.

SEAN: Dark Horse has a 4th volume of Cat + Gamer.

Amazon lists Denpa as having the 4th omnibus of Nana & Kaoru out next week.

ASH: We shall see!

SEAN: Ghost Ship has The Witches of Adamas 7, and the non-Ghost Ship but Mature-rated The Dangerous Convenience Store 2.

J-Novel Club has the debut of a coveted license rescue, Chivalry of a Failed Knight (Rakudai Kishi no Cavalry). It’s very popular, features a “guy who everyone hates with bad abilities who secretly has the best abilities”, and takes place at a magical academy. Oh, and since I’m required to make an Asterisk War joke here… nah, I won’t bother.

ASH: Not a series (or genre, really) that I’m reading, but I’m generally always happy for a license rescue.

SEAN: Also out from J-Novel Club: the 7th Bibliophile Princess manga, The Brilliant Healer’s New Life in the Shadows 2, the 8th Cooking with Wild Game manga, From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone 2, the 3rd I’ll Never Set Foot in That House Again! manga, A Late-Start Tamer’s Laid-Back Life 9, Reincarnated Mage with Inferior Eyes: Breezing through the Future as an Oppressed Ex-Hero 6, and Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters! 4.

From Kodansha Books we get As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 4.

Some debuts from Kodansha Manga. The Blue Wolves of Mibu (Ao no Miburo) is a historical drama from Weekly Shonen Magazine about the founding of the Shinsengumi.

MICHELLE: Oooh.

ANNA: OK, I’m officially curious about this!

ASH: Yup! Count me in, too.

SEAN: A Kingdom of Quartz (Quartz no Oukoku) is an Afternoon series about a girl who longs to fight alongside the angels, but that may be hard given her powers tend more towards the demonic.

Nude Model and Other Stories (Yamaguchi Tsubasa Tanpenshuu: Nude Model) is a short story collection from the creator of Blue Period.

ASH: I suspect this has the potential to be pretty good.

SEAN: Also in print: Blue Lock 11, Shangri-La Frontier 10, and Something’s Wrong With Us 19 (the final volume).

ANNA: Need to pick up Blue Lock for one of my kids!

SEAN: Digitally we see Am I Actually the Strongest? 10, Boss Bride Days 14, Elegant Yokai Apartment Life 27, Gamaran: Shura 17, How to Treat a Lady Knight Right 3, I Left my A-Rank Party to Help My Former Students Reach the Dungeon Depths! 2, Koigakubo-kun Stole My First Time 6, My Home Hero 13, and That’s My Atypical Girl 11.

Last Gasp have a paperback edition of Junko Mizuno’s Pure Trance, which had its hardcover out a few years back. I’d describe the plot, but I suspect Junko Mizuno readers simply buy based on the creator name, and quite right too.

ASH: Ha! Glad to see this staying in print.

SEAN: One Peace Books has the 22nd manga volume of The Rising of the Shield Hero.

No debuts for Seven Seas, but we get Bite Maker: The King’s Omega 10, D-Frag! 17, DUNGEON DIVE: Aim for the Deepest Level 5, The Haunted Bookstore – Gateway to a Parallel Universe 4 (the final volume), The Invisible Man and His Soon-to-Be Wife 3, Last Game 4, Lazy Dungeon Master 7, Monster Guild: The Dark Lord’s (No-Good) Comeback! 6, Reincarnated as a Dragon Hatchling 5, The World’s Fastest Level Up 2, and Yokohama Kaidashi Kikou: Deluxe Edition 4.

ASH: I need to spend more time reading Yokohama Kaidashi Kikou.

SEAN: Square Enix Books has a 10th volume of Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!.

MICHELLE: Insert boilerplate about needing to get caught up on Cherry Magic! here.

SEAN: Tokyopop has a 10th and final volume of Futaribeya: A Room for Two.

Viz Media debuts My Name Is Shingo: The Perfect Edition (Watashi wa Shingo), a horror manga from Kazuo Umezz himself, which ran in Big Comic Spirits. The story of two young boys who befriend a robot, it has a fantastic cover, and comes highly recommended.

ASH: I plan on picking it up!

SEAN: Yen On has a debut. The Other World’s Books Depend on the Bean Counter (Isekai no Sata wa Shachiku Shidai) has already had its manga come out from Yen Press, and this is the light novel version. Recommended for isekai fans who also like BL.

ASH: BL is a way to get me to try things I might not otherwise.

SEAN: Yen Press debuts God Bless the Mistaken (Kamisama ga Machigaeru), a sci-fi series from the creator of Bloom Into You which ran in Dengeki Daioh. A middle schooler helps his landlady investigate bugs in the world – not the insects, bugs as in glitches.

And they also have Elden Ring: The Road to the Erdtree 2, Murciélago 23, and No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! 22.

For a leap year that’s a lot. What tickles your fancy?

Miss Savage Fang: The Strongest Mercenary in History Is Reincarnated As an Unstoppable Noblewoman, Vol. 1

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By Kakkaku Akashi and Kayahara. Released in Japan as “Savage Fang Ojō-sama: Shijō Saikyō no Yōhei wa Shijō Saikyō no Bōgyaku Reijō to natte Futatabime no Sekai o Musō Suru” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Sarah Moon.

This is, for the most part, a good entry in the “reincarnated as a villainess” genre, with two big exceptions: a plotting decision at the start, and a characterization decision at the end. Other than that, it’s got a non-Japanese reincarnation, which is always nice, and a narrator who is a hell of a lot of fun. (Yen seems to have quietly dropped the “don’t let the books say fuck” guideline in the last year or two, and it’s allowed the books to sound more true to life much of the time.) I will note, though, that it’s a book that really assumes you want to see violence. The heroine used to be a mercenary who literally beat his enemies to death, and now that she’s the daughter of a duke she’s still capable of doing this, though at least holds back a bit. Mostly as she knows murder is a bad rep for a duke’s daughter to have.

The nation of Eltania is on the verge of collapse, thanks to its selfish and evil queen Mylene. We follow a group of mercenaries, led by a magicless but powerful man named Envil. Eventually Mylene is captured and is about to be executed when a foreign power shows up, using Eltania’s collapse as an excuse to invade. Envil ends up getting himself killed during this… and wakes up ten years in the past. But not in the orphanage that he first grew up in. No, he’s now in the body of Lady Mylene, already a holy terror and not yet engaged to the Prince. Now it’s up to Mylene to try to change the future as much as she can… while still, of course, making sure that she’s able to beat the crap out of absolutely anyone whenever she feels like it.

To start with a complaint, this book takes forever to get to the reincarnation. Most villainess books these days steamroll through the backstory as fast as possible to get to what readers like, which is why this one leisurely showing us that Envil is powerful and that Eltania is corrupt feels like a slog. After that things pick up, though. Mylene retains her foul mouth from her previous incarnation, at least when she’s not around other nobility, and it’s amusing to hear. She kicks eight kinds of ass. There’s a suggestion that Mylene (who has the “powers of a god”, supposedly) is fated to be greedy, and we see her, even in this new timeline, fall prey to it a bit. Best of all, though, is the scorching relationship between Mylene and Colette, the princess of the Empire that invaded Eltania in the prior timeline. I absolutely loved these two fighting and also looking like they were arguing about who gets to top. So, as you can imagine, the ending of this first volume, which has Colette essentially change to the same personality as the masochistic, worshipful prince who adores Mylene, left a sour taste in my mouth. Let two dominant women try to one-up each other, dammit.

Despite these issues, and a lot of violence/gore, this is still a good series debut. I’ll pick up the next one. Oh yes, warning, they do go to a noble academy. Did you forget what genre you were reading?

Is It Wrong to Try to Pick Up Girls in a Dungeon? Astrea Record, Vol. 1

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By Fujino Omori and Kakage. Released in Japan as “Astrea Record Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

Before we begin, congratulations to Jake Humphrey, who joins the ranks of the translators on the world’s most cursed light novel series. I think this may actually push the total into double digits, if we count all the various spinoffs. I’m sure everything will be fine. Probably.

In retrospect, there were many things that were a mistake about this book. First, there’s the fact that it came out a mere six weeks after the 18th volume of the main series, which had already totally exhausted me. I understand that the three volumes of Astrea Record were released monthly in Japan, and I am so glad that’s not happening here. Secondly, I need to beg publishers: please stop forcing authors to write novels based on your spinoff game. First we got KonoSuba, and now Omori is being forced to toil away at this trilogy, which is probably why 19 in the main series isn’t scheduled here yet. But third, I knew going in that this series was going to be depressing. It stars everyone in Lyu’s old Familia, which means by definition everyone is going to end up dead in it except the goddess herself and Lyu. However, good news! This book is not a longer version of the canonical deaths we know about from the main series. That is the end of the good news.

This book takes place seven years before Bell Cranel arrives in a peaceful (ish) Orario. It’s far from peaceful here. The Evils are making everyone’s lives a living hell, and it’s all the various Families can do to keep the peace. This is, of course, in addition to going down and dungeon clearing, which the guild is also making them do. Fourteen-year-old Lyu, a rookie with Astrea Familia, is overly serious and quick to anger, but seems to be fitting in pretty well… that is, until a mysterious guy shows up and starts to ask her questions like “what is justice, really?”. Which, given Lyu is an emo teen, works like a charm in terms of throwing her off her game. That said, this book is not about Lyu. It’s about the series of bloody terrorist attacks that completely destroys the fragile city populace, and all of the adventurers trying to stop literally everyone from dying.

The goal of this book is to show off how much better things are in Bell’s time, and it achieves that admirable. It’s some of the most depressing prose I’ve read in a while. Lyu has a friend, the younger sister of Shakti, who is a bubbling beacon of hope and happiness, and all I could think was “wow, you are going to get horribly murdered”. And, yup, that’s what happens. The back half of this book is an absolute orgy of slaughter. Hell, Ottar – Ottar! – is nearly killed and beaten bloody, because we have two mysterious new bad guys in town, from the now defunct Zeus and Hera Familia. The warrior is the one who takes down Ottar, and he’s a sword guy. The mage takes out both Gareth and Riveria, and she has the mysterious name “Silent Witch”. (She’s not Monica Everett, sorry, crossover fans.) They’re both doing this for mysterious reasons that I think I can guess, but I’ll leave that for next time. At least they seem to be the only two doing this for reasons that aren’t “we love killing people”.

There’s two more books of this, yikes. I will try to read the second one, but if it’s just more “let’s kill anyone likable” for 250 more pages, I may bail. For hardcore Danmachi fans only.

BLADE & BASTARD: Return of the Hrathnir

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By Kumo Kagyu and so-bin. Released in Japan as “Blade & Bastard” by Dre Novels. Released in North America by J-Novel Club. Translated by Sean McCann.

One of the frustrating things about this series is that it is obviously written for middle-aged men who grew up in the 1980s playing Wizardry and want to see the author mess around in that world. At the same time, it has the sort of set pieces that can only really be deeply enjoyed by fourteen year olds who love edgy torture scenes and constant rape threats by bad guys who are eeeeeeevil, just super, duper, ooper evil. You can tell because of the rape threats. No one is actually raped here, though it’s implied in the backstory of one character, but certainly this is a series that wants you to know that it’s not afraid to shock and offend you. Unfortunately, I wrote things like this when I was in my early twenties, so all it does is make me cringe and want to desperately be reading anything else. The core of Blade & Bastard is still interesting, it’s just the execution I don’t like.

The book starts off with a real tragedy: Garbage breaks her beloved huge-ass broadsword. She goes off to get a replacement, but none of them appeal to her, and she’s left with a “Cuisinart”, a blade that is certainly good but far too light for her, and it also spins around. (The joke is somewhat obvious.) As for Raraja, he’s watching everyone else take on the dungeon every day and still trying to find a purpose beyond “locate the girl I used to adventure with whose corpse is presumably somewhere in the dungeon”. How fortunate for him that he’s met by his old bully, Goerz, who says he has that EXACT info, and will give it to Raraja if he just does one little job in the dungeon for him. Raraja knows it’s probably a trap, but goes along with it anyway, because information and a death trap is better than no information. Sadly, he’s underestimated how evil Goerz really is.

So yeah, this is a harem series. New book, new girl, and yes, it’s the girl who Raraja has been searching for who turns out to not be dead but merely wishes she was. Orlaya has some special abilities, and thus has been used by everyone around her to the point where she’s grown extremely bitter, cynical and disillusioned, and thus 100% rejects any help Raraja might be offering. Last time I said that every girl in this series was the author’s barely disguised fetish, and that applies here, as Orlaya is missing an eye, gets stuck inside a meat machine that basically spews out monsters with her as the center, and generally defines the word “woobie”. Oh yes, and as if this weren’t cliched enough, after being saved by Raraja (duh), she walks up to the huge stacked Berkanan and says “I won’t lose!”, as if Blade & Bastard suddenly became Love Hina.

So yeah, I was mostly unhappy. That said, there are good bits here. Most of Garbage’s plotline, including a few more tasty backstory bits, is excellent. Aine gets to be a cool sword-swinging nun, even if she also gets a pile of rape threats and also loses both hands. And Iarumas almost has an emotion. Still, this book’s main audience is for those who think there’s no such thing as too much black paint.

Pick of the Week: Final Volumes and Ongoing Ones

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SEAN: I didn’t realize till I was writing up Manga the Week of post that Ako and Bambi is from the creator of Horimiya. That definitely pushes it into the “I should really check this out” territory, so it’s my pick this week.

MICHELLE: I Think Our Son Is Gay is coming to an end, so I’ll take my last chance to pick it this week!

ASH: I’m definitely tempted to make I Think Our Son Is Gay my pick this week, too, considering how delightful the series has been. As for debuts, though, Yen Press does have my attention with Taking Care of God and Whoever Steals This Book, among others.

ANNA: I’m going to renew my commitment to getting caught up on Tsubaki-chou Lonely Planet and make that my pick!

KATE: It’s a rare week when I’m planning to buy more than one new title (if that!), but this week I’ll be shelling out for three—count ’em—new arrivals: the debut volume of Ako and Bambi, the sixth volume of Kowloon Generic Romance, and the done-in-one Taking Care of God.

I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness: I’ll Spoil Her with Delicacies and Style to Make Her the Happiest Woman in the World!, Vol. 3

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By Fukada Sametarou and Sakura Miwabe. Released in Japan as “Konyaku Haki Sareta Reijō o Hirotta Ore ga, Ikenai Koto o Oshiekomu -Oishi Mono o Tabesasete Oshare o Sasete, Sekai Ichi Shiawase na Shōjo ni Produce!-” by PASH! Books. Released in North America by J-Novel Club. Translated by Yui Kajita.

Oh dear. I’d say “and it was going so well, too”, but to be honest I had a few issues with the first two volumes of this series as well. This third one, though, feels like an episode of that game show where you send contestants into a supermarket and they have to stuff as many groceries into a cart as they can in 60 seconds. Theoretically the final volume in the series (more on that later), this volume seemingly had one plot left to deal with: Charlotte’s family and her past as an abused child. Admittedly this is a tricky plot to write when you’re doing a sweet romcom that uses the word “naughty” as its main gag, but clearly that was going to be the thrust of it. We do get that, but it’s lost in an avalanche of “everything but the kitchen sink”.

Now that Allen and Charlotte have confessed to each other, they can only get closer. Unfortunately, Charlotte casually mentions that tomorrow is her birthday… a fact that literally everyone in the cast except for Allen seems to have known, and they’re all lining up to deliver the absolute best presents, while Allen flails and is pathetic. Finally settling on “a kiss once everyone is asleep”, he then runs into another problem: Charlotte’s body holds two souls, the second one being the former Saint of her country Lydilia, who has occasionally been taking charge of Charlotte’s body (that’s how she escaped so easily), but now wants Allen to kill her as she is tired of life. (Kill her soul, I hasten to add – Charlotte would be fine.) That’s still not good enough for Allen, and now he has to find naughty things to please a completely different noble lady.

I cannot begin to describe how the first third of this annoyed me. Suddenly this non-isekai series is filled with reincarnations from Japan, who are busy creating ramen cafes. Our mail carrier catgirl turns out to have been searching for her missing twin sister… who she finds within 2 pages of her explaining this. The “perfect birthday present” section is excruciating, with Allen suddenly becoming ten times more pathetic than he’s ever been. Lydilia’s plot works best, especially when the narrative turns serious, but it also feels like it was shoehorned in so that the same “sharing souls” concept could be used to explain part of the overcomplicated solution to Charlotte’s past abuse. Lastly, the final scene with Allen and Charlotte meeting as children actively made me snarl at the book in its obviousness.

Still, at least with this last volume, we’ve… End of Part One, you say? More books coming? Sigh. If you really enjoyed this, you might try more, but this third volume just annoyed me.